142
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/c0600080a9f16a70993046504182c9a5.pdf
757c3a83c6cde4e41f64e2e364327f80
PDF Text
Text
STATE UNIVERSITY OF NEW York AT BINGHAMTON
‘Harpur College
Departmentof Music
T H E L E N OX Q UA RT E T
Saturday, March 13, 1976
8:15 pm
Don A. Watters Theater
�Toby Appel, viola
Peter Marsh, violin
Delmar Pettys, violin Donald McCall, ‘cello
* * # * * * * ’ * * * * * x ~ * % * * > ( 3 ( J h ( * 3 9 h“ ? af ’ b l X * * * * * * J ¥ * * * * * * * * x ~ * * * * * *
FORTHCOMING EVENTS
Mar 14
19
20
27
28
28
28
Apr
2
3
4
5
23
24
26
27
29
May
1
2
5
8
Wind Ensemble concert
Margie Graber, piano recital
Diane Pendleton, piano r e c i t a l
Paul Jordan, organ/harpsichord
First Presbyterian Church, Endicott
Eugene Sawezyn, voice recital
Larry Bradford, viola recital
Oberlin Conservatory Percussion
Ensemble concert
Geoffrey Barron, oboe recital
Paul Ketchoyian, clarinet recital
Jazz Ensemble concert
University Chorus and Orchestra:
Carmina Burana
David Hoppe, cello recital
Opus 50, no. 6 “The Frog”
Allegro
Poco Adagio
Menuetto (A l legretto)
Finale (Allegro con spirito)
Collegium Musicum concert
Jan Lauridsen, piano r e c i t a l
SCHUMANN
QUARTET IN A MAJOR
Opus 41, no. 3
Andante espressivo Allegro molto moderato
Assai agitato
Adagio molto
Finale (Allegro molto vivace)
Concert S e r i e s : The Lenox Quartet
Wendy Simpson, piano recital
The Marriage of Figaro
The Marriage of Figaro
The Marriage of Figaro
Carolyn Berdall, cello recital
Concert Series: Seymour Fink, piano
HAYDN
QUARTET IN D MAJOR
–INTERMISSION–
QUARTET IN C MAJOR
Opus 69, n o . 3
Andante con moto Allegro vivace
Andante con moto quasi Allegretto
Menuetto (Grazioso)
Allegro molto
BEETHOVEN
�NOTICE
At th e re qu est o f Campus Security we make t h e
following announcement:
Any cars parked by fi r e hydrants, yellow curbs,
o r i n 24 hour disabled spaces are subject t o being
towed away a t th e owner’s expense. I f your v e h i c l e
i s i n any o f these areas, please move i t immediately.
Your cooperation i s appreciated.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
56:46
31:34
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244767">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244767</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Lenox String Quartet, March 13, 1976
Recital tape 1976 03-13
Description
An account of the resource
Works of Haydn, Schumann and Beethoven.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-03-13
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/2157b34c247df01c848123a66b0b7da9.pdf
59f6539982b6825c73313e35349c3d2f
PDF Text
Text
THE
LENOX
STRING
QUARTET
�Peter Marsh, vi o l i n
Delmar Pettys, violin
Toby Appel, viola
Donald McCall, cello
A d d J U N G 5 & 1 i i J U D E i i ka a h l a h h h h h h k i ' M H Ea l J h fi i ' X J G xx ' x a h k xx t h fi
THE 1974–75 CHAMBER MUSIC SERIES
Oct 19
Feb 2
Feb 22
Mar 16
Lenox Quartet
Paul Jordan,
organ and recorder
Christine Lindsay,
harpsichord
Walter Ponce, piano
Lenox Quartet
Lenox Quartet
Lenox Quartet
Donald McCall, cello
Apr 3
Apr 13
Lenox Quartet
Nov 9
Nov 24
Dec 13
Walter Ponce, piano
QUARTET IN D MAJOR, K. 499
("THE HOFFMEISTER")
Allegretto
Menuetto (Allegretto)
Adagio
Allegro
QUARTET NO. 4 (1928)
Allegro
Prestissimo, con sordino
Non troppo lento
Allegretto pizzicato
Allegro molto
W. Mozart
B. Bartok
Dorian Quintet
INTERMISSION
QUARTET IN B FLAT MAJOR, OPUS 67
Vivace
J. BRAHMS
Andante
Agitato, Allegretto non troppo
Poco A l l e g r e t t o eon Variazioni
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:57
25:18
35:43
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243380">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243380</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingContinuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Lenox String Quartet, October 19, 1974
Recital tape 1974 10-19
Description
An account of the resource
Works of Mozart, Bartok, and Brahms. Held at 8:15 pm, October 19, 1974, Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-10-19
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/8eb93c5199a9c42aaaeeb300be405c3e.pdf
16e305fe37cf073c5f08b0b8587e9993
PDF Text
Text
STATE UNIVERSITY OF NEW
YorkAT
BINGHAMTON
Harpur College
Department of Music
LENOX QUARTET
October 25,
1975
8:15 PM
Don A. Watters Theater
�Peter Marsh, violin
Delmar Pettys, violin
OTHER .FORTHCOMING CONCERTS
Oct 26 - Harpur Jazz Ensemble
Oct 31 - Ronald Copes, violin
Nov 6 - Larry Bradford, viola
Nov 8 - Grace Feldman, viola da gamba
Paul Jordan, harpsichord
Carol Rupert, bassoon
Nov 9 - Feldman, Jordan, Rupert
Nov 14 - Alma Ponce, voice
QUARTET IN D MAJOR
opus 18, no. 3
Toby Appel, viola
Donald McCall, cello
L. van BEETHOVEN
Allegro
Andante con moto
Allegro
Presto
QUARTET IN E-FLAT MAJOR
opus 74 "The Harp"
L. van BEETHOVEN
Poco adagio - Allegro
Adagio, ma non troppo
Presto
Allegretto con variazioni
INTERMISSION
QUARTET IN E MINOR
opus 59, no. 2
Allegro
Molto adagio
Allegretto
Presto
L. van BEETHOVEN
�THE 1975-76 CONCERT SERIES
Oct 25 - Lenox Quartet
Nov B
Nov 9 - Grace Feldman, viola da gamba
Paul Jordan, harpsichord
Carol Rupert, bassoon
Nov 23 - SUNY Chamber Players
Jan 24 - Walter Ponce, piano
Feb 7 - Lenox Quartet
Feb 29 - Toby Appel, viola
Albert Hamme, saxophone
Paul Jordan, piano
Mar 13 - Lenox Quartet
Apr 24 - Lenox Quartet
May 2 - Seymour Fink, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
26:02
34:06
39:37
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244724">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244724</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Lenox String Quartet, October 25, 1975
Recital tape 1975-10-25
Description
An account of the resource
Works of Beethoven. Held at 8:15 pm, October 25, 1975, Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-10-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/55100a8a4d7e25d769e0d82df12e9aee.pdf
421bc61badfd496a08ebbdc673cc54ad
PDF Text
Text
THURSDAY RECITALS AT 1:10
JEAN CASADESUS RECITAL HALL, SEPT. 12, 1974
Ho
ie,
' ce
%
Walter Ponce, plano
W
a
n
k
.
m
' m
”
h
a
m
.
“
Brahms
Quartet in A minor, Opus 51, No. 2
Allegro non troppo
Andante moderato
Quasi Minuetto, moderato
Allegro non assai
The Lenox 3triag Quartet
Peter Marsh, violin
Toby Appel, viola
Delmar Pettye, violin
Donald McCall, cello
l
>»
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
34:11:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243344">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243344</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Lenox String Quartet, September 12, 1974
Recital tape 1974 9-12
Description
An account of the resource
Held September 12, 1974
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-9-12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/84c6f1eebee48135cb1e6956cca626e8.pdf
958f99d357ddc5634533f73480b75bc4
PDF Text
Text
STATE
UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
LENOX QUARTET
Chamber Music Series
September 3, 1975
Don A. Watters Theater
8:15 PM
�Peter Marsh, violin
Delmar Pettys, violin
Concert Series Tickets will
continue to be sold at intermissio n.
Anyone holding a single
admission ticket can credit its
cost towards the purchase of a
Series Ticket at that time.
Toby Appel, viola
Donald McCall, cello
QUARTET IN D MINOR
K. 421
Allegro moderato
Andante
Menuetto (Allegretto)
Allegretto, ma non troppo
MOZART
QUARTET IN C MINOR
opus 18, no. 4
Allegro ma non tanto
Scherzo (Andante scherzoso
quasi allegretto)
Menuetto (Allegretto)
Allegro
BEETHOVEN
INTERM ISSION
QUARTET IN F
Modéré - Très doux
Assez vif - Très rythmé
Très lent
Agité
RAVEL
�THE 1975-76 CONCERT SERIES
Sept 3 - Lenox Quart et
Oct 11 - Peter Marsh, violin
Walte r Ponce, piano
Oct 25 - Lenox Quart et
Nov 8
Nov 9 - Grace Feldman, viola da gamba
Paul Jordan, harps ichor d
Carol Ruper t, bassoon
Nov 23 - SUNY Chamber Players
Jan 24 - Walte r Ponce, piano
Feb 7 - Lenox Quart et
Feb 29 - Toby Appel , viola
Alber t Hamme, saxophone
Paul Jorda n, piano
Mar 13 - Lenox Quart et
Apr 24 - Lenox Quart et
May 2 - Seymour Fink, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:29:08
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244710">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244710</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Lenox String Quartet, September 3, 1975
Recital tape 1975-9-3
Description
An account of the resource
Works of Mozart, Beethoven, Ravel. Held at 8:15 pm, September 3, 1975, Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-9-3
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/6c0acdade58ab2022390ee071e56e92e.pdf
886835e2f3bb34a5e0068b6ef77e6bf1
PDF Text
Text
STATEljnnmnsn1’or.Nzwrlknu:ATIBn«nnuu10N
Harpur College
t
sic
n
oeMu
m
Depart f
Martin Hass, piano
Saturday, December 6, 1976
3:00 pm
Casadesus Recital Hall
�Martin Kass, piano
413656>(**************>fi*******>fltdXiX’XiJkiafiiJGX’JGXXXi’afixXahhf
J.S. BACH
PRELUDE AND FUGUE IN C–SHARP MINOR
from Book I of the Well Tempered
Clavier
SYMPHONIC ETUDES
op. 13
R. SCHUMANN
I N T E R M I S S I 0 N
SONATA IN BFLAT
F. SCHUBERT
op. post,
Molto moderato
Andante sostenuto
Scherzo: Allegro vivace con delicatezza
Allegro ma non troppo
For Mr. Kass, t h i s r e c i t a l i s
given in partial fulfillment of
the requirements for the degree
Master of Music.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:15
37:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244740">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244740</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Martin Kass, December 6, 1975
Recital tape 1975-12-06
Description
An account of the resource
Works of Bach, Schumann and Schubert. Held at 3:00 pm, December 6, 1975, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kass, Martin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-12-06
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c8f72cb87315c952a213d320673aac29.pdf
a18b5b40581b1d8ffd1ad3bbd5d1f4c8
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
PAUL HERSH Pianist
Sunday, October 4, 1970
8 :1 5 p.m.
Don A . Watters Theater
PROGRA M
Partita No. 1 in B Flat
J. S. Bach
Praeludium
Allemande
Corrente
Sarabande
Menuet I
Menuet II
G igue
Davidsbundle r, Opus 6
Robert Schum ann
I. Lebhaf t
II. Innig
III. Mit Humor
X. Balladenm’assig, Sehr ras ch
XI. Einfach
XII. Mit Humor
IV . Ungeduldig
XIII. W ild and lustig
V . Einfach
VI. Sehr rasch
VII. Nicht Schnell
XIV . Zart and sing end
XV . F risch
XVI. Mit gutem Hu mor
VIII. F r isch
XVII . W i e a us der F er ne Coda
IX. Lebhaft
XVIII. Nicht Schnell
Intermission
Sonta in A Flat, Opus 110
Ludwig van Beethove n
Moderato can tabile molto espressivo
Allegro molto
Adagio, ma n on troppo A rioso dolente Fuga, Alleg ro, ma non troppo
FUTURE EV ENTS
OCTOBER 15, 16, 17, 22, 23 and 24,
Music Recital Ha ll
8:15 p.m.
LENOX STRING QUARTET
Beethoven Quar tet Series
TUESDAY, OCTO BER 27, 8 :15 p. m .
Don A. Watters T heater
COLLEGE WIND ENSEMBLE
Albert Hamme, Director
TUESDAY, NOVE MBER 3, 8 :15 p. m .
Don A. Watters T heater
COLLEGE ORCH ESTRA CONCER T
David Buttolph, Director
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:03:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63302
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63302"> Paul Hersh, Pianist, Recital/a> </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Paul Hersh, October 4, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Schumann, and Beethoven. Held at 8:15 pm, October 4, 1970, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Hersh, Paul
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-10-4
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Beethoven, Ludwig van, 1770-1827
Schumann, Robert, 1810-1856
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607393
39091019607286
39091019607336
-
https://omeka.binghamton.edu/omeka/files/original/45f60538ba63948a8c4e80d1ec00f049.pdf
3da9f6bb66a703dbf1b7adab00d64d6e
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
Presents
PAUL HERSH -- Pianist
Sunday, September 14, 1969
8:45 p.m.
The Don A. Watters Theater
�PROGRAM
Ludwig Van Beethoven
Sonata in C minor, Op. 111
Maestoso, Allegro con brio ed appassionato
Arietta. Adagio molto semplice e çantabile
I NTER M ISSI ON
The Goldberg Variations
Johann Sebastian Bach
A RIA
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
V ariatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
Variatio
V ariatio
1. a 1 Clav.
2. a 1 Clav.
3. Canone ALL ' UNISONO, a 1 Clav.
4. a 1 Clav.
5. a 1 overo 2 Clav.
6. CANONE ALLA SECONDA, a 1 Clav.
7. a 1 overo 2 Glav.
8. a 1 Clav.
9. CANONE ALLA TERZA, a 1 Clav.
10. Fughetta, a 1 Clav.
11. a 2 Clav.
12. CANONE ALLA QuARTA
13. a 2 Clav.
14. a 2 Clav .
15. CANONE ALLA QUINTA, a 1 Clav.
16. O uverture, a 1 Clav.
17. a 2 Clav .
18. CANONE ALLA SESTA, a 1 Clav.
19. a 1 Clav.
20. a 2 Clav.
21. CANONE ALLA SETTIMA
22 . a 1 Clav. Alla breve
23. a 2 Clav.
24. CANONE ALL 'OTTAVA, a 1 Clav.
25. a 2 Olav.
26. a 2 Clav.
27. CANONE ALLA NONA, a 2 Clav.
28. a 2 Clav.
29. a 1 overo 2 Clav.
30. a 1 Clav. Quodlibet
ARIA DA CAPO
�PROGRAM NOTES
It was in the light of what he had said, he went on, that the work he was speaking
of in particular, Sonata Op. 111, was to be regarded. And then he sat down at the cottage piano and played us the whole composition out of his head, the first and the
incredible second movement, shouting his comments into the midst of his playing and
in order to make us conscious of the treatment demonstrating here and there in his
enthusiasm by singing as well; altogether it made a spectacle partly entrancing, partly
funny; and repeatedly greeted with merriment by his little audience. For as he had a
very powerful attack and exaggerated the forte, he had to shriek extra loud to make
what he said halfway intelligible and to sing with all the strength of his lungs to emphasize vocally what he played. With his lips he imitated what the hands played. "Tumtum, tum-tum, tum-tr-r!" he went, as he played the grim and startling first notes of the
first movement; he sang in a high falsetto the passages of melodic loveliness by which
the ravaged and tempestuous skies of the composition are at intervals brightened as
though by faint glimpses of light. At last he laid his hands in his lap, was quiet a
moment, and then said: "Here it comes!" and began the variations movement, the
"adagio m.olto semplice e cantabile ."
The arietta theme, destined to vicissitudes for which in its idyllic innocence it
would seem not to be born, is presented at once, and announced in sixteen bars, reducible
to a motif which appears at the end of its first half, like a brief soul-cry-only three
notes, a quaver, a semiquaver, and a dotted crotchet to be scanned as, say: "heav-en's
blue, lov-ers' pain, fare-thee well, on a-time, mead-ow-land"-and that is all. What now
happens to this mild utterance, rhythmically, harmonically, contrapuntally, to this pensive, subdued formulation, with what its master blesses and to what condemns it, into
what black nights and dazzling flashes, crystal spheres wherein coldness and heat, repose
and ecstasy are one and the same, he flings it down and lifts it up, all that one may
well call vast, strange, extravagantly magnificent, without thereby giving it a name,
because it is quite truly nameless; and with labouring hands Kretschmar played us all
those enormous transformations, singing at the same time with the greatest violence:
"Dim-dada!" and mingling his singing with shouts. "These chains of trills!" he yelled.
" These flourishes and cadenzas! Do you hear the conventions that are left in? Herethe language- is no longer- purified of the flourishes-but the flourishes-of the appearance-of their subjective-domination-th e appearance-of art is thrown off-at
last-art always throws off the appearance of art. Dim-dada! Do listen, how herethe melody is dragged down by the centrifugal weight of chords! It becomes static,
monotonous-twice D , three times D , one after the other- the chords do it-dim-dada!
Now notice what happens here- "
It was extraordinarily difficult to listen to his shouts and to the highly complicated
music both at once. We all tried. We strained, leaning forward, hands between knees,
looking by turn at his hands an d his mouth. The characteristic of the movement of
course is the wide gap between bass and treble, between the right and the left hand, and
a moment comes, an utterly extreme situation, when the poor little motif seems to hover
alone and forsaken above a giddy yawning abyss-a procedure of awe-inspiring unearthliness, to which then succeeds a distressful making-of-itself-small, a start of fear as it
were, that such a thing could happen. Much else happens before the end. But when it
ends and while it ends, something comes, after so much rage, persistence, obstinacy,
extravagance: something entirely unexpected and touching in its mildness and goodness.
With the motif passed through m any vicissitudes, which takes leave and so doing becomes itself entirely leave-taking, a parting wave and call, with this D G G occurs a
slight change, it experiences a small melodic expansion. After an introductory C, it puts
a C sharp before the D , so that it no longer scans "heav-en's blue," "mead-owland," but
"0-thou heaven's blue," "Green-est meadowland," "Fare-thee well for aye," and this
added C sharp is the most moving, consolatory, pathetically reconciling thing in the
world. It is like having one's hair or cheek stroked, lovingly, understandingly, like a deep
and silent farewell look. It blesses the object, the frightfully harried formulation, with
overpowering humanity, lies in parting so gently on the hearer's heart in eternal farewell that the eyes run over. "Now for-get the pain," it says. "Great was-God in us."
" 'Twas all- but a dream," " Friendly-be to me." Then it breaks off. Quick, hard
triplets hasten to a conclusion with which any other piece might have ended.
Thomas M ann-Dr. Faustus
�The Goldberg Variations were first published in 1742 by Balthasar Schmid in
N urnberg under the modest title: "Keyboard-practice, consisting of an Aria with different variations for the harpsichord with two manuals. Prepared for the enjoyment of
music lovers by Johann Sebastion Bach, Polish Royal and Saxon electoral court-composer,
director and choir master in Leipzig." The Aria appears as a Sarabande in Anna Magdalena Bach's notebook of the year 1725.
About the composition of these variations, Forkel tells the following story, which,
for all its doubtful character, has permanently attached to them the name of Bach's
pupil, Johann Gottleib Goldberg.
"For this model, upon which all sets of variations should be formed (although for
comprehensible reasons not a single set has yet been thus made), we have to thank the
instigation of the former Russian ambassador to the electoral court of Saxony, Count
Kaiserling, who often stopped in Leipzig and brought there with him the aforementioned
Goldberg, in order to have him given musical instruction by Bach. The Count was often
ill and had sleepless nights. At such times, Goldberg, who lived in his house, had to
spend the night in an antechamber, so as to play for him during his insomnia. Once
the Count mentioned in Bach's presence that he would like to have some clavier pieces
for Goldberg, which should be of such a smooth and somewhat lively character that he
might be a little cheered up by them in his sleepless nights. Bach thought himself best
able to fulfill this wish by means of Variations, the writing of which he had until then
considered an ungrateful task on account of the repeatedly similar harmonic foundation.
But since at this time all his works were already models of art, such also these variations
became under his hand. Yet he produced only a single work of this kind. Thereafter the
Count always called them his variations. He never tired of them, and for a long time
sleepless nights meant: 'Dear Goldberg, do play me one of my variations.' Bach was
perhaps never so rewarded for one of his works as for this. The Count presented him
with a golden goblet filled with 100 louis-d'or. Nevertheless, even had the gift been a
thousand times larger, their artistic value would not yet have been paid for."
- Ralph Kirkpatrick
Paul Hersh attended Yale University and studied piano with Eduard Steuermann
and Leonard Shure. As violist of the Lenox String Quartet, he has concertized extensively
in the United States, Canada, and Europe. He has been artist-in-residence and a member
of the faculty of the Berkshire Music Center, the Aspen Music Festival, the Spoleto
Festival, Lecturer in Music at Grinnell College, and is at present artist-in-residence and
a member of the faculty at Harpur College, SUNY Binghamton.
FUTURE EVENTS
Sunday, September 28, 1969-8: 15 p.m.
Don A. Watters Theater, Admission Charge
Lenox Quartet, New York Woodwind
Quintet-Combined Concert
FALL CHAMBER MUSIC SERIES
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:24
39:12
04:20
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59819
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59819"> Paul Hersh Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Paul Hersh, September 14, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven and Bach. Held at 8:45 pm, September 14, 1969, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Hersh, Paul
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-09-14
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Bach, Johann Sebastian, 1685-1750
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020057620
39091020057679
39091020057729
-
https://omeka.binghamton.edu/omeka/files/original/b6b74638d8a549de366cd1ffef08c691.pdf
1cff1963b3d4ae156ccb405b5745063b
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
Paul Jordan
Chistline Lindsay
Chamber Music Series
November 9 , 1974
Jean Casadesus R e c i ta l Hall
2:15 and 8:15 PM
�CHRISTINE LINDSAY, harpsichord
INTERMISSION
I
PAUL JORDAN, organ and recorder
* 3 § * * * * * * > § * > ( > ( J h l J b l X J t AW N “ ? * * * * * * J ( ~ * X ~ * > § * x ~ % a f x i x J i i ' i ' é k x ' a k i d ' i ' i ' x ka i i
IV® SUITE IN A MAJOR
SONATA IN D MINOR
opus 1 , n o. 2
JEAN BAPTISTE LOEILLET
La Veloutee
L’Indeterminee
La Frenetique
La Brunette
for Alto Recorder and Basso Continuo
Adagio
Allegro
Largo
Giga
Gavotta
SONATA IN D MAJOR, K. 492
JOSEPH BODIN de BOISMORTIER
GEORG PHILIP TELEMANN
SONATA IN F MINOR
for Alto Recorder and Basso Continuo
DOMENICO SCARLATTI
SONATA IN G MINOR, K. 426
Triste
Allegro
Andante
Vivace
SONATA IN G MAJOR, K. 427
CONCERTO NO. III IN G MAJOR
for two keyboard instruments
EIGHT NEW CANONS
from Logbook III (1974)
PRELUDE AND FUGUE IN D MINOR
MOONDOG
(LOUIS HARDIN)
JOHANN SEBASTIAN BACH
Andantino
Minue
ANTONIO SOLER
�THE 1974–75 CHAMBER MUSIC SERIES
Nov 9
Nov 24
Dec 13
Feb 2
Feb 22
Mar 16
Apr 3
Apr 13
—
—
—
Paul Jordan,
organ and recorder
Christine Lindsay,
harpsichord
Walter Ponce, piano
Lenox Quartet
Lenox Quartet
Lenox Quartet
Donald McCall, cello
Walter Ponce, piano
Dorian Quintet
Lenox Quartet
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:02
37:30
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243388">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243388</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Paul Jordan and Christine Lindsay, November 9, 1974
Recital tape 1974 11-9
Description
An account of the resource
Works of Loeillet, Scarlatti, Bach, Telemann and Soler. Held at 2:15 and 8:15 pm, November 9, 1974, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Jordan, Paul
Lindsay, Christine
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-11-09
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/e712940ad1e514752d16fec7aa2a039f.pdf
3c840614b6035f53986f93c82e15c74b
PDF Text
Text
SUNY– BINGHAMTON IN COLLABORATION WITH
F ENDICOTT
THE FIRST PRESBYTERIAN C H U R C H O
PRESENTS
PAUL JORDAN ORGANIST
SATURDAY, SEPTEMBER 18, 1976
8:15 P.M.
WORKS OF J.s. bach
�PROGRAM
FANTASY IN G MINOR
FANTASY AND FUGUE IN C MINOR
CHORALETRIO, Herr Jesu Chr ist, Dich zu uns wend
n
r
PRELUDE AND FUGUE IN G MINOR
“
os
FROM THE ORGELBUCHLEIN
“In Dich hab ich gehoffet, Herr”
‘Herr Gott, nun schleuss den Himmel auf”
FUGUE ON THE MAGNIFICAT
FROM THE ORGELBUCHLEIN”
* Vom Himmel kam der Engel Schaar,”
“Hilf, Gott, dass mir’s gelinge”
PASSACAGLIA AND FUGUE IN C MINOR
¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥
The listeners are kindly requested t o withhold applause
until the conclusion of the program,
Anyone who wishes to meet Prof. Jordan is cordially invited
to the lounge area for refreshments following the concert.
�COMING EVENTS
Oct . 1 0 , Sun. Concert Series– Catskill Woodwind Quintet
Oct 23, Sat. Concert Series– Toby Appel
Nov. 6, Sat. Concert Series– Seymour Fink, Delmar Pettys
Nov. 8, Mon.
Harpur Symphony
Nev. 13, Sat.
Harpur Chorale
Nov.14, Sun.
Jazz Ensemble
3 pm
Nov.14, Sun. Concert Series– Peter Marsh and Friends
Dec. 4, Sat.
University Chor.and Orchestra Bicentennial
Dec. 9, Thurs. Collegium (University Union)
Dec.12, Sun. Concert Series– Jamie Laredo,Sharon Robinson,
Walter Ponce
Dec.13, Mon.
Wind Ensemble
All concerts will begin at 8 :15 p.m.
unless otherwise indicated.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:27
35:35
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244837">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244837</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Paul Jordan, September 18, 1976
Recital tape 1976 9-18
Description
An account of the resource
Works of J.S. Bach. Held at 8:15 pm, September 18, 1976.
Creator
An entity primarily responsible for making the resource
Jordan, Paul
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-09-18
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound