133
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/67b1032736b2b3423553f6b24e1bc583.pdf
88114d94a7bbd53dfb3071696a21319a
PDF Text
Text
THE HARPUR COLLEGE ORCHESTRA
VIOLIN I
Cukier, Robert
Concertmaster
Bernstein, Robert
Fenimore, Paula
Shope, Caroline
Wade, Ralph
Wallenberg, Marianne
Walls, Anita
VIOLIN II
Blauser, Henry
Duda, Frances
Gaylord, Anne
Gothelf, Sarah
Grupsmyth, George
Pettengill, Edward
Powazek, Irene
Robbins, Nancy
VIOLA
Colton, Russell
Herzog, Hedda
House, Laura
Isham, Patricia
CELLO
Battin, William
Gruber, Kathy
Livingstone, Christine
Zimmerman, Susan
BASS
Thomas, Richard
FLUTE
Jackson, Margaret
Cohn, Debbie
OBOE
Mohn, Abigail
Stolarcyk, Richard
CLARINET
McLellan, John
Abrahams, Arthur
Duncan, Candy
BASSOON
Walker, Stephen
Eddy, Scott
FRENCH HORN
Evansohn, John
McCool, Martha
TRUMPET
Harolds, Jay Allan
Drobak, John
TIMPANI
Levine, Lanny
ANNOUNCEMENTS
January 31 - 3:15 p.m. Guarneri Quartet
February 4 - 8:30 p.m. Jean Casadesus, pianist
February 5 - 8:15 p.m. Harpur College Dance Group
February 6 - 2:15 p.m. Harpur College Dance Group
February 6 - 8:15 p.m. Yale Russian Chorus
February 7 - 8:15 p.m. Guarneri Quartet
February 14 - 8:15 p.m. Harpur College Wind Ensemble
Harpur College Theater
THE HARPUR COLLEGE ORCHESTRA
Fritz Wallenberg, Conductor
January 24, 1965 8:15 P.M.
HARPUR THEATER
PROGRAM
Symphony No. 1 in C-major, Op. 21..................... L. van Beethoven
(1770 - 1827)
Adagio molto; Allegro con brio
Andante cantabile con moto
Menuetto. Allegro molto e vivace
Adagio; Allegro molto e vivace
The first performance of Beethoven's Symphony No. 1 took place on
April 2, 1800 at the Hofbergtheater, at which Beethoven made his
first public appearance. Sketches for the final movement can be found
among the counterpoint exercises Beethoven wrote for his teacher,
Albrechtsberger, in 1796. The Symphony itself was probably written
during the Winter of 1799-1800. A review of the concert in the
Allgemeine Musikalische Zeitung found the Symphony to have "much
art, novelty and wealth of ideas" but criticized it for "too much use of the
wind-instruments, so that the music sounded more as if written for
military band then an orchestra." The Introduction to the first movement
begins with a cadence in F, and two measures later a cadence in
G before settling into C major. The first subject of the second movement
is treated fugally . The Menuetto, actually a Scherzo, is built
upon a scale pattern. And the scale also dominates the final movement.
W. R. S.
****INTERMISSION****
Andante for Flute and orchestra, K. 315................. W. A. Mozart
(1756 - 1791)
Soloist: Marlene Bass
During his Mannheim tour in 1777-78, Mozart received a commission
from the Dutch amateur flutist, M. de Jean, to write six quartets and
six concerti for the flute. The letters of Mozart to his father bears
evidence that he did not cherish this commission. The important Flute
Quartet in D (K. 285) was soon followed by two quartets of lesser stature
(K. 285a and K. Anh. 171), which betray Mozart's waning interest in this
form. After writing the original Concerto in G major (K. 313), Mozart
took an earlier Oboe Concerto (K. 314), adapted it for the flute and
transposed it from C to D major. When it was apparent that M. de Jean
had no intention of rewarding Mozart for his effort, the commission was
left incomplete. The Andante in C (K. 315) may have been written with
a third concerto in mind or, as Einstein conjectures, it may be a substitute
for the second movement of the G major Concerto as M. de Jean
found the original slow movement a bit too difficult.
W. R. S.
Simple Symphony - for String Orchestra............... Benjamin Britten
(1913 - )
I. Boisterous Bourrée (1926)
II. Playful Pizzicato (1924)
III. Sentimental Saraband (1925)
IV. Frolicsome Finale (1926)
Benjamin Britten is the leading figure today in English contemporary
music. His genius has been recognized in works for voice especially,
including the operas "Peter Grimes," "Billy Budd," and very recently
"A Midsummer Night's Dream." Earlier works include "Les Illuminations
for solo voice and string orchestra and "A Ceremony of Carols" for
boys' voices and harp. All of his works are marked by great emotional
power, penetrating beauty, and a completely individual manner of writing.
This "Simple Symphony" is based entirely on material from piano pieces
which the composer wrote between the ages of nine and twelve. (The actual
date is printed after each movement. ) Although the development of the
themes is new in many places, there a re large sections which have been
taken from the early pieces - save for the re-scoring for strings. The
string orchestra "symphony" was written in 1934.
Three German Dances K. 605........................ W. A. Mozart
Upon Gluck's death in 1787, Mozart received the post of Royal and
Imperial Court Composer with the modest salary of 800 gulden annually.
However, if Mozart were to expect commissions for larger works, he was
soon disappointed. He merely had to supply dances for Imperial
occasions. The Viennese public, that had so warmly supported him a
few years before, had simply lost interest. So Mozart was soon to find
himself in financial straits, as the piteous letters to his friend, Michael
Puchberg, requesting money bear witness. In the first three months of
1791, in addition to the Piano Concerto in Bb (K. 595), two Fantasias for
mechanical organ and three children's song, Mozart wrote twelve sets
of dances; Ländler, Menuets and German Dances . In his catalogue of his
own works, the first two dances on tonight's program were entered
February 12, 1791. The third dance is missing. As the autograph is
lost, we must rely upon several manuscript copies to determine that
the three dances belong together. Mozart often used a humorous type
of orchestration in the Trios of his dances . The Trio in the third
dance entitled Die Schlittenfahrt (the Sleigh-ride) is an excellent example,
scored for Bassoon, two Posthorns, five tuned Sleighbells and Strings.
W. R. S.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:38
25:10
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54344">Harpur College Orchestra Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Orchestra
Recital Tape 1965-1-24
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven, Mozart and Britten.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Mozart, Wolfgang Amadeus, 1756-1791
Britten, Benjamin, 1913-1976
Date
A point or period of time associated with an event in the lifecycle of the resource
1965-01-24
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur College Orchestra Recital Tape 1965-1-24.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:42
30:03
31:07
38:50
35:52
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54337">Guarneri Quartet Reel Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guarneri Quartet Reel, 1964/65
Recital Tape 1964/65
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Guarneri Quartet
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1964/1965
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019618945
39091019618994
39091019619042
39091019619091
-
https://omeka.binghamton.edu/omeka/files/original/8aea77f3689347eaa96bd9f648882b6b.pdf
bae8daab762c9aee697008abfaa22832
PDF Text
Text
WP-112
About the Harpur Trio:
As members of the Harpur College Music Department, each
artist brings to the trio a unique training and background.
Patricia Isham, who holds degrees from Pomona College and
Columbia University, studied with William Kroll and Alexander
Schneider.
Myron Fink, well known as both composer and pianist, studied
at the University of Illinois with Burrill Phillips in Composition and
Stanley Fletcher in Piano.
Equally proficient as performer and musicologist, Dr. Harry
Lincoln holds degrees from Macalester College and Northwestern
University.
_________________________________
Announcements:
Friday, Nov. 20
Krainis Baroque Trio
Sunday, Nov. 29
Quarneri String Quartet
Sunday, Dec. 6
Quarneri String Quartet
Monday, Dec . 14
Christmas Program
(College Choir and Men's Glee Club)
__________________________________________
A reception for the Harpur Trio will be held immediately
following the concert in the Faculty Lounge, adjacent to
the Theater. Everyone is cordially invited.
THE HARPUR TRIO
Patricia Isham, Violin
Harry Lincoln, Flute
Myron Fink, Piano
November 7, 1964
8:15 P. M.
Harpur Theater
�
PROGRAM
Trio Sonata in C minor -------------------------J.J. Quantz
(1697-1773)
Andante moderato
Allegro
Larghetto
Vivace
Sonata in A, Op. 47 (Kreutzer ) for piano and violin--------Beethoven
(1770-1827)
Adagio sostenuto - Presto
Andante con Variazioni
Finale. Presto
****Intermission****
Jeux. Sonatina for flute and piano --------------J. Ibert
(b. 1890)
Animé
Tendre
Trio in Bb- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -C. P. E. Bach
(1714-1788)
Allegro
Adagio, ma non troppo
Allegretto
PROGRAM NOTES
The two trios by J. J. Quantz and C. P. E. Bach represent different
characteristic aspects of pre-classic music. Both men were employed
by Frederick the Great at Potsdam and Berlin, Quantz from
1728-177 3, and Bach from 1738-1767. They were composing during a
time of transition, when the "learned" and polyphonic style of the Baroque
was giving way to the new formal and expressive devices, ushering in the
Classical period. The trio sonata is a characteristic Baroque form in
which two treble instruments, either alike or of differing timbres, are
supported by a continuo, consisting of harpsichord and cello. The two
works on tonight's program may be played on two violins, two flutes or two
oboes, or any combination of these instruments. In Charles Burney's
account of his visit to Potsdam, he describes Quantz's music as "simple
and natural" but of a style that was in vogue forty years earlier. Bach,
according to Burney's description, is "rich in invention, taste, and learning,"
but richest in "expression." Quantz's Trio-Sonata represents the Baroque
tradition of the "church sonata" with its four movements alternating between
slow and fast tempi and its highly imitative interplay between the two solo
voices. Bach's three-movement trio lays a greater stress on "Empfindsamkeit"--
in which expression and sensitivity play the primary role.
The "Kreutzer" Sonata of Beethoven was first performed in 1803 by
the English violinist George Bridgetower with Beethoven at the piano. The
first two movements had evidently been sketched earlier in the year. At
the first performance the violinist was obliged to play from Beethoven's
own manuscript while the piano part was non-existent except for an occasional
jotting. The third movement had been composed the previous year for an
earlier sonata, Op. 31, No. 1, but had been laid aside as being too imposing
a movement for that work. When the sonata was published in 1805, Beethoven
dedicated it to Rudolph Kreutzer, with the remark that since the "sonata
was written for a thoroughly capable violinist, the dedication to him (Kreutzer)
is all the more appropriate." The sonata begins with an adagio introduction
stated by the unaccompanied violin---a unique device among Beethoven's
violin sonatas. The first movement in sonata-form is punctuated with
cadences extended by cadenza-like elaborations. In the second movement
both instruments play an equal role in spinning out the variations. Although
the first movement with the exception of the introduction is in A minor, the
third movement returns to the key of A major, as in the introduction, and
the work closes in brilliance and gaiety.
Early twentieth-century French composers have contributed greatly
to the flute repertoire. Ibert's Jeux, in spite of the subtitle Sonatina, is
rhapsodic in character . The first movement is characterized by a lively,
disjunct theme in 5/8 meter. The opening lyrical material of the second
movement is built to a climax by means of a canon between the two instruments.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
48:30
28:53
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54333">Harpur Trio Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Trio Recital
Recital Tape 1964-11-7
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Quantz, Beethoven, C.P.E. Bach, performed by Patricia Isham, violin, Harry Lincoln, flute, Myron Fink, piano.
Creator
An entity primarily responsible for making the resource
Harpur Trio
Isham, Patricia
Lincoln, Harry
Fink, Myron
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Quantz, Johann Joachim, 1697-1773
Beethoven, Ludwig van, 1770-1827
Bach, Carl Philipp Emanuel, 1714-1788
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1964-11-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur Trio Recital Recital Tape 1964-11-7.pdf
-
https://omeka.binghamton.edu/omeka/files/original/86de71d7fe652afae44618e3eeac3ae9.pdf
88a19058dc6973ae69b80b8c3d02b028
PDF Text
Text
MDT-1
State University of New York
Harpur College
DEPARTMENT OF MUSIC
Student Recital
Music Rehearsal Room
October 15, 1964
4:30 P.M.
Sonata in Cm, Op. 10, No . 1 (Beethoven)
1st movement Allegro molto econ brio
May Night (Palmgren)
Mrs. Alberta Weisz, pianist
Prelude No. 8 in Ebm (J. S. Bach)
Impromptu in Ab (Schubert)
Ellen Leinwand, pianist
The Little Sheperd (Debussy)
Jeffrey Gimurich, pianist
___________________________________________________
THE HARPUR CHAMBER ENSEMBLE
Five German Dance Movements in four Parts
I. Valentin Hausmann (1599)
II. Johann Staden (1618)
III. Melchior Franck (1604)
IV. Johann Staden (1618)
V . Melchior Franck (1604)
Solo Cantata No. 8 "Mein Herz is bereit" (Buxtehude)
Clifford Myers, bass
Hymn and Fuguing Tune No. 2 for String Orchestra (Henry Cowell)
__________________________________________________
Members of the Ensemble
Violins
Patricia Isham
Paula Fenimore
Anita Walls
Anne Gaylord
Frances Duda
Viola
Howard Isham
Continuo
Robert Whitney
Cellos
Christine Livingston
Kathy Gruber
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:08
14:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54329">Student Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student Recital
Recital Tape 1964-10-15
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Beethoven, Bach, Schubert, Debussy performed by students: Patricia Isham, Paula Fenimore, Anita Walls, Anne Gaylord, Frances Duda, Howard Isham, Robert Whitney, Christine Livingston, Kathy Gruber.
Creator
An entity primarily responsible for making the resource
Isham, Patricia
Fenimore, Paula
Walls, Anita
Gaylord, Anne
Duda, Frances
Isham, Howard
Whitney, Robert
Livingston, Christine
Gruber, Kathy
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Bach, Johann Sebastian, 1685-1750
Schubert, Franz, 1797-1828
Debussy, Claude, 1862-1918
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1964-10-15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Student Recital Recital Tape 1964-10-15.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:14
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54379">Haydn Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Haydn Recital
Recital Tape 1964-8-4
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1964-08-04
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619331
-
https://omeka.binghamton.edu/omeka/files/original/d366a10cc2a74efcb5bf149dac61652b.pdf
b768a73eed006f80cc4d3ebd2adde828
PDF Text
Text
STATE UNIVERSITY OF NEW YORK
HARPUR COLLEGE
CONVOCATIONS COMMITTEE
and
DEPARTMENT OF MUSIC
Present
Pianist
PROGRAM
Variations on a Theme by Anselm Huttenbrenner - Schubert
Suite for Piano - Lou Harrison (1917)
(Written for and dedicated to Frances Mullen Yates)
...... Intermission ..... .
Concord Sonata - Charles Ives (18 74 - 1954)
Emerson
Hawthorne
The Alcotts
Thoreau
Thursday Evening
April 16th
8:15P.M.
SOCIAL ROOM - STUDENT CENTER
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:46
47:24
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54239">Recital Frances Mullen Yates</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Frances Mullen Yates
Recital Tape 1964-4-16
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Harrison and Ives.
Creator
An entity primarily responsible for making the resource
Yates, Frances Mullen
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Schubert, Franz, 1797-1828
Harrison, Lou
Ives, Charles
Date
A point or period of time associated with an event in the lifecycle of the resource
1964-04-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619281
-
https://omeka.binghamton.edu/omeka/files/original/6e7e0e47c2a0cf1ce6520e065ee49696.pdf
fdb357c05b54f02e1d7620b1e6734a5c
PDF Text
Text
The Music Faculty of Harpur College
presents
a short recital
Harpur College Theatre
4:30 P.M.
Monday, August 26, 1963
Frederick Crane – Bass
Philip Friedheim Piano
Patricia Isham Violin
1.
0 m
O
v
e
r
t
h
e
F
i
e
l
d
s
O
.
.
.
.
"
.
.
.
.
.
.
I
O
U
C
D
D
O
O
D
O
C
O
O
U
U
O
O
O
O
0
0
.
0
.
.
.
O
i
‘
t
i
l
.
J
o
h
n
D
u
k
e
Luke Havergal l
the S1dense of Might ............................ Sergei Rachmaninef?
S 1
The Coming of Spring
a
—
Sonata for violin and plano in B fl a t K. 454 ..................
Largo Allegro
Andante
Allegretto
Hosart
Mrs. Isham and Mr. Friedheim
i al 3.
BO
Aria “Italia, Italia” from L’Amore dei tre Re .......... Italo Montemezzi
Mr. Crane and Mr, Friedheim
bh.
as
Sonata no. 1 for violin and plano ....................... Darius Milhaud
Lent et robuste = Anime
Tres lent
Tres rhythmé, joyeux
Mrs. Isham and Mr. Friedheim
]A
1
Mr, Crane and Mr, Friedheim
2.
{
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:39
36:22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54011">A Short Recital Music Faculty of Harpur College</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
A Short Recital Music Faculty of Harpur College, August 26, 1963
Recital Tape 1963-8-26
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
A Short Recital by the Music Faculty of Harpur College. Works of John Duke, Sergei Rachmaninoff, Mozart, Italo Montemessi and Darius Milhaud performed by Frederick Crane, Philip Friedheim, and Patricia Isham. Held at Harpur College Theatre.
Creator
An entity primarily responsible for making the resource
Crane, Frederick
Friedheim, Philip
Isham, Patricia
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Duke, John, 1899-1984
Rachmaninoff, Sergei
Mozart, Wolfgang Amadeus, 1756-1791
Montemezzi, Italo
Milhaud, Darius
Date
A point or period of time associated with an event in the lifecycle of the resource
1963-08-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619232
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
10:29
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54008">Band Concert Harpur College Band Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Band Concert Harpur College Band. April 26, 1963
Recital Tape 1963-4-26
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1959-04-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619182
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
19:50
09:48
34:02
26:19
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE52596">Baroque Trio</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Baroque Trio
Recital Tape 1961-3
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1961-03
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019619083
39091019619133
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
06:21
14:01
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE52592">Alma Mater Harpur College Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Alma Mater Harpur College, January 21, 1960
Recital Tape 1960-1-21
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1960-01-21
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019618986
39091019619034