135 10 1775 https://omeka.binghamton.edu/omeka/files/original/ddaff5b5611aa4d3fece6dd6438206f5.pdf fadd9ca6776063443bcf26c455c36c8d PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S TAT E   U N I V E R S I T Y   O F  N E W  Y O R K D E P A R T M E N T FAMILY WEEKEND CONCERT a fEif  t ind, NM Saturday, October 22, 2011 s a l p.m.   Osterhout Concert Theater �PROGRAM I. . Ruth Watson Henderson Cantate Domino...  Kaitlyn Mulligan Christina Santa Maria Samantha Grieco, Susan Rosenberg, soloists Nicolas Polacco, trumpet Eugene Butler The Nightingale  Come, Shepherd Swains...............................................John Wilbye .. Franz Schubert “(choral arrangement by Christina Kompar) Lied der Mignon  ..Kenneth Leslie Cape Breton Lullaby.............................  (arranged by Stuart Calvert) The Rest of the Day’s Your Own  Traditional English Folksong (arranged by Scott Robinson) The Women’s Chorus Molly Adams­Toomey, conductor Jushin Choi, piano II. Ave verum c o r p s u Walls of Glass (Premier Performance)  Jushin Choi, piano W   A Mozart Christian Martin Water N I O N L . . . . . . . . . . . .   Whitacre Hamba Lulu  O­re­m/  ..Zulu Wedding Song (arranged by Mike Brewer) Nigerian “Highlife” Song (arranged by Mike Brewer) Adam Goldenberg and Friends, percussion The Harpur Chorale Peter Browne, conductor �III. Overture to “Orpheus in the Underworld” ...........Jacques Offenbach (1819­1880) Zachary Nobile Kample r, conductor Karelia Suite, Op. 11. Il. Ballade Ill. Alla marcia . – – . . . – – . . . . . . . – – . .   – o – . o – – – – . –   o i l – u . – Jean Sibelius (1865­1957) The Un iversity  Symph ony Orc hestra Timothy Perry, director Women ’s Chor us Jennifer Chen Amy Conway Janelle Dmochowski Sheena Finlayson Crystal Gonzalez Samantha Grieco Ashley Grumman Kaitlyn Mulligan Erika Noach Maggie Pictor Jessica Pyne Susan Rosenberg Christina Santa Maria Ariel Schlesinger Joanna Wallace The Ha rpur Chorale Sopran o Tenor Katie Besemer Michelle Goldrich Kerianna Krebushevski Sabrina Scull Katie Sucha Holly VanDerHeide Ari Hausman Tomas Kerr Josh Rovou David Schwarz Brandon Seabrook Alto Bass Denise Aquino llyssa Baine Carrie Buck Suzanne Greene Shoshana May Thomas Furey Christian Martin Gavin McClelland Daniel Romberger �Univer sity Symphony Orchestra Timothy Perry, director Flute/Picc* Kaitlin Armstrong Melanie Adler* Natalie McCreary l5 Oboe/E ng. Hor n* John Lathwell+ Clarinet Jaclyn Adler James Wu Bassoo n Natalie Spitzer Paige Elliott French  Horn Matt McAuliffe Zack Arenstein Trumpe t Kevin Hannon Nicholas Polacco Trombo ne Billy Marsiglia Jacob Strohm Tuba Matthew Gukowsky Percuss ion/Tim pani Benjamin Rothschild Andrew Williamson Keyboa rd Matthew Gukowsky Violin I James Hsia Gabrielle Maire Simon Benarie Brandon Luu Natalie Bock Jeffrey Lu Daniel Park Jaclyn Podd Won Jae Lee Karen Fu Jin Park Violin II Ella Serrano Yuansi Du Sara Sunshine Emily Wong Nicholas Thompson Gregory G. Greene Chris Rogers Ashley Fancher Jiwon Nam Alyssa Starrantino Kimberly Griffin Julia Kenny +Music Faculty Viola Benjamin Pochily Daniel Rodabaugh Kevin Christie Jillian Chen Daniel Rodriguez Maeve Murray Violonc ello Xander Edwards Peter Hiraldo Paul Watrobski Felicia Scalzetti Eric Wuu Deborah Mariottini Alan Wang Ryan Ference Contrab ass Kristine Beckmann Assista nt Cond uctor Zachary Nobile Kampler The USO employs rotating seating; Woodwinds. Brass and Percussion rotate by composition and are listed alphabetically.  Strings rotate by concert and are listed in seating order. NEXT USO CONCERT Tomorro w! Sunday,  Oct. 23, 2011 Concerto & Aria Winners’ Concer t 7:30 pm Osterho ut Theater �3  7 ­~ '. ' L,  ;N7“  F P   = _ .: a  ­  3 = e B in   Q ,  ,  4 Q& ~. 4  ff  AY  » .  .  AS G x .   ­  &  h G  i b   .  & ; 4 ­ g  ‘ < N e w  B eginnings Back to our Roots  Beginnings Sunday, October 16.201 1 . 4:00 p.m  Sunday. March 1 1 . 2 0 1 2 .  4 : 0 0 m  . St Parricks Catholic Church  Trinicy Memorial Church ©  Leroy Sereet. Binghamton NY  Lessons and Carols tor Christmas  44 Main Street. Binghamton. NY Crossroads Saturday. November 2 6 . 2 0 1 1 , 7  : 3 0 m   .  &  Sunday. Junc 3, 2012. 4:00 p.m. Sunday, November 27, 2011. 4:00 p  p.m.  Tabernacle United Methodist Church Church o f t he HJh Trinity  346 Prospect Street. B inghamton. N Y $3 Main Street. Binghamton, NY F o r  Tickers: w r e m  a d y i g a l i h o s on: or w’160“­ “ 20­4 “ 6“ ( D 2011­2012 2    34th Season Seososssos  The Madrigal Cholr o fBinghamton   O i PERA Bend  0  3 ,\ 1:11 1.50 ' B I  T I ? T  “L.  V  October 21.823, 2011]  01.18...  CL  z  W h A Ur LAMMERMOOR    T f d a c r n eF x { p u p i l ­ I t s “  J  February 1 0 &  12, 2012 s e s  l i e s   m ‘ m WoBsug Ascadrwe d b a A ; r.7.   2 7« 1  201 2 o . . – " . g r m a ­ w » m THE MAGIC F A T E . . u w  i t   T i e d  O p e r a t i o n q n mm n m a n m n u w m m m ~ _ m o m © “ b W fi m – p fi a – g n o m — n — m u r v w n w ; 1   x  “ m “ m n m m h m u w n m a — e n p a — m o fi .  d fi u m m a �W — 4“;ih.’ i i “  hs” 3  ,  — – r – W  ,  . .  T ? “     o“7 ; Q   ~ ” : " ' t Gr   ‘A– t S  S =  3  “ O ‘ H ‘ fl ' m ‘ o  T e +  ” TL e SERINE ”   EGa sM eR HEF hs”  3 ‘Q%:" i    g i s 1433 e i  s ‘  L U I ­  “ b  3  r . J : ' i ; : v " J . " ‘ ­ E . "  ,  S r d   H o o d   Y  B A R T Re i L i  i  i  V  3  ...,"; ~ w '  ‘ f ' ’ Q v ’  ‘4 , ‘ Th "  h o  5 0 v    >    S I . o  nit R O ré S f  joes  ..‘:_';V  [ f z  N e )  or p y  XL {In U n fi fi f ~ a e fi M 7  é d ag  fl fi w i t 0~ = Qo eae  ! ­O o 1 1 I 1 C a h   ­ = : \ a itd Wceolmngi™  V 1 1 ] I I I I I 1 ¥   g HS  33 3:5!  efi’rey Jacob sen: 810th? p o d e  33? P ) p A S B  1 ” 7 , 1 X  i e  I 1 I I e n   & t *    ‘ a n m . C o ‘h, or –_— Q Q = o O S — I — “v 4 Q L— —— : L ce y  \_  J A . r w “33 i ; .'  En “sh ­ Th  ‘ 1 F B 1 1 I I I 1 I I v I 1 I = = = 1 I £I “ 1 = ‘Z v E =­ BS £ —­ = < = ~~ od 3 = gE ­ ­— € © 5 3© S Y A [4 ­4 l l I 1 I I I I l I 1 ~ ~ l l ~ 2 1 a ~ I I I zt II x h 1 I = I ­ e d I i 1 I 1 1 I 1 I I I l I © Bincharmion ern myanyt COrhestra A  0 r  5 public­s ervice m edia fo r. your com mu niry r e > < = gLd [ = I = l — faa — ­ ‘ I .S o O 3 I ~ ~ L 1 I — ­ q d 1 R ”  4 4 1 0   3  l i l fi­f  EBx :  1 or Hd — S a lI ‘ \ 1 i oF   ort HM d k i 8 % . $ d 1 l :  {  { O O ' I I ] S t n   I ! >  L  ” I “ , ­ , P n = s f ,   =a= : “ r ) Cr R $ 0 1 , “ .  S o . ‘ ~  ' E Qrelms Z  I I I I t I ! �Bingh amton  Unive rsity Music  D epart ment’ s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sunday, October  23 — Tri­Citie s Opera  present s “Madam e Butterfl y” — 3 PM — The Forum Theatre — call (607) 772­0400 for tickets Sunday, October  23 — Alumni Organ R ecital: J ohn Novak (MM ‘06) — 4 PM – First Presbyterian Church, Binghamton –  $10 general public; $6 faculty/staff/seniors; $3 students Sunday, October  23 — Bingham ton Univers ity Sympho ny Orchest ra: Conc erto and  Aria Com petition  Concert  — 7:30 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students Thursday, October 27 — M id­Day Concert — 1:20 PM — Casadesus Recital Hall –  free Friday, October  2 8  — Pianist Margare t Reitz pr esents “For t y Fingers ” w i t h  pianists  I d a  T iIi­Trebi cka, Amy Heyman  and Tina Toglia –  8 PM –  Casadesus Recital Hall –  $6 general public; $3 faculty/staff/seniors; free for students Sunday, October  3 0  — Wind  Sympho ny: Hols t! — 3 PM — Anderson Center Chamber Hall –  $6 general public; $3 faculty/staff/seniors; free for students Thursda y, Novemb er 3 — Mid­Day  Concert  — 1:20 PM — Casadesus Recital Hall –  free Tuesday, Novemb er 8 — Friedhe im Memori al Lecture /Recital Series: D ebussy’s “Rhapso dies f o r  s axophon e and clar inet” (Stephe n Zank, speaker ; April Lucas, saxopho ne; Timo thy Perry, clarinet ; Marga ret Reitz, p iano) — 8 PM –  Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students I f  you  enjoyed  and  were  inspired  by  this performance,  please  consider suppordng the Department o f  Music with a financial gift. Your support helps to continue the work o f students, faculty, and guest artists and their contributions to  our  larger  community.  Please  make  your  donation  payable  to  the Binghamton  University  Music  Department,  and  send  to P.O.  Box  6000, Binghamton, NY 13902. For ticket information, please call the Anders on Center  Box O ffice a t 7 77­ARTS To see all events, please visit music.b ingham ton.edu � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:16:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148448">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148448</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Family Weekend Concert October 22, 2011 Recital Tape 2011-10-22 Description An account of the resource Works by Henderson, Butler, Wilbye, Schubert, Leslie, Mozart, Martin, Whitacre Creator An entity primarily responsible for making the resource Mulligan, Kaitlyn Santa Maria, Christina Grieco, Samantha Rosenberg, Susan Polacco, Nicholas Adams-Toomey, Molly Choi, Justin Goldenberg, Adam Browne, Peter Kampler, Zachary Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-22 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c09f1c9c719e32483d30b5dcca2d3d28.pdf 2a0804f8bfa2e54b7f8284ba79296ae9 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K d e c [4 B E J O H NN   O VA K Organ (MM 2006) Sunday, October 23, 20 11 4 p.m. First Presbyterian Church R �PROGRAM ABOUT THE PE RFORMER Prelude and Fugue in G­major, BWV  541 ..  .].S. Bach (1685­1750) Prelude on Rhosymedre............c.ccocoueuennene...... Vaughan­Williams (1872­1958) Toccata in D­minor, Fugue in D­major, op59  Max Reger (1873­1916) &  PAUSE <3 Prelude in C­major, BWV 545  J O :  Bach (1685­1750) Three Hymn  Preludes ..Craig Phillips Divinum Mysterium  N e u m a Elove toiTell the Story r Sonata I in F–minor, op.65.. 1 .  Allegro moderato e serioso l c C r a i g Phillips   . Emma Lou Diemer Felix Mendelssohn (1809­1847) 2.  Adagio 3 .   Andante recitativo 4.  Allegro assai vivace ­ Guilbault­Thérien Organ, 1996 ­ John Novak is an act ive church organist, m usic educator and leader in the fields of school and church music. John has served as Organist and Minister of Music at University Presbyter ian Church in Buffalo, NY since September of 2005.  John also holds a full­time position as the middle and high scho ol vocal music teache r a t Le tchworth Central School in Gainesville, NY, directing four choral ensembles and teaching classroom music and music theory classes.  He studied organ wit h Dr. Jonathan Biggers and Dr. Judy Congdon, and holds degrees fro m Binghamton Univers ity (Master of Music in Organ Performance, 2006) and Houghton Colle ge (Bachelor of Music in Music Education, 2001). In addition to his teaching responsibilities, he also co­directs the spring musical production a t Letchworth Centra l School and has organized multiple regional solo and ensemble festivals for middle and high school students.  Certified as a NYSSMA piano adjudicator, he judges young pianists at NYSSMA festivals each spring.  John is an active perf ormer, appearing in organ r ecitals in Geneseo, B uffalo and East Auro ra in recent years.  He is also very involved in several Western New York organizations, curren tly serving as preside nt of the Genesee Va lley School Music Associa tion, Competitions Chair for the Buffalo Chapter of the American Guild of Organists, advisory board member of the Portageville Chapel (a retreat for organists) and president of th e Letchworth Central Teachers’ Association.  John is originally fro m Little Meadows, Pennsylva nia, a small town nea r Binghamton.  He resides in the rural community of North Java, betwe en Buffalo and Rochester, NY. �Binghamton University Music Department’s U P C O M I N G  E V E N T S m m m a a fi a fi a fi w e ­ Mid­Day concerts are he ld on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, October 2 7 –  Mid­Day Concert –  1:20 PM – Casadesus Recital Hall – free Friday, Oct ober 28 — P ianist Margaret Reitz p resents “For ty Fingers” wi th pianists Ida Tili­Treb icka, Amy Heyman and Tina Toglia ­– 8 PM – Casadesus Recital Hall – $6 general public; $3 faculty/ s taff/ seniors; free for students Sunday, Oc tober 30 – W ind Sympho ny: Holst! ­ ­  3 PM – Ande rson Center Chamber Hall – $6 general public; $3 faculty/ s taff/ seniors; free for students Thursday, November 3 — Mid­Day Concert –  1:20 PM – Casadesus Recital Hall – free Tuesday, November 8 — F riedheim Memorial Lec ture/Recita l Series: Deb ussy’s “Rha psodies for saxophone and clarine t” (Stephen Zank, speak er; April Lucas, saxophone ; Timothy P er ry, clarinet; Margaret R eitz, piano) –  8 PM –  Casadesus Recital Hall – $6 general public; $3 facul ty/ s taff/ seniors; free for students Thursday, November 10  — Mid­Day Concert (Africa n) –  1:20 PM – Anderson Center Chamber Hall – free Sunday, November 13 — U niversity Chorus and the Symphony Orchestra p resent Felix Mendelssoh n’s “Elijah” – 3 PM – Osterhout Concert Thea ter – $10 general public ; $6 faculty/ s taff/ seniors; $3 students Thursday, November 1 7 — Jazz Mid­Day Concert wi th guest artist – 1:20 PM –  Osterhout Concert Thea ter –  free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) If  you  enjoyed  and  were  inspired  by  this  performance,  please  consider supporting the  Department of  N i i w   ith a  financial gift. Your nppo n helps  to continue t  work o f students,  aculty, and guest artists and their contributions to our larger community.  Please  make your donation payable to  the  Binghamton  S h a o Music    Department, and send  to  P.O. Box 6000, Binghamton, NY 1 3902. For ticket information, please call the Anderson Center B o x  O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:06 33:51 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145372">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145372</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Novak, organ, October 23, 2011 Recital Tape 2011-10-23 Description An account of the resource Works by Bach, Vaughan Williams, Reger, Phillips, Diemer, Mendelssohn. Held at 4:00 p.m., October 23, 2011, First Presbyterian Church. Creator An entity primarily responsible for making the resource Novak, John Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a6e36e4f30c783f2c4038602943b8c89.pdf 4e890f44bc8c8aa297d348cdf91c47fb PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E  U N I V E R S I T Y  O F   NEW  Y O R K D E P A R T M E N T THURSDAY M ID ­D AY  CONCERT [ 3We ,  C ve 4   Z R _   Fd w e s   Vd OCTOBER 27, 2011 1:20 P.M. CASADESUS RECI TAL Hall �TRANSLA TION PROGRAM Nocturne Atdake Lugano  4 Silhouett es, Op. 41 .. Karl Davidoff esnensseisant 1 338­1889) La fioraia florentina (The Florentine flow er girl) Buy these, the most beautiful of flowers! Young boy s and lovely spouses, Each lovely rose is fresh and will not die as love does Stephen Stalker, cello Carol Bernstein, piano Concerto in Eminor.............ccccveuu.........Felix Mendelssohn (1809­1847) Allegro, molto appassionato  Sissi Du, violin Pej Reitz, piano Yorkshire B allad........ ............... ............... ..........James Barnes (b. 1949) Robert Smith, euphonium Pej Reitz, piano la fioraia fl o r e n t i n g veeeen.....Gioachino Rossini (1792­1 868) Fly Away (Never Neverland)....................... c e s s e s  COTTE  Alan (b. 1978) Amanda Chmela, soprano Pej Reitz, piano   “Ain’t it a  pretty n i g h t * , . . 2 . 5 . Floyd (b. 1926) Susanna  Kathleen Jasinskas, soprano John Mario Di Costanzo, piano Alas! l implore you . . . My mother is so poor, and depends upon me she wants only for bread, and not for gold �Binghamton University Music Department’s 6 U P C O M I N G  E V E N T S M M M M M 6 W Friday, October 28 — Pianist Margaret Reitz presents “Forty Fingers” with pianists Ida Tili­Trebicka, Amy Heyman and Tina Toglia —  8 PM — Casadesus Recital Hall —  $6 general public; $3 faculty/staff/seniors; free for students Sunday, October 30 — Wind Symphony: Holst! — 3 PM — Anderson C enter Chamber Hall —  $6 general public ; $3 faculty/staff/seniors; free for students Thursday, November 3 — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall —  free Tuesday, November 8 — Friedheim Memorial Lecture/Recital Series: Debussy’s “Rhapsodies for saxophone and clarinet” (Stephen Zank, speaker; April Lucas, saxophone; Timothy Perry, clarinet; Margaret Reitz, piano) — 8 PM — Casadesus Recital Hall  —  $6 general public ; $3 faculty/ staff/seniors ; free for students Thursday, November 10 — Mid­Day Concert (African) — 1:20 PM —  Anderson C enter Chamber Hall —  free Sunday, November 13 — University Chorus and the Symphony Orchestra present Felix Mendelssohn’s “Elijah” — 3 PM —  Osterhout C oncert Theater —  $10 general public ; $6 faculty/staff/seniors; $3 students Thursday, November 17 — Jazz Mid­Day Concert with guest artist — 1 :20 PM —  Osterhout C oncert Theater —  free (Co­ sponsored by the Binghamton University Music Depart ment and the Harpur Jazz Project) Q  l  .  1  If  you enjoyed and were inspired by this perform­ ance, please consider supporting the Department of Music with a financial gift.  Your support helps to  continue  the  work  of students,  faculty,  and guest artists and their contributions to our larger community.  Please make your  donation payable to the Binghamton University Music Department, and  send  to  P.O.  Box  6000,  Binghamton,  NY 13902. For ticket information, please call the Anderson Center Box Office at 777­ARTS . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:04:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145376">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145376</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, October 27, 2011 Recital Tape 2011-10-27 Description An account of the resource Works by Davydov, Mendelssohn, Barnes, Rossini, Alan, Floyd. Held at 1:20 p.m., October 27, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Bernstein, Carol Du, Sissi Reitz, Margaret A. Smith, Robert Chmela, Amanda Jasinskas, Kathleen Di Constanzo, John Mario Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0449cfaca3a350fcdd584ed0c8bfe1ab.pdf 36aac0c9e835c42cb4e7984f36b227a6 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y  O F   N E W   Y O R K [4 (227% 2% D E P A R T M E N T FORTY FINGERS A Program o f  Music Composed for 1­2 Pianos and 6­8 Hands Performers Amy Heyman Pej Reitz Tina Toglia Ida Tili­Trebicka Friday, October 28, 201 I 8:00 p.m. Casadesus Recitcal Hall �A PROGRAM Saint Saens Dance Macabre Op. 40  (1835­1921) Transcribed by E . Guirau d  R o ma p e es . Sergei Rachmaninoff Larghetto and Allegro in E flat for 2 pianos  Ida Trebicka and Amy Heyman  (1873­1943) W. A. Mozart (1756–1791) Reconstructed from  Mozart’s Fragment by Paul Badura­Skoda Sonata in one movement for 2 pianos................... B. Smetana (1824­1884) 2  INTERM ISSION  = C. Gounod Waltz (Faust) (1818­1893) Arranged for 8 hands by Renaud de Vilback Overture from the  Marriage of Figaro.................. W. A. Mozart (1756­1791) Arranged by Carl Czemy for 6 hands Polovtsian Dances (Prince Igor) f o r  hands  . . . . . A .  Borodin (1833–1887) Pe j Re itz  a n d  T ina  Toglia  Sabre Dance A. Katchaturian (1903­1978) Arranged for 8 hands by N. Jane Tan B O U T Amy Giller Heyman received her Master of Music Degree from the University of Wisconsin as a student of Howard Karp, and her Bachelor of Fine Arts Degree from the University of Okla homa as a student of Dr. Todd Welbourne. She has also studied with Hans Graf, Edith Oppens, and Gyorgy Sebok. Her performances include solo recitals, chamber music concerts, and concerto appearances, no tably as a featured artist with the Syracuse Symphony Orchestra. Additionally, she has appeared at the Sk aneateles Festival, Deer Valley Festival in Utah, Vermont Music and Arts, Early Baroque Music Festival in Lake Tahoe, and the Chenengo! Summer Music Fest. Locally she has appeared under the auspices of the Society for New Music, Civic Morning Musicals, Syracuse University, Le Moyne College, OASIS, OCC, Syracuse Vocal Ensemble, and Syracuse Camerata. She is the past recipient of the Civic Morning Musicals Award for Outstanding Young Musician. She frequently performs with husband Steven Heyman as a piano duo team; they have appeared as soloists with the Syracuse Symphony Orchestra, South Arkansas Symphony, Skanea teles Festival Orchestra, and the Syracuse University Orchestra. They have also performed for numerous benefits are the pa st recipients of the Tiffany Award from Civic Morning Musicals, honoring their musical contribution to the community. Ms. Heyman is on the keyboard faculty at the Setnor School of Music at Syracuse University serving as affilia te artist. Her duties include teaching piano, keyboard skills, and piano peda gogy. In addition, she recently joined the music fa culty at Le Moyne College. Ms. Heyman mainta ins an active priva te studio in the Syracuse area. She is also active in many music organizations including Co­Chair of Competitions for the Central New York Associa tion of Music Teachers and Chair of Advertising and Publicity for the New York State Music Teachers Association following her past service as Vice­President of Conferences. �Pej Reitz, pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She was an official accompanist for the MTNA State and Eastern Division Competition held at Ithaca College. She ha s been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was invited to the International Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on the Cornell Summer Series. She was an official pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College and wa s invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble She recorded a CD with the Glickman Ensemble a gain this summer in Englewood, NJ. She was selected to accompanying at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and at Mannes School of Music. She was a Guest Artist playing two concerts in Granada, Spain and accompanied the Barcelona Song Festival. She soloed with the Catskill Symphony a t the Otesaga in Cooperstown, NY under the direction of Charles Schneider last summer. This past summer she will accompany and at The lntemational Spanish Music Festival in Madrid, Spain. She is currently on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is President of the local District VII Music Teachers Association and is an a ctive adjudicator for the National Piano Guild Organization. Pianist Tina  Toglia is an active solo performer, collaborative pianist and teacher in Central New York. As an advocate for new music, Ms. Toglia has given numerous premiere performances at Stony Brook, Merkin Hall, the 92™ St. Y, Columbia University and Princeton University. She has been the recipient of fellowships from the Yale Summer School of Music and Art, the Bach Aria festival, the Tanglewood Music Festival and was a finalist in the J. S. Bach International Piano Competition. Ms. Toglia studied harpsichord with Arthur Haas and was a harpsichordist for the Stony Brook Early Music Ensemble and the Capital Chamber Players in Albany, NY. Just­Spring: Art Songs of John Duke, recorded with soprano Lauralyn Kolb was released by New World Records as part of their Recorded Anthology of American Music. Ms Toglia has taught piano, music history and music theory at Stony Brook University, State University College at Oneonta and at Utica College. She received a doctorate from Stony Brook University where she studied with Gilbert Kalish. She also studied with Alexander Fiorillo at Temple University and with Vladimir Sokoloff at the Curtis Institute of Music in Philadelphia. She currently lives in New Hartford with her husband and three children, and works a s a school library media specialist at Rome Free Academy high school in Rome, NY. Albanian born and raised, pianist Ida Tili Trebicka performed throughout the United Sta tes, Europe and China, a s orchestral soloist, recitalist, and chamber musician. She performs regularly under the auspices of Syracuse University, Civic Morning Musicals, Society for New Music etc. and has collaborated frequently with Syracuse Symphony Orchestra members in annual chamber music concerts. Ida has been featured on Albanian National Radio­Television, Italian Broadcasting Corporation RAI 2, Radio Ancona, Italy, and locally on WCNY in Syracuse, WBFO in Buffalo and WCCA TV 13 in Boston. Invited by the Italian Federation of Women of Professions, Arts and Affairs and the Universities of Torino and Ancona, she has performed solo recitals in Ancona, and Torino. In 2004, 2005, 2006 she performed in Florence, Italy, under the auspices of Syracuse University, and in May �of 2005, accompanied Syracuse University’s Hendricks Chapel Choir in a concert tour to China and Hong Kong. Ida has collaborated continuously with members of Orchestras such as, Athens, Bari, Paris, Sarajevo, Amsterdam, Munich etc. Ms. Tili Trebicka made her New York City debut in 2001 at the Merkin Hall, and continues to play at the city regularly. In January 2011, she performed with friends at the Tenri Cultural Center. She performs all over the United States, and has given concerts at Boston University, Huston TX, Davis CA, Florida, Hartford Community College, Cleveland Ohio, Hamilton College in Clinton NY, to name a few. Invited by the Albanian­ American Association of Huston, TX as well as the Massachusetts Albanian American Society, Besa, (MASSBESA,) she has performed concerts to benefit the Albanian American Heritage School. public service media for your community   s k g . o r g  2  ( w w w .w n p  r L Ida is a winner of several competitions and awards, such as the Albanian National Piano Competition, the Civic Morning Musicals Pianist Prize, the Syracuse University’s Concerto Competition, and was awarded the School of Music Hira Poncha and Evelyn Mulfinger Piano Awards. l4 o 4 >   4 ERS H   4 ERS H Is: Ida is a member of Central New Your Music Teachers Association (CNYAMY) and member of the board, and is also a director in the Board of Directors for the Civic Morning Musicals. She is also a member of the Music Teachers National Association (MTNA). She is also in demand as collaborative pianist and teacher and has served regularly as judge in various competitions. <) $0.80 Ii— I Q ) :  = :  = ,  4  1  ” Ida is currently on the piano faculty at Syracuse University’s Setnor School of Music and serves as music director at Saint Peters Episcopal Church in Cazenovia, NY. n o v i ~   ' :  — 41  Q a  M 0t 1  L 4  ­ © r = = aE 1  o ­ — O >— \   EG I  gm '  — 8 !   ‘,  Binghamton ,  Im  Commumey $ 2   0  ft hrs"?! �Binghamton  University Music Department ’s U P C O M I N G  E V E N T S Mid­Day concerts are held  on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Sunday, October 30 – Win d Symphon y : Holst! – 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3 fa culty/staff/seniors; free for students Thursday, Novemb er 3 – Mid­Day Con cert – 1:20 p.m. – Casadesus Recital Hall – free Tuesday, November 8 – Friedheim Memorial Lecture/Recital Series : Debuss y’s “Rha psodies for saxophone and  clarinet” (Stephen Zank, speaker, Ap ril Lucas, sa xophone  Timothy  Perry, clarinet, Margaret Reitz, piano) – 8 p.m. – Casadesus Recital Hall – $6 genera l public; $3 faculty/staff/seniors; free for students Thursday, November 10 – M id­Day Concert (A frican) – 1:20 p.m. – Anderson Center Chamber Hall – free Sunday, November 13 – Univ ersity Chorus a nd the Symphony Orchestra present Felix Mendelssohn’s “Elija h” – 3 p.m. – Osterhout Concert Theater – $10 general public ; $6 faculty/staff/ seniors; $3 students Thursday, November 17 – Jazz Mid­Day Concert with guest artist – 1:20 p.m. – Osterhout Concert Theater – free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, November 17 – Harpur Jazz Ensemble Concert with guest art ist – 8 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Monday,  November 21 – Masterclas s with organist Wilma Jensen – 7 p.m. – First Presbyterian Church, Binghamton – free For ticket information, please call the   77­ARTS. Anderson Center Box Office a t 7 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:04:19 8:13 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145379">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145379</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Forty fingers, a program of music composed for 1-2 pianos and 6-8 hands, October 28, 2011 Recital Tape 2011-10-28 Description An account of the resource Works by Saint-Saëns, Rachmaninoff, Mozart, Smetana, Gounod, Borodin, Katchaturian. Held on October 28, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Heyman, Amy Reitz, Pej Toglia, Tina Tili-Trebicka, Ida Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-10-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8c8214b699bfc2a4e8605d554125cad3.pdf 887a165a91346fe60efd3072d71bdbcb PDF Text Text BINGHAMTON U  N  1  V  E  R  S  I  T  Y T A T E  U N I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T THURSDAY MID­DAY CONCERT Ss X L ( r rK  “ –_— (9 «4 ROVEMBER 2, 2011 1 :20 P.M. FA 21 �PROGRAM Golden Helmet of Mambrino  from Man of La Mancha  Mitch Leigh (b. 1928) Luke Yerpe, Piano Evening prayer duet  from H ansel and Gretel  “When at night I go to sleep” Engelbert Humperdinck (1854­1921) (1756–1791) Kerianna Krebushevski, Soprano Molly Adams­Toomey, Mezzo Soprano John Isenberg, Piano John Isenberg, Piano Variations on “Freu dich sehr,  o meine Seele”  (1756­1791) Georg Bohm (1661­1733) Mark Rossnagel, Organ Marcellina / Susanna duet........... . Wolfgang Amadeus Mozart “Via resti servita” Hee Pyoung Oh, Baritone Eun Hwan Bae, Tenor Alexander Bacon, Recorder Christina Santa Maria, Soprano Kathleen Jasinskas, Soprano John Isenberg, Piano from Le No zze di Figaro  (1858­1924) (b. 1 936) Susanna / Countess duet ..............\Wolfgang Amadeus Mozart “SuII’ aria” from La Boheme  “O Mimi, tu piu non torni...” Pan O v e r N I B a N . . . . Christopher Ball   Kaitlyn Mulligan, Soprano Michelle Goldrich, Mezzo Soprano John Isenberg, Piano from Le Nozze di Figaro  Marcello / Rodolfo duet ................................. Giacomo Puccini �Binghamton University Music Department’s U P C O M I N G  E V E N T S fi M W M é ­ fi é o w fi w r a v Tuesday, November 8 — Friedheim Memorial Lecture / Recital Series : Debussy’s “Rhapsodies for saxophone and clarinet ” (Stephen  Zank, speaker; April Lucas, saxophone; Timothy Perry, clarinet; Margaret Reitz, piano) — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staff/seniors; free for students Thursday, November 1 0  — Mid­Day Concert  (African ) — 1 :20 PM — Anderson Center Chamber Hall — FREE    Universi ty Chorus  and the Sunday, November 1 3 — Symphony Orchestra present Felix Mendelssohn’s “Elijah ” — 3 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors ; $3 students Thursday, November 1 7 — Jazz Mid­Day Con cert with  guest artist — 1 :20 PM — Osterhout Concert Theater –  free (Co­ sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, November 1 7 — Harpur Jazz Ensemble Concert with guest artist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, November 1 8  — Universi ty String Orchestra — 4 :00 PM — Grand Corridor — FREE    Masterclass with organist  Wilma Monday, November 2 1 — Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — Mid­Day Concert (B urgess) — 1 :20 PM — Casadesus Recital Hall – FREE Friday, December 2 — Flute Studio and Flute  Chamber Concert — 10 : 15 AM — Casadesus Recital Hall — FREE If  you  enjoyed  and  were  inspired  by  this  performance,  please  consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation pa yab/e to the Binghamton University Music Department,  and send to P.O.  Box  6000,  Binghamton,  NY 13902. For ticket information, please call the A nderson  Center B ox O ffice at 7 77­ART S � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:17:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, November 3, 2011 Recital Tape 2011-11-3 Description An account of the resource Works by Leigh, Humperdinck, Figaro, Mozart, Rodolfo, Puccini, Ball Creator An entity primarily responsible for making the resource Yerpe, Luke Mulligan, Kaitlyn Goldrich, Michelle Isenberg, John Santa Maria, Christina Jasinskas, Kathleen Oh, Hee-Pyoung Bacon, Alexander Rossnagel, Mark Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/631f3176c6952f2e9da94aae09d73880.pdf 13f4c3a74a8e9dc078ed5c6a1ab877ef PDF Text Text BINGHAMTON EE N I V E R S I S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K [4 02475 24 D E P A R T M E N T FRIEDHEIM MEM ORIA L Lectur e/ Recita l DEBUSSY’S RH AP SO DIE S April Lucas, Saxoph one Timot hy Per ry, Cla rinet Pej Re itz, Pia no Stephen Zank, Pian o Novem ber 8,  2011 8 p.m . Casadesus Recital H all �(Achille­) Claud e Debussy PROGRAM “Debussy’s Rhapsodies:  A Little Confusion Can’t Hurt” (Discussion of the Works) x  INTERMISSION  C2? Rhapsodie for Saxophone  Claude Debussy (1901–10, withheld) L’Isle joyeuse (for piano)  Claude Debussy (1903–04) Rhapsodie for Clarinet  Claude Debussy (1909–10) ABOUT THE SERIES The Friedheim M emorial Series honors the memory of Professor Philip Friedhiem (1930–1986) whose remark­ able  tenure  at  Binghamton  University  featured  many memorable lecture­recitals with faculty and guest artist­ performers  on  major  works  of  the  classical  music tradition.  We  seek to recreate Phil’s special combination ' of scholarship and performance that ser ved to deepen our understanding  for  —  and  love  of  —  great  works  of musical art.  All proceeds of the series will go towards the undergraduate  scholarship  funds  of the  Department of Music. Born:  22 Aug., 1862, St. Germain­en­Laye (outside Paris) 1870–72:  Paris Commune — family retreats to Cannes; Debussy begins piano lessons with an Italian (Jean Cerutti), then Antoinette Mauté (Verlaine’s mother­in­law, allegedly a Chopin student); admitted to the Paris Conservatory, as a solo pianist 1875–77:  Wins minor promotion s in solfege and piano,  moves into harmony, finally wins a “Premier Prix” in acco mpanying 1880–82:  Engaged by Mme von Meck (Tschaikovsky’s patron) to provide music for her entourage and to tutor her children in the south of France, Florence, Moscow, finally Vienna 1883–87:  Fails once, then wins the Prix de Rome (1884); passes 2 years at the Villa Medici, completing most of the required works (desultorily); also writes a number o f songs for Marie Vasnier (an early paramour) 1888–93:  Enamored of Wagner, soon yields to other foreign, eastern, and “exotic” influences; me ets Mallarmé and atten ds his salon regularly; reads the Faun and attempts a ballet (unachieved). Begins to write more complex songs (i.e., the Prose lyriques). Having enjoyed a personal relationship for some time with Gaby Dupont, Debussy in 1899 marries a model, Lilly Texier 1893–1900:  Finally gains some public notice with the extraordinary Afternoon o f Faun and String Quart   et (1893/94); reads Maeterlinck’s Pelléas (completing a piano­vocal score of the opera by 1895); fin ds a first publisher (Hartmann), and completes the thre e Nocturnes for orchestra *1901–08:  Accepts a commission from “The Saxophone Lady” in Boston for a Rhapsody, 1901+; begins to write music criticism ("Monsieur Croche”) and endures the premiere of Pelléas (1902). Completes scoring La mer (1903–05); leaves his wife Lilly to live with Emma Bardac (Lilly attempts suicide). Debussy’s sole child, daughter Chouchou, is born in 1905. Begins piano and orchestral series of Images and several large (unachieved) works for the stage. Continues to produce more complex songs and more virtuosic works for the piano, i.e., L’Isle joyeuse, 1904 *1909–14:  Nominated (by Fauré) to Paris Conservatory supervisory apparatus, requiring hi s composition of the annual “First Prize” work for clarinet, a Rhapsody 1909–10, written quickly between December and January, orchestrated the next year; Diaghilev commissions Jeux (completed 1912–13); both books of piano Préludes completed by 1914 1915–18:  During the war, increa singly ill, Debussy nonetheless produces a book of piano études, a chamber work for harp, and solo sonatas for cello and violin. Last public appearance is in performing the violin sonata, in St. Jean­de­Luz Death:  25 March, 1918, Paris �Binghamt on University  Music Departme nt’s U P C O M I N G  E V E N T S 6 M M M ¢ 3 ¢ M $ M ¢ B ¢ Mid­Da y concerts are h eld on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, N ovember 1 0  — Mid­Day Conc ert (African) — 1:20 PM — Anderson Center Chamber Hall — FREE Sunday, Nove mber 1 3  — University Cho rus and th e  Symphony Orchestra pre sent Felix Mendels sohn’s “Elijah ” — 3 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students Thursday, Nov ember 1 7  — Jazz Mid­Day Concert w i t h  g uest ar tist — 1:20 PM — Osterhout Concert Theater — free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, Nov ember 17 — Harpur Jazz Ensemble Conc ert w i th guest ar tist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, Novem ber 1 8  — University Str ing Orchestra — 4:00 PM — Grand Corridor — FREE Monday, November 2 1 —    Masterclass w i t h  organist Wilma Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — Mid­Day Conc ert (Burgess) — 1:20 PM — Casadesus Recital Hall – FREE Friday, December 2 — Flute Studio and Flute Chamber Con cert — 10:15 AM — Casadesus Recital Hall — FREE Saturday, December 3 — Elizabethan M adrigal Feaste (Harpur Chorale and W omen’s Choru s) — 6:30 PM — Mandela Room — $40 general public; $20 students (Special thanks to  Sodexo for underwriting the student price) I f  you enjoyed and were inspired by this performance, please consider supporting the Department o f  Music with a financial gift. Your support helps to continue the work of students,  faculty,  and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center B o x  O ffice a t 7 77­ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:06:25 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital : Debussy's rhapsodies, November 8, 2011 Recital Tape 2011-11-8 Description An account of the resource Works by Debussy. Held at 8:00 p.m., November 8, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lucas, April Perry, Timothy Reitz, Margaret A. Zank, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145386">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145386</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource African drumming, November 9, 2011 Recital Tape 2011-11-9 Description An account of the resource Held November 9, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/63cd968ac85c71e7de10400f7113a550.pdf 0140b954f57a0653b6e9e2aaec14653a PDF Text Text BINGHAMTO N U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   N E W   Y O R K de c [4 D E P A R T M E N T ELIJAH F E L I X MENDE   LSSOHN ­BARTH OLDY Robert H eepyoun g Oh as Elijah Meghan Cakalli, Soprano Cabiria Jacobsen, Mezzo Soprano Richard Leonbe rger, Tenor Matthew  Good heart as the Yout h With the Binghamton University C horus And Sym phony O rchestra Bruce Borton, Conductor S unday, N ove m be r 13, 20 11 3 :00 p.m . Osterho ut Conc e rt Theat er �ELIJAH P a rt  I P a rt  I I Opening Opening Introduction As  God the Lord of  Israel Liveth...........................El ijah Overture.  Orchestra Chorus Help, T o r d !   .. The people Duet and Chorus Tord bow thine ear . .Soprano arid Me zzo­  ­Soprano Recit Ye People, rend  your hearts  ..................Obadiah Aria If w   ith all  your hearts  Obadiah Chorus Yet doth the Lord  see  it not  The People Scene 2 Recit and Chorus 4 s  God the Lord............. E lijah, Ahab, The People Chorus Baal we cry to thee ...  ..  .. The People Recit and Choru s Hear our Cry, O Baal  ..Elijah and The People Recit and Chorus Baal! B a a l !   ..... El ijah and The People Recit and Aria Draw near/Lord G od of Abraham.....................Elijah Chorale Cast thy burden upon t he Lord  Chorus Recit O Thou, w ho makest thine angels spirits.........................Elijah Chorus The fire  descends from Heav ’n  The People Aria Is not his w ordlike a fi r e   ...Elijah Arioso Woe unto them who forsake Him.’...  .  serene. MEZZO  soprano Scene 3 Recit O man of God  help thy people  ...Obadiah Recit and Chorus Open the He a v e n s   El1Jah  A Youth  The People Chorus Thanks be to G o d T h e People  Aria Hear  ye, Israel! ............... Chorus Be not afra1d .. Soprano The People Scene 4 Recit The Lord hath exalted thee ........ .  ...Elijah Recit and Chorus Have ye not h e ar d ? Jezebel and  the people Chorus Woe to him... .. The People Recit Man of God letm  my  “words be precious... Obadiah and Elijah Scene 5 Aria It is enough Elijah Recit See now he sleepeth............................................ ....Tenor Chorus Lift thine e y e s ... Angel Chorus Chorus He, wat ching over  “Israel... ...Chorus Scene 6 R ec t  Arise, Elijah The Angel and E lijah Aria O rest in th e Lord The Angel Chorale He that shall endure........................... ..Chorus Recit Night falle th round me... Elijah and the A ngel Chorus Behold, God the Lord  passed by Chorus Closing ©  INT E RMISSION  «3 Aria Then shall the righteous shine forth Chorus And then shall your  light break forth » Tenor Chorus �Mendelssohn’ s Elijah A D ramat ic O utl ine Part 1 Part 11 Opening scene : Elijah “spontane ously” appears on scene and utters the curse of three years of drought upon the land of Israel because they have forgott en the Lord and replaced him with worship of Baal.  The orchestra pla ys a dramatic ove rture beginning w ith a Part ll opens with the soprano soloist admonishing t he people to hold fast to the true God, and their chorus in response, “Be not afraid, Thy help is near,”  seems to suggest they are ready to do so. But as we will se e, they eventually fall back into the ir old ways. after another, gradually building to a monumental cl imax which carries directly into the opening ch orus of t h e  people crying out “Help Lord.”  The people, aided by the soprano a nd alto soloists, lament their mise rable situation created by th ree years of droug ht. The prophet Obad iah offers r e l i e f  only they would “forsake your idols and return t o God.”  The people, howe ver, remain unconvinced, cla iming “his wrath will pursue us till He destroy us.” Scene 4 : Elijah again con fronts Ahab who has allowed the people to regress to their former ways.  Q ueen Jezebel arouses people against Elijah.  Obadiah warns Elijah that the queen has convinced the people to seek him out and kill  him.  He urges Elijah to flee. restive b ut quiet series of entrances of one grou p o f instruments Scene 2 : Elijah confronts Ahab and challe nges the Priests o f Baal to a contest as to which God will a nswer.  The challenge is to light a sacrificial fire b ut rather than lighting it themselves, to call upon their gods to do so.  Although they call and pray and cut themselves with knives and lancets, the entreaties o f the priests of Baal and the peop le are met with si lence.  Elijah mocks them and offers a single pra yer to the “Lord God of Abraham.”  His prayer is answered by fire from heaven, the altar is lit, and El ijah calls on the people to slay the false priests a nd follow the true god. Scene 3: Obadiah asks Elijah to call upon God to se nd rain to the parched land.  Elijah sends a yo uth to the hilltop to watch for signs of rain as he prays to God supported by the echoing prayers of t h e people.  A t first, t he yo ut h re ports n o sign o f rain, but a fter continued prayers, he sights a smal l cloud (“like a m an ’s hand”). The cloud grows, the storm gathers momentum, and finally releases a massive rainstorm to wh ich the people cry “Thanks be to God who reviveth the thirsty land!” Scene 5 : Elijah escapes to the desert.  He is weary oft  h e  struggle and asks God to e nd his life.  He falls asleep be neath a Juniper tree. God sends angels to protect him and provide sustenance.  The angels sing in ass urance that the Lo rd will always offer help and will never sleep. Scene 6 : God ’s angel awakens Elijah and inform s him that he is about to embark on a long  journey.  A discouraged El ijah reflects on his failure to win the hearts and minds of the people, and wishes again to die.  The angel urges h im to “rest in the Lord” and “wait patiently” for the Lord to provide for him. After journeying 40 days to Mount Horeb in the Sinai, an angel instructs him to stand on the mount whe re he will see God face to face.  The chorus describes the encounter in which a mighty wind ren ds the mountains, and u pheaves the sea, followed by earthq uake and fire. Yet, we learn that the Lord was not in all oft  h i s ,  but came only after in a “still, small voice.” The oratorio ends with a moralizing “sermon” sung by the tenor stating t hat t h e righteous will o bta i n e v e r l a s t i n g  in their “Heavenly Father ’s realm.”  This idea is echoed in the climactic chorus “Then shall your light brea k forth / Lord our Creator.” Ll �ABOUT T H E  PE RFOR ME RS The Binghamton Univ ersity Chorus has been performing major work s for chorus and orchestra since 1971.  Its 125+ members include university students, faculty, staff, and a large and loyal group of community singers from throughout the Southern Tier and northern Pennsylvania.  With representatives of all ages and singing experience, it is the most diverse of all of  the ensembles at the University.  lts repertoire has included virtually all the major choral works in the standard repertoire including the major works o f Bach, Beethoven, Brahms, Verdi, Mendelssohn, Mozart, Haydn, and a sizable number of twentieth and twenty­fi rst century composers.  They perform regularly  with the Binghamton University Symphony and the Binghamton Philharmonic including recent performances of Brahms Ein deutsches Requiem  and Beethoven Symphony No. 9 under conductor José­Luis Novo. Baritone, Robert Heep young Oh, is in his first year as a student in the Master of Music program at Binghamton with a concentration in opera.  He is also a Resident Artist with the Tri­Cities Opera. A native of Seoul, South Korea, Mr. Oh received a Bachelor of Music degree in voi ce from the Korea Nati onal University of Arts. He has sung leading and supporting roles with the Korea Opera Company and the University of Texas at El Paso.  His most recent appearance was as the Registrar in the TCO ’s performance o f Madama Butterfly.  He was a KwangJ u International Vocal Competition winner, Ko rea Vocal Competition 2nd Prize winner, Bimok V ocal Competition 2nd Prize winner in Korea.  In the U.S. his competition credits include the NATS Competition Rio Grande chapter Adult Division 1st Prize winner & Most Promising Singer Prize (201 0), Fifth Lois Alba Aria Competition 2nd Prize winner & Audience Choice Prize (201 0), Fifth Charles A. Lynam Vocal Competition Sem i­final ist (2010) in U SA.  His previous oratorio so lo appearances include W eber Messe in G­dur, M ozart Coronation Mass , Handel Messiah, and Beethoven Symphony 9. Meghan Cakalli is a co loratura soprano from t he Philadelphia area. S he performed recently with the Tri Cities Opera in  May 201 1 as Olympia in Les Contes D Hoffmann, in which role she was hai led as “a bright and fluid coloratura.” Other notable opera roles include Kénigin der Nacht (Die Zauberflote), Gianetta (L ‘Elisir D ’amore) during an apprenticeship with Center City Opera Theater, and Barbarina (Le Nozze di Figaro) at Temple Un iversity, where she graduated with a degree in vocal pe rformance.  During her undergraduate studies at Temple, Meghan attended the Daniel Ferro V ocal Program in the advanced section, where she performed in public concerts masterclasses in Greve in Chianti, Italy. She is currently pursuing a master’s degree in Opera from Binghamton University and is a resident artist with Tri­ Cities Opera in Binghamton, NY. Mezzo­soprano Cabiri a Jacobsen was recently praised as “A revelation” by the Broome Arts Mirror, and as “one to watch as her career ascends,” for her performance in the role of Dorabella / Cosi fan  tutte at Tri­Cities Opera .  In April and May 201 1, Cabiria won the Ilene  D. Kaplan award in the Connecticut Opera Guild’s annual scholarship competition, and was an Encouragement Grant winner in the Career Bridges Foundation Competition.  In August 2011 Cabiria sang the role of Cherubino / Le n  di Figaro at Opera North, where the Classical Voice of New England called her performance “exquisite,” and “intoxicatingly understated, yet believably endearing.” As a Resident Artist at Tri­Cities Opera, Cabiria has also performed the roles of Nicklausse / Les contes d ’Hoffman and Cherubino / Le nozze di Figaro on the mainstage, as well as Hansel / Hansel and Gretel; La Ciesca / Gianni Schicchi; and Mom and Grandma / Litt le Red Riding Hood in their chamber opera and outreach series.  In the summer o f 201 0, Cabiria covered the role o f Siebel / Faust t Opera New Jersey, under the direction of Mark Flint. A proud native of Brooklyn, NY, Cabiria began singing at a young age with the New York City Opera Children’s Chorus, and attended the Boston University Tanglewood Institute the summer before her senior year at the Bronx High School of Science.  At Northwestern University, Cabiria continued to pursue both opera and theater, graduating in 2006 with bachelor’s degrees in Voice as well as Drama.  She subsequently moved to Boston, where she performed with the Lowell House Opera and OperaHub, a company she co­founded in 2007. The South End News described her performance of Carmen’s arias at a fundraiser for OperaHub as “fascinating and coquettish.” Cabiria joined the Resident Artist Training Program at Tri­Cities Opera in 2009, and entered the University program with a full scholarship and teaching assistantship at Binghamton University that January. She graduated in June 2011 with an MM in Opera. Richard G. Leonberg er, tenor, is originally from Waco, Texas, where he studied voice under Lise Uhl at McLennan Community College. He sang lead roles in multiple operas and sang as a soloist in concert works such as Mozart’s Requiem Mass.  Mr. Leonberger eventually completed his undergraduate education at Stephen F. Austin State Universit y, studying under Dr. Scott LaGraff.  While at Stephen F. Austin, Mr. Leonberger continued to perform opera roles including as Jenik in The Bartered Bride, Rinuccio in Gianni Schicchi, and Little Bat in Susannah.  He has performed with multiple chorus groups presenting master works, singing as the tenor soloist in Handel ’s Messiah and Haydn ’s Lord Nelson Mass.  Mr. Leonberger has performed professionally both in the United States and abroad, and now studies at Binghamton University �THE UNIVERSITY CHORUS Bruce Borton, conductor William Lawson, rehearsal accom panist under Tom Goodheart.  Mr. Leonberger has sung both with Tri­Cities Opera and with Binghamton University, presenting roles such as Frantz in Les Contes d ’Hoffmann, and Goro in Madama Butterfly , and sang last year at the Binghamton University’s presentation o f Maciejewski ’s Requiem Mass. Matt hew G ood h ea rt, Boy Soprano, was born in New York City into a singing family. He spent his formative years listening to lessons, operatic rehearsals and performances, including Amahl & the Night Visitors which was performed annually at Purchase College Conservatory of Music where his parents were on the voice faculty.  Last sum mer Matthew participated in The Songe d ’été en Musique Festival in Quebec and performed on CBC radio.  Matthew joined the The Parlor City Boys Choir when he was seven and last year was invited to attend the American Boy Choir Academy Summer Program in Princeton, New Jersey.  Last Decem ber he performed the role of Amahl in A mahl & the Night Visitors at the Anderson Center in a Binghamton University Music Department Production.  Locally he has performed in the Nutcracker, Circus Minimus and The Dr amatic Arts workshop at The Discovery Center. EIe ven­year­old Matthew is a sixth grade student at St. J ohn the Evangelist School. He is equall y at home playing sports, especially basketball and baseball. Bruce Borton has been director o f choral activities at Binghamton University since 1988.  H e was director of  the Binghamton Symphony Chorus from 1988– 91, and continues to prepare choral performances for the Binghamton Philharmonic.  In addition to his conducting duties, Bo rton teaches undergraduate and graduate conducting and choral techniques, choral arranging, voice, and directs the Master of Music in Choral Conducting program.  He was Music Department chair from 1 998–2004.  He presently serves as Director o f Graduate Studies in Music. Before com ing to N ew York, Borton taught at West Georgi a College near Atlanta. While living in Georgia, he spe nt fourteen seasons as a member of and conducting assistant with the Atlanta Sy mphony Chorus conducted by the late Robert Shaw.  Dr. Borton holds degrees from Illinois W esleyan University, Southern Illinois University, and the University of Cincinnati, College­ Conservatory of Music. In  addition to his University duties, Borton has been active in the Triple Cities area serving as a church musician, member of  the board of directors of t h e  Tri­ Cities Opera from 1998–2004, and is se rving in his first year as the Artistic Director of the Madrigal Choir of Binghamton.  In 2008, he was selected by the Broome County Arts Council as a recip ient of the annual “Heart of  the Arts” award.  i Soprano 1 Susan Bachman Ada­Osha Belleh Ency Burhans Ellen Chiu Rose Ann Clough April Drumm Glenda Ely Lorraine Emmons Lorrina Fuentes Mary Gilda Emily Goetz MayBelle Golis Margaret Hays Katherine Hutson Susan MacLennan Cathie Makowka Mary Barb Martin Megan Orcutt Marilyn Ross Ligita Roznere Gloria Salamida Sadie Schwartz Barbara Alhart Simon Barbara Thamasett Faith Vis Soprano 2 Teresa Almendros Alida Cooke Joanne Corey Elaine Ezrapour Barbara Heme Harriet  Horowitz Becker Kelsey Krause Sioux Petrow Kelly Pueschel Susan Sarzynski Kimberly Torres Deborah Vought Lois Wilston N. Eva Wu A lto 1 Molly Adams­Toomey Carolyn E. Blake Nanette Borton Susan G. Campbell Maria Luisa Cook Carole Dickinson Michelle Doherty Diane A. Ferraccioli Olivia Hon Sylvia Horowitz Grace Houghton Cheryl Jacobson Joan Kellam Mallory Kotik Claire Labbe Pat Labzentis Yan Lin Arlene Lyon Margit Mayberry Katherine Moscowitch Greta L. Myers Anna Nicholas Joyce Printz Archana Susarla Pam Turrigiano Stephanie Wei Mary Woestman Alto 2 Kathryn Baine Lois P. Bare Anna Bitterbaum Kate Bouman Phyllis S. Burr Renee Daily Jeanne Fenzel Janet Hammond Maggie Kirkaldy Cheryl Labban Alina Martinez Ethel F. Molessa Samantha Ng Shirley Rodgers Jane Shear Lee Shepherd Tenor Brad Bennett Martin Bidney Edward Brotons, Jr. Carol Chandler Kevin Doherty H.B. King Dennis Leipold Dallas Marsh David W. Martin Kevin Mootoo Brian Presser Carlton Sackett Jr. Judson Wallis Sherry Williamson Bass 1 Eric Bare Ronald Beauchamp Peter Cody Richard Dutko Kendrick Georges Michael Jabo, J.D. Joseph Keller Daniel Kim Wan Kim Tom Lamphere Edward J. Orosz Myron F. Shlatz William Clark Snyder Nicholas Whitley Bass 2 Ayal Adamit Robert Armitage Donald Blake Carl Bugaiski J ushin Choi David DeMoya Mark Epstein Kevin B. Fischer Adam Geier David Hanson Pak Lok Pio Lau Greg Lipsit Michael A. Little Arlo H. Meeker Joseph E. Nelson Adam Rauth David Schriber Bob Sullivan �University Symphony  Orchestra Timothy Perry, Director Flute K e y bo a rd Violoncello Kaitlin Armstrong Melanie Adler Matthew Gukowsky Paul Watrobski Eric Wu u Xander Edwards Deborah Mariottini Peter Hiraldo Felicia Scalzetti Natalie il/cCreary Oboe Kathy Karlsen Timothy Perry Clarinet Jaclyn Adler James Wu Bass Clarinet Zach Stanco James Hsia Ella Serrano Yuansi Du Nicholas Thompson Sara Sunshine Emily Wong Jeffrey Lu* Chris Rogers Gregory G. Greene Ashley Fancher Alyssa Starrantino Julia Kenny Bassoon Violin II Natalie Spitzer Paige Elliott Gabrielle Maire Natalie Bock Siomon Benarie Jaclyn Podd Brandon Luu Daniel Park Karen Fu Won Jae Lee Jiwon Nam Jin Park Kimberly Griffin French Horn Matt Mc Auliffe Zack Arenstein Trumpet ­  V iolin l Kevin Hannon Nicholas Polacco Trombone Billy Marsiglia Jacob Strohm The USO employs rotating seating; Woodwinds, Brass and Percussion rotate by composition and are listed alphabetically. Strings rotate by concert and are listed in seating order. Viola Benjamin Pochily Jillian Chen Daniel Rodriguez Kevin Christie Daniel Rodabaugh Maeve Murray Mimi Nam Alan Wang Ryan Ference Thank You  for attending today ‘s program.’ Since its inception in the late 1950 ’s, the University Symphony Orch estra has provided a musical avenue for dedicated majors and non­majors to rehearse and perform a wide range of orchestral works from varying genres, periods and nationalities. In  addition to its formal concerts, whi ch o ften feature outstanding faculty artists from the Department of Mus ic, the orchestra presents children’s concerts, holiday concerts, works for chorus and orchestra, and winners of its biennial Student Concerto &  Aria Competition. The orchestra has been a featured performer in Binghamton University’s Scottish and Greek Festivals and has been honored with an invitation to present a second collaboration with New York’s Paul Taylor Dance Company in March of 2012. Next USO P ro gra m Sunday, Decem ber 4th A Dou ble Hol iday G ala! Two joyous holiday­themed events — in one afternoon! holiday opera A mahl and the Night Visitors by Gian Carlo Menott, presented withfu/lfrom Tri­Cities Opera set/costumes! At 3:00 pm move into the Concert Theater for  a one­ hour concert of holiday favorites for C hristmas and Hanukah presented by the Orchestra, Wind Sy mphony, Harpur Chorale and Women ‘s Chorus, complete with audience sing­along! One ticket gets you both! 1:30 Amahl + 3:00 Concert or 3:00 Concert + 4:30 A mahl ~­. 3  '  ., '  , > 3  At  1: 30 pm in the Cham ber Hall (or at 4: 30) enjoy the classic 40­minute one­act > Ne w Beginnings Back to our Roots  Beginnings St. Patricks Cacholic Church  9 Leroy Street, B i n g h a m t o n ,   Trinity Memorial Church 44 Main Street, B inghamton, N Y Sunday, O ctober 1 6 , 2 0 1  l . 4  : 0 0 p. m.  Lessons anil Carols tor Christmas Sacurday, November 26, 2 0 1 1, 7 : 3 0  p. m. & S uaday, N o v emb er 2 7 ,  2 0 1 1 ,  4 : 0 0 p. m. Church o f the Holy Trinity 3 46 Prospect Street. B inghameon,  NY Sunday,  March [ 1 , 2 0 1 2 ,  4 : 00 p. m. Crossroads Sunday,  June 3, 2 0 1 2 .  4 : 0 0  p. m. Tabernacle United Methodist Church $3 Main Street, Binghamton, N Y For Tickers: i ’ l ‘ fl  “ f  '­  m a d r i g a l c h o i r . o  or  c a l l 6  ” ? ­  7 3 0 ­ 4  “ 6 . ­ ( D O 201   1­201 2 2 34th Season 20  The Madrigal Choir of Binghamton m �Binghamton University Music Department ’s U P C O M I N G  E V E N T S fi w m w t fi ' w w é o Mid­Day concerts are held on Thursdays, 1 :20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, Nov ember 1 7  — Jazz Mid­Day C oncert w ith g uest art ist — 1 :20 PM — Osterhout Concert Theater — free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, Nov ember 1 7  — Harpur Jazz En semble Concert with guest art ist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors; $3 students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project)    University String Orchestra — 4:00 PM — Friday, Novem ber 1 8 — Grand Corridor — FREE Monday, Novem ber 2 1  — Masterc lass w ith organist W ilma Jens en — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — Mid­Day Concert (Burgess) — 1 :20 PM — Casadesus Recital Hall – FREE Friday, Decem ber 2 — Flute S tudio and Flute  Chamber Conc ert — 1 0 :15 AM — Casadesus Recital Hall –  FREE Saturday, December 3 — E lizabethan Madr igal Feas te (Harpur Chorale and Women ’s Chorus) — 6:30 PM — Mandela Room — $40 general public; $20 students (Special thanks to Sodexo for underwriting the student price) Sunday, December 4 — Holiday Extrav aganza! Holiday Gala (University Symphony Orchest ra, Wind Symphony, Harpur Chorale and W omen ’s Chorus) and “Amahl and the  Night Visitors” — 3 PM — Osterhout Concert Theater & Anderson Center Chamber Hall — $10 general public; $6 faculty/staff/seniors; $3 children and students W ednesday, Dec ember 7 — Composition Semin ar Class Concert /Recital — 8 PM — Casadesus Recital Hall — free I f  you enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students,  faculty,  and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the A nderson Center Box Office at 7 77­ARTS. t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:53 27:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154616">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154616</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elijah, November 13, 2011 Recital Tape 2011-11-13 Description An account of the resource Held at 3:00 p.m., November 13, 2011, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Mendelssohn-Bartholdy, Felix Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7d02ce8853c1b77aa304b2e8aa4299aa.jpg a555dffc71217e18c54e15e305a7821b https://omeka.binghamton.edu/omeka/files/original/a8cca57341ece4caa22dfde32ba7ec84.mp3 5bd492ceb0a679a785e09994e7266c13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Interviewee The person(s) being interviewed Jan C. Scruggs Date of Interview 2011-11-26 Interviewer The person(s) performing the interview Stephen McKiernan Language English Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 Microcassette Material Type Sound Interview Format Video or Audio Audio Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 87:09 Biographical Text <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;Jan Scruggs is a United States Army veteran who founded the Vietnam Veterans Memorial Fund and was the President of the foundation until 2015. He received the Purple Heart Medal for wounds received in combat, and was awarded three Army Commendation Medal, with 'Valor' device, along with the medal for Valor. After leaving the army, Scruggs received his Bachelor's degree from American University and his Master's degree in psychology, researching post-traumatic stress disorder.&quot;}" data-sheets-userformat="{&quot;2&quot;:13311,&quot;3&quot;:{&quot;1&quot;:1},&quot;4&quot;:[null,2,4884200],&quot;5&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;6&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;7&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;8&quot;:{&quot;1&quot;:[{&quot;1&quot;:2,&quot;2&quot;:0,&quot;5&quot;:[null,2,0]},{&quot;1&quot;:0,&quot;2&quot;:0,&quot;3&quot;:3},{&quot;1&quot;:1,&quot;2&quot;:0,&quot;4&quot;:1}]},&quot;9&quot;:0,&quot;10&quot;:2,&quot;11&quot;:4,&quot;12&quot;:0,&quot;15&quot;:&quot;Arial&quot;,&quot;16&quot;:10}">Jan Scruggs is a United States Army veteran who founded the Vietnam Veterans Memorial Fund and was the President of the foundation until 2015. He received the Purple Heart Medal for wounds received in combat and was awarded three Army Commendation Medal, with 'Valor' device, along with the medal for Valor. After leaving the army, Scruggs received his Bachelor's degree from American University and his Master's degree in psychology, researching post-traumatic stress disorder.</span> Keywords <span data-sheets-value="{&quot;1&quot;:2,&quot;2&quot;:&quot;Affirmative Action; Vietnam Veterans; Post-traumatic stress disorder; Vietnam War; Vietnam Memorial; Anti-War Movement; Civil Rights Movement; Millennial generation.&quot;}" data-sheets-userformat="{&quot;2&quot;:513,&quot;3&quot;:{&quot;1&quot;:0},&quot;12&quot;:0}">Affirmative Action; Vietnam Veterans; Post-traumatic stress disorder; Vietnam War; Vietnam Memorial; Anti-War Movement; Civil Rights Movement; Millennial generation.</span> Subject LCSH Vietnam War, 1961-1975--Veterans; Post-traumatic stress disorder; Vietnam Veterans Memorial Fund; Military decorations—United States; Scruggs, Jan C.--Interviews Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview with Jan Scruggs Contributor An entity responsible for making contributions to the resource Scruggs, Jan C. ; McKiernan, Stephen Format The file format, physical medium, or dimensions of the resource audio/wav Subject The topic of the resource Vietnam War, 1961-1975--Veterans; Post-traumatic stress disorder; Vietnam Veterans Memorial Fund; Military decorations—United States; Scruggs, Jan C.--Interviews Description An account of the resource Jan Scruggs is a United States Army veteran who founded the Vietnam Veterans Memorial Fund and was the President of the foundation until 2015. He received the Purple Heart Medal for wounds received in combat and was awarded three Army Commendation Medal, with 'Valor' device, along with the medal for Valor. After leaving the army, Scruggs received his Bachelor's degree from American University and his Master's degree in psychology, researching post-traumatic stress disorder. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-26 Rights Information about rights held in and over the resource In copyright Language A language of the resource eng Type The nature or genre of the resource Sound Identifier An unambiguous reference to the resource within a given context McKiernan.Oral.10.2016.153 Date Modified Date on which the resource was changed. 2018-03-29 Is Part Of A related resource in which the described resource is physically or logically included. McKiernan Interviews Extent The size or duration of the resource. 87:09 https://omeka.binghamton.edu/omeka/files/original/9f2141a28340bf7fc4abcce65e5b29b6.pdf 0b14112896d8faf1837617441e152734 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  I Y STATE  U N I V E R S I T Y   OF  N E W   Y O R K Go  Ze  I e D E P A R T M E N T THURSDAY MID­DAY  CONCERT (DP December 1, 2011 1:20 p .m. Casadesus Recital Hall �PROGRAM ‘From Four SilhouelteS{ (Op. 4 1 ) . . . : . . . . . c . 0 . 0 5 0 D   avidov In the Morning  (1838–1889) Waltze Stephen Stalker, cello Carol Bernstein, piano from COSI FAN TUT T E (1790)  Wolfgang Amadeus Mozart (1756–1791) Fiordiligi: Kaitlyn Mulligan, soprano Dorabella: Kimberly Torres, mezzo­soprano Don Alfonso: David DeMoya, bass John Eisenberg, piano “Vi ravviso, ”from LA SONNAMBULA .....................V incenzo Bellini (1801–1835) David DeMoya, bass William James Lawson, piano Nocturne, Op. 15, no. 2 Trio, “Soave sia il vento,  voveere. Frédéric Cho pin (1810–1849) How Sweet the Sound ...........David Gaita (b. 1991) Etude No. 4 : Fanfares Gyorgy Ligeti (1923–2006) David Gaita, piano 1 Weep you no more, sad fountains  Love’s P h i l o s o p h y . . . . . . . . . . . . . Kerianna Krebushevski, soprano William James Lawson, piano Roger Quilter Roger Quilter (1877–1953) Duet, “Ah, guarda, sore/la,  from COSI FAN TUTT E (1790) Wolfgang Amadeus Mozart Fiordiligi: Kerianna Krebushevski, soprano Dorabella : Caitlyn Gotimer, mezzo­soprano John Eisenberg, piano y Duet, “Signor ne principe...E il sol dell’anima,  Giuseppe Verdi from RIGOLETTO (1851)  (1813–1901) Gilda : Christina Kompar, soprano Duke of Mantua : Mario Eun Hwan Bae, tenor John Eisenberg, piano Aria, “Caro nome  from RIGOLETTO  Gilda : Christina Kompar, soprano John Eisenberg, piano Giuseppe Verdi (1813–1901) �Bi ng ha mt a n  U ni versit y M usic D epar tm en t ’s U P C O M I N G  E V E N T S 6 6 M6 0  6 & 6 W M & 6 6 9 6 & M Flu te Cham ber Fri day , Decem ber 2 — Flu te S tud io a nd  all — FREE Co nce rt — 10 :15 AM  — Casadesus Recital H ber 3 — Elizab eth an Fri day , De cem ber  2 & Sa turd ay,  Decem men’s Chorus) — 6: 30 Ma drig al Feas te (Harpur Chora le a nd Wo  $20 students (Special PM — Mandela Room — $40 general public; dent price) tha nks to Sodexo for underwriting the stu Sunday , December 4 ts o n one tick et! Do ubl e H olid ay Extrav aga nza!  Tw o e ven nd 4:30 PM (you choose) “Amahl  an d th e N igh t Vi sitors”  at 1:30 a y S ym phony and  Ho lida y G ala  & S ing  Alo ng (Un iversit ale an d Women’s JOrchestra , Wind  Symphony, Harp ur Chor ber Ha ll & Osterhout am Ch oru s) — 3:00 PM — Anderson Center Ch fac ulty/staff/seniors; $ 3 Concert Theater — $10 general pub lic; $6  children and students  Seminar C las s We dne sda y, Dece mb er 7 — Co mp osi tion ecital Hall — free C o n c e r t  Re cita l — 8 PM — Ca sadesus R ay Co ncert — 1: 20 PM Thu rsd ay, De cem ber 8 — Ho lida y M id­D — Casa desus Recital Hall — free em ble — 8 PM — Thu rsd ay, De cem ber 8 — Percu ssi on Ens Anderson Center Chamber Hall — free this  performance,  please  consider I f  you  enjoyed  and  were  inspired  by  a fi nancial gift.  Your support helps to supporting the Department of Music with  guest artists  and their contributions  and continue the  work of  students, faculty,your  donation payable to the Binghamton ake  se m Plea ity.  to our larger commun .O.  Box  6000,  Binghamton,  NY Universit y  Music  Department,  and  send  to P 13902. For ticket information, please call the An der son  Center Box  Off ice  at 7 77­ AR TS on . edu To see all  events, please visit music. b ing ha mt Become a fan on Facebook by visiting  . en t Bin gh am ton  Un iversit y M usic De par tm � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:02:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145389">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145389</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, December 1, 2011 Recital Tape 2011-12-1 Description An account of the resource Works by Davydov, Bellini, Chopin, Gaita, Ligeti, Quilter, Mozart, Verdi. Held at 1:20 p.m., December 1, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Bernstein, Carol DeMoya, David Lawson, William James Gaita, David Krebushevski, Kerianna Mulligan, Kaitlyn Torres, Kimberly Eisenberg, John Gotimer, Caitlin Kompar, Christina Bae, Eun Hwan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-12-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound