148 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:14 41:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189740">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189740</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior recital, Akira Maezawa, violin, April 26, 2008 Recital Tape 2008-4-26 Description An account of the resource Works of Hindemith, Beethoven, Corigliano, Szymanowski.Held at 3:00 p.m., April 26, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mackiewicz-Wolfe, Ewa Ryu, Sungkyun Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-04-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID c17d2425-e5ed-42c6-b5dc-e263d6590c81 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:37:04 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253427&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253427&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior recital, February 29, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 2-29 Creator An entity primarily responsible for making the resource Lucia, Jennifer Date A point or period of time associated with an event in the lifecycle of the resource 2/29/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/f4f5991970ffba8771f953bac7b31b8b.pdf 05df6d6d7ae0f3db2de0f6a20fe07a00 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S TAT E   U N I V E R S I T Y   O F   N E W  Y O R K D E P A R T M E N T SENIOR R EC ITA L LAU RA  MACAVOY SOPRANO wilh Willcam, peano­ S u n d a y ,  Apr il/10 , 2 0 1 1 3.00 p. n a Casadesus Recital  Hal �TR AN SL ATIO NS PROG RA M Let  me  wa nde r no t un see n Text: John Milton L’Allegro, il Penseroso ed il Moderato...... .... George Frideric Handel Let me  wander not unseen (1685­1759) Or let the merry bells Venuto e A r , Ah, ma i non cessate Ognun ripicchia e nicchia Nac htgang, Op . 29  no  3 . . Du  meines Herzens Kronelein, Op  21  no.  3 Lei ses  Lie d, O p. 39, n o. 1 Schlagende Herzen, Op. 29, no. 2 Let me wander, not unseen, By  hedgerow  elms  on  hillocks green. There the ploughman, near at hand, Whistles over the furrow’d land. And the mildmaid singeth blithe, And the mower whets his scythe, And every shepherd tells his tale, Under the haw thorn in the dale. .Stefano Donaudy (1879­1925) Or l et th e m erry  bel ls ..Richard Strauss (1864­1949) Or let the merry bells rin g round, and the jocund rebecks sound. To many a youth and many a maid, dancing in the chequer’d shade. Bio/N TE RMISS IONCU La Courte Paille........ Le sommeil Quelle adventure! La reine d e coeur Ba,  Be,  Bi, Bo, Bu Les  an ges  musiciens Le carafon Lune d’Avril Three Browning S o n g s Ah, Love,  but a day! Op . 4 4 ”no.    2 I send my  heart up to  thee!  Op . 44 , no The Year’s at the Spring. Op. 44 , no. 1. 3 IL Ven uto  é I’ apr ile (Ap ril has  arr ived ) Tex t: Alber to Donaudy ...Francis Poulenc (1899­1963) Amy Beach (1867­1944) J April has  arrived, weaving garlands, and gathering nymphs and sylvans in the meadow. The   alder  trees  are  tuning  their instruments, and  at  the  first  harmonies o f the wind among the branches, the dance begins. First a faun advances... His nymph sees him ... Sighs... And  they fly o ff  together! The   couples  frolic  among  the fountains and the brooks, and then disappear furtively into the woods... But  Clori, who meanwhile is jealous of Nice, waits unhappily and lonely, in tears, for the dance to end. But a shepherd approaches... And already Clori sees him ... Sighs... And they fly o ff together! Ah,  ma i n on c ess ate ... (Ah , ne ver  cea se.. .) Ah, never cease your speaking, oh desired lips to which I madly go; With the honey o f your words I want to ma ke a sweet pillow upon which 1 will sleep. Oh blessed dreams never dreamed by anyone which, sleeping upon that pillow; I will have, sleeping  and  dreaming,  close  to your heart, my sweet, desired dream o f love. Ah!  Sleeping, dreaming­ dreaming of love! Ogn un r ipic chia  e n icch ia (Eve ryon e re pea ts a nd hes itate s) Everyone  repeats  and  always hesitates over an event strange to tell. But why, bu t how  is it. that so  much love should end  this way? Now I would like to tell m y story s o comical as it is: I was walking on e day with Mona Lapa, who was so dear to my heart, through the fields to gather flowers. But the stor y begins here. Oh!  Wha t is that I see  the re? A cricket or a nightingale? The  most beautiful! My beauty sat on  a little hill. She hoped to be  able to  enjoy the divine singer, but at the trill of  the cricket and  at his quick jump she gave a scream, and with her  flight, I fell o n  the place where she had sat. And the story ends here. �III Nachtga ng (Night Walk) Text: Otto Julius Bierbaum We walked through the quiet, mild night, your  arm  in  mine,  your  eyes  in mine. The moon  poured silver light  over yourface. as if your head rested on a golden bed. And you appeared to me as a saint, gentle  and  immense  and  full  of soul, holy and pure, l k e  the beloved sun. And in my  eyes rose up a  warm  longing  like  a  tearful premonition. More  tightly  I  clasped  you  and kissed you, kissed you so softly. My soul wept. Du meine s Herzens  Kronelei n (You m y  h eart’s litt le crown) Text: Felix Dahn You my heart’s little crown, you are o f  p ure gold, when others are close by, then you are still mo re lovely. The others appear to be so clever, you are very calm an d quiet, that every heart takes pleasure in YOU, it is your fortune, no t your will. The others seek love and  favor with thousands of false words, you without deceit in word and look are valued in all places. You are like the rose in the forest, she knows nothing o f  her beauty, yet to each, who wanders by, she delights the heart. Leises Ll ed (Gentle S ong) Text: Richard Dehmel In a quiet garden near the bottom of  the well, how gladly I would wait the long grey night! Many bright lilies bloom around the base of the well; therein swim the golden stars, therein th e moon baths. And just as into  the well shimmer the loving stars, the light o f your loving eyes always shines into my heart. Yet the stars in the sky, they remain so far away; in your quiet garden I would like to stand. Schlagende Herzen (Beating Hearts) Text: Otto Julius Bierbaum Over  meadows  and  fields  a  boy walked; kling, klang, beat his heart; On his finger shone a golden ring, kling, klang, beat his heart! Oh  meadows,  oh  fields,  how beautiful you are! Oh  mountains,  oh  valleys,  how beautiful! How good you are, how lovely you are, your golden sun so high in the sky! Kling, klang, beat his heart. Quickly hurried the  boy with merry step, kling, klang, beat his heart. He  took  many  a  laughing  flower with him; kling, klang, beat his heart. Over meadows and fields blows the spring wind, Over mountains and forests blows the spring wind, In  the heart  within  me blows  the spring wind, that drives me to you  softly, gently. Kling, klang, beats his heart. Between meadows and fields stood a maiden, kling, klang, beats h er heart, she shaded her eyes with her  hand to see, kling, klang, beats h er heart. “Over  meadows  and  fields,  over mountains and forests, to me. to me he quickly comes, Oh,  if only he  were already her e with me!” Kling, klang, beats h er heart. I V  L a Courte  Paille (The Sho rt Straw) Text: Maurice Careme Le somm eil (Sleep) Sleep has gone on a joumey, My goodness! Where has it gon e? I have rocked my little one in vain, He cries in his crib, He has cried since noon. Where has sleep put Its sand and wise dreams? I have rocked my little one in vain, He turns as if swimming, He sobs in his bed. Ah! Come back, come back sleep, On your handsome race horse! In the black sly, the Great Bear Has buried the sun And rekindled his bees. If the child does not  sleep well, He will not say hello, He  will  have  nothing  to  say tomorrow To his fingers,  to his milk,  to his bread That welcome his d ay. Quelle aven tune! (What adventure!) A flea, in her cart, Pulled a little elephant along Gazing in the shop windows Where diamonds sparkled. My goodness, my goodness! What adventure! Who  would  believe  me  if  I  told them? The little  elephant,  with  an absent air, sucked on a pot of jam. But  the  flea  did  not  notice  and pulled on smiling. My goodness, my goodness!  If this goes on  I will really believe I am going crazy! Suddenly, along by a fence, the flea disappeared in the wind and I saw the young elephant make off, breaking through the walls. M y  goodness, my goodness! It’s all perfectly true, But how shall I tell Mommy? La reins de c oeur (The Queen o f H   earts) Gently leaning on  the windows of the moon, The Queen greats you With a flower o f  the almond tree. She is the Queen of Hearts She can, if she  wishes, Lead  you  in  secret  to  a  strange dwelling place Where there are no more doors, nor rooms, nor towers And where the young dead people come to speak of love. The Queen greats you And hastens you to follow her Into her house of frost With  the  sweet  windows  of  the moon. Ba, B e, Bi, B o,  B u (Ba, B e, B i, B o, B u) Ba, be, bi, bo, bu, be! The cat has put on his boots, H e  g oes from door to door Playing, dancing, dancing, singing. Louse, cabbage, knee, owl! “You must learn to read, to count, to write,” Everyone shouts at him. But Rikketikketau, The cat laughs loudly And retums to his castle. He is the Puss in Boots! Les anges musiciens (The ang el musici ans) On the threads of the rain, The Thursday ang els Play all day on  the ham. And under their fingertips, Mozart tinkles deliciously In drops o f blue joy. Because it is always Mozart That is endlessly repeated By the angelic musicians Who, throughout Thursday, Are singing on their harps, The softness o f  the rain. �Le cara fon (The Baby Carafe) “Why,” complained the carafe, “should I not have a baby carafe? At the zoo, Madame the giraffe, has she not a baby giraffe?” A  sorcerer  who  happened  to  be passing by astride a phonograph, Recorded the lovely soprano voice of the carafe and let Merlin hear it. “Very well,” he said, “very well!” He clapped his hands three times And the lady of the house Still asks herself why That very moming, she found A pretty little baby carafe Nestled close to the carafe Just like in the zoo, the baby giraffe Rests its long, fragile neck Against the pale flank of  the giraffe. Lune d’Avril (April Moon) Moon, Beautiful moon, moon of  April Let me see in my sleep The  peach  tree  with  the  saffron heart, The fish who laughs sleet, The bird who, distantly like a ho m, sweetly wakes the dead And above all, above all, the land where it is joyful, where  it  is clear, where  there  are  sunrays  of primroses, Where  all  the  guns  have  been destroyed. Moon, Beautiful moon, moon of  April. V Ah, Lov e, but a day! Text: Robert Browning Ah, Love, bu t a day, And the  world ha s changed! The sun’s away, And the bird estranged; The wind has  dropped, And the sky’s deranged; Summer has stopped. Ah, Love, but a day, And the world has changed! Look in my eyes! Wilt thou change too? Should I fear surprise? Shall I find aught new In the old and dear, In the good and true, With the changing year? Ah, Love, Look in my eyes, Wilt thou change too? I send m y  h eart u p  to thee! I send my heart up to thee, all my heart In this m y singing. For the stars help me, and the sea, and the sea bears part; The very night is clinging Closer to Venice’ streets to leave one space Above me, whence thy face May light my joyous heart to thee, to thee its dwelling place. I send m y heart up to thee, all my heart In this m y singing. The Ye ar’s at the Spr ing. The year’s at the spring, And day’s at the  mom; Moming’s at seven; The hillside’s dew pearled; The year’s at the spring; And day’s at the mom; The lark’s on the wing; The snail’s on th e thom; God’s in his heaven, AIl‘s righ t with the  world! ABOU T TH E PERFORM ERS L a u r a  M a c Av o y,  soprano, is currently a senior Bachelor of Music candidate studying under th e direction of M ary Burgess at Binghamton University. This past summe r, Ms. MacAvoy traveled to Périgueux, France, where she sang the role of  Cybelle in Orphée aux enfers, as  well as  several art so ng revi ews with the France American Vocal Academy. A s a member o f the Tri­ Cities Opera Chorus, she has appeared i n Le nozze di Figao, L’elisir d’amore, Cosi fan tutte, and in the upcoming production of Les contes d’Hoffmann.  She has also sung with Lake George Opera in the Children’s Chorus of La Bohéme.  Also through Lake George Opera, she has participated in two youth operas, singing the title role in  Dido and Aeneas and The Rose, The Wate r, and chorus parts i n The Little Prince: A Magical Opera.  Ms. MacAvoy has sung with  numerous ch oirs in the Sa ratoga  and B ingham ton area, a s well a s severa l solo performances in both  areas.  In the coming year, s he will begin work on  a Master’s of  Music in Voic e at the University of Missouri­Kansas City (UMKC ). William  Jame s Law son coaches  and ac companies  singers at Binghamton University.  As a  coach, he specializes in English diction for American and English art songs and  the sacred and classical theater repertoires.  He studied at  Binghamton University (B.A.  1980),  where  his  teachers  included  Seymour  Fink  and Patricia Hanson in piano, M . Searle Wrig ht in c hurch music, and Stevenson Barrett in  vocal coaching.  He holds a n  M.A. from New York University (198 4) and  was o ne of t he first gradu ates of  New York University’s innovative Depar tment o f Performance Studies, an interdisciplinary program in the performing arts.  In 2008, he conducted the  Summ er Savoyards production of Princess Ida. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145473">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145473</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Creator An entity primarily responsible for making the resource MacAvoy, Laura Lawson, William James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/09d8b6bfb22453542d8f405c92b91716.pdf 5509806073297ff07f11fbe5b4cba10e PDF Text Text BINGHAMTON N  I V E R    S I T Y   STA TE  UN IV E R S I T Y   O F   N E W  YORK h e   ZldecC ' D E P A R T M E N T SHAK ESPE A RE: T H E I NTERNATIONAL BA RD _ M A L e a  C e l e n e ,  t e nor j o h n / [ M g p  a n o ­ R a c h e lC   ele nta no; b assoo n Satuwrdoy, Ma rch/15,  2014 3:00 p . m CMad ayu/yfl ecétwb flaw �PROGRAM TRANSLATIONS I. Trinklied, D.888 An Sylvia, D.891 Franz Schubert (1 797­1 828) Standchen, D.889 ll. Chanson de Shakespeare, Op.28 Chanson de clowns Chanson d’amour Chanson d’Ophélie .Ernest Chausson (1855­1899) Text from: Antony and Cleopatra III. Two incidental pieces from Twelfth Night..... Kom nu hit, dod Hallila, uti storm och I regn TRINKLIED (Drinking Song) Translation by: Prof. Rosmarie Morewedge Bacchus, robust lord of wine. Come with sparkling eyes May your barrel drown our cares. Fill us up until the world twirls around us Fill us up until the world twirls around us! .Jean Sibelius (1865­1957) Act II, vii Come, thou monarch of the vine Plumpy Bacchus with pink eye! In thy vats our cares be drown’d With thy grapes our hairs be crown’d; Cup us, till the world go round, Cup us, till the world go round! wlNTERMISSIONca IV. Fear no more .. Paul Schleuse (b. 1971) V. Four Shakespeare Sonnets, Op. 16.  . Richard Hugunine 1. A Woman’s Face, Sonnet #20  (b. 1953) 2. Mine Eye and Heart are at a Mortal War, Sonnet #46 3. No Longer Mourn for Me, Sonnet #71 4. My Love is as a Fever, #147 “This program is offered in partial fulfillment of the requirements f or the degree of  M asters of Music: Opera. Michael Celentano is a student of Prof. Thomas Goodheart. AN SYLVIA (To Sylvia) Translation by: Prof. Rosemarie Morewedge Pray tell, what is Sylvia like that the expansive fields sing her praise? In beauty I see her approach heavenly favor and her traces show that everything obeys her. Is she beautiful as well as good? Charm refreshes like a mild childhood. Cupid hastens to her eye to heal his blindness and linger there in sweet repose. Therefore, may song resound in Sylvia’s honor: She conquers every allure that earth can offer. Honor her with wreaths and the sound of strings! Text from: Two Gentlemen from Verona, Act IV, ii Who is Sylvia? What is she, That all our swains commend her? Holy, fair, and wise is she; The heavens such grace did lend her, That she might admired be. Is she kind as she is fair? For beauty lives with kindness. Love doth to her eyes repair, To help him of his blindness, And being helped, inhabits there Then to Sylvia let us sing, That Sylvia is excelling: She excels each mortal thing Upon this dull earth dwelling: To her let us garlands bring. STANDCHEN (Serenade) Translation by: Prof. Rosmarie Morewedge Hark, hark! The lark is in the blue air; And Helios, newly awakened, Waters his horses with the dew That covers the calyx of flowers; The bud of the marigold Opens its golden eyes: Surrounded by all that is charming Sweet girl, get up, arise Arise, arise! �Ill. TWO INCIDENTAL PIECES FROM TWELFTH NIGHT KOM NU HIT, D 6 d (Come away, death) Translation by : Max Rydqvist Come here now. come here now, death In crape preserve me well. Haste away, haste away, need Beautiful maiden has taken my soul With sweeping and boxwood on the coffins lock, keep yourself done; many faithful have died but none such as you. No rose, no rose sprinkled on my black house. No friend, no friend may disturb the rest in earth’s gravel To me lie for a thousand sighers sake. to one side where no loving one shall see my earth and weep. Come here now. come here now death. Text from: Twelfth Night Act II, iv Come away, come away, death, And in sad cypress let me be laid; Fly away, fly away, breath: I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O prepare it! My part of death, no one so true Did share it. Not a flower, not a flower sweet, On my black coffin let there be strown; Not a friend, not a friend greet My poor corpse, where my bones shall be thrown: A thousand, thousand sighs to save, Lay me, o where Sad true lover never find my grave, To weep there! HALLILA, UTI STORM OCH I REGN (Hey ho, the Wind and the Rain) Translation by : Max Rydqvist And when such as I was a little small drang. Hey ho out into the storm and rain Then was to me not a bed, more than a bed, forty rains, it rains each eternal day. But when I as a man begin to live wholly large. Hey ho, out into the storm and rain Then each shut his gate for the thief, fony rains it rains each eternal day. Text from: Twelfth Night Act V, i When that I was and a little tiny boy, With a hey, ho, the wind and the rain, A foolish thing was but a toy, For the rain it raineth every day. But when I came to man’s estate, With a hey, ho, the wind and the rain, ‘Gainst knaves and thieves men shut their gate, For the rain that raineth every day. Iv. Fear No More Text from: Cymbeline Act IV, ii Fear no more the heat of the sun, Nor the furious winter’s rages, Thou thy worldly task hast done, Home art gone, and taken thy wages. Golden lads, and girls all must, As chimney­sweepers come to dust. Fear no more the frown of the great, Thou art past the tyrants stroke; Care no more to clothe and eat, To thee the reed is as the oak: The scepter, Learning, physic must, All follow this and come to dust. Fear no more the lightning flash. Nor the all­dreaded thunderstone. Fear not slander, censure rash. Thou hast finish’d joy and moan. All lovers young and lovers must, Consign to thee and come to dust. No exorcisor harme thee, Nor no witch­craft charm thee. Ghost unlain forbear thee. Nothing will come near thee. Quiet consummation have, And renowned be thy grave. V. FOUR SHAKESPEARE SONNETS 1. A WOMAN’S FACE (Sonnet #20) A woman’s face with Nature’s own hand­painted Hast thou, the master­mistress of my passion; A woman’s gentle heart, but not acquainted With shifting change, as is false woman’s fashion; An eye more bright than theirs, less false in rolling, Gilding the object whereupon it gazeth: A man in hue, all hues in his controlling, Much steals men’s eyes and women’s souls amazeth. And for a woman wert thou first created; Till Nature, as she wrought thee, fell a­doting, And by addition me of thee defeated, By adding one thing to my purpose nothing. But since she prick’d thee out for woman’s pleasure, Mine be thy love and thy love’s use their treasure. �2.  MINE EYE AND HEART AREAT A MORTAL WAR (Sonnet # 46) Mine eye and heart are at a mortal war How to divide the conquet of thy sight; Mine eye my heart thy picture’s sight would bar, My heart mine eye the freedom of that right. My heart doth plead that thou in him dost lie— A closet never pierced with crystal eyes— But the defendant doth that plea deny And says in him thy fair appearance lies. To ‘cide this title is  mpaneled A quest of thoughts, all tenants to the heart, And by their verdict is determined The clear eye’s moiety and the dear heart’s part: As thus; mine eye’s due is thy outward part, And my heart’s right thy inward love of heart. 3.  N O  LONGER MOURN FOR ME (Sonnet #71) No longer mourn for me when I am dead Then you shall hear the surly sullen bell Give warning to the world, with vilest worms to dwell: Nay, if you should read this line, remember not The hand that writ it; for I love you so That l in your sweet thoughts would be forgot If thinking on me then should make you woe. O, if, I say, you look upon this verse When I perhaps compounded am with clay. Do not so much as my poor name rehearse. But let your love even with my life decay, Lest the wise world should look into your moan And mock you with me after I am gone. 4.  MYLOVE IS AS A FEVER (Sonnet #147) My love is as a fever, longing still For that which longer nurseth the preserve the ill, Th’ uncertain sickly appetite to please. My reason, the physician to my love, Angry that his prescriptions are not kept, Hath left me, and desperate now approve Desire is death, which physic did except. Past cure I am, now reason is past care, And frantic­mad with evermore unrest; My thoughts and my discourse as madmen‘s are, At random from the truth vainly expressed: For I have sworn thee fair. and thought thee bright, Who art as black as hell. as dark as night. PROGRAM NOTES Translating a nd  Setting Shakespeare : To Capture the Essen ce of a Master by Michael Celentano The act of translation is true art unto itself. It is easily forgotten that the finest literature known to man has been translated so that non­native speakers may experience the same joys in reading a  text as do  the author’s intended audience. The true burden in finding the essence of the masters, such as Pushkin, Goethe, and Shakespeare, is a two­fold task : How does one effectively capture the thoughts of such writers in another language, with its own idiosyncrasies and does one attempt to recreate  the  metrical  techniques  that  are  often  a  byproduct  of  the language of origin? Composers face the same challenges as they write to express both their and the authors thoughts about the text. In his article, “Fit Only for Barbarians: The Sound of Translated Poetry”, Keith Bosley examines two distinct camps with which translators tend to associate: Those that adhere strictly to the original meter of the piece and those who use free­verse to best capture the essence of the text. While  the  Russian­American  poet,  Joseph  Brodsky,  states  that translating into free­verse is a sign of decadence and a spiritual betrayal of the original text, the famous French translator of Shakespeare, Yves Bonnefoy argues that any attempt to “naturalize” the original and fit it into an  existing  mold  in  the  language  of  the  translator  is  doomed;  that whoever attempts it is a mere versifier and no poet. Bosley ultimately concludes that a translation should “glorify [the] original, not [the author]”. He goes on to say that “To achieve such glorification, [one] need[s] to make [the] original poet sing as though he were writing in [that other] language, which of course is impossible...". Composers  face  the  same  challenges  as  they  set  translated  texts. Concerning  Shakespeare,  three specific circumstances are examined through the recital program: Speeches in verse, incidental songs to be sung during a performance, and sonnets. Each have their own unique metrical devices that composers either chose to incorporate or  ignore depending on  the translation provided and their own sentimentalities towards Shakespeare. The settings of Schubert adhere strictly to  the Bard’s original meter and present the circumstance whereby the music can be  performed  with either the translation or  the  source material. Chausson’s choices offer a much more conversational approach to the text, using pauses in the vocal line to express emotion. Particularly in the third setting, Chanson d’Ophélie, uses a quasi­recitative approach to the text  which  allows  for  the  shaping  of  the  text  in  small  bursts,  The selections  of  Sibelius on  the  program are  unique  in  that  they  were composed specifically for a staged production of Twelfth Night in 1909. Though  composed  for  guitar  and  voice,  these  selections  will  be performed  with  harpsichord  to  achieve  a  more  haunting  effect  to contrast the comedy of the play. �Fear No More By Dr. Paul Schleuse Fear  No  More takes  its  text  from  Act  IV,  Scene  2  of Shakespeare’s Cymbeline, a play set in the semi­legendary world of pre­ Christian Britain. It is a lamenting hymn sung by the brothers Polydore and Cadwall over the corpse of Fidele, a young man who has wandered, exhausted and ill, into the cave where they live. Nothing about this scene is as it seems,  however: Fidele is really King Cymbeline’s daughter Imogen in disguise, and she is not really dead—she has drunk a potion meant to mimic death under the mistaken belief that it was medicine for her illness. Meanwhile Polydore and Cadwell, unknown to themselves. are really Guiderius and Arviragus, Cymbeline’s long­lost sons. This web of mistaken  identities threatens  to  turn  this scene into one  of  ironic comedy, but the sincerity and passion of the lament instead makes it one of  the  play’s  emotional  high points  and confirms  the brothers’ royal character. The three main stanzas of  the poem are set here as free expansions on the piano’s short introduction, with the singer intoning the words in a mixture of recitative and song. The final six lines of the poem turn from lament to  benediction, and the music takes on a  ritualistic. quasi­religious character. The song’s premiere was given by soprano Melissa Givens at Rice University in 1993; this is the first performance of a revised version. Setting a Shakespeare Sonnet By Richard Hugunine Setting a Shakespeare sonnet to music is a daunting task : First, l wanted not  to  damage  the  poetry  by  trivialization  or  by  excessive  drama. Second, I have attempted to convey my intimate emotional response to these emotion­freighted poems. Number  20, A  Woman’s  Face.  records  the  innermost  and  intimate thoughts of a man in love. He is by turns yearning, gracious. bitter. happy and also in pain. Still, he takes what little he can get, and is grateful – even if what he gets is not what he truly wants. Number 46, Mine Eye and Heart, records Shakespeare’s internal battle as to whether he loves a lady more with his eyes or more with his heart. Both ultimately win, but in different ways. Number 71, No Longer Mourn for Me is a man’s plea to his love to forget him when he is dead, to move on with her life. But we clearly hear him mourning not only for her loss of him, but mouming also for his own passing.  The extraordinary intimacy of  tragedy  is nearly unbearable.  Number  147, My  Love  is  as  a  Fever depicts  the  wild emotions that love has conjured – emotions that ultimately lead this man to demonize the woman he thought he loved. I hope I have managed to capture and express for you. if even in a small and  clumsy  manner,  a  portion  of  the  deep  emotions  Shakespeare evokes from me in these masterworks. ABOUT THE PERFORMERS MICHAEL CELENTANO, tenor is currently a candidate for the Masters of Music in Opera degree program at SUNY Binghamton University and is a resident artist of Tri­Cities Opera in Binghamton, New York. Recent appearances  include  Nemorino  in  Elisir  d’amore  with  Berks  Opera Workshop  and  Alfred  in  Die  Fledermaus  with  Bel  Cantanti  Opera. Upcoming performances include The Teapot, The Mathematician, and The Frog in Ravel’s L’Enfant et les Sortilége with Bel Cantanti Opera, the cover of Beppe in Maryland Lyric Opera’s inaugural performances of I Pagliaoci, and Goro in Berks Opera Workshop’s production of Madama Butterfly. Michael Celentano is a student of Prof. Thomas Goodheart. JOHN ISENBERG, piano a native of Endicott, NY, holds a Bachelor‘s Degree  in  Music  and  a  Master’s  Degree  in  Italian  Literature  from Binghamton  University.  He  performs  many  different  musical  genres including Opera, Art Song, Musical Theater, Gilbert and Sullivan, cabaret shows, traditional Scottish, and various styles of sacred music ranging from  Gregorian  chant  to  contemporary Praise  music.  John  formerly worked for the Tri­Cities Opera in Binghamton, NY, first as Accompanist, then additionally as Education Outreach Coordinator and Chorus Master. As part of Opera­Go­Round touring program, he accompanied over 500 performances throughout New York State and northern Pennsylvania . John  has  played for  WSKG  radio broadcasts of several Operalogue preview performances including Puccini’s Madama Butterfly, Donizetti’s Lucia di Lammermoor and Mozart’s The Magic Flute. He appeared on public television as part of a show called Sound Fusion, and during the holiday seasons. He has worked with numerous theater and musical groups in the Binghamton area. including SRO Productions, the Madrigal Choir  of  Binghamton.  the  Binghamton  Downtown  Singers  and  the Summer Savoyards.  John is currently the Organist/Pianist and Choir Director at Sarah Jane Johnson Memorial United Methodist Church in Johnson City. A native of Long Island, RACHEL CELENTANO, bassoon is a young artist  currently  attending  the  Peabody  Conservatory  of  The  Johns Hopkins University in Baltimore, Maryland, Ms. Celentano is studying with Phillip Kolker and majoring in Bassoon Performance and Music Education.  She has  won  the Long Island  Youth Orchestra  Concerto Award and has appeared as principal bassoon with New York All­State Symphonic Band, Nassau Suffolk Wind Symphony, Long Island Youth Orchestra, Peabody Wind Ensemble, and in the opera, The Merry Wives of Windsor, with the Delaware Valley Opera Company. Additionally, she has  performed  with  One  World  Symphony,  Peabody  Latin  Jazz Ensemble, and Peabody Improvisation and Multimedia Ensemble. Ms. Celentano doubles on the clarinet and alto saxophone, and teaches privately. �Binghamton University M usic Department’s Coming Events GfiMb­éhfiflflfib‘éfifl'fiié'wéfiflafib Saturday, March  15 ­  Wind Sympony Concert: Music by Numbers ­ 8:00  p.m.  ­  Anderson  Center  Chamber  Hall  ­ $7  general  public;  $5 faculty/Staff/seniors; free for students Wednesday, March 19 ­  Opera Scenes ­  8:00 p.m. ­  Anderson Center Chamber  Hall  ­  $10  general  public;  5 7   iaculty/staff/seniors;  $5  for students Thursday, March 20 – Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­  free Thursday, March 27 ­ Mid­Day Concert ­  1:20 p.m. ­ Casadesus Recital Hall ­  free Friday, March 28 ­  Harpur Vocal Jazz ­  8:00 p.m. ­  Casadesus Recital Hall ­  free Saturday, March 29 ­ Junior Recital: Caitlin Gotimer, soprano with Jake Stamatis, bass baritone – 3:00 p.m. ­ Art Museum ­  free Saturday,  March  29  ­  Master’s  Recital:  Matthew Samluk,  baritone  ­ 8:00 p.m. ­Casadesus Recital Hall ­ free Thursday, April 3 ­­ Mid­Day Concert ­  1:20 p.m. ­  Fine Arts Room 21 ­ free Friday, April 4 ­  Opera Scenes ­  8:00 p.m. ­  Art Museum ­ $10 general public; $7 faculty/Staff/seniors; $5 for students « a w w w m m w w w a o m m For tickets or  to he  added  to  our email list, visit anderson.binghamton.edu or call (607) 777­ART S.  For  a  complete  list  of  our  concerts  call  ( 607)  7 7 7 ­ 2 5 9 2 ,   visit mustahmghamtonedu or  become a fan on  Facebook. a f .  E l f  you  were  inspired  by  this  performance,  consider supporting  the Department  of  Music  with  a  financial  gift.  Your support  helps  to continue  the wor k  of  students ,  ja mlty  and  guest  artists  and  their contributi ons  to our  community. Please make your donation payable a f   to  the  Binghamton  University  Mustc  Department,  and  send  your   usic Depart ment , P.O. Boat  6000, Binghamton, N Y check to  B U M 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75052">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75052</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shakespeare: The International Bard Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Schubert, Chausson, Sibelius, Scheuse, Hugunine. Held at 3:00 p.m., March 15, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Celentano, Michael Isenberg, John Celentano, Rachel Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Schubert, Franz, 1797-1828 Chausson, Ernest, 1855-1899 Sibelius, Jean Schleuse, Paul Hugunine, Richard Date A point or period of time associated with an event in the lifecycle of the resource 3/15/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/63a9c10a4c47666b93515d1e0606e889.pdf d7e3a0e6f73b8d0f4734db811fc0f8a4 PDF Text Text INGHAMTON B U N I V E R S I T Y STATE  U N I V E R S I T Y   O F  N E W   Y O R K wdee [4 D E P A R T M E N T S ING I N T O SPRING Women’s Chorus Jushin Choi, conductor Har pur Chorale Peter Browne, conductor Sunday, April 29, 2012 3:00 p. m . Anderson Center Chamber Hall �PROGRAM SPRING SONGS Women’s Chorus Jushin Choi, conductor Peter Browne, piano F or the Beauty of the Earth . Early in the Spring FrfilingsgIaube. John Rutter . Traditional English .  Arr. Ralph Vaughan Williams Franz Schubert Arr. Bruce Borton Die linden Litfte sind crwacht, The gentle winds are awakened. Sie sausein und wehen Tag und Nacht, they murmur and waft day and night Sie schaffen an allen Enden. They create in every comer. 0 frischer Duft, o neuer Klang! Oh fresh scent, oh new sound! Nun. armes Herze, sei nicht bang! Now, poor heart, fear not! Nun muss sich allcs, alles wenden. Now everything, everything must change. Die Welt wird schoner mitjcdem Tag, Man weiss nicht, was noch werden mag, Das Blithen will nicht enden. Es blitht das fernste, tie fste Tal: Nun, armes Herz, vergiss derQuai! Nun muss sich alles, alles wenden. — Ludwig Uhland The world grows more beautiful every day. One does not know what may yet happen, The blooming doesn’t want to end. The farthest, deepest valley blooms: Now poor heart, forget your pain! Now everything. everything must change. (Translated by Hyde Flippo) Ching­A­Ring Chaw. Traditional American Arr. Aaron Copland The Water is Wide Traditional Ameri can Arr. Luigi Zaninelli A ­Tisket, A­Tasket Ella Fitzgerald and Al Feldman Arr. David J. Elliott �SETTINGS OF SHAKESPEARE WOMEN’S CHORUS Jushin Choir, conductor Harpur Chorale Peter Browne, conductor Full Fathom Five . Charles Wood Shall I Compare T hee.“ Bruce Barton to a Summer’s Day .Christian Martin Walls of Glass .. Jushin Choi, piano The Silver Swan .. ..Orlando Gibbons The Silver Swan .. ..Paul Goldstaub Stephanie Naru, Carrie Buck Brandon Seabrook, Daniel Romberger, soloists Came Be My Love... It Was a Lover and His Lass Alto Amy Conway Soprano Michaela Andriatch .Relly Raffman John Rutter Ashley Grumman Erika Noach Maggie Pictor Alida Cooke Crystal Gonzalez Jennifer Micceri Susan Rosenberg Joanna Wallace Wei Jie Zhao Kaitlyn Mulligan Megan Orcutt Jessica Pyne Ariel Schlesinger Fangling Zeng HARPUR CHORALE Peter Browne, conductor Soprano Michelle Goldrich Stephanie Naru Sabrina Scull Katherine Sucha Samantha van Adelsberg Hollie VanDerHeide Tenor Ari Hausman Ricky Nan Joshua Rovou David Schwartz Brandon Seabrook Alto Denise Aquino Carrie Buck Suzanne Greene Bass David Clark Thomas J. Furey Pak Lok Pio Lau Christian Martin Daniel Romberger David Stern Shoshana May Katherine Moscowitch �rm.­.“ P = .n= :i& . x3 Bl . & u ‘5 i  8 ‘ O '  D —< =2 vo 5Pa = an B [nighamo tn g h e y _  Orchesra B I N G H A M T O N   José=Luis Novo  PHILHARmONIC Music Director “REAL TIVE none.  ­  "  4  '  m um Sara Davis Buechner Sha i Wosner Amit Nu! Mayuko Kamio Pops Sertes Motowr’s Greatest ms Sunmflhw ChamS bo e rv Seieris ni K m h er ­ 0 1 m W alt ­ r o am Vienna Boys (not WWW.BINGHAMTONPHILHARMONIC.ORG  G r q u e Symphoni   e i public service media for your com munity www.wskg.org &  Q a �Binghamton University Music Department’s MPOOMllK/q E V E N TS Mid­Da y concerts are held on Thursdays, 1:20 PM in Casadesus ReC/ta/ Ha/l unless otherwise noted and are FREE Tuesday, May 1 – String Department Recital: String Fever ­­ 8:30 p.m. – Casadesus Recital Hall – free Thursday, May 3 – Jazz Mid­Day Concert with guest artist Mark Buselli, trumpet – 1:20 p.m. – Osterhout Concert Theater – free Thursday, May 3 – Harpur Jazz Ensemble Concert with guest artist Mark Buselli, trumpet – 8 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students Friday, May 4 – Flute Studio and Flute Chamber Concert – 10:15 a.m. – FA21 – free Saturday, May 5 – Wind Symphony Concert celebrates Cinco de Mayo – 3 p.m. – Anderson Center Chamber Hall – $6 general public ; $3 faculty/staff/seniors; free for students Tuesday, May 8 – Composition Seminar Class Recital – 8:00 p.m. – Watter’s Theater ­ free Wednesday, May 9 – Student Conductor’s Concert ­­ 7:30 p.m. – Anderson Center Chamber Hall ­ free Thursday, May 10 – Student Recognition Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 10 – German Lyric Diction Class Recital  – 8 p.m. – Casadesus Recital Hall – free Thursday, May 1 0 – Percussion Ensemble – 8 p.m. – Watters Theater – free Saturday, May 12 – Senior Recital: Mark Rossnagel, organ – 4:30 p.m. – First Presbyterian Church, Binghamton – free For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44 minutes :03 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142207">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142207</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sing into Spring, April 29, 2012 Description An account of the resource Works by Rutter, Williams, Schubert, Copland, Zaninello, Fitzgerald, Wood, Martin, Goldstaub, Raffman Held at 3:00 p.m., April 29, 2012, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Choi, Justin Browne, Peter Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/84a57a0f74d8146a05d509a7ee22922c.pdf 02254cb1bc030244c3a8a406a18137e0 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K o d e [4 D E P A R T M E N T S I N G  I N T O  S P R I N G Women ’s Chorus Christine Ryder, conductor Harp ur Chorale Peter Browne, conductor Thursday, May 7, 2009 8:00 p.m. Anderson Center Chamber Hall �PROGRAM Traditional American Arr. Aaron Copland Ching­a­Ring Chaw  ‘  ‘  i  r \ ’  i  Northumbrian Folksong Arr. John Clements Blow the Wind Southerly...  ..........................Japanese Folksong Kokiriko Bushi..  Arr. Wendy B. Stuart Ain­a­That Good News..................  J i  Set Me asaSeal............. ..African­American Spiritual Arr. William Dawson ............René Clausen I How Can I Keep  from  Singing  Robert Lowry Arr. Robert I. Hugh Samantha Van Ad elsberg and Laura MacAvoy, soloists Boogie Woogie Bugle Boy............ .......Don Raye an d Hughie Prince Arr. Ed Lojeski The Women ’s Cho rus William Lawson, accompanist �Translations Alleluia, Sing a New Song................... Jaeobus Gallus (Jakob Handl) Trois Chansons ...Claude Debussy T rois Chansons .  I. Dieu! qu’il la fait bon regarder! II. Quant j’ai ouy le tabourin III. Yver, vous nestes qu’un villain  Dieu! qu’il la fait hon regarder! ‘ Briana Sakamoto, soloist Elizabeth Sterling, conductor (I. and II.)  Peter Browne, conductor (111. ) } Natasha Bobrowski­Koury, soprano Glenn Parker, tenor Five Hebrew Love SONES..............cocouiecivercnseresssesnesseee. Wh itacre 1. Temuna 2. Kala kalla 3. Larov 4. Eyze shaleg 5. Rakut Briana Sakamoto, soprano Elizabeth Sterling, violin Folk Song  A P P R  cscnivismrsmvisiisismmmiirmniniundiirnisumabomn Folk  Arr. Sonja Poorman Michael Mechmann, fl ute  Donde esta la Ma T e od o r a ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  C uban Arr. Joaquin Nin­Culmell The Har p u r Chorale Peter Browne, conductor Who could tire of her? Her beauty constantly renews itself; On neither side of the ocean Do I know any girl or woman Who is in all virtues so perfect; It‘s a dream even to think of her; God, what a vision she is. II. Q u a n t   ouy le tabourin When I heard the tambourine Call us to go a­Maying, I did not let it frighten me in my bed Or lift my head from my pillow, Saying, “It is too early, 1 will go back to sleep.” When I heard the tambourine Call us to go a­Maying Young folks dividing their spoils, l cloaked myself in nonchalance, Clinging to it And finding the nearest neighbor. When I heard the tambourine Call us to go a­Maying, I did not let it frighten me in my bed Or lift my head from my pillow. Dan Forest Selah.  God, what a vision she is ; One imbued with grace, true and beautiful! For all the virtues that are hers Everyone is quick to praise her. { \ III. Yver, vous n‘estes q u ’un villain Winter, you ’re naught but a rogue. Summer is pleasant and kind, As we see from May and April, Which accompany it evening and morn. Summer, by nature’s order, clothes fields, woods and flowers With its livery of green And many other hues. But you, Winter, are too full Of snow, wind, rain and sleet. We must send you into exile. I’m no flatterer and I speak my mind. Winter, you’re naught but a rogue. Five Hebrew Love Songs 1 . Tem una A picture is engraved in my heart; Moving between light and darkness: A sort of silence envelops your body, And your hair falls upon your face just so. 2. Kala kalla Light bride She is all mine And lightly She will kiss me! 3. Larov “Mostly,” said the roof to the sky, “the distance between you and l is endlessness; But a while ago two came up here, And only one centimeter was left between us.” 4. Eyze shaleg What snow! Like little dreams Falling from the sky. 5. Ra kut He was full of tenderness; She was very hard. And as much as she tried to stay thus, Simply, and with no good reason, He took her into himself, And set her down In the softest, softest place. (Hila Plitmann) A rirang Arirang, my love is leaving. Arirang, he is going over the hill. The one who leaves me Will not go far without hurting his feet. Donde esta la M a  Teodo ra? Where is she? Where is she, the Ma Teodora? She is flick­flacking the strings with her cane and her guitar strum. �The Women ’s Chorus Christine Ryder, conductor Jennifer Easley and Danielle Sisson, associ ate conductors William Lawson, accompanist Samantha Grieco Sarah Kuras Chelsea Pace Amanda Pachomski Soprano 1 Meredith Collins Catherine Cornell Nicole Katz Laura MacA voy Jessica Pond Christine Ryder Ashley Samuel Samantha van Adelsberg Soprano 2 Molly Adams­Toomey Samantha Banton Kristina Dowling Jennifer Easley Julia Rose Becka Thompson Alto Lauren Anuszewski Floralis Artiles Ilyssa Baine Danielle Barbanell Melanie Clark Rebecca Dinhofer Brianna Jenkins Rita Pesh ko Annie Ferro Kristina Seeley Danielle Sisson The Harp ur Chorale Peter Browne, conductor Soprano Michele Aronson Natasha Bobrowski­Khoury Nuala Gaffey Allison Metcalfe Briana Sakamoto Elizabeth Sterling Lynsey Zuar Alto Daron Blake Ayla Gordon Eliza Espinosa­Thomas Shaina Carmel Indovino Janice Lee Krystiana Resto Sarah Sterling Tenor Alexander Blitstein Jonathan Karlas Ross Matthei Glenn Parker Bass Jonathan Brownell Theodore Chakos Joshua Darfler Michael M. Mechmann Exra Monasebian Robert Operman Mark Rossnage! Theodore Trembinski Upcoming Choral Events For the 2009­2010 Season Family Weekend Concert Women’s Chorus and Harpur Chorale Saturday, October 24, 2009 Osterhout Concert Theater; 3:00 p.m. Beethoven Symphony No. 9 University Chorus and Binghamton Philharmonic Sunday, November 15, 2009 Osterhout Concert Theater; 3:00 p.m. El izabethan Madrigal Feaste Women ’s Chorus and Harpur Chorale Friday and Saturday, December 4­5, 2009 Old Union Hall, Student Union; 6:30 p.m. University Cham ber Chorus Sunday, January 24, 2010 Trinity Memorial Church; 3:00 p.m. Women ’s Chorus an d Har p u r Chorale Thursday, March 18, 2010 Anderson Center Chamber Hall; 8:00 p.m. University Chorus Saturday, April 17, 2010 Osterhout Concert Theater; 8:00 p.m. Spring Concert Women’s Chorus and Harpur Chorale Thursday, May 6, 2010 Anderson Center Chamber Hall; 8:00 p.m. �M a w ­ W M The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus Recital Hall (FREE) Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday, May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE) Jonathan Moots, bass, presents his Master Recital on Sunday, May 10‘", at 7:00 p.m. in Fine Arts Rom 21 (FREE) The Summer Youth  Music Theater Works hop will perform “All Shook Up ” in the Watters Theatre on Saturday, 8/1509, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m. both days, $$ Our 200 9­2010 Gleason ­ Afous ‘ro S u it ed ! September: The Friedheim Memori al Lecture/Recital : Find out what makes great music “tick ” and then enjoy the composition in performance! Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of the complete Organ works of J.S. Bach. BU Alumnus Neil Berg retums to the Osterhout Concert Theater with a spirited tribute to 100+ Years of Broadway. October: The 2009­10 Chamb er Series opens in the Chamber Hall with a Reunion Recital featuring Music Department vocal alumni and faculty. The University Sym phony Orchestra opens the Anderson Center’s 2 5 A nniversary Season in a gala performance with the world­famous Paul Taylor Dance Compan y. The University Win d Symphony, Harpur Chorale, and Women ‘s Chorus combine for a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre). November; The University Chorus is joined by the Binghamton Philharmonic and soloists for a reading of Beethoven ’s epic Ninth Symphony. December: The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the heat with the finest in Big­band literature. Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of medieval and renaissance vocal entertainment at the Madrigal Dinner. For more information, please visit our website at www.binghamton.edu/music or call 607.777.2592 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:42 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150495">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150495</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sing Into Spring, May 7, 2009 Recital Tape 2009-5-7b Description An account of the resource Works of Copland, Clements, Stuart, Dawson, Clausen, Lowry, Raye and Prince, Gallus, Debussy, Forest, Whitacre, Poorman, Nin-Culmell. Held at 8:00 p.m., May 7, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Ryder, Christine Harpur Chorale Browne, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a15e2b54b01d1cac47aed5cbb55193f4.pdf a1bdab698a30c94a2a50158507d92ce9 PDF Text Text BINGHAMTON U N I V E R S I T Y S I A I E  U N I V E R S I T Y   O F  N EW Y O R K [4 14440 D E P A R T M E N T S IN G IN TO  S P RIN G THE WOMEN’S CHORUS Bruce Borton, conductor THE HARPUR CHORALE Peter Browne, conductor Assisted by Georgetta Maiolo,flute William Lawson, piano Natasha Talukdar, piano Thursday, May 8, 2014 8:00 p.m. Anderson Center Chamber Hall �PROGRAM 11. T HE HARPUR CHORALE Peter Browne, conductor l. T HE WOMEN’S CHORUS Bruce Barton, conductor William James Lawson, piano Salut Printemps . Calli Seigart, soprano soloist Wisdom (Premiere Performance)  (Text by Sara Teasdale)  Georgetta Maiolo, fl ute Ye Sons of Israel . .Claude Debus sy (1862­1916) ..Richard Hugunine (b.1953) Die Braut Der Brdutigam Omnia sol (Let Your Heart Be Staid)..  Echoes . Arthur Sullivan (1842­1900) An Old Romance (Drei Folkslieder) .Felix Mendelssohn (1809­1847) Thomas Morle y (1557­1603) .Felix Mendelssohn (1809­1847) To Be Sung on the Water Samuel Barber (1910­1981) (1833­1897) It was a Lover and his Lass john Rutter (b.1945) Z. Randall Stroop e (b.1953) The Log Driver ’s Waltz. Thomas Morley (1557­1603) It was a Lover and his Lass. Three Songs from “12 Lieder and Romances"op.44  Johannes Brahms Fragen  Now is the Month ofMaying. Wade Hemsworth (1916­2002) The Lark in the Morn  The Bluebird. It  was a Lover and his Lass Randall Thompson (1899­1984) Charles Villiers Stanford (1852­1924) .P.D.Q. Bach (1807­1742)? Natasha Talukdar and William james Lawson, pianists �Der Brantlgam Down from all the mountaintops sound such happy greetings ~ It is the return of spring that calls to the green forest! TRANSLA TIONS Salut printemps Hail spring, young season! God restores the crown to the plains. The ardent, bubbling sap overflows and breaks its prison. Woods and fields are flowering; an invisible world murmurs; Water runs over the reverberating pebble and sings its clear song. The broom gilds the hill: on the green lawn the hawthorn Pours forth its snowy blooms. All is freshness, love and light, And songs and scents arise from the fertile bosom of the earth. A little song rang out up to the quiet castle ­ Your beloved has sung it, and he lifts you upon his steed. We ride so swiftly far away from all the people. ­ The air rustles so gently in the solitude of the forest. (Comte de Ségur) Fragen For what do I have such long hair If] cannot braid a ribbon into it? For what is my little foot so nimble and delicate lfI may not dance with my lover? For what is my hand so white I f may not hold    my lover in an embrace? For what is my eye so dark and keen If it may not look at my lover? For what are my thoughts my own If they think, my beloved, upon thee all the time? (Anton Alexander, Graf con Auersberg/Kelly Dean Hansen, tr) DleB   raut A blue apron you gave me, Mother, it’s a pity about the dyeing [of it], Mother, it’s a pity about the weaving [of it]. Early tomorrow morning, it will seem pale, Because so long all night 1 shall shed tears upon it. And if my tears cannot manage [to bleach] it. No matter how they may stream, no matter how they may burn. My beloved shall come and bring me water, He shall wring sea­water from his curls. For he lies down there at the bottom of the sea, And when the waves murmur this news to him, Thatl am to marry here and become untrue to him, From the depths he shall rise up to this e vil earth. To the church I am to go? Well, I am willing to come, I shall piously join the other pious people. Let me pass quietly before the altar; For there is my place, where the widows kneel. (Wilhelm Muller, Sharon Krebs, tr) To where? in the moonlight the forest is already pale. ­ The night murmurs softly ­ do not ask where love goes to its end! Uosef Karl Benediktvon Eichendorff/Kelly Dean Hansen, tr) Entflieh m lt mir Flee with me and be my wife and rest upon my heart; in distant lands let my heart be your fatherland and your parental home. If we do not flee, l’ll die here and you will be lonely and alone; and you will remain in your parental house, but it will be like a foreign land to you. (translation copyright by Emily Ezust from the Lied, Art Song and Choral Texts archive) Es flel There fell a frost on a night in Spring, it fell on the bright blue flowers: they faded and withered. A youth had loved a maiden; they fled from home in secret, unknown to either father or mother. They wandered here and there. with help from neitherluck nor star. they died, having met their ruin. Auf ihrem Grab Over their grave stands a linden tree, in which the birds are piping in the evening wind. and on the grass underneath sits the miller’s boy with his sweetheart. The wind blows so mildly and eerily. the birds sing so sweetly and mournfully: the chattering youngsters, they fall silent; they weep and they do not know why. (translation copyright by Emily Ezust from the Lied, Art Song and Choral Texts archive) �WOMEN’S CHORUS Bruce Barton, conductor 1 , Soprano I Stacey Davis Alexandra Leslie ‘ Jamila Gordon Karima J ibril Kate Sherwood Nicole Meeker J illian Robertson Calli Seigart Brianna VanOsdol Felicia Wang Altos Alexa Bruck Linda Melissa Cruz Kaitlyn Kang Laura Keim Izabelle Lawston Urenna Nwogwugwu Laura Sonnenberg Kimberly Torres Soprano ll Kaitlin Biagiotti Rachel Blaifeder Alida Cooke Alexa Dicken 0 P llfj—aulS‘pr­ing Concert Wsih  “mwtm “ls­b.“– ' t h y m e ” .  + Kasey  Stewart s o u p ­ u Adam  dA Nanni senor  + imothy Lekebvre Amanda". T e  Dewm  Leonard Bernstein’s Chichesser Palm:  q – g . . ru. . ­ e   Ralph \ A t h m  Williams’ Fin Seng Gus ta v Holst’s  ehT Hymn , ­  Jesus h  at Jane J ohnson M emorial United Methodist Church 3 0 8  M a i n  Screet ­  l n hn wn t  .r.  New  hark A n n u a l  H a n d e l ’s  .\lrxrialr Fr ida y  A  Sa tu r da y  . _ » 4 ­ . . .   .  i141 I  [] n: m u i l i — n — x – x – x – x – l — l — ‘ l  0 Buy One Ticket ­ G et One F RE E (Noo­rmerved n u . . . ­  4 a q Carrie Buck C oupon  redeemable o n  concert days only at our concert­site box office V a l d fi w a m  2 0 1 4  [Mu­711ml .. Si nge rs co n cer s  tickets I www.downtownsingers.org ­ D T S J . onu’rls(u Smyrna)!!! * 607.648.5032 [J] m — — — — — — — — — – – — – – — – – – – – ' – – — — — — — v " ' “ 4 Deanna Feuerbach Michelle Goldrich Kerianna Krebushevski Lauren Silberstein Rachel Young Altos Rachel Graham Shoshana May Inez Nelson Daniela Rivera Tenors Feng Nan Matthe w Pedersen Jay Rosser Joshua Rovou Jin­Ki Seong Basses Thom Furey Ten­Young Guh Jibron Harris Joseph Keller Tomas Sinclair Kerr Max Rydqvist I .­lAi­n~.‘.r:1a\.‘ Peter Browne, c onductor Sopranos ” Sa turday M n  1 1 . 30 1  . ­ 8pm i$ n HA RPUR  CHORALE p n “ ,  Dow n t ow n S Gumm e r Sav oyards PrESent , Iolanthe rel/amped C o m i ng J u l y 25, 26 & 27, 2014 Wa n t to get i n v ol ve d ? Loo k for a u d it i on in f or ma ti on th is s pring! A Greater Binghamton Tradition Si nce 1961 i n f o@summ e rsa v o ya r ds.o rg �Binghamton Unive rsity  Depar tment of Music Coming Even ts W W W Wednesday,  May  7  ­  Nukpor/ e  African  Drummi ng  and  Dance Ensemble – 7:00 plm. ­  Wattms Theater ­ $5 general admission at the door Thursday, Alay 8  ­  Student Recognit ion Alid­Day Con cert  ­  1:20  ­ Casadesus Recital –  free Thursday  ­  Alay 8  ­  Harpur  Chorale and Wo mens Ch orus Spring Co n c ert –  8 : 0 0 p.m. –  Anderson Center Chamber H all­ $ 7 general Friday, May 9 ­  String Orchestra C oncert – 4:00 p.m. ­  Grand Corridor – free Frida y, M a y  9 ­  Brass Ense m ble Co n cert  ­  5:00  p.m. ­  Casadesus  Recital Hall – free Su n da y, Alay 1 1  – G ram my  A war d Wi nni n g voca l guest artist Jacqueli ne Horn er­Ki n’at ek – 3 : 0 0 p.m. –  Casadesus Recital  Hall ­ $5 general  public;  free for students Wednesday, May 14 ­  German  Diction  Class Recital ­  8:00  p.m.  ­ Casadesus Recital  Hall  free W ‘ s ­ « a b e w w a a w w w m For tickets  or to  be added to  our email list, visit anderson.binghamton.edu or  call (607) 7 7 7­AR TS.  For  a  complete  list  of  our  concerts  call  (607)  777­2592,  visit musicbinghamtonetlu or become a fan on Facehook.   [ = ] —  [ = ]   lf you were inspired by  this performance, consider supporting the Depart ment of  M usic with a  financial gi ft. Your su pport helps = to continue  the work of  students, f aculty, and  guest artists and their  contributions  to  our  community .  Please  make  your donation  payable  to  the  Binghamton  University  Music [ x ]   E  Department, and  send  your  check  to  B U  Music  Department, P.O. Box 6 000, Binghamton. N Y  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40m 30s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75003">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75003</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sing into Spring, May 8, 2014  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Debussy, Hugunine, Mendelssohn-Bartholdy, Brahms, Stroope, Hemsworth, Morley, Sullivan, Barber, Rutter, Thompson,Stanford. Held at 8:00 p.m., May 8, 2014, Anderson Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Borton, Bruce The Harpur Chorale Browne, Peter Maiolo, Georgetta Lawson, William Talukdar, Natasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Debussy, Claude, 1862-1918 Hugunine, Richard Mendelssohn-Bartholdy, Felix Brahms, Johannes, 1833-1897 Stroope, Randall Hemsworth, Wade Morley, Thomas, 1557-1603 Sullivan, Arthur Barber, Samuel, 1910-1981 Rutter, John, 1945- Thompson, Randall Stanford, Charles Villiers Date A point or period of time associated with an event in the lifecycle of the resource 5/8/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6665e4f3a40ca3fdb79ec9fb9f5808af.pdf 376e900378a2d796a318e92c3a090883 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F  N E W   Y O R K Ld w i d e D E P A R T M E N T S ING INTO SPRING Women’s Chorus Emmanuel Sikora & Thom Baker, conductors Margaret Reitz, accompanist Harpur Chorale Peter Browne, conductor Thursday, May 9, 2013 8:00 p.m. Anderson Center Chamber Hall �PROGRAM II. The Harpur Chorale I. The Women’s Chorus Music Spread thy Voice Around (Solomon) . G.F. Handel (1685­1759) .Claude Debussy Romance.....~..  (1862­1918) Emmanuel Sikora, conductor arr. Alan Raines 1 am in  Need ofMusic...  .. David Brunner .Ned Rorem From an Unknown Past”  1. The Lover in Winter Plaineth for the Spring 2. Hey Nonny No! 3. My Blood So Red. . . (b. 1923) 4. Suspiria *In Our House (Emily Dickenson)... .. Christian Martin (b.1984) Thom Baker, conductor Two Partsongs.  Tamburinschldgerin (Op.69 Nr.I)  . Robert Schumann Der Bleicherin Nachtlied (Op.91 Nr.5) Hymn to the Waters Hymn to Vena Thom Baker, conductor Margaret Reitz, piano 7. Crabbed Age and Youth .. Traditional Shenandoah...  Arr. James Erb (1810­1856) Low/ands..  Emmanuel Sikora, conductor Choral Hymns from the Rig Veda...  Hymn to the Dawn  5. The Miracle 6. Tears ..Gustav Holst (1874­1934) ... Traditional Chantey Arr. Tom Scott Whar Shall We Do With the Drunken Sailor...  .. Traditional Arr. Greg Smith �WOMEN’S CHORUS Sopranos Altos Adina Blaszkowsky Ellen Chiu Alida Cooke Amanda Baker Alexa Bruck Alexa Dicken Taylor Rae Dunn Deanna Feuerbach Caitlin Gotimer Alexandra Leslie Christiana Metaxas Megan Orcutt Audrey Russo Christina Santa Maria Loren Shannon Danielle Stein Hannah Westerman Amy Conway Linda Melissa Cruz Kaitlyn Kang Laura Keim Sukyung Kim Daniela Rivera Kimberly Torres HARPUR CHORALE Sopranos Tenors Michelle Goldrich Samantha Reed Kate Sherwood Katie Sucha Tomas Kerr Ricky Nan Matthew Pedersen Cole Tornberg Altos Basses Denise Aquino Ashley Grumman Nazely Kirkjian Shoshana May Katie Moscowitch Dan Fernandez Thom Furey Ten­Youn Guh Jibron Harris Joseph Keller Christian Martin � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:07 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85314">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85314</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sing Into Spring, May 9, 2013 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Handel, Debussy, Martin, Schumann, Holst, Brunner, Rorem. Held at 8:00 p.m., May 9, 2013, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Sikora, Emmanuel Baker, Thom Reitz, Margaret Harpur Chorale Browne, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2013-5-9 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:17:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189702">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189702</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Singing Chinese class recital, December 12, 2008 Recital Tape 2008-12-12 Description An account of the resource Chinese folk and art songs.Held at 7:00 p.m., December 12, 2008 Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Yi Xiao Moy, Corbett Su, Kevin JIan, Siyan Lin, Qi Lu Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-12-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 91c26656-364d-43fd-b7fd-05f04a1c69f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:05:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196901">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196901</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Singing Chinese class recital, December 7, 2007, Recital Tape 12-7-2007 Description An account of the resource Held at 7:00 p.m., December 7, 2007 Casadesus Recital Hall. 24 Chinese songs. Creator An entity primarily responsible for making the resource Deng, Jia Ling Huang, Jia Li Qi, Kevin Qi, Hui Chen, Tong Zhang, Hua Shang, Hong Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 86d30dfc-fc2a-4d4b-8022-f2098eae3d24