149 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:43 33:55 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243588">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243588</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Norman Carey, recital, March 18, 1973 Recital Tape 1973-3-18 Description An account of the resource Works of Bach, Schubert, SchoÌnberg and Liszt. Held at 2:00 pm, March 18, 1973, Recital Hall. Creator An entity primarily responsible for making the resource Carey, Norman Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/18/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6f7602aefdcd41b276f175c83a5b9c2b.pdf bd0852207d583cadd6300bf78bd8dcb2 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   NEW  Y O R K [4 d e c D E P A R T M E N T LONTANO ENSEMBLE MUSIC NOW! Rowland Su therland, flu te Peter F umiss, clarinet Caroline Balding, violin Clare O’Con nell, cello Ma ry D ullea, piano Odaline de la Martinez, conductor an d artistic dir ector Thursday, March 19, 2015 7 :30 p.m. Casadesus Recita l Hall �as­  PROGRAM  4 . Gestures from a Faraway Place, Op. 47 . ABOUT THE ARTISTS Richard Hugunine (2015)** I.  Andante ­ Allegro II.  Moderato III. Prestissimo international reputation as one of the most exciting and versatile exponents of 20th and 21st century music. Jibron Harris (2015)** From Darkness to Light, Then Finally Dust.  ­based on a text by the Persian poet Omar Khayyam Fading Parasol. Robert Durante (2015)** .Daniel Romberger (2015)** Too Close to the Sun  “I’m not a man” from Bullhead . Kevin Truax (2015) .Charles Shadle (2014) Red Cedar.  nib­Intermission» Improvisations (for solo violin). I.  Apasionado Odaline de la Martinez II.  Rustico III. Triste Oh Heart!  .James Budinich (2015)** ~based on texts by the Persian poet Omar Khayyam I.  Mahmud Yerbudaki II.  the veil of the sun III. Mahmud Yerbudald (II) IV. the dust of the body V.  Mahmud Yerbudaki (III) VI. how many of these days remain? Real Country . I.  William Walker II.  Mother Maybelle III. Bascom Lamar Lunsford IV. Dillard Chandler Daniel Thomas Davis (2014) The performance of compositions based on classical Persian music is made possible through the generous support of the Ali  Akbari Fund for Ne w  Persian Music. Lon tan o  Ensemble ’s  impact  on  the  perception  of  new  music  has been profound  and  enduring.  Since  its  inception  in  1976  by conductor/composer Odaline de la Martinez and flautist Ingrid Culliford, Lontano has established an Lontano commissions, produces, performs and records with the primary aim of bringing to the fore the work of contemporary British and American composers, women composers and Latin American classioal repertoire. The ensemble’s sphere of activity  includes  contemporary  opera,  music  theatre,  concerts,  workshops, education projects, tours, broadcasts and recordings. Performances feature some o f the most noted,  inventive and radical names in  contemporary composition including Judith Weir, Martin Burler, Roberto Sierra, Errollyn Wallen, Nicola le Fanu, Peter Sculthorpe, Sir Harrison Birtwistle, Chen Yi, Lindsay Cooper, John ' Harbison and Steve Reich.  Lontano’s global allure has resulted in performances as  far  a field as  Istanbul, Zagreb  (performance  of Jenni Riditi’s  opera  lnarma,  at  the  Zargreb  Biennale Festival), USA, Canada, Mexico, South and Central America. Activities include performances at the Huddersfield and Chelrenham International Festivals, Chard Festival of Women in  Music, the Bath Festival, the BBC Proms, the premiere of Paul Barker’s  opera  Stone  Angels  at  the Bloomsbury  Theatre,  the  enormously successful  “Emigres Series” on London’s Southbank and the premier  of Jenni Rodiri’s  opera Spirit  Child.  Performances  on the  Southbank have  included an American  programme featuring the  music of Dan  Asia  and Earl Brown and a concert,  with subsequent  C D  recording,  to  celebrate  the  70th anniversary  of jeremy Dale­Roberts. I n  October  2004, in a BBC Invitation Concert, Lontano premiered several works by the Australian composer Elena Kats­Chernin as well as music by the German composer Heiner Ooebbcls. Recent projects  included the ‘Al.l about  ' series as part of the LA LINEA Latin Music Festival at  the Southbank and The Warehouse, London, which explored Salsa, Tango and Samba and included new commissions. Other projects included the London Festival of American Music, Lontano’s Anniversary  Series, and a residency in Argentina sponsored by the British Council. This was followed by the release of music CDs by Dorothy Ker, Peter Child and Franciso Mignone. S till other  projects  included  two  concerts  at  the  Southbank  titled Brazil  Plus  ­ juxtaposing classical La tin  American composers with new British works in  April. Meanwhile,  Lontano  also  gave  a  very  successful  residency  at  MI T  ­­  the Massachusetts  Institute  of  Technology  ­  as  part  of MIT’s  150%  Anniversary celebrations. DreamHunter, a newly commissioned opera by Nicola LeFanu was premiered in the autumn of 2011 with a Welsh tour supported by a grant from the Arts Council Wales as well as three London performances at Wilton’s Music Hall  in  February 20 1 2. Lontano’s fourth London Festival of American Music took place  in  October of 20 1 2 and  featured the UK  Premiere of John Harbison’s �chamber opera Full Moon in Ma rch. Lonta no’s 5 * London Festival of A Music took place in Novem merican ber 20 14 at The Artists ’ Ch urch Covent Garden and St. James  Theatre,  Victoria,  and  included  the  UK  Pre miere  of  Odaline  de  la Martinez’s The Crossing, Part II  of her  Slavery Opera Trilogy. Lontano  regularly  broadcasts   on  television  and  radio  and  enj oys  a  close relationship  with the British  Broadcasting Corpora tion. Lo ntano,  in  c ollaboration * with the BBC Singers, recorde d for the BBC a program me fea turing the music of Brian Ferneyhough  A CD o f his m usic with  Lonrano and  the BBC Singers was released  by  the Metier  Label.  The ensemble also featu red  in a Channel 4 TV series entitled Women  in  Mus ic ­ Per formance Pieces, which inc luded performances of Joan  Tower’s Petroushkates an d Erika  Fox’s Shir. Always  at  the  fore front  of  music  innovation Lontano   was  one  of  the  first ensembles  to  form  its  own   record  company  when  in  199 2  it established  the LORELT label. Now with a c atalogue of 39 discs, LORELT  features soloists as well  as  other  ensembles  and   is  noted  for  its  archive  of  important  and  often neglected  compositions.  Lon tano also  records  for  numero us  other  companies including Albany Records (US A), Da Ca po (Denmark) and Metier Reco rds (UK). An education and community  programme is integral to Lont ano’s performing activity. The ensemble under takes a diverse range of proje cts  involving a broad spectru m of ages, cultures and  social backgrounds. In 2002 Lo ntano was invited to become ensemble­in­residenc e at Kings College, London Un iversity. Here. they interact  with  young  com posers  offering  unparallele d  opportu nity  for compositions  to  be  rehearsed  and  performed  by  profession al  musicians.  This work is  now c entral to the  curriculum. A t the same  tim e, Lontano  are also very involved  in  educational  and   com munity  work  in  their  borough  of  Waltha m Forest, London. Projects like  If Waltlmnutow Market Could  Sing, Unheard Voices, In Praise of  Our  Families and V oices of  Youth, involving both  paren ts and  children are making  a  difference  in  a  highly  cul turally  diverse  com munity.  Under  the sponsorship of the British C ouncil Lon tano ra n worksho ps in Macedonia ­  with over 100 newly graduated hig h school studenm from the new ly formed republic. And more recently they have  worked on a project linking  the Tango wi th African influence  in Argentina  ­  with  several primary,  secondary  and tertiary  school students  in Buenos  Aires  ­  an  experience  that  deeply  tou ched  all  of  those involved.  In  the  autum n a nd  win ter  of  201 1­2012, w ith  a gran t  from Youth Music,  Lontano  worked  in   Southwark  and  Greenw ich   boroughs  with  an education project titled Connec tions. The project featured the cu lture and music of Roma, Gypsy and  Traveller  communities residing in  tho se boroughs. A similar project took place in  the Londo n Borough of Redbridge from  May 2012 to April 20 13. Most recently, Lontano  has been awarded a three­year  grant from the Ci ty Bridge Trus t in  support of t heir educational and  commu nity work. Od ali ne  d e  la   Ma rti nez  is  a Cuban­A merican  composer  and  conduc currently residing in  the  UK tor, .  She is  the  ar tistic direc tor  of Lontano, a London­ based contemporary music en semble  which  she cofounded in 1976 with  Zealander  flautisr  Ingrid  Cullifo New rd, and was the first woman  to conduct  at  the BBC Promenade Concerts (the  Proms) in 1984. As well as freq uent appearances as a guest conductor with  lead ing orchesu­as throughou t G rea t Brita in, includ ing all  the BBC orchestras, she  has conducted several leadin g ense mbles around the world,  including  the  ensem ble  2e2 m  in  Paris,  the  New  Zealan d  Symphony Orchestra, the Australian Youth  Orchestra, the OFU NAM  and  the Camerata of the Americas  in Mexico,  and  the Vancouver  Chamber  Orc hestra. She is  also known  as  a  broadcaster  for  BBC  Radio  and  Television   and  has  recorded artensively for several labels. m PROGRAM N OT ES m Gestures fr om amea yP lAec,  Op. 4 7 ­  Richard Hugunine This three­movement piece expl ores the turtural and ti mbral pos sibilities available in a Pierrot Ensemble.  The far away place of the title is anywh ere and nowhere. The musical gestures of each  movement are memory artifa cts, both precious and painful. While the composer po sits no narrative for this work,  he encourages each listener  to crea te  his  or  her  own  reminiscences  ­  fantasies,  perhaps, of  “what might have been,” or, betrer, “w hat might yet be.“ From Darkness to Light, Then  Fu he llw at­ Jib ron  Harris Based on a text by the Persi an poet Omar Khayyam, this p iece was also inspired by time and  space i tself – its  arpansiveness and rela tivity. G rea t things happen on macro and  micro scales, neith er grea ter or  lesser  than  the  other. Are the atoms that exist  inside all  of us  tha t make us, any different  tha n those in  the stars? “Same hands that formed Venu s and Sun And wove the fabric tha t make s time run Same hands brought us here,  and when done Will leave behind dust, as i f we  were nonern Fading  Paraml­ Robert Durante A short piece written in  a fre e fl owing form that gradually  becomes more intense until a collec tive sigh at the e nd, “Fading Parasol” freq uen tly switches between a relaxed somber  tone and  a m ore  rigid aggressive  one.  The  work  is meant  to conjure an image of fading bea uty in the world around us. Too Close to the Sun  ­ Daniel R omberger Inspired loosely  by images of  flight and the physical sensatio n of a cool, re freshing breeze while jogging, ‘ Too  Clo se to the Sun” embraces the  joy of motion both energe tically and somewhat n aively. Although its title  refers  to the story o f Icarus, this piece connects to the G reek myth viscerally and a tmo spherically rather than progra mmatically. With a li ghthea rted airiness in mind,  the  listener is invited to interpre t  “Too Close to  the  Su n”  in his or  her own w ay or simply to enjoy the mumble musical surface as is. �I’m NotaMm’KevinTruxx This is the opening aria  to an in­the­works opera called Bullhead. The opera is a fictional retelling of the USS Bullhead, a World War II Navy submarine, on her final patrol in the Pacific. The beginning of the opera takes place in the port city of Fremantle in Western Australia.  The curtain opens to a marine clock with around fifty service men conversing and moving freely between the dock and the deck of the submarine.  The entire side of the USS Bullhead is visible, taking up the complete width of the stage. The men fall silent as the commander of the submarine base, Admiral Fife, is introduced and begins his speech, “I’m Not a Man.” Red Cedar ­ Charles Shadle My  piece  Red  Cedar seeks to celebrate Junipenu  virginiana,  a familiar evergreen conifer widely distributed throughout eastern and central North America. As the Latin name indicates,  the  tree is  not in fact a Cedar, but rather a Juniper. Of medium height, it is notable for scale­like leaves and cones that resemble armored Blueberries. These “berries ” are used to flavor gin. The wood of the Red Cedar is highly aromatic, and it is quite combustible. In  the past, when wild fires were largely le ft unchecked, its populations were relatively contained. Now it is often considered an invasive (if native) pest, spreading rapidly, especially in areas with poor or disturbed soil. Consequently it is much reviled by stockmen and farmers. Many of us are somewhat allergic to its touch, and quite allergic to its pollen. In  spite  of  these  less  appealing  qualities  I  find  the  Red  Cedar  remarkably beautiful, The normally grey­green foliage takes on a lovely umber cast in  winter. and it has a flame­like upright growth pattern that adds a distinctly formal note to the rural landscape. Where I  come from in Oklahoma, it is often the first, and sometimes  only,  indication of the presence  of a  rural graveyard.  This seems appropriate, as there is a kind of monumental dignity about the long~lived tree. Red  Cedar  is  essentially a movement  in  traditional ternary  scherzo  form.  The opening  tempo marking is Allegro fragile (Fast, brittle). Consciously “American” syncopated accentual patterns pervade music that is–at least for me–quite prickly. The melodic character of the material strikes me  as  resembling highly stylized birdsong. Indeed, a memory of walking through a grove of cedars in which a flock of the generally solitary Red Bird (Cardinals cardinals) had gathered provided the initial impetus  for  the piece.  After  a  less  frenetic  Trio  (Rustico)  the  opening material returns, though new musical ideas begin to substitute for  the original ones. Some of these ideas are clearly developmental, but a hymn­like music takes on ever­greater prominence. Red  Cedar concludes quietly and solemnly : Scherzo has become Elegy. O h ,  H e art !  J ames R . Budiuich   1. Mahmud Yerbudalti II, the veil of the sun lll. Mahmud Yerbudaki (II) IV. the dust of the body V. Mahmud Yerbudaki (III) VI. how many of these days remain. Omar Khayyam begins three of his quatrains with the words  “Oh heart,” each time using the words as a manner of speaking to himself.  In  the same sense, Oh, Heart! is an internal reflection on selections of Omar Khayyam’s Rubaiyat,  My piece  is based off of three of his quatrains, and  the slave who transcribed the Rubaiyat, Mahmud Yerbudaki. 92. Wine is rose­red, and the cup is filled with the water of roses,–maybe, in the crystal casket is a pure ruby,~maybe, a melted ruby is in the water,–maybe, moonlight is the veil of the sun,–maybe. 145. O soul! if thou canst purify thyself from the dust of the body, thou. naked spirit, canst soar in the heavens, the Empyrean is thy sphere,–let it be thy shame, that thou comest and art a dweller within the confines of the earth. 734 Set limits to thy desire for worldly things and live content, sever the bonds of thy dependence upon the good and the bad of life, take wine in hand and play with the curls of a loved one; for quickly all passeth away–and how many of these days remain? Real Conan­yr Daniel Thomas Davis Growing up in the rural American South, l’d occasionally hear the phrase “real country ” as a way of identi fying people ­  sometimes even my people, sometimes even me. I t didn’t so much as describe a person’s profession or place of residence but rather something more qualitative ­  a characteristic walk or stride, a peculiar taste in food or conversation, and above all  else, a richly accented voice thick with dialect and diphthong. I t  was something inside the body that just happened to make its way out somehow. It’s  that  something  within  the  voice  that  prompted  me  to  write  Real Country. Although l’ve titled each movement after a particular old­time country or gospel singer, I’m not really aiming to imitate any of them here ­  nor do I lay claim to anything resembling an “authentic” or “real” country style. First and foremost, this piece is a purely instrumental response, prompted by my listening over and over again, to a handful of special singers, all the while wondering and imagining �­  what sort of music do these voices invite? What idiosyncrasies and ornaments might I  excavate  from  these old, strange and  weird  worlds’ And  how might  I reimagine them in my own musical landscape? There are,  to be sure, a nu mber of  tunes here,  too ­  some  traditional ballads, some my own creation, others that fall in  between. Some might recall the high­ lonesom e lament of the Appalachian murd er ballad , others the ecsta tic holler ing of low­church gospel, and  yet  others  the syrupy lilt of  old­time  country’s jilted lovers. Throughout it all, I think of these melodies as places to wander ­  pathways and byways mostly ­  each one traveled and populated by the pecu liar, spu ttering, plain and joyful voices of this other country ­  my coun try. W M Bi ngha mton  U n iversi ty M usic De part men t’s Com ing E   wen ts M M Friday,  March  20  ­  Master  Class  BU  Alumnus I ra Gitler,  composer ­  3:00  p.m.  ­ Casadesus Recital Hall ­ free Thursday, March 26 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­  free Friday, March 27 – Junior Recital: Jessica Bi ogiotti, flute – 7:30 p.m. ­  Casadesus Recital Hall ­  free Sunday,  March 29 ­  Songs My Students Taught  Me with Janey Choi, violin and  Pej Reitz,  piano  (tentative)  –  3  p.m.  ­  Casadesus  Recital  Hall  ­  $7  general  public;  $5 faculty/staff/seniors/ alumni; Free for students Wednesday,  April  1  ­  Harmony  Club  Fundraiser  Concert  ~  7:30  p.m.  ­  Casadesus Recital Hall ­  $10 suggested dona tion Thursday, April 2 ­ Mid­Day Concert ­ 1:20 p.m. ­  Casadesus Recital Hall ­  free Thursday, April 16  ­ Mid­Day Concert ­ 1:20 pm . ­  Fine Arts Building, Room 21 ­  free Q a  [ = ]   M I  "  M M M M M M M M M Q ­ For tickets or to be added to our email list, visit andrrsonbinghamtomedu or call (607) 777­ARTS. For a complete  list  of  our concerts  call (607)  777­ 2592, visit music.binghamton.edu or become a fan on  Facebook. If  you were inspired by t his performance, consider supper­ring the Department of Music with a financial gift. Your support  helps to continue  the work of students, faculty, and guest artists and their contributions to our community. Please  make  your  donation  payable  to  the  Binghamton  University  Music Department,  and  send  your  check  to  BU Music  Department,  P.O.  Box 6000, Binghamwn, NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:15:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74853">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74853</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lontano Ensemble, Music Now! March 19, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Hugunine, Harris, Durante, Romberger, Shadle, Martinez, Budinich, Davis. Held at 7:30 p.m., March 19, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lontano Sutherland, Rowland Furnis, Peter Balding, Caroline O'Connell, Clare Dullea, Mary de la Martinez, Odaline Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Hugunine, Richard Harris, Jibron Durante, Robert Romberger, Daniel Shadle, Charles Martinez, Odaline de la Budinich, James R. Davis, Daniel Thomas Date A point or period of time associated with an event in the lifecycle of the resource 3/19/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7b88c853266d246dcdaa5469653b05cb.pdf 0c8c3f518e76d73d14b458595395acd3 PDF Text Text State University of New York Department of Music JOINT STUDENT RECITAL David Henann, trombone Caroline Bravo, clarinet Margaret Reitz, piano Saturday, March 20, 2004 3:00 p.m. Casadesus Recital Hall �About the Performers DAVID HEN ANN, a native of Monroe, LA, has been playing the trombone since age eleven. Henann attended Ouachita Parish High School where he participated in marching band and Symphonic Winds. During school, he studied privately with Sue Anderson. Henann also was a member of All-State Band, All-District Band, Ark-La-Tex Band, All-South Band, Twin City Concert Band, and the Monroe Youth Symphony. In his second year at Binghamton University, he is a member of the Wind Ensemble, Orchestra, BU Sinfonia, and Binghamton University Brass Quintet. Henann now lives in Wind Gap, PA, and is a mechanical engineering major. CAROLINE BRAVO is a native of Hopewell Junction, NY, where she started playing the clarinet in elementary school and studying privately with Louis Bonafati. She continued her private study through high school with James Trainor, becoming a NYSSMA veteran and participating in both Area All-State and All-County. At John Jay High School, she was a member of the pit orchestra for two years, symphonic band for three and marching band for six. She also was a member of the Hudson Valley Council Community Band for seven years. When not doing something musical, Bravo likes to read, watch foreign films, shop, and play in the snow. A junior and a history major, she plans to attend law school. Bravo would like to thank Mr. Kieley, Dr. Perry, and all her music teachers, past and present, for the knowledge and experiences they have given her, as well as the encouragement to keep playing. MARGARET REITZ, piano, received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. �Program Introduction and Polonaise .................................. Heinrich Barmann Op. 25 for clarinet and piano ( 1784-1847) Allegro agitato Andante Polacca Concertino, Op. 4 ................................................... Ferdinand David Allegro maestoso (1810-1873) Andante marcia funebre Allegro Maestoso --Intermission-Five Bagatelles .............................................................. Gerald Finzi Prelude (1901-1956) Romance Forlana Fughetta Sonatina for Trombone and Piano ....................... Kazimierz Serocki Allegro (1922-1981) Andante Malta Sostenuto Allegro Vivace �Coming Events Thursday, March 25 - Harpur Trumpet Ensemble Concert - 8:00 p.m. Casadesus Recital Hall - free Saturday, March 27 - Cherished Friends, Cherished Songs - Soprano Mary Burgess and pianist George Darden - 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Thursday, April 15 - Mid-Day Concert with faculty and student performers I :20 p.m. - Casadesus Recital Hall - free Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem - Bruce Borton, conductor - 8:00 p.m. - Osterhaut Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person, saxophone - 1:20 p.m. - Osterhaut Concert Theater - free Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 25 - University Wind Ensemble: New Dances -Timothy Perry and Stephen Boel, conductors - 3 :00 p.m. - Anderson Center Chamber Hall free Tuesday, April 27 - University Percussion Ensemble - 8:00 - Ancierson Center Chamber Hall - Free Friday, April 30 - Flute Studio Recital - 10: 15 a.m. - Casadesus Recital Hall -free Wednesday, May 5 - An Evening of German Songs featuring Graduate and Undergraduate Voice and Opera students - 8:00 p.m. - Casadesus Recital Hall - free Thursday, May 6 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:44:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251996&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251996&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joint student recital, March 20, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-20 Description An account of the resource Works of Bärmann, David, Finzi, Serocki. Held at 3:00 p.m., March 20, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bravo, Caroline Reitz, Margaret Henann, David Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/20/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/a7d2c925536663b6d2ed98fd7d193879.pdf 7f0ac0c0ca6b54491c80457b9dec78f6 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York Department of Music WOLFGAN G AMADEUS MOZART Lecture - Recital • Patricia Sunwoo, violin Roberta Crawford,vio la Stephen Stalker, cello Michael Salmirs, piano Alice Mitchell, lecturer Sunday, March 21, 2004 3:00 p.m. Casadesus Recital Hall �Wolfgang Amadeus Mozart (1756-1791) Comments on the Program ....................... ................ Alice Mitchell --pause-- Divertimento for Violin, Viola and Cello in E-Flat Major, KV 563 I. II. III. IV. V. VI. Allegro Adagio Menuetto: Allegretto - Trio Andante Menuetto: Allegretto - Trio I - Trio II Allegro --Intermission-- Piano Quartet in G Minor, KV 4 78 I. II. III. Allegro Andante Rondeau �About the Performers Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg's Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan's NHK. Recent engagements include appearances at the Carnegie Hall's Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L 'Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001 , she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. ROBERT A CRAWFOR D enjoys an active career as a recitalist and chamber musician. As Associate Director and founding member of the Finger Lakes Chamber Ensemble, Crawford has participated in more than one hundred solo, chamber, and lecture-recitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra's Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written specifically for her. She has participated in music fest ivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Crawford has served as clinician, coach and adjudicator for many music organizations and is co-director of the NY ASTA ViolaFest, hosted by Binghamton University. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College and the Eastman School of Music and is Coordinator of Strings at Binghamton University. �chamber groups throu ghou t STEPHEN STALKER, cellist, has performed in the Madison Quartet, he the United State s and Europe. As a member of nd, recorded for the Orion performed in the U.S., France, Germany and Switzerla in the Evian International and Mus ical Heritage Society label s, was a finalist mber Music Competition, String Quartet Competition and the Naumberg Cha ersity. Since 1980, he has and was an Artist-in-Residence at Colgate Univ ng and premiering many played in the Catskill Chamber Players, performi ding the world premiere compositions by prominent American composers, inclu Score," at the Weill Recital of the late string quartets of Henry Bryant, "Fou r plete Beethoven Trio cycle Hall in New York City. He has performed the com ormed with Solisti New with colleagues at Binghamton University. He perf from Vancouver to Juneau York on their Alaskan cruise of the Inner Passage onic. He teaches cello and and toured Greece with the Schenectady Philharm double bass at Binghamton University. and Artistic Director of the Pianist MICHAEL SALMIRS, a founding member as a recitalist and chamber Finger Lakes Chamber Ensemble is well known n. He has appeared as musician performing extensively throughout the regio ton University Orchestra, soloist with the Com ing Philharmonic, Bingham red pianist on its Sunday Cayuga Chamber Orchestra, and has been a featu ic, he has participated in chamber series. As a performer of contemporary mus Nova, Cornell University's such series as Binghamton University's Mus ica Syracuse Society for New Ensemble X, and has toured and recorded for the atory and Eastman School Music. Salmirs studied at the New England Conserv ard Shure and Rebecca of Music; his teachers have included pianists Leon taught at the Syracuse Penneys and composer Karel Husa. Salmirs has Smith Colleges . He is a University School of Music and Hobart and William Affiliate Artist at Cornell faculty member at Binghamton University and Ithaca and enjoys teaching University. He maintains a private piano studio in perform Poulenc's Aubade students of all ages and levels. In May , Salmirs will with the Cayuga Chamber Orchestra. received her earliest music ALICE MITCHELL is a native New Yorker who nt and as an undergraduate education at the Third Street Music School Settleme ies in musicology at Smith at Hunter College. She continued with graduate stud mbia University with Paul College, as a student of Alfred Einstein and at Colu Town Hall, Steinway Hall, Henry Lang. She has performed as a piano soloist at ons include an edition and and at the Brooklyn Academy of Music. Her publicati ion (Op. 200), articles in the translation of Carl Czerny's Treatise on Impro visat Grove's Dictionary, and Musical Quarterly, the Musical Heritage Review and has served as Chair of the liner notes for Dover Publications recordings. She join t graduate program in Music Department, during which she initiated the ns that resulted in the Link opera with Tri-Cities Opera and opened negotiatio Professorship. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:27:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wolfgang Amadeus Mozart, lecture-recital, March 21, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-21 Description An account of the resource Works of Mozart Creator An entity primarily responsible for making the resource Sunwoo, Patricia Crawford, Roberta Stalker, Stephen Salmirs, Michael Mitchell, Alice Date A point or period of time associated with an event in the lifecycle of the resource 3/21/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/643331a2dc2e9564415ee3fd31b9d7da.pdf 71b62445392f287f63bebdf0c13b2cce PDF Text Text BINGHAMTON U  N  I  V  E R  S l  T  Y  f  F F ) S TAT E   UNIVERSITY  OF  N E W  Y O R K D E P A R T M E N T Tnuusmv Hub­D AV CONCERT MARCH 22, 2012 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM ..Fred Godfrey, aka Llewellyn Williams Lucy Long...  (1880–1952) .. Antonin Dvorak tr. T.  Perry  (1841­1904) Timothy Perry, clarinet Margaret Reitz, piano John Isenberg, piano Duet, ”Ah guarda, sorella”  Wolfgang Amadeus Mozart Dorabella: Caitlyn Gotimer, mezzo­soprano John Isenberg, piano (1756–1791) (Pamina’s suicide scene, from DIE ZAUBERFLOTE, Act II) Pamina: Kathleen Jasinskas, soprano First Spirit: Kerianna Krebushevski, soprano Second Spirit: Caitlyn Gotimer, mezzo­soprano Third Spirit: Molly Adams­Toomey, mezzo­soprano John Isenberg, piano Evening Prayer .  from HANSEL und GRETEL  (1813­1901) (1756–1791) (from COSI FAN TUTTE, Act I)  Fiordiligi: Kerianna Krebushevski, soprano “Bald prangt, den Morgen...,...  ..Wolfgang Amadeus Mozart zu verkL’inden”  from Act I, RIGOLETTO  .. Giuseppe Verdi Gilda: Christina Kompar, soprano Giovanna  Molly Adams­Toomey, mezzo­soprano Duke of Mantua: Mario Eun Hwan Bae, tenor Paige Elliott, bassoon Margaret Reitz, piano Romance in f minor, Op. 11 .  Scene, duet, and aria “Caro nome“.4.....  . Engelbert Humperdinck (1854–1921) Sandman: Richard G. Leonberger, tenor Hansel: Michelle Goldrich, mezzo­soprano Gretel: Christina Santa Maria, soprano John Isenberg, piano Wolfgang Amadeus Mozart Trio, “Soave sia il vento”......  (1756­1791) (from COSI FAN TUTTE, Act I)  Fiordiligi: Kerianna Krebushevski, soprano Dorabella: Michelle Goldrich, mezzo­soprano Don Alfonso: Daniel Romberger, bass­baritone John Isenberg, piano “Pronta io son"....  from DON PASQUALE, Act I  .. Gaetano Donizetti (1797­1848) Norina: Meghan Cakalli, soprano Malatesta: Charlie Hyland, baritone John Isenberg, piano �Binghamton University Music D epartment’s U P C O M I N G  E V E NT  s Friday, March 23 — Master’s Recital: Kathleen Jasinkas, so prano — 8:00 p.m. — Casadesus Recital Hall — free Thursday, March 29 — Mid­Day Con cert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, March 29 — Nukporfe Afr ican Drumming and Dance Ensemble — 8 p.m. — Anderson Center Chamber Hall — $5 per person (tickets will be sold at the door) Thursday, April 12 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Friday, April 13 — Senior Recital: Alexander Baron, recorder — 8:00 p.m. — Casadesus Recital Hall – free Saturday, April 14 — Masterclass with or ganist Carla Edwards — 10 a.m. — 12 noon — First Presbyterian Church, Binghamton — free Saturday, April 14 — Robert Smith, euphonium, presents “ El Bombardino” with Margaret Reitz, piano — 3 p.m. — Casadesus Recital Hall — $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 — Africa naise: A n  e vening o f  A frican Inspired Compositions — 3 p.m. — Anderson Center Chamber Hall — $10 general public; $6 faculty/staff/seniors; $3 students Sunday, April 15 — Guest Organist Carla Edwards — 4 p.m. — First Presbyterian Church, Binghamton — $10 general public; $6 faculty/ staff/seniors; $3 students For ticket information, please call the Anderson Center B ox  O ffice a t  7 77­ARTS To see all events, please visit music. b inghamton. e du Become a fan on Facebook by visiting Binghamton University Music D epar tment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55 minutes :43 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141871">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141871</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 22, 2012 Description An account of the resource Works by Long, Godfrey, Dvořák, Mozart, Humperdinck, Verdi, Donizetti Held at 1:20 p.m., March 22, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Elliot, Paige Reitz, Margaret Jasinskas, Kathleen Krebushevski, Kerianna Gotimer, Caitlin Adams-Toomey, Molly Isenberg, John Leonberger, Richard G. Goldrich, Michelle Santa Maria, Christina Kompar, Christina Bae, Eun Hwan Romberger, Daniel Cakalli, Meghan Hyland, Charles Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/22/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/11d929be13403ec1dd8cbd102176f157.pdf 177e45e4774426440cb7033efa96382e PDF Text Text U NI V A R C RECit al\ l ape 2003 3 - 22 SPEC COL BINGHA!\1TON U N I \' E R S I T Y State University of New York Department of Music Junior Recital Jody Schum, piano Samantha LaDue, soprano with Chai-Kyou Mallinson, piano Saturday, March 22, 2003 8:00 p.m. Casadesus Recital Hall ��Program I. .. Sonata in E-flat major, Op. 27, No. l ................................ Ludwig van Beethoven (Sonata quasi una Fantasia) (1770-1827) Andante Allegro molto e vivace Adagio con espressione Allegro vivace Sonetto 104 del Petrarca .......................................................... Franz Liszt ( 1819-1886) (from Années de pelerinage: deuxième année, Italie) Two Preludes ................. :...................................................... Sergei Rachmaninoff I. E-flat major, Op. 23, No. 6 (1873-1943) II. G minor, Op. 23, No. 5 L' isle Joyeuse ............................................................................... Claude Debussy (1862-19 l 8) Jody Schum, piano II. En Prière ........................................................................................... Gabriel Fauré Mai (1845-1924) Notre Amour From Hermit Songs: St Ita's Vision, Op. 29, No. 3 ....................................................... Samuel Barber The Crucifixion, Op. 29, No. 5 (1910-1981) The Monk and His Cat, Op. 29, No. 8 Malinconia, Ninfa gentile ............................................................ Vincenzo Bellini Per pieta, bell 'idol mio ( 1801- 1835) From La Sonnambula Aria & Rondo: Ah non credea mirati - Ah, non giunge ............. Vincenzo Bellini (1801-1835) Samantha LaDue, soprano Chai-Kyou Mallinson, piano �Translations En Prière (In Prayer) If the voice of a child can reach You 0 my Father, Listen to the prayer of Jesus on His knees before You. If You have chosen me to teach Your laws on the earth, I will know how to serve You, holy King of Kings. 0 Light! Place on my lips, o Lord, The salutary truth, So that whomever doubts should, with humility, revere You! Do not abandon me, give me the gentleness so necessary to relieve the suffering, to alleviate pains, The misery! Reveal yoursel f to me, Lord, in whom I have faith and hope, I want to suffer for you, and to die on the cross At Calvary! Mai (May) As May, all in flower, calls us to the meadows, Come, do not cease to bring close to your heart The countryside, the woods, the charming shades, The vast reflections of the moon over the shores of sleepy rivers, The path that ends where the road begins And the air, the Spring and the immense horizon The horizon, modest and cheerful, which the world places as a lip at the bottom of the gown of the skies. Come and let the gaze of the chaste stars, Falling on earth though so many veils, The tree, imbued with perfumes and songs, The warm wind of the south in the fields, And the shadow, and the sun, and the tide and the greenery, And the radiance of all nature, Let them brighten, like a twofold flower, The beauty of our face, and the love in your heart! Notre Amour (Our Love) Our love is a light thing Like the perfumes which the wind Lifts from the top of the fem To be inhaled in dreaming. Our love is a light thing. Our love is a thing with charm, Like the songs of the Mom, With no expression of regret, In which vibrates an uncertain hope .. . Our love is a charming thing! Our love is a sacred thing Like the mysteries of a forest, Where a strange soul is trembling, Where stillness has a voice; Our love is an infinite thing, Like the paths of sunsets, Where the sea united with the skies, Slumbers under declining suns; Our love is an eternal thing Like all things that Almighty God Has touched with the fire of his wing, Like all that comes from the heart; Our love is an eternal thing! Malinconia, Ninfa gentile Melancholy, gentle Nymph, My life I consecrate to you. Whoever considers your pleasures slight �Is not born to true pleasures. Rivers and hills I asked of the gods. They heard me at last, I shall live satisfied. Not ever shall I cross that river with my desires, Not ever cross that mountain. Not ever shall I cross, no, no, never. Per pietà, bell'idol mio For pity's sake, my beautiful idol, Do not tell me that I am ungrateful! Heaven is making me unhappy And unfortunate enough. If I am faithful to you If I am consumed by your beautiful eyes, Love knows it, the gods know it, My heart and yours know it Yes, they know it. Ah, non credea mirarti Oh, I never thought to see you die so soon, sweet flowers! You faded like love itself, Which lasted but for a day. Perhaps my tears will revive you, But my tears cannot Revive love, alas! Ah, non giunge l Ah! Beyond all human thought Is the joy that fills me now. I can hardly believe my senses: You trust me, my treasure! Ah, embrace me, and together for always, United in a single hope, We will make of the world we live in A paradise of love! �About the Performers Jody Schum is in his junior year at Binghamton University pursuing a Bachelor of Music Degree in piano performance. Schum began studying piano at the age of seven under the instruction of Lael Bagg. He currently studies with Michael Salmirs. In May of 2002, Jody was awarded the John M. and Marcella M. Keeler Scholarship in Music in recognition of his work. Besides solo piano, Schum also studies/enjoys vocal accompanying, chamber music, and voice. Since October of 200 I, Schum has served as resident organist and pianist at the First United Methodist Church of Endicott, N.Y. Schum would like to thank his professors, his scholarship donors, and his family and friends for their continued support. Samantha LaDue is a junior at Binghamton University, pursuing a Bachelor of Music degree as a student of Professor Mary Burgess. Other teachers in her seven years of study whom she would like to recognize and thank for their contributions are Patricia Blankenship-Mortier, Pamela-Jill Gardner, Timothy Lefebvre, Jake Gardner, Mary Burgess and this past semester, with Judy Berry. LaDue has achieved several awards; Endwell Community Chorus Scholarship, Whitney Point Rotary Community Service Scholarship, National Foundation for Advancement in the Arts merit award, first place in the Ithaca College Young Artists Vocal Competition; and the Keeler Scholarship at Binghamton. She has attended the Tanglewood Institute Young Artists Vocal Program, and has been a member of honor choirs, including the ACDA first All National High School Honor Choir. A native of Whitney Point, NY, LaDue has been seen on many area stages. Most recently, she was a member of the Downtown Singers, TriCities Opera chorus, the Narrator in Joseph and the Amazing Technicolor Dreamcoat, the Soprano in the Cider Mill production of Berlin to Broadway, Peep-ho in Summer Savoyard's Mikado, Cousin Hebe in the Summer Savoyard's production of HMS Pinafore, and in the Theatre Department's mainstage production of The Rocky Horror Show. LaDue would like to thank her friends and family for their love and support. Chai-Kyou Mallinson, a faculty member in the Department of Music at Binghamton University, received a Bachelor of Music degree from Juilliard, Licence d 'Enseignment from Ecole Normale de Paris, and a Master of Arts degree from Binghamton University, where she studied with Jean Casadesus. A prize winner in the Korean National Music Competition, she was awarded the French Government Scholarship and the Fountainebleau American Conservatory Full Scholarship. She gave a debut recital at Carnegie Recital Hall, and has been active as a recitalist, vocal accompanist and coach, and chamber music performer, -as well as an adjunct adjudicator of piano auditions and competitions. She has performed with the Seoul Philharmonic Orchestra. ��Coming Events (Subject to Change) Thursday, March 27 - Mid-Day Concert with faculty and student performers - I :20 P.M. - Casadesus Recital Hall - free Thursday, April 3 - Mid-Day Concert with faculty and student performers I :20 P.M. - Casadesus Recital Hall - free Thursday, April 3 - Brass Studio and Ensemble Concert by students of Ben Aldridge and Brian Sternberg- 8:00 p.m. - Casadesus Recital Hall - free Friday, April 4-An Evening of Piano Music with Ewa Mackiewicz-Wolfe 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 10- Mid-Day Concert with faculty .and student performers 1:20 P.M. - Casadesus Recital Hall - free Saturday, April 12 - Student Saxophone Quartet Recital - 3 p.m. Casadesus Recital Hall - free Saturday, April 12 - University Chorus and Orchestra, Timothy Perry conducting, Timothy LeFebvre and Mary Burgess, soloists - 8:00 p.m. Anderson Center Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Thursday, April 24 - Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall - free Sunday, April 27 - Guest Organist: Todd Wilson - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Tuesday, April 29 - Piano Recital by students of Michael Salmirs - 8:00 p.m. - Casadesus Recital Hall - free Thursday, May 1 - Jazz Mid-Day Concert with guitarist Dave Stryker - l :20 p.m. - Watters Theater - free Thursday, May 1 - Harpur Jazz Ensemble with guitarist Dave Stryker - 8:00 p.m. - Watters Theater - $8 general public; $6 faculty/staff/seniors; free for students Friday, May 2 - Flute Studio Recital by students of Georgetta Maiolo l 0:00 a.m. - Casadesus Recital Hall - free { I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:15:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253418&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253418&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior Recital, March 22, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003-3-22b Description An account of the resource Works by Beethoven, Liszt, Rachmaninoff, Debussy, Fauré, Barber, Bellini. Accompanying program contains translations. Creator An entity primarily responsible for making the resource Schum, Jody LaDue, Samantha Mallinson, Chai-Kyou Date A point or period of time associated with an event in the lifecycle of the resource 3/22/2003 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/1329271217eecd3130dcbb1e3eb9c5a7.pdf 80b7eaf3f1af7664869299c6a538c803 PDF Text Text BINGHAMTON U  N  I  V  E  R  S 1 T  Y STATE  U N I V E R S I T Y   O F  N E W   Y O R K cad/ob D E P A R T  W E N T G RADUATE T HESIS R ECITAL K ATHLEEN JASINSKAS, SOPRANO with U Lee, Piano Charles Hyland, Baritone Frida y, M arch 23, 2012 8:00 p.m. Casadesus Recital Hall �PROGRAM ..Mozart Laudamus Te .  from Great Mass in C­minor  Five Poems of An na Akhmatova (Op. 27)..  1. Sunshine has filled the room  II. True tenderness III. Memories of sunlight IV. Greetings V. The grey­eyed King Selections from Italienisches Liederbuch.  with Charles Hyland, Barito ne  (1756–1791) .. P ro kofiev (1891–1953) .Wolf (1860–1903) Ihr seid die Allerschonste Auch kleine Dinge Ein Standchen Euch zu bringen Und willst du deinen Liebsten sterben sehen Mein Liebster singt a m Haus Wie soll ich frohlich sein O wiisstest du, wie viel ich deinetwegen Schweig’ einmal still Ich hab’in Penna einen Liebsten wohnen u )   INTERMISSION  «3 Knoxville: Summer of 1915...  ...Barber (1910­1981) PROGRAM NOTES Moza rt was living in Vienna in the winter of 1782 when he began composition of the Great Mass in c­minor (K. 427) as a gift for his fiancée, soprano Constanze Weber. The mass setting was a n impressively la rge underta king, scored for four soloists (SSTB), double chorus and orchestra. Despite protestations from his father, Mozart and Constanze were ma rried in the summer of 1782 and they premiered several movements of the work at St. Peter’s in Salzburg in October of 1783. By all accounts, the performance was quite successful, but for unknown reasons Wolfgang and Constanze left Salzburg permanently the day after the premiere and the score joins the famous Requiem as a stunning but incomplete work. The Laudamus Te is the second of seven sections tha t form the Gloria movement of the Mass, and its message to praise and glorify God is highlighted by a sunny key transition to F­Major and no shortage of vocal and orchestral pyrotechnics. After the completion of his opera The Gambler in 1916, Se rgei Prokofiev is said to have told friends that he wanted to relax and compose a few short, in timate pieces. No stranger to vocal chamber music, his first several song cycles employed the poetry of ”so­called Golden Age [poets] such as Push kin and Lermontov.” This time, however, Prokofiev sought out the work of up­and­coming poet Anna Akhmatova (1889– 1966), enchanted by the “deliberately straightforward and concrete imagery [used] to convey the sometimes morbid sensations of a society woma n.” The cycle was completed in only four days and was a huge success at its premiere at a Concert of Modern Music i n  Moscow on February 18, 1917, which featured soprano Zinaida Artyomova and the composer at the piano. Critic Yuly Engel raved that �Prokofiev had found a new type of lyricism : “One hardly expects to find tenderness, warmth, emotion or, in  short, lyrical charm in Prokofiev’s music. Some say that the young Sa muel Ba rber began work on Knoxville: Su mmer of1915 in 1947 in response to a request for a large symphonic work for Akhmatova’s words, it is difficult to agree with this.” The composer himself agreed that these compact songs did indeed represent a tu rn toward more lyric wri ting that would follow him to the end of his career. composition: “... my musical response was immed iate and intense... The summer evening he describes  reminded me so much of similar evenings when I was a child a t home.” Indeed, Agee and Barber had much in common: both grew up in the South in the ea rly pa rt of the Twentieth Centu ry, and both lost their fathers within a year of their works’ completion. The piece is narrated prima rily by a child, though she seems a t times to transcend into adulthood and reminisce on the idyllic summer scene. Barber described the finished product as a ”ly ric rhapsody,” featuring a full spectrum of orchestral colors, from the serene lilt of the opening harp and oboe to the full blast of french h orns as the child drops to her knees in prayer. It was premiered by American soprano Eleanor Steber and the Boston Symphony Orchestra in 1948 and has become a beloved staple of the com pose r has none of  it. Bu t after h ea ring the songs set to Hugo Wolf was one of the most prolific Lieder com posers of the late 19th Century, producing more than two hundred songs between 1888 and 1897. The Italienisches Liederbuch contains forty­six miniatures in two volumes from 1892 and 1896, while Wolf was living and working in Aust ria. The poems a re traditional 15th Centu ry Tuscan rispetti translated into German by Paul Heyse. Though the translations are beautifully done and reta in much of the poetry’s o riginal flavor, the poems lose the standard structu re of eight 11­ syllable lines, which adds to their Italian cha rm. The subject is love, ranging in expression from sublime to ridi culous (and the nine selections we have chosen certainly follow that order!). Each song is a pa instakingly refined snapshot, ranging in style from a si mple Schubertian serena de to complex Wagnerian chromaticism, with the occasional hint of Italian bel canto opera . Though there are no instructions for how the works are to be performed, they are typically divided between a male and female voice based on poetry and musical range, and have been recorded by several incredible teams, including Elisabeth Schwarzkopf and Dietrich Fischer­Dieskau. voice and orchestra by conductor Serge Koussevitzky. He found himself d ra wn to James Agee’s poem, reca lling post­ modern symphonic repertory. �ABOUT THE PERFORMERS Soprano Kathleen Jasinskas is currently a Resident Artist with Tri­Cities Opera and a Master of Music candidate at Binghamton University, where she studies voice with Professor Tom Goodhea rt. She was hailed as “a joy to watch” singing Despina in TCO’s Cosi fan tutte (2010), and has also been featured as Stella in Les contes d Hoffman (2011) and Kate Pinkerton in Madama Butterfly (2011) at TCO. Kathleen made her professional debut in 2009 singing Antonia in Man of La Mancha with Shreveport Opera, where she was a member of the Shreveport Opera eXpress Resident A rtist program. She has been seen as a Studio A rtist at Opera New Jersey (2009), covering Yum­Yum in The Mikado and as an Apprentice A rtist at Des Moines Metro Opera (2008), covering the role of Oscar in Un ballo in maschera. Kathleen received her Bachelor’s Degree from The Juilliard School in 2008, where her notable performance credits included the New York premiere of Ned Rorem’s Our Town and the American premiere of Cavalli’s La Doriclea. She made her Alice Tully Hall debut in the Spring of 2007 singing Poulenc’s l a  Courte Paille and has presented several recitals in New York City and her hometown, Kansas City, KS. This spring, Kathleen will sing the role of Papagena in TCO’s Die Zauberflote (April 27 & 29). An extraordina ry a rtist, Ms. U Lee is a vi rtuoso singer as well as a pianist and conductor. As a singer, Ms. Lee has performed many roles, including Giulietta, La voix humaine, Judith, Suzuki, Mere Ma rie, Idamante, Dorabella, Glenda, Annio, and more in houses from Taiwan and Malaysia to the United States and Canada. In April, Ms. Lee will perform the Second Lady in Tri­Cities Opera’s Die Zaubeflite. As a pianist/coach, Ms. Lee has worked for Manhattan School of Music, Dolora Zajick’s Institute for Young Dramatic Voices, Yard Opera, Grandview Opera, Experimental Theater (Taipei), and is no w with the M usic Depa rtmen t of Binghamton University. She has also conducted works by Debussy, Ravel, Puccini, Mozart and Rossini. Not restricted to the vocal studio or concert stage, Ms. Lee also made her appearance on the catwalk for designers Dolita and Stayres, played cello in Melanie Fiona’s music video (It kills me), and her a rt work is currently being exhibited in New York. Charles Hyland, Baritone, is a resident a rtist at the Tri­Cities Opera and is currently in the Master of Music program at Binghamton University. He sang the role of Yamadori and covered the role of Sharpless in the TCO production of Madama Butterfly, and will be singing Papageno for their production of Die Zauberflo’te in April. Other previous roles include Melchior in Amahl and the Night V isitors (Binghamton University), Masetto in Don Giovanni (Prelude to Performance, Ma rtina Arroyo Foundation), Figaro in Le Nozze di Figaro (Catholic University of America), Dr. Falke in Die Fledermaus (CUA), Schaunard in La Boheme (CUA), Haly in L’ltaliana in Algeri (Bel Cantanti Opera), and Lorenzo in I Capuleti e i Montecchi (BCO). �B nghamton University Music Department ’s U P C O M I N G  EVENTS Thursday, March 29 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, April 12 — Mid­Da y Concert — 1:20 p.m. — Casadesus Recital Hall — free Friday, April 13 –– Senior Recital: Alexander Baron, recorder — 8:00 p.m. — Casadesus Recital Hall — free Saturday, April 14 — Masterclass with organist Carla Edwards — 10 a.m. — 12 noon — First Presbyterian Church, Binghamton — free Saturday, April 14 — Robert Smith, euphonium, presents “El Bombardino” with Margaret Reitz, piano — 3 p.m. — Casadesus Recital Hall — $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 — Africanaise: An evening of African Inspired Compositions — 3 p.m. — Anderson Center Chamber Hall — $10 general public; $6 faculty/staff/seniors; $3 students Sunday, April 15 — Guest Organist Carla Edwards — 4 p.m. — First Presbyterian Church, Binghamton — $10 general public; $6 fa culty/ staff/seniors; $3 students Thursday, April 19 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Friday, April 20 — University String Orchestra — 4:00 p.m. — Grand Corridor — free I f  you enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students, faculty, and guest artists and their contnbutions to our larger community.  Please  make  your  donation  payable  to  the Binghamton University Music Department, and send to P.O. Box 5000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box Ofi'ice at  777­ART5. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48 minutes:52 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142048">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142048</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate thesis recital, Kathleen Jasinskas, March 23, 2012 Description An account of the resource Works by Te, Mozart, Wolf, Barber. Held at 8:00 p.m., March 23, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lee, Ü Hyland, Charles Jasinskas, Kathleen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/23/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:09 13:57 25:39 18:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243592">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243592</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Donald Currier, recital, March 24, 1973 Recital Tape 1973-3-24 Description An account of the resource Works of Haydn, Beethoven, Schumann, Berkowitz and Chopin. Held at 8:15 pm, March 24, 1973, Recital Hall. Creator An entity primarily responsible for making the resource Currier, Donald Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/24/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6fc0ca26060d018ca36474900ee30d77.pdf 092f595366bd7a7f7bc3ca2bdf36d76f PDF Text Text UNIV ARC Recital BINGHAMTON Tape 2004 UNIVERSITY 3-25b SPEC - State University of New York Department of Music The Harpur Brass Ensemble Ben Aldridge, Director Stephen Boel, conductor Thursday, March 25, 2004 8 p.m. Casadesus Recital Hall �Program The Earl of Oxford's March ................................. . ..... William Byrd (1543-1623) Rondo for Li fey .................................................... Leonard Bernstein (1918-1990) Stephen Boel, trumpet Concerto for Trumpet ............................ Johann Nepomuk Hummel ( 1778-183 7) Allegro con Spirito Erinn Hibbard, trumpet Suite for Five Trumpets .......................................... Ronald LoPresti (Composed in 1957) Intrada - Chorale - Finale Stephen Boel, conductor -- Intermission -Prelude and Fugue ......................................................... Eric Ewazen (b. 1954) for Trumpet Choir Moro Lasso al mio Duo lo ........................................ Carlo Gesualdo (1560-1613) Contrapunctus I ................................. ........... Johann Sebastian Bach (1685-1750) The Harpur Brass Quintet Four Moods for Brass Quintet ........................... ..... ..... Arthur Harris (b. 1927) Chorale- Waltz Lyric Piece - Finale Rondeau .................... ......................................... Jean Joseph Mouret ( 1682-1738) �About the Performers BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the international Trumpet Guild, and has been recorded on Columbia and Redwood records. STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel double-majored in Music Education and Music Performance. He also fulfilled the requirements for the Choral Conducting Certificate of ENC while serving for three years as the student director of the A Cappella Choir and Chamber Singers under the mentorship of Timothy Shetler. Boel served as director of music for the Wollaston Church of the Nazarene on the campus of his alma mater, played trumpet in the brass septet Tribute in Brass and assisted with the Wind Ensemble of Eastern Nazarene College. He serves as assistant director of the Binghamton University Wind Ensemble. �The Ensemble Trumpets Stephen Boel Derek Ersbak Laura O'Hanl on Phillip Dietz Erinn Hibbard Paul Persichette Alex Rubie Horn Max Guido Trombone David Henann Tuba Daniel Gallagher **** **** **** **** **** **** **** *** Coming Events Saturday, March 27 - Cherished Friends, Cherished Songs - Soprano Mary Burgess and pianist George Darden - 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Thursday, April 15 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem - Bruce Borton, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $ I 4 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person, saxophone - 1:20 p.m. - Osterhaut Concert Theater - free Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 25 - University Wind Ensemble: New Dances - Timothy Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:41:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur Brass Ensemble, March 25, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-25b Description An account of the resource Works of Byrd, Bernstein, Hummel, LoPresti, Ewazen, Gesualdo, Bach, Harris, Mouret. Creator An entity primarily responsible for making the resource Aldridge, Benjamin Boel, Stephen Date A point or period of time associated with an event in the lifecycle of the resource 3/25/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/f98986bac86c492b1c3125243c6061ea.pdf 2cc4c7dbde728d2385d2ccb38396e62d PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T M I D ­ D AY CONCERT BJ) Thursday,  March 26, 2015 1:20 p.m. Casadesus Recital H all �ia­  PROGRAM  «6 Aria of Despina, “In uomini? In soldati?”..  from Act 1, Casi fan Tutte (1790)  . W.A. Mozart (1756­1791) Rachel Young, soprano John Isenberg, piano Three Romances, Op. 94...  (1810­1856) 3.  Nicht schnell .. Stefano Donaudy Spirate pur, spirate  Freschi luoghi, prati aulenti Ognun ripicchia e nicchia (1879­1925) Carina Kahane, soprano William James Lawson, piano (Robert Schumann for flute and piano  1 .  Nicht schnell 2.  Einfach, innig Four Songs .  Montparnasse  Francis Poulenc (1899­1963) Hyde Park Hotel Jessica Biagiotti, flute William James Lawson, piano from Acht frithe Lieder (Eight Early Songs)  Les chemins de l’amour Christina Santa Maria, soprano Michael Lewis, piano ...Anton Webern (1883­1945) Der Tad  Tief van fern Three Songs .  Jake Stamatis, bass­baritone John Isenberg, piano Une Flate Invisible ..  Starnella .Camille Saint­Saéns for Flute, Soprano and Piano  Christina Santa Maria, soprano Jessica Bia giotti, flute Two Songs .  Perduta ho la pace  William James Lawson, piano (1835­1921) Giuseppe Verdi (1813­1901) Jenny Gac, soprano Michael Lewis, piano �Binghamton Universi ty  Department of Music Coming Events « G M M M M M M M M M M M Q ­ Sunday, March 29 ­ Mu P hi Candidates Recital ­ 4 p.m. ­ Casadesus Recital Hall ­ free Friday, March 27 ­ Junior Recital: Jessica Biogiotti, flute ­  7:30 p.m. ­  Casadesus Recital Hall ­ free Wednesday,  April  1  ­  Harmony  Club  Fundraiser  Concert  –  7:30  p.m.  ­  Casadesus Recital Hall ­ $10 suggested donation Thursday, April 2 ­ Mid­Day Concert ­ 1:20 p.m. ­ Casadesus Recital Hall ­  free Thursday, April 16 – Mid­Day Concert ­ 1:20 p.m. ­  Fine Arts Building, Room 21 ­  free Thursday, April 16 ­  Faculty Recital: Zachary Sweet, cello a nd Michael Salmirs, piano ­ 7:30 p.m. ­  Casadesus Recital Hall – $7 general public; $5 faculty/staff/seniors/alumni; Free for students Friday, April 17 ­  Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, flute ­ 5 p.m. ­ Casadesus Recital Hall ­  free Friday, April 17  –  Tri­Cities Opera  presents Gounod’s  Faust  – 8  p.m.  –  The  Forum Theater ­ call (607) 772 0400 for tickets Saturday, April 17  ­  Joint  Recital: Sophomore  Natasha  Talukdar, piano and Senior Annie Tao, piano ­ 3:00 p.m. ­ Casadesus Recital Hall ­ free Saturday, April 18 ­  Senior  Recital: Christina  Santa  Maria, soprano  ­  7:30  p.m. ­ Casadesus Recital Hall ­ free Sunday.  April 19 ­  Tri­Cities Opera presents Gounod’s Faust ­  3 p.m. ­  The  Forum Theater ~ call (607) 772­0400 for tickets e w w w m w w m w b For tickets or to be added to our email list, visit anderson.binghamton.edu or  call (607) 777­ARTS. For a complete list of  our concerts call (607) 777­2592, visit  music.binghamton.edu or  become a fan on Facebook. =  [ = ]   .  If  you  were  inspired  by  this  performance,  consider  supporting  the =  [ = ]   De partment  of Music  with a  financial  gi ft. Your  support  helps  to continue  the  work  of students,  faculty,  and  guest  artists  and  their contributions to our community. Please make your donation payable to the  Binghamton University Music  Department, and send your check [ = ] ;   to  B U  Music  Department,  P.O.  Box  6000sss,  Binghamton,  NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:14:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74850</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, March 26, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Mozart, Schumann, Webern, Saint-Saëns, Donaudy, Poulenc, Verdi. Held at 1:20 p.m., March 26, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Young, Rachel Isenberg, John Biagiotti, Jessica Lawson, James, William Stamatis, Jake Santa Maria, Christina Kahane, Carina Lewis, Michael Gac, Jenny Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Schumann, Robert, 1810-1856 Webern, Anton, 1883-1945 Saint-Saëns, Camille, 1835-1921 Donaudy, Stefano, 1879-1925 Poulenc, Francis, 1899-1963 Verdi, Giuseppe, 1813-1901 Date A point or period of time associated with an event in the lifecycle of the resource 3/26/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound