147 10 1775 https://omeka.binghamton.edu/omeka/files/original/c06c17fb0665f3519bfc4d4cadadab02.jpg 8d6c2d53d7af1cac1a55b3370814e506 https://omeka.binghamton.edu/omeka/files/original/7395f3297859c610296e5e867b47cce6.jpg abb11ee0ebf3f7b6e9ca9cf040097471 https://omeka.binghamton.edu/omeka/files/original/0f704243b43b5c85c51d6b1622fd82c0.jpg cc139b935deff4c6c5dd5eaa8b91853e https://omeka.binghamton.edu/omeka/files/original/266faa579e433b863f97ad26b2e5d5cb.jpg cd5d03c53df82481edd552a648ef63d7 https://omeka.binghamton.edu/omeka/files/original/256368e2d7c9d72bab1dcc0243bfbe49.jpg 79b07c9f3ae3c16c624919649582d81f https://omeka.binghamton.edu/omeka/files/original/0bf7af6d7c1709ac6f432ce121ca67dd.jpg a8b308a288eee2b099e8b697d01f8fdb https://omeka.binghamton.edu/omeka/files/original/6d1cdd25fab9dbb5370b85905e26c9f9.jpg 805920f6d4ad205d05dc5e3bd0503be8 https://omeka.binghamton.edu/omeka/files/original/32c6c638218e7a50b69e67690b43bca6.jpg 98bcb4ec1c075fee3d11ead22d71d33a https://omeka.binghamton.edu/omeka/files/original/3f4d384d7c73226591dea21daeecd4c8.jpg d479e7cc2c9085dc9024fa9b93fb9c8b https://omeka.binghamton.edu/omeka/files/original/c5bfe83904604a45d2bb3bcd8455fe83.jpg b63dddfa6dde4cab5f23071506d0a9d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description No dates/location for pencil markings. Only markings are in black pencil. Few markings, mostly cross-outs of dialogue or marginal notes scattered throughout Probably not used for a production - may have been an actor’s copy, or an initial read-only copy. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 27.5cm x 22cm Earlier version Earlier version (dcterms:isVersion Of) Le Sexe faible Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.16 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Schwache Geschlecht : Komödie in drei Akten [promptbook] Subject The topic of the resource Bourdet, Édouard, 1887-1945. Sexe faible --- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Bourdet, Édouard, 1887-1945 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3116 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/d3fb0c6a71a50f819fee5e9e6b193a3d.jpg c979a49e72837062c5b4796aadd052ab https://omeka.binghamton.edu/omeka/files/original/70a6e20e7900f67c38a0716c86582e28.jpg 34226a975823e5e8587d3c13d4d8586a https://omeka.binghamton.edu/omeka/files/original/9d0cc52d96bda4f211eb25109d845d95.jpg 4d354fbab7254d05dad6cb677fe137fc https://omeka.binghamton.edu/omeka/files/original/c4e0587c267b27f80c4120a4b1a74f77.jpg ec434067882f45b562f0bc45e2062ed3 https://omeka.binghamton.edu/omeka/files/original/51a0686645ee293337ddcb6e31041a4f.jpg 0c7cf1fb25a6996c769d80f5edc3d069 https://omeka.binghamton.edu/omeka/files/original/f7c0b6f8bc4f6a48e3e18edb27ddd6ac.jpg 4953ac42e8861eebe036ea2b50f3d67f https://omeka.binghamton.edu/omeka/files/original/3d323dba04056148d546e7b97b390b72.jpg a9037962f147ce7af614227f62f9c8d7 https://omeka.binghamton.edu/omeka/files/original/31e04ba7a516d09ad46770d4501b3b13.jpg 66bbfb96a6f01ef438e98615345b00c1 https://omeka.binghamton.edu/omeka/files/original/a0ae499eeaf930bdf00b7b25222122fa.jpg 03c365c3fb90f7e43f6619afc0846b25 https://omeka.binghamton.edu/omeka/files/original/f72553b1e5d4b4d45e33961d37a90837.jpg a420c9251b9ba7406205738652296d51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Book in good condition. All text in German. Markings in purple pen, black pencil, and blue pencil. Very little marks throughout entire work. Only a single small stage direction sketch found on page 146. Blue pencil first used page 112, used thereafter. Piece of graph paper attached to page 71 with handwritten notes, but does not appear to be Reinhardt's handwriting. Virtually no significant markings, sketches, notes, etc. Includes supplement folder, consisting of ten pages of note paper inside with handwritten notes in black pencil, which are almost all handwritten notes crossed-out. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 31cm x 22.5cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.49 Production(s) Josefstadt, Wien, April 24, 1924 -Supporting materials: Box 2 Folders 30-32: scene designs, scenes, scenes and artwork Box 14 Folder 17: Programs; plays Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Schwierige : Lustspiel in drei Akten [promptbook] Subject The topic of the resource Hofmannsthal, Hugo von, 1874-1929. Schwierige : Lustspiel in drei Akten Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hofmannsthal, Hugo von, 1874-1929 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3157 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Josefstadt Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/00b73e00e4b2627d5f3f237c065b02da.pdf 618176a8920053e9685756097e160808 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON presents AN ORGAN RECITAL by SEARLE WRIGHT – assisted by Matthew Kuhn, Oboe I. Choral Alleluiatique (L ’Orgue Mystique – Livre 44) Prayer of Christ Ascending (L ’Ascension) Charles Tournemire (1870 - 1939) Olivier Messiaen ) (1908 Louis Vierne Scherzetto (Pi&ces en Style Libre) (1870 - 1937) II. Dietrich Buxtehude Nun Bitten Wir den Heiligen Geist (1637 — 1707) J. S. Bach (1685 - 1750) Passacaglia and Fugue in C Minor INTERMISSION (5 minutes) III. G. H. Handel Concerto in B Flat for Oboe (No. 8) (1685 - 1759) Adagio Allegro Stetliana Matthew Kuhn, Oboe Vivace IV. Hermann Schroeder ) (1904 — Preludes and Intermezzi Maestoso Andante sostenuto Andantino Poco vivace Hermann Schroeder Schoenster Jesu Leo Sowerby Pageant of Autumn (1895 — 1968) - Casadesus Recital Hall 8 p.m. October 8, 1977 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:28 33:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333674">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333674</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Searle Wright, Organ Recital, October 8, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 10-8 Description An account of the resource Works of Tournemire, Messiaen, Vierne, Buxtehude, Bach. Held at 8:00 pm, October 8, 1977, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Wright, Searle Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-10-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:20 16:38 36:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333584">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333584</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Searle Wright, Recital, February 3, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 2-3 Description An account of the resource Works of Paumann, Gabrieli, Couperin, Nuxtehude, Bach. Held at 8:15 pm, February 3, 1977, Watters Theater. Creator An entity primarily responsible for making the resource Wright, Searle Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/95df0b3cd89e456238c70fe924545c29.jpg 85042eaa1a29d2954356ab87ffd6d94a https://omeka.binghamton.edu/omeka/files/original/717b1efa0fbfe8c4cd2a05d4ad16c06d.jpg 793b8444e69193484230494c01419ad9 https://omeka.binghamton.edu/omeka/files/original/0c76a58b363f55529210556141a1b8e7.jpg c33035c11a32d6b3ffe0722e547f72a6 https://omeka.binghamton.edu/omeka/files/original/7a6f7f2052a010b372b24f7c6163ccd9.jpg 2c93c01771e172acec9cc5117acf42f7 https://omeka.binghamton.edu/omeka/files/original/35d3ed7b761eb8270117e3392da69151.jpg c98d0d7f825fda2c3e019d0f388af78d https://omeka.binghamton.edu/omeka/files/original/d87520d04ef66f3be94eb5ad2045f638.jpg d6e7a508020b33a47e25ce31d7ba137a https://omeka.binghamton.edu/omeka/files/original/ba95d2a584c98c5c2a996280d610cd2f.jpg 03ad96b376ac02cb681fb4980f555276 https://omeka.binghamton.edu/omeka/files/original/46db195fa846fbf9906526e9848bf929.jpg 93713550e795bd71ee9b33d94d3b5456 https://omeka.binghamton.edu/omeka/files/original/4d8d6f7aec891f8c0527ac7b8cbc67e2.jpg bf1161d87903502644615abd2489aace https://omeka.binghamton.edu/omeka/files/original/2ca7e79fdd06cc48f88031d93fbd9079.jpg e0866bed1fdf23a27c205adf8e1459cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description One folder for each act of play with loose, typewritten pages inside. Handwritten letter from Helene Thimig, Max Reinhardt’s wife, found inside, dated April 15, 1969. Typed transcripts of note also found in English and German. Note discusses this was Max Reinhardt’s original promptbook, and she had lent it to theater director Ernst Haussermann (1916-1984), who premiered Reinhardt’s version of the play in Josefstadt on October 31, 1968, before taking it on tour after Christmas of that year. She notes that many of the handwritten markings within the promptbook are Haussermann's, and not Reinhardt’s. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29cm x 23cm Earlier version Earlier version (dcterms:isVersion Of) Sei personaggi in cerca d'autore Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.96 Production(s) October 31, 1968, Josefstadt (dir. Ernst Haussermann); Haussermann tour Christmas 1968 (dates and locations unspecified; see description) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sechs Personen suchen einen Autor [promptbook] Subject The topic of the resource Pirandello, Luigi, 1867-1936. Sei personaggi in cerca d'autore -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Pirandello, Luigi, 1867-1936 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943, J. Eichelberger Language A language of the resource German Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Josefstadt https://omeka.binghamton.edu/omeka/files/original/a43a8e647c2b3235b2b8742aa0659346.jpg 974b3941c78e3964c65ed9d577931cb8 https://omeka.binghamton.edu/omeka/files/original/eaa7dc53de0e37bd20ab2f441590d2fd.jpg 632bc37958e825f0e829dfae9b33746e https://omeka.binghamton.edu/omeka/files/original/d3d8c658366d712adda4ebb3966d22de.jpg 6cbf49c2f8f3df75f12214475860b319 https://omeka.binghamton.edu/omeka/files/original/5dc609f51eb7c1852486903fb78ac1a4.jpg 365567400ddf0f4dbd8a08aae90956c1 https://omeka.binghamton.edu/omeka/files/original/ea29b54a35df69abbf4c3207171c3e68.jpg 5dd9b3f8d263be5ec6765d2b5e140957 https://omeka.binghamton.edu/omeka/files/original/bea4b1fb15d0b7e27d1524c071c2741d.jpg 508fe1671c09819bb2d98939e93c3bcb https://omeka.binghamton.edu/omeka/files/original/766911e2a71cbfaf5d899c6dab1f3d11.jpg 36da9ef813b32f6c2a29a5991bc8343f https://omeka.binghamton.edu/omeka/files/original/75a6901815e9df85c7b61391fa9bd54d.jpg 7c8dcd28e6cb83300799280f7d225258 https://omeka.binghamton.edu/omeka/files/original/d45819286c94ee3cba9a207deebf6007.jpg bddb883296be6532a11dc79630bc565e https://omeka.binghamton.edu/omeka/files/original/00a805fadbf7d9c67f9dc15ae7cb300a.jpg 8fcb84ad7f21b49668c9fd854833e60b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Book in poor condition, almost all pages loose from binding. All text in German. Markings in purple pen, blue pencil, black pencil, and pink/red pencil. Most markings are in purple and consist of general markings, dialogue notes, etc. Pink markings relate to music and sound, or are used to cross-out/highlight dialogue. Pink/red and black pencil used in conjunction to cross-out dialogue. Markings of note: Stage sketches. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 21.5cm x 15.5cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.29 Production(s) Berlin, January 27-30, 1918 -Supporting materials: Box 1 Folder 34: Photographs Oversized mounted 15 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seeschlacht : Tragödie [promptbook] Subject The topic of the resource Goering, Reinhard. Seeschlacht : Tragödie Promptbooks Stage directions Creator An entity primarily responsible for making the resource Goering, Reinhard, 1887-1936 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3131 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:15 33:47 25:17 31:50 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243661">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243661</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seminar, June 25, 1973 Recital Tape 1973-6-25 Description An account of the resource Held on June 25, 1973. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 6/25/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56 minutes: 2 seconds 16 minutes :44 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142196">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142196</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior honors lecture recital, Matt Gukowsky, April 21, 2012 Description An account of the resource Works by Gukowksky, Soule, Shimomura, Kondo Held at 8:00 p.m., April 21, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Gukowsky, Matthew Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/21/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0e385ccfb00bec9cb122b5b65e612fac.pdf 13c04ea6e980427276f1fb4250a01862 PDF Text Text BINGHAMTON UNIVERSITY State University of New York ,, D E P A A T M E N T SENIOR HONORS RECITAL Sarah Sterling, viola with Margaret Reitz, piano Emily Creo, cello Alicia Koepke, violin Elizabeth Sterling, violin Sunday, April 26, 2009 7:30 p.m. Casadesus Recital Hall �PROGRAM Passacaglia on an Old English Tune (1943) ............. Rebecca Clarke ( 1886-1979) Margaret Reitz, piano Suite No. 1 in G Major, BWV 1007 ............... . Johann Sebastian Bach (1685-1750) Prelude Allemande Courante Sarabande Minuett I/II Gigue Fantasie, Op. 94 ....................................... Johann Nepomuk Hummel (1778-1837) Margaret Reitz, piano INTERMISSION Sonata for Viola and Piano ....... Mikhail Glinka (ed. V. Borisovsky) (1804-1857) Allegro moderato Larghetto ma non troppo Margaret Reitz, piano h String Quartet No. 1 in E minor, "From my Life" .. þÿBedYicSmetana ( 1824-1884) Allegro vivo appassionato Emily Creo, cello Alicia Keopke, violin Elizabeth Sterling, violin �ABOUT THE PERFORMERS SARAH STERLING, violist, is a senior at Binghamton University, double-majoring in Music and Psychobiology. She has studied the viola for thirteen years under various teachers, including Roberta Crawford, Sue Nazzaro, Melinda Daetsch, and Nathan Frantz. Sarah has also studied piano and is an active vocalist. Her musical activities at Binghamton include participation in the University Symphony Orchestra and Harpur Chorale, as well as various chamber ensembles. She was a finalist in the 2007 Binghamton University Concerto Competition and is a recipient of the John M. and Marcella M. Keeler Scholarship in Music. She has also participated in the Luzerne Music Center Summer Program and was a member of the NYSSMA All State Symphony and Empire State Youth Orchestra. Sarah plans to go on to graduate school following her graduation in May. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area. She received her Bachelor and Mater of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied · piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce. She has studied accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute for Musical Studies in Graz, Austria. She and Binghamton University faculty member Timothy Perry were winners of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. Pej has been a guest chamber music artist in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. Pej was recently invited to the International Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on the Cornell Summer Series this past summer, and she was an official pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College. She was selected to accompany at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain in July 2007, coached by Teresa Berganza, and at Mannes School of Music in the summer 2008. Pej will be in �residence at the Barcelona Festival of Song this summer in Spain as coach/accompanist, and has been asked to play a concert this summer with the Glickman Trio in the United Kingdom at the IDRS Convention. Pej has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She maintains a private piano studio in Vestal, New York. She is on the Executive Board of the New York District MTNA organization, is President of the local District VII Music Teachers Association, and is an active adjudicator for the National Piano Guild Organization. EMILY J. CREO, cellist, completed her master's degree in Music History and Literature at Binghamton in May of 2008. She also obtained her bachelor's degree from Binghamton with a major in Music and a minor in Medieval Studies. While at Binghamton, Emily performed as a cellist in the University Orchestra as well as in the chamber program, and as a vocalist in the Harpur Chorale. She is currently active performing in the Southern Tier, and this season will mark her tenth year playing for the Summer Savoyards annual Gilbert and Sullivan production . Though still a musician on nights and weekends, Emily works in accounting and administration for the Binghamton Senators Hockey Team by day to afford rosin and sheet music. ALICIA KOEPKE, violinist, is a sophomore at Binghamton University with a goal of obtaining a bachelor's degree in Music. She has studied with the late Joan Williams, Fritz Valenches, Roberta Crawford, and Janey Choi. For 7 years Alicia had been active in the Sinfonia Youth Orchestra, and, as a member of the Scranton/Wilkes-Barre Community Orchestra, has performed in professional settings including the Clay Aiken Magical Holiday Tour 2007. She has also played i n various weddings and has given private lessons. Alicia is currently a member of the Binghamton Univesity Orchestra and chamber music program. As of right now, she is unsure of her post-graduation plans. ELIZABETH STERLING, violinist, a student of Janey Choi, is completing her senior year at Binghamton University with a double major in Music and Anthropology. She has performed with various chamber ensembles and orchestral groups, including the Saratoga Springs Youth Orchestra, Empire State Repertory Orchestra, and Binghamton University Symphony Orchestra. Her other musical interests �include piano and vocal studies. She is currently a member of Harpur Chorale and the Jazz Ensemble and studies voice with Mary Burgess. She has also studied with Sue Nazzaro, Pattie Sunwoo (violin), Patte Hadfield, Chai-Kyou Mallinson (piano), Jeffrey Vredenburg, Elizabeth Duhr, and Heather Montana (voice). Elizabeth plans to pursue a master's degree in Music Education following her graduation in May. ABOUT THE MUSIC Passacaglia on an Old English Tune • Rebecca Clarke was born and educated in Britain, but spent most of her life in the United States. She wrote close to 100 works in her lifetime, though by the time of her death in 1979, even the 20 that had previously been published were out of print. Since then, scholarship and interest in her work has revived. Clarke's style combines elements of impressionism, post-romanticism, and neo-classicism to create a powerful musical statement. She wrote the "Passacaglia on an Old English Tune" and performed its premiere herself in 1941. The work is based on a theme by Thomas Tallis. Clarke transforms the simple melody into something much more potent and full of emotion. The piece was dedicated "To BB," which could either refer to Clarke's niece Magdalen, or to Benjamin Britten. (The latter would make sense as Britten had organized a funeral for Frank Bridge, an influential composer and friend of Clarke's, that same year. The Passacaglia creates feelings of grief and nostalgia that could easily have accompanied such a loss.) Suite No. 1 in G major, BWV 1007 • Johann Sebastian Bach wrote his six Cello Suites during his time as music director at Cothen, probably around 1720. In this position, he had no church musical responsibilities and so was able to compose mostly secular music for domestic and pedagogical use. The suites were at first believed to be etudes, and for many years were paid little attention. Today, however, they have become an essential part of the repertoire for the cello and a plethora of other instruments, including the viola. Because Bach left no manuscript and little or no markings indicating tempi, dynamics and other aspects of performance, much has been inferred from other copies of his manuscript, especially those written by Bach's second wife, Anna Magdalena. The suites each showcase the various technical possibilities of the instrument, and are comprised of six movements: an improvisatory prelude followed by five variously styled dance movements. Perhaps the �best-known movement of the G major Suite, the Prelude, consists primarily of arpeggiated chords. The dance movements that follow cover the entire stylistic spectrum, alternately poised, exuberant, contemplative, carefree, and full of joy. Though the concept seems almost too simple, Bach's innovative combination of contrapuntal, harmonic, and rhythmic techniques makes the work sophisticated and whole even without accompaniment. Fantasie, Op. 94 • The Fantasie was composed in 1820 in the context of a larger work, Potpourri for Viola and Orchestra. Hummel's Potpourri was made up of eight distinctive sections containing music from the operas of Mozart and Rossini, as well as improvisatory and fugal elements. In its shortened form, it has become a staple of the viola repertoire. Editions have been published for other instruments as well, including violin, cello, and even string quartet. A gravely emotional G minor beginning sets the tone for the Fantasie. The piece then switches gears with a florid Andante section in B flat major, based on the aria "II mio tesoro" from Mozart's Don Giovanni. A rollicking Allegro ma non troppo in D major carries the piece to a triumphant finish. Sonata for Viola and Piano • The Sonata for Viola and Piano was written between 1825 and 1828. In his Memoirs, Glinka describes it as "cleaner" than his other compositions of this early period. The first movement was composed in 1825 while he was living in St. Petersburg as a sort of transition from academic composition to "real" music. Glinka composed the second movement while visiting Moscow in 1828. Though he started work on the third movement, it was ultimately never realized. (The Rondo theme originally intended for the third movement was later incorporated in a polka for children.) Thus, the second movement concludes the sonata. (Most of the work done by Vadim Borisovsky to complete the piece consisted of elaborating the piano part.) In the end, Glinka was pleased with the sonata's "clever counterpoint" and saw it as one of his most successful compositions. The piece has a certain frank sincerity that, combined with a distinctly Russian flavor and dramatic mood, makes it both exciting and accessible for listeners. String Quartet No. 1 in E minor, "From My Life" • Smetana's String Quartet No. 1 in E minor "From My Life" was written in 1876, two years after its composer tragically lost his hearing. Its title reveals the quartet's autobiographical nature. In an 1878 letter to Josef Srb, Smetana explains, �"I wanted to depict in music the course of my life ... the composition is almost only a private one and so purposely written for four instruments which, as in a small circle of friends, talk among themselves about what has oppressed me so significantly." Indeed, the work is made up of separate musical ideas that can be said to represent its composer's state of mind at significant points in his life. At the time the piece was composed, such programmatic works were for the most part reserved for the symphony, rather than the string quartet. This makes "From My Life" somewhat unique as a chamber work. The quartet was initially rejected by the Prague Chamber Music Association for its "dubious orchestral style," as well as for what were then considered instances of technical impossibility. It was finally performed in the Konvikt Hall of Prague on March 29, 1879. The first movement is a depiction of Smetana's youth - his love of music and a desire for something indescribable. It ends with a moment of foreshadowing in the first violin, a premonition of deafness, ultimately signified in the final movement by a long-held high E. �Binghamton University Music Department's UPCOMING EVENTS Tuesday, April 28th Friedheim Memorial Lecture/Recital: Audible Processes - Minimalism and Beyond, Casadesus Recital Hall, 8:00 PM, $$ Thursday, April 30thMid-Day Concert, 1:20 PM - FREE Casadesus Recital Hall Friday, May 1stFlute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall,FREE Recital: Sung Jin Park, soprano, Casadesus d Saturday, May 2 nMasters Recital Hall,3:00 PM, FREE dasters Recital: Susan Amisano, soprano, Casadesus Saturday, May 2 nM Recital Hall, 8:00 PM, FREE Symphony Orchestra "Fantastique!" d Saturday, May 2 nUniversity Osterhout Concert Theater, 8:00 PM, $$ Masters Recital: Jenean Truax, soprano, Sunday, May 3rd Casadesus Recital Hall, 3:00 PM, FREE Tuesday, May 5th Percussion Ensemble, 8:00 PM, FREE Anderson Center Chamber Hall Thursday, May 7thStudent Recognition Mid-Day Concert, Casadesus Recital Hall,1 :20 PM, FREE Thursday, May 7thHarpur Chorale and Women's Chorus, Anderson Center Chamber Hall,8:00 PM, FREE Friday, May 8th Binghamton University African Music Ensemble, Casadesus Recital Hall,8:00 PM, FREE Saturday, May 9th Hindustani (North Indian) Classical: Tomek Regulski, CasadesusRecital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center Box Office at 777-ARTS. -I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:02:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149629">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149629</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior honors recital, Sarah Sterling, April 16, 2009 Recital Tape 2009-4-26b Description An account of the resource Works of Clarke, Bach, Hummel, Glinka, Smetana. Held at 7:30 p.m., April 26, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Creo, Emily Koepke, Alicia Sterling, Elizabeth Sterling, Sarah Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3c06a4dd2a868f62f3c961e6e81cbd0f.pdf bdbeedda5902ee60aaddf62d34efae8e PDF Text Text uNlIy A L C \ “ e . 5 \ l W\ BIN A00 5 q »\ L, o r e O, 1 C U N I V E R TY State University of New York A Department of Music B E S Senio r Piano Recita l Sut Han Che, piano with Miehaei Saimirs, piano Friday, April 15, 2005 8 :00 p.m. Casadesus Recital Hall �Program Sonata, KV 330 Allegretto Andante Allegretto W.A. Mozart (1756-1791) Etudes............ Frédéric Chopin (1810-1849) Revolutionary, Op. 10-No. 12 Butterﬂy, Op. 25-No. 9 C minor, Op. 25-No. 12 --Intermission-: 5 .. Claude Debussy (1862-1918) En Bateau Cortege Menuet Ballet Suite Op. 14 Allegretto Scherzo Allegro molto Sostenuto Ballade No. 3 in A-ﬂat, Op. 47 Allegretto . Béla Bartok (1881-1945) . Frédéric Chopin (1810-1849) �About the Performers SUT HAN CHEN (Candice) was born in Macau SAR. She started to learn piano with private piano teachers when she was eight. To gain orchestral experience, Che joined her high school orchestra and played clarinet for three years. Along with high school education, she attended Macau Conservatory to study music history, theory and improve her techniques during which she participated in the Annual Macau Youth Music Competition and won prizes in solo piano and chamber music. After high school graduation in 2001, Che came to the United States to continue her eduation at Binghamton University as an accounting major. At the University, Che studied piano performance with Professor Michael Salmirs and gained many public performance experiences during and also outside of piano classes. Che also studied chamber music with other professors at the University and performed several pieces in public. s éq1 M C H AAEW AYLRAFT) sm and amd artistic s Airon Pianist RATAIYY O TL S A M I R S , founding member director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Saturday, April 16 – Senior Honor ’s Recital – Talitha Phillips, string bass 3:00 p.m. – Casadesus Recital Hall - free Saturday, April 16 – University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. -- Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 19 – Student Brass Quintet – 8:00 p.m. – Casadesus Recital Hall -- free Thursday, April 21 – Mid-Day Jazz Concert with Bill Easley - 1:20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpu r Jazz Ensemble with Bill Easley – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert - 1:20 p.m. – Casadesus Recital Hall – free : Friday, April 29 – Master’s Recital – Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall - free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzo-soprano. – 3 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital – Amber Alarcon, mezzo-soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble: We Band of Brothers – 3:00 pm. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior piano recital, Sut Han Che, piano, April 15, 2005 Description An account of the resource Works of Mozart, Chopin, Debussy, Bartók. Held on April 15, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Che, Sut Han Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-15 Rights Information about rights held in and over the resource In copyright