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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON

Harpur College
Department of Music

Thursday, April 3, 1975
8:15 PM
Don A. Watters Theater

�Jerry Kirkbrid e, clarine t
Karl Kraber, flute
Jane Taylor, bassoon
Charles Kuchkin, oboe
Barry Benjamin, horn

QUINTET IN E MINOR
opus 88, no. 1

ANTON REICHA

Introdu ction Andante; Allegro
Andante
Menuetto Allegro vivo
Finale (Allegro )

SONATA FOR FLUTE, OBOE
AND BASSOON

ZOO

Tom Cats
The Horse
The Gray Mouse
Barn Dance

FIVE TRIOS AND A PHANTASY
FOR WIND QUINTET

THREE ORGAN WORKS
Transcri bed by Rechtman
Preludiu m
Fughetta
Fugue in G Minor
ANTONIO VIVALDI

Allegro
Largo
Allegro

OPUS NUMBER

INTE RMIS SION

LUCIANO BERIO

EZRA LADERMAN

J. S. BACH

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC

HARPUR CHORALE
DAVID L. BUTTOLPH,

director

April 6, 1975
8: 15 PM
Don A. Watters Theater

�3

2

PROGRAM
to be selected from the following

NOTES

I

GIVE THANKS UNTO THE LORD

ROBERT STARER
1924-

CHARLES IVES

SERENITY
Diane Poe, soprano
John Tuttle, piano
KYRIE, GLORIA and CREDO
from Mass for Double Choir

1874-1954

CHARLES IVES

Words by John G. Whittier, American Quaker
poet, editor and journalist. A setting of
the 3rd and 4th verses of a text normally
associated with the hymn by Frederick Maker,
'Dear Lord and Father of Mankind'.

FRANK MARTIN
1890-

II
LAMENTO D'ARIANE

SERENITY

CLAUDIO MONTEVERDI

LAMENTO D'ARIANE

MONTEVERDI

Leave me to die; whom do you want to
comfort me in this cruel fate,
in this great trial.

1567-1643

AH, DEAR HEART

ORLANDO GIBBONS

REGGEL

GYORGY LIGETI

1583-1625

THE LOW BACKED CAR
Quoted at the end of the Eumaeus
Chapter of "Ulysses" by James Joyce

SAMUEL LOVER

IN PRIDE OF MAY

THOMAS WEELKES
1575-1623

I WILL GIVE YOU THE KEYS OF HEAVEN
CHESHIRE COUNTY SONG
Joan Jurich, mezzo soprano
Kevin McDermott, tenor

It is dawn, the churchbells are striking,
The mist has whitewashed everything,
Crocuses rustle, cocks crow
It's morning! A beautiful morning.

�4

5

III
GYÖRGY LIGETI

REGGEL

1923-

THE HARPUR CHORALE
David Buttolph, Director

1882-1967

Amy Beech
Cindy Carter
Judi Kahan
Diane Poe
Ruth Roper
Chris Scott

Margaret Donelian
Lauren Fleischer
Laurie Goodheim
Karen Haight
Nancy Roper
Sarah Whitmore

ZOLTÁN KODÁLY

MOUNTAIN NIGHTS

SOPRANOS

arr. LAJOS BÁRDOS

UNGARESCHA

1899IV

ALTOS

Karen Clute
Sandy Gerber
Vicky Gordon
Leslie Green
Marge Millan
Nancy Perkins
Joy Smucker

Karen Adler
Molly Cargile
Cheryl Choy
Susan Glass
Joan Jurich
Jeanette Murphy
Linda Shaw

(with apologies to G.F. Handel)
Dennis Burge, piano
Richard Berent, conductor

TENORS

1756-1791
Karen Haight, Sue Glass
Lamberta
David Rosenman, Michael
solo quartet
with
Russell Senti

BASSES
Richard Berent
Richard Briggs
Doug Charles
Ken Martin
Barry Shpizner
John Tuttle

Richard Bartmon
Dennis Burge
Michael Lamberta
Geoffrey Magee
Russell Senti
Richard Wiebe

Russell Senti
Sandy Gerber
David Roseman
Susan Glass
Howard Weinberg

OFFICERS
President
Home Area Manager
Tour Manager
Secretary
Treasurer

W. A. MOZART

TRINK KANON

Ian Kirschner
Robert Sarachan
Arthur Sherry
Howard Weinberg

Roger Cruttenden
Kevin McDermott
Rich Ossias
David Rosenman

RELY-HUTCHINSON

OLD MOTHER HUBBARD

GREGORY NISSEN

JABBERWOCKY

Margaret Donelian, soprano
Dennis Burge,

piano

V
Jeanette Murphy
Richard Ossias
Molly Cargile
Michael Lamberta

Librarian
Publicity
Women's Wardrobe
Men's Wardrobe

I HEAR A VOICE A PRAYIN'
BYE AN' BYE

HOUSTON BRIGHT
arr. DAVID BUTTOLPH

Leslie Green, contralto
EZEKIEL SAW DE WHEEL

Arthur Sherry, tenor

WILLIAM L. DAWSON

�Next choral event .....

UNIVERSITY CHORUS AND ORCHESTRA
David Buttolph, conductor

program. .....

Vaugh Williams
Stravinsky
Holst

Toward the Unknown Region
Symphony of Psalms
Hymn of Jes us
(with the Harpur Chorale)

Monday, May 5, 19 75, 8: 15 PM
Don A. Watters Theater
General Admission, $1
Students free with ID

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC

THE WORKS O FJ. S. BACH

Thursday,
8:15

April

10, 1975

pm

Casadesus Re cita l Ha ll

�WORKS OF JOHANN SEBASTIAN BACH (1685-1750)

Program
Trio-Sonata in B-flat Major
Adagio

(transcription)

Allegro ma non tanto

-

Adagio e piano

-

Allegro moderate

Paul Jordan, Alto Recorder
Delmar Pettys, Violin
Steven Stalker, Violoncello
Joseph Kotylo, Harpsichord

Aria, "Gelobet sei der Herr," from Cantata No. 129

Alice Weintraub, Soprano
Paul Jordan, Tenor Recorder
Delmar Pettys, Violin
Steven Stalker, Violoncello
Joseph Kotylo, Harpsichord

Sonata No. 2 in A Major for Violin and Obligato Keyboard
Andante

-

Allegro assai

-

Andante un poco

-

Presto

Delmar Pettys, Violin
Paul Jordan, Organ

Intermission

Sinfonia ("Sonata") from Cantata No. 182

("Himmelskönig, sei willkommen")

Paul Jordan, Alto Recorder
Delmar Pettys, Violin
the Ysaye Quartet
Elmar Oliveira, Violin
Paul Childs, Violin
Sandra Robbins, Viola
Steven Stalker, Violoncello
Joseph Kotylo, Harpsichord
Aria, "Sanfte soll mein Todeskummer,"

from the Easter Oratorio

Kevin McDermott, Tenor
Larry Zukof and Paul Jordan, Alto Recorders
Elmar Oliveira and
Paul Childs, Violins
Joseph Kotylo, Harpsichord

�Sinfonia from Cantata No. 142

("Uns ist ein Kind geboren")

Kevin McDermott and Paul Jordan, Alto Recorders
Geoffrey Barron and Janet Ziebur, Oboes
the Ysaye Quartet
Joseph Kotylo, Harpsichord

"Brandenburg" Concerto No. 4 in G Major
Presto
Andante
Allegro
Delmar Pettys, Violin
William Sherfey and Paul Jordan, Alto Recorders
the Ysaye Quartet
Joseph Kotylo, Harpsichord

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON

Harpur College
Department of Music

LENOX QUARTET

Sunday, April 13, 1974
8:15 PM
Don A. Watters Theater

�Peter Marsh, violin
Delmar Pettys, violin

Toby Appel, viola
Donald McCall, cello

QUARTET IN G MAJOR
opus 18, No. 2

LUDWIG VAN BEETHOVEN

Allegro
Adagio cantabile
Scherzo (Allegro)
Allegro molto quasi presto

SINCRONIE FOR STRING QUARTET
( 1967)

LUCIANO BERIO

INTER MISSI ON

QUARTET IN A MAJOR
opus 2
Allegro
Allegro
Tema con variazion i
Tema. - Andantino
Var 1 - Poco Tranquillo
Var 2 - Poco Agitato
Var 3 - Andante
Var 4 - Vivace scherzand o
Finale. Allegro

REINHOLD GLIÈRE

�</text>
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                    <text>STATE UNIVERSITY OF NEW

AT
YORK

BINGHAMTON

Harpur College
Department of Music

Alfred Clinton Morris,

conductor

DON A. WATTERS THEATER

APRIL 18, 1975 at 8:15 PM

�THE HARPUR SYMPHONY ORCHESTRA
ALFRED CLINTON MORRIS, Conductor
Beverly Penn, guest soloist

ORCHESTRA PERSONNEL

FIRST VIOLINS

BASSES

TRUMPETS

Mary Reynolds
Mary Barton
Gregory Fulkerson
Andrea Andros
Elmar Oliveira
George Myers
Bruce Berg
Paul Goodman
Robert Provell
Lydia Werbizky
Oscar Maxwell

Richard Thomas
Michael Sanders
Debra Neu
Dominique Hyatt

Steve Winans
Alfred Szymaniak

SECOND VIOLINS

PICCOLO

Nancy Julius

Jean Puleo
Rosa Campa
Norman Reid
Susan Mi tchell
Janet Brady
Alexandra Werbizky
Paul Childs
Cordula Rosow

Merrell Weiss

ORGAN

TROMBONES
FLUTES
Sharon Kosakoff
Jane Gottlieb
Merrell Weiss

Richard Gower
Daniel Addison
James Magacs

CONCERTO GROSSO IN F MAJOR
opus 6, no. 2

ARCANGELO CORELLI
(1653-1713)

Allegro, adagio, allegro,
largo andante
Allegro
Grave, andante largo, allegro

HARP

Mary Reynolds, violin
Jean Puleo, violin
Craig Weaver, cello

Deborah Lemon
OBOES
TYMPANI

Eliot Friedman
Geoffrey Barron
Janet Ziebur

Kent Oldfield
PERCUSSION

VIOLAS

ENGLISH HORN

Judy Geist
Geoffrey Brooks
Larry Bradford
Barbara Gorin
John Dexter
Carol Isaacson
Sandra Robbins
Jeanne Woodruff

Geoffrey Barron

Keith Martens
Roy Weinberger
Cindy Baldwin

CLARINETS

PERSONNEL MANAGER

Paul Ketchoyian
Anne Stern

Geoffrey Barron
ORCHESTRA OFFICERS

BASSOONS
CELLOS
Craig Weaver
David Heiss
Tom Shaw
Holly Wilson
Steven Stalker
Seth Jacobs
Dan McIntosh
Myra Greenstein
Howard Cohen
Tracy Slack

soloists:

Louis Papastrat
Lois Chantry
HORNS
Martin Burki
Kenneth Weissman
Rebecca Miller
Kenneth Steiger

Geoffrey Brooks,
president
Paul Ketchoyian,
vice-president
Carol Isaacson,
secretarytreasurer

KNOXVILLE: SUMMER OF 1915
opus 24, for soprano and
orchestra

SAMUEL BARBER
(1910-)

Beverly Penn, soprano
INTERMISSION
INTERMEZZO SINFONICO
from the opera Cavalleria
Rusticana
SLAVONIC DANCES, opus 46

PIETRO MASCAGNI
(1863-1945)

ANTONIN DVORAK
(1841-1904)

No. 1 Presto
No. 2 Allegretto scherzando
No. 3 Poco allegro
No. 6 Allegretto scherzando
.No. 7 Allegro assai
No. 8 Presto

�loved deeply the folk
Dvorak, intensel y nationa listic a s h e was,
influenc ed his own
it
and
music of his native Bohemia (Czechoslovakia),
music profoun dly.
The Slavonic Dances are represen t a tive, they are charact eristic,
they are nationa lly express ive. They reflect t he temperam ent of the
He knew his
Czech people as perhaps only Dvorak has s ucc eeded in doing.
folk music, but, more i mportan t, he knew his peop le, possib ly from his
Iong yea rs of experien ce as a menial lab orer, a b utcher-b oy, and as a
singer, violini st, trumpete r, violist and organts t in coffee houses, inns,
houses of worsh ip and opera houses.
Paradox ically, the Dances contain little or no melodic elements
of Bohemian folk song or folk dance. Dvorak did not use his nat i ve folk
music; he created a fol k music. The melodie s embodied in these dances are
munerou s and bewitch ing. They are, with the exceptio n of a few measures
than the Bohemian s.
here and there, origina l with Dvorak, and more Bohemian
True, he did employ charact eristic idioms, and such enga ging and familiar
rhy thms as the furiant (a rapid f iery dance in 3/4 time) and t he polka,
and such marks and manneris ms of Boh emian folk song as would indubita bly
identify this music. But it is music made of the essenti al spirit of the
Slavic races, rather than merely an interp retation of the outward manifestatio ns of that s pirit.
The Slavonic Dances are whimsic al, nostal gic, plaintiv e, melancholy, joyous, light- or heavy-fo o ted by turns. They are profound in the
the ch aracter and temnerament of the
bes t sens e, in t hat they explore
and they a re
ully unpreten tious,
beautif
compose r's people. They are
elabora te,
or
studied
however
music,
univers a lly appealin g . Can any
accompl ish a more des irab le end?
Notes by Charles O'Conne ll

�</text>
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                    <text>SUNY Bingham ton

Departm ent of Music
presen ts

A Vocal Recita l by the Studen ts of David Clatwor thy
Barbar a Garges , at the piano
April 28, 1975

Jean Casadesus

8: 15 PM

Re ci tal

Hall

PART I

AN SYLVIA

SCHUBERT

EN SOURDINE

FAURÉ
Preston Stockman , tenor

SCHUBERT

LIED DER MIGNON
RASTLOSE LIEBE

DEBUSSY

LES INGÉNU S

(Fêtes Galante s II)
Margare t Doneli an, soprano

BRAHMS

FELDEINSAMKEIT

FAURÉ

PRISON

ADIEU
from Poème d'un J our

Richard Bartmo n, bariton e

SCHUBERT

AN DIE MUSIK

SELIGKEIT
DES MÄDCHENS

MENDELSSOHN

KLAGE

ANDRES MAIENLIED
(Hexen lied)

Ur sula Raeth, soprano

�TCHAIKOVSKY

MIGNON'S SONG

THE CZAR'S DRINKING HOUSE

LONELY AGAIN
DON JUAN'S SERENADE

(This group will be sung in Russ ian. )
Gary Levine, Bass-barito ne

I N T E R MI S S I O N

PART II
J. S. BACH

MEIN VERLANGEN

Komm, du süsse Todesstunde

from Cantata No. 161:

Richard Kasken, tenor

SCHUBERT

DIE JUN GE NONNE

SEI MIR GEGRÜSST
DER JUNGLING AN DER QUELLE

ERETCHEN AM SPINNRADDE

Beverly Penn, soprano

CLAIR DE LUNE

FAURÉ

COUNT'S ARIA AND RECITATIVE

MOZART

from "The Marriage of Figaro".
Michael Quinn, baritone

GREEN

DEBUSSY

LUCY'S ARIA

MENOTTI

from "The Telephone"

Mary Ann Ferraiolo, soprano

�</text>
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                    <text>ST ATE UNIVERSITY OF NEW YORK AT BINGHAMTON

UNIVERSITY CHORUS
AND ORCHESTRA
R. VAUGHAN WILLIAMS
TOWARD THE UNKNOWN REGION

I. STRAVINSKY
SYMPHONY OF PSALMS

GUSTAV HOLST
THE HYMN OF JESUS
with the HARPUR CHORALE

DAVID BUTTOLPH, Director

MONDAY, MAY 5

815 P.M.

�PROGRAM
1.

TOWARD THE UNKNOWN REGION

R. Vaughan Williams

Darest thou now O soul,
Walk out with me toward the unknown region,
Where neither ground is for the feet nor any path
to follow?
A special word of thanks to the chorus

No map there, nor guide,
Nor voice sounding, nor touch of human hand,
Nor face with blooming flesh, nor lips, nor eyes,
are in that land.

of treble soloists participating in this
evening's program.

I know it not O soul,
Nor dost thou, all is a blank before us,
All waits undreamed of in that region, that
inaccessible land.

TREBLE CHORUS
Mary Ann Ferraiolo
Elizabeth Hartman
Beverly Penn
Esther Pettengill

Till when the ties loosen,
All but the ties eternal, time and space,
Nor darkness, gravitation, sense, not any bounds
bounding us.

Lizabeth Campbell
Jeanne Falinski
Phyllis LaBelle
Ursala Raeth
Lynne Engstrom
Rachel Gardner
Jill Weston
Stacie Williams

Then we burst forth, we float,
In time and space O soul, prepared for them,
Equal, equipt at last, (O joy! O fruit of all!)
them to fulfil O soul.
Walt Whitman.
2.

SYMPHONY OF PSALMS

Igor Stravinsky

Translation of the Text
Part I.

Verses 13 and 14 of Psalm No. 38

13.

Hear my prayer, O Lord, and my supplication.
Give ear to my tears. Be not silent:
for I am a stranger with Thee
and a sojourner, as all my fathers were.

14.

O forgive me, that I may be refreshed,
before I go hence, and be no more.

�Part II.

Verses 2, 3 and 4 of Psalm No. 39

2.

With expectation I have waited for the Lord
And he was attentive to me.

3.

And he heard my prayers,
and brought me out of the pit of misery,
and the mire of dregs.
And He set my feet upon a rock,
and directed my steps.

4.

And He put a new canticle into my mouth,
and a song to our God. Many shall see and fear:
and they shall hope in the Lord.
Part III.

any conventional sense as with the English oratorio
tradition--which is to say, there is virtually no
connection at all. The driving spirit of the work is
Holst's own intensely personal form of mysticism.
Now, as the Holst centenary approaches and passes,
the Englishness of his music stands out in proud relief,
but it can no longer be regarded as a parochial phenomenon. Its specifically Holstian integrity and warmth
of heart reach out ever more persuasively to listeners
everywhere, who find themselves in the 1970's unprecedentedly responsive to the life-celebrating directness
of a mysticism that is earth-based but not earthbound.
Richard Freed
February 1974

Psalm No. 150

*
1.
2.
3.
4.
5.
6.

Praise ye the Lord in His sanctuary;
praise Him in the firmament of His power.
Praise Him for His mighty acts:
praise Him according to the multitude of
His greatness.
Praise Him with the sound of the trumpet.
Praise Him with timbrel and choir:
praise Him with strings and organs.
Praise Him on high sounding ymbals:
praise Him on cymbals of joy.
Let every spirit praise the Lord. Alleluia.

-----3.

THERE WILL BE A SHORT INTERMISSION

THE HYMN OF JESUS

------

Holst composed The Hymn of Jesus during the last
five months of 1917 and dedicated the work to his friend
and colleague Ralph Vaughan Williams. For his text he
drew on the Apocryphal Acts of St. John, which appealed
to him so strongly that he learned Greek in order to read
the original and make his own translation. In contrast to
the exultant vigor. of the Hymn itself he fashioned a
Tranquil Prelude, built on the plainsong hymns Vexilla
Regis and Pange Lingua and incorporating the Latin texts.
The Hymn of Jesus has little to do with "sacred music" in

*

HARPUR CHORALE
SOPRANO
Amy Beech
Cindy Carter
Margaret Donelian
Lauren Fleischer
Karen Haight
Judy Kahan
Diane Poe
Nancy Roper
Ruth Roper
Chris Scott
Sara Whitmore

Gustav Holst

Notes From the Preface to the Centennial Edition

*

ALTO
Karen Adler
Cheryl Choy
Sandra Gerber
Susan Glass
Vicky Gordon
Joan Jurich
Marjorie Millan
Jeannette Murphy
Nancy Perkins
Linda Shaw
Joy Smucker

TENOR
Roger Cruttenden
Ian Kirschner
Kevin McDermott
David Rosenman
Robert Sarachan
Arthur Sherry
Harold Weinberg
BARITONE
Richard Bartman
Dennis Burge
Geoffrey Magee
Richard Wiebe
Russell Senti
BASS
Richard Berent
Richard Briggs
Kenneth Martin
Barry Shpizner
John Tuttle

�THE ORCHESTRA

THE UNIVERSITY CHORUS
SOPRANO
Cath y Cast iglia
Judi th Elkin
Lois Fisc htha l
Ellen Gold stein
Laur ie Goodheim (Tre as.)
Terr y Hogan
Grac e Houg hton
Laur ie Kief fer
Debo rah Lemon
Dane tte Lipte n
Naomi Niss en
Emil y Park er
Harr iet Pene nsick
Jane t Pere tz
Kare n Pris ciot ta
Jodi Silb iger
Nore en Spot a
Loui se Ulric h
Amy Willi ams
ALTO
Clar a Budi n
Moll y Carg ile
Kare n Clut e
Ann Ehrl ich
Nancy Elmo re
Barb ara Fros t
Miria m Gelb er
Susa n Gold farb
Lesl ie Gree n
Ilene Grue nebe rg
Nancy Juliu s
Rhonda Klei n
Tsu Ning Ko
Jenn ie Lanzo
Sue Lawson (Sec 'y)
Judy Levi ne
Mari lyn Milkman
Dina h Ross
Judi th Schoolman
Jane Shea r

TENOR
Rich ard Brus ca
John Davi dge
Robe rt Fran kel
Lee Gart enbe rg
Alan Hymowitz
John Keel er
Mark Lanz e
Rich Ossi as
Edward Scha pper t
Stua rt Silve rman
(Pub lic' ty)
Jud Wall is
Floy d West
BARITONE
Lynn Ayle swor th
Pete r Bola n
Ian Cain
Richard Davi s
Michael Gawo recki
Mich ael Lam berta ,Pres
Tom Lamphere
Rich ard Mall inson
Andrew McKim
Davi d Mose
Stev e Smith
BASS
Doug Char les
Carl Dashman
Leon Glow
Mark Karpman
Mich ael Pier ce
Bern ie Sher edy
Paul Sweeny
Chai Kyu Mall inson
Rehe arsal Acco mpan ist

FLUTE
Sharo n Kosa koff
Abbi e King
Kare n Tax
Roni Gros s
Barb ara Bish ara
OBOE
Jeff Barro n
Jane t Zieb ur
Elain e Wein er
Mari lyn Schu lkind
Rich ard Stein er

Davi d Besp alko
Steve n Winans
TROMBONE
Rich ard Gower
Gran t Sulli van
BASS TROMBONE
Jame s Magacs
TUBA
Carm elo Com beria ti

ENGLISH HORN
Scot t Eddy

TIMPANI
Kent Oldf ield
Mart in Ricc iardi

CLARINET
Paul Ketc hoyia n
Anne Stern

PERCUSSION
Roy Wein berge r

BASS CLARINET
Robe rt Sarac han

PIANO
Cynt hia Pete rson
Chai Kyu Mall inson

CONTRABASS ALSO
Luci nda Bald win
BASSOON
Thomas Clos ser
Edward Wadin
Lois Chan try

ORGAN
Emily Park er
Ruth Rope r
CELESTE
Chai Kyu Mall inson

HARP
HORN
Steph en Couch
Kenn eth Steig er
Robi n Jackman
Kenn eth Weissman
TRUMPET
Alfre d Szym aniak
Robe rt Lind strom
Fred eric Bartm an

Nancy Juliu s
VIOLIN
Davi d Agar d
Prin cipa l
Geor ge Meyers
Olev Viro

�VIOLIN

Richard Leavitt
Oscar Maxwell
Betty Lou Agard
Mary Jane Wojtowitz
Principal
Susan Marks
Eliza Tan
Norman Reid
Fritz Loewenstein
Eileen Pasternak
BASS
Donal O'Buckley
Principal
Dominique Hyatt
James Hills
Robert Rohland
VIOLA

Peggy Acker
Principal
Jeffrey Brooks
Martha Cotton
Barbara Gorin
Dorothy Bases
Joyce Capani
CELLO
Janet Nepke
Principal
Seth Jacobs
Howard Cohen
Myra Greenstein
Christine Johnson
Tracy Stack
Miriam Wu

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORKAT BINGHAMTON

Harpur College
Department of Music

LENOX QUARTET
with

guest artist

WALTER PONCE, piano

Summer Series
June 6, 1975 at 8:30 p.m.
University Union Social Room

�SUMMER SERIES
FOUR EVENINGS OF CHAMBER MUSIC

Delmar Pettys, Violin
Donald McCall, Cello
Walter Ponce, Piano
Trio Concert

JUNE 6

Trio Concert
Haydn Trio in G
Beethoven opus 70 no. 2
Brahms Trio in C major

Trio in G
Andante
Poco adagio. Cantible
Rondo all'ongarese

Franz Joseph Haydn

(guest artist Walter Ponce, piano)
JUNE 13

All Mozart Program

Trio Opus 70 no. 2
Ludwig van Beethoven
Poco sostenuto- Allegro ma non troppo
Allegretto
Allegretto, ma non troppo
Finale. Allegro

Quartet in G major, K. 387
Quartet in C major, K. 465
· -Quintet in G minor, K. 516
(with guest artist Judy Geist, viola)
JUNE 20

JUNE 27

Haydn Quartet opus 16 no. 4
Webern Five Pieces
opus 5
Schubert Quartet opus post.

D minor

Beethoven Quartet opus 132
Borodin Quartet no. 2 in D major

SERIES ADMISSION: $10 public, $3 students
SINGLE ADMISSION: $3 public, $1 students

INTERMISSION
Trio Opus 87
Allegro
Andante con moto
Scherzo. Presto- Poco meno Presto
Finale. Allegro giocoso

Johannes Brahms

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                  <text>Binghamton University Music Department Tape Recordings</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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