132 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 14:58 20:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145513">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145513</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz improv class, 4/14/11 Recital Tape 2011-4-14b Description An account of the resource Held on April 14, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/09cb7c9b2d4bb14c37f8b6714c002b38.pdf c71297f5737d6c8bf905e7e8d24f96d9 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W YO R K wdec r D E P A R T M E N T HARPUR JAZZ ENSEMBLE FEATURING To m Dempsey, Guitar es er p d ~ A , _ d ? w d y g . A i a t = i . M a” t a M / ” f ” . , ‘ 4 = = e e ? ’ v o n p [ a = M 4 . I “ : gt ﬁ x p — p B f – ; Sl M , .,_, 4» 4 0 “ i r o . PS f g . f L " < "~ 3 2 ? , _ f r d f _ — . , ﬂex / } — a g a , a ' : 3 ) ﬂ . Thursday, A pr il 14, 2011 8: 00 p.m. Osterhout Concert Theater HJFE Directo r: M r. Michae Cosponsored by the Binghamton Un l Carbone iversity Music Department and the Harpur Jazz Project �PROGRAM PA RT .. .. H . Silver .. Filthy McNasty............. Arranged by John LaBarbera D. Ellington & B. Russell Don’t Get Around Much Anymore Arranged by Bill Holman S Nestico How Sweet It Is J. Davis, R. Ramirez, J Ramirez, & J. Sherman Lover Man Arranged by Kai Winding Angelika...........................................................................F.Mantooth .. H. Hancock Chameleon...................................................... Arranged by Jay Chattaway PART II — Featur ing Tom D empsey (To be selected from the following) T Jones A Child Is Born . H. Hancock Dauphin Dance The E I Arranged by Bob Mintzer e v lt Shouldn’t Happen to a Dream 0 Nica’s Dream Sambandrea Swing a t o r P Hand J. Hodges & D. Ellington Arranged by Peter Hand ..H. Silver Arranged by Frank Mantooth D Menza �ABOUT THE PERFORMER Guitarist Tom Dempsey’s reputation in the New York jazz scene for hard swinging sophistication and pure musicality have made him a distinct voice in the New York Jazz Scene. In recent years Tom has performed and/or recorded with a virtual “Who’s Who” of world renowned jazz musicians including: Wynton Marsalis, Paquito D’Rivera, Jim HaII, John Abercrombie, Joh n Scoﬁeld, Tal Farlow, Buddy Montgomery, George Coleman, Kenny Barron, Roy Hayn es, Jack McDuﬀ, Bobby McFerrin, Gerald Wilson, M el Torme, Richard W yands, Muhal Ric hard Abrams, and Dave Brubeck. He has recorded four CDs as a leader: W hat’s Going On (City Tone Records), Perspectives (Imaginary Records), B lues In The Slope (Igmod Records), I f Only We Knew (Self Release). Tom has also recorded as a sideman on many recordings. Since 1992, Tom has been performing as a leader and a sideman at some of the top jazz venues throughout the world including the JVC Jazz Festival, Jazz at Lincoln Center, San Francisco Jazz Festival, The Blue Note, Yoshi’s, Smalls and Smoke. Dempsey has worked extensively with tap dancing virtuoso Savion Gl over in Bring i n ‘da Noise, Bring i n ‘da Funk as well as in live concerts. He has made numerous appearances on New York radio and television including performances on The Rosie O’Donne ll Show and the HBO series Sex and th e City. Tom is an Artist Endorsee for ThomastikInfe ld Strings. Along with his active performing career, Tom Dempsey’s talent as a composer is receiving noteworthy attention. Because of his distinctive sound and style Dempsey’s music has been described as having “ﬁne compositional ability and stylistic accessibility.” His music has been featured on his recordings as well as television and radio programs throughout the world including the HBO hit series Sex an d the City. Tom’s deep commitment to education has made him a highly sought after educator and clinician. In recent years he has been teaching at Jazz at Lincoln Center, SUNY New Paltz, Rutgers University, New York Jazz Academy and as Artistic Director of the Jazz Summit at the National Guitar Workshop. He is also the Director of Music for the National Guitar Workshop. His books Jazz E ras for Guitar, Ea sy Soloing for Jazz Guitar, SightReading for the Contemporary Guitarist and Classic Jazz Styles for Guitar are available through Alfred Music and Workshop Arts. Dempsey has also recorded over 170 online lessons for WorkshopLive.com covering jazz guit ar performance, repertoire developme nt and music theory. Tom received his Bachelor of Music Degree in Jazz Studies from Mason Gross School of the Arts a t Rutgers University in May 1991. In May 1996, he acquired his Masters Degree in Jazz/Commercial Music at Manhattan School of Music. www.tomdempseymusic.com info@tomdempseymusic.com ABOUT THE SERIES l l The Harpur Jazz Ensemble studies and performs bigband repertoire and appears frequently on and oﬀ campus. Guests who have appeared in concert with this popular ensemble include, among others, Clark Terry, “Slam” Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods, Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person, Walter White, Sherrie Maricle, Tia Fuller, Eddie Allen, Bruce Johnston, Steve Davis, Harry Allen, Bill Easley, Jennifer Leitham, Mike Davis, Tony Kadleck, Rob McConnell, Chris Jensen, Eddie Allen, John McNeil, Cynthia Scott, Tony Marino, Ron Vincent. and Chris Washburne. ABOUT THE HARPUR JA ZZ ENSEMBLE l l The Harpur Jazz Ensemble director, MICHAEL J. CARBONE, is a native of Utica, New York. H e moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he currently is Coordinator o f Music, Director o f Concert Band, and Jazz Ensemble at the high school. He joined the Binghamton University music faculty in 1997 and serves as the Director of the Jazz Studies Program and the Director o f the Harpur Jazz Ensemble. He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University. Carbone has performed as a side man with many wellknown artists including AI Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio’s Big Band Bloviation, the Central New York Ja zz Orchestra, and The Temptations. Mike currently is t he saxophonist with the local and popular jazz quartet Miles Ahead. �The 2011 Spring semester of the Harpur Jazz Ensemble includes the following: SAXOPHONES Andrew Block Jasmine Aiken & ZaI Mirza Dean Papadopoulos Ray Hendricks Mercedez Koo 1* alto 2 ” alto 1% tenor 2 ” t enor Baritone Sax TRUMPETS (al phabet ical ord er) Mark Adler Tomasz Falkowski John Marschauser Jeﬀ Martinez Kim Metaxas TROMBONES Nicholas Carter Mo “Reese” Taylor Andrew Rosenberger Jay Bartishevich PIANO Matthew Kos Joey Lieber BASS Paul Watrobski DRUM SET Devan Tracy Alex Gregorio Michael McManamon VIBES Devan Tracy VOCALIST Carrie Buck public service medai for your community PES ane �Bingh amton Unive rsity Music D epartm ent’s 14 POO/V1 / N 4 E V E N T S Friday, A pril 15 – Lecture “M other, Co me and Cure Me”: Son gs o f “ Blind Tom” Wiggins by Stephani e Jensen Moulton – 3:00 p.m. – Casadesus Recital Hall – free Thursday, April 28 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall free — Thursday, April 28 – Trump et Studio Concert – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Wom en ”s Chorus – 8:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Sym phony Co ncert: So lo Compe tition Win ners – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – M aster’s Recital: Ja mes Hsia, violin – 7:30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African M usic Ense mble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Stud io Recita l – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Re cital: Jina h Lee, pia nist – 8:00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – A frican Dr um Ense mble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master’s Recital: Robert M uller, French h orn – 3:00 p.m. – Casadesus Recital Hall – free Saturday, May 7 – Student Recital: B riana Sakamoto, so prano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – U niversity Chorus w ith the Universit y Symph ony Orchestra: Mass M asterwor ks – 3:00 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staﬀiseniors; free for students Sunday, May 8 – Senior Voi ce Recital: Samantha Banton a nd Molly AdamsToomey – 1:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – Senior Hon ors Recital: J ieun Jang, piano – 7:30 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:39 40:31 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Tom Dempsey, April 14, 2011 Recital Tape 2011-4-14c Description An account of the resource Held at 8:00 p.m., April 14, 2011, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Dempsey, Tom Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2aeea19de5169e14e32acea2bdfc3cb8.pdf 9293a523431473c5758675585bc5a67d PDF Text Text BINGHAMTON U N I V E R S I T Y STAT E U N I V E R S I T Y O F N E W Y O RK D E P A R T M E N T THURSDAY M ID D A Y CONCERT ‘ "_., 4/ g / ' d d : 4’ I4; ( 00}7 ) THURSDAY, APRIL 14, 2011 1:20 P.M. OSTERHOUT CONCERT THEATER �Midda y Musicians PROGRAM Program selected from the following: To m Demp sey: G uitar All Blues..... ......... ......... ......... ........Miles Da vis AL Hamme, Saxophones Mike Carbone, Saxophones Bridge Over Troubled Wa ter.... Mambo Inn . ......... Paul Simon Arr. by Tom Dempsey .........Mario Bauza Arr. by Steve Brown One H undred Ways .........Quincy Jones Povo. ......... ......... ......... ......... ..Fred die Hubbard Arr. by Al Hamme Saucey ......... .Tom Dempsey Stolen Moments.... ....... Take Your Pick.. .........Oliver Nelson . Hank Mobley Arr. by Don Sickler/ Edited by Al Hamme Mo Reese” Taylor, Trombone J o e y Lieber, Frano Paul Watrobsks, Bass Devan Tracy, Drums Guitarist Tom De mpsey ’s reputation for hard swinging sophistication and pure musicali ty has made him a distinc t voice in the New York Ja zz Scene. In recent years, Tom has performed and/or recorded with renowned jazz musicians such as: Wynton Marsalis, Paquito D’Rivera, Jim Hall, John Abercrombie, John Scoﬁeld, Tal Farlow, Buddy Montgomery, George Coleman, Kenny Barron, Roy Haynes, Jack McDuﬀ, Bobby M cFerrin, Gerald Wilson, Mel Torme, Richard Wyands, Muhal Richard Abrams, a nd Dave Brubeck . Since 19 92, Tom has been performing at some of the top jazz venues throughout the world including the JVC Jazz Festival, Jazz at Lincoln Center, San Francisco Jazz Festival, The Blue Note, Yoshi’s, Smalls and Smoke. Dempsey has worked e xtensively with Sa vion Glover in “Bring in ‘da Noise, Bring in ‘d a Funk” and he has made numerous appearances on New York radio and television including performances on “The Rosie O’Donnell Show” and the HBO series “Sex and the City". H e has received no teworthy attention as a composer as well. Because of his distinctive sound and style, Dempsey ’s music has been described as having "ﬁne composi tional ability and stylistic accessibility.” He has taught at Jazz at Lincoln Center, SUNY Ne w Paltz, Rutgers University, New Y ork JazzAcademy and as Artistic Director of the Jazz Summit at the National Guitar Workshop. He has written books and re corded o ver 170 online les sons. Tom rece ived his Bachelor o f Music Degree in Jazz Studies from Mason Gross School of the Arts at Rutgers University in May 1991. In May 1996, he acquired his Masters Degree in Jazz/Commercial Music at Manhattan School of Music. �Binghamton Universit y Music Departmen t ’ s U P C O M I N G E V E N T S aoaeaeaeaoaeaoaeae Friday, April 15 – Lecture “ Mother, Come and Cure M e " : Songs of “B lind Tom ” Wiggins by Stephanie JensenMoulton – 3 :00 p.m. – Casadesus Recital Hall – free Thursday, April 28 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, A pril 28 – Trumpet Studio Concert – 8 :00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Women ’s Chorus – 8 :00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Symphony Concert : Solo Comp etition Winners – 3 :00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Master ’s Recit al : J ames Hsia, violin – 7 :30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – MidDay Con c ert – 1 : 20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African Music Ensemble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recit al – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Recital : Jinah Lee, pianist – 8:00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master ’s Recital : Robert Muller, French horn – 3:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀic e at 777ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting Binghamton Universit y Music Departm en t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:52:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148244">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148244</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Midday Concert. April 14 2011 Recital Tape 2011-4-14 Description An account of the resource Works by Davis, Simon, Bauza, Jones, Hubbard, Dempsey, Mobley Creator An entity primarily responsible for making the resource Dempsey, Tom Hamme, Albert Carbone, Michael Taylor, Reese Lieber, Joey Watrobski, Paul Tracy, Devan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/67364dbb64d793f04764c3890326d377.pdf d019bedbb1acd4cde3d0b424b79c233b PDF Text Text BINGHAMTON U N I V E R S l E X S T A T E U N I V E R S I T Y O F N E W Y O R K / u d w D E P A R T M E N T THURSDAY MIDDAY CONCERT GaP’ Xf oC ‘a’ SS \ { 4 @ THURSDAY, APRIL 28, 2011 1:20 P.M. FINE ARTS BLDG, ROOM 21 �. PROGRAM Sinfonies de Fanfares ...............................JeanJoseph Mouret (16821738) Rondeau Daniel Fein, trumpet Mark Rossnagel, organ Clair Omar Musser Etude, Op. 6, no. 8 (1 9011 998) Amanda Jacobs, marimba .William Schuman Orpheus With his L I B (19101992) The Sweetest Flower that Blows......... ............C. B. Hawley (18581915) Love’s Philosophy...................................................Rog er Quilter (1 8771 953) Kerianna Krebushevski, soprano ChaiKyou Mallinson, piano Widmung, Op 25 no 1.. reer e Die Lotosblume, Op. 25“ no 7 e Der Nussbaum, Op. 25, no. 3 Marienwijrmchen , Op. 79, no. 14 Samantha Banton , soprano ChaiKyou Mallinson, piano Suite G o thique IV. Priere a Notre Dame Kevin Eng, organ Sestero piesni milostnych.................cccccccocouu............Petr Eben (b. 1929) (Six Medieval Love Songs) 1.Noci mila 2. Summer is come 3. Unter den Linden 4. Du bist min 5. Non mi mandar messaggi 6. Ballade des dames du temps jadis Molly AdamsToomey, mezzosoprano ChaiKyou Mallinson, piano Fugue in Dminor ("Dorian"), BWV538........................J. S. Bach (1 6851 750) Mark Rossnagel, organ e Schumann (18101856) Leon Boéllmann (18621897) �Binghamton University Music Department ’s U P C O M I N G E V E N T S d i M ﬂ M M M ﬁ M t b ’ M Thursday, April 28 – Trumpet Studio Concert – 8 :00 p. m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Women ’s Chorus – 8:00 p. m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Symphony Concert : Solo Competition Winners – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Master ’s Recital : James Hsia, violin – 7:30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African Music Ensemble – 7.00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Composition I Class Recital (Goldstaub) – 1:10 – 2:10 p.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Recital : Jinah Lee, pianist – 8 :00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master ’s Recital : Robert Muller, French horn – 3:00 p.m. – Casadesus Recital Hall – free Saturday, May 7 – Student Recital : Briana Sakamoto, soprano – 8:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Senior Voice Recital : Samantha Banton and Molly Ad amsToomey 1:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – University Chorus with the University Symphony Orchestra: Mass Masterworks – 3 :00 p.m. – Osterhout Concert Theater – $1 0 general public; $5 faculty/staﬀ/seniors; free for students Sunday, May 8 – Senior Honors Recital : Jieun Jang, piano – 7 :30 p. m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice at 7 77ARTS. To see all events, please visit music. binghamton. edu or become a fan on Facebook. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145443">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145443</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 28, 2011 Recital Tape 2011-4-28 Description An account of the resource Held at 1:20 p.m., April 28, 2011, Fine Arts building, room 21. Creator An entity primarily responsible for making the resource Rossnagel, Mark Jacobs, Amanda Krebushevski, Kerianna Mallinson, Chair-Kyou Banton, Samantha Eng, Kevin Adams-Toomey, Molly Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpet studio concert, April 28, 2011 Recital Tape 2011-4-28 Description An account of the resource Held on April 28, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:55 22:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale and Women's Chorus, April 30, 2011 Recital Tape 2011-4-30 Description An account of the resource Held at 8:00 p.m., April 30, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:41:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154629">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154629</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The University Wind Symphony solo competition winners concert, May 1, 2011, Recital Tape 2011-5-1 Description An account of the resource Held at 3:00 p.m., May 1, 2011, 2011, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Bessel, Daniel Bartishevich, Jay Goldenberg, Adam Muller, Robert Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b5fef3d90b43c08964d92d5d64d66d6f.pdf 9bae68adeb7ba9e12e4512c7edb83a1f PDF Text Text BINGHA MT ON U N T V E R B I T Y U N I V E R S I T Y O F N E W Y O R K R E Ze EC P MASTERS RE CITAL IOLIN JAMES H S I A , V wiih M L’ O h a e é j a Z f WJ / é ' j o e m j m f z g ; ] Prano abriele Mare; violing Joes Ht &G viola A Z Z a / C m f d a / Q M OZ ’ A n dW Bew Pochily, Nander Edwards; cello ' S a n d a y Ma y 1 s t 2 011 Casadesus Recita l fall 7 : 3 0 p . [ 774 ' ; �PROGRAM J.S. Bach Sonata No. 2 in a minor for Solo Violin, BWV 1003 (1685–1750) Andante Allegro F \ Sonata in A Major for Piano and Violin Op. 30 No.1...........coeeeeeiivnneninniennnne.... Van Beethoven (1770–1827) Allegro Adagio molto expressivo Allegretto con variazioni A} w INTERMISSION cs String Quartet No. 8 in c minor, op. 110... Dmitri Shostakovich (1906–1975) Largo Allegro Molto Allegretto Largo Largo l Sonata in D Major for Violin and Piano Op. 98bls Moderato ‘Scherzo: Presto Andante Allegro Con Brio Sergey Prokoﬁev (1891–1953) l ) Mr. Hsia’s performance is in partial fulﬁllment of the requirements for the Master of Music degree in Violin Per formance. He is a student in the ‘ studio of Professor Janey Choir �ABOUT THE PERFORMERS Taiwan ese violinist J AMES HSIA has performed regularly throughout New York State presenting a wide range of repertoire including concertos by Paganini, Mendelssohn, and Bruch, leading numerous chamber groups, and in ensembles such as the Empire State Yo uth Orchestra, and the Southern Tier Symphony under the director John Whitney. While attaining his Bachelor o f Music Education degree at SUNY Fredonia, studying with Janet Sung, he was regularly featured on their performance series as recitalist and chamber musician, and was selected from the SUNY Fredonia Symphony Orchestra to perform in the Chamber Orchestra, and Chamber Opera Orchestra under the direction of David Rudge from 2006–2010. This past summe r, he participated in the Hot Springs Music Festival working with violinist Jessica Mathaes, and Todd Cranson, Director of the University of Illinois Chamber Orchestra. He has also appeared in concert halls including Carnegie Hall, the Tan glewoo d Music Hall, and Tr oy Savings Bank Music Hall. He is currently a student of Janey Choi, studying at Binghamton University pursuing a Master o f Music Degree in Violin Performance. MICHA EL SALMI RS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician, appearing as soloist with the Corning Philharmonic, Binghamton University, and Cayuga Chamber Orchestra. As a performer of contemporary music, he has premiered numerous solo and chamber works and has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. As a composer he has just completed ,Silenced Voice for Viola and Piano, which was premiered October 17 at Binghamton University. 1 ,l Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Ka rel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty memb er at Binghamton University, teaching piano and coaching chamber music. He also maintains a private piano studio in Ithaca. JIEUN JANG is a senior Bachelor of Music student from South Korea. She has been studying piano with Michael Salmirs, and she is graduating this semester. She plans to pursue a Master’s degree in music history at Hunter College. She performed with many departmental ensembles such as University Symphony Orchestra, Wind Symphony, University String Orchestra and University Chamber Chorus. She plans to specialize in Sergei Prokoﬁev’s music. I I ALLA CORDA was formed in September, 2010. The members of the quartet include: Gabrielle Maire, a freshman in PreMedical program studying violin with Professor Janey Choi, Ben Pochily, a freshman Music Performance major studying viola with Professor Roberta Crawford, and Xander Edwards, a freshman Economics major studying with Professor Stephen Stalker. H istory o f the A lla Co rda T shirts — The quartet often gets together with or without instruments to improve the quality o f our music making. This includes but is not limited to: rehearsals, lunch/dinner together, and late night runs to Walmart. The Alla Corda T shirts are the products of a late night ru n to Walmart, and were designed by the quartet’s own Gabrielle Maire. } �PROGRAM NOTES Johan n Seb astian Bach (1685–1750) spent a great amount of his lif e composing a nd performing music for the or gan and for the Luthera n church. He was a virtuoso on organ, violin, and many consider hi m to b e the greatest composer o f his time. In 1717, Bach was hired b y Prin ce Leopold of Kéthen to serve as his director of music. During this service Bach’s compositions were mostly secular. Ba ch completed the Three Sonatas and Three Partitas for Unaccompanied Violin in 1720, but they were not published until 1802. These works o f Bach were still largely ignored even after the publication until the famous violinist Josef Joachim began performing these works a halfcentury later. German composer Ludw ig van Beeth oven (1770–1827) concentrated his musical output o n piano and chamber music. Beethoven’s works are often divided into three periods: the early phase, up to 1802; the middle phase, 1802–1815, and the late phase, 1815–1827. Sonata for Piano Violin No. 6 in A major, the ﬁrst o f his Opus 30 set, was compos & ed between 1801 and 1802, published in M ay 1803, and dedicated to Tsar Alexander I o f Russia. This was an example of Beethoven’s early wo rks, which marked the beginning of his transition into symphonic forms. Beethoven wrote almost all his orchestral music between 1800–181 4 including 8 symphonies, and the Violin Concerto in D major. The String Quartet No. 8 in C minor, b y Dmi tri Sh ostako vich (1906– 1975), was written in three days from July 12th to 14th, 1960. Shostakovich wrote the piece after his diagnosis with polio, and his reluctant joining of the Communist Party. This powerful piece explore s the darkest aspects of human experience: sorrow, terror, violence, death, shock, and grief. He dedicated this piece t o the victims of war and fascism but secretly it was a piece written for himself. He uses his personal signature motif: DSCH, a German transliteration of his nam e which translates to the notes D, EFlat, C, B, and appears throughou t this piece. Each movement contains an attacca leading to the next movement that makes this quartet ﬂow seamlessly from the beginning to the end. The ﬁrst movement, ﬁlled with tense foreboding, foreshadows the explosive and ﬁerce second movement, whose massive violence is impossible to ignore. Shostakovich intends to show the confusion an d horror inﬂicted upon the Russian people by the government through the violence in the second movement. Shostakovich ends this quartet with the same tempo and same dynamics as at the start of the piece. This brings out sadness — a reﬂection of the victims of war and fascism. Sergey Proko ﬁev (1891–1953) was a ‘Russian pianist born in Sontsovka. H is mother Mariya Zitkova, an educated woman who loved the arts, taught him piano at age four. His father took charge of Prokoﬁev’s education in the sciences and foreign languages. He wa s well taken care of at home by his parents because he was the only child in the family who survived infancy. Prokoﬁev began composition at a very young age and composed his ﬁrst opera, Ve/ikan, at age nine. Prokoﬁev was considered one o f the greatest composers in the Soviet Union during War World II, and was awarded the Honoured Artist title of the RSFS R (Russian Soviet Federative Socialist Republic) in 1943. During that time hi s compositions we re reactions to the war and we re , often used as propaganda. The Flute Sonata Op. 94 was written in 1943, an d was premiered on December 7 of the same year in Moscow. I t was later transcribed fo violin and piano at the request of the famous violin virtuoso Davidr Oistrakh. The transcription became Prokoﬁev’s Sonata for Violin and Piano No. 2 in Dmajor, Op 94b.Prokoﬁev’s arrangement f or violin and piano is just as challenging, if not more so, than the original. It feature s technical challenges for the left hand such as w ide skips across the range of the violin, artiﬁcial harmonies, octaves, an d running 32nd not es with diﬀerent accidentals. The four movements in the Sonata contain a wide range o f emotions. This was a mature composition that was mean to be played with great passion. The ﬁrst movement is lyrical andt Prokoﬁev experiments with diﬀerent tone colors by having the violinis play in many diﬀerent positions that show oﬀ a variety of virtuosict techniques. The second movement starts immediately with a playfu style, as if musically demonstrating a cat and mouse playing hide andl seek. Prokoﬁev ends the movement by going up to the highest regis ter on the violin with a C7 and ﬁnishing with a fortissimo pizzicato._ln th e third movement, Prokoﬁev returns to a slow tempo that is lyrical and uses a very legato bowing that evokes a melancholy feeling. In the las t movement Prokoﬁev moves away from all the previous movements with a very martial and metronomic style. The music moves forward with «a very dry articulation by putting stress on almost every beat of t he ba t; leading to a strong and triumphant ﬁnish. * \ 4 ¥: A �Binghamton University M usic D epartment’s U P C O M I N G E V E N T S 6 & 6 @ 6 & 6 @ 6 & 6 é ¢ 6 & 6 r 3 ¢ 6 6 ~ Thursday, May 5 — MidDay C o n c e r t 1:20 p.m. — Casadesus Recital Hall — free Thursday, May 5 — African M usic Ensemble — 7:00 p.m. — Anderson Chamber Hall — free Friday, May 6 — F lute Studio Recita l — 10:15 a.m. — Casadesus Recital Hall — free Friday, May 6 — C omposition I Clas s Recital (Goldsta ub) — 1:10 — 2:10 p.m. — Casadesus Recital Hall — free Friday, May 6 — Faculty R ecital: Jinah Lee, p i a n i s t 8:00 p.m. — Casadesus Recital Hall — $5 general public Saturday, May 7 — African Drum Ens emble — 3:00 p.m. — Library Tower (Spring Fling) — free Saturday, May 7 — Master’s Recital: Robert M uller, French horn — 3:00 p.m. — Casadesus Recital Hall — free Saturday, May 7 — Student Recital: B riana Sakamoto, s oprano — 8:00 p.m. — Casadesus Recital Hall — free Sunday, May 8 — Senior Voice Rec ital: Samantha Ba nton and Molly AdamsToomey — 1:00 p.m. — Casadesus Recital Hall — free Sunday, May 8 — Universi ty Chorus with the University Symph ony Orchestra: Mass M asterworks — 3:00 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staﬀ/seniors; free for students Sunday, May 8 — Senior Honors Re cital: Jieun Jang, piano — 7:30 p.m. — Casadesus Recital Hall — free Tuesday, May 10 — Percussion Ens emble — 8 p.m. — Anderson Center Chamber Hall — free Wednesday, May 11 — Composition S eminar Concert (L oy) — 7 p.m. — Casadesus Recital Hall — free Thursday; May 12 — Student Rec ognition MidDay Concert — 1:20 p.m. — Casadesus Recital Hall — free Friday, May 13 — Chinese Mu sic Ensemble Cla ss C o n c e r t 5:00 p.m. — Casadesus Recital Hall — free Wednesday, M ay 18 — Voice Class Recital (MUS143 Chmela) — 1 1 a.m. — Casadesus Recital H a l l f ree ‘ For ticket information, please call the Anderson Cent er B ox O ﬀice at 7 77ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:55 45:18 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145476">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145476</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, James Hsia, May 1, 2011 Recital Tape 2011-5-1 Description An account of the resource Held at 7:30 p.m., May 1, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hsia, James Salmirs, Michael Jang, Jieun Alla Corda Quartet Hsia, James Gabrielle, Maire Pochily, Ben Edwards, Xander Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9315fa6274c945d065d89741227c89cb.pdf 8b676690a7de8169c9c3317b80e10b39 PDF Text Text BINGH AM S 1TON U N I V E R T Y STATE UNIV ERSI TY O F N E W Y O R K i h 0 D E P A R T M E N T THURSDAY MIDDAY Concept oo \ \ V S ~ & . . 4 NA 4 : apY u.E of — MAY 5, 2011 1:20 P.M. CASADESUS R EC ITA L HIALL �PROGRA M Der Schwanendreher... ... ...Paul Hindemith Zwischen Berg und tiefem Ta1 (lst Movement) (1895–1963) Benjamin Pochily (viola) Pej Reitz (piano) Déjeuner du Matin... .................................Jacques Prévert Jamie Catal famo (recitation) (1900–1977) Jose Rodriguez, Aaisha Fatima (actors) RoyalFestival................,.............................................Gus Guentzel (1868–1950) Carrie Buck (horn) Matt Gukowsky (tuba) Daniel Romberger (trombone) Olivia Santoro (trumpet) Professor Robert Smith (euphonium) Chacun le sait (La Fille du Régimeni).................Gaetano Donizetti Christina Kompar (soprano) (1797–1848) Bill Lawson (piano) Lydia... Gary Leonberger (tenor) Bill Lawson (piano) p i i t s r o v ess Fauré (1845–1924) Le Message... .....................................Jacques Prévert Wenyan Gu (recitation) (1900–1977) Jasmine Carrig (actor) Clair de Lune... .. Samantha Banton (soprano) Bill Lawson (piano) Sérénade FIOTenting........v Brister Hay (tenor) Bill Lawson (piano) Gabr1el Fauré (1845–1924) .. .. The Message The door that someone opened The door that someone closed The chair where someone sat down The cat that someone ca ressed The fruit that someone bit into The letter that someone read The chair that someone tipped over The road where someone is still running The woods that someone is running across The river where someone throws himself The hospital where someone is dead. ...Henri Duparc (1848–1933) Sonata 4 in CMinor........... .. .. .. .. ..Francesco Barsanti Adagio and Con Spirito (1690–1755) Alexander Baron (recorder) Pej Reitz (harpsichord) Poison Aria... ...................................Charles LINO G (Amour ranime mon courage) (1818–1893) Meghan Ca kalli (soprano) Bill Lawson (piano) Fantasie de CONCETL...........iooorressessarecsssseressanesssnnnesssnss Guentzel (1868–1950) Imogene Reverie..... TRANSLATION Clay Smith (arr. G. E. H olmes) (b. 1953) Breakfast He poured the coﬀee Into the cup He poured the milk Into the coﬀee He put the sugar Into the coﬀee with milk With a little spoon He stirred it He drank the coﬀee He put down the cup Without speaking to me He lighted a cigarette He made circles With the smoke He put the ashes Into the ash tray Without a word Without looking at me He got up He put his hat on his head He put on his raincoat As it was ra ining And he left Into the rain Without speaking to me Without looking at me And I put My head into my hands And I wept. �Bing hamt on U niver sity M usic D epar tmen t’s U P C O M I N G EV EN TS ﬁtBMditb'ﬁtbﬁMtVﬁtb'ﬁtbﬂuﬁtb Thursd ay, May 5 – Afr ican M usic En semble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Comp osition I Class Recital (Goldstaub) – 1:10 – 2:10 p. m. – Casadesus Recital Hall – free Friday, May 6 – Facu lty Rec ital: Jin ah Lee, pianis t – 8:00 p. m. – Casadesus Recital Hall – $5 general public Saturd ay, May 7 – Afr ican Dr um Ensem ble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturd ay, May 7 – Ma ster’s Recital : Rober t Mulle r, French horn – 3:00 p. m. – Casadesus Recital Hall – free Saturd ay, May 7 – Stu dent Re cital: B riana S akamo to, sop rano – 8:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Seni or Voic e Recital: Samantha B anton a nd Mol ly A d a m s To o m ey 1:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Univ ersity C horus with th e Univer sity Sy mphon y Orches tra: Ma ss Mas terwork s – 3:00 p.m. – Osterhout Concert T h e a t e r $10 general public; $5 faculty/staﬀ/seniors; free for students Sunday, May 8 – Seni or Hon ors Rec ital: Jie un Jan g, pian o – 7.30 p. m. – Casadesus Recital Hall – free Tuesday, May 10 – Percus sion En semble – 8 p. m. – Anderson Center Chamber Hall – free Wedne sday, M ay 1 1 Comp osition Semin ar Con cert (Loy) – 7 p. m. – Casadesus Recital Hall – free Thursd ay, May 12 – S tudent Recogn ition M idDay Concer t – 1:20 p. m. – Casadesus Recital Hall – free For ticket information, please call the Ander son Ce nter B ox O ﬀice at 777 ARTS To see all events, please visit m usic. binghamton. e du Become a fan on Facebook by visiting Bingh amton Unive rsity Music Depar tment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154626">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154626</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, May 5, 2011 Recital Tape 2011-5-5 Description An account of the resource Held at 1:20 p.m., May 5, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Pochily, Benjamin Reitz, Margaret A. Catalfamo, Jamie Rodriguez, José Fatima, Aaisha Kompar, Christina Lawson, William James Leonberger, Gary Banton, Samantha Hay, Brister Baron, Alexander Cakalli, Meghan Buck, Carrie Gukowsky, Matthew Romberger, Daniel Santoro, Olivia Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/053dc798e9ec3f7f2f5b149850986958.pdf 8f7ecf4cd68af322e0644eebf30bf659 PDF Text Text BINGHAMTON V N I V E R S I T S T A T E U N I V E R S I T Y O F N E W Y O R K oHadee [4 D E P A R T M E N T F L U T E S T U D I O R E C I TA L 74 A "% : ?.C a 4i . ASZ= o7d f o OB ‘ I Q ” 2 %a ( 7 7’, A A 4 F ri d a y, M a y 6 , 2011 10:15 A.M. Casadesus Recital H a ll �PROGRAM Sonatina for Flute and Piano . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Eldin Allegretto grazioso (1913–1979) Andante sognando Allegro giocoso Mark Zhuang, Flute ChaiKyou Mallinson, Piano . . . . . . . Eugene Bozza (1905–1991) Eili – Eili Raquel Goldsmith, Flute ChaiKyou Mallinson, Piano Syrinx pour Flute Seule.............. ...................Claude Debussy (1862–1918) Emily Morris, Flute The Carnival of Venice with Variations, Op. 78. . . G iulio Briccaldi (1818–1881) Edited by Frederick Wilkins Emily Morris, Flute © ChaiKyou, Mallinson, Piano Madrigal for Flute and Piano ...... ...................Philippe Gaubert (1879–1941) Lindsay Ralbovsky, Flute ChaiKyou Mallinson, Piano Variations on “Ah, Vous Dirae~j e, Maman” for Flute Alone... ...................... ........Charles Henry Nicholson Theme (1795–1837) Variation I Arr. by Ransom Wilson Variation II, Adagio Variation 1111 Lindsay Ralbovsky, F lute Quatre Pieces pour Flute et Piano. Reves D’Enfant Le Campanile Menuet des Pages Fantasy, Op. 79 for Flute and Piano. . . . ..Gabriel Faure (1845–1924) Natalie McCreary, Flute ChaiKyou Mallinson, Piano Sonatina for Flute and Piano........ ......................Amold Cooke Allegro Moderato (1906–2005) Andantino Allegro Vivace Hagar Dayan, Flute ChaiKyou Mallinson, Piano F lutists are from the Flute Studio of Georgetta Maiolo �Binghamton University Music Department’s U P C O M I N G E V E N T S «ede M MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Friday, May 6 – Faculty Recital: Jinah Lee, pianist – 8:00 p.m. – Casadesus Recital Hall – $5 general public l l Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master’s Recital: Robert Muller, French horn – 3:00 p.m. – Casadesus Recital Hall – free Saturday, May 7 – Student Recital: Briana Sakamoto, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – Senior Voice Recital: Samantha Banton and Molly AdamsToomey – 1:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – University Chorus with the University Symphony Orchestra: Mass Masterworks – 3:00 p.m. – Osterhout Concert Theater – $10 general public; $5 facultyl/staﬀ/seniors; free for students Sunday, May 8 – Senior Honors Recital: Jieun Jang, piano – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, May 10 – Percussion Ensemble – 8 p.m. – Anderson Center Chamber Hall – free Wednesday, May 11 – Composition Seminar Concert (Loy) – 7 p.m. – Casadesus Recital Hall – free Thursday, May 12 – Student Recognition MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center B o x O ﬀice at 7 77ARTS. l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:19:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145480">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145480</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio recital, May 6, 2011 Recital Tape 2011-5-6 Description An account of the resource Held at 10:15 a.m., May 6, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Zhuang, Mark Mallinson, Chai-Kyou Morris, Emily Ralbovsky, Lindsay Goldsmith, Raquel McCreary, Natalie Dayan, Hagar Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound