137
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:10
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85326">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85326</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano ensemble from the studios of Jinah Lee and Michael Salmirs, April 30, 2015
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Mozart, Faure, Saint-Saëns, Piazzolla. Held at 7:30 p.m., April 30, 2015, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lee, Jinah
Salmirs, Michael
Chen, Shana
Jung, Yujung
Lee, Yuseong
Kim, Soohyun
Yim, Olivia
Kim, Eunice
Su, Vicky
Bogdanove, Grace
Jae Cho,Hwi
Malinovsky, Daniel
Fan, Christine
Bangug, Samantha
Calhoun, Benjamin
Tao, Annie
Talukdar, Natasha.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2015-4-30
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/8ebff2722b9eee7e88be998c8d4ab799.pdf
e87f7e46a91ca805e350d21daf47561a
PDF Text
Text
BINGHAMTON
U N E V E R S I T Y
State University of New York
d e e
[4
HF E P A R T M
E N :
PIANO EXTRAVAGANZA
fro m t he studio of
Michael Salmi rs
Thursday, April I 7, 2008
8:00 p.m.
C asadesus Recital Hall
�PROGRAM
Sonata No 8 in C minor, Op. 13, mvt. 3.........Ludwig van Beethoven
( 1 770–1 827)
Sunghee Lee
Toccata in E minor, BWV9lI . ........occoiiiii i
Danielle Sofer
i
i
JS Bach
(1685–1750)
Hyunjin Hwang
Waltz in Csharp minor, Op. 64, No. 2 .................... Frédéric Chopin
( 181 0–1849)
Sooah Han
Molly AdamsToomey
Edvard Grieg
( 1 843–1 907)
(1833–1897)
Prelude in G minor, Op. 23, No. 5 ...................Sergei Rachmaninoff
Richard Bautista
WINTERMISSIONC3
r , c e r e . LUdWIE van Beethoven
Abigail Freeman
Nocturne in Dflat, Op. 27. No. 2
Frédéric Chopin
Danza de la moza donosa
(Danzas A rgentinas)
Shoko Kubotera
F orlane (Le Tombeau de Couperin)
Kristel Kempin
..Alberto Ginastera
(19161983)
Maurice Ravel
(1875–1937)
Sonata No. 15 in D, Op. 28, mvt. I ................Ludwig van Beethoven
Jieun Jang
Rhapsody in G minor, Op. 79, No. 2 ...................... Johannes Brahms
Heather Montana
i n o
Hannah Wittmer
Sonata No 8 in C minor, Op. 13, mvt. 2.........Ludwig van Beethoven
(1 770–1827)
Notturno, Op. 54, No. 4 (Lyric Pieces)
Sonata No. 17 in D m
Op 31, No. 2, mvt. 3
(1873–1943)
Concerto in D minor, BWV 1052, mvt. 1
John Mariani
assisted by Michael Salmirs
..............JS Bach
�% n g C
vents
Wednesday, May 7 – German Diction Class Recital – 8:00 p.m. ~ Casadesus
Recital Hall – free
Th u rsday, May 8 – Student Recognition MidDay Concert – 1 :20 p.m. –
Casadesus Recital Hall free
Th u rsday, April 24 – Jazz MidDay Concert with G uest A rtist. Tia Fuller –
1 :20 p.m. – Osterhout Concert Theater – free
Th u rsday, April 24 – Ha rpu r Jazz Ensem ble Concert with Guest A rtist, Tia
Fuller, – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staffl'seniors: free for students
Friday, April 25 – Master’s Recital: Danielle Sofer, piano – 8:00 p.m. –
Casadesus Recital Hall – free
;
:
Satu rday, April 26 – Senior Recital : Aki ra Maezawa, violin – 3 :00 p.m. –
Casadesus Recital Free
Satu rday, April 26 – Flute Recital : Melissa Volden, E rica Leo, Valerie
Spiller – 8:00 p.m. – Casadesus Recital Hall – free
Sunday, April 27 – Faculty Recital : Janey Choi and Michael Salmirs – 3:00
– p.m. – Casadesus Recital Hall $9 general public; $7 faculty’staffl'seniors: $1
for students
Tuesday, April 29 – Percussion Ensemble – 8:00 p.m. – Anderson Center
Chamber Hall – free
Th u rsday, May 1 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall
free
Th u rsday, May 1 – Ha rpu r Chorale and Women ’s Chorus – 8:00 p.m. –
Anderson Center Chamber Hall – free
Friday, May 2 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall
free
Saturday, May 3 – Master’s Recital: Abigail Freeman, soprano 8:00 p.m. –
Casadesus Recital Hall – free
Sunday, May 4 – Wind Sym phony – 3 :00 p.m. – Anderson Center Chamber
Hall free
Monday, May 5 – Binghamton Vocal Consort – 8:00 p.m. – Anderson Center
Chamber Hall – free
Tuesday, May 6 – St ring Student Recital – 8:30 p.m. – Casadesus Recital Hall
—
free
5
i
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiocassettes
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:17
35:38
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189964">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189964</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano extravaganza from the studio of Michael Salmirs, April 17, 2008
Recital Tape 2008-4-17
Description
An account of the resource
Works of Beethoven, Bach, Chopin, Grieg, Brahms, Rachmaninoff, Ginastera, Ravel.Held at 8:00 p.m., April 17, 2008, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lee, Sunghee
Sofer, Danielle
Hwang, Hyunjin
Han, Sooah
Adams-Toomey, Molly
Montana, Heather
Bautista, Richard
Freeman, Abigail
Wittmer, Hannah
Kubotera, Shoko
Kempin, Kristel
Jang, Jieun
Mariani, John
Salmirs, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-04-17
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
d3c1b9ca-e97a-4a3f-930d-980ee99299d8
-
https://omeka.binghamton.edu/omeka/files/original/9a688efe63320d0b16bc93005a7ee3e5.pdf
203f00e01b1e9c381235c18cc3f4d658
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
zedec
D E P A R T M E N T
P IANO EXTRAVAGANZA
FROM TH E STUDIO O F
MICHAEL SALMIRS
Ss
N
Sunday, ApréL25, 2010
7:30 p. m/.
CWReCdUJ/Hflu/
�PROGRAM
Nocturne in Eflat, Op. 9, No. 2
Jennifer Micceri
Frédéric Chopin
(18101849)
Sonata No. 31 in Aflat, Op. 11 0.......... Ludwig van Beethoven
Moderato cantabile molto espressivo
(17701827)
David Gaita
Nocturne in Csharp minor, Op. 27, No. 1 ......Frédéric Chopin
Liebestraum No. 3 in Aflat
YaTzu Chen
Waltz in B minor, Op. 69, No. 2
Shoko Kubotera
.. Frédéric Chopin
Arabesque No. 1.
Iori Tanabe
Sonata in Bflat, D 960 .
Molto moderato
Ella Serrano
Franz Schubert
(17971828)
Sungin Ahn
Polonaise in Aflat, Op. 53...
Gil Cohen
Prelude in C..
(18111886)
.. Claude Debussy
(18621918)
.. Sergei Prokofiev
(18911953)
Molly AdamsToomey
.. Frédéric Chopin
Sergei Prokofiev
Sonata No. 3, Op. 28..
Allegro tempestoso
Jieun Jang
BOINTERMISSIONm
..Franz Liszt
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
tb
Tu esday, April 2 7 ” P ercussion Ensemble, 8:00 PM – FREE
Anderson Center Chamber Hall
idDay Concert, 1:20 PM — FREE
Thursday, April 2 9 ” M
Casadesus Recital Hall
Thursday, April 29'" Brass Studio Recital, 8:00 PM – FREE
Casadesus Recital Hall
Friday, April 3 0 ” Flute Studio and Flute Chamber Concert, 10:15 AM,
Casadesus Recital Hall, FREE
Friday, April 3 0 ” S axophone Studio Recital, 4:00 PM – FREE
Casadesus Recital Hall
S aturday, M ay 1St Composition Seminar Studio Recital, 3:00 PM,
Casadesus Recital Hall, FREE
niversity Symphony Orchestra:S/avic Spring,
S unday, May 2 ™ U
7:30 PM, Osterhout Concert Theater, $$ (FREE for students)
Wednesday, May 5 ” Composition I Class Concert, 2:00 PM – FREE
Casadesus Recital Hall
Wednesday, May 50: Conductor’s Concert, 8:00 PM – FREE
Watters Theater
For ticket information, please call the
Anderson Center Box Office at 777ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Binghamton University Music Department
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:07:37
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145316">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145316</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano extravaganza from the studio of Michael Salmirs, April 25, 2010
Recital Tape 2010-4-25
Description
An account of the resource
Works by Chopin, Schubert, Beethoven, Liszt, Debussy, Prokofiev. Held at 7:30 p.m., April 25, 2010, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Micceri, Jennifer
Chen, Ya-Tzu
Tanabe, Iori
Ahn, Sungin
Cohen, Gil
Gaita, David
Kubotera, Shoko
Serrano, Ella
Adams-Toomey, Molly
Jang, Jieun
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-04-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/83ea3b72d65734b44da573f76f13e06e.pdf
9237516ef2bfe180f93a549a013a4771
PDF Text
Text
�The DEPARTMENT
OF MUSIC presents
THERE WILL BE A RECEPTION FOR MISS PORTNEY
IN THE FACULTY LOUNGE FOLLOWING
HER RECITAL.
SONATA NO. 17 IN D MAJOR, K.
576
Allegro
Adagio
Allegretto
SONATA IN A MINOR, OP. 164
Allegro ma non troppo
Allegretto,
quasi Andantino
Allegro vivace
Des Abends (Evening)
Aufschwung(Soaring)
Warum?
(Why?)
Grillen(Whims)
In der Nacht (In the Night)
Fabel (Fable)
Traumes W
- irren (Dreams Visions)
Ende vom Lied (The End of the Story)
�THIS EVENING'S ARTIST
Arlene Portney, pianist of Meadowbrook, Pennsylvania, began her
recital
training
and has
been appearing before the public ever since.
ship studenttheat
years
Instituteof MM
uusicin Philadelphia.
CurtisThat
G Major with
the Philadelphia
Orchestra at the Academy of Music.
with
the Robin Hood
Dell Orchestraat the Robin ltood Dell inPhiladelphia (home for the Philadelphia Orchestra during July of each
year). Since then she has appeared with the Philadelphia Orchesthe Pennsylvania, New Jersey, Delaware and NewYork area.
other
andtelevision
music
Anshel Brusilow, many
recitals
the
of the newly
director
formed Chamber Symphony of Philadelphia has hosted several
television programs in
which Arlene hasappeared.
At the age of eleven,Arlene gave her first full-length evening
c c ert performing an entireconcerto with orchestra ,n addition to
recital works.
At the age of fifteen, Arlene graduated from the Curtis Institute of
Music - one of the youngest to hold this distinction.
That summer
she attended the American Conservatory in Fontainebleau, France,
1n master classes
with Arthur Rubinstein, Mlle Nadia Boulanger,
Clifford Curzon, Robert and Jean Casadesus. She was selected
to perform for these great artists andclosedthe summer recital
conductoa
This past summer was spent in master classes
with Jean Casadesus at the State University of New York at Binghamton.
Arlene, now 17 years old, is a scholarship student at the Juilliard
School of Music in New York City, and is studying with Sascha
Gorodnitzki. This year promises to be an exciting one, for Arlene
will be performing in anumber of concerts throughout the East.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
26:42
40
57
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59509
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59509"> Piano Recital Arlene Portney</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano Recital Arlene Portney, January 25, 1967
Description
An account of the resource
Works by Schumann and Scarlatti. Held Jan. 25, 1967.
Creator
An entity primarily responsible for making the resource
Portney, Arlene
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-01-25
Contributor
An entity responsible for making contributions to the resource
Schumann, Robert, 1810-1856
Scarlatti, Domenico, 1685-1757
State University of New York at Binghamton. Department of Music.
Identifier
An unambiguous reference to the resource within a given context
Piano Recital Arlene Portney.pdf
-
https://omeka.binghamton.edu/omeka/files/original/84467708433254f0961c1feb2c6b7a2c.pdf
8f93827dea55702f1128ebdf7b5dfe43
PDF Text
Text
00
D
HARP UR COLLEGE
Department of Musi c presents:
I
A
N
A
State University of New York at Binghamton
ta>
ta>.
00
00
00
ta>
00
T
A
K
KY00ta>.
D
E
E
N
00
00
00
ta>
00
00
ta>.
00
ta>
00
ta>
00
ta>
00
DIA NA
TAKY
DEEN
pia nis t
Tuesday, January 3 '
8: 15 p. m.
1967
Ha rpur Theater
PROGRAM
BACH - BUSON I
Chaconne
BEETHOVEN
Sonata , Opus 110 in A Flat Major
Modera to cantabille,
molto espressivo
A llegromolto
Adagio ma non troppo
Fuga
lntermission
BOGHOS - GELAL!AN
Sonata f or Pianoforte
Allegro
Andantino
Allegro
DEBU SSY
Prel udes
Dan s euses de De lphes
Bruyères
La Fi lle aux Cheveux de
Lin
CHO PIN
Ba ll ade #4,
i n F Mi nor , Opus 52
A RECEPT1 ON honoring
will
be held in the
Miss
Faculty
adjacent
to the theater
following
the recital.
is
cordially
invited
Taky Deen
Lounge
immediately
The audience
to
attend.
�T HI S EVEN I NG'S ART I S T
Miss
Diana Taky Deen
was born in
1933
in the
Philippines ,
and later
became
a citizen
of Lebanon,
where
she
has become
one of
the nation's
leading pianists.
the
Her
musical education
began in
Philippines
where she graduated
from
the
Lobregat
Academy
of Music
at
Manila.
In
1957, she received
her
Diploma
from
the National Conservatory
of Music
in Beirut, and a
B.A. in Philosophy
from the American
University of
Beirut.
She pursued
advanced
studies in Paris, Rome, and
Siena, and
is
currently
a Lecturer
in
Fine
Arts
at
the
American
Univer-
sity.
Miss Taky Deen
has given concerts
in
Egypt,
France,
Great
Britain,
Italy ,
Jordan,
the
Soviet
Union,
Spain,
West
Germany and Yugoslavia .
In
Beirut,
she
served from 1957
to 1963 as a piano
professor
at the
National
Conservatory
of Music, and
became Dean
of the
Piano Department
in 1963.
She
has received
numerous
scholarships,dist i nctions
and awards
for her pianistic abilities .
Iler
visit
to
the
United States
is the result
of her
efforts in behalf
of music in Lebanon .
Under the
auspices of a State Depa r tment Leader
Grant,
she has
the opport u nity
to
meet American musicians and
students
and
observe
how
they
prepare
for
the i r careers .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:30
28:46
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54694">Piano Recital Diana Taky Deen</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano Recital Diana Taky Deen, January 3, 1967
Recital Tape 1967-1-3
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bach-Busoni, Beethoven, Boghos-Gelalian, Debussy.
Creator
An entity primarily responsible for making the resource
Deen, Diana Taky
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Busoni, Ferruccio, 1866-1924
Beethoven, Ludwig van, 1770-1827
Gelalian, Boghos
Debussy, Claude, 1862-1918
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-1-3
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Piano Recital Diana Taky Deen Recital Tape 1967-1-3.pdf
-
https://omeka.binghamton.edu/omeka/files/original/3d57f7e748b23269db9a3893012e2842.pdf
98a37d8b5a29727ec3305e0a55f5e13a
PDF Text
Text
U N I V A R C
ReC
Y &
\
ta Pe
A
M
fl
O
BINGHAMTON
!
Y
E
,
U N I V E R S I T Y
~
=
State University of New York
Department of Music
Piano Recital
F rom the Studio of Mich ael Salmirs
Tuesday, April 29, 2003
8 :00 p.m.
Casadesus Recital Hall
�PROGRAM
X Abegg Variations, Op. 2
o o
R ert Schumann
(18101856)
Judy Zhu
Sonata No. 7 in C Major, K. 309
Allegro con spirito
Yifan Gao
Sonata No. 3 in C Major, Op. 2, No. 3
Scherzo: Allegro
Lee Seversky
Wolfgang A. Mozart
(17561791)
Ludwig van Beethoven
(17701827)
Grand etude de Paganini, No. 2 in EFlat Major
Mike Day
Franz Liszt
(18111886)
Concerto No. 22 in EFlat Major, K. 482
Wolfgang A. Mozart
Allegro
Candida Che
Michael Salmirs, accompanist
Intermission
�Sonata No. 9 in A Minor, K. 310............ ...Wolfgang A. Mozart
#~ Allegro maestoso
Daniel Fried
/
:
,
osf Waltzes for Piano, Four Hands.
. . . . . . . . . . . . . .........Johannes Brahms
“ / , Selections
L
4
g
#
o
BaekHap Song
Michael Salmirs
d for the Left Hand, Op. 9, No. 1.....
Li
Nancy Schneider
(18331897)
Alexander Scriabin
(18721915)
“ P r e l u d e in EF lat Minor, Op. 11, No. 4. . . . .......Alexander Scriabin
~=Prelude in A Minor, Op. 51, No. 2
Poeme tragique, Op. 3 4 d n c h n shd i, . . . . . ...Alexander Scriabin
Dmitriy Krasny
5
:
Jody Schum
Claude Debussy
(18621918)
�Coming Events
Thu rsday, May 1 – J azz MidDa y Concert with guitarist Dave Stryker – 1 :20
p.m. Watters Theater – free
Thu rsday, May 1 – Harpu r Jazz Ense mble with guitarist Dave Stryker – 8 :00
p.m. – Watters Theater $8 general public; $6 faculty/staff/seniors; free for
students
Friday, 1 1a y 2 – Fiute Studio Reci tal – 10:00 a.m. – Casadesus Recital Hall –
free
Satu rday, May 3 – Harpu r Chorale a nd Women ’s Chorus – 3:00 p.m. –
Trinity Memorial Church, Binghamton – free
Sunday, Ma y 4 – Unive rsity Wind Ensemble – 3:00 p.m. – Anderson Center
Chamber Hall – free
Tuesday, M ay 6 – University Percussion Ensemble – 8:00 p.m. Watters
Theater – free
Thu rsday, May 8 – Studen t Recognitio n MidDay Concert – 1 :20 p.m. –
Casadesus Recital Hall – free
Thursday, May 8 – Student Conductors ’ Concert featuring choral and
instrumental groups – 8:00 p.m. – Anderson Center Chamber Hall – free
Friday, May 9 – String Chamber Concert 8:00 p.m. – Casadesus Recital
Hall free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:57:54
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253394&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253394&change_lng=en&select_viewer=metsViewer</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano recital from the studio of Michael Salmirs, April 29, 2003
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2003-4-29
Description
An account of the resource
Works of Robert Schumann, Wolfgang Mozart, Ludwig van Beethoven, Franz Liszt, Johannes Brahms, Alexander Scriabin, Claude Debussy. Held at 8:00 pm, April 29, 2003, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Zhu, Judy
Gao, Yifan
Seversky, Lee
Day, Mike
Che, Candida
Salmirs, Michael
Fried, Daniel
Song. Baek-Hap
Schneider, Nancy
Krasny, Dmitriy
Schum , Jody
Date
A point or period of time associated with an event in the lifecycle of the resource
4/29/2003
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/1fbfa465581b89e80262a5280fa957b4.pdf
bda631fa91a8ddaca27c823f26d14f85
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
o d e
&
D E P A R T M E N T
PICTURES AT AN
EXHIBITION
J ieu n Jang, Piano
Sunday, May 8, 2011
7:30 p.m.
Casadesus Recital Hall
�PROGR AM
ABOUT THE PE RFORM E R
Piano Sonata in C# minor, Hob. XVI No. 36........... Joseph Haydn
(17321809)
Moderato
Scherzando
J ieun J ang is a senior Bachelor of Music student from South
Korea. She has been studying piano with Michael Salmirs, and she
Menuetto
Ballade No. 2 in F major, Op. 38.....................Frédéric Chopin
(1 8101 849)
80
IN TERMISSIO N
3
..................Modest Mussorgsky
Pictures at an Exhibition ..
(1 839–1 881 )
Promenade
I. Gnomus
Promenade
II. II vecchio castello [The old castle]
Promena de
III. Tuileries (Dispute d’enfants apres jeux) [Dispute
between children at play]
IV. Bydio [cattles]
Promena de
V . b a n e t H eBbinynu eLumxca n t e H y o s [ Ba lle t o f t h e
unhatched chickens]
VI. Samuel Goldenburg und Schmuyle
Promenade
VII. Limoges, Ie marché [The market at Limog es]
VIII. Catacombae/Cum mortuis in lingua mortua
IX. N3byLwika Ha kypbux HOoxkax (babaAra) [The hut on
fowl’s legs (BabaYaga)]
X. BoraTblpckue BopoTa (B ctonbHoM ropone Bo Kuese)
[The Bog atyr gates (in the capital in Kiev)]
is graduat ing this se mester. She plans to pursue a Master’s degree
in music history at Hunter College. She p erformed with many
departmental ensembles such as Universi ty Symphony Orchestra,
Wind Symphony, University S tring Orchestra and U niversity
Chamber Chorus. S he plans to specialize in Sergei Prokofiev’s
music.
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
fi m m w m w a w s m
Tuesday, May 10 – Percussion Ensemble – 8 p. m. – Anderson Center
Chamber Hall – free
Wednesday, May 1 1 –
Composition Seminar Concert (Loy) – 7 p. m. –
Casadesus Recital Hall – free
Thursday, May 12 – Student Recognition MidDay Concert – 1:20
p.m. – Casadesus Recital Hall – free
Friday, May 13 – Chinese Music Ensemble Class Concert – 5:00 p.m.
– Casadesus Recital Hall – free
Wednesday, May 18 – Voice Class Recital (MUS143 Chmela) – 1 1
a.m. – Casadesus Recital Hall – free
For ticket information, please call the
Anderson Center Box Office at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:00:49
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154632">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154632</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pictures at an exhibition, Jieun Jang, May 8, 2011
Recital Tape 2011-5-8b
Description
An account of the resource
Held at 7:30 p.m., May 8, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Jang, Jieun
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-05-08
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/8eab10198a97802bd0b1cda62b5f3cc1.pdf
257c4f0432c747fbce65f10ef8fb18cb
PDF Text
Text
U n 3
Ex‘ V. Z
R Q
C, : Xo 5
Yopa.
pieely!
B INGHAMTON
2 N 1 V E
Q ~ " x7;x
:
R SL]
¥
State University of New York
Department of M usic
“ Prague to Vienna :
Field, Forest a n d Fiacre ”
UNIVERSITY SYMPHONY
ORCHESTRA:
wi t h
Timothy Perry, conductor
ChaiK you Mallinson, p iano
Margaret Reitz, p iano
Thursday, December 9, 2004
8:00 p.m. '
Osterhout Concert Theate r
�The Binghamton University Department of Music presents the
Uni versity Symp hon y O rch estra
Timothy Perry, Director
with
ChaiKyou Malli nson a nd Ma rgaret Reitz, Pianists
Osterhout Concert Theater
Anderson Cente r for the Arts
Thursday at 8:00 p.m.
December 9, 2004
Program:
“ Prague to Vienna : Field, Forest and Fiacre”
Ma Vlast (My Fatherland) ..... ....... .....Bedrich Smetana
(18241884)
No. 2. Vlta va (The Moldau)
Twin sources of the Moldau – Forest huntPeasant wedding River Nymphs
St. John Rapids – The Moldau in full breadth – Vysehrad castle – To the Sea
Concerto No. 10 in Eflat, K. 365 ... ....... ..W.A. Mozart
for T wo Pi anos a nd Or chestra
I.
ll.
lII.
Allegro
Andante
Allegro
(17561791)
ChaiKyou Mallinson and Margaret Reitz , Pianists
Intermission
Symphony No. 8 in G major, Op. 88
Allegro con brio
Adagio
Allegretto grazioso
Allegro ma non troppo
Anton in Dv orak
(18411904)
. – I I I – I I I I I I I I I I I I I I I
l I I l l l l l l l l l l l l l l l l l l l l l l l l I I I – I I I . .
The USO returns on Saturday, March 5” to perform Debussy’s Prelude to The
Afternoon of a Faun, Robert Sch umann ’s Concertpiece for Four Horns and
Orchestra and Beethoven’s Sym phony No. 2 in D major, Op. 36. Please join us!
�University Sym phony O rchestra
Flute
Kelsey Bauer
Melissa Mischke
Megan Pulver
Kira Slocum (+picc)
Oboe
Ephraim Atkinson
Rebecca Rodbart
Clarinet
Bethany Bonhoff
Caroline Bravo
Bassoon
Robin Kindig
Kimberly Meeker
David Weinberg
{
Trumpet
Erinn Hibbard
Sinan Pan
French H orn
Diana Amari
Emie Epelman
Al Jacobsen
Patrick Lokken
6
Trombon e
Harris Brenner
David Hennan
Jonathan Ludwin
Tuba
Paul Med daugh
Percussion
Matthew Chedister
Matt Cosnett
Violin I
Christina Wan
Akira Maezawa
James Leddy
Tiffany Chang
Marie Mizuno
Dana Kerker
Corinne Paull
Richard Goldman
Endre Fischer
Karen A. Krause
Karen Tang
Mark Liu
Violin I I
Micah BannerBaine
Tamara P otapova
Jennifer Paull
Emily Peterson
Lauren Moscowitch
Samuel (Sam) Wang
Jungsun (Suna) Oh
Stephanie Mawhirt
Elizabeth (Liz)
Mansdorf
Rachel Jacobs
Amanda Dumont
Jennifer Hsu
Jaehee Lee
Sarah Baird
Viola
Melissa Mattern
Leah Robinowitz
Kerry Conway
Christopher Fiore
Beth Vayshenker
Christopher Trow
Janet Lev ins
Violoncello
Katy Wal ker
C. MacKenzie Wen
Heajung Kim
Emily Creo
Nicholas Capone
Shelly Levine
Alex Wiesendanger
YiEun Park
Kathleen Bradley
Contrabass
Chris Zavala
Elizabeth H. Bartlett
Andrew Eiche
Donald Truesdail
Piano
Judy Zhu
�About the Performers
Clarinetist, Conductor and Professor of Music, TIMO THY PERRY joined the
Binghamton University faculty in 1986 as Director of the Orchestral and Wind
Ensemble programs and Instructor of Studio Conducting and Clarinet. Perry holds
D.M.A., M.M.A. and M.M. degrees in Clarinet from the Yale School of Music (as a
pupil of Keith Wilson) and a Bachelor of Music degree from the Manhattan School
of Music (as a student of Leon Russianoff). He has served as Principal Clarinet in
numerous orchestras including the Wisconsin Chamber Orchestra, New England
Chamber Orchestra, the Catskill Symphony, Glimmerglass Opera and was Assistant
Principal Clarinet of the New Haven Symphony and Northeast Pennsylvania
Philharmonic. A devoted chamber music player, Perry has performed frequently as
a member of the Catskill Woodwind Quintet, Catskill Chamber Players and Finger
Lakes Chamber Ensemble and has been selected for festivals in Vinalhaven, Maine
and Thy, Denmark. As a soloist, he has been featured with the Binghamton
Philharmonic, Catskill Symphony and Binghamton Community Orchestras, toured
Latin America and the Caribbean for the U.S. Department of State as a Musical
Ambassador in 1997, and twice presented recitals for the International Clarinet
Congress in France and Belgium. He owns and performs on historical instruments,
and his performance on 19™century clarinets was seen in the 2000 PBS miniseries
A House Divided. He is a noted specialist in the music of composer Paul Jeanjean,
recording the latter’s virtuoso 18 etudes de perfectionnement, and Karl Baermann,
whose concertino The Hour of Ghosts he premiered with the BCO in 2003. He is
researching the technical development of the Alto Clarinet and preparing works on
a recentlyacquired set of Oehlersystem clarinets.
CHAI KYOU MALLINSON on the faculty of the Department of Music at
Binghamton University, received a B.M. degree in Piano from Juilliard, Licence
d’Enseignement from Ecole Normale de Music de Paris, France and a M.A. degree
from Binghamton University, where she studied with Jean Casadesus. A prize
winner in the Korean National Music Competition, she was awarded the French
Government Scholarship, Tanglewood Summer Music School Full Scholarship and
the Fontainebleau American Conservatory Full Scholarship. She gave a debut
Recital in Carnegie Recital Hall and has been active as a recitalist, vocal
accompanist and coach, and chamber music performer, as well as an active
adjudicator of piano auditions and competitions. She appeared in a performance
with the Seoul Philharmonic Orchestra, which Eumag Choonchu, one of Korea ’s
most respected music magazines, described as “ of rare quality, moving and lyrical. ”
]
i
p ]
i
ii
�‘ M A R G A R E T A. REITZ, pianist, is a nativ e of the Binghamton Area. She
received her Bachelor and Master of Music degrees in piano performance
with accompanying emphasis. She attended Boston University, New
England Conservatory and Binghamton University. She has studied piano
with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce
and accompanying with Allen Rogers. She has accompanied throughout the
United States, in England, South America, and at the American Institute of
Musical Studies in Graz, Austria. She and Binghamton University faculty
member Timothy Perry were winners of the 1997 Artistic Ambassadors
Program by the United States Information Agency in pa rtnership with the
John F. Kennedy Center for the performing’arts. They both were invited to
present a recital at the International Clarinet Conference i n Paris i n s ummer
of 1996 and were invited back to perform in Belgium in 1999. She recently
was the guest soloist with the Binghamton Community Orchestra performing
“Africa” by C. Saint Saens. . She was an official accompanist for the MTNA
State and Eastern Division Competition held at Ithaca College in 2001. In
2003, she was a guest chamber music artist in Morges, Switzerland. She has
been on the faculty at Binghamton University since 1991 a nd Ithaca College
School of Music since 1999. She maintains a private piano studio in Vestal,
New York. She is on the Executive Board of the New York District MTNA
organization. She is past President of the local Southern Tier Music
Teachers Association and is an active adjudicator for the National Piano
Guild Organization.
I
1
�About the Music
Bedrich Smetana is a heroic figure in Czech culture, and even today is
seen as the founder of a Czech national school of music composition. Vitava
(1874) is the second symphonic poem in M4 Vlast, and portrays the river, called
the Moldau by Germanspeaking Czechs such as Smetana, which rises in the
forest and flows through the Bohemian countryside and the city of Prague before
joining the River Elbe. For Smetana, the course of the river provided a ready
made musical structure; Vltava is a sort of rondo, with the flowing theme of the
river recurring in different forms between colorful episodes depicting Bohemian
life and folklore along the riverside. Two brooks, portrayed on two flutes, form
the sources of the river; these flow into the main stream of the river itself, the
surging string melody which Smetana is said to have derived from a Swedish
folksong but which now sounds quintessentially Czech. Hunting horns are
heard in the forests, before the river flows past a rustic wedding celebration
where the guests are dancing a polka. Smetana led the way (here and in his
String Quartet “From my Life") in introducing this lighthearted dance to
symphonic music. The next episode portrays moonlight shimmering on the river
in magical orchestral colors, and Smetana evokes the legend of the Rusalkas, the
water nymphs who feature prominently in Slav folklore and would later form the
subject of Dvordk’s bestknown opera. The music accelerates and grows
agitated as the river crashes over the Rapids of St. John, above Prague, and
finally sweeps through the Czech capital itself. The majestic choraletheme of
Vysehrad, the great rockfortress that is the symbol of the Czech nation, towers
over the closing bars, as the Vltava flows unstoppably onwards to the Elbe.
R.G. Bratby 2001
Mozart’s return from Paris in 1779 opened a difficult period in the
composer’s life. Following hard upon the death of Mozart’s mother and his
broken romance with Aloisia Weber, Mozart’s last two years working for the
Archbishop of Salzburg were, on the whole, unhappy ones. Nonetheless, his
need to express his own inner exuberance found outlet in a number of
surprisingly bright compositions including this evening’s concerto.
The Eflat concerto K. 365 was written in early 1779 and influenced by
the splendid sinfonia concertante K. 364 for violin and viola that had been
written for his trip to Mannheim. The concerto, designed in part to showcase
Mozart’s sister Nannerl (she performed the first part), shows a strong holdover
of Mannheim character in its sturdy orchestral tuttis. Entering afterlan
introductory tutti, the solo parts are the main show here, quite conversational
and competitive in a friendly spirit of virtuosic oneupsmanship. Mozart uses the
pianos together only sparingly, perhaps realizing their percussive potential, but
several passages suggest mechanical musical instruments and, in the minor keys,
deeper interior passions. The middle movement in Bflat suggests a relaxed
pastorale , while the finale runs ahead with all the enthusiasm of youth. Mozart
interpolates a large section in cminor in the finale, which teeters on but not over
i
1
�the edge of seriousness. Mozart later borrowed a bit of this section for the mock
tragic trials of Papageno in The Magic Flute. With the rounding off of the rondo,
the sun reappears and the concerto concludes in high spirits.
T. Perry 2004
In the summer of 1889, at the age of 48, the struggles of D vorék’s early
career were finally over. His music had been performed across Europe, he had
an assured income, numerous offers of honors and engagements, the friendship
and esteem of his idol Brahms, and perhaps most importantly, he had proven
himself artistically. And so he wrote his Eighth Symphony, more freely and
imaginatively structured, more abundant in melody and color, more songand
dance like in short, more truly his own.
The symphony opens with a broad, hymnlike melody for ‘cellos and
violas almost an opening “prayer” or invocation before the sun comes out,
birdsong is heard from the flute, and a dancing rhythm builds to a huge climax
that really launches the symphony on its way. A string of melodies pours out, by
turns tender, dancelike and grandiose; and again and again woodwind birdsong
brightens the texture and lightens the heart. The development section is at times
stormy, but the energy unleashed is lifeaffirming rather than menacing, and as
the movement ends Dvordk’s exuberance seems to have burst its banks in a
joyful torrent of Gmajor. The lovely Adagio comes as a calm contrast,
beginning in a subdued cminor. But once again, birdsong and folkdance begin
to creep in, lightening the mood and a sweetly lyrical violin solo ushers in the
unmistakable strains of the “village music” Dvordk loved so much. Once again,
there are rumbles of summer thunder and a torrential outburst at the centre of the
movement, but all is radiant Cmajor calm as the Adagio ends. The Allegretto
grazioso is too measured and graceful to be a scherzo it more closely resembles
one of Brahms’ intermezzi complete with meter and tempo change in the
coda. Its lilting, Slavonic strain of melody and wistful, limpid Trio section need
no elaboration. The Finale begins with a stirring fanfare, and proceeds through a
colorful, increasingly lively set of variations on a theme announced by the
‘cellos. As in the “Eroica” this gives way to a bustling minorkey development
section, and then a recapitulation of the variations, with a brief, reflective
interlude before the symphony speeds to a brilliant, exuberant finish in sunlit G
:
l
ll
4[
major.
The Eighth Symphony was premiered in February 1890 in Prague, and
then given in London shortly before Dvorak traveled to Cambridge to receive an
honorary doctorate. For this reason, it has sometimes been called the “English”
symphony a strange twist of fate, for, although Dvordk had another great
symphony in him yet, no other work of his would ever so embody the truth of
what he once said about himself “In spite of the fact that I have moved about in
the great world of music, I shall remain what I have always been a simple
Czech musician.”
R.G.Bratby, 1998
�Don ’t Miss T hese Ou tsta ndin g Co nce rts
Coming Up in th e Sp ring Semeste r!
February 11 : Guess Jazz Artists : Dena DeRose
Quartet – 8 p.m. – Osterhout Concert Theater
February 13 Guest Organist: Gerre Hancock – 4
p.m. – First Presbyterian Church, Binghamton
February 26 – Timothy LeFebvre, baritone, and
Duane Skrabalak, piano – 8 p.m. – Anderson Center
Chamber Hall
March 6 – Musica Nova with Patricia Sunwoo, violin,
and Ewa MackiewiczWolfe, piano – 3 p.m. –
Casadesus Recital Hall
April 3 Organist Jonathan Biggers – Music for
Organ and Strings – 4 p.m. – First Presbyterian
Church, Binghamton
April 10 – Chamber Music Masterpieces – 8 p.m. –
Anderson Center Chamber Hall
And man y more ensemble conce rts. Visit
http ://m usic.bin ghamton.edu for details about all
events in the 20042005 season, o r call 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:06
39:20
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253378&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253378&change_lng=en&select_viewer=metsViewer</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prague to Vienna: field, forest and fiacre, December 9, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-12-9b
Description
An account of the resource
Works of Smetana, Mozart, Dvořák. Held at 8:00 p.m., December 9, 2004, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Mallinson, Chai-Kyou
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
12/9/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/88b0475023f8e1a28efeb747e2e690ed.jpg
d46d4b631a555e42372632bfe49368b0
https://omeka.binghamton.edu/omeka/files/original/c296c65c3ef7f68e6ea343058d4d7976.jpg
6c5a1dd9f966c9ec38230b7fef4cee9a
https://omeka.binghamton.edu/omeka/files/original/7c6270210ee783793830bf0cf2b1eb0b.jpg
59fccc74c7ad75d87f8239f4795985f2
https://omeka.binghamton.edu/omeka/files/original/f4328e4f001283dfb78d1d7355f2d532.jpg
c0f808a24faac6ddbaf6db068b437bfe
https://omeka.binghamton.edu/omeka/files/original/e96039454b4d398f7f8027cde753b400.jpg
34637a0716183376b53dfdbd82088c93
https://omeka.binghamton.edu/omeka/files/original/c0d4520acac14e4d3cdc9bba1b2d8c07.jpg
852a1a14307f44d0f35cf2a9e1586d6d
https://omeka.binghamton.edu/omeka/files/original/67c5c32d63a3ccab0aa1e42db0a8d2e4.jpg
44aaf5aebf7f2df4b09d81284f44e4e2
https://omeka.binghamton.edu/omeka/files/original/c63663e6a7270ea73df84451f23896fe.jpg
0066c085d6d871abae6f0860741169bb
https://omeka.binghamton.edu/omeka/files/original/e2b69ceaf789f898bb6cee35a7f19f55.jpg
e0d80f5c3f2f3214f1ae465f48891865
https://omeka.binghamton.edu/omeka/files/original/5f08b73aea3ac24342775d04b6e35bda.jpg
6ed9941b58f36e896edbf1c90d29a9e3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Handwritten cover, “Prinz Friedrich v. Homburg Regiebuch II” in black pen. Most likely not his original Regiebuch. “No. 18” written on title page in red pen. Includes page with cast list and signature written in purple pen. Markings in pink, purple, red pen, black and red pencil. Almost all notes are in purple pen. Not many notes throughout, mostly quick dialogue notes in purple pen.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
21cm x 17.5cm
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.67
Production(s)
August, 1932, Berlin
September 25, 1932, Berlin
October 1932, Berlin.
Supporting materials: Box 14 Folder 18: Programs; plays
Supporting materials (all productions): Box 2 Folder 40: Photographs
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prinz Friedrich von Homburg : ein Schauspiel [promptbook]
Subject
The topic of the resource
Kleist, Heinrich von, 1777-1811.
Promptbooks
Stage directions
Deutsches Theater zu Berlin -- Germany
Creator
An entity primarily responsible for making the resource
Kleist, Heinrich von, 1777-1811
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3162
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/3a579b650afab20b9c5e3bd966d16d62.jpg
0360c72abfa3948fcbe751a94a029272
https://omeka.binghamton.edu/omeka/files/original/5d274c2a192d1811aaebd6a2c876e581.jpg
ed5a7ec74002a24c981c59421415e403
https://omeka.binghamton.edu/omeka/files/original/1932d27c740f8c222897adc5e10ebbf8.jpg
2ff5f9187af896ddbbff18d0f71b6839
https://omeka.binghamton.edu/omeka/files/original/1d14bf405ab505223fe317fdb3b261dd.jpg
b01e109c2f8f33a088f98278a50fcda9
https://omeka.binghamton.edu/omeka/files/original/0e363a69de2c18481f374dca774ea211.jpg
d0450277854f81c67208f24fed281b91
https://omeka.binghamton.edu/omeka/files/original/88470b5f4fa4301ab3eeb16f913a28ec.jpg
637b75a166e7a3f8fb96698bd47be1e8
https://omeka.binghamton.edu/omeka/files/original/f091f0c96d71ca432256199888b16249.jpg
3a57e2bb1f5d658dad919771feae9b64
https://omeka.binghamton.edu/omeka/files/original/2658dbd14827309f57c75249832cf40c.jpg
e43851634a0956f335421489961b6c80
https://omeka.binghamton.edu/omeka/files/original/adb46c0cb3f9e21f7e58b20ada3703be.jpg
5037356af37add920d605c30601c663f
https://omeka.binghamton.edu/omeka/files/original/7d715ee03439be7e5e717d88531bc65e.jpg
32584488750ff51e3e02f1c3d21a1f86
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Typed manuscript, loose pages in folder. Partial cast list included. Stage drawing and instructions found on first page. Markings in black pen, black pencil, and blue pencil. Markings generally consistent throughout, never really extensive. Most are short dialogue notes.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
36cm x 24.5cm
Earlier version
Earlier version (dcterms:isVersion Of)
La princesse de Trébizonde
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.92
Production(s)
March 24, 1916, Berlin
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Prinzessin von Trapezunt : musikalisches Lustspiel in drei Akten [promptbook]
Subject
The topic of the resource
Nuitter, Charles, 1828-1899. princesse de Trébizonde -- Translations into German
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Nuitter, Charles, 1828-1899
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3187
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.