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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

LENOX  QUARTET

Chamber  Music  Series
September  7 ,  1974

Don  A.  Wa t t e rs  T h ea t e r
8:16  p.m.

�Peter  Marsh,  violin 
Delmar  Pettys,  violin 

Toby  Appel,  viola
Donald  McCall,  cello

ahhhht­thﬁx­X­thhhhhhhhf*****************************

Concert  S e r i e s  T i c k e t s  w i l l  
continue  t o  b e   s o l d  a t  i n t e r m i ss i o n .

. 
’ 
Anyone  holding 
a single 
4 
; 
 ao . 

admission  t i c k e t  can  c r e d i t  i t s  

cost  towards  the  purchase  of 

a  S e r i e s  T i c k e t  a t  th at   t i m e.

QUARTET  IN  E FLAT  MAJOR

op.  33,  no.  2 (THE  JOKE) 

Allegro  moderato,  cantabile
Scherzo :(Allegro)

F.  Haydn

o
argo  sostenuto
Presto

QUARTET  IN  G MINOR,  op.  10 
Anime  e t  t r e s  d e c i d e

Debussy

Assez  vif  et  bien  rythme
Andantino,  doucement  expressif
Tres  modere  ­ Tres  mouvemente  et  avec
passion

INTERMISSION
QUARTET  IN  C MAJOR,  op.  69,  no.  3 
Beethoven
Andante  con  moto  ­ Allegro  vivace
Andante  con  moto  quasi  Allegreto
Menuetto  (Grazioso)
Allegro  molto

�THE 1974–75  CONCERT  SERIES
Sept 7
Oct 5
Oct 19

Nov 9

Nov 24
Dec 13

Feb 2
Feb 22
Mar 16
Apr 3
Apr 13

ne

8­74

Lenox  Quartet
Peter Marsh,  v i o l i n
&amp; W.  Ponce,  piano
Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
&amp; W.  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

�</text>
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                    <text>THURSDAY  RECITALS  AT  1:10
JEAN  CASADESUS  RECITAL  HALL,  SEPT.  12,  1974

Ho

ie,

' ce 
%

Walter  Ponce,  plano 
W

a

n

k

­

.

m

'  m
”

h

a

m

.

“

Brahms

Quartet  in  A minor, Opus  51, No.  2 
Allegro  non  troppo
Andante  moderato
Quasi  Minuetto,  moderato

Allegro  non  assai
The  Lenox  3triag  Quartet

Peter  Marsh, violin 

Toby  Appel, viola

Delmar  Pettye,  violin 

Donald  McCall, cello

l

&gt;»

�</text>
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                    <text> 
2 s Binghamton Symphonette
FRITZ WALLENBERG, Conductor

SOLOISTS

Georgetta Maiolo, Flute
Harry Lincoln, F lute
James Wallenberg, Violin
Madeleine Brooks, Piano
Christine Lindsay, Piano

7 4   M.
SUNDAY, SEPTEMBER  22nd, 1 9 ­ 7:30 P. 
THE DON  A. WATTERS THEATER

STATE  UNIVERSITY

�PROGRAM
Brandenburg Concerto No. 4 in G­major .
Allegro

I. S. Bach

(1685­1750)

Andante

Presto
Soloists:  Georgetta  Maiolo, Flute
Harry Lincoln, Flute
James Wallenberg, Violin
The  six  Brandenburg  Concertos  were  written  during  Bach’s  employment  in  the
court at Coethen, a period during which he composed much of his secular instrumental
music. They were dedicated on March 24, 1721, to Christian Ludwig, the Margrave of

the Prussian province of  Brandenburg.

The solo group  (concertino)  for the fourth concerto was originally scored for two
recorders  and  violin.  The three movements  are of  contrasting  character, the  ﬁrst  in  a
dance­like triple meter, the second  an  Andante with many phrased couplets  giving the
eﬀect of  chains of sighs, and the third is a fast fugal Presto which features ﬂorid passage
work for the solo violin.  Throughout the work the concertino interacts  with the back­
ground group (ripieno) more in the sense of friendly rivalry (“concertare”) and sharing
of materials than the setting oﬀ  of a solo to an accompaniment of secondary interest.

Concerto for two pianos in d­minor 

Allegro ma non troppo

F. Poulenc

(1899­1963)

Larghetto

Allegro molto
Soloists:  Madeleine Brooks
Christine Lindsay
Poulenc  was commissioned to  write this concerto for a  performance by the  com­
poser  and  Jacque  F ebrier  at  the  International  Festival  of  Contemporary  Music  at
Venice in 1932. As is characteristic of many of  Poulenc’s works the concerto is sophisti­
cated and gay, yet uncomplicated. The buoyant ﬁrst movement closes with eﬀects which
reﬂect the Balinese music Poulenc heard at the Colonial Exposition  in 1931.  The slow
movement’s outer sections are reminiscent of  Mozart while the middle part of the move­
ment is openly Romantic in style. The very free Finale is exuberant  and brilliant.  The
total work is a successful treatment of the two­piano concerto, a  genre explored by few
composers.

INTERMISSION

�Symphony No. 94 in G­major ( “Surprise”) . 

I. Haydn

(1732­1809)

Adagio cantabile; Vivace assai
Andante
Menuetto–Allegro molto
Allegro di molto

This is one of  the best­known  of  the twelve  “London” symphonies  Haydn  wrote
during two sojourns in England, 1791­1795.  These last  symphonies by  Haydn are ma­
ture works of  great imagination which  inﬂuenced composers through much of  the nine­
teenth  century.  The opening  notes of  the slow introduction  to the ﬁrst  movement  are
transformed, with slight  rhythmical change,  into the main theme  of  the  Allegro.  The
slow movement, a  theme with f our variations, is noted,  of  course, f or its tutti surprise

chord at one of  the cadences.  More droll are the  humorous contrasts  in the pompous
second  variation in a minor key.  The seemingly  straightforward  minuet  breaks  into  a
clever piece of  canonic writing in its second section. The last movement, jolly and bois­
terous, hides a  humorous and fast moving reference to  the ﬁrst  movement  which  is  a
challenge for the listener to catch.
Program Notes by Dr. Harry Lincoln

MEMBERS  OF THE  SYMPHONETTE
Violins: 
Ralph Wade 
Marianne Wallenberg 
R  . R ’  h  d 
‘tt

Cellos: 
Daniel McIntosh 
Robert Knight 

Bassoons:
Thomas Closser
Betsy Sturdevant

Jas Sting)  a :  

Bass: 

French Horns:

Betty Lou Agard 
Eliza Tan 

Flutes: 
Georgetta Maiolo
Harry Lincoln 

James Wallenberg 
Maryjane Woytowitz 
Edward Pettengill 
;  : 
Judith Niles 

Violas:

Russell Colton 
Dorothy Basos 
Shirley Sullivan 

Richard Thomas 
Haroon: 
Donna P 1 
­
ylypsiw 

Oboes:
Scott Eddy
Jeﬀrey Barron

Brian Stemberg
Stephen Couch

Trumpets:

Elmer Fairbank
John Harper

Timpani:
John Engstrom

1974­1975 SEASON

FIRST  SYMPHONY CONCERT
SUNDAY, N OV.  3rd, 7:30 p.m. – Wes t Junior High School

Soloist: Eileen Farrell
A l l  Wagner Program

SUBSCRIBE NOW!
Brochures for the 1974­75 season are in your program.
There will be an opportunity at intermission to subscribe now for the coming season.

�BINGHAMTON  SYMPHONY  AND CHORAL  SOCIETY, INC.
Oﬀicers
President
Vice President
.  Secretary
Treasurer

George R. Dunham 
Mrs. Eugene Peckham . 
Mrs. Robert Jergel 
Miss Sophie Horowitz 

Directors
James Babbitt 

Morris Gitlitz 

William Bridegam 
Mrs. Edwin L. Crawford 
George R. Dunham 
Robert Eckert 
Mrs. Jane Kihner Ellison 
Miss Sharon Emmons 
Donald Forriter 

Miss Sophie Horowitz 
J. Scott Husted 
Mrs. Robert Jergel 
Mrs. F. Thomas Jones 
Dr. Harry Lincoln 
Mrs. James Little 
Keith Martin 
Mrs. Alice Mitchell 

Mrs. Eugene Baxter 

Dr. Philip Friedheim 

Mrs. Morris Gitlitz 

Choral Committee 

Chairman–Mrs. F. Thomas Jones 
Vice­Chairman–Miss Sharon Emmons 

Secy. Treasurer—Edward Schappert 
Librarian–Mr. and Mrs. Scott Husted

Mrs. Charles Joseph, Mrs. Jan Shephard,

Miss Ethel Molessa

Dr. Francis E. Moore

Dr. Cliﬀord Myers
Mrs. Eugene Peckham
Mrs. Conrad Ross
Mrs. Everett Shimp
Mrs. Roy Sova
Mrs. Fritz Wallenberg
Mrs. Charles Yungkurth
LouisE. Zell, Jr.

Fund Raising Committee

Chairman–Cliﬀord Myers
Secretary Treasurer–Mrs. Donal O’Buckley
Mrs. Vincent Cherrone, Mrs. Kent Turner

R on Hamilt
Hamilton 

Publicity Committee

Orchestra 
Personnel Manager–Miss Ethel Molessa 
Concert Manager–Edward Pettengill 

Chairman–Mrs. Roy Sova
Vice­Chairmen–Mrs. Michael Middaugh
Jerauld  Manter

Librarian–Jane Whitmore 

Art Work–Mrs. Carlton Thompson

Executive Committee of The Friends of the Symphony
President—Mrs. James Little
Mrs.  Paul  Brooks,  Mrs. John  Convertino,  Mrs.  Edwin  Crawford,  Mrs.  Philip  Mattice,

Mrs. John Fenzel

We  wish  to  extend  our  thanks to  the Evening  Press,  The  Sun­Bulletin,  WBNG,
WICZ, WKOP, WENE, WBJA, WEBO, Hi­Fi Record Shop, Kent  Drug Stores, Harpur
College, Marvin  Kelley,  Jr.,  Mr. and  Mrs.  John  Richard  Reidy,  Vestal  News,  Carrols
Drive­In, and to all other friends whose support has made this concert possible. Special
thanks to Welcome Wagon for dispensing information and advertising materials.
This concert is made possible in part by support received from the New York State
Council on the Arts.

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                    <text>P E T E R  M A R S H

W A L T E R  P O N C E

ALL  BRAHMS  PROGRAM

Chamber  Music  Series
October  5,  1974
Don  A.  Watters  Theater
8:15  PM

�A BRAHMS  SONATA  RECITAL

Peter Marsh,  vi o l i n

Coming  Events

Walter  Ponce,  piano

éhhhf****&amp;*X~****J§*******************************

October 12

October 19

Conductor,  composer  and  organist
IRWIN  FISCHER  comes  to  Harpur  to
conduct  his  own  music.  Paul  Jordan
at the  organ.  CASADESUS  RECITAL
HALL.  8:15  PM.  Free.

Sonata  No.  1  i n  G major,  opus  78

Vivace  ma  non  troppo
Adagio
Allegro  molto  moderato

Chamber  Series  Concert.
The  Lenox  Quartet. Watters  Theater.
8 : 1 5   PM

October 27

Sonata  No.  2 i n  A major,  opus  100

Allegro amabile

Andante  t ra n qu i l l o  ­  Vivace

THE  HARPUR  WIND  ENSEMBLE.

Sunday,  Don  A.  Watters  Theater.
Free.
October 31

Allegretto  grazioso  (quasi  Andante)

THE  HARPUR  SYMPHONY  ORCHESTRA,
directed  by  Alfred  Clinton  Morris.
Works  by  Beethoven  and  Sibelius.
Watters  Theater,  Thursday,  8:15  PM.

INTERMISSION
I 
­ 

Sonata  No.  3  i n  D minor,  opus  108
Allegro
Adagio

Un  poco  presto  e con  sentimento
Presto  agitato

E — — —

E—

E

 

­

—

�THE  1974–75  CHAMBER  MUSIC  SERIES

Oct 5

Oct 19
Nov 9

Nov 24
Dec 13
Feb 2
Feb 22
Mar 16

Apr 3
Apr 13

Peter  Marsh,  violin
Walter  Ponce,  piano
Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
Walter  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK 

AT 

BINGHAMTON

Harpur College
Department of Music

Stein  Fischer
Conductor

PAUL  JORDAN,

Organ  and  Celesta

October  12,  1974
Jean  Casadesus  R e c i ta l   Hall
8 : 1 5   PM

I 

R

R

R

.

.

.

�PROGRAM
HUNGARIAN  SET:  THE  PEARLY  BOUQUET  (1943)
for  celesta  and  string  orchestra
IRWIN  FISCHER
7

Allegretto 

2.

Andante 

3. Poco  Allegro 

4. Andantino 

“Always  have  I inclined  to  the
life  of  a shepherd”
“Fly  from  my  window,  dear  swallow”
“The  stars  have  already
disappeared  into  the
coming  daylight”
“Dew  is  sparkling  on  the  grains

of  wheat”

O
F Adagio 

6. Allegro 
moderato

7&amp;8.  Allegro 
giocoso 

v  “Master,  please  pay  me  what  you
owe  me”
“Even  lovely  faces  are  false

“My  top  boots  are  new”  and
“That  lad’s  a  hopeless  case

CONCERTO  IN  G MAJOR,  OPUS  4,  NO.  1 (1738)
for  organ,  strings  and  continuo
GEORGE  FRI DERI C HANDEL

Allegro
Adagio
Allegro
INTERMISSION

CHORALE  FANTASY  (1938) for  organ  and  orchestra
IRWIN  FISCHER

�</text>
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                    <text>THE
LENOX
STRING

QUARTET

�Peter Marsh,  vi o l i n
Delmar  Pettys,  violin

Toby  Appel,  viola
Donald  McCall, cello

A d d ­ J U N G 5 &amp; 1 ­ i i J U D E i ­ i ­ ka a h l ­ a h h h h h h k i ' M H Ea l ­ J h ﬁ i ' X­ J G x­x ' x­ a h k x­x­ t h ﬁ

THE 1974–75  CHAMBER  MUSIC  SERIES

Oct 19

Feb 2
Feb 22
Mar 16

Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello

Apr 3
Apr 13

Lenox  Quartet

Nov 9

Nov 24
Dec 13

Walter  Ponce,  piano

QUARTET  IN  D MAJOR,  K.  499
("THE  HOFFMEISTER")

Allegretto
Menuetto  (Allegretto)
Adagio
Allegro

QUARTET  NO.  4 (1928) 
Allegro
Prestissimo,  con  sordino
Non  troppo  lento
Allegretto  pizzicato
Allegro  molto

W.  Mozart

B.  Bartok

Dorian  Quintet

INTERMISSION

QUARTET  IN  B  FLAT  MAJOR,  OPUS  67 

Vivace

J.  BRAHMS

Andante
Agitato,  Allegretto  non  troppo

Poco  A l l e g r e t t o  eon  Variazioni

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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

Harpur  Symphony  Oworetrsat
Alfred Clinton  Morris,  conductor

Don  A.  Wat ters  T heater
Thursday,  October  31,  1974
8 : 1 5   PM

�THE  HARPUR  SYMPHONY  ORCHESTRA

ALFRED  CLINTON  MORRIS,  conductor
MARY  REYNOLDS,  guest  soloist*
ORCHESTRA  PERSONNEL

JEAN  S I B E L I U S
( 1 8 6 5   ­  1 9 5 7 )

CONCERTO  FOR  VIOLIN  AND  ORCHESTRA  IN  D MINOR,  OPUS  47

ALLEGRO  MODERATO
ADAGIO  DI  MOLTO
ALLEGRO  MA  NON  TROPPO

MARY  REYNOLDS,  violin

First  Violins

Cellos

Horns

Gregory  Fulkerson
Andrea  Andros
Robert  Seletsky
Cheryl  Page
Elmar  Oliveira
George  Myers
Bruce  Berg
Paul  Goodman
Robert  Provell
Lydia  Werbizky
Evelina  Chao
Oscar  Maxwell

Tom  Shaw

Robin  Jackman
Martin  Burki
Ken  Weissman
Ellen  Loring

Second  Violins

INTERMISSION

LUDWIG  VAN  BEETHOVEN
( 1 7 7 0   ­  1 8 2 7 )

SYMPHONY  NO.  6 ("THE  PASTORALE")

ALLEGRO  MA  NON  TROPPO 

Awakening  of  happy  feelings  on
getting  out  into  the  country

ANDANTE  MOLTO  MOSSO 

By  the  brook  side

ALLEGRO 

Peasants’  merrymaking

ALLEGRO 

Thunderstorm

ALLEGRETTO 

Shepherd’s  song  ­­  Happy  and
thankful  feelings  after  the  storm

*FINALIST  IN  THE  FIRST  CONCERTO  COMPETITION

Janet  Brady
Rosa  Campa
Norman  Reid
Susan  Mitchell
Masako  Matsumoto
Alexandra  Werbizky
Paul  Childs
Dinah  Voorhies
Cordula  Rosow
Diane  Feigin
Rob er t  Nosofsky
Rita  Orzelek

David  Heiss
Dan  McIntosh
Holly  Wilson
Craig  Weaver
Seth  Jacobs
Steven  Stalker
Myra  Greenstein
Kris  Gunn

Howard  Cohen
Tracy  Slack

Trumpets

Basses
Richard  Thomas
Debra  Neu
Michael  Sanders
Dominique  Hyatt
Donal  O ’Buckley

Brian King
Allan  Winans
Steve  Winans
Trombones

Donald  Robertson
Michael  Williamson

Flutes

Roger  Keagle

Fran  Shafer
Susan Clarvit

Percussion

Piccolo

Martin  Ricciardi
Joseph  Roma

Merrell  Weiss

Personnel  Manager

Oboes

Geoﬀrey  Barron

Violas
Larry  Bradford
Mary  Ba r ton
Ron  Carbone
Geoﬀrey  Brooks

Eliot  Friedman

Carol  Hutter

Clarinets

Barbara  Gorin
John  Dexter
Carol  Isaacson
Sandra  Robbins
Jeanne  Woodruﬀ
Janis  Lubinsky

Bassoons
Louis  Papastrat
Brian Rozen

Nancy  Ranger

Wendy  Osteyee
J o y c e  Rose

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

Paul Jordan
Chistline  Lindsay

Chamber  Music  Series
November  9 ,   1974
Jean  Casadesus  R e c i ta l   Hall
2:15  and  8:15  PM

�CHRISTINE  LINDSAY,  harpsichord

INTERMISSION
I 

PAUL  JORDAN,  organ  and  recorder
* 3 § * * * * * * &gt; § * &gt; ( ­ &gt; ( ­ J h l ­ J b l ­ X­ J t AW N “ ? * * * * * * J ( ~ * X ~ * &gt; § * x ~ % a f x­ i ­x­ J i i ' i ' é k x ' a k i ­ d ' i ' i ' x­ ka i i

IV®  SUITE  IN  A MAJOR 
SONATA  IN  D MINOR 
opus  1 ,  n o.   2 

JEAN  BAPTISTE  LOEILLET

La  Veloutee

L’Indeterminee
La  Frenetique
La  Brunette

for  Alto  Recorder  and  Basso  Continuo 
Adagio 
Allegro
Largo
Giga
Gavotta 

SONATA  IN  D MAJOR,  K.  492 

JOSEPH  BODIN  de  BOISMORTIER

GEORG  PHILIP  TELEMANN
SONATA  IN  F MINOR 
for  Alto  Recorder  and  Basso  Continuo
DOMENICO  SCARLATTI 

SONATA  IN  G MINOR,  K.  426 

Triste
Allegro
Andante
Vivace

SONATA  IN  G MAJOR,  K.  427
CONCERTO  NO.  III  IN  G MAJOR 

for  two  keyboard  instruments
EIGHT  NEW  CANONS 
from  Logbook  III (1974) 

PRELUDE  AND  FUGUE  IN  D MINOR 

MOONDOG
(LOUIS  HARDIN) 

JOHANN  SEBASTIAN  BACH

Andantino
Minue

ANTONIO  SOLER

�THE  1974–75  CHAMBER  MUSIC  SERIES

Nov 9

Nov 24
Dec 13
Feb 2
Feb 22
Mar 16
Apr 3
Apr 13

­—

­—

­—

Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
Walter  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

�</text>
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                    <text>STATElJnnmmmxv'orIQBwrlkmm:Aernnnnuu10N
Harpur College
Department of  Music
The  Coll egiu m Musicum,  Pau l  Jord an,  d

pres ents

irector

the  Baroque Chamber
&gt; Orchestra

i 

i
&lt;

J

\ 

i
M
\

H H
i

Y 
A

\

November  20,  1974
Casa desu s  R e c i t a l   Hal l
8 : 1 5  PM

w

�THE  BAROQUE  CHAMBER  ORCHESTRA  OF  THE  COLLEGIUM  MUSICUM

PROGRAM

FALL  19 74
Mitchell  L. Mendelson, Music  Director
Paul Jordan, Music  Advisor
Karen  Adler, Assistant Conductor

ARCANGELO  CORELLI
( 1653– 1713)

CONCERTO  GROSSO  IN  D MAJOR
opus 6, no. 4
Adagio  – Allegro
Adagio  –  Vivace
Allegro – Allegro

PERSONNEL
Robert  Seletsky, violin
Dinah  Voorhies, violin
Howard  Cohen, violoncello
JOHANN  JOACHIM QUANTZ
( 169 7– 1773)

CONCERTO  IN  C  MAJOR

for  Flute  and  String  Orchestra

Allegro
Amoroso

Presto

Sharon Kosakoﬀ, ﬂ ute
Denise  Savas, violin
Schyler  Smith, violin

V i o l i n  I

Flute

Robert  Seletsky, principal
Denise  Savas
Joyce  Capani
John  Hagopian
Andrew  Kindler

Sharon  Kosakoﬀ, principal
Wendy  Herman
Jane  Gottlieb

Violin  II

Barbara  Segreto, principal
Marilyn  Schulkind
Deborah  Schnapf

Dinah  Voorhies, principal
Schyler  Smith
Tina  Opie
Donald  Thaler

Carol  Hutter, viola

Howard  Cohen, violoncello

Viola
CONCERTO  GROSSO  IN  B–FLAT  MAJOR
for  two  Oboes  and  String  Orchestra
opus  3 ,  no .  1

GEORG  FRIEDRICH  HANDEL
( 1685– 1759 )

Violoncello

Lar go
A l le gro

Howard  Cohen,  principal
Stanley  Ostrom  Jr.

Barbara  Segreto, oboe
Ma r i l yn  Sch ulk ind ,  oboe

Joyce  Capani, violin

Bass
Michael  Graven, Jr.

INTERMISSION

Over ture

P la in te
Re jo uissance
Ca r i l l o n
T in tama r e
Loure
Men ue t  I / I I

Carol  Isaacson

Barbara  Gorin

A l le gro

ORCHESTRAL  SUITE  IN  D  MAJOR

Carol  Hutter,  principal

GEORG  PHILIPP  TELEMARN
( 1681– 176 7)

Oboe

Trumpet

Steve  Winans

Bassoon
Lois  Chantry

Harpsichord
Sharon  Frachtenberg

�The  Baroque  Chamber  Orchestra  will  join
the  Collegium  Choir  and  the  Renaissance
Consort for  a  gala  concert  on  Wednesday,
December  11,  1974, at 8:15  PM  in  the
Jean  Casadesus  Recital Hall,  SUNY–Binghamton.
Featured  works  will  include  Concerti
Grossi  by  Corelli and  Vivaldi and  a  Chorale
Cantata  by  Buxtehude.  Admission  is  free.

�</text>
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