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                    <text>The
HARPUR
JAZZ  ENSEMBLE
Albert  Hamme,  director
conductor
David Hibbard, 

Sunday , ﬂprl  4 , 1976
Don  ﬂ.  Waters  Theaetr
p
30:0  m

�Program
*************************&amp;*************%*ﬁ***********

RAY’S  IDEA 

arr.  by  Mitch  GEISNER

WHISPER  NOT 

Benny  GOLSON

CHICAGO 

D.  RADER

ONCE  I LOVED 

arr.  by  Phil  WOODS

LOW  DOWN 

MINOR  BOOZE 

W i l l i e  MAIDEN

JUMP  FOR  JOE 

Gene  ROLAND

TALK  OF  THE  TOWN 

arr.  by  Manny  ALBAM

DIRTY  OLD  MAN 

Frank  WESS

Thad  JONES­
kkk kk

TAKE  OUT  THE  GARBAGE 

Mitch  GEISNER

ANGEL  EYES 

arr.  by  Al  HAMME

COMES  THE  RESOLUTION 

Manny  ALBAM

–INTERMISSION–

This  Ensemble  was  established as  a  performance

medium  i n  1968  and  has  appeared  i n  co n ce r t  with The

BLUES  FOR  POLAND 
I REMEMBER  CLIFFORD 

Tony  KLATKA
Benny  GOLSON

arr.  by  Mitch  Geisner

Buﬀalo  Philharmonic  Orchestra,  Clark  Terry,  Marvin
Stamm,  Lew  Soloﬀ, Urbie  Green,  Frank  Wess,  Edie
Daniels,  Slam  Stewart,  Manny  Albam,  Jimmy  Owens  and
has  recorded  for  Crest and  Mark  Records.

�PERSONNEL
ALTO  SAX
Warren  Sacks
Robert Sarachan

PTANO

TENOR  SAX

BASS

Howard  Brown
Richard  Inch

Lee  Mustiker
Ira Antelis
Mel  Comberiati

Randy  Rockwell

BARITONE  SAX
Robert  Trachtenberg

GUITAR
David  Helefant

TRUMPETS
David  Hibbard
Mike  Kinney
Daniel  Bencher

DRUMS

Mike  Ward
John  Lamarka
TROMBONES

Miteh Geisner

Tony  Piazza
Steve  Shear

BASS  TROMBONE
Jim  Magacs

Steve  Press

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

THE  HARPUR
PERCUSSION  ENSEMBLE
Joe  Roma,  d i r e c t o r

with:
Bob  Bradley
Geoﬀrey Brooks
Diane  Dino
Bruce  Klinger
Keith Martens
Joe  Pazienza

Steve Press
Martin  Ricciardi
Roy  Weinberger

Saturday,  May  8,  1976

2 : 1 5  pm
Casadesus  Recital  Hall

�Program
s:uatau&gt;uu~:u&gt;e***&gt;m&gt;uﬂ************:M*&gt;Mx­me&gt;e&gt;eﬂatness,”

A LA  NANIGO 

MITCHELL  PETERS

THE  DOWNFALL  OF  PARIS 

TRADITIONAL

(snare  drum  solo)

NIGHT  MUSIC  FOR  PERCUSSION 

ROBERT  STARER

TOCCATA 

ROY  WEINBERGER

performed  by  Roy  Weinberger

performed  by  Joe  Pazienza
RAMBLE  RUMBLE  FOR  SNARE  DRUM 

SONATA  VI  FOR  VIOLIN  AND  PIANO 
MOVEMENT  II

MORRIS  GOLDENBERG

G.F.  HANDEL
performed  by  Bruce  Klinger

(transcribed  for  marimba  and  piano)
A LA  MANIERE  DE. ..
  .NO. 
 
&amp; 

performed  by  Keith  Martens

JACQUES  DELECLUSE

performed  by  Geoﬀrey  Brooks
SCHERZO  FOR  TIMPANI 

DIDIER  GRAIFFE

performed  by  Martin  Ricciardi

DOUBLING THE  DOWNFALL 

FRANK  ARSENAULT

performed  by  Bob  Bradley
HEATING  THE  RUDIMENTS 

CHARLES  S.  WILCOXON

performed  by  Steve  Press

VIOLIN  SONATA  NO.  3 
MOVEMENT  IT

G.F.  HANDEL

(transcribed  for  marimba  and  piano)
CONTRARHYTHMIC  OSTINATO 
f o r  percussion and  piano

COLE  IVERSON

performed  by  Diane  Dino
SCHERZO  FOR  PERCUSSION 

~Intermission–

WILLIAM  J.  SCHINSTINE

�The  director,  Joe  Roma,  is  a graduate  of  SUNY­

Binghamton,  where  he  received his B.A.  i n  Music  with
Honors.  Mr.  Roma  has  studied  p r ivat ely  with  David

Buttolph,  Ken  Craig,  Chris  Granger  and  Joe  Morello,
and  has  played  with  all  the  major  musical  organiza­
t i o n s  i n  th e  area a t  one  time  o r  another.  Besides
campus  organizations  t h i s  includes  th e   T r i ­ C i t i e s

Opera  Company,  the  Binghamton  Symphony,  the  B.C.  Pops
and  o th e r s .   In addition  t o  teaching  percussion a t
Harpur,  Mr.  Roma  i s  employed a t  local  public radio
s t a t i o n  WSKG­FM  i n  th e   capacity  o f  Announcer/Music

Librarian.

�</text>
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                    <text>STATE UNIVERSITY  OF N

E W  Y o r k  AT  BINGHAMTON 

Harpur College 
Department of  Music 

The Ha rpur W ind Ensemble
Albert  Hamme,  Director
Jay  Hilﬁger,  Graduate  Conductor
Asher  Raboy,  Undergraduate  Conductor

Presents

A  Bicente nnial C elebrat ion
2 0 0  Years of America n Music
Sunday,  March  14,  1976
8:15  pm

Don  A.  Watters  Theater

�¥

The  Harpur  Wind  Ensemble
********************44­396shhhhbhhhhi&gt;§***********&gt;§**ahhhf

AMERICAN  OVERTURE  FOR  BAND  (1955) 

Joseph  W.  JENKINS

FORTHCOMING  EVENTS
Mar  19 Margie  Graber,  piano  recital
20
27

Richard  WAGNER

AMERICAN  CENTENNIAL  MARCH  (1876) 
BATTLE  OF  TRENTON  (1792) 

at­

James  HEWITT

John  Philip SOUSA

CIVIL  WAR  FANTASY  (1961) 

Jerry  BILIK

TERMI SSI ON
I N 

COMMANDO  MARCH  (1 94 3) 

AN  AMERICAN  IN  PARIS (1928) 
VARIATIONS  ON  A SHAKER  MELODY  (1944) 

AMERICAN  SALUTE (1943) 

First  Presbyterian  Church,  Endicott

28 Eugene  Sawczyn,  voice  recital
28 Oberlin  Conservatory  Percussion  Ensemble
28 Larry  Bradford,  viola  recital

Apr  2 Geoﬀrey  Barron,  oboe  recital
3 Paul  Ketchoyian,  clarinet  recital

PRESIDENT  GARFIELD’S  INAUGURAL  MARCH  (1881) .

 
AN  ELLINGTON  PORTRAIT  ( 196 5) 

Diane  Pendleton,  piano  r e c i t a l
Paul  Jordan,  organ/harpsichord  recital

Samuel  BARBER

4 Jazz  Ensemble  concert
5 University  Chorus  and  Orchestra:
Carmina  Burana
23 David  Hoppe,  c e l l o  r e c i t a l
24 Concert  S e r i e s :   The  Lenox  Quartet
25 Wendy  Simpson,  piano  r e c i t a l
27 The  Marriage  of  Figaro
29 The  Marriage  of  Figaro
May  1 The  Marriage  of  Figaro
2 Carolyn  Berdall,  cello  recital
2 Concert Series:  Seymour  Fink.  piano
5 Collegium Musicum  concert
8 Jan  Lauridsen,  piano  r e c i t a l

George  GERSHWIN
Aaron  COPLAND

Floyd  E.  WERLE
Morton  GOULD

*  Music  made  available,  free  of  charge,  by  the  J.C
Penny  Co.

�PERSONNEL

PICCOLO

BASS  CLARINETS

CORNETS

Debbie  Sucho ﬀ

Laurie  Nash
Linda  Levine

Alfred  Szymaniak
David  Bespalko
Robert  Hayes
David  Cistola

FLUTES
ALTO  SAXOPHONES
Karen  Tax
Bethia  Margoshes
Kathy  S i t zer
Amy  Lipton

Andy  Weiss
Michael  Kolodny
Carl  Gutterman

OBOES

TENOR  SAXOPHONE

Matthew  Kuhn
R i chard  St e iner
Stuart  Small

Beth  Schoonmaker

TRUMPETS
Mario  Cerrino
Fred  Bartman
TUBAS
Mark  McAdon
Carmelo  Comberiati

BARITONE SAXOPHONE
ENGLISH  HORN

Richard  Inch

Matthew  Kuhn
FRENCH  HORNS
BASSOONS
Lo i s  Chant ry
Ingri d  Tomsons

Jay  Hilﬁger
Rod  Thomas
Robert  Taylor
Jim  Berriman

CLARINETS

TROMBONES

Mark  Zavatto
Donna  Booth
Paul  Ketchoyian
Cindy  Baldwin
Carol  Schneider
Frank  Bucek
Lori  Miller
Joanne  Oventhal
Ian  Cain

Richard  Gower
Stephen  Shear
Richard  Terrano

PERCUSSION
Roy  Weinberger
Geoﬀrey Brooks
Keith  Martens
Joe  Pazienza
Diane  Dino
Robert  Bradley
OFFICERS

E­ ﬂ at   CLARINET

Robert  Sarachan

BARITONES
Asher  Raboy
Kirk Jackson
Evan  Altman

Geoﬀrey Brooks,
pres i dent
Matthew  Kuhn,
vice  president
Cindy  Baldwin,
treasurer
Ingrid  Tomsons,
librarian

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON
Harpur College
Department of Music

LENOX  QUARTET

Summer  S e r i e s
June  1 ,   1974  a t   8:30  p.m.
U n i v e r s i t y   Union  S o c i a l   Room

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                    <text>SUMMER  SERIES 

Peter  Marsh,  violin 
Delmar  Pettys,  violin 

FOUR  EVENINGS  OF  CHAMBER  MUSIC
i 
J t J Q J Q J G J Q J Q A ’ J G i ’ i i i i i ﬁ i ’ a f d ’ a t ﬂ ' a t é i ’ d ’ a t ’ t i ’A ' ﬁ

JUNE  1 

s***nnnsn *******&amp;* **&amp;&amp;***i ssnssen*** ********n *i***sﬁ*

QUARTET  IN  D MAJOR,  opus  18,3 
Beethoven  opus  18,3
Bartok  Second  String  Quartet

JUNE  8
Haydn  opus  64,6
Prokoﬁev  Quartet  #2
Brahms  opus  61,2
Schubert  Quartetsatsz 
Beethoven  opus  18,4
Mendelssohn  D minor  Trio

QUARTET  #2,  opus  17  (1917) 

» 

BELA  BARTOK

Moderato

Allegro  molto,  capriceioso
Lento

( Walter  Ponce,  p i a n i s t )  
JUNE  22

LUDWIG  von  BEETHOVEN

Allegro
Andante  con  moto
Allegro
Presto

Ravel  Quartet  i n  F

JUNE  16

Toby  Appel,  viola
Donald  M c C a l l ,  cello

INTERMISSION

Mozart  K. 464

Beethoven  opus  69,1
QUARTET  IN  F 

i i ’ i l ’ l ’ i I ’ l i f é ﬁ ’ l ’ i ﬁ i ﬁ ‘ i ’ i ‘ l l ’ i ’ k i ‘ k i  

SERIES  ADMISSION:  $8.00  public,  $3.00  students 
SINGLE  ADMISSION: 

$2.50  p u b l i c ,   $1.00  students

s s
Modéré­ 
Trés  doux

Assez  vif­  Trés  rythme
Tres  lent
Agité

MAURICE  RAVEL

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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

LENOX  QUARTET

Summer  S e r i e s

J u n e   1 5 ,   1974  a t   8 : 3 0   p . m .
U n i v e r s i t y   Union  S o c i a l   Room

�SUMMER  SERIES 
FOUR  EVENINGS  OF  CHAMBER  MUSIC

Peter  Marsh,  violin 

Toby  Appel,  viola

Delmar  Pettys,  violin 

Donald  McCall,  cello

A***&amp;*&amp;liii*ii**&amp;********#***i***&amp;***i****ﬁ*&amp;***&amp;***i**

J k * J § # J § J l ’ i a t l t k i ’ k i i ’ i ’ a k i ’ i ' ﬂ t i ’ t d ’ i ' é t i i l ﬁ

JUNE  1 

QUARTETSATZ 

F.  SCHUBERT

Beethoven  opus  18,3
Bartok  Second  String  Quartet
Ravel  Quartet  i n  F

JUNE  8

Haydn  opus  64,5 
Prokoﬁev  Quartet  #2 
Brahms  opus  51,2 

JUNE  16 

L.  von  BEETHOVEN

Allegro  ma  non  tanto
)
Scherzo  (Andante  scherzoso  quasi  allegretto)
Menuetto  (Allegretto)

Schubert  Quartetsatz
Beethoven  opus  18,4 

Mendelssohn  D minor  Trio
( Walter  Ponce,  p i a n i st )  

JUNE  22

QUARTET  IN  C MINOR,  opus  18,4 

Allegro
INTERMISSION

Mozart  K.464

Beethoven  opus  59, 1 
i f J ‘ i ’ i ’ i ’ J k i ﬁ k ﬁ l k l k i i k i l k i é f ’ t l i 4 ’ l k i i i ﬁ ! ’

TRIO  NO.  1 IN  D MINOR 

Molto  allegro  ed  agitato
Andante  con  moto  tranquillo

SERIES  ADMISSION:  $8.00  public,  $3.00  students 

Scherzo.  Leggiero  e vivace

SINGLE  ADMISSION:  $2.50  publie,  $1.00  students 

Finale.  Allegro  assai  appassionato

Walter  Ponce,  p i a n i st

F.  MENDELSSOHN

�</text>
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                    <text>STAT E   UNIV ERSIT Y  O

F   N E W   YORK   A T   BING H
AMT ON

Harp ur College
Dep artm ent of Music

LENOX  QUARTET

Summer  S e r i e s
Jun e  8 ,   1974  a t   8:30   p . m .
U n i v e r s i t y   Uni on  S o c t a l   Room

�SUMMER  SERIES

Pete r  Marsh,  v i o l i n

Delmar  Pettys,  violin
FOUR  EVENINGS  OF  CHAMBER  MUSIC

Toby  Appel,  viola
Donald  McCall,  cello

&amp;*&amp;***&amp;**i***iii*********t**&amp;ii*****ﬁ*i&amp;*********i*&amp;*

A  %   xX % A  0k  A  A  A  A  X
k
  A  A  X
k
  A  A  X  A   k
X A  X  A  A  X  A  X  A  X
K

QUARTET  IN  D MAJOR  “The  Lark”
opus  64,95

JUNE  1

Beethoven  opus  18,3
Bartok  Second  String  Quartet
Ravel  Quartet  i n  F

JUNE  8
Haydn  opus  64,56
Prokoﬁev  Quartet  #2
Brahms  opus  61,2
JUNE  16

Schubert  Quartetsatz
Beethoven  opus  18,4

Mendelssohn  D minor  Trio

(Walter  Ponce,  pianist)
JUNE  22

Mozart  K.464
Beethoven  opus  69,1

x  A   x
X A A X  A  A  A  A   X
A A  A  X  A  A  A  A  A   XA A   X
x X   Xx X  X   X
x %

SERIES  ADMISSION:  $8.00  public,  $3.00  students
SINGLE  ADMISSION:  $2.50  publie,  $1.00  students

FRANZ  JOSEPH  HAYDN

Allegro moderato
Adagio  co n t a b i l e
Menuetto.  A l l egret t o
Finale.  Vivace
QUARTET  #2  (1942)

SERGEI  PROKOFIEV

Allegro sostenuto
Adagio
A l l egro

INTERMISSION

QUARTET  #2  IN  A MINOR,  opus  51,2

Allegro  non  troppo
Andante  moderato
Quasi  Minuetto,  moderato

Finale.  Allegro  non  assai

JOHANNES  BRAHMS

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

LENOX  QUARTET

Chamber  Music  Series
September  7 ,  1974

Don  A.  Wa t t e rs  T h ea t e r
8:16  p.m.

�Peter  Marsh,  violin 
Delmar  Pettys,  violin 

Toby  Appel,  viola
Donald  McCall,  cello

ahhhht­thﬁx­X­thhhhhhhhf*****************************

Concert  S e r i e s  T i c k e t s  w i l l  
continue  t o  b e   s o l d  a t  i n t e r m i ss i o n .

. 
’ 
Anyone  holding 
a single 
4 
; 
 ao . 

admission  t i c k e t  can  c r e d i t  i t s  

cost  towards  the  purchase  of 

a  S e r i e s  T i c k e t  a t  th at   t i m e.

QUARTET  IN  E FLAT  MAJOR

op.  33,  no.  2 (THE  JOKE) 

Allegro  moderato,  cantabile
Scherzo :(Allegro)

F.  Haydn

o
argo  sostenuto
Presto

QUARTET  IN  G MINOR,  op.  10 
Anime  e t  t r e s  d e c i d e

Debussy

Assez  vif  et  bien  rythme
Andantino,  doucement  expressif
Tres  modere  ­ Tres  mouvemente  et  avec
passion

INTERMISSION
QUARTET  IN  C MAJOR,  op.  69,  no.  3 
Beethoven
Andante  con  moto  ­ Allegro  vivace
Andante  con  moto  quasi  Allegreto
Menuetto  (Grazioso)
Allegro  molto

�THE 1974–75  CONCERT  SERIES
Sept 7
Oct 5
Oct 19

Nov 9

Nov 24
Dec 13

Feb 2
Feb 22
Mar 16
Apr 3
Apr 13

ne

8­74

Lenox  Quartet
Peter Marsh,  v i o l i n
&amp; W.  Ponce,  piano
Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
&amp; W.  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON

Harpur College
Department of Music

LENOX QUARTET

Sunday, April 13, 1974
8:15 PM
Don A. Watters Theater

�Peter Marsh, violin
Delmar Pettys, violin

Toby Appel, viola
Donald McCall, cello

QUARTET IN G MAJOR
opus 18, No. 2

LUDWIG VAN BEETHOVEN

Allegro
Adagio cantabile
Scherzo (Allegro)
Allegro molto quasi presto

SINCRONIE FOR STRING QUARTET
( 1967)

LUCIANO BERIO

INTER MISSI ON

QUARTET IN A MAJOR
opus 2
Allegro
Allegro
Tema con variazion i
Tema. - Andantino
Var 1 - Poco Tranquillo
Var 2 - Poco Agitato
Var 3 - Andante
Var 4 - Vivace scherzand o
Finale. Allegro

REINHOLD GLIÈRE

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                    <text>STATE University OF N e w  York AT BINGHAMTON 

Harpur  College
Department of  Music

The Lenox Q uartet
Peter Marsh,  vi o l i n

Delmar  Pettys,  violin
Toby  Appel,  viola
Donald  McCall,  cello
Guest  Artists:
David  Niethamer,  clarinet
David  Heiss,  c e l l o

Saturday,  April  24,  1976
8:15  pm

Don  A.  Watters  Theater

�Program
JUN­JUN“!­il­3h!­ab hhhhhhl'él'il'X'x­ihk d­X'Jl'al'JGx­ﬁi'i'i­th l'ﬁhhl'akahhhhhhhl­ ahhi

QUARTET,  Opus  103
STRING 
a 

F.  JOSEPH  HAYDN

Ultimo”

David  Niethamer  holds  degrees  from  the  Lebanon
Valley  College,  the  Juilliard  School,  and  the  Man­

  de­
M
hattan School  o f  Music,  where  he  earned  the M

gree  as  a  student  o f  Leon  Russianoﬀ.  As  a  s o l o i s t
he  has  appeared with  the  Reading  Philharmonic,  the

Andante  grazioso

Menuetto ma  non  troppo  p r est o

CLARINET  QUINTET,  K.  581 

W.  A.  MOZART

Allegretto
Larghetto
Menuetto
Tema  con variazio ni

David  Heiss,  a  student  of  Donald  McCall,  has  been
playing  the  cello  since  the  age  of  seven.  He  has
been  heard  i n  r e c i t a l  and  as  s o l o i st  with severa l
area orchest ras.  He  i s  the  principle c e l l i s t  o f   the
Harpur  Symphony  Orchestra  and  the  Tri­Cities  Opera

David  Niethamer,  clarinet

~Intermission–

CELLO  QUINTET,  Opus  163 

Allegro  ma  non  troppo
Adagio

Scherzo:  Presto,  andante  sostenuto
Allegretto

David  Heiss,  c el l o

Bergen  Youth  Orchestra,  and  the  South  Orange  Sym­
phony.  Currently  Mr.  Niethamer  is  a member  of  the
Riverside  Chamber  Players  of  New  York  City,  the
Catskill Woodwind  Quintet and  the Catskill  Symphony
Orchestra.  He  is  on  the  faculty  at Hartwick  Col­
lege,  Oneonta,  and  the  State  University  of  New  York
at  Binghamton.

FRANZ  SCHUBERT

Orchestra.  A senior a t  SUNY  ­  Binghamton,  Mr.  Heiss
i s  th e  r e c i p i e n t  o f   the 1976  SUNY  Foundation  Fine
Arts  Award  i n  Music.

�FORTHCOMING  EVENTS

Apr  25
27
28
29
30

Wendy  Simpson,  piano  r e c i t a l
The  Marriage  o f   Figaro
Charles  Brewer,  harpsichord r e c i t a l
The  Marriage  o f  Figaro

David  Hoppe,  c e l l o  r e c i t a l
The  Marriage  o f   Figaro
2 Concert Serie s:  Seymour  Fink,  piano
3 David  Hibbard,  trumpet  r e c i t a l

May 1

5
8
8
9
16
21

Collegium Musicum  concert
Percussion Ensemble  concert
Jan  Lauridsen,  piono  r e c i t a l
Albert Marikov,  vi o l i n  r e c i t a l

Margie  Graber,  piano  r e c i t a l
Evelina Chao,  vi o l i n  r e c i t a l

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                    <text>STATE  UNIVERSITY  OF  N EW  YORK  AT  BINGHAMTON
Harpur College
Department of  Music

LENOX  QUARTET
with  guest artist
SEYMOUR FINK,  piano

Chamber  Music  Series
December  13,  1974
8:15  PM

Don  A.  Watters  Theater

�Peter Marsh,  v i o l i n

Delmar  Pettys,  violin

Toby  Appel,  viola
Donald  McCall,  cello

&gt;(­&gt;(­J(­41­26JG**********d~*********************************

QUARTET  IN  G MAJOR

FRANZ  JOSEPH  HAYDN

opus  ls  WHOL

THE  1974–75  CHAMBER  MUSIC  SERIES
Dec 13

Feb 2
Feb 22
Mar 16
Apr 3
Apr 13

Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
Walter  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

Allegro  moderato
Adagio
Menuetto:  Presto
Finale:  Presto

QUARTET  NO.  4 (World  Premiere)

EZRA  LADERMAN

in  one  movement

INTERMISSION

PIANO  QUINTET  IN  A MAJOR
opus  81

Allegro  ma  non  tanto
Dumka.  Andante  con  moto
Scherzo.  Molto  vivace
Finale.  Allegro
Seymour  Fink,  piano

ANTONIN  DVORAK

�Notes  on  String  Quartet  No. 4

by
Ezra  Laderman

String  Quartet  No. 4,  commissioned  by  the  Lenox  String  Quartet, was
completed  in  August  of  1974.  The  Quartet  is  in  one  continuous  movement with
four  connected  sections.  The  ﬁ rs t  section  is  a  series  of  ever–extending
soloistic  phrases  against which  subsidiary  material  underscores  the  qualities
found  in  each  solo.  These  solos  emerge  as  four  distinct  characters :  Violin
I, whose  dynamic  range  is  from  ppp  to  ﬀ f ,  whose  gesture  is  romantic,  whose
tempi  is  andante/rubato, whose  sound  is  warm  and  expressive, whose  attitude
is  quixotic,  whose  harmonic  language  is  chromatic  and  whose  meter  is  5/4 and
its  derivatives;  Violin  II has  a  dynamic  range  that  is  either  piano  or  mezzo
forte  or forte,  its  gesture  is  nee–classic,  its  tempo  is  very  strict, its
sound  is  secco (dry),  its  attitude  is  cool  yet  satiric,  its  harmonic  language
is  astringent (dissonant within  a  tonal  compass),  its  meter  2/4 (6/8);  the
Viola ’s  dynamic  range  has  sudden  dramatic  shifts  and  levels  of  intensity, his
gesture  is  expressionistic,  the  tempo  has  violent  extremes,  the  sound  encom–
passes  a  totality  of  possibilities,  the  attitude  is  dramatic  and  destructive,
the  harmonic  language  is  aleatoric,  pointillistic  as  well  as  modal, and  the

meter  is  free;  the  Cello ’s  dynamic  range  is  well  deﬁned for  each  of  its

sections,  its  gesture  is  nee–baroque,  its  tempo  is  ﬂ owing  (never–ending),
its  sound  is  rich  and  expansive,  its  attitude  is  compassionate,  its  harmonic

language  is  triadic  fourths  and  ﬁf ths and  its  meter  is  3/4 (9/8).

At  the  end  of  the  last  solo  taken  by  the  Cello,  the  Viola  suddenly  ¢­
emerges, forming  a  transitional  passage  into  the  second  section  of  the  quartet.
The  second  section  is  a  series  of  four  duets  pitting  the  contrasting  elements
against  each  other;  the  ﬁ rs t  duet  engages  the  two  Violins,  the  second  duet
the  Viola  and  Cello,  the  third  duet  the  Violin  I  and  the  Cello  and  the  last
duet  the  Violin  II  and  the  Viola.  It  is  during  the  last  duet  that  the  third
and  then  the  fourth  voice  joins..  The  third  section  begins  at  a  point (measure
199) when  the  four  voices  are  for  the  ﬁ rs t  time  equal.  The  four  voices  at
ﬁ rs t  go  their  separate  ways.  Perceptively  though,  they  begin  and  do  merge
(measure  223) forming  a  uniﬁed  oneness  that  lasts  for  one  glorious  moment
(an  inﬁnity).   The  diﬀering  lines  compress  until  the  ﬁ nal  contour  of  a new
evolved  line  emerges (measure  275).  The  new  phrase  established, a series  of
propulsive  variants  explodes,  exhalting  in  the  moment,  culminating  and  ending

at  measure  384.

The  transﬁgura tion  of  the  material  over, only  the  underlining  ﬁgurations
from  Section  1  remain.  The  concluding  section  is  concerned  with  the  attempt
to  organize  these  subsidiary  gestures  into  recognizable  structures.  These
shapes  become  fewer  and  fewer  until  all  are  disintegrated,  gone.  The  coda
(measure  425) is  a  recall,  a  tear,  a  moment  suspended  in  time.

�</text>
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