14
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/84c6f1eebee48135cb1e6956cca626e8.pdf
958f99d357ddc5634533f73480b75bc4
PDF Text
Text
STATE
UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
LENOX QUARTET
Chamber Music Series
September 3, 1975
Don A. Watters Theater
8:15 PM
�Peter Marsh, violin
Delmar Pettys, violin
Concert Series Tickets will
continue to be sold at intermissio n.
Anyone holding a single
admission ticket can credit its
cost towards the purchase of a
Series Ticket at that time.
Toby Appel, viola
Donald McCall, cello
QUARTET IN D MINOR
K. 421
Allegro moderato
Andante
Menuetto (Allegretto)
Allegretto, ma non troppo
MOZART
QUARTET IN C MINOR
opus 18, no. 4
Allegro ma non tanto
Scherzo (Andante scherzoso
quasi allegretto)
Menuetto (Allegretto)
Allegro
BEETHOVEN
INTERM ISSION
QUARTET IN F
Modéré - Très doux
Assez vif - Très rythmé
Très lent
Agité
RAVEL
�THE 1975-76 CONCERT SERIES
Sept 3 - Lenox Quart et
Oct 11 - Peter Marsh, violin
Walte r Ponce, piano
Oct 25 - Lenox Quart et
Nov 8
Nov 9 - Grace Feldman, viola da gamba
Paul Jordan, harps ichor d
Carol Ruper t, bassoon
Nov 23 - SUNY Chamber Players
Jan 24 - Walte r Ponce, piano
Feb 7 - Lenox Quart et
Feb 29 - Toby Appel , viola
Alber t Hamme, saxophone
Paul Jorda n, piano
Mar 13 - Lenox Quart et
Apr 24 - Lenox Quart et
May 2 - Seymour Fink, piano
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Recital, Lenox String Quartet, September 3, 1975
Recital tape 1975-9-3
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Works of Mozart, Beethoven, Ravel. Held at 8:15 pm, September 3, 1975, Watters Theater.
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1975-9-3
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-
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Oh Coward!, July 16, 1975
Recital tape 1975 7-17
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"Company A"--Case. Held July 17, 1975.
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1975-7-17
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sound
-
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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42:13
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Oh Coward!, July 16, 1975
Recital tape 1975 7-16
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"Company A"--Case. Held July 16, 1975.
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1975-7-16
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sound
-
https://omeka.binghamton.edu/omeka/files/original/0822f74fb87c4231642a4e39358e1831.pdf
b6b37d1e51a5d71ae2aca1942fe74931
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
LENOX QUARTET
Summer Series
June 2?, 1975 at 8:30 p.m.
Universit y Union Social Room
�Toby Appel, viola
Donald McCall, cello
Peter Marsh, violin
Delmar Pettys, violin
*******************************************************
Ludwig van Beethoven
Quartet in A minor, Op. 132
Assai sostenuto-Allegro
Allegro ma non tanto
Canzona di ringraziamento. Molto adagio
Alla Marcia, assai vivace
Allegro appassionato
INTERMISSION
Quartet No. 2 in D major
Allegro
Scherzo. Allegro
Notturno. Andante
Finale. Andante-Vivace
Alexander Borodin
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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21:12
31:00
31:08
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Title
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Recital, Lenox String Quartet, June 27, 1975
Recital tape 1975-6-27
Description
An account of the resource
Works of Beethoven and Borodin. Held at 8:30 pm, June 27, 1975, Social Room.
Creator
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Lenox String Quartet
Publisher
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Binghamton University Libraries
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1975-6-27
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In copyright
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sound
-
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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32:21: 38:31
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Recital, Lenox String Quartet, June 26, 1975
Recital tape 1975-6-26
Description
An account of the resource
Works of Schubert, Mendelssohn, Brahms and Beethoven. Held at 7:30 pm, June 26, 1975, Casadesus Recital Hall.
Creator
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Lenox String Quartet
Publisher
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Binghamton University Libraries
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1975-6-26
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/f045c9a0c112ec811a6b191e4ef7f789.pdf
8f2c496afcbf3b86ba5e5bd33c4fe4ad
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
LENOX QUARTET
Summer Series
June 20, 1975 at 8:30 p.m.
University Union Social Room
�LENOX QUARTET
Peter Marsh, violin
Delmar Pettys, violin
Toby Appel, viola
Donald McCall, cello
Quartet in Bb, Op. 76, no. 4
Joseph Haydn
"The Sunrise "
Allegro con spirito
Adagio
Menuetto (Allegro)
Finale. Allegro ma non troppo
Five Pieces, Op. 5
Heftig bewegt
Sehr langsam
Sehr bewegt
In zarter Bewegung
Anton Webern
INTERMISSION
Quartet in D minor, Op. post.
"Death and the Maiden"
Allegro
Andante con moto
Allegro molto
Presto
Franz Schubert
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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39:30
42:01
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Title
A name given to the resource
Recital, Lenox String Quartet, June 20, 1975
Recital tape 1975-6-20
Description
An account of the resource
Works of Haydn, Webern and Schubert. Held at 8:30 pm, June 20, 1975, Social Room.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-6-20
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/670637de397837174cec64a87756f2e4.pdf
cad9c25a8f04666668322527fd6604c9
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAM TON
Harpur College
Department of Music
LENOX QUARTET
with guest artist
Judy Geist, viola
Summer Series
June 13, 1975 at 8:30 p.m.
Univer sity Union Social Room
�Peter Marsh, violin
Delmar Pettys, violin
Toby Appel, viola
Donald McCall, cello
All Mozart Program
Quartet in G major, K. 387
Allegro vivace assai
Menuetto (Allegretto)
Andante cantabile
Molto Allegro
Wolfgang Amadeus Mozart
Quartet in C major, K. 465
Adagio
Andante cantabile
Menuetto
Allegro
Wolfgang Amadeus Mozart
INTERMISSION
Quintet in G minor, K. 516
Wolfgang Amadeus Mozart
Allegro
Menuetto
Adagio ma non troppo
Adagio
Allegro
Judy Geist, viola
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
29:50
28:46
37:30
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243412">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243412</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Lenox String Quartet with guest violist Judy Geist, June 13, 1975
Recital tape 1975-6-13
Description
An account of the resource
Works of Mozart. Held at 8:30 pm, June 13, 1975, Social Room.
Creator
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Lenox String Quartet
Geist, Judy
Publisher
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Binghamton University Libraries
Date
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1975-6-13
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/c4d7e88e8887d9348cc5e837c5e4f0df.pdf
f10e4beb235004fb4556b627de8631a5
PDF Text
Text
MUSIC FOR VIOLIN AND HARPSICHORD
Peter Marsh, vi o l i n
Christine Lindsay, harpsichord
For the Benefit of the Binghamton Youth Symphony
Tuesday June 10, 1975
Casadesus Recital Hall
8 : 3 0 pm
�Sonata No. 5 i n F minor,
E E 1018 ............................ J.S. R T ,
Adagio
Allegro
Adagio
Vivace
Sonata 0p. 9, No. IV in A major..........dJ.M. Leclair
Andante spirituoso
Sarabande
Largo
Allegro assai– Presto
INTERMISSION
Sonata 0p. 5 , No. VI i n C minor ........ J.M. L eclair
(Le Tombeau)
Grave
Allegro ma non troppo
Gavotta grazioso: andante
Allegro
Sonata No. 6 i n G major,
,
B Y 1019 . . . . . . . . . . . . . . . . . . . . . . . . . . . . J . S . Bach
Allegro
Largo
Allegro
Adagio
Allegro
�NOTES
Johann Sebastian Bach Sona tas V f minor and V I G —_— (BWV 1018–9)
In h is biography of Bach, J.N. Forkel says of the s ix sona tas f or v io l in and
ob l iga to harpsichord: “They were completed i n Cothen and can thus be counted among
the earl ies t of Bach’ s mas terpieces . . .The v io l in par t demands a mas ter ; Bach knew ,
the ins tr umen t’ s po t en t ia l i t ies and spared i t jus t as l i t t l e a s he spared h i s
harpsichord .” From this we can date the sonatas between 1718 and 1722, In la ter .
years, however , Bach mod ified their or ig ina l f orm, making al tera t ions i n the fi f t h
and, more par t icu larly, the six th of them, which passed through several versions ”
wi t h al terna te movements un t i l i n Le ipz ig i n 1731 when the fi n a l version , to be "
played this evening , emerged .
As to mu s ic a l s ta tur e, these Bach sona tas s tand w i t h any set wr i t t en by any
composer . The fi f t h and six th i n par t icu lar are unusua lly r ich i n contrapuntal
beauty and abound in ex traord inary chroma tic movement. They are m a r v e l s 3–par t
wr i t ing of the highes t order . The f minor sona ta i s a prof ound ly ser ious work i n
con tras t ing movements , The fi r s t movement i s a thr ee–par t inven t ion o f s o l e m n i t y
and depth . The 2nd (Allegro}has a vigorous polyphonic thrust. The 3rd movement
(Adagio) has a marvelous tex tural combina t ion of arpegg ia ted 32nd notes i n the
harpsichord , an ob l iga to to the s teady, 8th note, vo ice–lead ing chords i n the
v io l in . The Vivace fi na l e f ea tures a chroma t ic theme dr iv ing through drama tic
Dog
heavy counterpoint .
The six th (G ma jor) Sona ta contrasts the brood ing fi f t h wi t h br i l l ianc e of
the fi r s t movement . The 2nd i s a shor t , dec lama tory Largo . The centra l move–
ment, (3rd A l l eg r o) i s a Cemba lo so l o usher ed i n by t he d om inan t o f t he pr ec ed ing
movement . The 4 th movement (Adag io) f ea tures orna te, sinuous l ines back and f or th
between ins tr umen ts w i t h r ic h chroma t ic movemen t . A b m inor movement, i t ends
wi th an unusual twis t i n D ma jor , served as dominant f or the fi na l e Allegro , a
tr ip le meter dance–like movement wi t h unusual rhythmic S A T a o
Jean–Mar ie Lec la ir (1697–1764) Sonatas Opis 5 , no . 6 in C since “Le Tombeau1fand
~
Opus 9 no . 6 in A major
The Sona ta known as Le Tombeau i s representa t ive i n more than one respec t of
Lec la ir ’ s v io l in composi t ions , which undoubted ly mark him ou t as one of the fore–
mos t mu s ic ians of h i s t ime . The f a c t tha t t h i s sona ta was one of h i s f ew to sur –
v iv e i s c er ta inl y due to the mere chance o f i t s t i t l e . However t he t i t l e was no t
g iven to i t by Lec la ir h imse l f , and does no t appear on the,or ig ina1 ed i t ion . The
term Tombeau was used a t tha t time f or p iec es wr i t t en i n homage t o a mu s ic ian o r
to h is music af ter h is dea th–– of ten , dur ing the 16th and 17th centur ies, pavans
i
(hence, much la t er , Ravel ’ s “Pavane pour une inf ante d é f u n t e ) , and a lso
espec ially in France, allemandes, graves, or other slow pieces . Lec la ir ’ s con–
temporar ies seem to have g iven t h i s Sona ta i t s t i t l e , on account o f i t s open ing
Grave which quickly became popular , withou t at fi r s t a t tr ibu t ing any d efin i t e
purpose to the work. This i n turn may have been why the Sona ta was perf ormed
af ter Lec la ir ’ s death (he had been murdered a t night c lose to h is house in Paris))
a t the memor ia l concer t which h is colleaguesand f r iends presented on the 2nd
December , 1764 . ‘ I t was g iven on tha t occasion i n a version f or several instru–
ments arranged by h is pup i l Dupor t , and thus the Sona ta became a Tombeau i n the o
2
f u l les t sense of the word .
OVER
�Regarded as a whole, this four movement work i s a sonata da chiesa , which
f orm could inc lude dance mov ements. When considered more c losely , however, this
work proves to be so grea tly super ior to a l l i ts forerunners that i ts f ormal
or ig ins are of l i t t le account . The fi r s t movement, the celebrated Grave, '
r eca lls Lu l ly wi th i ts dotted rhythms and demi–semiquaver runs, but instead of the
sta tely and ma jest ic splendor of Lu l ly , thanks to the subt le use which Lec la ir
made of complex chordal rela t ionships, combined wi th retardations and ant ic ipa t ions
both harmonic and melod ic , i t i s an inward , cantab ile and deeply–f elt movement. '
I t was this aspect of Lec la ir ’ s music which h is contemporar ies sing led out f or
praise, f or example when the “Manure de France” referred to h is in 1738 as being
d ist ingu ished f or “le sentiment , l e doux, l e t endr e'. The most interest ing and
s ig nifican t movement as regards f orma l construc tion i s the last which a lmost
corresponds to c lassica l sonata f orm . Reference has of ten been made to Lec la ir ’ s
splendid bass parts, which f u l fi l l the basso continuo role in a new and ind iv idua l
way . In this case even more occurs. No t only does this f ourth movement beg in
wi th 17 bars of continuo alone, presenting impor tant thema tic ma ter ia l; the move–
ment i s also marked by the appearance of two themes on i t s fi r s t sec t ion and a
third theme a t the beg inning of i t s second sec tion––a prac tice which was to fi n d
favour wi t h c lassica l composers.’ F ina l ly , there i s a f u l l y fled g ed recapitula t ion,
a t fi r s t wi th accompanying arpeggios of the v io l in , wi th which i t backs up the
mus ica l argument presented i n the bass, then an exac t r e p e t i t i o n the bass
passage. This construc tion i s most unexpected in so ear ly a work––the Sonata was
wr it ten in 1734–~ and the result i s a lmost a c lassica l duo. The evolu t ion of t h e
c lassica l sonata f or v io l in and piano has to be seen in a new l ig h t . In Vienna '
the v io l in was added to a more or less complete keyboard work merely to provide
contrasts of tone colour , and the v io l in only gradually a t tained a greater measure
“of impor tance . In the case of Lec la ir , on the o ther hand , the star t ing po int was
the vir tuoso v io l in , wi th the harpsichord f unc t ioning as i ts independent par tner .
S ig n ifican t l y enough, th is movement ca l ls f or less v ir tuosity on the par t of the
v io l inis t than any of the other movements. Lec la ir was descr ibed by his con–
tenporar ies as being a ser ious, though tf ul man to whom a l l f a lse applause was
abhorrent . Never theless he gave ample scope f or v ir tuosity i n the second movement,
Allegro . Although this i s in common time, wi th i ts tr iplets and i ts exact d iv ision
into two parts i t i s c lear ly an offshoo t of the Ita l ian g igue ; here, too, the bass
par t s t i l l has more of the old continuo about i t . The piece abounds in cascades
of f ar–rang ing arpegg ios, which g l it t er wi t h a constant wea l th of new id eas .
The mag ica l , gracef ul and del ica te Alterna t ivo Gavotte, wi t h a midd le sec tion
in the ma jor , demonstrates the dancer, and ba l le t master Lec la ir ’ s great love of
the dance. Despite i t s s tyl iza t ion and decora t ion, wi t h sex tolets, groups of nine
no tes, suspensions and o ther ornaments, t h is p iec e i s s t i l l a pure gavo t te ; purest
in the Alterna t ivo sec t ion, despite the double stoppings and embellishments which
'
make considerable technica l demands on the v io l in is t .
Lec la ir was a lso a man of let ters who knew h is Ovid , V irg il , Mol iere and
Milton , as is shown by the library which he lef t a t h is death. Dur ing his l if e–
id e n t from t he
time he en joyed an in t er na t iona l r epu ta t ion , a f ac t wh ic h i s ev
wr it ings of Marpurg, Walther , Hawkins, and others. I t i s t ime to revive h is'
‘r epu ta t ion.
The Sonata in A ma jor Opus 9 , no . 6 comes from a la ter opus, one of Lec la ir ’ s
most “v ir tuoso ” sets . I ts br i l l ianc e contrasts the stern qua l i t i es of The
“Tombeau . ”
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:23
35:11
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243276">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243276</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Continuous
Dublin Core
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Title
A name given to the resource
Music for violin and harpsichord, June 10, 1975
Recital tape 1975 6-10
Description
An account of the resource
Works of Bach and Leclair. Held at 8:30 pm, June 10, 1975, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Marsh, Peter
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-06-10
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (80 min.) sound, color ; 4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
80 min.
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244299">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244299</a>
Collection
Big horror reading series (Binghamton Community Poets)
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Format
The file format, physical medium, or dimensions of the resource
video/mp4
Title
A name given to the resource
Jim Martin, John Miller and Todd Whitman with "Open Mike Part I" at the Amsterdam, May 18, 1993
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings from Jim Martin, John Miller, and Todd Whitman at the Amsterdam in Binghamton, N.Y. Several local poets read their works during "open mike" sessions both before and after the featured poets. The event was held on May 18, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Martin, Jim
Miller, John
Whitman, Todd
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1993/05/18
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
PS615 B56 1993 5-18 pt.1
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (90 min.) sound, color
4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
90 min.
Collection
Big horror reading series (Binghamton Community Poets)
Date of Digitization
7/28/22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243254">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243254 </a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Last Big Horror, Part IV hosted by Tom Haines featuring Barney Bush, Milton Kessler, Phil Clark, Michael Kelly, and Mike Tarcha at Amps, May 4, 1996
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings by Tom Haines, Barney Bush, Milton Kessler, Phil Clark, Michael Kelly and Mike Tarcha at Amp's in Binghamton, N.Y. The event was held on May 4, 1996 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Haines, Tom
Bush, Barney
Kessler, Milton
Clark, Phil
Kelly, Michael, 1934-
Tarcha, Mike
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1996/05/04
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Type
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Moving Image
Identifier
An unambiguous reference to the resource within a given context
PS615 B56 1996 5-4
Format
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video/mp4