131 10 1775 https://omeka.binghamton.edu/omeka/files/original/20da61e97911891357f100f7e643ab7e.jpg 7777849a171f863071796444e08c3e04 https://omeka.binghamton.edu/omeka/files/original/5c3973f86199b3cb13f7325e0dde7724.jpg 2d4484e29ae8759adfd186acdc992664 https://omeka.binghamton.edu/omeka/files/original/487d05732a2f81b81b748cb9d0c81787.jpg cdf27b0f66494885d32d1001a8771c1c https://omeka.binghamton.edu/omeka/files/original/8e71a8833db351b2fdfecb88e7115b8e.jpg 3c2a53826ac2b2f1a8177b86c0f62313 https://omeka.binghamton.edu/omeka/files/original/67edd51c20393f11ef18371d04a39936.jpg 87c427de0ca3da93d89cfd4a7c8bddc5 https://omeka.binghamton.edu/omeka/files/original/996f0c774fc6f307e0abeceb4dfa6de7.jpg ac8a2bae4f562c1e356e6d36afa0293b https://omeka.binghamton.edu/omeka/files/original/802e6a6acf2dad139d4d99b46bd093a9.jpg 0023b4bf8639f9299e86c0e31b796d46 https://omeka.binghamton.edu/omeka/files/original/c4c13f3d36b213ebc8677f0cfd18e1bd.jpg 990f11a6f2017b6075b6740dd5a46110 https://omeka.binghamton.edu/omeka/files/original/39b3375b7fefdb33a5f9aae980286b1b.jpg dc68afd9c3c1fb513fb146bf08e75d8d https://omeka.binghamton.edu/omeka/files/original/e40e9abf1fc28dab853994ce6fb46b84.jpg ef1bf769ce8c855e8cb53d70f2005c10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Three promptbooks, one book per Acts I, III, IV (No book for Act II); dual language books - texts are in both German and Swedish. Each promptbook is a typed script of play; no publishing information. Act I: Black pen, purple pen, and black pencil markings. Markings on both German and Swedish dialogues, mainly Swedish from page 6 onwards. No markings from page 25 to end of promptbook. Markings in both German and Swedish. Act III: Markings in black pen, mainly on Swedish dialogue. Act IV: Markings mainly in black pen, very few small pencil markings. Markings appear mainly on Swedish dialogue. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 28cm x 22.25cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.11 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orpheus in der Unterwelt : burleske Oper in vier Akten [promptbook] Subject The topic of the resource Offenbach, Jacques, 1819-1880 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Offenbach, Jacques, 1819-1880 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R3111 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/bfc4e49636d85578f2de7d12e33160bd.jpg 0b3966e02083e7e84d4bc3351b89519d https://omeka.binghamton.edu/omeka/files/original/69e33dcfd78b227d2ade0c2762906307.jpg 235922bdcb29b8e453c5e1dd7f514861 https://omeka.binghamton.edu/omeka/files/original/fe58992bd63dbbfea7df55dff96da22c.jpg 81cb5911d86bf3608e11250349780a70 https://omeka.binghamton.edu/omeka/files/original/a3f0b1b43c1f3527f6de39798ecd9ff5.jpg 81c92d07f06f5c9c862534e211a3f4ce https://omeka.binghamton.edu/omeka/files/original/7f6b17fba78066949567a1ccdea684fc.jpg f377cb7c0da768e0de536e25a2f0262e https://omeka.binghamton.edu/omeka/files/original/5ef5db30b8eaab53bfa4f3203054d57a.jpg 70b087a509957da926e384642fe1ddff https://omeka.binghamton.edu/omeka/files/original/dfea3bf1d8df58a1fad9c791e49aa220.jpg e4c26fc2c13fbcfa8ca925f4c2bfdcc8 https://omeka.binghamton.edu/omeka/files/original/f93d4c0cc11c202fe4ff7ed0791c53a1.jpg 9f3408eaaa061e518bb06f5f6a1f5137 https://omeka.binghamton.edu/omeka/files/original/c01a2f15c262c3fc6c848d8d65e17d62.jpg 76f8dfdb03480dc289b652cfaf1f4764 https://omeka.binghamton.edu/omeka/files/original/00d184557accd53e4a4ef69d7df037df.jpg 808415bbd7a4c514fd133f6c0386df36 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Stage sketch and directions found on page 3. Notes consistent throughout most of the promptbook, however from page 26 onwards there are very few notes. Most notes in black pencil and black pen. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 27cm x 22.5cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.93 Production(s) July 1911, Tutzing -Supporting materials: Box 4A Folder 12: Photographs (Künstler Theater, Munich; 1911) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orpheus in der Unterwelt : burleske Oper in vier Akten [promptbook] Subject The topic of the resource Offenbach, Jacques, 1819-1880 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Offenbach, Jacques, 1819-1880 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3112 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/2db2f3a034edb2b65f23ad3856c11c2f.jpg a92df6c96814d2866daeb90d6547cbfe https://omeka.binghamton.edu/omeka/files/original/25bc577a1f286dd60f73e4553de3e46f.jpg 7ff2c35fed6febf62530865d13f14b97 https://omeka.binghamton.edu/omeka/files/original/b5f74c15e91d3f5b170c14abfe1cef7c.jpg 9a35c05c1194ed68226b66a4e1ad2594 https://omeka.binghamton.edu/omeka/files/original/e231225bbbade3fd02803b0353f11e5f.jpg 3105c3a7f0bc983ec677a61f3e9d3fb8 https://omeka.binghamton.edu/omeka/files/original/53a0a16975abb5bc604e3e864f291b5b.jpg 6edd4ca99c0e1932dce0134a763e9f73 https://omeka.binghamton.edu/omeka/files/original/05e62e5cea5f9fa9208aeb34db786f73.jpg 96ee8a6793f1f5d717226c1c19cf3821 https://omeka.binghamton.edu/omeka/files/original/13b90097be0e43978fdcf2a7c4c44963.jpg ea6724809913683d3b2bf3db9e69f67d https://omeka.binghamton.edu/omeka/files/original/ad3cceead5933ed80f30ee2deb7f21a1.jpg 26cd738dcfe5005bfaf0102b0ad7d063 https://omeka.binghamton.edu/omeka/files/original/fec673030ece3f73bffee6324a01fdfc.jpg 1d6c16b7503bd598ff9e75814ee9cfff https://omeka.binghamton.edu/omeka/files/original/b437ae3b5da2b203def036c60a948163.jpg eabd2b37541d53d3ff5b7e56c8d94fd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Books all in good condition, worn covers. Four promptbooks, with one for each act. [Act I]: Pages 1-31. Notes in both German and Swedish. Brown pen markings from January 27, 1921 (Kopenhagen). Markings in purple pen, black pencil, and black pen (these markings are unspecified). Purple pen markings are consistent throughout, mainly dealing with notes on dialogue. Black pen markings are in Swedish, on Swedish side of page. Black pencil markings primarily refer to music. [Act II]: Pages 32-71.Markings in purple pen and black pencil. Black pencil on the cover reads “Berlin, Aug. 21.” Most black pencil markings involve music or Swedish notes. Extensive notes throughout in purple pen. Markings of note include stage sketches and directions, dialogue adjustments, and miscellaneous markings of interest. [Act III]: Pages 72-106. Purple pen markings: Kopenhagen, January 1921. Black pencil markings are unspecified. Most black pencil markings involve music or Swedish notes. Extensive notes made throughout in purple pen. Extensive markings throughout pertaining to stage sketches, dialogue adjustments, and miscellaneous markings of interest. Markings of note include a sketch of "bed with canopy" on page 95. [Act IV]: Pages 107-122. Purple pen markings: Kopenhagen, Feb. 21 (see page 107). Purple pen note on last page reads February 6, 1921 (Kopenhagen). Black pen markings used for Swedish notes.Red pencil markings unspecified, used mostly to emphasize purple notes. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 27.25cm x 21.25cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.14 Production(s) January 27, 1921, Kopenhagen (Casino Teatret) -Supporting materials: Box 4A Folder 13: Photographs February 6, 1921, Kopenhagen August 1921, Berlin (Grosses Schauspielhaus) -Supporting materials: Box 4A Folder 14: Photographs Box 14 Folder 24: Programs; plays (Berlin: 1921, 1922) Box 27 Folder 35: Writings by Max Reinhardt Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orpheus in der Unterwelt : burleske Oper in vier Akten [promptbook] Subject The topic of the resource Offenbach, Jacques, 1819-1880 Crémieux, Hector-Jonathan, 1828-1892 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Offenbach, Jacques, 1819-1880 Crémieux, Hector-Jonathan, 1828-1892 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3114 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/70aa3660ccea57e94fd260421377bce3.jpg dc6be4ac4f08c4264d9159968e101e41 https://omeka.binghamton.edu/omeka/files/original/26afbd44206a7abccafcab394f39870a.jpg 1b8f58e01b9f333bbdc215851c7485d6 https://omeka.binghamton.edu/omeka/files/original/0e4b2e98f384ebf4b2b90f0fdbd8ac4c.jpg bb320e1d6650ecc0e10f09abc3003121 https://omeka.binghamton.edu/omeka/files/original/3e11fe883d5bb6614ba3888b4df41e71.jpg 1920d6fe83aa261b8b939eacfafbd601 https://omeka.binghamton.edu/omeka/files/original/d65830348318703a2d966d719ae96653.jpg 4c3afda41c510d4a4a3269f6cf0759e0 https://omeka.binghamton.edu/omeka/files/original/3df90a11515e1060820c5af117c77eb6.jpg abc4ec298e121ac1775cdb25cb761bb0 https://omeka.binghamton.edu/omeka/files/original/f0dcdf94d0e603aebebfc2ab155f43de.jpg afbeda52b86a25411b351666d55498c8 https://omeka.binghamton.edu/omeka/files/original/01a56f2e17a59c3a8046cef7f93d9400.jpg 4bff464d481372f4b7fe2f78a6ff2538 https://omeka.binghamton.edu/omeka/files/original/0006ecc3f0df51d0cb88dbe24221f0d1.jpg d1ddce631c5f53f023c0f99d422a314b https://omeka.binghamton.edu/omeka/files/original/e1714661939c455c8e59682e7c0d800b.jpg 1c0e755c0f10e947ba8d5060d17184f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Markings in black pen, purple pen, black pencil, blue pencil, and red pencil. Written purple pen notes do not appear to be Max Reinhardt’s handwriting. Throughout the entire promptbook notes related to stage sketches, movements, drawings, and directions can be found. Almost all the written notes are in black pen, these written notes are extensive. Various sections/lines of dialogue taped over original throughout promptbook. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 17cm x 12cm Earlier version Earlier version (dcterms:isVersion Of) Othello Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.110 Production(s) November 9; 20 1910, Berlin, Deutsches Theater zu Berlin -Supporting materials: Box 6 Folders 43-44: characters Box 13A Folder 26: Else Heims Roles Box 13B: Overzied Else Heims Roles Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Othello : Trauerspiel [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Othello -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3203 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/a6846927916b6038b7698aa1a9d4038b.jpg 77b86feece46791118a7e73d6d4880f6 https://omeka.binghamton.edu/omeka/files/original/5e38cf9520730e092e263d456fc5ca55.jpg 64f0c54fd6b7a439a118f16a04690943 https://omeka.binghamton.edu/omeka/files/original/fac81bfeeb9559670804c75aa7c47c84.jpg 16fb99181e94b8538c013613e47f3a46 https://omeka.binghamton.edu/omeka/files/original/44243a1f4bd386a8f8dc7f911d27bc1d.jpg 2f431a7fc040cc24cd425b7d7fddc186 https://omeka.binghamton.edu/omeka/files/original/45acf08407421b7cfea2c12cc5684828.jpg 704f49e28f023cb82e552c75effe6a7f https://omeka.binghamton.edu/omeka/files/original/d4e87818b5988fc628aadb25bbbe65a1.jpg ad73d4d4cb8504809b12fca9d367531d https://omeka.binghamton.edu/omeka/files/original/94a52e3316df416208a32ac0bcf5f9ec.jpg b62885d759577b5de1f6fa8ce1155f33 https://omeka.binghamton.edu/omeka/files/original/1f05c86f8aed3df7d5905c65019f7ed8.jpg 84eeb31626e3361653109bc463618948 https://omeka.binghamton.edu/omeka/files/original/ac33b0254f02b59ae81b8419eee1d5a6.jpg 72da23f1e556ef1cdc4439efa56ec38f https://omeka.binghamton.edu/omeka/files/original/dc027a8b62c1416a8a9fbcaa7e0953a1.jpg f44aaab793d40917266e9adb00b08bb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Loose pages in a folder labelled “Othello Act IV Scene 3.”Text in English. Handwritten notes in German. Markings in black pencil, red pencil, and purple pen. Markings found throughout, not extensive. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29.5cm x 22cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.111 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Othello [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3204 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Type The nature or genre of the resource text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (59 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 8/2/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244063">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244063</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other People's Stuff Night at the Amsterdam July 27, 1993 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings at an "other people's stuff " night hosted by Tom Costello at the Amsterdam in Johnson City, N.Y. Several local poets read other author's works. The event was held on July 27, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Costello, Tom Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1993/07/27 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1993 7-27 Format The file format, physical medium, or dimensions of the resource video/mp4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:25 27:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145432">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145432</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Out from behind the curtain : music of the former Soviet republics, March 10 2011 Recital Tape 2011-3-10b Description An account of the resource Held at 8:00 p.m., March 10, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fallis, Tahnee Browne, Peter Buck, Carrie Choi, Justin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2d7f9386edda58b31795ff95eee0d1c5.jpg d88c9b0797f61b7ad2422d2ff658ce21 https://omeka.binghamton.edu/omeka/files/original/d92553ae8b49e51f4404bb82cb09ff68.jpg c7726db3fdfa2732c2360e25ccc3605c https://omeka.binghamton.edu/omeka/files/original/16a8253eab506ea494391e3201428ef4.jpg f311f18676b2c9f72d013647ea6df006 https://omeka.binghamton.edu/omeka/files/original/076265fbfb884affd170b5565e582fe5.jpg 4292ff9bc9eb66f8274aa9dac8c6237d https://omeka.binghamton.edu/omeka/files/original/c5e969d19ac4d732c45cb2094b88ea85.jpg afd22d6b20163112a81e46e4b5949e22 https://omeka.binghamton.edu/omeka/files/original/e080ba1444783cc4fa76eccc3d987192.jpg 4ab247c2966e1524530b0ba26fde67ed https://omeka.binghamton.edu/omeka/files/original/3e13e59739ef691bb7820a5a3e8b2247.jpg 8ab3bda4d0a7367d467a7cb98704caa6 https://omeka.binghamton.edu/omeka/files/original/6be16631a3db34f0ecf41ae346388573.jpg 27206f451cd28b070e7ae8940605000a https://omeka.binghamton.edu/omeka/files/original/b43de941b1aec08dc1de21e5ab7a35e3.jpg bf490965c6076b2c6ddc574a30f21d72 https://omeka.binghamton.edu/omeka/files/original/fc43cb389440f63b099f43fc74e3475d.jpg 4ca3c80a7a6661fd537d26f5a64198a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Markings in purple pen. Abundant and consistent written notes, interspersed with staging sketches and directions. Notes stop on page 16 of Act II, no markings from page 16 Act II to end. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 30cm x 21cm Earlier version Earlier version (dcterms:isVersion Of) Le Paquebot Tenacity Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.143 Production(s) November 1921, Berlin. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paketboot Tenacity [promptbook] Subject The topic of the resource Vildrac, Charles, 1882-1971. Paquebot Tenacity -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Vildrac, Charles, 1882-1971 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3240 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/8a5466f53a8d0d3a08a9389771cd93d0.jpg 4d007d23ef3006e5bbd4e7966578ebff https://omeka.binghamton.edu/omeka/files/original/e2c10c3ad71287a66118f8cc8c90247a.jpg 7d59cae3bc50dfe8a7787d20b5425388 https://omeka.binghamton.edu/omeka/files/original/93ee98337342bb500e69ade8d8845e8c.jpg 6e827bae69cd56da7f077081ca3fde07 https://omeka.binghamton.edu/omeka/files/original/b7b945ba4153f8dc6a31060e310c6ca9.jpg ef3206a2fc6500f22a67ed16ed9d5232 https://omeka.binghamton.edu/omeka/files/original/942a2f8e4732724fcb8c9faa60081314.jpg 3d39e752c7b8e803cc10fca20db8e575 https://omeka.binghamton.edu/omeka/files/original/bbc216aa86fce6b7c48441aeca8640e8.jpg f60c9f9ceb79cd69448f5e908fc8d473 https://omeka.binghamton.edu/omeka/files/original/61d1244e87caf8c2fc178e5283393494.jpg 9576d4eebe838dc24e26e88baadfef89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Handwritten cover - “Pantomime zum grossen Welttheater” and “m#676” written in black pencil. No handwritten markings inside folder. Pages are typewritten stage and scene directions for each scene of the play. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 30cm x 23.5cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.59 Production(s) No productions listed. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pantomime zum grossen Welttheater [promptbook] Subject The topic of the resource Hofmannsthal, Hugo von, 1874-1929 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hofmannsthal, Hugo von, 1874-1929 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3156 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/0bed382172931e8576c6a49475c74b19.pdf dfa500ccf0ce10fb1ea89b6eda5c7604 PDF Text Text BACH PARTITAS FOR SOLO VIOLIN PETER MARSH, VIOLIN SEPTEMBER 10 th a n d 11th 8 :15 p m CASAD ESUS RECITAL HALL STATE UNIVERSITY OF N E W YORK AT BIN GHAM TON THE DEPARTMENT OF MUSIC �LECTURE DEMONSTRATION SEPTEMBER 10th 8:15 pm RECITAL SEPTEMBER 1 1 t h 8:1 5 pm PROGRAM P a r t i ta No. 1 in b minor : J. S. Bach Allenmande Double Corrente Double (Presto) Sarabande Double Bourée Double J. S. Bach P a r t i ta No. 2 in d minor A l lemande Corrente Sarabande Giga Ciacona Intermission P a r t i ta No. 3 in E ma j or Preludio Loure Gavotte en Rondeau Menuet I Menuet I I Bourée Gigue J. S. Bach � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:20 33:32 23:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244832">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244832</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Partitas for solo violin, September 10th and 11th, 1976 Recital tape 1976 9-10 Description An account of the resource Works of Bach. eld at 8:15 pm, September 10th and 11th, 1976. Creator An entity primarily responsible for making the resource Marsh, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-09-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound