138 10 1775 https://omeka.binghamton.edu/omeka/files/original/86c481de6fa4d43645e7e9b453d35574.pdf 94f15c6fb954378eec1e65cd6f898fae PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K B E ze dec A PROKO FIEV &  THE LOVE FOR T HREE G ERMAN  B’S   PIANO JIE UN J A NG,  JUNIOR RECITAL Saturday, April I 0, 2010 3:00 p. m . Casadesus Recital Hall R �A PROGRAM Toccata in E minor, BWV 914.....  .Johann Sebastian Bach (1685­1750) Sonata No. 21 in C, Op. 53 “Waldstein”..  ..Ludwig van Beethoven Allegro con brio  (1770­1827) Introduzione, Adagio molto – Rondo, Allegretto moderato =INTERMISSIONcs Four Ballades, Op. 10..........................................Johannes Brahms Andante (“Edward’)  (1833­1897) Andante Intermezzo, Allegro Andante con moto Sonata No. 3 in A minor, Op28  Allegro tempestoso  Sergei Prokofiev (1891­1953) B O U T JIEUN JANG was born in 1988, and raised in a small rural town of South Korea.  Her mother dreamt of a soaring golden dragon before her birth, which is very uncommon as a dream for  the conception of a baby girl. Jieun started playing piano at the age of six because her mother wanted to help strengthen her innately weak fingers. She continued taking piano lessons  for  the  next  six  years.  As  a  child,  she  accompanied  her elementary school choir for two years, and at the age of ten, she led them to first prize in a city competition and second prize in a province (state)  competition.  She  started  serious  piano  studies  again  in  her freshmen  year,  and  she  is  pursuing  her  undergraduate  degree  at Binghamton University. As a junior piano major, she is currently studying under professor Michael Salmirs.  Jieun also holds a good academic standing and has been on the Harpur  Dean’s List for 4  consecutive semesters. She has appeared several times in the music department‘s Mid­day  concerts,  and  she  has  also  performed  with  the  University Symphony Orchestra and Wind Symphony. Recently she performed with the University Symphony Orchestra as a soloist. Her favorite composer is Sergei Prokofiev, and she also loves the music of Beethoven, Haydn, Stravinsky and Mussorgsky. �Binghamton University Music Department’s U P C O M I N G  E V E N T S x fi w m n e i m fi m ­ fi w t b ’ Satu rday,  A p r i l 1  0 ” S   weet Albion: The English Clarinet with clarinetist Timothy Perry and pianist Margaret Reitz, 8:00 PM, Anderson Center Chamber Hall, $$ Thursday, A p r i l 1  5% Mid­Day Concert, 1:20 PM ­ FREE, FA 21 Fr i d ay,  A p r i l 1  6 ”  Master’s Recital: Stephen Brooks, double bass, 8:00 PM, Casadesus Recital Hall, FREE S a t u r d ay,  A p r i l 1  7 ”  Clarinet Studio Recital, 3:00 PM ­ FREE Casadesus Recital Hall S a t u r d a y,  A p r i l 1  7 ” U   niversity Chorus: Honegger’s KING DAVID, 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) Sunday, A p r i l 1  8 ”  Junior Recital: Laura MacAvoy, soprano, 3:00 PM, Casadesus Recital Hall, FREE S u n d ay,  A p r i l 1  8 ” S   enior Honors Recital: Stephen Kong, piano, 7:30 PM, Casadesus Recital Hall, FREE Tuesday, A p r i l  2 0 ”  String Fever: String Studio & Chamber Recital, 8:30 PM, Casadesus Recital Hall, FREE Th u rs day,  A p r i l  2 2 ” M   id­Da y Concert, 1:20 PM ­ FREE Casadesus Recital Hall Friday, A p ri l  2 3 ”  Junior Recital: Mengru Zeng, piano, 8:00 PM, Casadesus Recital Hall, FREE For ticket information, please call the Anderson Center Box O ffice at 7 77­ARTS To see all events, please visit music. b inghamton. e d u Become a fan on Facebook by visiting Binghamton University Music D epartment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:00 30:11 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145328">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145328</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prokofiev and the love for three German B's, junior recital, April 10, 2010 Recital Tape 2010-4-10 Description An account of the resource Works by Bach, Beethoven, Brahms, Prokofiev. Held at 3:00 p.m., April 10, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jang, Jieun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ebf97687c4df74cba0cddc1067211b31.pdf fdcf700ba2ae4bade2390a2bb655d8a4 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K wee 4 E P P F A R Rachmaninoff A Kussian ["antasy for J wo  [ianos S u i t e s  N o .  1 & 2 S y m p h o n i c  D a n c e s ­ I  wa  Mackiewicz­ Wolfe & Michael Salmirs Saturday, February 21, 2008, 8pm Anderson Genter Chamber Hall �P RO G R A M /  II.  ­   _ '  ,.  fl . f  of  /  r C r   4 a 6 l Sergei Rachmaninoff (1873­1 943) Suite No. 1 , Op. 5 (Fantaisie­tableaux) IL; IL. I11. I V. ‘ w Symphonic Dances, Op. 45 I. II I11. M a y  1 + 8 : 0 0 M a y 3    « 3 : 0 0 e r Non Allegro ­ Lento ­ Tempo 1 Andante con moto (Tempo di valse) Lento assai  ­  Allegro vivace INTERMISSION Suite No. 2, Op. 1 7 Cofounders Carmar  Savas a Peyiae HEB =  args  Barcarolle:  Allegretto A Night  for Love:  A dagio sostenuto Tears:  Largo di molto Easter:  Allegro maestoso The Forum Theatre 2356 ‘Washington Street » Bingha mton, N Y For tickets call 607­772–0400 or visit us online  at twthricitieso  racom.  NE TAH te. mln y  @\~l.i‘M  enan l 0  WuWipmfidflmfivfilhwmhlamithrh­dcdurifimdmmdhstm GCauny r r e  Yokr  Ste Councilon   pers predictors made  possible with  public func  from  the Nw r +Cites O  P Pls pregrm n A eolp rtsm  hteev A the Arts,  Sots apency. Fundincg p . ee t Funds’ T ounc l“i noD n C M orocvdiepd, an Pr amwb­ o” M I. II. IIL. I V. Introduction :  Alla marcia Valse:  Presto Romance:  A n dantino Tarantelle:  Presto �PROGRAM NOTES Rachmaninoff’s two­piano suites and symphonic dances are among the composer’s major works. Rachmaninoff was only twenty when the Suite No. 1 “Fantaisie –Tableaux” Op. 5 was published.  Dedicated  to  Tchaikovsky,  it shows a very strong link to that composer’s lyrical art. The Suite consists of four brief  movements  which  are  preceded  in  the  score  by  quotations  from Rachmanoinoff’s favorite poets: Lermontov, Byron, Tyutchev and Khomyakov. The first movement, the G minor Barcarolle: Allegretto, captures not only the serenity of Lermontov’s lines but also something of their restrained pathos. Gondola Song O cool evening wave Lap gently under the oars of the gondola that song again! and again the sound of the guitar! The finale, Paques: Allegro maestoso (Russian Easter) is entirely outgoing and theatrical, with the Kremlin bells tolling exuberantly from the opening bar to the l l ...in the distance, now melancholy, now happy, Was heard the sound of the old barcarolle: “The gondola glides through the water, and time flies through love; The waters become smooth again and passion will rise no more.” Fyodor Tyutchev (1803 – 1873) Alexei Khomyakov (1804 – 1860) The Suite No. 2, Op. 1 7, composed years later, was performed by the composer and his friend, Alexander Siloti, in Moscow in November 1901. The Suite’s first movement, Introduction: Alla Marcia, is full of energy and confidence, a tour de force in rhythm and unstoppable momentum with the central climax fading into a coda  of  gentle grace.  In  the unforgettable second  movement,  Valse: Presto,  music  floats  on  a  cascading  moto­perpetuo  fingerwork  that  is It is the hour when from the boughs The nightingale’s high note is heard; It is the hour when lover’s vows Seem sweet in every whispered word; And gentle winds, and waters near, Make music to the lonely ear. Human tears, O human tears! You flow both early and late – You flow unknown, you flow unseen Inexhaustible, innumerable, ­ You flow like torrents of rain In the depths of an autumn night. Easter T he mighty peal rang out over the earth, And all the air, moaning, shuddered and groaned, Melodious, silver thunderings Told the news of the holy triumph. interspersed  with  a  more  luxuriant  middle  section,  showing  the  demanding virtuosity and passionate bittersweet romanticism of the youthful Rachmaninoff. Romance: Andantino, the third movement, was written at about the same time as the composer’s Second Piano Concerto and is the emotional heart of the Suite. The last movement, brilliant and exhilarating Tarantelle: Presto concludes the whole  work. It  reminds us of the  immense technique that  Rachmaninoff, the pianist, possessed. Mikhail Lermontov (1814 – 1841) The second  movement, La  mit...L ’ amour: Adagio  sostenuto (A  Night  For Love), inspired by Byron’s lines is an  extended dialogue  which  begins with suggestions  of  bird  song, then  rises to  a central  climax  and  returns to  the tranquility from which it emerged. Night... Love Lord Byron (1788 – 1824) The next, Les larmes (Tears), is the  most  characteristic and forward­looking movement of agonized melancholy. Tears last. l L Being  his  last  opus, the  Symphonic  Dances, Op. 45  can  be  considered  as summarizing Rachmaninoff’s entire life. He called it  “my last  spark.” It  was written in  1940 with the title of Fantastic  Dances.  After October 29” when orchestration  was  completed,  the  title  of  the  work  changed  to  Symphonic Dances. A two­piano version was made by the composer from the short score, and its first performance was given by Rachmaninoff and Vladimir Horowitz at Rachmaninoff’s  Long Island  home.  Three  movements: Noon, Twilight and Midnight,  are  regarded  to  be  a  reflection  of  Rachmaninoff’s  essentially pessimistic view of existence.  Non Allegro opens with an insistent and angular rhythmic  figure  which  leads to the  haunted, principle theme.  Andante con moto, created in the form of a very energetic and dramatic waltz, is interrupted by the melancholy moods for which Rachmaninoff had  become the  absolute master.  Lento  assai  –  Allegro  vivace, called  a  “brilliantly  sinister  danse macabre,” is leading to darkness as if Rachmaninoff were resigned to his own approaching  death.  His  “last  spark,”  the  orchestral  version  of  the  piece performed in  1941  by  Philadelphia  Symphony Orchestra, was greeted by the most negative criticism that the composer had ever received. Twenty six months later, on March 18, 1943, Rachmaninoff died. ­­ Ewa Mackiewicz ­ Wolfe �A B O U T  T H E  P E R F O R M E R S EWA MACKIEWICZ­WOLFE, pianist,  received her Bachelor and Master degrees in Piano Performance with honors and high distinction from the Academy of Music in Lodz, Poland where she continued as Assistant Professor and Master Lecturer in music. Since 1984, she has been associated with the Binghamton University Music Department, Binghamton, New York as both a professor of piano and as a performing artist. Mackiewicz­Wolfe is the winner of the International Competition of Renaissance and Baroque Music and the International Competition for Young Pianists in Warsaw, Poland. She has appeared in Germany, Hungary, Canada and Poland as a recitalist, chamber musician and as soloist with symphony orchestras. She participated in several music festivals such as the Festival of Karol Szymanowski, the Piano Festival of Vladislav Kedra, Poland, and Chamber Music Festivals in Germany and Hungary. In the United States, Ewa Mackiewicz­Wolfe has performed throughout the Northeast including Jordan Hall of the New England Conservatory of Music, Phillips Academy and Boston University. She gave F ryderyk Chopin remembrance performances at the Consulate General of France, the Consulate General of Poland, New York City; and at the Hamilton Conservatory of Arts, Hamilton, Ontario, Canada; and at the Anderson Center for the Arts, Binghamton, New York. Her CD on Classics Label features Piano Sonatas of Mozart, Beethoven and Chopin. Pianist M I C H A E L  SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared  as  soloist  with  the  Corning  Philharmonic,  Binghamton University  Orchestra,  Cayuga  Chamber  Orchestra,  and  has  been  a featured  pianist  on  their  Sunday  chamber  series.  As  a  performer  of contemporary music, he has participated in such series as  Binghamton University’s  Musica  Nova,  Cornell  University ’s  Ensemble  X,  Chiron. and has toured and  recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. W S K G  P ublic Broadcasting Your source for locally hosted Classical, Folk ¢ Jazz Radio E . pressoins a n d f o r featuring 7 the A rt & Artists of the Southern Tier Thursdays on WSKG Television VER wskg.org W S K G T V   «  WSKG Radio  *  WSQX 91.5 rm �nathan Biggers ­ A Bach   Sunday, F ebruary 2 2 ” Organist Jo Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)   rganist Jonathan Biggers – A Bach Tuesday,  F ebruary 2 4 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $%   id­Day Concert, 1:20 PM ­ FREE Thursday, February  2 6 ” M Casadesus Recital Hall   uest Artist: Dr. Hal Reynolds, trombone, Thursday, February  2 6 ” G Casadesus Rectal Hall, 8:00 PM, FREE   rganist Jonathan Biggers – A Bach Friday, February  2 7 ” O Celebration!! Series, Fine Arts Room 21, 8:00 PM, $% ncert, 1:20 PM ­ FREE   Thursday, March 5 ” Mid­Day Co Casadesus Recital Hall Thursday, March 5  Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 8:15 PM, $$ ymphony Orchestra: Echoes of the   Saturday, March 7 ” University S East ­ Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ ind Symphony, 3:00 PM, FREE   Sunday, M arch 8 ” University W Anderson Center Chamber Hall ncert, 1:20 PM ­ FREE   Thursday, March 1 2 Mid­Day Co Casadesus Recital Hall Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet, Casadesus Recital Hall, 3:00 PM, FREE cital: Heather Montana, soprano,   Saturday, M arch 1 4 ” Master’s Re Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center B ox  O ffice at 777­ART S. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:05:23 29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rachmaninoff: A Russian Fantasy for Two Pianos, Suites no. 1 & 2, Symphonic Dances, February 21, 2009 Recital Tape 2009-2-21 Description An account of the resource Binghamton University Department of Music. Held at 8:00 p.m., February 21, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Mackiewicz-Wolfe, Ewa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a9e997a3485bf6898a4e39fab680d2c5.jpg 622fc35153251819c8afcd6628aadfc0 https://omeka.binghamton.edu/omeka/files/original/173b8d626c8d539bb3437558ce10342e.jpg 9c53c3d38a78596ded3af617cc9246c1 https://omeka.binghamton.edu/omeka/files/original/51f0cbef619f35fc3e6f05299532d3df.jpg a9ce495ea06325173c4cbf12d50a7803 https://omeka.binghamton.edu/omeka/files/original/8af16a923629678194cc2904d7308ac2.jpg 1c7f162cefd637b298b109cd840d8004 https://omeka.binghamton.edu/omeka/files/original/130c8c20ac75e72ea1679a58bfbb4e93.jpg 043548a44e89dd0fb0260c04ad16d3fc https://omeka.binghamton.edu/omeka/files/original/40cd7b5def713b083c937c02370294d5.jpg aa521674ee8aa3a3d008d3b0cc548ec5 https://omeka.binghamton.edu/omeka/files/original/dc5897b1a6fd567647a01ea95e8f374c.jpg 86a52329680c61246f64ca4ffd4bcfa4 https://omeka.binghamton.edu/omeka/files/original/61a7e95d538eb746a92fa2e5842475d5.jpg 2071531f6c034775e12ad4fdec4a7661 https://omeka.binghamton.edu/omeka/files/original/732b5c6fcb2a68891d1d2a6ed30a852e.jpg ca49306a0b558dfd6e533264a0d1145d https://omeka.binghamton.edu/omeka/files/original/ddc61c64a0b84352b28319365e8b9ecb.jpg 38305eba87845066c7e68079ceffce60 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Stage sketches and directions found at beginnings of Act I and II. Third scene of Act I crossed out, no markings. Notes extensive throughout Acts I and II. Notes lessen towards end of Act II with even less written notes in Act III. Most markings only cross-outs, lines, etc. in black and red pencil. Many scenes are crossed out/not marked entirely. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 26cm x 16cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.102 Production(s) August, 1928: Salzburg (Festspielhaus) -Supporting materials: Box 4B Folders 47-48: Photographs; characters Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Räuber [promptbook] Subject The topic of the resource Schiller, Friedrich, 1759-1805 Promptbook Stage directions Creator An entity primarily responsible for making the resource Schiller, Friedrich, 1759-1805 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3194 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/ab35d6e00aa0cf144bfc9657fc97bbda.pdf 9cd44f669529d3a6b791e78fdd0842d2 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E  U N I V E R S I T Y   O F   N E W  Y O R K l REUNlON REC lTAL D E P A R I L M E N I T RAUL MELO TENOR MICHAEL RECCHIUTI PIAN IST Saturday, October 9, 2010, 8 pm Osterhout Concert Theater Co­sponsored by the Department of Music and the Office of Alumni and Parent Relations �Program I. Le violette  Sento nel core  Air de Faust.................  from La damnation de  Faust  Il. . Alessandro Scarlatti (1659­1725) Hector Berlioz (1803­1869) III. . Franz Liszt (1811­1886) Petrarch Sonnets..  Pace non trovo  Benedetto sia’l giorno I vidi in terra Intermission 3 Songs.................  Deprisa Tierra, Deprisa  Dialogo Mi carazon lo trajé el mar IV. Gisela Hernandez (1912­1971) V. Joaquin Turina (1882­1949) Poema en forma de canciones ..  Nunca Olvida  Cantares Los dos miedos Las locas por amor Quando:le sere al placrdo  from Luisa Miller  Ma se m'é forza perderti..    aschera  from Un  ballo  i n M 1 VI. VII. Giuseppe Verdi (1813­1901) ...Giuseppe Verdi (1813­1901) �3 / vidi in  terra Text Translations I. Alessandro Scarlatti Le Violette ­ The Violets text by Adriano Morselli (1674­1691) Dewy. scented. pretty violet s. You are standing. shy.half hidden Among the leaves, And you scold my desires, That are too ambitious. Sento nel  core – / feel in my heart (Anonymous) I feel in my heart a certain sorrow Which goes on disturbing my peace: There shines a torch which inflames my soul: I f it  is not love, i t  will be love [soon]. II. Hector Berlioz Text by Almire Gandonniere Based on Goethe’s Faust Air de faust ­ Faust’s Aria Thank you gentle twilight. you are welcome. Reveal to me at last this secret, secret sanctuary Where I feel peace fall over me like a dream. Like the fresh kiss of soft morning air: It is of love. it is of love. I hope . . . Oh. how here I feel Cares vanish in this place! I adore this silence and breathe A pure air of serenity! Oh sweet girl. my enchanting one, My too longed for lover! What feelings possess me in  this moment of destiny! How I love to look upon your maiden bed. What pure air of tranquility I breathe! Lord! Lord! After my long martyrdom What happiness! I beheld on earth angelic grace. Ill. Franz Liszt Text:Francesco Petrarca (1304 – 1374) ! I Pace non trovo I find no peace, but for war am not inclined: I fear. yet hope: I burn. yet am turned to ice: i l soar in the heavens. but lie upon the ground: I hold nothing. Though I embrace the whole world. i ; Love has me in a prison which He neither opens nor shuts fast: He neither claims me for his own r l Eyeless I gaze. and tongueless I cry out: I long to perish, yet plead for succour; I hate myself. but love another. And heavenly beauty unmatched in this world. Such as to rejoice and pain my memory. Which is so clouded with dreams, My heart was brought by the sea And sounds of sea shells against the ear. Sea shells of sand and sun. Shadows. mists. Made of waves and in the sea purified. And I beheld tears spring If cast up by the sea was my heart In the night the sea would beat against my chest. From those two bright eyes. Which many a time have put the sun to shame. And heard words unuttered with such sighs As to move the mountains and stay the rivers. Love. wisdom, excellence. pity and grief Made in that plaint a sweet er concert Than any other to be heard on earth. And heaven on that harmony was so intent That not a leaf upon the bough was seen to stir. Such sweetness had filled the air and winds. Nor loosens my halter; He neither slays nor unshaddes me; He would not have me live. Yet leaves me with my torment. (INTERMISSION) IV. Gisela Hernandez l 1 Deprisa, tierra, deprisa (Faster. world. faster!) I feed on grief. yet weeping, laugh: Death and life alike repel me: And to this state i am come, Faster world. faster: Move faster sun: Destroy the system. For love awaits. 2 Benedetto sia’l giorno What matters this universe? Let the earth and sun be thrown down! All is smoke: the only is glory is that love awaits. My lady, because of you. Blessed be the day. the month. the year, The season. the hour, The moment. the lovely scene, The spot when I was put in thrall By two lovely eyes which bind me fast. And blessed be the first sweet pang I suffered when love overwhelmed me. The bows and arrows which stung me. And the wounds which pierce to my heart. l li l ] l And blessed be all those writings In which I have spread her fame. And my thoughts, Which stem from her and centre on her alone. Faster. world. Out to the snow with the thorn! Fly earth: run sun! Make brief my waiting. For love awaits! Faster. world . . . 2 Dialogo – (Dialogue) Ah!  STAR S ARE FALLING! Blessed be the many voices which have echoed When I have called Laura’s name, The sighs and tears, the longing: 4 !i 3 Mi  corazon lo  trajo el  mar (My heart was brought by the sea) What are you saying brother? They are only meteors. What strange thoughts. See how from the clear sky The stars are coming loose! . . . Place your open hands skyward So that we can gather them. Ah!  STARS ARE FALLING! What are you saying brother? They are only meteors. They do no fall to us nor can we gather them. It does not matter. OPEN YOUR HANDS! Of  the night, the sea would have its voice. Its joyous voice of the ships in the sea. In the nets of a fisherman From the sea return friends when they die. To the sea returns my heart, My heart of the deep sea ship. My heart was brought by the sea. V. Joachin Turina Poem by Ramon Maria de las Mercedes de Campoamor y Campoosorio (1817­1901) 1.  Decicatoria (Piano solo) 2. Nunca o/vida . . . ­ Never forget . . Now that I am leaving this world. And before I give my account to the lord. 1 will confess to you. Here. between the two of us. With all my soul I forgive those Whom l have always hated. You. whom I have deeply loved. I will never forgive! 3. Cantares – Song Flee as I try your embraces. Much closer forever I’m caught: But your image is with me. in me The dream of my thoughts. Ah . . . say it again. say it again. For yesterday, as I was enraptured. I listened to you without hearing, I looked at you without seeing. 4. Los dos miedos (The two fears) With the onset of that night, She. remote from me. said: Why do you come so close to me? I am afraid of you. And after the night had passed. She. close to me. said: Why do you move away from me? I am afraid without you! �5. Las locas por Amor (Extremes of L ove) I will love you, Divine Venus. if you desire  that I love you eternally and with discretion.  The goddess of C ythera replied to me: I prefer, as all women do.  that you love me for a short time and passionately. I will love you, Divine Venus, I will love you. VI. Guiseppe Verdi (Luisa Miller) Librettist: Salvadore Cammarano (1801 ­ 1852)   lacido Quando le sere al p Only with my own eyes could I deny my faith! If heaven and earth. if mortals and angels Would testify that she is not guilty. Lies. I would respond. alI lies. It is by her hand!  So much treachery! A soul so black!  So false! My father knew her well! But where are the promises, the hopes. the joy. The tears. the anguish? All lies. betrayal, deception! When in the calm night Clarity of a starry sky I gazing through the ether Saw a love filled glance. Her hand held mine Through her hand I felt . . . Ah! She betrayed me! Then [ sat mute. ecstatic From her lips (The words) hung, And she in angelic tones. “I love only you” she said. It seemed the entire universe Opened to my soul . . . Ah!  She betrayed me! Raul Melo VII. Guiseppe Verdi (Un ballo) Librettist: Antonio Somma (1809 ­ 1864) Ma se m 'é forza perderti Perhaps she (Safely) reached her threshold, She reposes at last.  Honor and duty, Have broken open an abyss between our hearts. Ah!  yes. Renato returns to his homeland  . . . and his wife will follow. Without a goodbye, the immense Ocean separates us . . . and the heart must be silent. I hesitate still? Tenor Metropolitan Opera Tenor Raul Melo is a celebrated performer in the US. Europe and Asia. He has performed the principal tenor roles with Berlin’s Deutsche Oper and State Opera, Hamburg State Opera, Stuttgart’s State Opera, Zurich State Opera. Dusseldorf’s Deutsche Oper am  Rhein. Frankfurt Opera. and Dresden State Opera to name a few.  In the United States But i f a m forced to lose you with The Metropolitan Opera, Washington Opera, Dallas Opera, New York City Opera, Seattle Opera, Cleveland Opera, Palm Beach Opera, and Connecticut Opera among others. Mr. Melo won the prize of “Best Lyric Tenor” in the 1992 Alfredo Kraus Competition. Mr. Melo’s 2009­10 season includes covers at the Met of Le Damnation du Faust, Hamlet and La Traviata while singing Rigoletto for Fresno Opera, concerts for El Paso Opera and the tenor lead in Wolf­Ferrari’s The Jewels of the Madonna with Teatro Gratticielo at Lincoln Center. And now what wicked omen What spirit overwhelms me. Desiring to see you again announces He began his 2008­09 season singing Manrico in II Trovatore with El Paso Opera before returning to the Met to sing Madama Butterfly and cover Rigoletto. La Rondine and Le Damnation de Faust. He also continued his relationship with New York City Opera. singing their New York parks concerts and also their concert performance of Massenet‘s rarely performed La Navaraisse. Last season he returned to City Opera to sing Tosca in addition to being at the Met for Romeo. Pinkerton and Rodolfo. He made his Spoleto Festival USA debut But heavens. do I not will this? Ah. I have  gned it. I have signed my sacrifice. Forever. O my light. To you will come my heartbeat No matter what sky you are under. Shut is your memory In the depths of my heart. Locked in the depths of my heart. An almost a fatal wish As if it were the last. the last hour. The last hour our of our love? Oh, what a foreboding overwhelms me. As if it were the last Hour of our love. As if it were the last moment of our love? as the Navigator in Anthony Davis” Amistad in addition to  being the tenor soloist in the Beethoven Ninth. He also sang the Verdi Requiem at the Teatro Colon in Buenos Aires. In 2005­2006 Mr. Melo made his Metropolitan Opera debut as the Duke in Rigoletto. returned to Palm Beach Opera to sing Tosca, sang Madama Butterfly at the New Orleans Opera and performed a  gala Puccini concert with the Orchestre Philharmonique de Monte­ Carlo conducted by Nello Santi. He returned to the Met roster for Madama Butterfly and Rigoletto. He also sang Pinkerton in Madama Butterfly at the New York City Opera, Faust in Kalamazoo and La Boheme in Tokyo. He first joined the Met in 2004 covering for Arrigo in I Vespri Siciliani and Gustavo in Un Ballo in Maschera. He also sang his first Rodolfo in Luisa Miller  for his Dallas Opera debut.  Other performances included Rodolfo in La Boheme in Palermo and Alfredo in La Traviata in Oslo. �MICHAEL RECCHIUTI, Artistic Director of the American Opera Theater. and founding Principal Conductor of the New Jersey Opera Theater. is active internationally as a conductor. and as a pianist and accompanist. He has collaborated with stars of the international opera stage. Grammy and Tony award winners, and major musical theater personalities. 10  (Ohi » raviat In Italy. he was engaged as head of the musical staff/assistant conductor at Venice’s Teatro La Fenice. and as Consulente Musicale at the Ente Lirico in Cagliari, Sardegna, where he helped prepare the first full performance of Rossini’s Guillaume T e l l F  rench presented in Italy ­ starring Chris Merritt. po ? v .  k ¥  U l  U = He has appeared as accompanist to some of Europe’s leading singers in recitals at Parma’s Teatro Regio. Teatro dell’Opera di Roma, and for the RAI. In 1990 he conducted the Budapest Philharmonic during the Budapest Spring Festival. d b 0 i hb fe + In recording. he has conducting the Orchestra di Camera di Padova e del Veneto in bel canto arias with tenor Chris Merritt, which was chosen as “Best of the Year” by Opera News. Opera International. and CD Classica magazines. As a pianist. he and American tenor Paul Austen Kelly released a disc of English art songs by Benjamin B ritten and Roger Quilter for GM Records. In America, as Associate Conductor of the New Jersey State Opera. he prepared and conducted Mascagni’s Lodo/etta, Iris, and Zanetto, and Puccini’s Le Villi. At the New Jersey Opera Theater ­ now Opera New Jersey, he was founding Principal Conductor. and led performances of Mozart’s Le Nozze di F  igaro. Don Giovanni, and Verdi’s // Trovatore. As Music Director of the Opera Ensemble of New York he performed Gluck’s Orfeo, and Robert Ward’s  The Crucible, under the supervision of the composer. For the Long Beach Opera he conducted acclaimed productions of Puccini’s La Rondine, Mascagni’s Ca valleria Rusticana, and Massenet’s La Navarraise. =  at the FORUM  THEATRE  in Binghamton » Txi  & Info: 607­772–0400 » www  1 icihesopera.com He was invited by the Orchestra of St. Luke’s to conduct Haydn’s L o Spezia/e at New York’s Town Hall. He also conducted the Korean Symphony of New York, and the Musician’s Emergency Fund Gala. both at Lincoln Center. From 1999 to 2001 he conducted over 70 performances of 15 different work s ­ dividing his time between the Orlando Opera, the DiCapo Opera in New York. and the National Lyric Opera in New England. He was the founding Music Director of Opera de las Americas. the national opera of the Dominican Republic. In New York. Michael Recchiuti studied under Giuseppe Patané. and. earlier in Philadelphia. under Joseph Primavera, who engaged him as Assistant Conductor of the Philadelphia Youth Orchestra, and choral conducting with Michael Korn. where he was Assistant Conductor of the Philadelphia Singers. He went to the Aspen Music Festival as Fellowship Conductor. and later returned as Music Director of the Vocal Institute. He was accepted into Italy’s prestigious Accademia Chigiana in Siena, where he studied with Franco Ferrara. Carlo Maria Giulini, and B runo Bartoletti. Consequently he was awarded the Diploma di Merito in Direzione della Lirica. and was chosen to conduct public performances of Bellini’s Beatrice d i  T enda with the soprano Cecilia Gasdia. public service media for your community   r =or WWW  w s k g o 20 np é, �— — — — — — — — — — — — — F If you would like a CD  of RAUL MELO  ' J I please fill out this form and include it and a check for $15  i payable to: The Binghamton University Music Department, Attn: Melo CD, P.O. Box 6000, Binghamton, NY 13902­6000  l l Name:  ] Address:  I i ] Email:  l 2 o f cos:  i I l  O  Yes, please include me the BU Music mailing list  I  O  No, I prefer not to be on our mailing list  i I City/State/Zip: I  i  A portion of the proceeds will benefit the  Binghamton University Music Department. i _ _ — _ — — — — _ _ — _ — J �Binghamton Univer sity Music Department ’s UPC OM ING  E V E N T S W W W Midaay concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE Recital: cellist Mark Rudofi‘ from Ohio State University, Thursday, October 14, 2010, 8pm, Casadesus Recital Hall, FREE University Symphony Orchestra ’5  “All Creatures ” Children’s Concert: Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$ Viola Plus: Roberta Crawford’s “Chamber Works of the 20”  and 2r” Centuries? Sunday, October 17, 2010, 7:30pm, Casadesus Recital Hall, $$$ Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout Concert Theater, FREE Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm, First Presbyterian Church, Binghamton, $$$ Song of Silk: Saturday, November 6, 2010, 8pm, Osterhout Concert Theater, $$$ Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010, 3pm, Casadesus Recital Hall, FREE University Chorus: First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ For ticket information, please call the Anderson Center  Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:27:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145718">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145718</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Raúl Melo, October 9, 2010 Recital Tape 2010-10-9 Description An account of the resource Works by Scarlatti, Liszt, Hernandez, Turina, Verdi Creator An entity primarily responsible for making the resource Recchiuti, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b18e5ddb7950ef14fcb219d5a956ebe8.pdf 046a6ad545fd6863a88555beb7439404 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E  U N I V E R S I T Y  O F  N E W  Y O R K wdec [4 D E P A R T M E N T RECITAL & MASTER CLASS Timothy Smith Tenor and Alto Trombone Pej Reitz Piano Sunday, March 11,  2012 7:30 p. m. Casadesus Recital Hall �PROGRAM ABOUT THE PERFORMERS Timothy Smith currently holds the chair of Second Trombone with the Buffalo Philharmonic Orchestra. a position he has had since 2009. Prior Concerto for Alto Trombone  Leopold Mozart (1719–1787) Heine Lieder from Schwanengesang . Franz Schubert (1797­1828) a )   BRIEFPAUSE  cz Basta for unaccompanied trombone .. Folke Rabe (1935­) Concerto for Trombone.  .  .  .  .  .  .  .  Launy Grandahl III Movement  (1886­1960) to joining the BPO, Tim served as Acting Principal Trombone of the San Diego Symphony and Opera during the 2008–2009 Season, and also served as Acting Second Trombone for the Jacksonville Symphony in 2007.  Mr.  Smith  frequently  substitutes  with  the  Chicago  Symphony Orchestra. and has also appeared  with the Lyric Opera  of Chicago, Grant Park Symphony, Baltimore Symphony, St. Paul Chamber Orches­ tra.  Cincinnati  Symphony  and  Opera,  Virginia  Symphony,  Chicago Philharmonic,  Ravinia  Festival  Orchestra.  Chicago’s  Music  of  the Baroque, Chicagoland Pops, and ma ny regional orchestras throughout greater Chicago. Internationally, Mr. Smith has performed in Germany, Ireland, Mexico, and the Dominican Republic with orchestras and chamber ensembles alike. In the chamber music realm, Tim was a founding member of the Second  City Brass  Quintet, as  well as  the CT3  Trombone Quartet, winners of the 2005 ITA  International Trombone Quartet Competition. Additionally, he has performed with the Bach Week of Evanston festival, International Contemporary Ensemble, and Buffalo Chamber Players. As a pedagogue. Mr. Smith has  served on the music faculty of San Diego State University, the British School of Chicago. and maintained a private  teaching studio while living in Chicago. He has  also been a featured clinician and recitalist, presenting programs at schools such as a )  INTERMISSION  cz MASTER CLASS BEGINS Baylor University, Ithaca College, San Diego State,  SUNY  Fredonia, University of San Diego, and the University of Central Arkansas. Tim can be heard on recordings  with the Buffalo Philharmonic, Music of the Baroque, Northwestern University’s Symphonic Wind Ensemble. and for Fisher­Price. Along with his duties as Second Trombone in Buffalo, Tim frequently plays alto and bass trombones in the orchestra. The trombone section is active as a chamber ensemble around Western New York, and will be premiering a triple trombone concerto, written for them by Eric Ewazen, with the Buffalo Philharmonic and Maestra JoAnn Falletta in the fall of 2012. Timothy  studied  with  Dr.  Harold  Reynolds  at  Ithaca  College,  and following graduation in 2003, went on to complete his Master’s studies with Michael Mulcahy and Charlie Vernon at Northwestern University. Some  of Mr.  Smith’s additional  teachers  include Nitzan Haroz,  Mark Fisher, Megumi Kanda, Royce Landon, James Miller, and Randy Hawes. Tim is an S. E. Shires Company Artist. �TEXT FOR SCHUBERT LIEDER Pej Reitz, pianist, is a native of the Binghamton Area . She received her Bachelor  and  Master  of Music  degrees  in  piano  performance  with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum. Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the  United  States,  in  England,  South  America,  Spain  and  at  the American Institute of Musical Studies in Graz. Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the perform­ ing arts. Pej was an official accompanist for the MTNA State and Eastern Division Competition held at Ithaca College. She has been  a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was in­ vited to the International Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on the Cornell Summer Series. She was an official  pianist  at  the International  Double Reed Competition and Convention in 2007 at Ithaca College and was invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble. She recorded  a  CD  with  the  Glickman  Ensemble  again  this  summer  in Englewood, NJ. She was selected to accompanying a t the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and at Mannes School of Music. She was a Guest Artist playing two concerts in Granada, Spain and accompanied the Barcelona Song Festival. She soloed with the Catskill Symphony at the Otesaga in Cooperstown. NY under the direction of Charles Schneider. This summer she will accompany and play chamber music  at  Musica  De Compostela  in  Spain.  She  will also  be in  the “Masterclass” play in Newport, Rhode Island at the Casino Theater in the role of the pianist. She is currently on the faculty at Binghamton Univer­ sity since 1991 and Ithaca College School of Music since 1999. Poems by Heinrich Heine (1797–1856) Der Atlas — Atlas l, wretched Atlas, a world The whole world of pain I must carry, I bear the unbearable, and my heart ls breaking in my body. You proud heart, you wanted it so! You wanted to be happy, eternally happy. Or eternally miserable, proud heart, And now you are in misery. Ihr Bild — Her Portrait I stood in dark dreams And stared at her image. And the beloved visage Quietly came to life. Upon her lips appeared A smile so wonderful, And as if from tears of sadness Her eyes sparkled. And my tears flowed as well Down from my cheeks And oh, I just can’t believe, That I have lost you! Das Fischennadchen –­ The Fisher Girl Beautiful fisher maiden, Come, steer your boat to land. Come here and sit down beside me, We’ll dally, hand in hand. Come, nestle your head on my heart now, And don’t be afraid of me; Just think of how bravely, daily You trust in the savage sea. My heart is like the water With storms and waves and tides, And many a pearl of beauty Upon its bed resides. Die Stadt — The Town On the distant horizon Appears like a cloud­image The town with its spires Shrouded in the gloom of evening. A damp breeze mffles The green surface of the water; In a moumful rhythm rows The boatman in my craft. The sun rises once again Glowing above the earth And shows me that spot Where I lost my beloved. Am Meer— At the Seashore The sea sparkled far and wide In the last glow of evening; We sat at the lonely fisherman’s hut, We sat silent and alone. The fog rose, the water surged. The gull flew back and forth, From your lovely eyes The tears dropped. I saw them fall upon your hand And fell on my knees; And from your white hand I drank away the tears. Since that time my body pines My soul is dying with yearning; The wretched woman Poisoned me with her tears. �. m  . m z i x ’ i Il ’o t sx ! And wrings his hands with the force of his pain; Der Doppelgfinger — The Ghostly Double  The night is quiet, the streets I’m horrified when I see his face — are silent.  My beloved lived in this house;  She left the town a long time ago,  But the house still stands in the  same place.  A man stands there. too, and  stares upward  The moon shows me  m y  o wn I likeness. You ghostly double. you pallid fellow! Why do you ape my lovesickness, That tormented me here So many nights long ago? 5 re  w – Aka  . . '     pc i P E x n S  P E R i ­ l tl l r X ] :o e5   1gi D I i  l ‘I Doe  }  ©  H H [ P 1 {   O E E 1 Q   § i I l i P E   ll o:    ,ll i 1  x  ! E  i[} ! o  ;  > \   ‘ H   P B i  m  , ii Il  l Bni ghamton  I{ l /, Commumyt  . I  .  i !  B I N G H A M T O N   Just­Luis Nove  Orchestra  ! P H I L H A R M O N IC Music Director REAL. LIVE. MUSIC.  M M ” Sara Davis Buechner Sha i Wosner Amit Peled Mayuko Kano Pops Series MOTOWN’S Greatest Hits SuzanneVeq: _  v  ‘¥­  ”  a  Chamber Series Soovh 10m Aron Quartatt public service media for your community   o n ce r t s S p e c i a lC Vei nna Boys Chori W W W . B I N G H A M T O N P H I L H A R M O N IC. O R G   Cirque De La Symphonie \\ \ n \  ,\\ skg Uri:­  &  O n a s — I �Binghamton  Univer sit y Music  Department ’s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, March 15 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, March 15 — Harpur Chorale & Women’s Chorus — 8 p.m. — Anderson Center Chamber Hall — $6 general public; $3 faculty/staff/seniors; free for students Saturday, March 17 — Organist Jonathan Biggers presents “My Favorite Fantasies” — 4 p.m. — First Presbyterian Church — $10 general public; $6 faculty/staff/seniors; $3 students Sunday, March 18 — Musica Nova — 3 p.m. — Casadesus Recital Hall — Free Friday, March 23 — Master’s Recital : Kathleen Jasinkas, soprano — 8:00 p.m. — Casadesus Recital Hall — free Thursday, March 29 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, April 12 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Friday, April 13 — Senior Recital : Alexander Baron, recorder — 8:00 p.m. — Casadesus Recital Hall — free I f  you enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your  support helps to continue the work of students, faculty, and guest arh’sts and their contributions to our larger community.  Please  make  your  donation  payable  to  the Binghamton University Music Department, and send to  P.O. Box 6000, Binghamton, NY 13902. For ticket intbnhation, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41 minutes: 24 seconds 69 minutes :37 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141762">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141762</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital & master class, March 11, 2012 Description An account of the resource Works by Mozart, Schubert, Rabe, Grandhal Held at 7:30 p.m., March 11, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/11/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/30ad1c78477baf4cf9438689181206d6.pdf 6be51d3c703ebf7f424b3fde39dfcb1e PDF Text Text y 0 state university of new york at binghamton harpur college u N G convocations comm itt ee presents ed hull , tenor susan peters, piano july 5, 1966 8: 15 p.m. the college theater �State University of New York at Binghamton Harpur College CONVOCATIONS COMMITTEE presents Ed Hull , tenor Susan Peters, piano Tuesday , July 5, 19 66 8:15 P .M. The College Theater PROGR A M SONGS OF TRAVEL (Robert Louis Stevenson) R . Vaughan Williams The V agabond Bright is th e Ring of Words The Roadside Fire Let Beauty A wake SILENT NOON R. Vaughan Williams ADELAID E (Matthisson) Beethoven Matthis son termed his poem a "lyr ical fantasia " ; its emotion and portray al of nature's s ympath y with that em otion are equally subl'i mate d and p ic turesque in Beethoven's setting . SELECTIONS FROM "DI E SCHOENE MULLERIN" (Muller) Schuben Der N euierige No star or flower can tell me , ·if blest w i ll be my l ov e . Streamlet , dear streamlet , sa y, does my love , love me . Der Jager Oh, Huntsman , n o more show our gl i tterin g streamlet yo ur face . Die Liebe Farbe My love likes green so well. shall clothe my tomb. Green , naught save green Die Boese Farbe If only all were not so green , ah green thou hateful c olor . Oh , from your forehead, unbind that fatal ribbon green . - I N T E RMISSIO N - �Ill T E L JOUR , T E LL E NUIT (Paul Eluard) B onn e Francis Poulenc Joum ee Wh a c a fine da y ! lt began sadly , but s uddenly steeped d awn , it entered the he art by surpr i se . in Un e Ruine Co quille V ide It i s midnight and the heart is an empty ruin . Le Front Comme Un Drap eau Pe rdu I hang my hea d in misery. The me mory of yo ur hand clasped in mine lingers on . Une Roulotte Cou v erte En Tuile s O ur hearts do not beat together. antag o nism. As two fi s cs, the y create A Toutes Bride s All brides must forget chat which d isheartens . Une Herbe Pau vre A solitar y tuft of grass appears in the sn ow . Je N' A i Env ie Que De T' A imer I o nl y wane to love yo u. Your image lingers day and night. Figure De Force Brulante E t Farouche Yo ur fa ce burn s furi o usl y ; yo ur black ha ir gleams in· the sun. No us Avons Fait La Nuit T he mem ory of yo u remains fresh and new, alchough you are in my th o ug hts constantly . IV AV ANT DE QUITT ER C ES LIEUX (Faust) Go_unod Valentine bids farewell to his sister Margeurice as he prepares to go off to war . A rece ption honorin g the perfo rmers w ill be held in the Fa culty L oung e adjacent to the theater immediately fo llow ing the rec ital. The audien ce is cordially inv ited to attend. THIS EVENING'S ARTISTS : A graduate of Syracuse University , Edward Hull received his Master of Music degree from the University of Illinois . He has recentl y completed residence requirements at the University of Texas toward the Doctor of Music Arts . Mr . Hull is a vocal instructor at Delmar College in Corpus Christi , Texas , and has previously taught at L ongwood College in Farmville , Virginia. Accompanying Mr . Hull this evening 1s Susan Peters , an alumna of Harpur C ollege who is currently completing her Master of Arts degree at the State University of New York at Binghamton . Cover design by Stanton Miller �EVENTS CALENDAR All programs are at 8:15 P.M . in the College Theater unless otherwise indicated. JULY 8 Friday Admission Free FILM: "HENRY V" starring Laurence Olivier, Robert Newton, Leo Geno, Max Adrian. Academy award winning film, famous for its superb performances , unusual staging devices, and its spectacular battle of Agincourt. Sponsored by the Convocations Committee. JULY 10 Sunday Admission Fee THE GUARNERI STRING QUARTET Sponsored by the Department of Music. Series and individual recital tickets available at the college Box Office . JULY 13 Wednesday 8:15 P.M. Social Room Student Center Admission Free LECTURE: KENNETH BURKE Author of books and articles on literary form and criticism. Books include ATTITUDES TOWARD HISTORY (Vol. I - Acceptance and Rejection ; The Curve of History; Vol. 'II - Analysis of Symbolic Structure.); A GRAMMA R OF MOTIVES; A RHETORIC OF MOT IVES; PHILOSOPHY OF LITERARY FORM-STUDIES IN SYMBOLIC ACTION; BOOK OF MOVEMENTS , POEMS. Spon sored by the Convocations Committee. JULY 14 Thursday Admission Free WILLIAM S . NEWMAN, PIANIST Young Artists Series. Sponsored by the Convocations Committee. JULY 15 Friday Admission Free FILM: "ALL QUIET ON THE WESTERN FRONT" starring Lew Ayres , Louis Wolheim . A grim saga of war as seen through German eyes , tracing the adventures of seven young boys who enter the Imperial Army in 1914 and learn of fear , filth, and destruction during four years of combat . Sponsored by the Convocations Committee . JULY 17 Admission Free YOUNG ARTISTS SERIES Sponsored by the Convocations Committee. JULY 22 Friday Admission Free HLMS: "POTEMKIN" (Odessa Steps Sequence) "ALEXANDER NEVSKY" "Potemkin recreates the spirit of the 1905 revolution through the depiction of one of its incidents , utilizing new techniques of manipulation of film materials to communicate physical sensation . "Alexander Nevsky," an epic film monument , deals with the invasion of Russia by the powerful Order of Teutonic Knights, as crusaders, and the decisive battle of the Ice where Nevsky won a brilliant victory. The famous musical score for the film by Serge Prokofief has won international acclaim as the "Alexander Nevsky Cantata." Sponsored by the Convocations Committee. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:34 31:52 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54432">Recital by Ed Hull, Tenor; Susan Peters, Piano</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital by Ed Hull, Tenor Susan Peters, Piano Recital Tape 1966-7-5 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Vaughn Williams, Beethoven, Poulenc and Gounod. Creator An entity primarily responsible for making the resource Hull, Ed Peters, Susan Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vaughan Williams, Ralph, 1872-1958 Beethoven, Ludwig van, 1770-1827 Poulenc, Francis, 1899-1963 Gounod, Charles, 1818-1893 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1966-07-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Recital by Ed Hull, Tenor Susan Peters, Piano Recital Tape 1966-7-5.pdf https://omeka.binghamton.edu/omeka/files/original/752105b27beb9693ae54e2e1c1ec9743.pdf eb045dc353a05ff4d936b37b7512ce3b PDF Text Text state university of new york at binghamton harpur college y 0 u convocations committee presents N G A R T 1 s rec ital students from the piano master class T s E R I E s july 17, 1966 8:15 p.m. college theater �State University of New York at Binghamton HARPUR COLLEGE CONVOCATIONS COMMITTEE presents: YOUNG ARTISTS SERIES program two RECITAL by students from the Piano Master Class Sunday, July 17, 1966 8:15 p.m . College Theater A RECE PTION honoring th e pe rfo rmers w ill be he ld in the Faculty Lounge adjacent to the theater immediate ly fo llow in g th e recital. The audience is cordially in v ited to attend. THIS ·EVENING'S ARTISTS are advanced students who are members this summer of the Piano Master Class being held by Harpur Faculty Member , Jean Casadesus . �PROGRAM TOCC ATA IN C MINOR Bach Ellen Leinwand SONATA IN B FLAT MINOR , Op. 35 Chopin Grave - Do pp io Mov im ento Sche rz o Marche Funebre - L ento Fin ale - Presto Arlene Portney - IN T E RMISS ION - Beethoven SON AT A, Op , 109 V ivace, ma non troppo Pres ti ss imo Andante mo lt o cantabile Ariane Josef Debussy PR E LUDE S Dan se us es de De lp he s Vo iles Le Ve nt dan s la plaine L es sons et !es par/ums ... L es co/lines d' Ana capri De s pas sur la n eige Dans e de Pu ck Ce q'ua vu le vent d'Ouest Anita Carlton �EVENTS CALENDAR All programs are at 8:15 P.M. in the College Theater unless otherwise indicated. JULY 22 Friday Admission Free JULY 24 Sunday Admission Fee RLMS: "POTEMKIN" (Odessa Steps Sequence) "ALEXANDER NEVSKY" "Potemkin recreates the spirit of the 1905 revolution through the depiction of one of its incidents, utilizing new techniques of manipulation of film materials to communicate physical sensation. "Alexander Nevsky," an epic film monument , deals with the invasion of Russia by the powerful Order of Teutonic Knights, as crusaders, and the decisive battle of the Ice where Nevsky won a brilliant victory. The famous musical score for the film by Sergei Prokofief has won international acclaim as the "Alexander Nevsky Cantata." Sponsored by the Convocations Committee. THE GUARNERI STRING QUARTET Sponsored by the Department of Music. Series and individual recital tickets available at the college Box Office. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:20 20:53 32:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54457">Recital By Students From the Piano Master Class</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital By Students From the Piano Master Class Recital Tape 1966-7-17 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Performances by students Ellen Leinwand, Arlene Portney, Ariane Josef and Anita Carlton. Works by Bach, Chopin, Beethoven, Debussy. Held at 8:15 pm, July 17, 1966, Harpur College Theater. Creator An entity primarily responsible for making the resource Leinwand, Ellen Portney, Arlene Josef, Ariane Carlton, Anita Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bach, Johann Christian, 1735-1782 Chopin, Frédéric, 1810-1849 Beethoven, Ludwig van, 1770-1827 Debussy, Claude, 1862-1918 Date A point or period of time associated with an event in the lifecycle of the resource 1966-7-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Recital By Students From the Piano Master Class Recital Tape 1966-7-17.pdf https://omeka.binghamton.edu/omeka/files/original/244a0b369841b3ca78eb555c9fcd5a1d.pdf 4d29b4e37814383cc3a0af341957deb9 PDF Text Text STATE UNIVERSITY OF EW YORK AT BINGHAMTON HARPUR COLLEGE THE DIVIS10 OF MUSIC Presents THE HARPUR TRIO Patricia Isham, Violin Harry Lincoln, Flute Myroo Fink, Piano 8:30 P. M. ovember 1, 1965 College Theater �PROGRAM OTES H ind mith w as important both as a prolific and s ucc ssful composer a nd as a theorist and t ach r. H e cam to this country from G rman in late 1930's and for som fife n yea rs was on th faculty of Y al niv rsity . H has wr itt n a w i d variety of works in all genres and for v ry orch stral instrum nt. The Sonata for Flut app are d in 1936, JUSt two y a r s b fore his most famous work , th op ra a his d r Male r . Th onata illus tra s several t n ts of H in d mith's theories of composition and of his st l in g n ral. mong th s a re th us of fourths and fifths in the m lo dic lin s, th contrapun al interplay of soloist and accompaniment (bo h qually important ) and h car ful control oft nsion an d r laxa ion in h phras Th la ter charac eri stic i s specially evident in he beautiful and pow rful slow mov m nt. The last movement closes with a march, an unusual f ature in a onata. Schumann's Second Violin onata in D Minor Op. I 2 I was written in 185 1 during a period of r n w d er ativi y and vigor for the composer . H had suff r d a s v r m ntal br akdown in 1844 and for five years ook little part in musical activit i s . In 185 0, howev r, h accepted the post of conductor in Duss ldorf, and h following y ar composed besid s th first and second violin sona as, the hird piano trio, thre ov rtures, two cantatas, and a revision of th D Minor ymphony. !lo w v r, h was unabl to b ar the strain of composition and conduc ing, and in 1854 collapse d complet ly, leading to his death (1 856 ). Th ond onata in no way fort lls this tragic dénoueme nt. The firs movem nt opens, ith a pow rful introduction, intersp rsed with cadenza lik pas g s. Th main body of the movem nt is in sonata-allegro form, th sharp con ours of th first th me contrasting with the lyricism of the s cond. Th piano and violin carry on cont inuous imitativ dialogue achieving an effcc iv musical balanc Th s cond mov ment is a scherzo of M ndelssohnian sprightlin ss. Two rio s ctions occur b tw e n succ ssive returns of the main th m , r suiting in an BA A form , followe d by a coda in which th th m of the third mov m nt is introduced in broad chords and doubl st ps. This third mov m ent them is bas d on a choral , " G elobet s ist du , Jesu Christi , " u d b Bach in anta as 64 and 9 1 among oth rs ttings . Schumann changes the rn t r from 4/4 to 3/8 an d writ s a series of variations using an extraordinary numb r of colorful ff cts, ranging from pizzica o (th e th me ) , double stops (s ond variation ), o pon ic llo (third variation ) . Also in h third variation th sch rzo h m of the s cond movem nt returns twice, linking thes e two mov m nts organically. Th fourth movement , a perp tual motion type of mov m nt cast in sonata form, is r minisc nt in its th ma ic leaps and chordal cad nces of the first mov ment, and th work closes with a brilliant coda in the major k y . . Bach an d a talen d com. P. E . Bach, t h old sl surviving son of J. pos r , s rv d at the court of Fr derick h G reat (17 38-6 7) as cembalist and accompanist to h king . llis ability at h keyboard is documented not only by cont mporary accounts but also by his famous treatis , Versuch übe r die wahr ___.!!_ das Clavier zu s pi sp 1 n, in which h formulates his th n "modern" zu approach to his instrum nt. H is compositions fall within th p riod d vote d to the "Doctrin of Affections," of Empfindsamkeit , an ra characterize d by th e emphasis plac d on th af f c ions and sensibil.ti s . In music this m ant the por- �trayal of one mood or sentiment throughout a movement or piece, and took the form of lavish embellishme nt s an d ornamentation, chromaticism, an d startling modulations and harmonizat ions . In the Third Trio for Flute, Viola and Piano Bach uses the familiar trio - sonata arrangement of two melody instruments supported by a keyboard instrument as a continuo, but he deviates from the usual polarity of this form by giving the keyboard a brilliant solo part. In th e first moveme nt, a monothematic rudimentary sonata form, the piano at times assumes th e role of a soloist, while at others it retains the function of a continua. The second movement, however, is like a miniature concerto in which t he flute and viola function as the ripieno, accompanying the piano's free and improvisatory solo . The third movement, again a rnonothematic sonata form, returns to a more tradiational tripartite distribution of material, with imitative figurations passing continually from one to another of the three instruments. A very prolific Cz echoslavakian composer, Martinu successfully fus e d nationa l a nd international elements in his music. Although he st udi e d in Paris a nd came under the influence of Stravinsky, many of hi s melodics were derived from Czech an d Moravian folk songs. His numerous chamber works em ploy a wid variety of i nstrume ntal combinations. The Madrigal Sonata derives its nam from the similarity of its texture to that of a R enaissance madrigal in wh ich each part phrases independently of the others, although there may be imi t ation between th e parts. The fi rst movement is in a modified sonata form with exposition, middle section , r capitulation, and coda; the middle section can hardly be consi de red to develop the original material however. The second movement i.ncorporates both a slow and a fast movement as it begins with a moderate which is followed by a rapid allegro , each section being r ecapitulated to create an ABAB form. Both movements are ch aracterized by a wide variety of effect s--pizzicato, natural and artificial harmonics, double steps, rapid metrical an d rhythmical changes , syncopations of all kinds, s t a rtling dissonance , and a highly complex contrapuntal texture. 1though th e flut e, violin, and piano have both homophonic and contrapuntally imitativ sections, each instrument is also gi ve n independent i diomatic material, which makes the best use of tha t particular instrument's characteristic qualities and gives an interesting and unique text ure t o the work. Conce rts for Nove mber: Tuesday, November 9 Thursday, November 11, 12 Sunday, Novemb e r 14 Friday, November 1 9 Sunday, November 21 Mus ic from Marlboro Max Morath and the Original Rag Quart et The Guarneri String Quartet ew York City Ballet Jean Casades us, pianist The Departme nt of Music is please d to announce tha t pianist, Jean Casadesus will give a series of informal Wednes day e vening recitals in Rafuse Lounge on the following dates: November 3, 10 December 8, 14 (Tuesday) January 5, 26 February 2, 9 ****** A reception for the Harpur Trio will b e held immediately following the concert in the faculty lounge, a djacent to the Theater. Everyone is cordially invited. �PROGRAM Sonata for flute a nd pi ano - - -- --- -- - ----------------Pa ul Hin demit h H iter b wegt Se hr langs am Sehr lcbhaft - Marsch Sonata for violin and pi ano - ----------- - --- - --- -- -- - Rob rt chumann Ziem li ch langsam - L cbhaft S hr lebhaft L is , infach **II ntermission Trio in G major for flut e, viola an d piano --- ------ -- C. P . E . Bach Allegretto Adagio Prest o Madrigal onata for flute, violin and piano- - - - - - - - - -Bohuslav P co llegro Mod rato - Allegro Martinu � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:13 24:06 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54204">Harpur Trio Recital </a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital Harpur Trio Recital Tape 1965-11-1 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Paul Hindemith, Robert Schumann, C. P. E. Bach, Bohuslav Martinu. Recital held Nov. 1, 1965 at the College Theater. Creator An entity primarily responsible for making the resource Harpur Trio Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Hindemith, Paul, 1895-1963 Schumann, Robert, 1810-1856 Bach, Carl Philipp Emanuel, 1714-1788 Martinů, Bohuslav, 1890-1959. Date A point or period of time associated with an event in the lifecycle of the resource 1965-11-1 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019619356 39091019619406 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:18:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54204">Recital Harpur Trio</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital Harpur Trio Recital Tape 1965 spring Subject The topic of the resource Concerts Instrumental music Live sound recordings Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource Spring 1965 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019619398 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:02:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63307 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63307"> Recital Lenox String Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital Lenox String Quartet Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-10-15 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019607278 39091019607112 39091019607161 39091019607211 39091019607328 39091019607260 39091019607377 39091019607310 39091019607369 39091020096057 39091020096107 39091020096156 39091020096206 39091020096040 39091020096099 39091020096255 39091020096149 39091020096305 39091020096354