135 10 1775 https://omeka.binghamton.edu/omeka/files/original/4864710b4ddd717b0ae1770277eb91eb.pdf 7bf3697b863617474353e93639bf0249 PDF Text Text BINGHA MTON U N L V  E F E R S E T Y State University of  New York UNIV R R C R Rc len \  tope  A s a l   wde c ’ D E P A R T M E N T SPEC COL T R I O  A M I C I Margaret Reitz, p iano Steph en Sta lker, cello Haka n Tayga­Hromek, cello Andr ew Stalker, string  bass Donna Wood, fl ute Robe rt Sm ith, d rums Friday, November 17, 2006 8:00 p. m. Casadesus Recital Hall �PROGRAM I. Trio Amici Original Composition...   Allegro by Hakan R y arbivomieck ­ Elegy by Margaret Reitz Source of Light by Stephen Stalker II. Jean Barriere (1 705­ 1 747) Sonata in G Major for Two cellos Andante Adagio Allegro Prestissimo Stephen Stalker, cello Hakan Tayga­ Hromek, cello [ 111. l La Scandinavie Swedish Folk Song  Vermelandsvisa h i   : ....Percy Grainger Melodie Danoise Hakan Tayga­Hromek, cello Margaret Reitz, piano IV. l Il \ Suite for Cello and Jazz Piano Trio ............ Baroque in Rhythm Ballade Cello Fan Stephen Stalker, cello Margaret Reitz, piano Andrew Stalker, string bass Robert Smith, drums ..Claude Bolling �ABOUT  T H E  PERFO RM ERS WINTE RMISSI ON8 V. Improvisation Hakan Tayga­Hromek, singing bowl Stephen Stalker, cello Margaret Reitz, prepared piano Andrew Stalker, string bass Donna Wood, flute Sonata in g minor, Op. 19 Andante VI. Cu§ ¥ )I .. Sergei Rachman inoff (1873­1943) Stephen Stalker, cello Margaret Reitz, piano Fratres VII. .............Avro Part Hakan Tayga­Hromek, cello Margaret Reitz, piano VIII. Op. 72 ......Bernhard Romberg d piano,   cellos an Concertino for two (1767­18 41) Andante Grazios  Rondo con Allegrezza Stephen Stalker, cello Hakan Tayga­Hromek, cello Margaret Reitz, piano N Ai .,l J MARGA RET R E I T Z ,  pianist, is a native of the Binghamton  Area. She received her Bachelor and Master of Music degrees in piano performance with  accompanying  emphasis.  She  attended  Boston  University,  New England Conservatory and Binghamton University. She has accompanied throughout  the  United  States,  in  England,  South  America,  and  at  the American Institute of Musical Studies in Graz, A ustria. Ms. Reitz was an official  accompan ist  for  the  MTNA  State  and  Eastern  Division Competition held at Ithaca College in 2001 and again 2006. She has been a guest chamber m usic artist  in  Morges, Switzerland and she  also was selected to attend the Accom panying Workshop for Singers and Pianists held at Northwestern University with  Chicago Lyric Opera Faculty and Coaches.  She  was  recently  invited  to  the  International  Clarinet Conference to play a recital with Timothy Perry, clarinetist and Stephen Stalker, cellist  in  Tokyo, Japan.  She  was a guest artist  on the Cornell Summer Series in A ugust 2006.  Ms. Reitz has been invited to perform the magnificent  Beethoven  Triple  Concerto  with  Binghamton  Community Orchestra  next season  with  Hakan  Hromek,  cellist and  Pattie  Sunwoo, violinist.  This  coming  June,  she  will  be  an  official  pianist  at  the International Double Reed Competition and Convention.  Ms. Reitz has been  on  the  faculty  at  Binghamton  University  since  1991  and  Ithaca College School of Music since 1999.  She maintains a private piano studio in  Vestal, New York. She is on the Executive Board of the New York District M TNA Organization. She is past President of the local Southern Tier  Music  Teachers  Association  and  is  an  active  adjudicator  for  the National Piano Guild Organization. STEPHE N  STALKE R,  cellist,  teaches  cello  and  double  bass  at Binghamton  University.  He  performs  regularly  with  the  Trio  Amici, Trilogy,  Baroque  ‘n  Blue,  Early  On  and  in  concerts  at  Binghamton University.  He  is  an  officer  and  a  founder  of  the  Binghamton  Cello Festival  and  the  Southern  Tier  Music  Teachers  Association  in Binghamton,  N.Y.  He  has  taught  at  Colgate  University,  Mansfield University,  Ithaca  College  and  in  the  Binghamton  City  Schools.  As a member of the Madison String Quartet, he was a finalist in the Naum berg Chamber  Music  Competition  in  New  York  City  and  the  Evian International  String Quartet  Competition  in  Evian,  France.  He  is  past president of the New York State Chapter of the American String Teachers Association  and  was Strings Chair  for the New  York  State School  of Music Association. He is a graduate of the Manhattan School of Music. �the  Southern  Tier Music Teacher’s Association. She has performed on HAKAN TAYGA­HROM EK, cello, has attended Ithaca College, SUNY Purchase  and  SUNY  Binghamton.  His  teachers  have  included  Fritz Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and Stephen Stalker. Hromek has attended Round Top International Music Festival in Round Top Texas, Music Mountain Chamber Program; Falls Village CT, Spoleto Music Festival in Charleston NC, and the International Congress of  Strings;  Cincinnati,  OH.  Hromek  is  principal  cellist  with  the Binghamton Philharmonic, the Tri­Cities Opera and the Orchestra of the Southern  Finger  Lakes.  He  also  performs  with  the  Cayuga  Chamber Orchestra, and in a piano and cello duo with Margaret Reitz. many concerts given or hosted by the Community Music Center. She is a past  member of the  Binghamton  Symphony, Cider  Mill  Playhouse and TiAhwaga  Players  Pit  Orchestras.  In  Big  Band  Concerts,  she  has appeared with Gary Smulyan, Dick Oatts, Jon Mosca, Anat Cohan, Gary Dial, Sherrie Maricle, Peter Appleyard, Bob Mintzner and others.  She has produced her first solo CD Just As I think of You as a vocalist/flutist. & AN DREW STALKER, string  bass, a  native of the  Binghamton  area, recently  completed  his  third  summer  as  a  fellowship  recipient  at  the Tanglewood Music Center in Lenox, MA.  Andrew studied for four years at Rice University with the Houston Symphony’s principal bassist, Tim Pitts and for two years with his current teacher, Edwin Barker, principal bassist of the Boston Symphony.  While living in Boston, Andrew made regular  appearances  with  the  Kalistos  Chamber  Orchestra  and  since returning to  Binghamton, works part­time at Tom’s Coffee, Cards  and Gifts.  Andrew is a graduate of Rice University, a former mem ber of the Binghamton  Philharmonic,  and  has  made  solo  appearances  with  the Catskill Symphony Orchestra in Oneonta. DONNA WOOD, flutist, is a native of Thompson, PA, and was raised in a family of artists and musicians. She holds a B.S. in Music Education and M.A. in Saxophone Perform ance. As a teacher, Ms. Wood has a studio of forty aspiring student musicians throughout the school year, developing their  skills  on  a  variety  of  instruments,  presenting  concerts  and  solo recitals.  She has done this for more than twenty years. Her com position Eyesmology was used as the title song for a cabaret show at Don’t Tell Mama in New York City. As a performer her long list of credits includes her own quartet at the P.A. Jazz Festival, Montage Mt., P.A. and chamber music at the U.N. Chapel in N.Y.C. presenting both a solo jazz flute and a violin/flute recital with Kelly Howard in Ogunquit, Maine. She has been flutist at Owego’s River Rose Café  ‘Teas’. She is the flutist with  Trio Barocco of Tunkhannock, P.A., and a group which has played for gallery openings,  art  auction  previews  and  weddings.  Ms.  Wood  is  a  past president  of  and  a  frequent  performer  with  the  Harmony  Club  of Binghamton and performs at the annual Dessert Musicales sponsored by A J ROBERT G. SMITH, drums,  holds  a  Bachelor  of  Science  in  Music Education from Hartwick College, a Master of Music in Conducting from Binghamton University and is a candidate for the Doctor of Musical Arts in  Music  Education  from  Boston  University.  Prof.  Smith  studied conducting  with  Frederick  Fay  Swift,  Thurston  Dox,  Timothy  Perry, Robin  Linaberry, John  Graulty and  Mariusz  Smolij.  He conducts the annual Triple Cities TubaChristmas and  is  the former conductor of the Maine Community Band, the oldest band of its kind in the United States. He  has  guest  conducted  all­county  and  community  bands  throughout central New York as well as the Goshen College (IND) Wind Ensemble and  Orchestra.  An  active  performer,  he  currently  plays  principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet. Professor Smith is the immediate  past  president  of  the  Broome  County  Music  Educators Association  and  recipient  of the  2005  BCMEA  Distinguished  Service Award. �[J Sunday, November 19 – M usic of the W orld : Afrika – Music and  Dance ­ 3 :00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/se niors; free for students Sunday, November  19 –  Clarinet  Studio  Recital  –  7:30  p.m.  –  Casadesus Recital Hall – free Tuesday,  November  28  –  University  Percussion  Ensemble  ­­  8:00  p.m.  ­­ Anderson Center Chamber Hall – free Thursday, November 30 – Mid­Day Con cert – 1:20 p.m. – Casadesus Recital Hall – free Friday, Dece mber I ­­  Flute Studio Recital – 10:1 5 a.m. – Casadesus Recital Hall – free Friday, Decem ber 1 ­­ Eliza bethan Madrigal Feaste – 6 :30 p.m. – Old Union Hall – Tickets:  $38 general public; $20 students with ID Saturday, December 2 – Fl ute Ensemble Recital ­ 12 noon – Casadesus Recital : Hall ­ free  Saturday, December 2 –  Elizabethan  Madrigal  Recital – 6:30  p.m. ­ Old Union Hall – Tickets:  $38 general public; $20 students with ID Sunday,  Decem ber  3  –  University  Symphony  Orchestra  –  3 :00  p.m.  – Osterhout Concert Theater ­ $9 general public; $7 faculty/staft/seniors; free for students Thursday, December 7 – J azz Mid  Day Concert  with guest artist, Bruce Johnstone – 1 :20 p.m. – Osterhout Concert Theater – free Thursday, December 7 ­ Jazz Ensemble with guest art ist, Bruce Joh nstone – 8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students Saturday, December 9 – Master’s Recital: Katrina Cox, soprano – 8 :00 p.m. – Casadesus Recital Hall – free Sunday, Jan uary 28 – Bac h Again : Jonathan Biggers, organist – 4:00 p.m. – First  Presbyterian  Church,  Binghamton  ­  $15  general  public;  $13 faculty/staff/seniors; free for students 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:26 36:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE202996">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE202996</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trio Amici, November 17, 2006 Recital Tape 2006-11-17 Description An account of the resource Works of Rachmaninoff, Part, Romberg. Held at 8:00 p.m., Nov. 17, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Stalker, Stephen Tayga-Hromek, Hakan Stalker, Andrew Wood, Donna Smith, Robert G. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 157033a9-b932-4429-b3f0-b3d15c7146b1 https://omeka.binghamton.edu/omeka/files/original/83bc57e04fe3b99146de41a58640d751.pdf edca317cca6ac9cda8c8612918228c63 PDF Text Text BINGHA MTON U N I V E R S I T Y State University of  N e w  York is  UNIV  RRC Yap 2506  s‘  .<  ‘ 1 C zed e D E P A R T M E N T D C LAR INET  S TUD IO R ECIT AL Students of Timot hy Perry Assisted by Margaret Reitz, piano and Nicole Hsu, piano Sunday, November 19, 2006 7:30 p.m. Casadesus Recital Hall �The Binghamton University Department of Music presents a Trio No. 1 in C major I.  Allegro Cla rine t Studio Recital ­ Fall’2006 Suite for T hree Clari nets. .. Overture Andante allegro Minuet G F  Handel Trio MaDaLi Lisa Carpinane, Dang Yoon Shin, and Maggie Venti The clarinet was ‘i nvented’ in Nuremberg about the year 1700 fr om an existing single­reed instrument, the chalumeau.  Handel inclu ded it in a few of his operas and in this larger m ulti­movement suite. The part writing  for early clarinets  . was more like that for horns and trumpets than it is like other w oodwinds, as the name ‘clarinetto’ m eant ‘small t rumpet’. Concerto No.1 in G minor, Op. 73. . . . . . . . . . . .Car1 Maria von Webe Allegro r Heather Boland & Margaret Reitz Weber (1786­1826) wrote most if his seven major clarinet solo s for his own use as accompanist to the great virtuoso Heinrich Baermann, with wh om he toured throughout Europe in the period 1812­16. This F minor concert o was the first written in the new ‘Romantic’ style, with extremes of range, d ynamics and timbre used to heighten the tragic emotional theme of the work. Invention CEENRENSED.S. Bach Rondeau.. ...... ...... ...... ...... ...... ...... . J.P. Rameau Klarinightmare Kyle Doyle, Mark Norman & Richard Silvagni ....... ...Jacques Bouffil Sine Nomine Trio Dan Zaccharini, Brenna Daugherty and Christa Heschke Jacques Bouffil created the first sets of original clarinet trios for  use of players in early 19"®­century Paris.  Each of the eight trios has three  movements, highly virtuosic writing for all three parts, and a decidedly clas sical character reminiscent of Mozart and Haydn. Scaramouche Allegro Moderato Braziliera ...... ....Darius Milhaud Gregg Ackerman & Margaret Reitz Milhaud contributed several important solo works for clarinet  which draw on French, Brazilian and American models, as all  were places i n which he resided and taught during his long career. Scaramouche, (the name is fro m a historical novel by Rafael Sa batini published in 1921) was originally composed  for saxophone, but was immediately transcri bed by the compose r and published for  clarinet and piano. Ceux de Village La Garde Champetre (Village policemen) Le Curé (Parish priest) La Chatelaine (Lady of the manor) Le Chatelaine (Lord of the manor) ...... ....Yvonnes Desportes Ouatuor Ananvme Melissa Klepper, Heather O ’Gara, Jillian Stark, Kristin Weis s The pure tone of the clarinet lends itself wonderfully to the cou nterpoint of Baroque music. Eugene Gay, former Professor of Clarinet at the  Conservatoire de Musique in Paris, released several volumes of Baroque transcripti ons such as these. All have become beloved staples of clarinet ensem bles througho ut the world. Yvonne Desportes (1907­1993) was one of the most respected  and prolific composers of clarinet chamber music in the latter 20” century. Thi s set on ‘characters of the village ’ is the first of three.  Desportes delights  in witty and colorf ul character depictions, spiced with occasionally piquant  dissonances. Fantasia on Rossini ’s  ‘Una voce poco fa’ . ...... ...... ..Ivan Mi ller Alex Vincenzi & Nicole Hsu Pocket Sonata No.1. Ivan Muller, a native of Estonia, was not only a virtuoso player a nd composer but also a designer who developed one of the two primary systems of  keywork used in modern clarinets. T he ‘Muller’ system evolv ed into modern ‘Ge rman’ system clarinets and the ‘Albert’ system common until 1950 in the U.S.  His operatic fantasies we re popular with players and public alike, with Ros sini the favorite donor of thematic material. Improvisation Blues In Rhythm ...... ...Alec Templeton Bethany Bonhof and Margaret Reitz Alec Templeton, a respected British jazz pianist who was blind  from birth, created two ‘pocket’ (for their brevity) sonatas for clarinet. Composed i n the early 1950’s they helped usher in an age of jazz­influenced works for clari net and piano. �Tuesday, N ovem ber 28 – U niversity P ercussion E nsem ble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday,  Novem ber 30 – Mid­Day Co ncert – 1:20 p.m. – Casadesus Recital Hall – free F riday, Decem ber 1 – Fl ute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free F riday, Decem ber 1 – Eli zabethan Mad rigal Feaste – 6:30 p.m. – Old Union Hall – Tickets:  $38 general public; $20 students with ID Saturday, Decem ber 2 – Flute Ensem ble Recital ­ 12 noon – Casadesus Recital Hall ­ free Saturday, Decem ber 2 – El izabethan Mad rigal Recital – 6:30 p.m. ­ Old Union Hall – Tickets:  $38 general public; $20 students with ID Sunday, D ecem ber 3 – Un iversity Sy mphony O rchestra – 3:00 p.m. – Osterhout Concert Theater ­ $9 general public ; $7 faculty/staff/seniors; free for students Thursday, Decem ber 7 –  Jazz Mid  Day Concert with g uest artist, Bruce Joh nstone – 1:20 p.m. – Osterhout Concert Theater – free Thursday,  Decem ber  7  ­  Jazz  Ensem ble  with  guest  artist, Bru ce Johnstone – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors ; free for st udents Saturday, Decem ber 9 – Master ’s Recital : Katrina  Cox, sopra no – 8:00 p.m. – Casadesus Recital Hall – free Sunday, Jan uary 28 – Bach Again : Jonathan  Biggers, o rganist – 4 :00 p.m. ­­ First Presbyterian Church, Binghamton ­ $15 general public; $13 faculty/staff/seniors; free for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:53:00 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio recital, students of Timothy Perry, November 19, 2006 Recital Tape 2006-11-19b Description An account of the resource Held at 7:30 p.m., Nov. 19, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Carpinone, LIsa Shin, Dong Yoon Venti, Maggie Boland, Heather Doyle, Kyle Norman, Mark Silvagni, Richard Vincenzi, Alex Zaccharini, Dan Dougherty, Brenna Heschke, Christa Ackerman, Gregg Klepper, Melissa O'Gara, Heather Stark, Jillian Weiss, Kristin Bonhof, Bethany Reitz, Margaret A Hsu, Nicole Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID de839bef-6af8-4cb7-9ddb-5a7ad6f6b10d https://omeka.binghamton.edu/omeka/files/original/4b60ced710d878059dd186a583a81537.pdf 1f294f97d00e596689aaa8489f36b555 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y State University of  New York U N T  \J  PM C Ree le —E\,2Q , 0 S A  C e d e 2000 \­2¢ ‘ G e e  C o l U N I V E R S I T Y  P E RC U S S I O N ENSEMBLE Daniel Fabricius, conductor Tuesday, November 28, 2006 8:00 p.m. Anderson Center Chamber Hall �ABOUT THE CONDUCTOR PROGRAM S E P T E T D a n i e l L e v i t a n lan  Hovhaness OCTOBER MOUN TAIN.........eeeeeeeeeeeannn......A ......Stephen Primatic THREE SHADES OF “C”..  ~Intermission~ ....+s.sGe0rges Bizet Arranged by Clair Omar Musser CARMEN  THE LITTLE DRUMMER BOY. . . . . . . .  I I O E D O W N T ........Traditional Arranged by Dan Fabricius h percussion soloist in chamber ensembles, in musical theater productions and with a variety of nationally known artists. He performs often as a freelance musician and as a member of the local dance band, “Prism.” As a music educator, Fabricius holds professional memberships in the New York State School Music Association, the International Association of Jazz Educators, the Percussive Arts  Society, and the National Band Association.  He also has served two terms as President o f  the New York State Band Directors Association. He has worked on the Summer Session faculty for the Ithaca College School of Music and also serves as a cooperating teacher for senior student teachers.  He has conducted  many  honor  band  festivals, presented  clinics on a variety of music education topics, and has adjudicated at music festivals throughout New York. ........Ed Argenziano STINKIN’ GARBAGE.  DANIEL FABRICIUS took  the  post  of Percussion  Instructor at  Binghamton University in September 1992.  He also has been Director of Bands at Owego Free Academy since 1989. Fabricius is active as a performing percussionist in the Southern Tier.  He is a member of the Binghamton Symphony Orchestra as has also served as Timpanist/Principal Percussionist for the Orchestra of the Southern Finger Lakes.  Also comfortable in a jazz setting, he holds the drum set position in the Mason Warrington Orchestra.  In recent years, he also has performed as a o m a   s Brown UNIVERSITY PERCUSSION ENSEMBLE Kristine Jackson Ai Karasawa Subin Lim Richard Postelnik Marc Silvagni Kelly Tufo Mark Turley �Gosnig  Censt Thursday, November 30 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall ­  free Friday, December 1 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, December 1 ­­ Elizabethan Madrigal Feaste – 6:30 p.m. – Old Union Hall – Tickets:  $38 general public; $20 students with ID Saturday, December 2 – Flute Ensemble Recital ­ 12 noon – Casadesus Recital Hall ­ free Saturday, December  2 ­­  Elizabethan  Madrigal Recital –  6:30  p.m.  ­  Old Union Hall – Tickets:  $38 general public; $20 students with ID Sunday,  December  3  –  University  Symphony  Orchestra  –  3:00  p.m.  – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Thursday, December  7 –  Jazz Mid  Day Concert with guest artist, Bruce Johnstone – 1:20 p.m. – Osterhout Concert Theater – free Thursday, December 7 ­ Jazz Ensemble with guest artist, Bruce Johnstone – 8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students Saturday, December 9 – Master’s Recital: Katrina Cox, soprano – 8:00 p.m. – Casadesus Recital Hall ~ free Sunday, January 28 – Bach  Again: Jonathan Biggers, organist – 4:00 p.m. – First  Presbyterian  Church,  Binghamton  ­  $15  general  public;  $13 faculty/staff/seniors; $7 for students Friday, February 9 – Viola Plus! – 8:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Saturday, February 11 – Musica Nova – 3:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Saturday, February 17 – La Saxophone and Friends – 8:00 p.m. – Anderson Center  Chamber Hall ­ $15  general  public; $13  faculty/staff/seniors; $7  for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203006">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203006</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble, November 28, 2006 Recital Tape 2006-11-28 Description An account of the resource Works of Levitan, Hovhaness, Primatic, Argenziano, Bizet, Brown. Held at 8:00 p.m., Nov. 28, 2006, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID e02081ea-68f7-42f9-b1ad-13b9fe80f6cb https://omeka.binghamton.edu/omeka/files/original/93890adb148aacbe175855bc9239f0b6.pdf a842518a481ec8248937a1667fe3f6cc PDF Text Text BINGH U N I V E R S I T Y J A  \ i  THU RSDAY M ID­DAY CONCERT November 30, 2006 – 1:20 p.m. ­ Casadesus Recital Hall 21. t  l  3  Binghamton University Department of Music \ ‘ a w  .  ‘ Ai  State University of New York NY Q  C     M q  N, L “ w / (1 OD m 3 D L 2 O   4 X \ (  OL. T ~ e i i n i e e r e e Green Sleeves to a G I O U N d . . . . . . . . . . . c c e o i r i i i i i n i n i (1706) Alexander Baron, recorde r And rew Wal kling, cello C a Poulenc (1899­19 63) “C” is a village built on the islands formed by several branches of Loire River.  There, in 1940, a ant French a rmy tried in vain to stop the German invasion.  The poet, Louis A ragon, evokes gall e e t r memories of the “Chateaux de la Loire” while crossing the bridges with the defeated army. Nye poi, Krasavitsa (Chanson Georgienne), Op. 4, no. 4 .. 0 ,  do not sing to me, fair maiden, those songs of sorrowful Georgia : They remind me o f another life and distant shores. Alas!  Your cruel singing stirs up memories Of the steppes, the night, the moonlight Shining on a poor, distant girl. Seeing you, I can forget that sweet and fateful vision ; But when you sing it rises up again before me. . Sergei Rachmaninoff (1 873 – 1943) LaToya Lewis, so prano Margare t Reitz, p iano trreeeee irreeees ssseeee ennnen. InSearchofLostTime..........................  osition Jonathan had s of comp  standard In Search of Lost Time bega n as an attempt to stray from  the strict ke a feeling of pt to invo s an attem practiced through the years.  It was drawn from  the imagination a ether it was used t and wh d the pas understan devotedly searching.  This search is part of the longing to  wisely. nue his education Jonathan Failla is graduating in December of 2006 with a BA in Music.  He intends to conti se. to compo ntinuing  es and co an Servic in Psychology while working in Hum Danielle Sofer, p iano   �Dust of Snow..  The way a crow  Shook down on me  The dust of snow  From a hemlock tree  ..............Michael Marchisotto Has given my heart A change of mood And saved some part d.   O f day I had rue ­ Robert Frost Notes from the composer: After reading this poem, I was given an impression of someone reminiscing about how simple their life used to be, and how little things could brighten up their day.  In composing this short song, I tried to reflect the mood of the text through lush harmonies and a simple, yet lyrical vocal melody for soprano voice. I am in my senior year, working towards a Bachelor of Arts in Music. Post graduation, I plan on studying music technology and continuing my studies in composition. Mary Aimon iotis, sopran o Danielle Sofer, piano .. Stefano Pena Ionian Etude  r. n B­flat majo ple melody i Composed earlier this semester, Ionian Etude started life as a sim An antecedent phrase generated a consequent continuation, and then a second line (the bass voice) was added to fill out the harmony and add contrapuntal activity. Stefano Pefia graduates from Binghamton University this semester with a BA in Music, and looks forward to composing many more pieces. Stefano Pefia, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203941">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203941</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 30, 2006 Recital Tape 2006-11-30 Description An account of the resource Works of anonymous (1706), Poulenc, Rachmaninoff, Failla, Marchisotto, Peña. Held at 1:20 p.m., Nov. 30, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Baron, Alexander Walkling, Andrew Lewis, LaToya Reitz, Margaret A Sofer, Danielle Aimoniotis, Mary Pena, Stefano Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID f4cbc869-d84a-4dc5-a6d3-aa9f4b94ad9d https://omeka.binghamton.edu/omeka/files/original/2655701a5d9689892374c4c60f9e2009.pdf 379ffd82aa5948112256d851ffa4f5f8 PDF Text Text UNIV RRC Rec’d a\ HAMTON y e n Tage,  O C U N I V E R S I T Y (    57?”  A .  STC LoL  State University of New York Flut e Studio R ecita l Friday, December 1, 2006 10:15 a.m. Casadesus Recital Hall Program Suite de Ballet .......... .......... .......... .......... .......... .......Ra lphVau ghanW illiams Improvisations  (1872­1 958) Humoresque Gavotte Passepied Erica Leo, Flute Mrs. Margaret Reitz, Piano Variations onat h em e ofMo zart.... .......... .......... .......... .......... ....Rey naldo Hahn Sara Shafer, Flute Mrs. Margaret Reitz, Piano (1875­1 947) Sonata in G Major, HWV 363b .......... .......... .......... .......... .Georg  Frederick Handel Adagio  (1685­1 759) Allegro Andante Bouree Menuetto Sarah Harper, Flute Mrs. Margaret Reitz, Piano Two Pieces for P inte and Piano  Andantino  Allegretto Ralph ReGiaentlior (b.1914 ) Laura Demsey, Flute Mrs. Margaret Reitz, Piano �. f Suite Modale Moderate L’istesso Tempo Allegro giocoso Adagio, Allegro deciso weeeeen.....  Ernest Bloch (1880­195 9) Jennifer Weintraub, Flute Mrs. Margaret Reitz, Piano Variations for Flute and Piano on a Theme by Rossini Andante 1. Con anima 2. Piu Lento Frederic Chopin (1810­1849) 3. Vivo 4. Con Brio Melissa Voldan, Flute Mrs. Margaret Reitz, Piano RomanceforiFlute andPiano. ........‘.... ............. ............. ....... ....Arthur Honegger (1892­1955) Valerie Spiller, Flute Mrs. Margaret Reitz, Piano Sonatain GMajor,O pus2,No. 1........... ............. .... .. .. Adagio Allegro Largo Allegro Valerie Spiller, Flute Mrs. Margaret Reitz, Piano Flutists are from the Flute Studio of Georgetta Maiolo ...Benedetto Marcello (1686­1739) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:35:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203944">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203944</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio recital, December 1, 2006 Recital Tape 2006-12-1 Description An account of the resource Works of Williams, Hahn, Handel, Guenther, Bloch, Chopin, Honegger, Marcello. Held at 10:15 a.m., December 1, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Leo, Erica Shafer, Sara Harper, Sarah Demsey, Laura Weintraub, Jennifer Voldan, Melissa Spiller, Valerie Reitz, Margaret A Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-12-1 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID d35474b6-cc49-4384-b814-c18f972e27bb https://omeka.binghamton.edu/omeka/files/original/492b3fef0d0b049c075e33a326750941.pdf c7f268eba5149322ee38bb0a2199712e PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York UNIV  RQ R a s t  3},  A 0 0 0   ' D E P A R T M E N T UNIVERSITY FLUTE ENSEMBLE Georgetta Maiolo, Director lJ 1 1J 1 I I ; l J J i J JI I Saturday, December 2, 2006 12 noon Casadesus Recital Hall �PROGRAM Topgallant  Gordon W. Bowie Suscepit Israel from Magnificat. . . . . . . . . . . . . . .Johann Sebastian Bach (1685­1750) Arranged by William Schmidt Variations on Crusaders’Hy mn ...................Arranged by Percy Hall Tam bou rin..................ceeeevnenenn......... F rancois Joseph Gossec ( 1 7 3 4  1829) Arranged by Michael Axtell Wiegenlied......................................  .. German Folk Tu ne Arranged by Jim Engenbretson New Orleans  1.  Jackson Square  2.  Bayou Blues HAWard Edelson (b.1929) —3=Cajun  Gumbo p p a n is hL   ove Song  Y Arranged by Ann Cameron Pearce , C h i t — C h a t P  o l K a . . . . . . c o o u e v e e e i e e e e e e e e e i e e e e i e e s e s e s n e e s e n a Je eo n h n as en n n .  S   t r a u s s (1825­1899) arranged by Bill Holcom be and Joe Parenic Trilogy of Carols...  ..  The Herald Angles Sing O, Little Town O f Bethlehem O Come, All YeFaithful Arranged by Ricky Lombardo �Men ibers of the Binghamton U niversity Flute E nsem ble Laury Demsey Juliette Guarino Sarah Ha rper Amanda J aret Nicole Lean Julie Liao Angela Perrier Valerie Spiller Melissa Vold an Almut Wiedenmann Jason Zwick �Satu rday, Decem ber  2  –  Eliza bethan  Mad rigal Recital  –  6:30  p.m.  ­ Old Union Hall ­­ Tickets:  $38 general public ; $20 students with ID Sunday,  Decem ber  3  ­~  University  Sym phony  Orchest ra  –  3 :00  p.m.  – Osterhout Concert Theater ­ $9 general public ; $7 faculty/staff/seniors; free for students Thu rsday, Decem ber  7 –  Jazz  Mid  Day  Concert  with  guest  artist, Bruce Johnstone – 1:20 p.m. – Osterhout Concert Theater – free Th u rsday, Decem ber 7 ­ Jazz Ense m ble with guest a rtist, Bru ce Johnstone – 8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students  , Satu rday, Decem ber 9 – M aster ’s Recita l : Katrina Cox, so prano – 8:00 p.m. – Casadesus Recital Hall ­­ free Sunday, Janua ry 28 – Bach  Again : Jonathan Biggers, organist ­­ 4:00 p.m. – First  Presbyterian  Church,  Bingham ton  ­  $15  general  public;  $13 faculty/staff/seniors; $7 for students Friday, February 9 – Viola Plus! – 8:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Satu rday, Fe bruary 1 1  – Musica Nova – 3:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Satu rday, Fe bruary 1 7 – La Saxophone and Friends – 8 :00 p.m. – Anderson Center Chamber  Hall  ­ $15  general  public; $13  faculty/stafflseniors; $7  for students Th u rsday, February 22 – Mid­Day Co ncert – 1 :20 p.m. ­ Casadesus Recital Hall ­ free Satu rday, Fe brua ry 24 – O rchest ra Convention – TBA – Osterhout Concert Theater Satu rday, Fe brua ry 24 –  Faculty  Recital : Janey C hoi, violin, and Michael Salm irs, piano – 8:00 p.m. ­ Casadesus Recital Hall ­ $9.00 general public; $7 faculty/staff/seniors; free for students. Sunday, February 2 5 – University Win d Ensem ble: A W orld tou r – 3 :00 p.m. ­­ Anderson Center Chamber Hall ­ free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:28:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203947">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203947</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Flute Ensemble, December 2, 2006 Recital Tape 2006-12-2 Description An account of the resource Works of Bowie, Bach, Hall, Gossec, German folk tune, Edelson, Pearce, Strauss, Lombardo. Held at 12:00 p.m., Dec. 2, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Demsey, Laura Guarino, Juliette Harper, Sarah Jaret, Amanda Lean, Nicole Liao, Julie Perrier, Angela Spiller, Valerie Voldan, Melissa Wiedenmann, Almut Zwick, Jason Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-12-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID b36c2e19-97ca-4dce-a377-ec24d1038364 https://omeka.binghamton.edu/omeka/files/original/07acaa3f5025a34f9082e7fa7aa236bb.pdf 042ee50bcd71f67725a7b41db9202703 PDF Text Text BING HAM TON l :-.; I V E R S I 1 Y State University of New York D E P A R T M E N T MU SIC FO R CE LL O, PL US : Ste phe n Sta lke r and Fri end s Step hen Stalk er, cello Michael Salm irs, pian o Patri cia Sunwoo, violin Mar gare t Reitz, pian o Edw ard Cast ilano , doub le bass The Cellistos Sunday, February 26, 2006 3:00 p.m. Casadesus Reci tal Hall �PROGRAM Duetto (1824) for cello and double bass ............ Gioacchino Rossini ( 1792-1868) Allegro Andante mo/to Allegro Sonata in C (1960) for cello and piano, Op. 65 ..... Benjamin Britten (1913-1976) Dialogo Scherzo Elegia Marcia Moto Perpetuo ~INTERMISSION~ Baschianas Brasileiras No. 1......................... ...... Heitor Villa-Lobas (1887-1959) for orchestra ofvioloncelli Preludio (Modinha) Trio in g minor for piano, ... ................... ............... .. Ernest Chausson (1855-1899) violin and cello, Op. 3 Pas trop lent, Animé Vite Assez lent Animé �PROGRAM NOTES By the early 1820's, Rossini had established himself as the premier Italian opera composer of his time, particularly with his comic operas: L 'Italiand in Algeri, II Barbiere di Siviglia, La Cenerentola and La gazza ladra. In 1824, he traveled with his wife, prima donna Isabella Colbran, to London and dined with Sir David Salomons, a leading public figure and an amateur cellist. It was here that he received a commission from Salomons to compose a duet, to be performed by Salomons and the great double bassist, Domenico Dragonetti. This hidden treasure remained unpublished and in the possession of the Salomons family until 1968. Benjamin Britten's Sonata in C for cello and piano was the beginning of a fruitful collaboration between Britten and the Russian cellist Mstislav Rostropovich., which resulted in the sonata, three suites for solo cello and the cello symphony. They also concertized and recorded together on several occasions, with Britten at the piano. This piece is a hidden treasure because of the significant technical difficulties it presents to the performers. Wish us luck! Here is Rostropovich's own description of the Sonata: "The first part is a dialogue. It is a sweet, yet stirring, literally human conversation between two instruments -- the 'cello and piano. Whenever I play it I actually feel this conversation, a conversation not in words, but one that is finer and more intricate, a conversation of capricious changes of mood, a conversation embracing not words but a whole world of intermingled feelings attached to every note. The older I get the more I like pauses, especially those in Britten's music, which are as significant and expressive as the notes. How few notes there are in Britten's compositions, yet how much thought and feeling! The second movement -- the Scherzo-Pizzicato -- is another innovation. It took lots of time and energy for me to learn to play the pizzicato with my right hand with guitar finger technique. When playing this, the bow, naturally, has to be set aside. If I were asked what is most profound, most stirring and full of symbolic drama, I would say the Eulogy. Then that rousing, temperamental Marchi Is this not a brilliant contrast to the Eulogy, a contrast so necessary for the general sonata cycle, yet so unusual? And what about that fading end to the March? The sonata cycle is brilliantly crowned by the fifth movement -- the Moto Perpetuum, irrepressible and tempestuous. This is a sonata full of surprises, innovations for any 'cellist, gifts for the musician flowing freely from the horn of plenty. We meet not �merely a novelty in finger-work but, what is most important, a new kind of expressive and profound dramatic composition. In this work there are two extremes that complement and strengthen each other -humour and philosophy. " The series of nine Bachianas Brasileiras compositions by Villa-Lobos were his homage to Bach. A loose translation of the name could be Bachian Brasil Spirit. The movement titles reflect this mixture of styles. For example, in the Bachanias Brasileiras No. 1: 1. Introduction (Embolada), 2. Preludio (Modinha). 3. Fugue (Conversa). The parenthetical titles are the Brasilian musical forms that inspired that particular movement, while the non-parenthetical names are the forms that Bach typically used. Villa Lobos was a cellist, who early on and throughout his life, wrote music featuring the cello. The Bachianas Brasileiras No. 5 for soprano and eight cellos is, by far, the best known of this series. No.1, for an Orchestra of violoncelli, is the hidden treasure. It is often said that Ernest Chausson's music was influenced by Massenet, Wagner and Franck. At first blush, this seems an unusual assortment of composers. But in the context of the late ninetheen century musical life in Paris, not too surprising. Chausson began his composition studies at the age of 24 at the Paris Conservatoire. Soon after, he traveled to Germany on several occasions to hear the operas of Wagner. In the meantime, he was also attending Franck's classes as an unenrolled listener. The Opus 3 Trio is a remarkable early effort to combine these diverse th nd influences. We hear Massenet in the lyrical melodies of the 2 and 4 st movements, while the more complex and darker harmonies of the 1 and ied exemplif style, 3rd movements seem to reflect Wagner. The cyclical in Franck's music, is present via Chausson's use of the main themes of the 1st movement, in constructing the 3rd movement and in their reprise in the final section of the last movement. Why is this Trio such a hidden treasure? Your guess is as good as mine. Enjoy the program!!! Notes by Stephen Stalker �ABOUT THE PERFORMERS STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. He formerly taught at Colgate University, Mansfield University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Coming Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University's Musica Nova, Cornell University's Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salrnirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg's Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and . Arabesque Recordings, and was aired by NPR and Japan' s NHK. Recent engagements include appearances at the Carnegie Hall's Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L'Espace Pierre Cardin in Paris. �She has worked with composers John Corigliano, Joan Tower and, George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. MARGARET REITZ, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis, and attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, England, and South America, and at the American Institute of Musical Studies in Graz, Austria. Reitz and Binghamton University faculty member Timothy Perry were winners of the 1997 Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the Performing Arts. During the summer of 2005, Reitz, clarinetist Timothy Perry and cellist Stephen Stalker were invited to perform at the International Clarinet Conference in Tokyo, Japan. Other notable performances include guest chamber music artist in Morges, Switzerland and guest soloist with the Binghamton University Orchestra. She was the official accompanist at the MTNA State and Eastern Division Competition at Ithaca College in 2001 and will be returning in 2006. In addition, she was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University. During the summer of 2006, she will compose the musical score for an independent film by MANDiS Production, to be released in February 2007. Since 1991, she has been on the faculty at Binghamton University and at Ithaca College School of Music since 1999. Currently, she maintains a private piano studio in Vestal, New York, is on the Executive Board of the New York District MTNA organization, is past President of the local Southern Tier Music Teachers Association, and is an active adjudicator for the National Piano Guild Organization. �EDWARD CASTILANO holds the position of Principal Bass in the Syracuse Symphony Orchestra and has made numerous concerto appearances with the SSO. Graduating in 1976 from the Eastman School of Music, he participated for six seasons in Gian Carlo Menotti's Spoleto Festival in Italy and Charleston, SC, where he made several appearances with the Lincoln Center Chamber Players. He has also participated annually in the Skaneateles Chamber Music Festival since its inception in 1980. Mr. Castilano received a Masters degree from Syracuse University in 2003 where he is a faculty member. He has also performed with the orchestras of Philadelphia, Rochester, Spokane and Savannah. The Ce/listos Stephen Stalker David Mordoff HakanHromek Miriam Wu Emily Creo Julian Shepherd Lucy Loewenstein Kenneth Jenkins I Il �studen t Thurs day, March 2 - Mid Day Conce rt with faculty and free perfor mers - 1:20 p.m. - Casadesus Recital Hall o - 3:00 Saturd ay, March 4 - Maste r's Recital: Jessica Barkley, sopran free p.m. - Casadesus Recital Hall - 8:00 p.m. Saturd ay, March 4 - Maste r's Recital: Nili Riemer, sopran o - Casadesus Recital Hall - free - Anderson Sunda y, March 5 - University Wind Ensemble - 3:00 p.m. Center Chamber Hall - free studen t Thurs day, March 9 - Mid-Day Conce rt with faculty and free Hall Recital sus Casade p.m. :20 perfor mers - 1 s - 8:00 Thurs day, March 9 - Harpu r Chora le and Wome n's Choru p.m. - Anderson Center Chamber Hall - free studen t Tuesd ay, March 21 - Mid-Day Conce rt with faculty and free Hall Recital sus Casade perfor mers - 1:20 p.m. - 8:00 p.m. Tuesday, March 21 - Maste r's Recital: John Novak, organ - First Presby terian Churc h - free : Panel Thurs day, March 23 - Mid-Day Conce rt (Russian Voices Hall Recital sus Casade p.m. :20 1 s) Discussion and Perfor mance free 8:00 p.m. Friday , March 24 - Russian Voices: Protes t and Homa ge eniors; free /staff/s Casadesus Recital Hall - $9 general public; $7 faculty for students - I p.m. Saturd ay, March 25 - Senior Recital: Kelsey Bauer , flute Casadesus Recital Hall - free Casadesus Saturd ay, March 25 - Trump et Ensemble - 4:00 p.m. Recital Hall - free o - 8 p.m. Saturd ay, March 25 - Senior Recital: Michaela Lisi, sopran Casadesus Recital Hall - free - 7:30 p.m. Sunda y, March 26 - Maste r's Recital: Julia Ebner , sopran o - Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:34 47:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203950">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203950</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music for cello, plus: Stephen Stalker and friends, February 26, 2006 Recital Tape 2006-2-26b Description An account of the resource Works of Rossini, Britten, Villa-Lobas, Chausson. Held at 3:00 p.m., February 26, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Salmirs, Michael Sunwoo, Patricia Reitz, Margaret Castilano, Edward Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-2-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID efaee3f8-380c-47fe-b511-021f693bbcd6 https://omeka.binghamton.edu/omeka/files/original/1cf826055c408210b0a8b6bd981f79d3.pdf 509ae91a71f69d66d3345201b741db90 PDF Text Text Binghamton University Department of Music MID­DAY CO NCERT March 2, 2006 – 1:20 P.M . – Casadesus Recital Hall Sonata for Flute & Piano in E° Major, BWV1031 Allegro moderato Siciliana Allegro Johann Sebastian Bach (1685­1750) Kelsey Bauer, flute Margaret Reitz, piano Elegy­Sarabande Timothy Per ry, clarinet Language of Lullabies: A Good Night Song Wiegenlied Ninna Nanna American Lullaby ...Johann Sebastian Bach Arr. Timothy Perry Johannes Brahms seveeereennn..  RODeETt  Milnap ............Gladys Rich ........Shulamit Doniach Nili Riemer,  Soprano Margaret Reitz, piano Sonatine pour Trombone et Piano II.  Andante sostenuto I.  Allegro vivo ....... Jacques Castérede (b. 1926) David Henann, trombone Sonata No. 2 in A Major, Op. 100 Allegro amabile Selections from Ariettes Oublzees l) C’est l’extase langoureuse 2)  Il pleure dans mon coeur 3)  L’ombre des arbres 4)  Chevaux de bois Akira Maezawa, violin Margaret Reitz, piano Jessica Bark ley, soprano Chai­Kyou Mallinson, piano Johannes Brahms (1833­1897) Claude Debussy (1862­1918) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203954">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203954</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 2, 2006 Recital Tape 2006-3-2 Description An account of the resource Works of Bach, Brahms, Milnap, Rich, Donaich, CastéreÌ€de, Debussy. Held at 1:20 p.m., March 2, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bauer, Kelsey Reitz, Margaret A Perry, Timothy B Riemer, Nili Henann, David Maezawa, Akira Barkley, Jessica Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 9b80f744-4b87-495e-a2ad-a86f1b7f3e23 https://omeka.binghamton.edu/omeka/files/original/3409ef47d6aac220e8180fd189722612.pdf a3215cee6a21ec4c9fdaa2c2aa7691ce PDF Text Text v  '  v4­ ¥ V   r u ‘  k ,  Y ou  ,  H : BINGHAM I N E  A V E ­ R A S S t a t e  U n i v e r s i t y  o f  N e w Y   ork B D R E Z l d  E Y ' E P MID­DAY CONCERT March 9, 2006 – 1 :20 P.M. – Casadesus Recital Hall Remarks by Professor Alice Mitchell From Dichterliebe, Op. 48 .. Im wunderschonen Monat Mai Aus meinen Trénen sprieBen Die Rose, die Lilie, die Taube Wenn ich in deine Augen seh lch will meine Seele tauchen .....Robert Schumann (1 810­1 856) Timothy LeFebvre, baritone Chai­Kyou Mallinson, piano woven.  Clara Schumann (1 81 9­1 896) Das Veilchen Fanny Mendelssohn Hensel (1 805­1 847) Von Dir, mein Lieb Take, O Take Those Lips Away The Year’s At The Spring ............Amy Beach (1 867­1 944) Erin Lah m, soprano Chai­Kyou Mallinson, piano But Not for Me... Blah­Blah­Blah George Gershwin (1 898­1937) Ira Gershwin (1 896­1 983) Amy DeLeo, soprano Chai­Kyou Mallinson, piano �  oht Brown Hai.  G I Dream Jeannic®gith the E If You’ve Only got a Moustache  Beautiful Dreamer Mark Kratz, tenor Margaret Reitz, piano Stephen Foster (1826­1864) Kurt Weill (1900­1950) Seerauber Jenny  Speak Low  Beth Duhr, mezzo­soprano Margaret Reitz, piano Glacomo Puccini (1858­1924) Si, mi chiamano Mimi.....  from La bohéme  Stefanie Sudduth, soprano Margaret Reitz, piano The VABABORE  .........ci. cooiviciinnecsaiininiadinsaanssinivsssisssssamssassvinsnsis Vaughan Williams (1872­1958) Let Beauty Awake  Bright is the Ring of Words Andrew Sudduth, baritone Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:04:05 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203957">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203957</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 9, 2006 Recital Tape 2006-3-9b Description An account of the resource Works of Schumann, Hensel, Beach, Gershwin, Foster, Weill, Puccini, Williams. Held at 1:20 p.m., March 9, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mitchell, Alice L LeFebvre, Timothy Mallinson, Chai-Kyou Lahm, Erin DeLeo, Amy Kratz, Mark Reitz, Margaret Duhr, Elizabeth Sudduth, Stefanie Sudduth, Andrew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-9 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 91fec9d5-9a05-4359-b0b5-6b6f3da04504 https://omeka.binghamton.edu/omeka/files/original/a3bd80ea6a5e43d16eadce4782e0d161.pdf 33ad348f67eafbd27f40c58f8edd5772 PDF Text Text 1 flag; ‘ ela, BINGHAMTO N JO0k  of #4 U N I V E R S I T Y State University of  New York SPEc CoL vide Ld D E P A R T M E N T MID­DA Y CONCERT March 21, 2006 – 1 :20 P.M. – Casadesus Recital Hall DICH  E E  C I O L (1810­1849) Piano Concerto No. 2 in F Minor  Allegro vivace  Judy Zhu, piano CLE  Er Strom, D 943  Michaela Lisi, soprano Diana Amari, French horn Chai­Kyou Mallinson, piano Sonate fur Klarinette Solo, Op. 110  Theresa Perrone, clarinet Opus 2 c i v   ..  Erwartung  Schenk mir deinen goldenen Kamm (Jesus bettelt) Erhebung Waldsonne Julia Ebner, sop rano Margaret Reitz, piano Franz Schubert (1797­1828) S l o g  a r g  i o n (1877­1933) Arnold Schoenberg (1874­1951) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:27:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203960">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203960</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 21, 2006 Recital Tape 2006-3-21 Description An account of the resource Works of Chopin, Schubert, Karg-Elert, Schoenberg. Held at 1:20 p.m., March 21, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Zhu, Judy Lisi, Michaela Amari, Diana Mallinson, Chai-Kyou Perrone, Theresa Ebner, Julia Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 57297f79-f38b-49ac-aa5f-99273a941942