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                    <text>THESTATEUNIVERSITYOFNEWYORKATBI NGHAMTON
DEPARTMENT OF MUSIC

presents

THE LENOX STRING QUARTET
in residence

Peter Marsh,

violin

Delmar Pettys, violin

Toby Appel,

viola

Donald McCall, cello

Saturday, November 11, 1972
Recital Hall – 8:15 p.m.
Fine Arts Building

�Program Notes

All Beethoven Program

Tonight ’s Beethoven program has an unusual
feature.

Beethoven wrote Opus 130 between 1823
and 1826, the last years of his life, when he

was totally deaf.

In its original form, Opus 130

had as its ﬁnale The Grosse Fugue.

Quartet in A Major, Opus 18, No. 5

Beethoven

Allegro
Menuetto
Andante cantabile
Allegro

The Fugue,

considered unplayable by string players contem–
porary to Beethoven, was radical and incompre–

INTERMISSION

hensible to the audience at the ﬁ rs t performance.
Artaria, Beethoven ’s publisher, persuaded him to
write a new ﬁnale , which proved to be the last
work completed before his death.

It is of

felicitous character, entirely diﬀerent from the
heroic feeling and proportions of The Fugue. The
Fugue was later published as Opus 133, a separate
work. As you will notice, tonight ’s program
juxtaposes both ﬁnales of Opus 130.

Quartet in BP Major, Opus 130

Beethoven

Adagio, ma non troppo – Allegro
Presto
Andante con moto, ma non troppo

Allegro assai (Alla danza tedesca)
Cavatina
(Adagio molto espressivo)
Allegro
Quartet in BP Major, Opus 133

Beethoven

“The Grosse Fuge”
Overtura
Fuga (Allegro)
Meno mosso e moderato
Allegro molto e con brio

The next concert in the Chamber series will be
presented by Toby Appel, violist, and Walter Ponce,
pianist, Wednesday, December 13, 1972 at 8:15 p.m. in
the Don A. Watters Theater.

�</text>
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                    <text>�THE HARPUR CHORALE

PROGRAM

Fred Thayer, Director

Glory to God in.the Highest
PERSONNEL

Randall Thompson
(1899)

Alla Riva Del Tebro

G. P. da Palestrina
(1526-1594)

ranos
Abendlied Zu Gott
Robyn Friedman
Laurie Kieﬀer
Diane Krasinski
Karen Madsen
Valarie Overton

Susan Ball
Maria Bartolotta
Amy Beech
K a t h y Denmark
Victoria Devany

Doryce Penn
Jody Silbiger

F. Joseph Haydn
(1732-1809)

Ma r t i n K a s s , accompanist

Sherri Strichman
Carol Weir
Sara Whitmore

ENSEMBLE

Ri cha rd Tou lson , director

Altos

Sing We and Chant It

Marla Frazer
Karen Fung
Leslie Green
Deborah Hamilton
Susan Hamilton
Susan Hoﬀmeister

Karen Adler
Maria Belva
Wendy Bishop
Jill Borenstein
Jeanne Falinski
Lori Finkelstein

Allison Jameson
Marjorie Millan
Evelyn Pellicane
Barbara Savage
Barbara Wild
Stacie Williams

Song for Chorus and Piano

Richard Berent

R i c h a r d B e r e n t , accompanist

“Cum Sancto Spiritu”
_
from Petite Messe Solennelle

Tenors
Richard Berent
Marc Berman
Greg Gibbs
Ian Kirschner

Thomas Morley
(1557-1602)

(1954~

Gioacchino Rossini
(1792—1868)

Jill Borenstein,

Glen Lyons

Craig Russell

Kevin McDermott
Mitch Mendelson
David Roseman

Richard Toulson
Jay Tran
Philip Wu

Barbara Savage , accompanistas

INTERMISSION
Psalm 90

Charles Ives
(1874-1954)

Basses
R i c h a r d Brehm

Robert Halliday
Martin Kass
Gary Levine
Ross Levinson
Kenneth Martin

T i m Dungan

James Elniski
Ke i t h Go rhan
J ay Gronachan

President

Vincent Vito

A l l is o n Jameson
Ri cha rd Tou lson
J eanne F a l i ns k i
G re g G ib b s
S t ac i e W i l l i a ms

Home Area Manager
Tour Manager
Secretary
Treasunen
Librarian

R us s e l l S e n t i
P h i l i p Wu
She r r i S t r i ch man

Men’s Wardrobe
Women’s Wardrobe

_2_

Publicity

Sara Whitmore, orga
R o b e r t H a l l i d a y , B a r b a r a S ava g e, R i c h a r d To u l s o n ,
Barbara W i l d , percusgion
Laurie Kieﬀer , Philip Wu, soloists

Andrew Rosing
Bruce Sabacek
Russell Senti
David Swanda

OFFICERS
Gary Levine

)

Reincarnations
Mary Hynes
Anthony O ’Daly
The Coolin

Samuel Barber
(1910~
)

Great Day

Arr. Warren Martin
Susan Ba l l , Ri cha rd Brehm , Ke i t h Go rham ,
Ga ry Le v i ne , Jul

Don A . W a t t e r s T h e a t e r

4 8

December 1 1 , 1972

�ACKNOWLEDGEMENTS

We wish to thank our friends who have helped us
this fall, and a special thanks to the following:
Mr. Seymour Fink
U.S.C. Representatives
(particularly Mr. Fric Frank
and Mr. Peter Knapp)
Mr. A1 Hackling
Mrs. Leatha Houck
Mrs. Helen Donovan
Mrs. Irene Sabacek
Mr. Albert Hamme
Mr. Philip Ccnole
Mr. Chris Granger
Mr. Alfred G. Brooks
Mr. Harry Lincoln
Mrs. Barbara Maxwell
T r. Philip Friedhei m

Miss Pam Fentv
Mr. James Elnisl:i was the designer of the poster
and the program cover. Miss Linda Uhley and
Mrs. Patricia Thayer contributed their sewing
skills. Especial thanks to Mr. Philip Wu and his
friends in Taiwan for their contribution to the
Chorale.

�</text>
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                    <text>THE STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents

A VIOLA AND PIANO RECITAL

Toby Appel, viola
with

Walter Ponce, piano

Wednesday, December 13, 197 2
Don A. Watters Theater - 8:15 p.m.

�PROGRAM

Igor Stravinsky

Sonata for viola and piano
Largo
Allegro
Largo
Allegro

Antonio Vivaldi

Elegie for unaccompanied viola
Lento

Premiere Sonate alto et piano
Entrée
I
II Francaise
III Air
IV Final

Darius Milhaud

Paul Hindemith
Sonate für Bratsche allein
Op. 25 Nr. 1
(Sonata for unaccompanied viola)
Breit Viertel
I
II Sehr Frisch und straff
III Sehr Langsam
IV Rasendes Zeitmas
V Langsam mit viel Ausdruck

(Pictures from Fairyland)
Märchenbilder
R. Schumann
viola and piano Op. 113
(moderato)
Nicht Schnell
Lebhaft (vivace)
(vivace)
Rasch
Langsam, mit melancholischem Ausdruck
(Lento malinconico)

- INTERMISSION -

The University Chorus and Orchestra conducted by
Alfred Clinton Morris with guest artists Mareda
Graves, soprano, Carole O'Hara, mezzo-s oprano,
Jack Horton, tenor, and Brannon Hall, Baritone,
will present C. P. E. Bach's Magnificat on Monday,
Decemb e r 18, 1972 at 8:15 p.m. in the Watters
theater.

�</text>
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                    <text>S

@

R S T

4

i NaC 3)
+ 3 . EA

NDT

\ Aha a

ar
PP {

N

&amp;

x.

~ ~

T H E UNIVERS ITY CHORUS A N D ORCHES TRA
o f the
STATE UNIVERS ITY O F N E W Y O R K
AT BINGHAM TON
directed by ALFRED M O R R I S

pre s e n t

MAGNIFICAT
by

CARL I’HILII’I) EMANUEL BACH

FANTA SIA O N CHRIST MAS CAROL S
hy

RALPH VAUGHAN WILLIAMS

CHRIST MAS CONCE RTO
ANGELO CORELLI

MONDAY . DECEMB ER 18
8:15 p. m .

WATTER S THEATE R, SUNY - BINGHAM TON

�T H E HARPUR SYMPHONY ORCHESTRA
and

UNIVERSITY CHORUS

CHORUS :
Magn iﬁca t anima mea Dominum.

My soul doth magni f y the Lord .
And my sp i ri t hath re joiced i n
God my Saviour .

E t e xu l t av i t s p i r t us me us i n
Deo sa lu t ar i meo .

Alfred Clinton Morris, conductor

Nico la Maris i , assistant conductor

SOPRANO:
Q u i a respe xi t h umi l i t a t em

A N ADVENT CONCERT
PROGRAM

Concer to grosso, Op us 6, No . 8
(Chris t mas Conce r to)

For he hath regarded the
lowl iness of h is handmaiden .
For behold , f rom henceforth a l l
generations sha l l ca l l me b lessed .

anc i l lae suae : ecce enim ex
hoc beatam me dicen t omnes
genera t iones .

A rcange lo Core ll i

!

(1653-1718)

Vivace, grave
Allegro
Adagio, allegro, adagio

For he that i s migh ty hath
magn iﬁed me ; and holy i s h is
Name.

po tens es t ; e t sanc t um nomen
e j us .

\

Vivace

TE‘IV OR :
Quia f ec i t mih i magna q u i

CHORUS:
Et misericordia e j us a

And h is mercy i s on them that
fear h im throughout a l l
genera t ions .

progenie i n progenies
t imen t ib us eum .

Allegro
Pastorale ad libitum

BASS
Feci t potentiam i n brach io
suo . Dispers i t superbos
mente cordis s u i .

so lo is ts

Benjamin Hudson, ﬁrst violin

Browning Cramer, second vio lin
Carolyn MacIntosh, violoncello

Fan tas ia on Ch r is t mas Ca ro ls

ALTO and TENOR:
Deposui t potentes de sede ,
e t e xa l t avi t h umi les .
Esurien tes i mp levi t b on is ;
e t d ismis i t inanes .

He hath put down the migh ty f rom
their seat, and hath exal ted the
meek and h ud l le . He hath ﬁ l l e d
the hungry w i th good th ings ; and
the rich he hath sent empty away .

Ra lph Vaughan Wi l l i ams
(187 2-1958 )

Brannon Hall , baritone soloist

INTERMISSION

C ar l P hi lipp E manue l Bach

Magn iﬁca t

He ha th showed s t rength w i th
h is arm. He hath scattered the
proud i n the imagina t ion of their
hear ts .

(1714-1788)

ALTO:

l
l
l

Suscepi t Is rae l puerum suum,
recordatus misericordiae suae .
S icut locut us es t ad pa t res
nos tros , Abraham e t semin i

He remeabering h is mercy hath
holpen h is servant Is rae l ; as he
promised to our forefathers,
Abraham and h is seed, for ever .

ejus in saecula.

CHORUS
Gloria Pa t ri , et Fi l i o ,
e t Sp i r i t ui Sancto.

Glory be to the Father, and to the
Son , and to the Holy Ghos t .

CHORUS
S icut erat i n p r inc i p io,

As i t was in the beginning ,
is now, and ever sha l l b e :
World wi thout end . Amen .

e t nunc , e t sempe r . E t i n
saecula saeculorum. Amen .

s olo is t s

Mareda Graves, soprano
Carole O ’Hara, mezzo-soprano

Jack Horton, tenor

Brannon Hall , baritone

i

e

The Gospel according to
Luke , I : 4 6-5 5

-3-

�ABOUT THE SOLOISTS

PROGRAM NOTES

Mareda Gai ther–Graves , a na t ive of Bal t imore , Mary land , was awarded a Mary–
land State Scholarsh ip to the Jui l l iard School of Mus ic , f rom wh ich she graduated w i th a Bachelor of Science Degree . Later , she was awarded a John Hay Wh i tney Oppor tuni ty Fe l lowsh ip to con t inue her s tud ies w i th Es te l le L ieb l ing . Under
the sponsorsh ip of a Fulb ri gh t Fe l lowsh ip Gran t , she s tudied i n Paris and was
awarded ﬁ r s t prize i n f our compe t i t ions . Recen t ly , she acquired a Master of
Mus ic Degree f rom I thaca Co l lege and i s presen t ly teach ing and con t inuing stud–
ies toward an advanced degree . Mrs. Graves has appeared i n New York ’s Town Ha l l

Arcangelo Co re l l i par t icipa ted vi t a l ly i n the c rys tal l iza t ion of the con–
certo technique i n the Baroque Era . Born i n 1653 , Co re l l i was famed both as a
composer and as a performer, and was cer tainly noted f or h is advances on bow ing
techniques . The Concerto Grosso , composed of two un i ts (a sma l l body of ins t ru–
ments opposed to a larger one ) , reached i ts deﬁn i t i ve form w i th Co re l l i . The
eigh th of the twelve Concertos bears the des igna t ion ”Concerto composed f or the
n i gh t of the N a t i vi ty . ” O r i g i na l ly perf ormed as par t of the church ceremony , i n
modern t imes i t has become known as the “Chris tmas Concer to . ”
The Fantasia on Christmas Carols f or bari tone so lo, chorus and orchestra
was ﬁ r s t performed i n 19 1 2 . Ralph Vaughan Wi l l iams , an Eng l ish composer, based
h is f an tas ia upon four t rad i t iona l caro ls : The truth sent f rom above , Come a l l
you worthy gen t lemen , On Chris tmas n i gh t , and There i s a f oun tain . He a lso used
f ragmen ts of o ther caro ls .

i n concer t ; was gues t so lo is t w i th the Mo te t s inge rs ,

the Binghamton Symphony ,

and has performed w i th the T r i - Ci t ies Opera . Las t year she sang the soprano
so lo for the Univers i ty Chorus perf ormance of Brahms ’ Requiem .
'

!

In the open ing sec t ion the b ar i tone so lo is t ac ts as

a theologian dea l ing w i th the Crea t ion , the Fa l l , and the Redemp t ion . As the
p iece progresses , the mus ic i n t e ns iﬁes w i th the orches t ra , chorus and so lo is t
expressing the joyousness of the new born King .

i

’

Carole O ’ Hara was born i n Wheel ing , West V i r g in ia . She received her Bach–
elor degree i n Mus ic at Capi tal Univers i ty i n Columbus, Oh io, and started her
mus ical career as a pian is t and accompanist and later made her ﬁ r s t pub l ic
appearances as a singer i n church and oratorio arrangements. She made her op–
erat ic debut w i th the New York Ci ty Opera Company and was a member of the NBC
Televis ion Opera Theatre un t i l i ts demise in 1960 . Miss O ’Hara has appeared as
a concert so lo is t throughout the United States and has had three appearances
w i th the NBC Concert Orchestra. She has sung w i th the New York Oratorio Soci–
e ty i n Carnegie Ha l l , the Cap i ta l H i l l Choral Soc ie ty i n Alb any , and a lso a t
Dar tmouth , Queens Co l lege and Wesleyan Un ive rs i ty .

Car l Ph i l ipp Emanuel Bach , born i n 1 714 , i s cons idered one of the most
impor tan t composers during the t rans i t ion period between the Baroque and Class–
i ca l Eras . Noted as the most impor tan t exponent of keyboard mus ic , he was also
a master of vocal forms and techniques . His M agniﬁcat , composed i n 1749 , was
based on h is f ather ’ s model of the same work and thus reﬂe c ts some of the more
conservat ive elemen ts of the Baroque Era . Some of the choruses, however , reveal
h is progress ive a t t i t udes and po in t to h is h is to r ic pos i t ion as a l i nk be tween
J . S . Bach and the C lass ica l composers Mozart and Haydn .
program notes by Larry Zukof

Jack Horton was graduated f rom West V irginia Univers i ty Creative Arts Cen–

te r , where he was a West V i r g i n i a Me t ropo l i tan Opera A ud i t ions w inne r . H is pro–

ABOUT THE CONDUCTOR
Al f red C l in ton Morris was born in Pi t tsburgh , Pennsy lvania on the seventh
of March, 1 946. Being the son of a concert p ian is t , Martha Skinner Morris , h is
mus ical t raining began at an ear ly age . Al f red Morris began h is vio l i n s tud ies
a t the age of ten and during the summe r of 196 1 , John Krueger, former conduc tor
of the Youngstown (Oh io) Ph i lharmon ic , heard Al f red conduct the orchestra at a
f es t iva l in Pennsy lvania and was ex tremely impressed w i th h is ta len t . From that
t ime un t i l 196 4 , Al f red worked w i th Mr . Krueger and was appoin ted the conductor
of the Youngs town Youth Symphony .
Mr . Morris had h is f orma l t ra in ing at the Mannes Conservatory of Mus ic i n
New York C i ty , where he s tudied w i th S tef an Bauer–Mengelberg, and f rom wh ich he
gradua ted w i th d is t inc t ion i n conduc t ing .
In 1969 Mr . Morris received a gran t f rom the North Caro l ina Schoo l of the
Arts to s tudy i n S iena , I ta ly at the Accademia Ch i g i ana . I t was then tha t he
met Maestro Franco Ferrara w i th whom he s tudied i n 1969 and 19 70 . Mr . Morris
has also received in terna t ional recogni t ion in France , I ta ly , and Denmark . In
January he has engagemen ts i n Sw i t ze r land and I t a ly .
a le

5

1

1

f ess ional credits inc lude three seasons w i th the Lake George Opera Fes t ival and
the Goldovsky Opera Theatre. He has toured and recorded w i th the Robert Shaw
Chorale , was f eatured so lo is t w i th the New York Sextet f or communi ty concerts
f rom coas t to coas t , and i s w e l l known throughout the coun try f or h is so lo work
w i th the Man of Concert Quar te t . He i s a 197 2 winner of the Wi l l i am Matheus
S ul l i van Founda t ion Award for outs tanding s ingers , and i s curren t ly the lead ing
tenor i n a concert attraction cal led Mus ic for the Theatre f rom Opera to Broad–
way . In December he w i l l s ing the ro le of L ione l i n the opera Martha for the
Miami Fami ly Opera Soc ie ty , and i n March , he w i l l have the lead tenor ro le i n
their production of Madame Bu t t erﬂy .

Brannon Ha l l was graduated f rom Howard Univers i ty in Washington, D . C .
w i th a major i n Drama and a minor i n Mus ic . He has since s tudied voice w i th
Professor Leonard Rudko i n New York, and has been coached voca l ly by Maestro
Wi l l iam Spada . He also has attended the New York Opera Theatre of the Manhat tan School of Mus ic .

i B

�UNIVERSITY CHORUS
ORCHESTRA PERSONNEL
Firs t Vio lins

Ce l los

Horns

Ben jamin Hudson,
concertmaster
Andrea A . Andros
Dan Mowrey
Mary Barton
Eve l ina Chao
Mar i jane Wo j tow i t z
Paul Goodman
Oscar Maxwel l
Barbara Duﬀo rd
Paul Friedman

Carolyn MacIn tosh ,
princi pa l
David Heiss
Rache l Abby
Ho l l y Wi lson
Fred Ra imi
Lo is Lawson
Myra Greenstein
Sa l ly Riemersma

Rob in Jackman
Mi chae l Barnard
Mar t in Burk i
Pa t Dowden

Trumpets
Brian King
Robert Lindstrom
Fred Backlund

Basses

Browning Cramer ,

principa l

Sydna Strassberger
Michae l S turm
Joan Tanenhaus
Carol Zeavin
Lydia Verbizky
Diane Fe i g in
John Ho j tow i t z
Ed Hie lunsk i
Marty Goldman
Ri t a Orzelek
El len Vavra

Vio las
Joe l Rosenberg ,
I

1

princi pa l
Peggy Acker
Zelman Bokser
Jennie Hansen
El len Wei l

Jan ice L ub insk i

sf
I

Trombones
Second Vio lins

.

Michae l Sanders ,
princi pa l
Mark Bergman
Rober t Sw id le r
Richard Thomas
Rober t Ko lbe r

Michael Rosen
Danny Addison
S teve Howe l l

o
’

Tuba

Flutes

Tom Wood

V incen t Tuf o
David Schapiro

Timpani
Pa t Ho l lenbeck

Oboes

Chimes

Dan ie l Cross
Nancy Ranger
Anna Hemmendinger
Dorian Schwartz

Joe Roma

Harpsichord

C larine ts

Charles E . Brewer

Heady Os teyée
Sheldon Berkowi tz

Organ

Bassoons
Edward Gob rech t

Tom Closser
Orchestra O ﬀ i c e rs

President , Brian King
Vice Presiden t , Nancy Range r
Secretary , Peggy Acker
Librarian and Personne l
Manager , Anna Hemmendinger

ro

M . Lee Sui t o r
Fred Jones

1]
Kl

l

SOPRANOS

ALTOS

TENORS

Lynn Addison
Mar ia Belva
Kathy Calantone
L o i s Fis ch thal
E l l en Golds te in
L e s li e Green
Grace Houghton
Ann Hudock
Joan Janus zkiewic z
Joan Juri ch
Laur ie K i e ﬀ e r
Janice Keenan
S tephanie K l e in
P h y ll i s Kr i s t al
I le ene Mi t t leman
Madlyn Nathanson
Nancy Perkins
Angela Pe tronio
Karen P is c io t ta
C lara Por ter
Barbara Ri ck le r
Jess ica R i le y
Adele R o lide r
Ri c a Rutmanowi t z
Chris ta Schafer
Susan Seppala

Karen A dle r
Joan Apple ton
Joan Aronow
Ann Baer
Adele Bass
Cyn thia Benne t t
Mery l Blackman
Cara Browne ll
Chery l Brozos t
C lara Budin
Jane t Cahn
Margare t Donelian
Jeanne F alinsk i
Marla Frazer
Karen Fung
Gl o r i a Gaumer
Sharon Gelf and
Mi r i am Gi lb e r t
Jess ie Godfrey
T e rr i Goldri ch
Susan Hami l t on
Susan Hi tchens

Zack Bowen
Anthony Brienza
Gregory Gibbs
Thomas Glauber
Jackie Jacobs
Luciano Lama
Craig Russe l l
Paul Suozzi
Richard Toulson
Jay Tran
Floyd West

Anna Sperr
Es ter S t e rling
Sherri S trichman
Denise Trautman
Linda Uhly
Louise U l r i ch
Karen Haskow
A l i c e Weintraub
Mar cia Wellwar th
Sara Whitmore
Nadene W i l l c o x

Judy Hoak
A l l i s on Jameson
Ka therine Kadish
E l l en Klarman
Nancy Lazeski
Mona Margari ta
Sandra Menter
Helen Ot taway
Irene P ap oulis
Gre tchen Pe terson
N i ck i Pokow i t z
Mar la Se li gs ohn
Jane Shear
Theresa Vaughan
S t ac ie W i l l i ams
Grace Hu

s
»

Rehearsal Accompanist
Jane Y ule

Chorus Oﬀi cers
Presiden t , Mi t ch e l l Mendelson
Vice Presiden t , Kenneth Mar t in
Secretary , Jeanne Fa l insk i

Treasurer, Richard Toulson
Librarian , Louise U l rich
Pub lici ty , Clara Budin

P h i l i p Wu

John Ying

BASSES
Richard Berent
Richard Caves
H i l l e l Dolgenas
John Howard
Mar t in Kass
Thomas Lamphere
Kenneth Martin
Mi t che l l Mendelson
Malcolm Ottaway
Andrew Rosing
Randy Sei f er t
Russe l l Sen t i
Bernard Sheredy
Roger S tein

R . James Vivyan

Laurence Hexer
Geoﬀrey wheeler
Larry Zukof

�I

p

Acknowledgements
U . S . G . f or i ts support
Ka th ie Kad ish f or her ar twork
Un ive rs i ty P ub l ica t ions f or i t s ass is tance
Fred Thayer f or h is ass is tance i n conduc t ing

1
l

i

A concert f or two orchestras w i l l be presented by the Harpur
Symphony Orchestra, conducted by Al f red Cl in ton Morris , w i th the
Lenox Quartet on March 15 , 1973 , i n Watters Theater , perf orming
works by J . C . Bach , V i va ld i , Ives , and Schoenberg .

1

The Univers i ty Chorus w i th the Harpur Symphony Orchestra w i l l
presen t a concer t on May 9 , 19 7 3 , i n Ha t ters Thea ter w i th Ha l te r
Ponce, piano so lo is t . There w i l l be works by Verd i , Mozart, and
Bee thoven .

l

l

’

-

a

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON
Harpur College
Department of Music

MAREDA  GRAVES
VOCAL–CHAMBER  RECITAL

February  15,  1974
Casadesus  R e c i t a l   Hall
8:16  p.m.

�MAREDA  GAITHER­GRAVES,  soprano
JANE  HAWKINS,  piano  and  harpsichord
A

A

A

A

A

A

A

A

X

A

R

A

A

A

X

I
J.S.  BACH
SCAFE  KONNEN  SICHER  WEIDEN 
(Sheep  may  safely  graze)  Birthday  Cantata  BWV  208
Charles  A.  Joseph,  recorder
Kevin  McDermott,  recorder

II
PIECES  de  CLAVECIN  avec  VOIX 
et  VIOLON 

J.J.  de  MONDONVILLE
(ed.  by  E.  Borroﬀ),)(/

1 .  Quare  t r i s t i s  e s .   Psalm  41,  6

Psalm  41,  7
Psalm  143,  3

2.  Spera,  in  Deo. 
3.  Protector  meus. 

Mary  Reynolds,  violin
III
F.  SCHUBERT

DER  HIRT  AUF  DEM  FELSEN 

(Shepherd  on  the  Rock)
Sheldon  Berkowitz,  cl a r i n e t
INTERMISSION

IV

0.  RESPIGHI

IL  TRAMONTO 

AMICI  QUARTET

Evelina Chao,  v i o l i n  

Cordy  Rosow,  violin 

John  D exter,  v i o l a

Fred  Raimi,  cello

There  was  a  Youth  i n  whose  s u b t l e  being  Genius

and  Death  contended.  Mingled  with  shades  of
twilight  in  the  brown  mossy  woods,  he  lay  in

�love with  his  lady.  But  when  th e  morning  came,
she  found  her  lover dead  and  cold .  The  tomb  i s
a l l ,   l o s t  child ,  that now  remains  o f  Thee!

Peace!  This  was  the only moan  she  ever made.
“The  Sunset",  P.B.  Shelley  (abridged)
4
CHANSON  PERPETUELLE 

(Song  without  end)

E.  CHAUSSON

AMICI  QUARTET

Jane  Hawkins
[]

Trembling  woods,  star­studd ed sky,
My  beloved has  gone  away,
Carrying  o ﬀ  my  disconsola te  heart.
Because  I  have  my  lover no  longer
I  shall die  i n  the  pond,  amidst  the  ﬂ owe rs ,
under  t h e  q u i e t  cu r r e n t s .   The  green
reeds w i l l  entwine  me  and  my  bosom
w i l l  b e l i e v e   that  I  am  i n  the  arms

o f  my  l ove r!

�</text>
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lS77

�TRANSLATIONS  and  TEXTS
PROGRAM

DIE  MIT  TRANEN  SAEN 
HEINRICH  SCHUTZ
They  who  sow  with  tears  shall reap  in joy.

I

UNSER  WANDEL  IST  IM  HIMMEL
SIEGFRIED  REDA
Our  true  commonwealth  is  in  Heaven, and
from  it  we  await  the  Saviour.

SINFONIA  IN  G MAJOR
ANTONIO  VIVALDI
(Allegro  molto  –  Andante  –  Allegro)
FOUR­PART  FANTASIA  IN  F  MAJOR
(June  1b, 1680)

HENRY  PURCELL

THE  BAROQUE  CHAMBER  ORCHESTRA,

Mitch  Mendelson,  conductor

II
KYRIE  ELEISON–CHRISTE  ELEISON–KYRIE  ELEISON
AGNUS  DEI (third  setting)
from  “Missa  de  Beata  Virgine”  JOSQUIN  DESPREZ

III
from  “CARMINA  GERMANICA  ET  GALLICA”
Ein  Beurisch  Tanz
Heth  Sold  Ein  Meisken  Garn  om  Win

THE  RENAISSANCE  CONSORTIUM,
Larry  Zukof,  director

IV
MISERERE  MEI
O  GOD,  WONDERFUL  ART  THOU

WILLIAM  BYRD
THOMAS  TOMKINS

V

SONATA  NO.XIIT  for  TWO  INSTRUMENTAL  ENSEMBLES
(1615) 
GIOVANNI  GABRIELI
THE  RENAISSANCE  CONSORTIUM  AND
THE  BAROQUE  CHAMBER  ORCHESTRA
INTERMISSION

TWO  CANONS
HELMUT  BORNEFELD
Bittet, Dass  Eure  Flucht
Pray, that  your  ﬂight  shall  not  take  place
in  winter.
Ich  Hab  Die  Nacht  Getrdumet 
:
I  dreamed  of  a  tree  in  a  garden– which  was  a
church (or  grave?)–yard–  of  a  golden  pitcher ,
ﬁlled  with  the  tree ’s  blossoms, which  fell
and  broke  into  a thousand  pieces–  of  rolling
pearls  and  rose–red  drops ; dearest  one, are
you  dead?
GOD’S  WORLD
THOMAS  COLVILLE
(poem  by  Edna  St.Vincent  Millay)
0 World , I cannot  hold  thee  close  enough!
Thy  winds, thy  wide  grey  skies!
Thy  mists, that  roll  and  rise!
Thy  woods, this  autumn  day, that  ache  and  sag
and  all  but  cry  with  colour!
To 1ift  the  lean  of  that  black  bluﬀ!
0 World , I cannot  get  thee  close  enough!
Long  have  I known  a  glory  in  it  all,
but  never knew  I  this ;
Here  such  a  passion  is  as  stretcheth  me  apart,
Lord, I  do  fear, thou ’st  made  the  world
too  beautiful  this  year ;
My  soul is  all  but  out  of  me,
let  fall  no  burning  leaf ; prithee,
let  no  bird  call.

�VI
ANTONIO  VIVALDI
SINFONIA  in  B MINOR 
(Adagio  molto  – Allegro  ma  poco)

THE  BAROQUE  CHAMBER  ORCHESTRA

VALL
HEINRICH  SCHUTZ

DIE  MIT  TRANEN  SAEN 
VIII

from  “CARMINA  GERMANICA  ET  GALLICA”
Weinickhen  Auserlesner  Frantzhosen
Tant  Que  Vivrai

IX
UNSER  WANDEL  IST  IM  HIMMEL 

SIEGFRIED  REDA

HELMUT  BORNEFELD
TWO  CANONS 
Bittet, Das  Eure  Flucht
Ich  Hab  Die  Nacht  Getraumet
GOD’s  WORLD 

THOMAS  COLVILLE
(see  insert  for  text)

MOONDOG’s  THE  ONE 
FOUR  CANONIC  MADRIGALS 
You, the  Vandal 
Nero’s  Expedition
Sparrows

Maybe

PAUL  JORDAN
MOONDOG
(Louis  Hardin)

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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

Haufnr  Symphony  Orvohrehsta
Algred  Clinton  Morris,  conductor

Don  A.  Wa t t e rs   T h ea te r
March  7 ,   1974  a t  8:15  p.m.

�THF,  HARPT'/R  SYMPHONY  ORCHESTRA

ALFRED CLINTON  MORRIS, conductor
CLIFFORD  ATHORN, assistant  conductor
GUEST  SOLOISTS*

WENDY  OSTEYEE  and  STEVE  ROSENFELD

PROGRAM

PREMIERE  RHAPSODIE  POUR CLARINETTE  ET ORCHESTRE.  .  .  . .  . .  . .CLAUDE  DEBUSSY
(1862–1918)
WENDY  OSTEYEE, clarinet

PIANO  CONCERT) NO.l  in  C MAJOR, OPUS  15.  . . . . . . . . .LUDWIG  von  BEETHOVEN
(1770–1827)
ALLEGRO  CON  BRIO

LARGO
RONDO

STEVE  ROSENFELD ,, piano
I NTERMI SSI 01V

SYMPHONY  NO.3  in  F MAJOR, OPUS  90.  . . . . . . . . . . . . .  JOHANNES  BRAHMS
(1833–1897)
ALILFGRO  CON  BRIO

POCO  ALLEGRETTO

ALLEGRO
*  FINALISTS  IN  THE  FIRST CONCERTO  COMPETITION

ORCHESTRA  PERSONNEL
F i r s t   Violins

Cellos

Bassoons

Mary  Reynolds,

Kris  Gunn,

Louis Papastrat
Edward  Wadin
Brian  Rosen

concer tmistress

principal
David  Heiss
Holly  Wilson

Aurthor  Mannis
Mary  Barton
Andrea  Andros
Evelina  Chao
Robert Seletsky
Oscar  Maxwell
Skye  Weaver
Lydia  Werbhizky

Myra  Greenstein
Craig  Weaver
Jona  Orlofsky
Wendy  Schottman
Sally  Riemersma

Pat  Dowden
Kenneth  Weissman

Second  Violins

Basses

Trumpets

Masako  Matsumoto,
principal
Michael  Sturm

Michael Sanders,

Brian  King
Allen  Wivans

Olev  Viro
Cordula  Rosow
Norman  Reid
Ed  Wielunski
Anita  Gustafson
Laura  Nathanson
Diane  Feigin
Rita  Orzelek
Suzanne  Wren
Hallie  Cohen

Horns

principal
Karen  Hansen

Richard  Thomas
Dominique  Hyatt
Flutes
Bruce  Karten
Merrell  Weiss
Elizabeth  West

Martin  Burki
Robin  Jackman

Trombones

James  Buttolph
Michael  Williamson
Percussion

Joe  Rama
Martin  Ricciardi

Oboes

Harp
Violas
Abigail  Riley,
principal

Nancy  Ranger
Geoﬀrey Barron
Rod  Elkins

Pe g gy  Acker
John  Dexster

English  Horn

7elman  Bosker

Geoﬀrey Barron

Eric  Gustafson
Carol  Isaacson
Jeﬀrey Brooks
Janice  Luhinski

Clarinets

Nancy  Julius

Wendy  Osteyée
Sheldon  Berkowitz

PERSONNEL  MANAGER,  ROBIN  JACKMAN

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                    <text>LENOX  QUARTET

\ ‘9 /
S
\
v
A
2
A N S

BI”

Chamber  Music  Series
March  9,  1974
Don  A.  Watters  Theater
8:16  p.m.

�Pe te r  Marsh,  v i o l i n  
Delman  Pe tt ys,   v i o l i n  
R

R

R

E

R

R

Toby Appel,  v i o l a
Donald  McCall,  c e l l o
R

R

R

K

R

R

R

R

QUARTET  IN  F MAJOR,  op.18,1  LUDWIG  von BEETHOVEN
Allegro con  b r i o
Adagio  (Afgettuoso  e d  appassionato)
Scherzo  (ALLegrno  molto)
Allegro

FIVE PIECES,  op.5  (1909) 
Hegtig  bewegt ­  Efwas  ruhigen
Sehr Langsam
Sehr bewegt

ANTON  WEBERN

Seh r  Langsam
In zanten Bewegung

INTERMISSION

QUARTET  IN  C#  MINOR,  op.131  LUDWIG  von BEETHOVEN
Adagio,  ma  non tro p p o   e  molto  e s p re s s iv o
Allegro molto  vivace
Allegro moderato
Andante,  ma  non t ro p p o  e  molto  c o n t a b i l e

Presto
Adagio  quasi un  poco  andante
Allegro

�COMING  EVENTS
March  16  – Margie  Graber,  piano

Casadesus  R e c i t a l   Hall  a t   8:15  p.m.

March  17  ­ Harpur  College  Wind  Ensemble
Watters  Theater  at  8:15  p.m.

March  30  ­ Barbara  Wild,  piano

Casadesus  R e c i t a l   Hall  a t  8:15  p.m.

March  31  – Robin  Jackman,  French  Horn
Casadesus  Recital  Hall  at  8:15  p.m.
April  1 – Etude  Concert,  sponsored  by  M.G.G.

Casadesus  R e c i t a l   Hall  a t  8:15  p.m.

April  3 –  Sheldon  Berkowitz,  cl a r i n et
Casadesus  R e c i t a l   Hall  a t   8:15  p.m.

April  4 – Harpur  Chorale  Concert
Watters  Theater  at  8:15  p.m.

�</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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                <text>Recital, Donald McCall and Walter Ponce,  March 16, 1974</text>
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                <text>Works of Debussy, Brahms, Schumann and Grieg. Held at 8:15 pm, March 16, 1974, Watters Theater.</text>
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