132 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:50:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196868">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196868</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of clarinet music Gregg Ackerman, Bethany Bonhoff, Alexander Vincenzi, November 3, 2007, Recital Tape 11-3-2007 Description An account of the resource Held at 8:00 p.m., November 3, 2007, Casadesus Recital Hall. Works of Weber, Reade, Crusell, Strauss. Creator An entity primarily responsible for making the resource Ackerman, Gregg Bonhoff, bethany Vincenzi, Alex Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-11-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 751b807a-ede1-4c52-a90c-f7362f451157 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio cassettes 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:40 26:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196871">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196871</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Asian journey, October 26, 2007 Recital Tape 10-26-2007 Description An account of the resource Held at 8:00 p.m., October 26, 2007, Chamber Hall, Anderson Center. Sponsored in part by the Binghamton University Music Department.Works of Seaman, Peidong, Chinese folk songs, Qiufeng, Japanese folk songs, Korean folk songs. Creator An entity primarily responsible for making the resource Cotten, Anne Boyer Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-10-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 4f2aa28a-8131-4f7c-ade9-f8ddf63c4d75 https://omeka.binghamton.edu/omeka/files/original/8a238f81bc18efa45dfc50b4dc719588.pdf 4ac4e3776be414203653ed2dd9238b8c PDF Text Text TON BINGHAM E R S I T Y U N I V State University of  New York Zed eC DNXV  A R C \  Re  oi    O o o D E P A R T M E N T TEX <  S “¥“ Y E N A   P E  \ R — TH UR SD AY MID­DAY CONCERT 8 Thursday, November X  2007 1:20 p.m. Casadesus Recital Hall �–­  wmv  pru gian we present an  afternoon o f dance­drumming  from southern  Ghana.  These  ensem bles  are  the  collective  work  the Beginning  and  Advanced  sectio ns  of  African  Dance  (THEA 289J/389J;AFST 289J/389J) and  both sections of the African Mu sic Ensemble (M US  143B/MUSP 2 57;AFST 188B).  These courses  are off Ad vanced  African  Dance /A fric IV. ered each semester through the De partments of Africana Studies, Music, and Theatre Dance. Be ginnin g A fri can  Dance /A fric I. II. an Music  Ensem ble  Section I Gahu.  Gahu  is  a  neo­tradition al  dan adopted and adapted by the Ewe p ce  that  has  been eople of Ghana. It is an offshoot of the Gome dance,  a Pan­Atlantic African dance  form  that emerged in t he  19™ synthesis of European  hymns  and   century  from  the   marches  with  West African  musical sensibilities. T he  name Gahu suggests an airplane, and represents local  ex technology and culture. The song periences with new s are  often  humorous and fun, suggesting themes of co urtship and celebration. Kpatsa. This dance comes from  a neighboring group of the Ewe, known as the Ga­Adan gbe. They share many linguistic and cultural affinities w ith the Ewe, and these two groups have historically inte racted with each other. The characteristic movement of  Kpatsa is a limping gait that im itates the  movements o f d warfs, a m agical race of beings  which  inhabit  rural  are as  movements were embellished  wit in  Ghana.  These h dance combinations and eventually  became a social a nd recreational dance known  as  Kpatsa,  whose  nam e  is  an  onomatopoeic reference  to  the  mo vem ent  of  dwarfs.  III. ’ Sikyi. This dance is another neo– contemporary dance of the Akan people of southern and  central  Ghana. Sikyi, pronounced see chee, forms the  rhythmic foundation of Ghanaian Highlife music,  the pr imary style of popular music in Ghana. V. an Music  Ensem ble Section I Ag bekor. Agbekor is a war danc e o f the Ewe people of . Ghana.  As  the drummers  and   dancers  proceed  to  the stage  in  traditional  fashion,  the y sing calls the warriors to battle against t  a  war song that he European colonial powers. The second song memori alizes the great warrior Kundo who led warriors into bat tle and has been killed. This was originally a war dance o f the Ewe people. The mo vem ents im itat e m om ents o f th e battl e, and  follow the drum language o f the lead drum,  atsimevu. Sohoun.  Sohoun  is  an  Ewe­Fon  sacred dance  used  to open  a  ceremony  of  the  Yeve  shrine.  The  original movements  danced  at  the  shrine  inspired  the choreography for  this folkloric  version,  created by  Dr. Opoku for the Ghana Dance En sem ble. * * * * t * * * * * * * * * * * * # * * * * * * * * * * * * * * * * PERFORMERS Dances Directed and Choreograph Pierrette Aboadji, Department of T ed by heatre Dance B E G I N N I N G  DANCE­CLASS Kerleen  Beaubrun, Maryam Belly , Treval  Blair,  Susan Chen, Leena Daniel, Lleny De La C ruz , Lauren Fredericks, Delphine Hyppolite,  Jacinta  James,  Mo renike  Jegede,  Angelito  Jusay, Ghita  Laghrari,  Kayla  Lewis,  Qing  Lin,  Adrienne  Martian, Sheena O ’Connor, Katiusca Ortiz , Tamara Pitter, Rubi Ramirez, Larissa Reyes, Ebony Richardson , Sultana Rosario, Ceion Scott, Lauren Scott, Ashley Titus, Geral dine Toussant, Diana Trochez, Krystal Velez, Mariah Watson,  Maame Wentum, Jessica Wilks, Tamara Williams �A D V A N C E D  DANCE­CL ASS Wales  Cruz,  La­toya Alexandria  Blackman,  Tristin  Cadle,  tuska  Im perial,  Laura Foster,  Lisa  Gil,  Sasha  Gordon,  Ka t, Marcel March, Anne Johnson, Tyshema Kindell, Latoya Knigh rre, Paul Reyes, Pamela Mulcahy, Angela Perrier, Vanessa  Pie on, Coralina  Urena, rch To th  rdi Ga s,  are Su ly  ber im  K na, Santa Weeks Elba Vandunk, Sabina Virgilio, Casandra  Drumming directed and arranged by and Africana Studies James Burns, Departments of  Music  AFRICAN MUSIC ENSEMBLE SECTION I ler,  Hannah  Wittmer, Trevor  Ellis,  Brad  Koegel,  Kim  Kreid Samuel Young, Asuno Udoh. AFRICAN MUSIC ENSEMBLE SECTION I I eaton Rood, Theodore Starleana Holmes, Sung­Hoon Hwang, K y, Caroline Todman Trembinski, Amber Rivers, Samuel Yagg > GAN AND  ­ Mixed) GROUPS/ Ee '  e m   e °  n u Sedeed d d ) e M o n ­ w h i n e . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:03:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196879">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196879</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 8, 2007 Recital Tape 11-8-2007 Description An account of the resource Held at 1:20 p.m., November 8, 2007, Casadesus Recital Hall. Traditional dance-drumming pieces from southern Ghana. Creator An entity primarily responsible for making the resource Aboadji, Pierrette Burns, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-11-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 5f3e7cd3-772a-47e2-8ad4-ffb627bd9375 https://omeka.binghamton.edu/omeka/files/original/51241034fa64fbe7bbd116b81b0ad095.pdf 0eef9b0d526586699fd8b1e57affc49a PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  N ew York \  ’ l \  . _  V Yang  D E P A R T M E N T V I O L A  PLUS! Roberta C rawford, viola with Jan ey Choi, violin Stephen Stalker, cello Michael Salm i rs, piano November 16, 2007 8:00 pm Casadesus Recital Hall �ABOUT T HE PERFORMERS PROGRA M Five for the Flowers Near the River  Stephen Paulus (b. 1949) The riverside flowers are driving me crazy A few here where the river is deep and bamboos quiet Flowers engulfing the path, thousands weighing the branches Butterflies move pause move pause, It ’s a dance You flowers have pity on a white­haired man Sonata No. 2 in E­flat, Op. 120............................... Johannes Brahms (1833–1897) Allegro amabile Allegro appassionato Andante con moto WINTERMISSION®3 Trio for Violin, Viola and Cello.....................Ludw ig van Beeth oven (1770­1827 ) in E­flat, Op. 3  Allegro con brio Andante Menuetto: Allegretto Adagio Menuetto: Moderato Finale: Allegro ROBERTA  CRAWFORD, violist,  performs extensively as a  recitalist and chamber musician. A s associate director and a founding member of the Finger Lake Chamber Ensemble, Ms. Crawford has participated in over one hundred solo, chamber, and lecture­recital s presented by  the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday  Chamber  Music  Series  and  has been  a  guest  artist  with  the Ariadne  String Quartet. Ms. Craw ford’s orchestral experience  includes performances with the Portland and Syracuse symphonies as well  as the Skaneateles Festival Orchestra, and she has served as principal violist for the Cayuga C hamber Orch estra. An adv ocate of new music, Ms. C rawford has premiered numerous works featuring viola and has been the dedicatee o f  several works written speci fically for her. She has participated in  music festivals  throughout  the  United  States  and  in the  Caribbean  and  has appeared in l ive performance broadcasts for public radio and telev ision. A dedicated  teacher, Ms.   Crawford  has  served  as  clinician,  coach,  and adjudicator for numerous music organizations, as Director of ViolaFest at Binghamton  and  is  an  artist  faculty  member  with NYASTA ’s  String Institute at Ithaca College. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and th e Eastman School of Music and is Coordinator o f Strings at Binghamton Uni versity Canadian­born violinist JA NEY C H O I  joined the faculty of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers  University,  studying  with  Arnold  Steinhardt,  and  holds  her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Sm irnoff.  She gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active perform ing career as a recitalist, chamber, and orchestral musician throughout the country and abroad. She has participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the Spoleto Festi vals, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid inter­arts and cross­genre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. at the Kennedy Center in Washington, D.C.  She has recorded and appeared with such mainstream performers as Bono and Quincy Jones, Enya, Elton John, Sarah McLachlan, Lisa Loeb, Kanye West, Jay­Z and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, Chamber Music  Society of Lincoln Center and the Bloomingdale School of Music in New York City. �Cage, Virgil Thomson, Lou Harrison and George Crumb.  The Chamber Players appeared at Weill Recital Hall,  premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNY ­Binghamton. He performed with Solisti New  York  on  their  Alaskan  cruise  of the  Inner Passage  from  Vancouver  to Juneau.  As a member of the Madison String Quartet, he  was a finalist in the Naumberg  Chamber  Music  Competition  in New  York  City  and  the  Evian lntemational String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the  Trio  Amici,  Trilogy, Baroque  ‘n Blue, Early  On and  in concerts  at Binghamton University.  He is a past president of the New York State Chapter o f the  American String  Teachers Association and was Strings  Chair for the New York  State  School Music  Association.  He  is a founder of the  Southern  Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble,  is  well known as a recitalist  and chamber musician. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and  is  frequently a featured pianist on their Sunday Chamber Series. In  addition to performing most of the standard  chamber  music  repertoire  for  strings  and  piano,  he  has  premiered numerous solo and chamber works, and recently  gave the  world premieres o f David Liptak ’s and Marek Harris’ Piano Quintets.  He has also participated in such  contemporary  music  series  as  Binghamton  University ’s  Musica  Nova, Cornell University ’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. { n  I ’ . :  § a new weekly series efaturing art and  artiety  fohte local regia. stay tuned ty WSKG  T17 wrskg.org � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:19:58 7:07 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola Plus! Roberta Crawford, viola. November 16, 2007 Recital Tape 11-16-2007 Description An account of the resource Held at 8:00 p.m., November 16, 2007, Casadesus Recital Hall. Works of Paulus, Brahms, Beethoven. Creator An entity primarily responsible for making the resource Choi, Janey Stalker, Stephen Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-11-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 2bc164be-ce9e-401a-8149-650173079b8e https://omeka.binghamton.edu/omeka/files/original/a500c28b571b78124b35bad3b7092e07.pdf aa43e70629e202b049b68e6e9025b2b8 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York .  i  — P B  E P A R T M E N T “ r REUNION R ECITAL with Aaron St. Clair Nicholson, baritone and Todd Robinson, bass­baritione J ody Sch um, piano Saturday, December 1, 2007 8:00 PM Anderson Center Cham ber Hall �PROGRAM I. Don Quichotte a Dulcinée. l.  Chanson romanesque 5 . Chanson epique J . Chanson a boire .Maurice Ravel ~ II. Selected s o n g s o  fl v o r G  u r n e \ 1. Hawk and Buckle ~ By a Bierside Blaweary 4. The Twa Corbies 5 In Flanders “ Ll  U I M S Y   . ~ D e III. Charles Gounod Selected arias from Charles Gounod Operas  1. Sous les pieds d’une femme... La reine de Saba 5 A vant de quitter ces lieux ... Faust 3. Vous qui faites l’endormie... Faust 4. Mab, la reine des mensonges  Roméo et Juliette ~ WINTERMISSION3 D o n   _  2  .  .  #  $  ;  3  1 .   .  —    ­" l i b ' J  Carmen  Giovanni ~  RoNgary Amedens  7  . 3 1  ' – .n S l y :   <5  A  BL y \  L S E ”   1”  l 1 ,.  " ,   ag.  ,  »)  BE  a &   2 0 0 7   F o b r u e r y  1,  2,  §  3,  2 0 0 8   N o v e m b e r  2,  3 0 4,  P d a  a  ] U­CITIES    . . . . . . M , , : _ .   2 0 0 7 ­ 2 0 0 8  S e a s o n   M o y  2.  3 ,  &  4  2 0 0 8 Vr  o '  h a r e E  r g i e r h fob  “ V �Chanson de Don Quichotte I. 1. Chanson du depart 2. Chanson a Dulcinee 3. Chanson du Duc 4. Chanson de la mort de Don Quichotte TRANSLATIONS IL .. Jacques Ibert Don Quichotte & Duleinée Chanson Romanesque I Selected songs... 1. Lonely At The T o p 2. Living Without You 3. Louisiana 1927 4. Marie 5. Old Man 6. Political Science 7. Sail Away II. ...Randy Newman If you told me to be bored by the number of stars in the sky. I would tear the heavens apart, Erase the night in one swipe. If you told me that the, now Empty space, doesn’t please you. Chevalierdieu, with a lance at hand I would fill the passing wind with stars. III. Opera Duets Un segreto d’importanza. .. La Cenerentola........Gioachino Rossini Once again the prince’s valet, Dandini, posing as Prince Ramiro, faces Magnifico, who still believes he is the prince and insists he decide which daughter to marry. Dandini confesses he  is a valet.  When  Magnifico turns indignant, Dandini orders him out of the palace. Falstaff and Ford Duet.. The Merry Wives of Windsor » If you told me the eternal turning Of the world, offended you. I would send Panza: you would see it motionless and silent. ...Otto Nicholai Falstaff has just returned from being hidden in a laundry basket and thrown into the river to avoid  being caught  by the jealous Mr.  Ford  while flirting with Mistress Ford and Mrs. Page. This all results in great embarrassment for Falstaff. Mr. Ford, a.k.a. “Brook,” says he is in love with Mistress Ford but cannot woo her as she is too virtuous. He offers to pay Falstaff to court her, saying that once she  has lost  her honor he  will  be able to tempt her himself. Falstaff cannot believe his luck, and tells “Brook” he has already arranged to meet Mistress Ford while  her  husband  is out. Falstaff leaves to  keep  his appointment and  Ford soliloquies that he is right to suspect his wife and that the trusting Page is a fool. But, my Lady,  if you told me that my blood is more mine, then yours. That reprimand would turn me pale And, blessing you, I would die. Oh, Dulcinée. Chanson épic Dear Saint Michael, who gives me the chance to see my Lady and to hear her. Dear Saint Michael who gracefully choose me to please and defend her. Dear Saint Michael will you decend With Saint George to the altar Of the Virgin in the blue mantle. Bless my sword, with a beam from heaven And his equal in purity And his equal in pity As in modesty and chastity: My Lady. O Great Saint George and Saint Michael The angel who guards my watch My sweet Lady, so much like you Virgin in the blue mantle. Amen. Chanson a boire Fig for the bastard, illustrious Lady Who, for loosing me in your sweet eyes Tells me that love and old wine Put my heart and soul in mourning. I drink to pleasure! Pleasure is the only goal, To which I go straight... When I’ve drunk ! Fig for the jealous, dark­haired mistress who moans, who cries and swears Always being the pallid lover, Watering down his his intoxication I drink to pleasure! III. Selected arias from Charles Gounod Operas A vant de quitter ces lieux O, holy medal Which comes to me from my sister, On the day of battle, To guard against death, Stay on my heart. Before leaving this place, Native soil of my ancestors, To you, Lord and Kind of Heaven My sister I entrust. �Deign from all danger Always, always to protect her, This sister, so dear, Deign from all danger to protect her, Deign to protect her from all danger! Delivered from a sad thought, I will go in search of glory, Glory in the midst of enemies, The first, the bravest, In the heat of the fray, I will go to combat for my country, And if, to him, God calls me back, I will watch over you loyally, Oh Marguerite! Before leaving this place, Native soil of my ancestors, To you, Lord and King of Haven, I entrust my sister! Oh, King of Heaven, look down (on her), Protect Marguerite, King of Heaven! Vous qui faites l’endormie You who are supposed to be asleep, Don’t you hear Don’t you hear Catherine, my sweetheart Don’t you hear My voice and my steps? Thus your lover calls you Thus your lover calls you And your heart believes in him. Don’t open the door, my beauty, Till the jewel is on your finger! Etc. Catherine, whom I adore, Why refuse To the lover who implores you Why refuse such a sweet kiss? Thus your lover pleads Thus your lover pleads And your heart believes in him. Don’t give a kiss, my sweetheart, Till the jewel is on your finger. I. Chanson de Don Quichotte Mab, la reine des mensonges Mercutio’s aria from Romeo et Juliette Mab, queen of falsehoods, Presides over dreams; More frivolous than the deceiving wind; Across space, across the night, She passes, she flees! Her chariot, which the rapid particle Draws through the limpid ether, Made out of an empty nutshell By an earthworm, the Cartwright! The harnesses, a subtle lace, Were carved from the wing Of some green grasshopper By her coachman, the gnat! A bone of a cricket serves as the handle For whip, whose white lash ls taken from a ray of light, which is shed By Phoebe assembling in her court! Each night with this equipment Mab visits, on her travels, The husband who dreams of widowhood And the lover who dreams of love! At her approach, the coquette Dreams of finery and of dressing up, The courtier bows and scrapes, The poet rhymes his verses! To the miser, in gloomy shelter, She opens her treasures without number, And liberty laughs in the shadows At the prisoner burdened with irons. Intermission l . ­ Chanson du depart This new castle, this new building, enriched with marble and porphyry, where love built a castle for his empire and all of heaven added their skills, a rampart, a fortress against vice, is whose virtuous mistress hides herself away, that the eye beholds and the spirit admires, forcing hearts to her service. It is a castle, made in such a way that none may approach its door unless he has saved his people from the Great Kings, victorious, valiant and loving. No knight, no matter how adventurous, can enter without being such a person. Chanson a Dulcinee A day lasts a year if I don’t see my Dulcinea. But Love, to sweeten m y languishing, has painted her face in the fountain and the cloud, in each dawn and each flower. A day lasts a year if I don’t see my Dulcinea. Ever near and ever far, star of my long journeys. The wind brings me her breath when it blows over the jasmine flowers. A day lasts a year if I don’t see my Dulcinea. Chanson du  Duc Here let me sing the lady of my dreams, who raises me above this muddy century. Her diamond heart has never known a lie. The rose hides itself at the sight of her cheek. It is for her that I attempted high adventures. My arm freed the princess from servitude. I defeated the enchanter and confused the forsworn. I bent the universe to pay her homage. Lady for whom I roam alone on this earth, the only one not a prisoner of false appearances, I maintain before any foolhardy knight your peerless brilliance and excellence. Chanson de la mort de Don Quichotte Don’t cry, Sancho. Don’t cry, my good fellow. Your master isn’t dead, he hasn’t left you. He lives on a happy island  where everything is pure and there are no lies. He has found his island at last, and some day you will join him on this long­desired island, Friend Sancho! Books burn to piles of ashes. If books killed me, I just need one to live. A phantom in life and real in death ­ such is the strange fate of poor Don Quixote. �ABOUT T H E  COMPOSERS Jacques Francois Antoine  Ibert (August  15,  1890  ­  February  5,  1962)  was a French  composer  of classical  music.  He  studied  under  Paul  Vidal  at  the  paris Conservatoire and won the Prix de Rome in 1919 for his cantata Le poéte et la fee. From 1937 he was director of the French Academy in Rome, and from 1955 to 1957 directed Paris’s Opera­Comique. He died in Paris. Maurice Ravel (March  7,  1875 ­ December 28,  1937) was a  French  composer, probably best known for his orchestral work, Bolero. He is also well­known for his famous 1922 arrangement of Pictures at  an  Exhibition.  He was born in  Ciboure, France (near Biarritz, part of the French Basque region, bordering on Spain). He studied music at the Conservatoire de Paris in Paris, under Gabriel Fauré. He was also  heavily  influenced  by  Debussy’s  impressionist  style.  Ravel  was  also  highly influenced from music around the world including American Jazz, Asian music, and traditional  folk  songs  from  across  Europe.  In  1932  Ravel  was  involved  in  an automobile  accident  that  severely  reduced  his  health.  His  output  dropped dramatically  In 1937 he had an operation that he hoped would restore much of his health, but the operation was a failure and he died soon afierwards. He died in Paris. Charles Gounod (June  18,  1818  ­ October  18,  1893)  had  a particularly strong influence on French composers from the middle of the 19th century. He was educated at the Paris Conservatoire, where he won the Prix de Rome in 1837. His return to Paris in 1843, afler developing a wide knowledge of earlier and contemporary music abroad, brought a position as an organist. He achieved considerable success in the theatre, particularly with the opera Faust in  1859, but the Franco­ Prussian War of 1870 and a period spent in England, brought a largely unprofitable interruption.  He dies in Saint Cloud, France. Ivor G urney (August 28,  1890 ­  December 26,  1937) was born  in  Gloucester, England. He began composing music at the age of 14 and won a scholarship to the Royal College of Music in London in 1911. His studies were interrupted by World War I in which he served as a private. He spent 16 months at the Front where he was wounded in April 1917 and gassed in September of the sam e year. During the time he spent in France, his poetic gift revealed itself and his first book of poems, Severn and Somme, was published in the  autumn of 1917. After his discharge from the Army, he returned to London to resume his music studies. His second book of poems, War’s Embers, was published in 19 19. Gurney was regarded as one of the most promising men of his generation, both in music and poetry. He wrote hundreds of poems and composed more than 300 songs as well  as instrumental  music, primarily  for the piano. However, in  1922, the manic depressive  illness that had plagued him  from early  adulthood  prompted  his  family  to  have  him  declared  insane.  He  was institutionalized  for the last  15 years of his  life, and died at the City o f London Mental Hospital. Vincenzo Salvatore Carme lo Francesco Bellini (November 3, 1801 ­ September 23, 1835) was an Italian opera composer born in Catania, Italy  Foremost a lyricist, Bellini, for many opera afic ionados, was the quintessential composer of Bel canto opera. Bellini was a child prodigy and legend has it he could sing an air of Firoavanti at eighteen months, began studying music theory at two, the piano at three, and by the age  of  five  could  play  well.  His  first  composition  dates  from  his  sixth  year Regardless, of the veracity  of these claims, it  is certain the Bellini grew up  in a musical household and that a career as a musician was never in doubt. He died in Puteaux, Paris, France. Carl Otto  Ehrenfried  Nicolai  (June  9,  1810  –  May  1 1,  1849)  was  a  German composer, conductor, and founder of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare’s comedy The Merry Wives of Windsor (Die lustigen Weiber von Windsor). In addition to five operas, Nicolai composed lieder, works  for  orchestra, chorus, ensemble, and  solo  instruments.  He  died  in  Berlin, Germany. Gioacchino Antonio Rossini (February 29, 1792 — November 13, 1868) was an Italian musical composer who wrote more than 30 operas as well as sacred music and chamber music. Rossini was born into a family of musicians in Pesaro, a small town on the Adriatic coast of Italy  Rossini’s parents began his m usical training early, and by the age of six he was playing the triangle in his father’s band. His best known works include 11  Barbiere di Siviglia (The Barber of Seville), and ‘Guillaume Tell’ William Tell (the overture of  which is popularly known for being the theme song for The Lone Ranger). After intensive work on the opera William Tell, he spent the last 40 years of his life composing almost nothing, possibly in part due to ill health.  He died in Paris, France. Randy Newman  Born on November 28, 1943, in Los Angeles, California. This singer, songwriter, composer is best known for his well­crafted lyrics and appealing melodies, Randy Newman is known for such songs as “Short People,” “I Love L.A.,” “Mama Told Me Not to Come,” and many more. The nephew of three successful Hollywood composers and conductors, he began studying the piano at age seven and was writing songs professionally when he was 17  In addition to career in rock music, Newman  began  composing  film  scores, starting  with Cold  Turkey  in  1971  He received two Academy Award nominations for his score and his song “One More Hour” for the film Ragtime ( 1981). His work on The Natural (1984) also earned him nominations in both categories as well as a Grammy Award for Best Instrumental Composition. Newman also garnered Academy Award nominations for his work on Parenthood (1989), Avalon (1990), The Paper (1994), James and the Giant Peach (1996), and several others. �ABOUT THE PERFORMERS Baritone  AARON  ST.  CLAIR  NICHOLSON  has  established himself as an artist of the first rank, winning praise  for  his superb vocal gifts and the dramatic integrity he brings to his performances. In 2006­2007 he made his Metropolitan Opera debut as Schaunard in La Bohéme conducted by Domingo and, in December, as Papageno in Die Zauberflote, conducted by Levine.  His 2006­2007 schedule also included the title role in Don Giovanni for the Opera de  Montreal, Valentin in Faust for Vancouver Opera, Mercutio in Romeo et Juliette for  Opera  Lyra  Ottawa  and  Faure’s  Requiem  for  the  Atlanta Symphony, a work  he  performed  at  the  Festival  de  Lansaudier  in Quebec.  St.  Clair  Nicholson  opened  his  2007­2008  season  with Mozart ’s roguish Don for New York City Opera, later in the season repeated for Opera Lyra Ottawa.  He returns to the Opera de Montreal for the title  role in II  Barbiere di Siviglia, to Vancouver Opera for Marcello in La Bohéme and will  be heard in Rochester in Carmina Burana  and  with  the  Vancouver  Bach  Choir  in  a  New  York commission from John Estacio. Rigoletto with Pacific Repertory Opera; Frere  Laurent in Roméo et Juliette  with  Sacramento  Opera;  Second  Armored  Man  in  Die Zauberfléte  with Tokyo’s N e w National  Theater ; Dr.  Heidegger  in Beeson’s Dr. Heidegger ’s Fountain of Youth and Luka in The Bear for San Francisco Opera’s Adler Showcase; and Colline in La Bohéme for San Francisco Opera’s Western Opera Theater tour. As a young artist, Mr. Robinson has appeared as Bartolo in 11  Barbiere Di Siviglia, as Colline  in  La  Boheme,  and  as  Mr.  Page  in  The  Merry  Wives  of Windsor with San Francisco Opera’s Merola Opera Program. JODY SCHUM is a  versatile  pianist  and  organist  originally  from Windsor,  NY.  He  is  a  resident  pianist  with  Tri­Cities  Opera  in Binghamton, NY, and has performed with the Binghamton University Symphony  Orchestra,  Tri­Cities  Opera  and  on  numerous  solo  and collaborative  recitals throughout the Greater  Binghamton area.  His most recent engagement was performing and studying on fellowship with the  International  Institute of Vocal  Arts in  Chiari, Italy.  Mr. Schum  is the recipient  of the 2007 Virginia Pleasants Collaborative Pianist Award at the Civic Morning Musicals competition for singers. Bass­baritione,  TODD  ROBINSON’S  career  highlights  have included Oroveso in Norma and Capulet  in Roméo et Juliette with Virginia  Opera;  the  Commendatore  in  Don  Giovanni  with  Opera Santa  Barbara;  Méphistophélés  in  Faust,  Dulcamara  in  L ’elisir D ’Amore, John Falstaff in The Merry Wives of Windsor, the Villains in Les Contes  D’ Hoffmann, and Frére  Laurent in  Roméo et Juliette with Tri­Cities  Opera;  Fiorello  in  II  Barbiere  Di  Siviglia, Haly  in L ’Italiana  In  Algeri,  Dr.  Grenville  in La  Traviata, First  Soldier  in Salome, and Second Guard in Dead Man Walking with Opera Pacific; Leporello  in  Don  Giovanni  with  West  Bay  Opera  and  Tri­Cities Opera; Raimondo in Lucia Di Lammermoor  with  West Bay Opera; Leone  in Attila and the Bonze  in  Madama  Butterfly with Sarasota Opera; Bartolo / Antonio in Le Nozze Di Figaro with Syracuse Opera; Alidoro in La Cenerentola  with Arizona Opera; Figaro in Le Nozze and  Bartolo  in  Il  Barbiere  Di  Siviglia  with  Idaho’s  Opera  Plus!; Basilio  in 11  Barbiere  Di Siviglia  with Indiana’s Rising  Star Opera Theater; Horace in Regina with Lyric Opera Cleveland ; Sparafucile in B o a _   of effi'fWNgm  yatst r w vskteg.W K SG  a TV!  orp �Coming  ‘Cents Sunday, Decem ber 2 – University O rchestra : Sounds Behind the Cell uloid – 3:00 p.m. – Anderson Center Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Tuesday, December 4 – Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Th ursday, December 6 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall free —  Thursday, December 6 – Har pur Chorale and Women ’s Chorus – 8:00 p.m. – Trinity Memorial Church, Binghamton – free Friday, December 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall – free Sunday, December 9 – W ind Symphony – 7:30 – Anderson Center Chamber Hall – free $ t “ * * * # * t ¥ # t # * * # * * * * Spring 2008 Sunday, February 1 0 – Romance, Fantasy, Tragedy – 3:00 p.m. – Anderson Center Chamber Hall ­ $15 general public; $13 faculty/staff/seniors; $7 students Sunday, Fe bruary 1 7 – A Tango for Two: Guest O rganists Annette Richards and David Yearsley – 4 :00 p.m. – First Presbyterian Church, Binghamton. ­ $15 general public; $13 faculty/staff/seniors; $7 students Friday, Fe bruary 22 – Master ’s Recital : LaToya Lewis, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, February 24 – M usics Nova – 3:00 p.m. – Anderson Center Chamber Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Saturday, March 1 – Un iversity O rchestra : Top Talent (Concerto Competition Winners) – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Th ursday, March 6 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio cassettes 1 audio disc 1 videodisc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:48 1:10:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196891">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196891</a>h Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reunion recital with Aaron St. Clair Nicholson, baritone, and Todd Robinson, bass-baritone, December 1, 2007, Recital Tape 2007-12-1 Description An account of the resource Held at 8:00 p.m., December 1, 2007, Casadesus Recital Hall. Works of Ravel, Gurney, Gounod, Ibert, Newman, Rossini, Nicholai. Creator An entity primarily responsible for making the resource Schum, Jody Robinson, Todd Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2001-12-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID bde7b9a4-c7b7-485e-ace9-ce1e291d6d96 https://omeka.binghamton.edu/omeka/files/original/b165daf7a48a17b118ddefe0da3c4214.pdf 700083ae86c9c2e7026d93de6913f685 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of Ne w York I  I  l  J  B E t  bi  \  LOOT  . I E C D E P A R T M E N a l ya  oft F A C U L T Y  R E C I T A L J A N E Y  C H O I , V IO L I N w it h M icha el Salmirs, p ia no Saturd ay, Feb rua ry 24, 2007 8:00 p.m. Casadesus Reci tal Hall T �ABOUT THE PERFOR MERS Canadian­born violinist, JAN EY CHOI, gave her Carnegie PROGRAM Sonata for Violin and Piano in D major  1. Adagio molto maestoso  2. Allegro 3. Tambourin: Allegro vivace Hall  recital  debut  in  1997  as  a  winner  of  the  Artists International Auditions and continues an active performin g Jean Leclair (1697 ­ 1764) Sonata for Piano and Violin .................weveeen.. L v . B   eethoven G major, op. 30 no.3 (1770 ­ 1827) 1. Allegro assai 2. Tempo di Minuetto ma molto moderato e grazioso 3. Allegro vivace w w   INTERMISSION «3 Solo Sonata No.2 “Obsession”, op27  1. Prélude: Poco vivace  2. Malinconia: Poco Lento 3. Danse des Ombres: Saraba nde (lento) 4. Les Furies: Allegro Furioso E. Ysaye (1858 ­ 1931) Sonata for Violin and Piano 1. Allegro vivo 2. Intermede : Fantasque et léger C. Debussy (1862 ­ 1918) 3. Finale: Tree animé career  as  a  recitalist,  chamber,  and  orchestral  musician throughout  the  country  and  abroad.  The  recipient  of numerous  awards  including  the  Ontario  Arts  Council’s Chalmers Performing Arts Training Grant and  First Prize in the National Finals of the Canadian Music Competition, she  has  participated  in such  festivals  as Juilliard’s  Focus Festival, Norfolk, Taos, the Spoleto Festivals in the U.S. and Italy,  Festival  Musical  de  Santo  Domingo,  the  Santa  Fe Opera and the Sarasota Opera. An  avid  inter­arts  and cross­genre collaborator ,  she  is  the Music  Director  of  Thomas/Ortiz  Dance,  a  partnership recognized by the American Music Center with a Live Music for  Dance Grant,  and has performed numerous times with the Parsons Dance Co., most notably at the Kennedy Center in  Washington,  D.C.,  and  at  the  New  Victory  Theater  in Times Square.  She  has recorded and appeared  with such mainstream  performers  as  Bono  and  Quincy  Jones,  Enya, Elton John, Sarah McLachla n, Lisa Loeb, Kanye West, Ja y­ Z  and  Beyoncé,  on  MTV,  Saturday  Night  Live,  at  Live  8 Philadelphia,  Radio City Music Hall and Royal Albert Hall in London, England. Dr.  Choi  attained  her  Doctor  of  Musical  Arts  degree  at Rutgers University, studying with Arnold Steinhardt as the recipient of the Graduate Fellowship Award. She holds bot h Bachelor  and  Masters  degrees  from  The  Juilliard  School where  her  major  teachers  were  Joseph  Fuchs  and  Joel Smirnoff.  Also  a  Teaching  Artist  for  the  New  York Philharmonic,  Lincoln  Center  Institute,  Chamber  Music Society  of  Lincoln  Center  and  the  Bloomingdale  School  of Music  in  New  York  City,  she  joined  the  faculty  of Binghamton University in Fa ll ‘06. �MICHA EL  SALMI RS,  a  founding  member  and  artistic director  of  the  Finger  Lakes  Chamber  Ensemble,  is  well known  as  a  recitalist  and  chambe r  musicia n  perform ing extensively  throughout  the  region.  He  has  appeared  as soloist  with  the  Corning  Philharmonic,  Bingha mton University Orchestra,  Cayuga Chamber Orchestra, and has been a  featured pianist on their Sunday cha mber se ries. As a  performer of contempo rary m usic,  he  has participated in such  series  as  Bingha mton  University’s  Musica  Nova, Cornell  University’s  Ensemble  X,  and  has  toured  and recorded  for  the  Syracuse  Society  for  New  Music.  Salmirs studied  at  the  New  England  Conserv atory  and  Eastma n School of Music ; his tea chers h ave inc luded p ianists Leonard Shure  and  Rebecca  Penneys  and  composer  Karel  Husa. Salmirs  has  taught  at  the  Syracuse  University  School  of Music  and  Hobart  and  William  Smith  Colleges.  He  is currently a fac ulty me mber at Binghamton  University and an  Affiliat e  Artist  at  Cornell  University.  He  mainta ins  a private piano studio in Ithaca and e njoys te aching students of  all  ages  and  levels.  This  season,  Salmirs  will  perform Poulenc’s Aubade with the Ca yuga Ch amber O rchestra . * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Comin g Even ts S und a y , Fe b r u a ry 25 – U nive rsity W i n d  Ense m b le : A Wor ld T our – 3:00 p.m . – Anderson Center Cham ber Hall – free S und a y , Fe b r u a ry 25 – B ach A gain!  Jonat ha n Bi g gers, or ganist – 4:00 p.m . – First Presbyte rian Church, Bing hamton ­ $15 gene ral public ; $13 faculty/staff/seniors; $7 students Th urs d a y , M a r c h 1 – Mi d ­Da y Co n ce r t  ­­ 1:20 p.m. – Casadesus Recital Hall – free Saturd a y , M a rch 3 – Univers ity S y mp hony Or chestra – 8:00 p.m. – Osterhou t Concer t Theate r –$9 general pub lics; $7 faculty/staff/seniors; free for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:02:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196895">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196895</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty recital, Janey Choi, violin, February 24, 2007 Recital Tape 2-24-2007 Description An account of the resource Held at 8:00 p.m., Feb. 24, 2007, Casadesus Recital Hall. Works of Leclair, Beethoven, Ysaye, Debussy. Creator An entity primarily responsible for making the resource Salmirs, Michael Choi, Janey Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-02-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID d5877dee-d12f-4419-96e7-02f91ef7f2f9 https://omeka.binghamton.edu/omeka/files/original/5be7e5f21531a0ae9d7ab5946a4ca77c.pdf c6dd921aadbcb8ac826a519521f18281 PDF Text Text BINGHAMTON UNILV:ERSITY State University of  New York wi d e [4 B E P  A R T M E N T Flute Ensemble Georgetta Maiolo, director Saturday, December 1, 2007 12:00 noon Casadesus Recital Hall �P rog ram Andante Canta bile..................................... Peter Ilyich Tchaikovsky (1840­1893) Arranged by Jennifer Higdon Prelude and Rondo...............ccon nivicncssacsesesso.  ANDES  McGinty (b.1945) The Nutcracker Suite  Miniature Overture  March  Dance of the Sugar Plum Fairy Arab Dance Dance of the Mirlitons Waltz of the F lowers Peter Ilyich Tchaikovsky (1840­1893) Arranged by Michael Axtell On Eagles’ Wings  Monochrome I Jared Spears (b. 1930) P e t e r Schickele   (b.1935) The Fairest of the Fair.................ccccccieeeeeenceecee.....JOhN Philip Sousa (1854­1932) Arr. by Ricky Lombardo Let it Snow  Julie Styne and Sammy Cahn Arranged by James Christensen We Wish You a Merry Christmas..... Arranged by Ricky Lombardo Mem bers of the Bi nghamton Un iversity Flute Ensem ble Anthony Chen Juliette Guarino Rachelle Haddad Sarah Harper Leah Hays Judy Kahn Katherine Navarette Jaclyn Scott Valerie Spiller Melissa Voldan �Coming  ‘Crents Satu rday, Decem ber 1  – Reunion  Recital :  Aaron  Nicholson, baritone and  Todd  Robinson,  bass­baritone  –  8:00  p.m.  –  Anderson  Center Chamber Hall ­ $15 general public; $13 faculty/staff/seniors; $7 students Sunday, Decem ber 2 – University Orchest ra : Sounds Behind the Celluloid – 3:00 p.m. ­ Anderson Center Concert Theater ­ $9 general public; $7 faculty/staff/sen iors; free for students Tuesday, Dece m ber 4 – Percussion Ensemble – 8:00 p.m. ­ Anderson Center Chamber Hall – free Thu rsday, Decem ber 6 – Mid­Da y Concert ­­ 1 :20 p.m. – Casadesus Recital Hall ­ free Thursday, Decem ber 6 – Harpur Chorale and Women’s Chorus – 8:00 p.m. – Trinity Memorial Church, Binghamton – free Friday, Decem ber 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall – free Sunday, Decem ber 9 – Wind Sym phony – 7:30 – Anderson Center Chamber Hall ­ free # * t * # * * # * * # # * # * # * * * * * Sp ring 2008 Sunday, February 10 – Romance, Fantasy, T ragedy – 3:00 p.m. – Anderson Center Chamber Hall ­ $15 general public; $13 faculty/staff/seniors; $7 students Sunday, Fe brua ry 1 7 – A Tango for Two: Guest Or ganists An nette Richards and David Yea rsley – 4 :00 p.m. – First Presbyterian Church, Binghamton. ­ $15 general public; $13 faculty/staff/seniors; $7 students Friday, Fe brua ry 22 – Master ’s Recital : LaToya Lewis, sop rano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, Febru ary 24 – Musica Nova – 3:00 p.m. – Anderson Center Chamber Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Satu rday, March 1 – University O rchest ra : Top Talent (Concerto Com petition Winne rs) – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 facul ty/staff/seniors; free for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:48:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196898">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196898</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute Ensemble, December 1, 2007 Recital Tape 12-1-2007 Description An account of the resource Held at 12:00 p.m., December 1, 2007, Casadesus Recital Hall. Works of Tchaikovsky, Higdon, McGinty, Spears, Schickele, Sousa, Cahn, Lombardo. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Chen, Anthony Guarino, Juliett Haddad, Rachelle Harper, Sarah Hays, Leah Khan, Judy Navarette, Katherine Spiller, Valerie Voldan, Melissa Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 2e7e69ea-6a70-40d5-8d8a-62cf7a3dfeb5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:05:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196901">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196901</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Singing Chinese class recital, December 7, 2007, Recital Tape 12-7-2007 Description An account of the resource Held at 7:00 p.m., December 7, 2007 Casadesus Recital Hall. 24 Chinese songs. Creator An entity primarily responsible for making the resource Deng, Jia Ling Huang, Jia Li Qi, Kevin Qi, Hui Chen, Tong Zhang, Hua Shang, Hong Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 86d30dfc-fc2a-4d4b-8022-f2098eae3d24 https://omeka.binghamton.edu/omeka/files/original/7fe24fe1f9dcef1ab7ceeb7649bdb267.pdf b235e02f62dd2958f27518af43b77418 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York d e c [4 D E P A R T M E N T UNIVERSITY PERCUSSION ENSEMBLE CONCERT Daniel F abricius, Conductor Tuesday evening, December 4, 2007 8:00 PM Anderson Center Chamber Hall �University Perc ussion Ensemble Personnel PROGRAM 1 Cumbanchero  R o T  I E x  ..+........Raphael Hernandez Arranged by Phi Faini   N I T I E S P  E N S light Of The Bumble ­ Bee. . . . . . . . .........Nicholai Rimsky­Korsakov Arranged and adapted by Max Leth Marc Silvagni & Subin Lim, Marimba farch To The Scaffold,  “Symphony F antastique ”  ...Hector Berlioz Arranged by Harold Farberman WINTERMISSIO N rescendo............... ......................... ........Alexander Lepak Amanda Jacobs Stephanie Lehman Subin Lim Jacob McNally Paul Payabyab Richard Postelnik Marc Silvagni Courtney Sullivan Kelly Tufo Lee Vilinsky DANIEL FABRICIUS, Lecturer of Music in Percussion, has been a member of the Binghamton University  faculty since 1992.  He holds degrees from  Mansfield University (BS) and Ithaca College (MM) where he studied percussion with Richard Talbot and Gordon Stout. In addition to  his work at BU, he has served as Director of Bands at Owego Free Academy since 1989.  He has been a member of the Binghamton Philharmonic percussion section since 1982 but is  also  comfortable  performing in  popular, rock, jazz,  and  other styles.  He plays regularly on drums as a member of several musical organizations in the Southern Tier, including the Mason Warrington Orchestra and his own band, Prism.  He has also played often as a free­lance percussionist, accom panying national tou ring artists such BERR  Nathan Daught rey mdo, “Eine Kleine Nachtmusik”. . . . . . ..Wofgang Amadeus Mozart Arranged by Richard Janicki bre D a n i e l l ...........Aram Khachaturian Arranged by James L. Moore as Tommy  Tune,  Jerry  Vail,  Lorrie  Morgan,  Ringling  Brothers Circus, the Smothers Bothers, and Ella  Fitzgerald.  He is  highly regarded in the region as a percussion soloist and  ensemble player and has played collaborated often with organist Jonathan Biggers and  the  Ithaca  Brass.  For  many  years  Professor  Fabricius  has served the New York State School  Music Association as an All­ State Percussion adjudicator.  He also serves on the faculty of the Binghamton High School Percussion Cam p each summer and over the years has present ed many percussion c linics at state conventions and conferences.  In addition he often serves as a guest conductor for  honor  band  festivals and  has adjudicated Jazz Ensemble and Concert  Band  performances  at  music  festivals  throughout  New York. �Coming  “Crents Thu rsday, December 6 – Mid­Da y Concert – 1 :20 p.m. – Casadesus Recital Hall ­ free Thu rsday, December 6 – Harpu r Chorale and Women’s Chorus – 8:00 p.m. – Trinity Memorial Church, Binghamton ~ free Friday, December 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall – free Sunday, December 9 – Wind Sym phony – 7:30 – Anderson Center Chamber Hall ­­ free t t t t t t t t t t t t t t t t t t t t t Spring 2008 Sunday, February 1 0 – Romance, Fantasy, Tragedy – 3:00 p.m. – Anderson Center Chamber Hall ­ $15 general public; $13 faculty/staff/seniors; $7 students Sunday, Fe bruary 1 7 – A Tango for Two : Guest Organists Annette Ri chards and David Yearsley – 4 :00 p.m. – First Presbyterian Church, Binghamton. ­ $15 general public; $ l 3  faculty/staff/seniors; $7 students Friday, February 22 – Maste r’s Recital : LaToya Lewis, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, February 24 – Musica Nova – 3:00 p.m. – Anderson Center Chamber Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Satu rday, March 1 – University O rchest ra : Top Talent (Concerto Competition Winners) – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors ; free for students Thu rsday, March 6 – Mid­Day C oncert – 1 :20 p.m. – Casadesus Recital Hall – free Satu rday, March 8 – Hommage a Casadesus – 8:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; $1 students Sunday, March 9 – Wind Sym phony – 3:00 p.m. – Anderson Center Chamber Hall – free Thu rsday, March 1 3 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall free —  � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:34:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196904">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196904</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, December 4, 2007. Recital Tape 12-4-2007 Description An account of the resource Held at 8:00 p.m., December 4, 2007, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 6384ec31-c5bd-47a0-ae2f-8275dc604697 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:00:18 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196907">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196907</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Symphony Orchestra "Sounds behind the celluloid", December 2, 2007, Recital Tape 12-2-2007 Description An account of the resource Held at 3:00 p.m., December 2, 2007, Osterhout Concert Theater.Works of Elfman, Zimmer, Shore, Badelt, Williams. Creator An entity primarily responsible for making the resource Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID e091ee4d-93cf-45c7-87f6-9aa51d2557ec