131 10 1775 https://omeka.binghamton.edu/omeka/files/original/a1eb3f5c0a784a1f3953ac57ccf8fcfa.pdf ad72fb828f21eef10dbf542524a7a8ce PDF Text Text N O T M A H G N I B U N I V E R S I T Y S TAT E U N I V E R S I T Y O F NEW Y O : : RK E B C P E P A A T R T HURSDAY M I D D AY CONCERT ﬀ S S v c , » ,' N 4 = S E T 2 8 4 4 >, T h u rs d a y M ar ch 1 0 , 2 011 1 :2 0 P .M. IT A L H A L L S R E C C A S A D E SU �PROG RAM P e r l a Gloria Giovanni Bononcini (1677–1726) Antonio Caldara ‘ (16701736) Alma del Core Halt Danksagung an den Bach Yii Lee, piano ( Johann Sebastian Bach (1685–1750) 4” movement, Allegro James Hsia, violin The Vagabond. Ralph Vaughan Williams (1872–1958) Benedetto Mar cello (16861739) Il mio DEL Loco Brian Evans,baritone Yﬁ Lee, piano . S u e J o tuba................... 1’l move ment, allegro m aestoso 2”m ovement, andante espressivo 3 ” movement, allegro con brio (17971828) Richard G. Leonberger, tenor Brister Hay, tenor ChaiKyou Mallinson, piano Sonata #2 i n minor 3” movement, Andante S a s s i Franz Schubert W O R I N G from Carnival, Opus 9 ............... Preambule (prelude) Valse noble (noble waltz) Eusebius (Schumann) Florest an (Schumann) Coquette (coquettish woman) Papillo n (butterﬂy) Chiarina (Clara Schumann) Chopin Estrella , Fes RObErt Schumann (18101856) ChaiKyou Mallinson, piano Concertina... II. Calm Paul Creston (19061985) ...............Don Haddad Matthew Gukowsky, tuba Pej Reitz, piano Adam Goldenberg, marirnba Pej Reitz, piano (b. 1935) Vignettes: Ellis Island I. Prologue : ...............Alan Louis Smith Ii. Emma III. Anna IV. Catherine i V. Anna Cabiria J acobsen, mezzosoprano Pej Reitz, piano (b. 1955) �Bingha mton Univer sity M usic D epartm ent’s U P C O M I N G E V E N T S ﬂ é w é ' ﬁ M é é é ' é r b ﬂ ﬁ r an é w é ﬂ Thursday, March 1 7 — Friedheim Memorial Lecture/R ecital Series: Ro bert Schu mann’s Ca rnavaI(Al ice Mitche ll, speaker and Chai Kyou Mall inson, pia no) — 8:00 PM — Casadesus Recital Hall — $5 general public; free for students (100 student tickets available) Saturday, April 2 — Junior Recital: M ark Rossn agel, orga n — 3:00 PM — First Presbyterian Church, Binghamton — free S u n d ay, April 3 — Organist Jonathan B i g ge rs — A B a c h Celebratio nl! Series — 4:00 PM — First Presbyterian Church, Binghamton — $10 general public; $5 faculty/staﬀ/seniors; $2 students : Friday, Ap ril 8 — Un iversity St ring Orch estra — 4:00 PM — Grand Corridor — free Saturday, April 9 — Binghamt on Univer sity Flute Trio (Natalie M cCreary, E mily Morr is, Mark Z huang) — 12 noon — Fine Arts Room 21 — free ~ Saturda y, April 9 — Master ’s Recital: Victoria C annizzo, soprano — 2:00 PM — Casadesus Recital Hall — free Saturday, April 9 — Pianist Michael S almirs: Fo r the Love of Music — 8:00 PM — Anderson Center Chamber Hall — $15 general public; $10 faculty/staﬀ/seniors; $5 students Sunday, April 10 — Senior Recital: L aura Mac Avoy, sop rano — 3:00 PM — Casadesus Recital Hall — free For ticket information, please call the Anderson Center B o x O ﬀice at 777ART S To see all events, please visit music.bi nghamto n.edu Become a fan on Facebook by visiting Bingham ton Universi ty M usic D epartme nt � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:11:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145423">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145423</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert Recital Tape 2011-3-10 Description An account of the resource Held at 1:20 p.m., March 10, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hay, Brister Mallinson, Chai-Kyou Hsia, James Evans, Brian Lee, Ü Gukowksy, Matthew Reitz, Margaret A. Leonberger, Richard G. Goldenberg, Adam Jacobsen, Cabiria Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:25 27:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145432">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145432</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Out from behind the curtain : music of the former Soviet republics, March 10 2011 Recital Tape 2011-3-10b Description An account of the resource Held at 8:00 p.m., March 10, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fallis, Tahnee Browne, Peter Buck, Carrie Choi, Justin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20:02 35:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145436">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145436</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital series : Schumann's Carnaval, March 17, 2011 Recital Tape 2011-3-17 Description An account of the resource Held at 8:00 p.m., March 17, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Schumann, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3defcb321ed2ae7f89f40421766e1628.pdf 13e5198d13f91477f640794a7da2c1c7 PDF Text Text BINGHAMTON U N I V E R U N I V E R S I T Y O F N E W Y O R K C E P A B T M E N T DEPARTMENT OF MUSIC M ID D A Y R EC I T A L Thursd ay, M arch 31, 2011 1:2 0 p.m. Casadesus Recital Hall �PROG RAM Selected Songs........... Violin Sonata No. 2 in D major, op. 94bis .............Sergey Prokoﬁev (18911 953) Scherzo : Presto AAS :yg af Antonin Dvorak (18411 904) V tak mnohém srdci mrtvo jest . from Pisne milostne (Love songs), op. 83, no. 2 Ten ptacek, ten se nazpiva from Vecerni pisné (Evening songs), op. 31, no. 5 James Hsia, violin J ieun J ang, piano KdyZ mne stara matka \ from Cigédnské melodic (Gypsy melodies), op. 55, no. 4 : y Horn Concerto No. 1 in E ﬂat major, Op 11 Movement 2 y Richard Strauss (18641949) Robert M uller, French horn Margaret Reitz, piano La cour te paille .. ...Franc is Poulenc (18991963) Le sommeil Quelle aventure! La reine de coeur Ba, Be, Bi Bo, B u Les anges musiciens Le carafon Lune d’Avril Laura MacAvoy, soprano William James Lawson, piano Briana S akamoto, soprano Margaret Reitz, piano ‘ �Saturday, A pril 2 – Jun ior Recital: Ma rk Rossnag el, organ – 3:00 p.m. – First Presbyterian Church, Binghamton – free Sunday, Ap ril 3 – Orga nist Jonath an Biggers – A Bach C elebration!! Series – 4:00 p.m. – First Presbyterian Church, Binghamton – $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, A pril 7 – MidDay C oncert – 1:20 p. m. – Casadesus Recital Hall – free . Friday, Apr il 8 – Univers ity String O rchestra – 4:00 p.m. – Grand Corridor – free Saturday, A pril 9 – Bing hamton Un iversity Flute Tr i o Concert (Natalie Mc Creary, Emily Morr is, Mark Zh uang) – 12 noon – Fine Arts Room 21 – free Saturday, A pril 9 – Mas ter’s Recita l: Victoria C annizzo, so prano – 2:00 p. m. – Casades us Recital Hall – free Saturday, A pril 9 – Pian ist Michael Salmirs: Fo r the Love o f M usic – 8:00 p.m. – Anderson Center Chamber Hall – $15 general public; $10 faculty/staﬀ/seniors; $5 students Sunday, Ap ril 10 – Senior Recital: Lau ra MacAvo y, soprano – 3:00 p. m. – Casades us Recital Hall – free Tuesday, A pril 12 – String Departmen t Recital: S tring Fever – 8.00 p.m. – Casa desus Recital Hall – free Thursday, A pril 14 – Jazz M idDay Con cert with gu est artist – 1:20 p.m. – Osterhout Concer t T h e a t e r free (Cosp onsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, A pril 14 – Harpu r Jazz Ense mble Conce rt with gues t artist – 8:00 p.m. – Osterhout Concert T h e a t e r $10 general public; $5 faculty/staﬀ/seniors; free for students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, April 15 – Lectur e on “ B l i n d T o m ” W iggins, 1 9 ” century AfricanAm erican com poser b y Stephanie J ensenMou lton – 3:00 p.m. – Casa desus Recital Hall – free For ticket information, please call the Anderson Box Oﬀice at 7 7 7ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:24:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145426">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145426</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Department of Music Mid-day Recital, March 31, 2011 Recital Tape 2011-3-31 Description An account of the resource Works by Prokofiev, Strauss, Poulenc, Dvorak. Held at 1:20 p.m., March 31, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hsia, James Jang, Jieun Muller, Robert Reitz, Margaret A. MacAvoy, Laura Lawson, William James Sakamoto, Briana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-31 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Format The file format, physical medium, or dimensions of the resource audio/wav https://omeka.binghamton.edu/omeka/files/original/bcde815821c1a12b591b3bd9271812ca.jpg 1226b261b19d5230bdd0a032b5051c3e https://omeka.binghamton.edu/omeka/files/original/0fcc27afb48ff690ed7e06cfe9d6e09e.mp3 a19ffbe202c71cb08412328ade9f982f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview 2011-04 Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Jackie Goldberg Language English Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 microcassettes Material Type Sound Interview Format Video or Audio Audio Biographical Text <span data-sheets-value="{"1":2,"2":"Jackie Goldberg is a politician, teacher, member of the Democratic Party, a former member of the California State Assembly, and was president of the Los Angeles School Board. Goldberg was a founder member of the California Legislative LGBT Caucus and of the Progressive Caucus in Sacramento. She has a Bachelor's degree from University of California, Berkeley and a Master's degree in education from the University of Chicago."}" data-sheets-userformat="{"2":13311,"3":{"1":1},"4":[null,2,4884200],"5":{"1":[{"1":2,"2":0,"5":[null,2,0]},{"1":0,"2":0,"3":3},{"1":1,"2":0,"4":1}]},"6":{"1":[{"1":2,"2":0,"5":[null,2,0]},{"1":0,"2":0,"3":3},{"1":1,"2":0,"4":1}]},"7":{"1":[{"1":2,"2":0,"5":[null,2,0]},{"1":0,"2":0,"3":3},{"1":1,"2":0,"4":1}]},"8":{"1":[{"1":2,"2":0,"5":[null,2,0]},{"1":0,"2":0,"3":3},{"1":1,"2":0,"4":1}]},"9":0,"10":2,"11":4,"12":0,"15":"Arial","16":10}">Jackie Goldberg is a politician, teacher, member of the Democratic Party, a former member of the California State Assembly, and was president of the Los Angeles School Board. Goldberg was a founder member of the California Legislative LGBT Caucus and of the Progressive Caucus in Sacramento. She has a Bachelor's degree from the University of California, Berkeley and a Master's degree in education from the University of Chicago.</span> Keywords <span data-sheets-value="{"1":2,"2":"Tea Party Movement; Baby boom generation; Free Speech Movement; Nineteen sixties; Ronald Reagan; Religion; Black Panthers; Vietnam War."}" data-sheets-userformat="{"2":513,"3":{"1":0},"12":0}">Tea Party Movement; Baby boom generation; Free Speech Movement; Nineteen sixties; Ronald Reagan; Religion; Black Panthers; Vietnam War.</span> Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 213:16 Subject LCSH Politicians--United States; Teachers—California; Progressivism (United States politics); Goldberg, Jackie--Interviews Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Jackie Goldberg Contributor An entity responsible for making contributions to the resource Goldberg, Jackie ; McKiernan, Stephen Format The file format, physical medium, or dimensions of the resource audio/wav Subject The topic of the resource Politicians--United States; Teachers—California; Progressivism (United States politics); Goldberg, Jackie--Interviews Description An account of the resource Jackie Goldberg is a politician, teacher, member of the Democratic Party, a former member of the California State Assembly, and was president of the Los Angeles School Board. Goldberg was a founder member of the California Legislative LGBT Caucus and of the Progressive Caucus in Sacramento. She has a Bachelor's degree from the University of California, Berkeley and a Master's degree in education from the University of Chicago. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04 Rights Information about rights held in and over the resource In copyright Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context McKiernan.Oral.10.2016.193a ; McKiernan.Oral.10.2016.193b; McKiernan.Oral.10.2016.193c Date Modified Date on which the resource was changed. 2018-03-29 Is Part Of A related resource in which the described resource is physically or logically included. McKiernan Interviews Extent The size or duration of the resource. 213:16 https://omeka.binghamton.edu/omeka/files/original/c55fbb53f257c9da0cbd81555dc24087.pdf e2370a6497c03f59081b46de31a56298 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S l T Y O F N E W Y O R K [4 247928 D E P A R T M E N T J U N I O R R E C I TA L M a r k R oss nag el O rgan (student in the class of D r . J o na th a n B iggers) A pril 2, 201 1 3 :00 p. m. F irst Pr es byte rian C h u rc h , B in g ha m to n , N e w Y o rk �Notes on the Progra m PROG RAM Sonata III in Amajor 1. 2. Felix Mendelssohn (18091847) Con mo to maes toso Andante tranqui llo from El even ChoralePreludes.. ........... .......weereer... Johannes Brahms I. (18331897) Mein Jesu, der du mich (“My Jes us Leadeth Me”) III. O Welt, ich muss dich lassen (1% version) (“O World, I now m ust leave Thee”) X. Herzlich tut mich verlangen (“My Hea rt is ﬁlled with long ing") XI. O Welt, ich muss dich lassen ( 2 version) (*O World, I now m ust leave Thee”) Tocca ta a nd F ugue in D mino r ( “D orian”), BWV 538. Variations on Mein Ju nges L eben h at ein E nd .J.S. Bach (16851750) JanPieterzoon Sweelinck ChoraleVariations on Veni Creator, op.4... . (15621621) . Maurice Duruﬂé Guilba ultThérien Organ, 1996 Felix Mendelssohn (18091847) w rote his “Six Sonatas for the Organ” (Op. 65) in response to a commission from the English publishing ﬁ rm Coventry & Hollier. The composer made several visits to London over the course of his short life, conducting and performing as both a pianist and an organist, and was greatly respected and admired there. Composed between 1844 and 1845, these works are not “sonatas” in a strict sense, but are rather groupings of character pieces, with elements of the Bachian counterpoint that Mendelssohn so admixed set against the composer ’s own lyrical, Romantic style. The Sonata in Amajor is a conﬂuence of the abovementioned elements, incorporating magisterial, almost orchestral writing in the grand statement that opens and closes the ﬁrst movement, as well as a double fugue employing the Lutheran chorale melody Aus tiefer Not schrei ich zu Dir ( “Out of deep distress I cry to you”) as the cantus ﬁrmus. The second and ﬁnal movement, a simple Andante tranquillo , rounds out the to rtured ma terial o f the prev ious mov ement wi th its gen lilting melodies and tender cadences. tle, The 11 Chorale Preludes, op. 122 by Johannes Brahms (18331897) are his last completed works, and as s uch are concerned with death and the Chris tian hope for redemption. Four are featured on this p rogram – two from the beginning of the set (Nos. 1 and 3), and two from the end (Nos. 10 and 11). No. 1 is a collection of short fugues, each one built on a phrase of the chorale Mein Jesu, der du mich, culminating in a wonderful resolution marked by fascinating harmonic progressions and intense suspensions, suggesting a “longing ” for life eternal. No. 10 is a setting of the Lenten chorale Herzlich tut mich verlangen, which American ch urchgoers know today by the title “O Sacred Head, now w o und ed It is the darkest and most brooding of the four works presented today; the repea ted eighth notes in the bass voice suggest the slow plodding walk towards death. Nos. 3 and 1 1 are both settings of the chorale O Welt, ich muss dich lassen; No. 1 1 l is espec ially nota ble for its peaceful nature and meditative repetitions of each phrase of the chorale. It is the very last piece of m usic that Brahms wrote. The organ music of Johann Sebastian Bach (16851750) is, like so much of the Leipzig Master’s work, unparalleled in form, content, and its ability to elicit powerful emotions in the listener – features tha t abound in the mighty Toccata and Fugue in D minor, BWV 538 (“Dorian”). The material for the Toccata springs almost entirely from its opening motive – rising 16 ” notes tha t lend a motoric, obsessive quality to the music. The fugue that follows is a work of c ontrapuntal genius that sets it apart e ven from other Bach fugues ; the basic compositional style employ ed in this movement is stile antico (“antique s tyle”), a type of contrapuntal w riting observed in the masters of the Rena issance period. Bach‘s employment of this older style of fugal composition pays homage to the more Palestrinalike, severe style of contra puntal w riting, but in many ways, Bach exceeds the style of the older masters by crea ting a fugue that is unparalleled in intensity and majesty, making it one of the ﬁnest w orks written by Bach that utilize this mode o f composition. Bach was greatly inﬂuenced by past North Eu ropean masters, one of whom was Jan Pieterzsoon Sweelinc k (1562–1621), the socalled “Orpheus of Amsterda m”. Sweelinc k held the position of chief organist at the Oude Kerk (“Old Ch urch”) in �Amsterdam from the age of 1 5 until his death, and was kno wn both in his native city and across Europe as a maste r improviser and teacher. He wrote numerous keyboard toccatas, fantasies and variations, and the set of six variations on Mein Junges Leben hat ein End (“My young life hath an end ”) is one of his most popula r and widely performed works. One could almost follow a person’s progression from childhood to maturity and adulthood and ﬁnally to old age, then a “second childhood”, in the course of these remarkable, jewellike variations. Staying in the genre of themeandvariations, but skipping ahead by almost four centuries, we come to the ﬁnal piece on this program: the Chorale Variations from Maurice Duruﬂé’s Prelude, A dagio et Choral Varié sur le théme du ”Veni Creator”, op.4 (1930). An obsessive perfectionist, Dumﬂé published very little, instead destroying works he had written but regarded as “inferior”, but the pieces he did release for publication have all become staples of the organ repertoire. Beca use of his Catholic faith, he was highly inﬂuenced by Gregorian chant, w hich is featured prominently in many of his works, as evidenced here in the theme and four variations on Veni, Creator Spiritus (“Come, Creator Spirit”), which are themselves the last “movement” of a much larger work, the Prelude, Adagio et Choral Varié sur “Veni Creator”. Duruﬂé ex plores several interesting sonic environments in these variations, ranging from light ﬂutes to w a rm s trings to magniﬁcent fortissimo combinations. The ﬁnal variation, a brilliant toccata, features the chorale theme in canon and ends on full organ w ith blazing harmonies outlinin g the ﬁnal chords. Binghamton University Music D epartment’s U P C O M I N G E V E N T S ﬁ t s “ M t b ' ﬁ w t b ﬂ ﬁ t h ﬂ ﬁ t b ' ﬁ Sunday, April 3 – Organist Jonathan Biggers – A Bach Celebratio n!! Series – 4.00 p.m. – First Presbyterian Churc h, Binghamton – $10 general public; $5 faculty/staﬀ/seniors; $2 students Thursday, April 7 – MidDay C o n c e r t 1:20 p.m. – Casadesus Recital Hall – free Friday, April 8 University String Orchest ra – 4:00 p.m. – Grand Corrid or free Saturday, April 9 – Binghamton University F lute Tr i o Concert (Natalie McCreary, Emily Morris, Mark Zhuang) – 12 noon – Fin e Arts Room 21 free Saturday, April 9 – Master’s Recital: Victoria Cannizzo, soprano – 2:00 p.m. – Casadesus Recital Hall – free Saturday, April 9 Pianist Michael Salmirs: Fo r the Love o f M usic – 8:00 p.m. – Anderson Center Chamber Hall – $15 general public; $10 faculty/staﬀ/seniors; $5 students Sunday, April 10 – Senior Recital: Laura M acAvoy, soprano – 3:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the ﬀ i c e a t 777A R T5. Anderson Center B o x O � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:36:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145461">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145461</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital, Mark Rossnagel, organ, April 2, 2011 Recital Tape 2011-4-2 Description An account of the resource Held at 3:00 p.m., April 2, 2011, First Presbyterian Church, Binghamton, New York. Creator An entity primarily responsible for making the resource Rossnagel, Mark Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2d5d5d1acd340ee7e11f95270b9db9c8.jpg dc7b81eee20f7051c4c7e6cccea9ae34 https://omeka.binghamton.edu/omeka/files/original/599cc92d10398b3c283450517bb3efb0.mp3 f4fd3d4f02c80656886f78cda14f058a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Date of Interview 2011-04-06 Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Belva Davis, 1932- Language English Biographical Text Belva Davis is an award winning journalist who has covered politics for over forty years. She has anchored three major network affiliates CBS, NBC and PBS. This includes a political affairs program on KQED-San Francisco that is one the most watched public stations in America. In 2008, Belva Davis was inducted into the National Association of Black Journalists Hall of Fame. She has received eight regional Emmys for reporting on a variety of topics including the AIDS Epidemic, Castro's Cuba, Bready Cancer and Learning Disabilities. She was the first African American woman on the West Coast and was profiled in the NEWSEUM, the world's first interactive museum of news. Davis is the author of the book <em>Never in My Wildest Dreams: A Black Woman's Life in Journalism</em>. Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 Microcassettes Material Type Sound Interview Format Video or Audio Audio Keywords <span data-sheets-value="{"1":2,"2":"African American Women; Prejudice; Civil Rights; Women's Movement; Black Panthers; Second Class Citizens; Journalism; Affirmative Action"}" data-sheets-userformat="{"2":2,"4":{"1":2,"2":13689059}}">African American Women; Prejudice; Civil Rights; Women's Movement; Black Panthers; Second Class Citizens; Journalism; Affirmative Action</span> Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 186:31 Subject LCSH Women television journalists--United States; Radio journalists--United States; Davis, Belva, 1932--Interviews Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Belva Davis Contributor An entity responsible for making contributions to the resource Davis, Belva, 1932- ; McKiernan, Stephen Format The file format, physical medium, or dimensions of the resource audio/wav Subject The topic of the resource Women television journalists--United States; Radio journalists--United States; Davis, Belva, 1932--Interviews Description An account of the resource Belva Davis is a television and radio journalist. Davis has won eight Emmy Awards, and she has been recognized for her hard work by major groups such as the American Women in Radio and Television and the National Association of Black Journalists. Belva Davis is an award winning journalist who has covered politics for over forty years. She has anchored three major network affiliates CBS, NBC and PBS. This includes a political affairs program on KQED-San Francisco that is one the most watched public stations in America. In 2008, Belva Davis was inducted into the National Association of Black Journalists Hall of Fame. She has received eight regional Emmys for reporting on a variety of topics including the AIDS Epidemic, Castro's Cuba, Bready Cancer and Learning Disabilities. She was the first African American woman on the West Coast and was profiled in the NEWSEUM, the world's first interactive museum of news. Davis is the author of the book <em>Never in My Wildest Dreams: A Black Woman's Life in Journalism</em>. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-06 Rights Information about rights held in and over the resource In copyright Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context McKiernan.Oral.10.2016.42a; McKiernan.Oral.10.2016.42b Date Modified Date on which the resource was changed. 2017-03-14 Is Part Of A related resource in which the described resource is physically or logically included. McKiernan Interviews Extent The size or duration of the resource. 186:31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:21:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145440">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145440</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 7, 2011 Recital Tape 2011-4-7 Description An account of the resource Held at 1:20 p.m., April 7, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Teneriello, Lauren Pittarelli, Zeno Gaita, David MacAvoy, Laura Lawson, William James Jiang, Jieun Hsia, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a183e5806213a2c6f1360c4389c42f33.pdf 7f35a27f9e44a7b4e3e2b00363803a6b PDF Text Text BINGHAMTON N L STATE U N I V E R S I T Y O F N E W Y O R K ztdec [4 D E P A R T M E N T BINGHAMT ON UNIVERSITY FLUTE TRIO CONCERT Natalie McCrea ry, Flute Emily Morris, Flute Mark Zhuang, Flute ChaiKyou Mallinson, Piano Saturday, April 9, 2011 12:00 Noon FA #21 �A PROGRAM EIdin Burton (1913–1979) Sonatina for Flute and Piano Allegretto grazioso Andante sognando Allegro giocoso Mark Zhuang, Flute ChaiKyou Mallinson, Piano .Gabriel Faure Fantasy, Opus 79 for Flute and Piano (18451924) Natalie McCreary, Flute ChaiKyou Mallinson, Piano The Carnival of Venice, Opus 78 with Variations GIUIIO Briccaldi (1818–1881) Edited by Frederick Wilkins Emily Morris, Flute ChaiKyou Mallinson, Piano ac) x & INTERMISSION x3 <= cs THE BINGHAMTON UNIVERSITY FLUTE TRIO Sonata in D Major ........... for Three Flutes ...Johann Joachim Quantz (1697–1773) Vivace Menuet Vivace Suite for Three Flutes.. Andante Allegro Adagietto Scherzo ..William Presser (b. 1916) Rondeau from Suite Pastorale .........................JeanMichel Damase (b. 1928) Circus March.. The Drunken Sailor.......... ..........Ricky Lombardo (b. 1946) .. Traditional Arranged by C. Cowles B O U T Natalie McCreary graduated salutatorian of Ross Corners Christian Academy in 2009. She is a sophomore at Binghamton University, majoring in Human Development with future plans of a master degree in Elementary Education. During high school, she performed in the NYSSMA Solo Festivals and the music competitions of ACSI (Association of Christian Schools International) at Houghton College, Houghton, New York. Natalie is a member of the Binghamton University Symphony Orchestra and the Bingha mton University Flute Trio. She is a member of the Flute Studio of Georgetta Maiolo. Emily Morris is a senior at Binghamton University, with a major in Man agement Information Systems and Environmental Studies. She is a member of the Binghamton University Orchestra, Binghamton University Flute Trio, Pep Band, and a former member of the Binghamton University Wind Symphony and Flute Ensemble. She is a member of the Flute Studio of Georgetta Maiolo. Emily graduated from Syosset High School in 2008. While in High School, she performed with the Metropolitan Youth Orchestra and the Na ssauSuﬀolk Performing Arts Wind Symphony as well as the AllCounty Band and Orchestra. Last year, Emily studied abroad twice, traveling on a winter interim trip to India to study internationa l business, and then attending Southern Cross University in Lismore, Australia for the spring semes ter to study environmental science. She attended Usdan Center for the Performing Arts for four summers, participating in the senior band and senior chorus. She will return there this summer for her third season as a member of their administrative staﬀ. Mark Zhuang, from Staten Island, New York, is a freshman at Binghamton University. He is a member of the Bingha mton University Wind Symphony and the Binghamton University Flute Trio. He is a member of the Flute Studio of Georgetta Maiolo. Mark graduated from Staten Island Technical High School, where he participated in the High School Band, NYSSMA Solo Festivals, All State Symphonic Band (2009) and the All State Wind Ensemble (2010). From 2007 thru 2010 he studied ﬂute with Keriann DiBariOverle. Mark was a ﬁnalist in the U.S. Army Band “Pershing’'s Own” soloist competition. ChaiKyou Mallins on, currently on the faculty of the Department of Music at Binghamton University, received a B.M. degree in Piano from Julliard, Licence d’Enseignement from Ecole Normale de Musique de Paris, France and a M.A. degree from Binghamton University. Her teachers include Jean Casadesus, JeanMichel Damase, Jules Gentil and Alton Jones. She also performed in Master Classes by Robert Casadesus. A prize winner in the Korean National Music Competition, Ms. Mallinson was awarded the French Government Scholarship, Tanglewood Summer School Full Scholarship and the Fontainebleau American Conservatory Full Scholarship. Ms. Mallinson gave a debut Recital in Carnegie Recital Hall and has been active as a recitalist, vocal coach, accompanist, and chamber music performer, as well as an active adjudicator of piano auditions and competitions. She is a member of the Music Teachers National Association, the Southern Tier Music Teachers‘ Association, and of the board of judges for the National Guild of Piano Teachers. �Bingham ton Univer sity Mus ic Departm ent’s U P C O M I N G E V E N T S é w M M M M é ' ﬁ w é ﬁ é ' MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sa turda y, A pril 9 — Pia nis t Micha el Sal mirs : For the Love o f M usic — 8:00 PM — Anderson Center Chamber Hall — $15 general public; $10 faculty/staﬀ/ seniors; $5 students Sunday, Ap ril 1 0 — Senior Recital : Laura MacAv oy, soprano — 3:00 PM — Casadesus Recital Hall — free Tuesday, A pril 1 2 — String Departmen t Recital : String Fever — 8:00 PM — Casadesus Recital Hall — free Thursday, April 14 — Harpur Jazz Ensemble Concert w i th g uest a rti s t — 8:00 PM — Osterhout Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, April 15 — Lecture on “Blind Tom ” Wiggins, 1 9 ” c entury A fricanA merican co mposer by Stephanie JensenMo ul ton — 3:00 PM — Casadesus Recital Hall — free Friday, Apr il 15 — Universi ty S tring Orchestra — 4:00 PM — Grand Corridor — free Thursday, April 28 — Trumpet Studio Con cert — 8:00 PM — Casadesus Recital Hall — free Saturday, A pril 3 0 — Harpu r Chorale a nd Women ’s Chorus — 8:00 PM — Anderson Center Chamber Hall — free Sunday, M a y 1 — W ind Symph ony Conce rt : Solo Compe tition Winners — 3:00 PM — Anderson Center Chamber Hall — free Sunda y, Ma y 1 — Ma s ter ’s Recital : Ja mes Hsia , v iol in — 7:30 PM — Casadesus Recital Hall — free For ticket information, please call the Ander son Cen ter Box Oﬀice at 7 77ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:34:00 Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145496 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Flute Trio concert, April 9, 2011 Recital Tape 2011-4-9 Description An account of the resource Held at 3:00 p.m., April 9, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource McCreary, Natalie Morris, Emily Zhuang, Mark Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f4f5991970ffba8771f953bac7b31b8b.pdf 05df6d6d7ae0f3db2de0f6a20fe07a00 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T SENIOR R EC ITA L LAU RA MACAVOY SOPRANO wilh Willcam, peano S u n d a y , Apr il/10 , 2 0 1 1 3.00 p. n a Casadesus Recital Hal �TR AN SL ATIO NS PROG RA M Let me wa nde r no t un see n Text: John Milton L’Allegro, il Penseroso ed il Moderato...... .... George Frideric Handel Let me wander not unseen (16851759) Or let the merry bells Venuto e A r , Ah, ma i non cessate Ognun ripicchia e nicchia Nac htgang, Op . 29 no 3 . . Du meines Herzens Kronelein, Op 21 no. 3 Lei ses Lie d, O p. 39, n o. 1 Schlagende Herzen, Op. 29, no. 2 Let me wander, not unseen, By hedgerow elms on hillocks green. There the ploughman, near at hand, Whistles over the furrow’d land. And the mildmaid singeth blithe, And the mower whets his scythe, And every shepherd tells his tale, Under the haw thorn in the dale. .Stefano Donaudy (18791925) Or l et th e m erry bel ls ..Richard Strauss (18641949) Or let the merry bells rin g round, and the jocund rebecks sound. To many a youth and many a maid, dancing in the chequer’d shade. Bio/N TE RMISS IONCU La Courte Paille........ Le sommeil Quelle adventure! La reine d e coeur Ba, Be, Bi, Bo, Bu Les an ges musiciens Le carafon Lune d’Avril Three Browning S o n g s Ah, Love, but a day! Op . 4 4 ”no. 2 I send my heart up to thee! Op . 44 , no The Year’s at the Spring. Op. 44 , no. 1. 3 IL Ven uto é I’ apr ile (Ap ril has arr ived ) Tex t: Alber to Donaudy ...Francis Poulenc (18991963) Amy Beach (18671944) J April has arrived, weaving garlands, and gathering nymphs and sylvans in the meadow. The alder trees are tuning their instruments, and at the ﬁrst harmonies o f the wind among the branches, the dance begins. First a faun advances... His nymph sees him ... Sighs... And they ﬂy o ﬀ together! The couples frolic among the fountains and the brooks, and then disappear furtively into the woods... But Clori, who meanwhile is jealous of Nice, waits unhappily and lonely, in tears, for the dance to end. But a shepherd approaches... And already Clori sees him ... Sighs... And they ﬂy o ﬀ together! Ah, ma i n on c ess ate ... (Ah , ne ver cea se.. .) Ah, never cease your speaking, oh desired lips to which I madly go; With the honey o f your words I want to ma ke a sweet pillow upon which 1 will sleep. Oh blessed dreams never dreamed by anyone which, sleeping upon that pillow; I will have, sleeping and dreaming, close to your heart, my sweet, desired dream o f love. Ah! Sleeping, dreaming dreaming of love! Ogn un r ipic chia e n icch ia (Eve ryon e re pea ts a nd hes itate s) Everyone repeats and always hesitates over an event strange to tell. But why, bu t how is it. that so much love should end this way? Now I would like to tell m y story s o comical as it is: I was walking on e day with Mona Lapa, who was so dear to my heart, through the ﬁelds to gather ﬂowers. But the stor y begins here. Oh! Wha t is that I see the re? A cricket or a nightingale? The most beautiful! My beauty sat on a little hill. She hoped to be able to enjoy the divine singer, but at the trill of the cricket and at his quick jump she gave a scream, and with her ﬂight, I fell o n the place where she had sat. And the story ends here. �III Nachtga ng (Night Walk) Text: Otto Julius Bierbaum We walked through the quiet, mild night, your arm in mine, your eyes in mine. The moon poured silver light over yourface. as if your head rested on a golden bed. And you appeared to me as a saint, gentle and immense and full of soul, holy and pure, l k e the beloved sun. And in my eyes rose up a warm longing like a tearful premonition. More tightly I clasped you and kissed you, kissed you so softly. My soul wept. Du meine s Herzens Kronelei n (You m y h eart’s litt le crown) Text: Felix Dahn You my heart’s little crown, you are o f p ure gold, when others are close by, then you are still mo re lovely. The others appear to be so clever, you are very calm an d quiet, that every heart takes pleasure in YOU, it is your fortune, no t your will. The others seek love and favor with thousands of false words, you without deceit in word and look are valued in all places. You are like the rose in the forest, she knows nothing o f her beauty, yet to each, who wanders by, she delights the heart. Leises Ll ed (Gentle S ong) Text: Richard Dehmel In a quiet garden near the bottom of the well, how gladly I would wait the long grey night! Many bright lilies bloom around the base of the well; therein swim the golden stars, therein th e moon baths. And just as into the well shimmer the loving stars, the light o f your loving eyes always shines into my heart. Yet the stars in the sky, they remain so far away; in your quiet garden I would like to stand. Schlagende Herzen (Beating Hearts) Text: Otto Julius Bierbaum Over meadows and ﬁelds a boy walked; kling, klang, beat his heart; On his ﬁnger shone a golden ring, kling, klang, beat his heart! Oh meadows, oh ﬁelds, how beautiful you are! Oh mountains, oh valleys, how beautiful! How good you are, how lovely you are, your golden sun so high in the sky! Kling, klang, beat his heart. Quickly hurried the boy with merry step, kling, klang, beat his heart. He took many a laughing ﬂower with him; kling, klang, beat his heart. Over meadows and ﬁelds blows the spring wind, Over mountains and forests blows the spring wind, In the heart within me blows the spring wind, that drives me to you softly, gently. Kling, klang, beats his heart. Between meadows and ﬁelds stood a maiden, kling, klang, beats h er heart, she shaded her eyes with her hand to see, kling, klang, beats h er heart. “Over meadows and ﬁelds, over mountains and forests, to me. to me he quickly comes, Oh, if only he were already her e with me!” Kling, klang, beats h er heart. I V L a Courte Paille (The Sho rt Straw) Text: Maurice Careme Le somm eil (Sleep) Sleep has gone on a joumey, My goodness! Where has it gon e? I have rocked my little one in vain, He cries in his crib, He has cried since noon. Where has sleep put Its sand and wise dreams? I have rocked my little one in vain, He turns as if swimming, He sobs in his bed. Ah! Come back, come back sleep, On your handsome race horse! In the black sly, the Great Bear Has buried the sun And rekindled his bees. If the child does not sleep well, He will not say hello, He will have nothing to say tomorrow To his ﬁngers, to his milk, to his bread That welcome his d ay. Quelle aven tune! (What adventure!) A ﬂea, in her cart, Pulled a little elephant along Gazing in the shop windows Where diamonds sparkled. My goodness, my goodness! What adventure! Who would believe me if I told them? The little elephant, with an absent air, sucked on a pot of jam. But the ﬂea did not notice and pulled on smiling. My goodness, my goodness! If this goes on I will really believe I am going crazy! Suddenly, along by a fence, the ﬂea disappeared in the wind and I saw the young elephant make oﬀ, breaking through the walls. M y goodness, my goodness! It’s all perfectly true, But how shall I tell Mommy? La reins de c oeur (The Queen o f H earts) Gently leaning on the windows of the moon, The Queen greats you With a ﬂower o f the almond tree. She is the Queen of Hearts She can, if she wishes, Lead you in secret to a strange dwelling place Where there are no more doors, nor rooms, nor towers And where the young dead people come to speak of love. The Queen greats you And hastens you to follow her Into her house of frost With the sweet windows of the moon. Ba, B e, Bi, B o, B u (Ba, B e, B i, B o, B u) Ba, be, bi, bo, bu, be! The cat has put on his boots, H e g oes from door to door Playing, dancing, dancing, singing. Louse, cabbage, knee, owl! “You must learn to read, to count, to write,” Everyone shouts at him. But Rikketikketau, The cat laughs loudly And retums to his castle. He is the Puss in Boots! Les anges musiciens (The ang el musici ans) On the threads of the rain, The Thursday ang els Play all day on the ham. And under their ﬁngertips, Mozart tinkles deliciously In drops o f blue joy. Because it is always Mozart That is endlessly repeated By the angelic musicians Who, throughout Thursday, Are singing on their harps, The softness o f the rain. �Le cara fon (The Baby Carafe) “Why,” complained the carafe, “should I not have a baby carafe? At the zoo, Madame the giraﬀe, has she not a baby giraﬀe?” A sorcerer who happened to be passing by astride a phonograph, Recorded the lovely soprano voice of the carafe and let Merlin hear it. “Very well,” he said, “very well!” He clapped his hands three times And the lady of the house Still asks herself why That very moming, she found A pretty little baby carafe Nestled close to the carafe Just like in the zoo, the baby giraﬀe Rests its long, fragile neck Against the pale ﬂank of the giraﬀe. Lune d’Avril (April Moon) Moon, Beautiful moon, moon of April Let me see in my sleep The peach tree with the saﬀron heart, The ﬁsh who laughs sleet, The bird who, distantly like a ho m, sweetly wakes the dead And above all, above all, the land where it is joyful, where it is clear, where there are sunrays of primroses, Where all the guns have been destroyed. Moon, Beautiful moon, moon of April. V Ah, Lov e, but a day! Text: Robert Browning Ah, Love, bu t a day, And the world ha s changed! The sun’s away, And the bird estranged; The wind has dropped, And the sky’s deranged; Summer has stopped. Ah, Love, but a day, And the world has changed! Look in my eyes! Wilt thou change too? Should I fear surprise? Shall I ﬁnd aught new In the old and dear, In the good and true, With the changing year? Ah, Love, Look in my eyes, Wilt thou change too? I send m y h eart u p to thee! I send my heart up to thee, all my heart In this m y singing. For the stars help me, and the sea, and the sea bears part; The very night is clinging Closer to Venice’ streets to leave one space Above me, whence thy face May light my joyous heart to thee, to thee its dwelling place. I send m y heart up to thee, all my heart In this m y singing. The Ye ar’s at the Spr ing. The year’s at the spring, And day’s at the mom; Moming’s at seven; The hillside’s dew pearled; The year’s at the spring; And day’s at the mom; The lark’s on the wing; The snail’s on th e thom; God’s in his heaven, AIl‘s righ t with the world! ABOU T TH E PERFORM ERS L a u r a M a c Av o y, soprano, is currently a senior Bachelor of Music candidate studying under th e direction of M ary Burgess at Binghamton University. This past summe r, Ms. MacAvoy traveled to Périgueux, France, where she sang the role of Cybelle in Orphée aux enfers, as well as several art so ng revi ews with the France American Vocal Academy. A s a member o f the Tri Cities Opera Chorus, she has appeared i n Le nozze di Figao, L’elisir d’amore, Cosi fan tutte, and in the upcoming production of Les contes d’Hoﬀmann. She has also sung with Lake George Opera in the Children’s Chorus of La Bohéme. Also through Lake George Opera, she has participated in two youth operas, singing the title role in Dido and Aeneas and The Rose, The Wate r, and chorus parts i n The Little Prince: A Magical Opera. Ms. MacAvoy has sung with numerous ch oirs in the Sa ratoga and B ingham ton area, a s well a s severa l solo performances in both areas. In the coming year, s he will begin work on a Master’s of Music in Voic e at the University of MissouriKansas City (UMKC ). William Jame s Law son coaches and ac companies singers at Binghamton University. As a coach, he specializes in English diction for American and English art songs and the sacred and classical theater repertoires. He studied at Binghamton University (B.A. 1980), where his teachers included Seymour Fink and Patricia Hanson in piano, M . Searle Wrig ht in c hurch music, and Stevenson Barrett in vocal coaching. He holds a n M.A. from New York University (198 4) and was o ne of t he ﬁrst gradu ates of New York University’s innovative Depar tment o f Performance Studies, an interdisciplinary program in the performing arts. In 2008, he conducted the Summ er Savoyards production of Princess Ida. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145473">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145473</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior recital, Laura MacAvoy, April 10, 2011 Recital Tape 2011-4-10 Description An account of the resource Held at 3:00 p.m., April 10, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource MacAvoy, Laura Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound