136
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/66c98b154dbf47741a2860f009172745.pdf
163e017bf28c47017e3a114f56bbbc63
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
ONIV five
;
etdec
P
Tape)
A
l
D E P A R T M E N T
G
” ~ \ \ x
z= 20) L J
SPCEN Master ’s Recital
John Novak
organ
Tuesday, March 21, 2006
8:00 p.m.
First Presbyterian Church
�PROGRAM
Prelude and Fugue in E’major, BWV
JS Bach
(16851750)
Variations ON......ceeuevemneinnnneenneeeennennnnse.
Jan Pieterszoon Sweelinck
Mein junges Leben hat ein En d’
(15621621)
L’Ascensmn
III. Transports de joie
Olivier Messiaen
(19081992)
Choral No. 1 in Emajor
César Franek
(18221890)
Three Hymn Preludes
Craig Phillips
Nettleton
It is Well with my Soul
Hyfrydol
(b. 1961)
Toccata (Dminor) and F ugue (Dmajor), Op. 59 ...........Max Reger
(18731916)
�ABOUT TH E PER FORM ER
Organist JOH N P. NOVAK, a student of Dr. Jonathan Biggers, is
completing a Master of Music degree in Organ Performa nce to be
completed this Spring. Novak earned his Bachelor of Music
Degree in 200 1 from Houghton College, studying organ with Dr.
Judy Congdon. He cu rrently resides in Williamsville, NY and is
organist and Minister of Music at University Presbyteria n Church
in Buffalo, NY.
�Thursday, March 23 MidDay Concert (Russian Voices: Panel Discussion
& Performances) – 1:20 p.m. – Casadesus Recital Hall – free
Friday, Ma rch 24 – Russian Voices: Protest and Homage – 8:00 p.m. –
Casadesus Recital Hall $9 general public; $7 faculty/staff/seniors; free for
students
Saturday, Ma rch 25 – Senior Recital : Kelsey Ba uer, flute – 1:00 p.m. –
Casadesus Recital Hall – free
Saturday, Ma rch 25 – Senior Recital: Michaela Lisi, soprano – 8 p.m. –
Casadesus Recital Hall – free
Thursday, March 30 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Thursday, Ma rch 30 – The New York/Binghamton Connection – Big Band
Jazz – 8 p.m. – Osterhout Concert Theater $14 general public; $12
facuity/staff/seniors; $6 students
Friday, Ma rch 31 – Student Recital : Akira Maezawa, violin ~ 8:00 p.m. –
Casadesus Recital Hall free
Saturday, April 1 – Music and Dance with baritone Timothy LeFebvre,
pianist ChaiKyou Mallinson and Galumpha – 8 p.m. – Anderson Center
Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students
Sunday, April 2 – Music and Dance with baritone Timothy LeFebvre,
pianist ChaiKyou Mallinson and Galumpha ~ 3 p.m. ~ Anderson Center
Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 6 MidDay Concert with faculty and student performers
– 1 :20 p.m. – Casadesus Recital Hall – free
Saturday, April 8 – Master ’s Recital : Theresa Perrone, clarinet – 3 p.m. –
Casadesus Recital Hall free
Saturday, April 8 – Master ’s Recital : Julia Ebner, soprano – 8 p.m. –
Casadesus Recital Hall – free
Sunday, April 9 – Cla rinet Studio Recital ~ 7:30 p.m. – Casadesus Recital Hall
—
free
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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01:02:49
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Master's recital, John Novak, organ, March 21, 2006
Recital Tape 2006-3-21b
Description
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Works of Bach, Sweelinck, Messiaen, Franck, Phillips, Reger. Held at 8:00 p.m., March 21, 2006, First Presbyterian Church.
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Novak, John
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Binghamton University Libraries
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2006-3-21
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UUID
e878776b-ba98-47ba-9c3b-c5b3562f35e6
-
https://omeka.binghamton.edu/omeka/files/original/dfa056918fb1cc07cea8ca0c3ddfa694.pdf
d9ce4db75cfba859a179406f2f876f86
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UNI V ARC
Recita l tape
The Binghamton University Department of Music presents a
Studio Recital
2006 4-9 Clarinet
Students of Professor Timothy Perry
COL
SPEC
Assisted by Margaret Reitz, Piano
7:30 p.m.
Binghamton University
Sunday, April 9th
Casadesus Hall
Program
Fantasie-caprice ......... Charles Edouard Lefebvre (1843 - 1917)
Alex Vincenzi
Arabesque (1973) .................. Germaine Tailleferre (1892-1983)
Andrei Lee
Arabesques .................................. Paul Jeanjean (1872-1928)
Bethany Bonhof
Canzonetta ................................. Gabriel Pierné (1863-1937)
Dorian Dodd
Sonata for Clarinette ............... Camille Saint-Saens (1835-1921)
I. Mvt.
Michelle Grexer
Fantasie pour Clarinette ................. Georges Marty (1863-1937)
Gregg Ackerman
••••••••••••••••••••••••••••••••••••••••••••• ••••••••••••
Please join us for our second studio recital to hear student soloists Heather
Boland, Joanne Brice, Christa Heschke, Danielle Quick, Richard Silvagni and
Professor Timothy Perry. The concert is here on May 12th at 4:00 p.m
Thank you for attending this recital and supporting live music and student
musicians at Binghamton University!
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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35:01:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203966">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203966</a>
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Clarinet studio recital, April 9, 2006
Recital Tape 2006-4-9
Description
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Works of Lefebvre, Tailleferre, Jeanjean, Pierné, Saint-Saëns, and Marty. Held at 7:30 p.m., April, 9, 2006, Casadesus Recital Hall.
Creator
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Perry, Timothy
Reitz, Margaret
Vincenzi, Alex
Lee, Andrei
Bonhof, Bethany
Dodd, Dorian
Grexer, Michelle
Ackerman, Gregg
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Binghamton University Libraries
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2006-4-9
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sound
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UUID
b84d103b-7cac-4a48-a87f-98460b3b1031
-
https://omeka.binghamton.edu/omeka/files/original/9bfbd4660968b61b3e1364e093313759.pdf
7dd25915c74268bf89a3f9346c75b3e8
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UNIV ARC
Recit al
tap e
2006
BINGHAMTON
3-30
State University of New York
UNIVERSITY
SP
E C COL
D E P A R T M E N T
MID-DAY CONCERT
0
March 3^, 2006 -1:20 P.M. - Casadesus Recital Hall
Porgy and Bess ............................................................................................................ Jascha Heifitz
Summertime/A Woman is a Something
(1901-1987)
(transcriptions of George Gershwin's
Bess, You Is My Woman Now
opera for violin and piano)
It Ain't Necessarily So
Akira Maezawa, violin
Jody Schum, piano
Sull' Aria from Le Nozze di Figaro ............................................................................. W.A. Mozart
(1756-1791)
Mary Aimoniotis, soprano
Miriam Wright, soprano
Die Stadt........................................................................................................................... F. Schubert
Das Fischermadchen
(1797-1828)
Andrew Sudduth, baritone
Olympia's Aria from Les Contes d'Hoffman ................................................................ J. Offenbach
(1819-1880)
Nili Riemer, soprano
Seguidille from Carmen ....................................................................................................... G. Bizet
(1838-1875)
Elizabeth Duhr, mezzo-soprano
�"Whatever Lola wants ... " from Damn Yankees ............................................................. Adler-Ross
Elizabeth Duhr, mezzo-soprano
Korean Folk Song ......................................................................................................... Inlam Chang
Soon Young Park, baritone
"Deh, vieni, non tardar. .. " from Le Nozze di Figaro .................................................. W.A. Mozart
(1756-1791)
Miriam Wright, soprano
The Impossible Dream from Man ofLa Mancha ..................................................... Leigh - Dari on
Soon Young Park, baritone
Duet "If! loved you" from Carousel ......................................................... Rodgers & Hammerstein
Stefanie Sudduth, soprano
Andrew Sudduth, baritone
"Come Scoglio" from Cosifan tutte ............................................................................ W.A. Mozart
(1756-1791)
Julia Ebner, soprano
Duet from Madama Butterfly ............................................................................................ G. Puccini
(1858-1924)
Stefanie Sudduth, soprano
Elizabeth Duhr, mezzo-soprano
Vocal accompanists
Margaret Reitz and Duane Skrabalak
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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55:55:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203969">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203969</a>
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Mid-day concert, March 30, 2006
Recital Tape 2006-3-30
Description
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Works of Heifitz, Mozart, Schubert, Offenbach, Bizet, Adler-Ross, Chang, Leigh-Darion, Rodgers & Hammerstein, Puccini. Program has incorrect date, March 31, 2006. Held at 1:20 p.m., March 30, 2006, Casadesus Recital Hall.
Creator
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Maezawa, Akira
Schum, Jody
Aimoniotis, Mary
Wright, Miriam
Sudduth, Andrew
Riemer, Nili
Duhr, Elizabeth
Park, Soon Young
Sudduth, Stefanie
Ebner, Julia
Reitz, Margaret
Skrablak, Duane
Publisher
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Binghamton University Libraries
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2006-3-30
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In copyright
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sound
IIIF Item Metadata
UUID
7a91084f-cbff-46b4-b14d-f9eaeab6fd16
-
https://omeka.binghamton.edu/omeka/files/original/cbca8caf06730dc0a5451c5980bd2b51.pdf
5c2eec6a63e94d3a7ce8f99e87d6403e
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Text
BINGHAM TON
U N I V E R S I T Y
State University of N ew York
1 M11» \1’ A c
[4
Zldee
N O W
vf 2
L <l Jf u ee.}
3 ) (e’
{
R
—
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a
y
t
i
.
V i e
(
D E P A R T M E N T
MUSIC AND D ANCE
Timothy LeFebvre, baritone
ChaiKyou Mallinson, piano
and
Galutaph a
Andy Ho rowitz
Marlon T orres
with
!
guests:
Gabriela Ranallo
Emily Hoo per
Erin Stanley
Saturday, April 1 8:00 p.m.
Sunday, April 2 3:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
Dichterliebe, Op. 48..........oo i
i
Im wunderschonen Monat Mai
Aus meinen Tranen sprieflen
Die Rose, die Lilie, dei Taube
Wenn ich in deine Augen seh
Ich will meine Seele tauchen
Im Rhein, im heiligen Strome
Ich grolle nicht
Und wiiBten’s die Blumen, die kleinen
Das ist ein F loten und Geigen
Hor ich das Liedchen klingen
Ein Jiingling liebt ein Madchen
Am leuchtenden Sommermorgen
Ich hab im Traum geweinet
Allndchtlich im Traume
Aus alten Marchen
Die alten, bosen Lieder
i SChumann
(18101856)
Poems by Heinrich Heine
~Intermission~
From Old Am erican Songs
The Boatmen ’s Dance
Long Time Ago
Simple Gifts
I Bought Me A Cat
The Little Horses
Zion’s Walls
At The River
ChingARing Chaw
Aaron Copland
(19001990)
�Program Notes
Dichterliebe
4
After the eighteenyearold Robert Schumann had visited Heinrich Heine in Munich he
remarked : “On his lips there played a bitterly ironic smile, but it was a lo fty smile aimed at the
trivialities of life and a scorn for petty men.” The Heine that Schumann m et was the poet who
had called himself the last Romantic and the first modern, and the composer was sensitive to
Heine’s poetic method: the skillful use of the old Romantic iconography, subtly interlaced with
and ultimately undercut by a selfironic awareness. Schumann, who owned the 1 827 first edition
of Heine’s Lyrisches Intermezzo and had set the twenty poems within a nineday span in June,
1840, was keenly aware of the book’s ironic premise contained in the prologue. In these opening
verses Heine recounts the story of a knightpoet who is abruptly confronted by a vision of his
destiny. In Heine’s sharptongued, often griml y bitter se ries of sixtysix poe ms the protagonist is
the object of his own scathing wit as he realizes the bitter fate that refuses him the fulfillment of
his love and passion.
In selecting and ordering the twenty songs Schumann intended to designate as Opus 29, the
composer created a cycle which, inspired by his youthful impressions of the poet’s own visage,
cloaked complex feelings with seeming naiveté of expression. As it stands in its original
manuscript version, the 20 Lieder are less a cycle about a poet’s unrequited love than they are a
scathing exploration of the poet’s fateful inability to love.
Old American Songs
The first set of Old American Songs was completed in 1950, and William Wa rfield gave the first
performance in New York on January 28, 195 l. The second set, comprised of five more
adaptations of Old American Songs, was finished in 1952, and was present ed for the first time at
the Castle Hill Concerts. Both sets were arranged for medium voice and small orchestra b y the
composer in 195455.
The Boatmen ’s Dance – published in Boston in 1843 as an “original banjo melody” by Old Dan.
D. Emmett, who later composed Dixie; from the Harris Collection of American Poetry and Pla ys
in Brown University.
Long Time Ago – issued in 1837 by George Pope Morris, who adapted the words, and Charles
Edward Horn, who arranged the music from an anonymous, original “blackface” tune ; also from
the Harris Collection.
Simple Gifts – a favorite song of the Shaker sect, from the period 1837184 7. The melody and
words were quoted by Edward D. Andrews in his book of Shaker rituals, songs and dances,
entitled The Gift To Be Simple.
I Bought Me A Cat – a children’s nonsense song. This version was sung to the composer by the
American playwright Lynn Riggs, who learned it during his boyhood in Oklahoma.
The Little Horses ~ a children’s lullaby song originating in the Southern States – date unknown.
This adaptation founded in part on John A. and Alan Lomax’s version in Folk Song U.S.A.
Zion ’s Walls – a revivalist song. Original melody and words credited to John G. McCurry,
compiler of the Social Harp; published by George P. Jackson in Down East Spirituals.
At the River – h ymn tune. Words and melody are by Rev. Robert Lowry, 1 865.
The words have been adapted from the original, in the
Chingaring Chaw ~ minstrel song.
h e A D a i n l h D w a r TT T n a v a r c i t y r
S
M
�TRANSLATIONS
Dichterliebe
I.
Im wunderschonen Monat Mai,
Als alle Knospen sprangen,
Da ist in meinem Herzen
Die Liebe aufgegangen.
Poet’s Love
In the lovely month of May,
When all the buds were blooming,
Then in my heart
Did love well up.
Da hab ich ihr gestanden
Mein Sehnen und Verlangen.
In the lovely month of May,
When all the birds were singing,
Then did I to her confess
My longing and desire.
II.
Aus meincn Tranen sprieflen
Viel blfihcndc Blumen hervor,
Und meine Seufzer werden
Ein Nachtigallenchor.
From my tears spring forth
Many a flower in bloom,
And my sighs become
A choir of nightingales.
Und wenn du mich lieb hast, Kindchen,
Schenk ich dir die Blumen all’,
Und vor deinem Fenster soll klingen
Das Lied der Nachtigall.
And if you love me, little one,
I will give you all the flowers,
And at your window shall sound
The song of the nightingale
III.
Die Rose, die Lilie, die Taube, die Sonne,
Die liebt ich einst alle in Liebeswonne.
Ich lieb sie nicht mehr. Ich liebe alleine
Die Kleine, die F cine, die Reine, die Eine;
Sie selber, aller Liebe [Bronne,]
Ist Rose und Lilie und Taube und Sonnc.
[Ich liebe alleine
Die Kleine, die Feine, die Reine, die Eine.]
The rose, the lily, the dove, and the sun;
I once loved them all with wondrous bliss.
I love them no longer. I love only
My tiny, fine, pure, rare darling;
She herself is [the fountain] of all love,
She is rose and lily and dove and sun.
[I love only
My tiny, fine, pure, rare darling]
IV.
Wenn ich in deine Augen seh ’,
So schwindet all mein Leid und Weh;
Doch wenn ich kfisse deinen Mund,
So werd ich ganz und gar gesund.
When I look into your eyes,
All my pain and sorrow vanish;
But when I kiss your lips,
Then I become whole and healthy.
Wenn ich mich lehn an deine Brust,
Kommt’s tiber mich wie Himmclslust;
Doch wenn du sprichst, “Ich liebe dich!”
So muss ich weinen bitterlich.
When I lay myself on your breast,
Heavenly bliss envelops me;
But when you say “I love you!”
Then I can only weep bitterly.
Im wunderschénen Monat Mai,
Als alle Vogel sangen,
�V.
Ich will meine Seele tauchen
In den Kelch der Lilie hinein;
Die Lilie soll klingend hauchen
Ein Lied von der Liebsten mein.
I want to plunge my soul
Into the cup of the lily;
The lily would breathe melodiously
A song of my beloved.
Das Lied soll schauern und beben
Wie der KuB von ihrem Mund
Den sie mir einst gegeben
In wunderbar stiller Stund.’
The song would shiver and tremble
Like the kiss from her lips
Which she once gave me
In a wonderfully sweet hour.
VI.
Im Rhein, im heiligen Strome,
Da spiegelt sich in den Well’n,
Mit seinem groflen Dome
Das groBe, heilige Koln.
In the Rhine, in that holy river
Is mirrored in the waves,
With its towering cathedral
The holy city of Cologne.
Im Dom da steht ein Bildnis,
Auf goldenem Leder gemalt;
In meines Lebens Wildnis
Hat’s freundlich hineingestrahlt.
In the cathedral there is a picture,
Painted on golden leather;
Into the wilderness of my life
Ii shone with friendly radiance.
Es schweben Blumen und Eng’lein
Um unsre liebe F rau;
Die Augen, die Lippen, die Wianglein,
Die gleichen der Liebsten genau.
Flowers and little angels float
Around our blessed Lady;
Her eyes, her lips, her cheeks,
Are just like those of my beloved.
VII.
Ich grolle nicht, und wenn das Herz auch
bricht,
Ewig verlomes Lieb! Ich grolle nicht.
Wie du auch strahlst in
Diamantenpracht,
Es fallt kein Strahl in deines Herzens Nacht.
I will not complain, even if my heart does
break,
Forever lost, o love! I will not complain.
However you may shine in bediamonded
splendour,
No ray illuminates the night in your heart.
DaB weiB ich langst. Ich sah dich ja im
Traume,
Und sah die Nacht in deines Herzens
Raume,
Und sah die Schlang, die dir am Herzen
frifit,
Ich sah, mein Lieb, wie sehr du elend bist.
[Ich grolle nicht, ich grolle nicht.]
Long have I known this. Yes, I saw you in
a dream,
And saw the night in the abyss of your
heart,
And saw the serpent that gnaws at yo ur
breast,
I saw, my love, how miserable you are.
[I will not complain, I will not complain!]
�VIII.
Und wiissten’s die Blumen, die Kleinen,
Wie tief verwundet mein Herz,
Sie wfirden mit mir weinen,
Zu heilen meinen Schmerz.
If only the little flowers knew,
How deeply wounded my heart is,
They would cry with me,
T o heal my sorrow.
Und wiissten’s die Nachtigallen,
Wie ich so traurig und krank,
Sie liessen frohlich erschallen
Erquickendcn Gesang.
And if the nightingales knew,
How sad and sick I am,
They would gladly release a torrent
Of restorative sound.
Und wiissten sie mein Wehe,
Die goldenen Sternelein,
Sie kamen aus ihrer Hohe,
Und sprachen Trost mir ein.
And if they knew my pain,
The little golden stars,
Would come down from heaven,
Sie alle konnen’s nicht wissen,
Nur eine kennt meinen Schmerz:
Sie hat ja selbst zerrissen,
Zerrissen mir das Herz.
But all of them cannot know,
One alone understands my suffering,
It is she who has rent,
Rent my heart.
IX.
Das ist ein F loten und Geigen,
Trompeten schmettern darein;
Da tanzt den Hochzeitreigen
Die Herzallerliebste mein.
There is the sound of flutes and fiddles,
Trumpets blaring shrilly,
There dancing the wedding dance,
Is my own dearly beloved.
Das ist ein Klingen und Drohnen,
Ein Pauken und ein Schalmein;
Dazwischen schluchzen und stohnen
Die lieblichen Engelein.
There is a ringing and roaring,
The sound of a drum and the sound of shame;
Between the sobs and moans
Of the lovely little angels.
X.
Hor ich das Liedchen klingen,
Das einst die Liebste sang,
So will mir die Brust zerspringen
Von wildem Schmerzendrang.
When I hear the little song,
That once my dearest sang,
Then my breast wants to burst
From a wild surge of pain.
Es treibt mich ein dunkles Sehnen
Hinauf zur Waldcshoh,
Dort lost sich auf in Tranen
Mein iibergrosses Weh’.
T o give m e c omfort.
A dark longing drives me
Out onto the forest pea ks,
There I find relief in tears for
My overwhelming grief
�XI.
Ein Jiingling liebt ein Madchen,
Die hat einen andern ewahlt;
Der andere liebt eine andre;
Und hat sich mit dieser vermahlt.
A youth loves a maiden.
And she has chosen another;
He, in turn, loves another
And marries her.
Das Madchen nimmt aus Arger
Den ersten, besten Mann,
Der ihr in den Weg gelau fen;
Der Jiingling ist fibel dran.
The maiden in her anger
Marries the next best man
Who comes her way;
The youth takes it badly.
Es ist eine alte Geschichte,
Doch bleibt sie immer neu;
Und wem sie just passieret,
Dem bricht das Herz entzwei.
It is an old story,
Yet it remains ever new;
And to whomever it happens,
His heart is rent in two.
XII.
Am leuchtendcn Sommermorgen
Geh’ ich im Garten herum.
Es fliistern und sprechen die Blumen
Ich aber wandle stumm.
On a bright summer morning
I walk about in the garden.
T he flowers whisper and speak,
But I wander silently.
Es fliistern und sprechen die Blumen,
Und schaun mitleidig mich an;
“Sei unsrer Schwester nicht bose,
Du trauriger, blasser Mann!”
T he flowers whisper and speak,
And look at me with pity;
“Do not be angry with our sister,
You sad, pale man.”
XIII.
Ich hab’ im Traum geweinet,
Mir traumte du lagest im Grab.
Ich wachte auf, und die Trane
FloB noch von der Wange herab.
I wept in my dream,
I dreamed you lay in your grave.
I woke, and the tears
Still flowed from my cheeks.
Ich hab’ im Traum geweinet,
Mir traumt’, du verlicBest mich.
Ich wachte auf, und ich weinte
Noch lange bitterlich.
I wept in my dream,
I dreamed you left me.
I woke and I continued to cry
Bitterly for a long time.
Ich hab’ im Traum geweinet,
I wept in my dream,
I dreamed you were still mine.
I woke and my tears still
Flowed unceasingly.
Mir traumte, du warst mi r noch gut.
Ich wachte auf, und noch immer
Stromt meine Tranenflut.
!
�XIV.
Allnachtlich im Traume she ’ ich dich
Und sehe dich freundlich grfissen,
Und laut aufweinend stiirz’ ich mich
Zu deinen siissen Fussen.
Every night in my dreams I see you,
And see you giving me a friendly greeting
And sobbing aloud, I throw myself
At your feet.
Du siehest mich an wehmfitiglich,
Und schiittelst das blonde Kopfchen;
Aus deinen Augen schleichen sich
Die Perlentranentropfchen.
You look at me with pity,
And shake your little blonde head;
From your eye silently
Steal pearly little teardrops.
Du sagst mir heimlich ein leises Wort,
Und gibst mir den Strauss von Cypressen.
Ich wache auf, und der Strauss ist fort.
Und’s Wort hab’ ich vergessen.
XV.
Aus alten Marchen winkt es
Hervor mit weiBer Hand,
Da singt es, und da klingt es
Von einem Zauberland.
You secretly whisper a gentle word,
And give me a cypress bouquet.
I wake and the cypress is gone.
And I have forgotten what you said.
From the old fairytales
Beckons a white hand,
There is singing and the sounds
Of a magic land.
Wo bunte Blumen bluhen,
In goldnen Abendlicht,
Und lieblich duftend glithen
Mit brautlichem Gesicht;
Where colorful flowers grow,
In golden evening light,
And in the lovely fragrance glow
With the radiant face of a bride;
[Und grilne Baume singen
Uralte Melodein,
Die Lufte heimlich klingen,
Und Voglein schm ettern drein;
[And green trees sing
Their ageold melodies,
The breezes whisper secretively,
And the birds warble there;
Und Nebelbilder steigen
Wohl aus der Erd’ hervor,
Und tanzen luft’gen Reigen
Im wunderlichen Chor;
And misty shapes rise up
Right out of the earth,
And dance airy dances
In a marvelous strange chorus;
Und blaue Funken brennen
An jedem Blatt und Reis,
Und rote Lichter rennen
Im irren, wirren Kreis;
And blue sparks burn
On every leaf and twig,
And red lights swirl
In a crazy, confused circle;
Und laute Quellen brechen
Aus wildem Marmorstein,
Und seltsam in den Bachen
Strahlt fort der Widerschein.]
And noisy springs gush
From the wild marble rocks,
And in the brook ’s strange
Reflections flicker back and forth. ]
�Ach, konnt ich dorthin kommen,
Und do rt mein Herz erfreu’n,
Und al ler Qual entnommen,
Und frei und selig sein!
Ah, if I could go there,
And let my heart rejoice,
And there be relieved of all pain,
And be free and happy!
Ach! jenes Land der Wonne
Das seh’ ich o ft im Traum ;
Doch kommt die Morgensonne,
ZerflieBt’s wie eitel Schaum.
Ah, that land of bliss,
I have often seen in dreams;
But with the m orning ’s sunrise,
It vanishes like mist.
XVI.
Die alten, bosen Lieder,
Die Traume bos und arg,
Die laBt uns jetzt begraben;
Holt einen groflen Sa rg.
The wicked old songs,
The nasty grim dreams,
Let us now bury them;
Come, fetch a large coffin.
Hinein leg ich gar manches,
Doch sag ich noch nicht was;
Der Sarg muB} sein noch grofler,
Wie’s Heidelberger FaB.
Therein shall I lay many a thing,
But I will not yet say what;
The coffin must be even larger,
Than Heidelberg ’s huge vat.
Und holt eine Totenbahre
Und Bretter fest und dick;
Auch muf sie sein noch langer,
Als wie zu Mainz die Brfick’.
Bring me a bier
And firm, thick planks;
It must be even longer,
Than the bridge over the Mainz.
Und holt mir auch zwolf Riesen,
Die miissen noch starker sein
Als wie der starke Christoph
Im Dom zu Koln am Rhein.
Then fetch me twelve giants,
They must be stronger
Than the strong St. Christopher
In the cathedral of Cologne on the Rhine.
Die sollen den Sarg forttragen
Und senken ins Meer hinab,
Denn solchem groBen Sarge
Gebiihrt ein grofles Grab.
They must carry away the coffin
And sink it deep in the sea;
Because such a large casket
Needs a deep grave.
WiBt ihr, warum der Sarg wohl
So groB und schwer mag sein?
Ich senkt auch meine Liebe
Und meinen Schmerz hinein.
Do you know why the coffin
Must be so big and heavy?
Because I am also burying in it
My love and pain.
Translated by Thomas Hampson & Carla
Maria VerdinoSiillwold 199 4
�ABOUT THE PERF ORM ERS
mer.
Baritone TIMO THY L EFEBV RE is in demand as both a concert singer and operatic perfor
arpless
His recent performances include Beethoven ’s 9” Symphony with Syracuse Symphony, Sh
ah
d Messi
rsity an
in Madama Butterfly with Syracuse Opera, a solo recital at Binghamton Unive
hony,
with Pensacola Symphony. LeFebvre has appeared in concert with the Vermont Symp
gh
Pittsbur
ra,
Orchest
ny
Minnesota Symphony, Syracuse Symphony, American Sympho
hire
Symphony, Spokane Symphony, Binghamton P hilharmonic, Rochester Bach Festival, Berks
les
kaneate
, the S
Society
Choral Festival, Williamsport Symphony, Syracuse Chamber Music
ert at
Festival and with the prestigious Marlboro Music Festival. He has also appeared in conc
cludes
New York’s Carnegie Hall and Alice Tully Hall. LeFebvre’s operatic experience in
ooga
leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattan
urgh.
Symphony and Opera, Syracuse Opera, Indianapolis Opera, and Opera Theater o f Pittsb
ards
Mr. LeF ebvre is a winner of the New York Liederkranz Vocal Competition, and other aw
y and
include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton Universit
e of
graduat
Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a
at
Carnegie Mellon University and Binghamton University and is currently on the faculty
New
the
with
Binghamton University. His 20052006 engagements include appearances
Requiem,
Dominion Chorale in Brahms ’ Requiem, West Virginia Symphony in Mozart ’s
llad
ra in Ba
ity Ope
Jacksonville Symphony in Bernstein’s Arias and Barcarolles and Central C
of Baby Doe.
Music at
CHAI KYOU MALL INSON , currentl y on the faculty of the Departm ent of
nement
’Enseig
nce d
rd, Lice
Binghamton University, received a B.M. degree in P iano from Jullia
ton
from Ecole Normale de Musique de Paris, France and a M.A. degree from Bingham
lton
il and A
es Gent
ase, Jul
University. Her teachers include Jean Casadesus, JeanMichel Dam
an
Jones. She also perform ed in Master Classes by Robert Casadesus. A prize winner in the Kore
wood
National Music Competition, she was awarded the French Government Scholarship, Tangle
Full
Summer School Full Scholarship and the Fontainebleau American Conservatory
list,
Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active as a recita
tor of
vocal coach, accompanist, and chamber music performer, as well as an active adjudica
achers
iano Te
ild of P
nal Gu
e Natio
piano auditions and competitions. She is a member of th
Association and the Music Teachers National Association.
aul
She has premiered compositions of contemporary composers including Ezra Laderman, P
hree
Goldstaub, Meyer Kupferman and William Klenz. Among many concerts she performed, t
with
were sponsored by the New York State Council on the Arts. She appeared in a performance
d
respecte
ost
rea’s m
of Ko
the Seoul Philharmonic Orchestra, which Eumag Choonchu, one
music magazines, described as “of rare quality, moving and lyrical.”
n
ANDY H O R O W I T Z attended Oberlin College, Shifan University in Taiwan, earned a BA i
ed in
Theatre from Binghamton University, and an MBA from Syracuse University. Andy act
Wild
Kung Fu movies, traveled extensively through remote reaches of China, and worked as a
for
West stunt rider. Andy speaks Chinese and is sometimes asked to act as a court interpreter
eir two
Chinese speaking defendants in Binghamton, where he lives with his wife Carol and th
s
children, Elias and Talia. Andy makes the company’s costumes and props. Andy is alway
ure,
building something, whether it be electric guitars, congas, leather bound journals, furnit
is on the
additions on his house or strange and fun props to play with onstage. Andy Horowitz
faculty as Artist in Residence at Binghamton University Department o f Theater.
�MARLON T ORRES is imported from Caracas, Venezuela. Marlon became a child star in
Venezuela, dancing for several seasons on the popular TV show, Sabado Sensacional. In the
United States he studied Musical Theatre at Tampa University and graduated with a degree in
Theatre from Binghamton University. Before joining Galum pha Marlon performed with The
Second Hand, and with the Lincoln Amphitheatre of Indiana. He thanks his wonderful family,
friends, teachers and mentors for their support and encouragement. In the future, he would like to
return to Venezuela and foun d an Institute for the Performing Arts in Ca racas.
ERIN STAN LEY is in her junior year of a Binghamton University Economics major. She has
performed with Ballet Arts Theatre, the Endicott Performing Arts Center, and TriCities Opera.
Erin studies the martial art Tang Soo Do, and has won many competitive awards including First
Place in Women’s Sparring at the International World Championships in Cardiff, Wales. Erin is
a teaching assistant for Professor Fred Weiss’ Jazz Dance Class at Binghamton University .
GABRIELA RANALLO is a senior math major at Binghamton University. A lifelong dancer,
she is Vice P resident of the Kickline Dance Team and Teaching Assistant for Pro fessor Fred
Weiss’ Jazz Dance class. Gabby has extensive performance experience including a collaboration
with Galumpha in 2004 and a dance role in TriCities Opera’s recent production of Lucia di
Lammermoor.
EMILY HOO PER is a philosophy major at Ithaca College and will graduate in the spring of
2006. She was trained in classical ballet by Tina ChristinaPrice, attended the Central
Pennsylvania Youth Ballet’s summer program, and danced with Ballet San Jose Silicon Valley in
California. This is Emily’s third artistic collaboration with Galumpha.
E32
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
53:22
51:24
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203972">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203972</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Music and dance, April 2, 2006
Recital Tape 2006-4-1/2006-4-2
Description
An account of the resource
Works of Schumann, Copland.
Held at 8:00 p.m., April 1, 2006 and 1:00 p.m., April 2, 2006, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
LeFebvre, Timothy
Mallinson, Chai-Kyou
Horowitz, Andy
Torres, Marlon
Ranallo, Gabriella
Hooper, Emily
Stanley, Erin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-04
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
83923007-1d7c-439c-aac0-93ab2f3731c6
-
https://omeka.binghamton.edu/omeka/files/original/456bce2c17734e8e27910f93a6fed903.pdf
8eebb2ff1b2cd011ca0d2831e1858cfb
PDF Text
Text
UNIV A R C
R
e
c 3 ) \
511 t r
2
BINGHAMTON
p
0
U N I V E R S I T Y
State Univers ity of N e w York
zedeC
i
Id
k
iH ... (po
<
T i
D E P A R T M E N T
C
~
i
MIDDAY CON CERT
April 6, 2006 – 1:2 0 P.M. – Casadesus Recital Hall
I ENTHIDE DURE STIRS GARMIN
I c h WIamaBIEIIEOT. u n t e r
(18051 847)
Clara Schumann
(18191 896)
Sie liebten Sich beide .......
Erin La hm, sop rano
ChaiKyou Mallinson, piano
Claude Debussy
(18621 918)
Ariettes Oubliées..
C’est l ’extase langoureuse
Il pleure dans mon Coeur
L’ombre des arbres
Chevaux de bois
Green
Spleen
Julia Ebner, sop rano
Margaret Reitz, piano
Y
Lee D
E
N
O
Claude M
(18621 918)
Premiere Rhapsody
Theresa Perron e, clarin et
Augustus Arnon e, piano
Le charme..
'
Le colibri
Les papillons
Une fl fi t e
y Beach
(18671 944)
m
A
d
n
i
The Western W
The Blackbird
......Ernest Chausson
(18551 899)
1
n
v
1
s
1
b
l
e
C
a
Kathryn Boczar, mezzosoprano
ChaiKyou Mallinson, p iano
Georget ta Maiolo, flute
Five Preludes
Op. 11, No. 4 in E Minor ..
Op. ll,N o.6inB Min or
Op. 11, No. 10 in CSha rp Minor
Op. 34, No. 20 in C Mlnor
m
l
l
l
éns
e SaintSa
(18351 921)
.......Alexander Scriabin
(18721 915)
Dimtri Shostakovitch
(19061 975)
Sergei Rachmanioff
(18731 943)
Op. 32, No. 3 in E Major ..
Jody Schum, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
52:07:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203976">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203976</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert, April 6, 2006
Recital Tape 2006-4-6
Description
An account of the resource
Works of Mendelssohn, Schumann, Beach, Debussy, Chausson, Saint-Saens, Scriabvin, Shostakovitch, Rachmanioff. Held at 1:20 p.m., April 6, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lahm, Erin
Mallinson, Chai-Kyou
Ebner, Julia
Reitz, Margaret
Perrone, Theresa
Arnone, Augustus
Boczar, Kathryn
Maiolo, Georgetta
Schum, Jody
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-4-6
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
9f62ee89-2db1-4fed-9958-11c8b0b3d138
-
https://omeka.binghamton.edu/omeka/files/original/d455f08ed423d290e3833307494cad5f.pdf
bb2b6e409f8c607b284f6fb429e7e052
PDF Text
Text
untv Arc
A c c t K
} Y
e
INGH
e
N l \ ' l: R i l
State University of New York
h i d
A N N A
Department of Music
4 – 2 0
N T
SPEC C O )
THURSDAYM
I D D A Y C O N C E R T
April 20, 2006 1:20 p.m. Casadesus Recital Hall
Lascia ch’io pianga, from Rinaldo
Svegliatevi nel core, from Giulio Cesare
Ah! Spietato!, from Amadigi
Fammi Combattere, from Orlando
George Frederic Handel
(16851759)
Kathryn Boczar, mezzosoprano
ChaiKyou Mallinson, piano
Sonata No.2 in E°, Op. 1
Allegro appassionato
2
0
Melissa Lee, viola
Margaret Reitz, piano
Three Pieces for Horn Solo ..
Greg Cecere, French horn
Cinq mélodies populaires grecques.................................. ..
I Le réveil de la mariée
II Labas vers I’église
III Quel galant!
IV Chanson des cueilleuses de lentisques
V Tout gai!
Erin Lahm, soprano
ChaiKyou Mallinson, piano
Johannes Brahms
(18331897)
Timothy Rolls
(b 1967)
..........Maurice Ravel
(18751937)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:01:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204262">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204262</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, April 20, 2006
Recital Tape 2006-4-20
Description
An account of the resource
Works of Handel, Brahms, Rolls, Ravel. Held at 1:20 p.m., April 20, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Boczar, Kathryn
Mallinson, Chai-Kyou
Lee, Melissa
Reitz, Margaret
Cecere, Greg
Lahm, Erin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-4-20
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
74bd47c5-7d6c-41d7-a1c4-42b1ccf1ba6c
-
https://omeka.binghamton.edu/omeka/files/original/4ec49920a7ecf4b9673914a55642041e.pdf
f879a6da28df17de4d99739eccc4edd1
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
e d e
[4
D E P A R T M E N T
The Ha rpu r Trumpet Ensemble
and Friends
Ben Aldridge, director
Margaret Reitz, piano
The Harpur Trumpet Ensemble
Phillip Deitz
William Gilchrest
Thomas Osa
Steven Pan
Andrew Sanfratello
The Otsego Brass Quintet
William Gilchrest & Amy Hoxie, trumpets
Lee Ferrara, horn
Paul Blake, trombone
Christopher Rubenacker, tuba
Sunday, April 23, 2006
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
Intrada from Suite for Five Trumpets...................... Ronald LoPresti
(19331985)
The Ensemble
Suite in D for Trumpet and Piano............... Georg Friedrich Handel
Overture – Gigue – Menuetto
(16851759)
March 1 – March 2
William Gilchrest, trumpet
Margaret Reitz, piano
Concerto for T
r
u
Allegro – Adagio – Allegro
m
p
e
t ...Karl Pilss
(19021979)
William Gilchrest, trumpet
Margaret Reitz, piano
~Intermission~
SixtyNote Fanfares for............
Four Antiphonal Trumpets
...Tom Johnson
(b. 1939)
The Ensemble
Intrada for Unaccompanied Trumpet..........ccccceevennen.e.. Otto Ketting
(b. 1935)
William Gilchrest, trumpet
Aelgro o rA iVvi ace
Quintet for Brass...
The Quintet
...Malcolm Arnold
(b. 1921)
�©
(ents
Tuesday, April 25 – University Percussion Ensemble – 8 p.m. – Anderson
Center Chamber Hall – free
Thursday, April 27 – MidDay Concert with faculty and student performers
– 1 :20 p.m. – Casadesus Recital Hall – free
Saturday, April 29 Saxophone Quartet Concert 3 :00 p.m. – Casadesus
Recital Hall free
Saturday, April 29 – University Chor us and O rchestra : O rff’s Ca rmina’
Burana – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Sunday, April 3 0 – Master’s Recital : Erin Lahm, soprano – 1 :00 p.m. –
Casadesus Recital Hall free
Tuesday, May 2 – MidDay Concert with faculty and guest performers – 1 :20
p.m. Casadesus Recital Hall – free
Tuesday, May 2 – Master’s Recital : Christian Huebner, organ – 7:00 p.m. –
First Presbyterian Church, Binghamton free
Wednesday, May 3 – Student Recital : Jennifer Curiano, soprano and Cari
Begeal, mezzosoprano – 8:00 p.m. Casadesus Recital Hall – free
Thursday, May 4 – MidDay Jazz Concert with guest artist Cynthia Scott–
1:20 p.m. – Osterhout Concert Theater – free
Thursday, May 4 Harpur Jazz Ensemble with guest artist Cynthia Scott –
with guest artist – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Friday, May 5 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall –
free
Saturday, May 6 – Master’s Recital : Paul Blake, trombone – 3:00 p.m. –
Casadesus Recital Hall – free
Sunday, May 7 – University Wind Ensemble – 3 :00 p.m. – Anderson Center
Chamber Hall – free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
50:25:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204265">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204265</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Harpur Trumpet Ensemble and Friends, April 23, 2006
Recital Tape 2006-4-23
Description
An account of the resource
Works of LoPresti, Handel, Pilss, Johnson, Ketting, Arnold. Held at 7:30 p.m., April 23, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Aldridge, Benjamin
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-4-23
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
dfebed7f-225d-4945-81ea-66df856f6040
-
https://omeka.binghamton.edu/omeka/files/original/7b5374234545402ceb98314652b819bf.pdf
ec41e7ff510992dab5f3bdd77635fa4b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
[4
D
E
E
(22 92 24
S
R
UNIVERSITY PE RC US SI ON
EN SE M BL E
Danie l F ab ric ius, con du cto r
Tuesday, April 25, 2006
8:00 p.m.
Anderson Center Chamber Hall
�\
PROGRAM
TRASH CAN DANCE JAM
.....................Daniel Fabricius
CLINTONIAN SKETCH
Jared Spears
PLEASE PASS THE BEATS.....................Kristen ShinerMcGuire
~Intermission~
RONDO BAROCK
Frederic Dutton
YOU GOT SERVED
Mark THEICY
JESU, JOY OF MAN’S DESIRIN G
...J S. Bach
Arranged by Steve Mathieson
FIESTA L
A
T
I
N
A
D
a
v
e Mancini
�ABOUT THE C ONDUCTOR
DANIEL FABRICIUS took the post of Percussion Instructor at Binghamton
University in September 1992. He also has been Director of Bands at Owego
Free Academy since 1989. Fabricius is active as a performing percussionist in the
Southern Tier. He is a member of the Binghamton Symphony Orchestra as well
as Timpanist/Principal Percussionist for the Orchestra of the Southern Finger
Lakes. In recent years, he also has performed as a percussion soloist in chamber
ensembles, in musical theater productions and with a variety of nationally known
artists. He performs often as a freelance musician and as a member of the local
dance band, “Classy Brass.”
As a music educator, Fabricius holds professional memberships in the New York
State School Music Association, the International Association of Jazz Educators,
the Percussive Arts Society, and the National Band Association. He also has
served two terms as President of the New York State Band Directors Association.
He has worked on the Summer Session faculty for the Ithaca College School of
Music and also serves as a cooperating teacher for senior student teachers. He has
conducted many honor band festivals, presented clinics on a variety of music
education topics, and has adjudicated at music festivals throughout New York.
UNIVERSITY P ERCUSSION E NSEMBLE
David CiolinoVolano
Kristine Jackson
Ai Karasaw
Spencer Lo
Sedrick Myrtil
Richard Postelnik
Pete Tringali
Mark Turley
Mike Venti
�
C n (erly
Th u rsday, A pril 27 MidDay Conc ert with faculty and st udent p erforme
rs
1:20 p.m. – Casadesus Recital Hall – free
Satu rday, A pril 29 – Saxop hone Q uartet Concert 3:00 p.m. – Casadesus
Recital Hall free
Satu rday, April 29 – University Chorus and Orchest ra : O rff’s Ca rmina
Bu rana – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seni ors; free for students
Sunday, April 30 – Master’s Recital : Erin Lahm, soprano – 1:00 p.m.
–
Casadesus Recital Hall – free
Sunday, April 30 – Master’s Recital : Kath ryn Boczar, mezzosoprano – 7 :30
p.m. – Casadesus Recital Hall free
Tuesda y, May 2 – MidDay Co ncert w ith facu lty and guest pe rformer s – 1
:20
p.m. – Casadesus Recital Hall – free
Tuesda y, May 2 – Master ’s Recit al : Ch ristian H ue bner, or gan – 7 :00 p.m.
–
First Presbyterian Church, Binghamton free
Wednesday, Ma y 3 – Student Recital : Jennifer Cu riano, s op rano an d Ca
ri
Begeal, mezzosoprano – 8:00 p.m. Casadesus Recital Hall – free
Thu rsday, May 4 – MidDay Jazz Concert with guest a rtist Cy nthia Scott –
1:20 p.m. – Osterhout Concert Theater – free
Thu rsday, May 4 – Ha rpu r Jazz E nsemble with gu est a rtist Cy nthia Scott –
8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seni ors; free for students
Friday, May 5 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall –
free
Satu rday, May 6 – Master ’s Recit al : Pa ul Blake, t rombon e – 3 :00 p.m
. –
Casadesus Recital Hall – free
Sunday, May 7 – University W ind Ensemble – 3:00 p.m. – Anderson Center
Chamber Hall – free
Sunday, May 7 – Mast er ’s Recit al – William Gi lch rest, t rumpet – 7:30 p.m. –
Casadesus Recital Hall – free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:31:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204268">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204268</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
University Percussion Ensemble, April 25, 2006
Recital Tape 2006-4-25
Description
An account of the resource
Works of Fabricius, Spears, Shiner-McGuire, Dutton, Turley, Bach, Mancini. Held at 8:00 p.m., April 25, 2006, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Fabricius, Daniel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-4-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
8e56be18-73f7-4c46-980e-88d968e0cc2f
-
https://omeka.binghamton.edu/omeka/files/original/d18cab980f316079e5f7aa0922a1d004.pdf
6430e87a8c372ecaa96e39f6fefc0324
PDF Text
Text
UNAN MWCO
K e c' \*\ L>\ Xe o e
2 0 0‘ ,
State University of New York
U aA
S P E C C
[ '
O
L
D E P A R T M E N T
J
MIDDAY CONCER T
April 27, 2006 – 1 :20 P.M. – Casadesus Recital Hall
..George Fredric Handel
(16851759)
Care selve......................
from Act I of Atalanta
Barbara! Io ben lo so
from Act III of Alcina
E rin Lahm, soprano
ChaiKyou Mallinson, piano
Gustav Mahler
Lieder eines fahrenden Gesellen.........cccceveveeneninieninennieneniennienieneneseenneneennennee..
(18601911)
(Songs of a Wayfarer)
Wenn mein Schatz Hochzeit macht
I.
Ging heut’ morgen iiber’s Feld
II.
III. Ich hab’ ein glithend Messer
IV. Die zwei blauen Augen
Kath ryn Boczar, mezzosoprano
ChaiKyou Mallinson, piano
..Arranged by Paul Morgan
..
An Elizabethan Suite......
1. Stephen Thomas, his Almain
2. Bateman’s Ayre
3. Durance Masque
4. The Nobleman, his Almain
Anne McGinty
(b.1945)
Epigrams
1 raditional
Sailor’s Hornpipe c.vveviveieii eiecrteisiereeisieseieneresesenesesssnesesesissssssessssssssssesssnessnenenenenen.
Arr. by Adrian Brett
Members of the Binghamton University Flute Ensemble
Georgetta Maiolo, Director
Kelsey Bauer
Stephanie Dodge
Juliette Guarino
Leah Hays
Nicole Lean
Katherine Navarette
Valerie Spiller
Meghan Tate °
Melissa Voldan
I
/
i
i
f
\
\
/
I
/
I
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:12:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204271">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204271</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mid-day concert, April 27, 2006
Recital Tape 2006-4-27
Description
An account of the resource
Works of Handel, Mahler, McGinty. Held at 1:20 p.m., April 27, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lahm, Erin
Mallinson, Chai-Kyou
Boczar, Kathryn
Maiolo, Georgetta
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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2006-4-27
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
8d9f0a80-a357-4c02-80d6-3655438baed6
-
https://omeka.binghamton.edu/omeka/files/original/99cd4b664beb5eba9249e80a0332b4a3.pdf
eaa0920f80e665ebbbfcc0a57fefaa12
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
UNTV A R C
Rec d \ C D
: 5 f , ,
D E P A R T M E N T
So 28
U N I V E R S I T Y SAX OPH ONE
QUARTET
April Lucas, dir ector
Amy N atiella, sopra no sax ophon e
E i i l y Alkiewicy, Al to saxophone
Micha el Marchisot to, ten or saxophon e
Stepha nie Ba rner, b ariton e saxo phone
Saturday, April 29, 2006
3:00 p.m.
Casadesus Recital Hall
�PROGRAM
Quatour pour Saxophones.........
I. Gaieté Villageoise
II. Doux Paysage
III. Papillons
IV. Concert sur la Place
Faustin et Mauriee JeanJean
(19001979)
A
.
a
.
. Sebastian Bach
(16851750)
Fuga Y Misterio
Astor Piazzolla
(19211992)
Arr. by Joel Diegert
Beau S
c
i
Petit Quatour
II. Cantilene
I. Gaguenardise
Seventh Heaven Rag
r
C
l
a
u
d
e Debussy
(18621918)
Arr. by Schmidt
Jean Franeaix
(b. 1912)
.. Stephen Rush
Arranged by Steve Mathieson
(b. 1988)
* * * * * * * * * * * * * * * * * * * * * * *
The Binghamton University Saxophone Quartet participated in the
Concerto Competition this fall and made the cuts to the final round
of competition.
�ABOUT THE PERFORMERS
AMY NATIELLA, a junior Sociology and Geology major, grew up
in Buffalo, NY starting piano at age 5 and saxophone at age 9. She
also plays in the Binghamton University Wind Ensemble under the
direction of Mr. Smith and studies saxophone with April Lucas at
Binghamton University and with Dave Schiavone in Buffalo. Amy
has also played in the pit orchestra for Binghamton University
Theater Productions. She enjoys spending time with her family and
friends and has been a member of the Binghamton University
Saxophone Quartet for three years.
EMILY ALKIEWICZ has been a member of the Binghamton
University Saxophone quartet for three years. She is also a member
of the Binghamton University Wind Ensemble and BU bearcats Pep
Band. Emily studied saxophone with Jim Trainor and Steven
Kieley during junior high and high school and with April Lucas at
Binghamton University. Emily is a Junior at Binghamton
University seeking a BA in Economics. Emily is a key holding
associate at Payless Shoe Source and enjoys being with her friends
and family, outdoor activities, and dogs.
MICHAEL MARCHISOTTO is currently in his junior year,
working towards a Bachelor of Arts degree in Music. He lives in
South Setauket, Long Island, and is a 2003 graduate of Ward
Melville High School. Michael is a recipient of the Nielsen Music
Scholarship and studies saxophone with April Lucas. He is a
member of the Harpur Jazz Ensemble under the direction of
Michael Carbone. He also enjoys playing the guitar. He has been a
member of the Binghamton University Saxophone Quartet for two
years.
STEPHANIE BAR NER is a senior at Owego Free Academ y. She
grew up in Owego, NY and will be attending SUNY Potsdam as a
Music Education major and a minor in Jazz Studies. Stephanie
teaches Women’s Choir at her high school, and plans to keep up
with her singing in college. She studies privately with April Lucas,
and has been a member of the Binghamton University Saxophone
Quartet for two sem esters. Stephanie enjoys her family and friends.
�Saturday, Ap ril 29 – University Chorus and O rchestra : O rff’s Carmina
Burana – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; flee for students
Sunday, April 30 – Master’s Recital : Erin Lahm, sopra no – 1:00 p.m. –
Casadesus Recital Hall – free
Sunday, April 30 – Master ’s Recital : Kath ryn Boczar, m ezzosoprano – 7:30
p.m. – Casadesus Recital Hall
Tuesday, May 2 – MidDay Concert with faculty and g uest performe rs – 1 :20
p.m. – Casadesus Recital Hall – free
Tuesday, May 2 – Master ’s Recital : Ch ristian Huebn er, organ – 7 :00 p.m. –
First Presbyterian Church, Binghamton, free
Wednesday, M ay 3 – Stude nt Recital : Jen nifer Curiano, soprano and Cari
Begeal, mezzosoprano – 8:00 p.m. Casadesus Recital Hall – free
Thursday, M ay 4 – MidDay Jazz Conc ert with guest artist Cynth ia Scott –
1:20 p.m. – Osterhout Concert Theater – free
Thursday, May 4 – Harpu r Jazz Ensemble with guest artist Cynthia Scott –
8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
Friday, May 5 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall –
free
Friday, May S
5 – Piano Stud io Recital : Students of Michael Salm irs – 8:00
p.m. – Casadesus Recital Hall – free
Saturday, May 6 – Master ’s Recital: Pa ul Blake, trombone – 3:00 p.m. –
Casadesus Recital Hall – free
Sunday, May 7 – University Wind Ensemble – 3:00 p.m. – Anderson Center
Chamber Hall – free
Sunday, May 7 – Master’s Recital: William Gilchrest, trumpet – 7 :30 p.m. –
Casadesus Recital Hall – free
Tuesday, May 9 – Master ’s Recital : And rew Sudduth, baritone – 8:00 p.m. –
Casadesus Recital Hall – free
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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1 sound disc
Duration
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01:04:59
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204274">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204274</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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University Saxophone Quartet, April 29, 2006
Recital Tape 2006-4-29
Description
An account of the resource
Works of JeanJean, Bach, Piazzola, Debussy, Françaix, Rush. Held at 3:00 p.m., April 29, 2006, Casadesus Recital Hall.
Creator
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April Lucas, director
Amy Natiella, soprano saxophone
Emily Alkiewicz, alto saxophone
Michael Marchisotto, tenor saxophone
Stephanie Barner, baritone, saxophone.
Publisher
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Binghamton University Libraries
Date
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2006-4-29
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
efb5afe4-3063-4d4a-9706-583106d5364c