149 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45 minutes :46 seconds 52 minutes :39 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141259">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141259</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Singing Chinese December 14, 2012 Description An account of the resource Held at 7:00 p.m., December 14, 2012, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 12/14/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d6afda9ee5a683945d45ba289bdfd47c.jpg 3c121be79c50c784b41e75a4f07ec13d https://omeka.binghamton.edu/omeka/files/original/38e33674520ce2dd16d0afead8cc491b.jpg 5a07a1885fe37e245335f37bec835ec6 https://omeka.binghamton.edu/omeka/files/original/45f8e0e73447a2dc9e24423fa136d921.jpg 5e43317f1c52eae27d0413f3150c714a https://omeka.binghamton.edu/omeka/files/original/af91d7fbb0121578e0dad187e971285b.jpg faf3b71c77f04686bdb41444acbbbcf4 https://omeka.binghamton.edu/omeka/files/original/bc03f395fa51fc7d2113094f517b089c.jpg 27194575120bd294c3336f3d1db9cdbd https://omeka.binghamton.edu/omeka/files/original/ff959981c6b65b069683bf62a5ce9448.jpg 3d0f5a98797eb352bc19b402863ed38c https://omeka.binghamton.edu/omeka/files/original/d23d3646c578dee2434e372e741a656c.jpg 752ddeb2113fdaf4c4395b4d03ee4320 https://omeka.binghamton.edu/omeka/files/original/52b71db13087d72000b3b46ff74c94d9.jpg 7c3a5562a596975b6c5e93c83a80fb4b https://omeka.binghamton.edu/omeka/files/original/8c064cfa44596f5d65fc7b49aaa6c5ba.jpg d60f82cc4e19affac72f3a0a7643e2dd https://omeka.binghamton.edu/omeka/files/original/5ef466bdb074f11ade1f766ec9df1e87.jpg 4547fc844b2d826d6d4de795c42a91fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Two promptbooks, bound in folders, each labelled Part I and Part II respectively. All text in English, handwritten notes in German. English promptbook pages accompanied by typewritten transcripts of Reinhardt’s German notes translated into English. Most notes are notes on characters and stage directions. Markings in purple pen, red pencil, blue pencil, and black pencil. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item Two Promptbooks: 28.5cm x 23cm each Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.73 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sister Beatrice [promptbook] Subject The topic of the resource Maeterlinck, Maurice, 1862-1949. Sister Beatrice Promtpbooks Stage Directions Creator An entity primarily responsible for making the resource Maeterlinck, Maurice, 1862-1949 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3168 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/67b4eeea0d5be7ead76d2d51ce2af39b.jpg dac2dac2e41fe9b9115b23034d1a65cb https://omeka.binghamton.edu/omeka/files/original/3e5fdad8d0e8dcac0357bfac621f49cd.jpg 874fa37f871fb2b098e807fcaf33c78f https://omeka.binghamton.edu/omeka/files/original/fe82537c7d42b6d70691a9d34e76c8f5.jpg 58ef3603de89af9eeec4ce86b9d64ca4 https://omeka.binghamton.edu/omeka/files/original/42866de1b80091ed0424505b16d24948.jpg 06ed0d21074a79c6054123c784d28514 https://omeka.binghamton.edu/omeka/files/original/8a9b5cf29ae917c6120effe49bde7276.jpg a814eacdbc67afce1b56b002f1dfaa6d https://omeka.binghamton.edu/omeka/files/original/1a9ba8b33f334cf664fd94a97407ee57.jpg c5628fcc9abdfae29cbbb46fa99cf9f8 https://omeka.binghamton.edu/omeka/files/original/b155dd7be264c6394629b051ac5bb7ee.jpg c977b331967559f9b54f71b4d8ceb8bd https://omeka.binghamton.edu/omeka/files/original/18dc94b2f2de34217e933ef1ac0c4724.jpg 68c7e9342554bf060a71c0fd9b78cb09 https://omeka.binghamton.edu/omeka/files/original/1b558d2161fd9957f6759467f183f87f.jpg 45406d78068edaaae4a60893cfc42e49 https://omeka.binghamton.edu/omeka/files/original/2f64824c9004521e39671c13a979c599.jpg c55a1b7c20304064ddfbbbdf80e9d8fe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Promptbook bound in folder. All text in English. Typewritten manuscript of play with Reinhardt’s notes in German. Markings in red pencil, purple pen, and black pen. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29cm x 23.5cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.74 Production(s) January 3, 1940, likely in the US -Supporting materials: Box 9B Folder 37: Photographs; Max Reinhardt workshops/schools/seminars Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sister Beatrice [promptbook] Subject The topic of the resource Maeterlinck, Maurice, 1862-1949. Promtpbooks Stage Directions Creator An entity primarily responsible for making the resource Maeterlinck, Maurice, 1862-1949 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3169 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:52 24:25 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE83190">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE83190</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Skidmore Singers, music by women composers, October 27, 1973 October 27, 1973 Recital Tape 1973-10-27 Description An account of the resource Works of Strozzi, Boulanger, Daniels, Gideon, Edith Borroff. Held at 8:30 pm, October 27, 1973, Recital Hall. Creator An entity primarily responsible for making the resource Skidmore Singers Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1973-10-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/61f6eebb7f5bd65a722743154c5e6f6b.pdf 68405d815ead632120bed8ae071d888a PDF Text Text BINGHAMT ON U N I V E R S I T Y F  N E W  Y O R K D E P A R T M E N T UNIVERSITY SYMPHONY O RCHESTRA PRESENTS SLAVIC SPRING Timothy Perry, Conduc tor Heather Wor den, Assistant Conductor Sunday, May 2,  2010 7:30 p.m. Osterhout Concert Theater �About t he Music N o t e s   f r o m   t h e  C o n d u c t o r s The Binghamton University Department o f Music presents the Univers ity Sym phony O rchest ra History records no more seminal figure in the musical development o f Bohemia  (now  part  of  the  Czech  Republic)  than  Bedrich  Smetana: Organizer  of  his  country’s  first  music  school  ( 1 848);  Conductor  of  a prominent  national  chorus;  Founder/director  of  the  National  School  of Drama; Respected music critic; and, not least, Composer of a nationalistic music tradition that survives to this day through hi s opera The Bartered Bride and the set of tone poems Ma Viast (My Country). This effervescent and wildly popular overture to  his second opera, Heather Worden, A ssistant Conductor Dr. Timothy Perry, Director  Slavic Spring Osterhout Concert Theater Anderson Center for the Arts Sunday, May 2'", 20 10  7:30 p.m.  The Bartered Bride, was the composer’s answer to criticism to his first, The Brandenbergers in Bohemia. The composer, stung by criticism that Czechs P rogra m “were simply reproductive artists", resolved to sho w his compositional talents in an entirely different stylistic ve in. Overture to The Bartered Bride (1863) .......c.ccccccecvevvevvvvennn.......Bedrich Smetana (1824­1884) “I did not compose it from any ambitious desire, but rather as a scornful defiance. for they accused me after my first opera of being a Wagnerite, someone who could do nothing in a light and popular style. " .Franz Liszt Symphonic Poem No. 3 “Les Preludes ” (1850).  (1811­1886) The Bartered Bride went through several versions on its voyage from Heather Worden, Conductor a play with music to a fully developed opera.  In  contrast to normal procedure the overture was composed in 1 863, before the rest of  the opera.  The work is justly  famous  for  its  tremendous  energy, recallin g  in  its  headlong motor rhythms Mendelssohn’s overture to A Midsummer Night ’s Dream. 1t is among the most challenging opera overtures for the orchestra, requiring a high level of rhythmic accuracy and sensitivity to rapidly  shi fting textures.  There are two  fugal  passages  which presage  the  comic  machinations  of the  opera’s characters while the lyric themes frequently employ shifts of rhythmic accent in the style of the various Bohemian folk dances that make up a large and colorful part of the opera’s final score. (T.P.) intermission – ten minutes Symphony No. 6 in D Major, Op. 60 ( 1 8 8 0 ).................... ............ Dvorak (1841­1904) 1. Allegro non tant o  11. Adagio I11. Scherzo (Furiant): Presto Trio – poco meno mosso IV. Finale : Allegro con spirito I l l . – C l l l l l l l I I I – I I I – l l I I I I I I I I I I I I I I – I I I I I I I I I I I I I I I I I Thank You fo r  attending today ’s concert i n su pport of our stude nt­musici ans ! Please join us nexty earfor another season of outstanding m usic Note that we will be performing Saturday afternoons Saturday October 16, 2:00 P.M. Children’s Concert  “All Creatures ” Saturday. December 4. 3:00 P.M.  All­American Program Saturday. February 26, 3:00 P.M. Heather Worden Thesis Concert Saturday, May I . 3:00 P. .\I (with University Chorus & Soloists) Choral Masterworks:  Roman Maciejewski: Requiem: Poulenc Gloria O I I The Hungarian c omposer, Franz L iszt ( 1 8 1 1 ­ 1 886) is remembered by many  as  a  virtuosic  pianist  who  forever  changed  the  practice  of piano playing. For orchestral players, he is celebrated as the composer that created the symphonic (tone) poem; a single movement w ork that is based on another artistic  work,  like  a  novel,  painting  or  poem.  While  it  was  created  by expanding upon the opera overture, the genre varies in that it has no specific form ; there are no rul es on how to write a tone poem. L iszt loved the freedom that  this brought him  while composing. He no longer had to  worry about where the development occurred or i f he modulated (changed harmony) at the wrong time. This form quickly grew in popularity and many are regularly featured  in  orchestral  concerts.  Liszt  alone  wrote  thirteen.  with  the  most famous being his third, Les Preludes, which you w ill hear tonight. �It  is  easy  to  misinterpret  the  meaning  behind  Franz  Liszt ’s symphonic  poem  Les  Preludes  (1854)  just  by  looking  at  the  title.  Many would assume it to be an introduction to another larger work or perhaps the  this case, it  is neither. Le s Preludes is a poem   beginning o f collection. In from the collection. Nouv elles méditations poétiques, written by the French poet Alphonse de Lamartine. This lengthy and dense poem is a description of li fe which proceeds inevitable death. Li szt put this preface, taken from the poem in the o riginal score of  the piece. “ What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death? Love is the glowing dawn of all existence; but what is the fate where the first delights of happiness are not interrupted by some storm..." Although the piece as we know it now is based upon the Lamart ine poem. it started as a piece of choral inc idental music which was based upon four elements:  the  stars,  earth,  wind and  water (or  floods).  This  original composition was abandoned afler the draft was written but then returned to when  Liszt  decided  the  themes  would  fit  nicely  with  the  poem  from Lamartine.  The most  recognizable  o f the  themes  are  the  storm/wind (the storminess  of li fe) and  the  earth (Spring  &  love)  sections  of the  work. Beginning in the middle  is the  storm,  which begins  with a low, brooding passage in the cello section. By using ascending and descending chromatic  ocean, tossing us back and   lines, Liszt creates the feeling o f storm on the forth. The earth, a pastorale, is the calm after the storm. Sparsely scored, this section  features  solo  French  Horn.  Oboe  and  Clarinet  players  over  static string parts.  While listening you can almost see the green countryside. The piece ends  with  victory,  whether that  be  victory  over  li fe or victory  over death we do not know, but it ends with a triumphant full orchestra.  (H.W.) Anyone experiencing con fusion about Antonin Dvorak’s magnificent Symphony  in D Major  can readily  be excused,  for since  its  premiere this work has been known variously as Dvorak’s First, Fi fth and Sixth Symphony. The composer wrote  the  work  in  1 880 just before his  fortieth birthday. a period in  which he  was  fast  becoming a  star in  the  firmament  of Central European  composers.  In  1879  Johannes  Brahms,  who  had  become  an enthusiastic advocate for D vorak, accompanied the Bohemian master to the triumphant  premiere  of  his  Third  Slavonic  Rhapsody  with  the  Vienna Philharmonic .  The  orchestra’s  influential  conductor,  Hans  Richter, immediately asked Dvorak for a symphony to play in the succeeding season. By the end o f the summer o f 1 880 the work was ready to play  for Brahms and Richter,  and both men  were enthusiastic  about  the  work’s qualit y and prospects. Then came nothing. Back in Prague. Dvorak waited in vain for the Vienna  orchestra  to  present  the  premiere.  Richter  wrote  apologies  and excuses. but could not bring h i m s e l f  admit that the Viennese had revolted, refusing to play works by an ‘unknown foreign composer‘ in two succeeding seasons. The premiere thus took place in Prague in March 1881, and Richter led a highly successful per formance in London in 1882. The haughty Vienna Philharmonic, astonishingly, did not per form the work until 1942. The symphon y, though not widely perfo rmed. is justl y styled one of Dvorak’s  four  ‘masterwork’  symphonies.  In  it  the  composer  successfully synthesizes the influences of Beethoven and Brahms with native Bohemian folk styles, and just a hint o f Wagnerism. Wagner had conducted in Prague in 1 863 (with Dv orak playing in the viola section) and D vorak, impressed, had applied  for  a  grant  to  study  with  Liszt  in  Weimar.  Interestingly  –  and fortunately ­ his failure to get that grant probably helped Dvorak maintain his independent  style  apart  from  the  wave  o f undistingui shed  Wagner/Liszt ded in  1874 by   clones. Instead, his ‘break’ came in the form o f stipend awar that point to ahms. From  a jury that included the aforementioned Johannes Br the end of hi s li fe the German titan proved a friend and mentor as  well as a selfless editor and  influence  on Dvorak’s  works (there  are many  startling aural parallels to Brahms’ Second Symphony from  1 877). The award likewise brought  Dvorak  to  the  attention  of Smetana,  who began  to  program  and conduct the  younger master’s  works throughout Prague, quickly enhancing his international reputation. The D major Symphony i s rich in every respect ­ melody, harmony, invention.  orchestration,  and  Bohemian  color.  Its themes  derive  from  the opening interval of  the  rising fourth heard in the celli /bass and answered in the woodwinds. Each of Dvorak’s mature symphonies treat the wind choir as an equal partner to the strings. and no other composer of the era writes more beautifully  and  graciously  for  woodwinds  and horns.  Formally  the  work, being intended for the conservative Viennese, is unremarkable; like Brahms and Bruckner, Dvorak employs three themes in his sonata expositions, while his developmental techniques are  very much in the tradition of Beethoven. The second movement song­rondo, dominated by woodwinds, contains some of the most tender and wi stful moments in any symphony. Here the interval ed slightly to produce a theme (introduced by the violins)   o f fourth is alter built upon so ftly cascading thirds. By  contrast, the  intervening sections are more powerful, serious and tonally unstable. In the end, however, calm and pastoral beauty prevails.  In the third movement, one of Dvorak‘s signature furiants,  the  boisterous  full  orchestra  palette  returns.  The  furiant  is  a Bohemian dance staple that  alternates  three  groups of two  beats  with  two groups  of three  beats.  Dvorak  handles  these  shifting  rhythms  with  utter confidence and ease. mak ing a comple x system sound completely organic. The thematic intervals have further contracted to a second. giving an urgent drive  to  the  music.  The  middle  of the  scherzo  comprises  a  lovely  trio, featuring the  only bars  for the birdlike piccolo. This bucolic respite evolves into a sweeping concert­waltz before transitioning once more into the raucous furiant. The  fourth­movement finale is  again a large sonata  form, opening �quietly (again outlining the fou rth interval) before stating the t heme in  full tutti.  The  second  subject  in  woodwind  triplets  brings  back  to  mind  folk ensembles. and, led by the brass, the exposition closes in a hymn­like fanfare that  recapitulates  the  first  subject.  After  an  interesting  and  art ful  (but otherwise conventional ) development and recapi tulation, a  ski ttering presto fugato in the c oda (reminiscent o f  t he Smetana overture‘s perpetuum  mobile) comments again upon the first theme.  The orchestra rises through a second development section culminating in a second grand fanfare and a glorious final plagal ("amen") cadence.  (T. P.) ABOUT THE PERFORMERS T I M O T H Y  P E R R Y ,  conductor and clarinetist, is Professor o f Music and currently Chair of the Department of Music for Binghamton University. A graduate of the  Manhattan  and  Yale  Schools  of Music, Dr.  Perry joined  the  Binghamton University faculty in 1986, becoming Professor of Music in 2002, and receiving the Chancellor’s A ward for Creative  Activities in 2005. A s Music Director, Dr. Perry has directed the  University  Orchestra (since  1986), directed the  University  Wind Ensemble  1986­2005, and led the  Binghamton  Community  Orchestra  from  1994­ 2004. Widely known as a clarineti st in virtuoso solo and chamber music, he toured Latin America and the Caribbean  as a United States Musical Ambas sador and has presented  recitals  at  three  world  conferences  of  the  lntemational  Clarinet Association. In Summer/Fall 2009 Dr. Perry served as Music Director in Binghamton and Santiago, Chile for a production of the Brecht/Weill Three­Penny Opera and led the Binghamton University Orchestra in a gala October 2009 program with the Paul Taylor Dance Company.  In addition to his duties as Chair. he currently serves as New York representative to the National Association o f Music Executives o f State Universities (NAMESU). and  was past President of the Northeast Division of the College Orchestra Directors ’ Association (CODA). Assistant  Conductor,  H E A T H E R   WO RDEN,  a  native  o f  Trumansburg.  NY, graduated from Houghton College in May 2008 with a Bachelor of Music degree in Music  Education.  Throughout  her  time  at  Houghton  she  served as  Chaplain  and President of the Houghton chapter o f CMENC (Collegiate Music Educators National Conference) and a Province Representative on the statewide board of CMENC. She is still an active member of the organization.  Heather has studied conducting w ith Dr. B. Jean Reigles, Dr. Brandon Johnson, Mr. Kenneth Brown, Dr. Gregory Magie, and Dr. Brian Casey. She has had the privilege of conducting premiere works for the composer Robert Summers Potterton lll, as well as the Frontier High School Wind Ensemble.  the  Houghton  College  Symphonic  Winds  and  the  Houghton  College Philharmonia.  Since  coming  to  Binghamton.  she  has  been  studying  with  Dr. Timothy  Perry  and  is  the  conductor  of the  University  String  Orchestra.  a  new ensemble formed this year. She also has joined the Binghamton chapter of Mu Phi Epsilon,  the  professional  music  fraternity.  After  Binghamton.  Heather  hopes  to pursue a Doctorate degree and teach at the collegiate level. University Sym phony O rchest ra Flute/Piccolo* Melanie Adler* Natalie McCreary Timothy Perry, Director Viola Percussion/ Maxim Pekarskiy Timpani Amanda Jacobs Kevin Christie Oboe Lee Vilinsky Mike Longo Patrick Hewitt Shane Thorn Valerie Hammel Keyboard John Lathwell  ' Clarinet Adam Davis Jacqueline Odgis James Wu Matthew Hassel Bassoon Alexandra Spadaro Julia Cenzoprano Janet Ievins Violin I Vi oloncello Ella Serrano Erin Chang Jaime MinJeong Jeon Chris Rogers Richard Law Daniel Bessel Xiang He Paige Elliott Sara Sunshine Imji Choi Emily Wong French Horn Alexa Weinberg Diana Amari Kirstie Cummings Robert Muller Zack Arenstein Trumpet Daniel Fein Ryan Levitan Trombone Jay Bartishevich Rob Menard William Marsiglia Tuba Matthew Gukowsky William Grandin Sangyun Bang Stephanie Radzik Jennifer Chen Zeno Pittarelli Eric Wuu Jin Woo Lee Raeleen Bichler Alan Wang Gregory Gerald Greene Nicole Boucicaut Jane Evans Victoria Cheung Wesley Ha Contrabass Violin Il Assistant Conductor Solomon Dawson Amy Su Ga Eun Kim Nathan Schmaling Jenny Raphael Hemangi Shah Gabriella Scull Andrew Tsai Jonathan Back Gozde Yildiz Rudolf Koegl Stephen Brooks Gabriel Felix Christopher Zavala Heather Worden The USO employs rotating seating: Woodwinds. Brass and Percussion rotate by composition and are listed alphabetically. Strings rotate by concert and are listed in seating order. Congratulations and best wishes to our graduating members! �Binghamton University Music Department ’s UPCOM ING E V E N TS m m m m w a ­ ss Concert, 2:00 PM ­ FREE   Wednesday, May 5 ” composition I Cla Casadesus Recital Hall Wednesday, May 5  Conductor’s Concert, 8:00 PM – FREE Watters Theater   tudent Recognition Mid­Day Concert, 1:20 PM, Thursday, May  6 ° S Casadesus Recital Hall, FREE Thursday, May  6°" Harpur Chorale and Women’s Chorus, 8:00 PM, Anderson Center Chamber Hall, FREE Friday, May 7*" Master’s Recital: Julian Whitley, baritone, 8:00 PM, Casadesus Recital Hall, FREE anzhou Li, piano,   Saturday, May 8 ” Student Recital: D Hall, FREE tal  3:00 PM, Casadesus Reci s Recital: Jennifer Groves, soprano,   Saturday, May 8 ” Master’ 8:00 PM, Casadesus Recital Hall, FREE s Recital: Jana Kucera, soprano,   Sunday, May 9 ” Master’ 3:00 PM, Casadesus Recital Hall, FREE   erman Lyric Diction Concert, 8:00 PM ­ FREE Thursday, May  1 3 ” G Casadesus Recital Hall For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music. binghamton. edu Become a fan on Facebook by  visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:29 55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145339">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145339</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Slavic spring, May 2, 2010 Recital Tape 2010-5-2 Description An account of the resource Works by Smetana, Liszt, Dvorak. Held at 7:30 p.m., May 2, 2010, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Worden, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c8d8a509f61b065eb6a0841543879009.jpg a5938228d2ffc6d2d936e24bb5b160c5 https://omeka.binghamton.edu/omeka/files/original/871344366a526318ddc759cc77a3fd3b.jpg ceca5e3acb81fb8547e3a513aa29b656 https://omeka.binghamton.edu/omeka/files/original/06cd698e1501f0efc4b8aad395e44907.jpg 789855a1cc324b384585606c14bd97ac https://omeka.binghamton.edu/omeka/files/original/9a4c711755bc7ae0947a371cff3bc800.jpg 0a9df61d7cb453082033773742b44e2c https://omeka.binghamton.edu/omeka/files/original/60c14c7a15b6614cdb3ffb1080e048c0.jpg d19b1eae3af2b5175797a4b70599ceb4 https://omeka.binghamton.edu/omeka/files/original/b16abfb90aa0bcd764ce05107b2fd15d.jpg a52afec0262586b87f104fb5c0280d4a https://omeka.binghamton.edu/omeka/files/original/816ee0b1f0894150f5c85953e8be02bc.jpg ede4f98dc6a306be6564da3a86929322 https://omeka.binghamton.edu/omeka/files/original/858ccb08b7e2d12fe2d8ed016534e3c4.jpg 469581396b90450a4ea81a9cfdc6bf0e https://omeka.binghamton.edu/omeka/files/original/2ca2e2827eac5acdcf38cf7c030a4b25.jpg e005bd85921e3e7ae07278a32d25c745 https://omeka.binghamton.edu/omeka/files/original/3dcef1b772693582ab55752cdd272349.jpg 3c248fad8b0025606b3fe6641e33e712 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Stamped “Deutsches Theater zu Berlin.” Promptbook sparsely notated. Very little markings throughout the first act. Markings found throughout second and third, although not overly extensive. Markings in second act are in black pencil, markings in third act are in blue pencil. A couple of stage drawings can be found at beginning of second and third acts. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 19cm x 13.5cm Earlier version Earlier version (dcterms:isVersion Of) Der Snob Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.126 Production(s) January, 1914 (possibly Berlin, Kammerspiele) -Supporting materials: Box 7 Folder 36: Photographs Box 14 Folder 43: Programs; plays Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Snob : Komödie in drei Aufzügen [promptbook] Subject The topic of the resource Sternheim, Carl, 1878-1942. Snob : Komödie in drei Aufzügen Promptbooks Stage directions Deutsches Theater zu Berlin -- Germany Creator An entity primarily responsible for making the resource Sternheim, Carl, 1878-1942 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3221 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/daafce6df1f19a3421d4567c6a7dbcba.pdf b4b5a1dcbccbb09413645c553360bc83 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   N E W   Y O R K W [4 D E P A R T M E N T SOLARIS DUO J oel Diegert, saxo phon e Mariam Vardzelashvili, pia no Sunday, September 7, 20 1 4 3:00 p.m. Casadesus Recital Hall �80  ABOUT THE PE RFORME R S  03 82)  P ROG RAM 03 Six Metamorphoses after Ovid, Op. 49 .  . Benjamin Britten 1.  Pan  (1913­1976) 11.  Phaeton III. Niobe IV. Bacchus V.  Narcissus VI. Arethusa Sonata for Flute and Piano, Op.94 .  .Sergei Prokofiev I.  Moderato  II.  Scherzo III. Andante (1891­1953) IV. Allegro con brio 8:3  INTE RMISS ION (as Ondine .  52048  Saa l  «eevee.  Maurice Ravel from Gaspard de la Nuit  Hermit Songs Op.29........  I.  A t  Sa i n t Pa tr ick ’s P u rga tory  11,  Church Bell at Night III.  St. Ita ’s Vision IV.  The Crucifixion VII. Promiscuity X.  The Desire for Hermitage Lacrimosa . (1875­1937) .  Samuel Barber (1910­1981) Marilyn Shrude (b. 1946) The  SOIARIS DUO  was  formed  in  2008,  and  has  since  thrilled  audiences throughout  Europe  with  their  dynamic  style  and  versatile  programming. Saxophone­piano duos are  a rarely­heard chamber music  group, but  audiences attending Solaris Duo concerts are always amazed by the instrument’s expressive quality and versatility. In April  2011, the  Duo was a prize­winner  of bi­annual Gaudeamus Interpreters Competition, where the jury proclaimed them to have a “unique and lively sense of ensemble playing...” and “an ensemble in the highest meaning of the word, functioning as a single expressive organism on stage.” The Solaris  Duo  has  performed  concerts  in many  countries  throughout  Europe, including  France,  Austria,  Germany,  N etherlands,  Greece,  Latvia,  Lithuania, Armenia, and Georgia.  In upcoming seasons, the Duo continues to broaden its international presence with performances throughout Europe and Asia. Pianist MARIAM VARDZELASHVILI was born in Georgia and studied at the Tbilisi  State  Conservatory  until  the  age  of 20,  before  moving  to  the U.S.  to complete her bachelors and masters degrees. She then lived in  Paris for two years before  finally moving  to Vienna.  Mariam gave her first performance with the Georgian National TV and Radio Broadcasting Orchestra at  the age of 10. She has been an active performer since then both as a soloist and a collaborative artist, with extensive experience in solo vocal, instrumental, and choral music. Mariam was a semi­finalist in  the 2012 Concert Artists Guild competition, and is a prize­ winner  of  several  competitions  including  the  2011  Gaudeamus  Interpreters Competition held in Amsterdam, the 2008 and 2009 Dr. Marjorie Conrad Peatee Art  Song  Competition  in  Bowling  Green,  Ohio,  the  1999  F.  Chopin lntemational Competition for Young Pianists, in Novi Sad, Yugoslavia, and the 1997 P. Konjevich Competition for Young Musicians in Belgrade. Saxophonist JOEL DIEGE RT comes from New York and holds Bachelor’s and Master’s degrees from Ithaca College and Bowling Green State University. After completing his studies in the U.S., Joel moved to Paris for three years, and he is currently based in Vienna. Joel has been successful in national and international competitions, having won  the  2006 North American Saxophone Alliance solo competition,  as  well  as  prizes  in  the  2011  Jean­Marie  Londeix  Saxophone Competition held in  Thailand, 2011 Gaudeamus Interpreters Competition held in Amsterdam, and the 2009 Saxiana Chamber Music Competition held in Paris. He has  performed with  the  Thailand Philharmonic  Orchestra,  the  Vermont Philharmonic,  Ithaca  College  Chamber  Orchestra,  and  Ithaca  College  Wind Ensemble, and has performed at nearly all  the major saxophone conferences since 2004. Joel’s  writing  can  be  found  in  the July/August  edition  of  Saxophone Journal, and he maintains a saxophone­oriented blog, Hot for Saxophone. �Binghamton University Music Departme nt’s Coming Events a fi é fi é f ’ é fl fi M M é fl é M M é fl fi M M O fi é fl Saturday, September 6  ­  Master Class with guest artist Joe l  Diegert, saxophone and Mariam Vardeeelashvili, piano ­  3 p.m. ­  C‘asadesus Recital Hall ­ free Sunday,  September 7  –  Guest  Artist Recital: Joel Dbgert,  saxophone  and Mariam Vardezelashvili, pia no – 3 p.m. – Casadesus Recital Hall ­  free Saturday, September 13 ­ Liederabend: Thomas Goodheart &  Stephen Zank ­  7:30 p.m. –  Anderson  Center  Chamber  Hall  –  $ 10  general  public,  $7  faculty/staff/seniors/abtmni;  $5 students Sunday, September 14 ­  An Extraordinary Indian Operatic Ballet: Méghandootam,  The Cloud Messenger  ­  4  p.m.  ­  Osterhout  Concert  Theater  ­  $20  general  public;  $15 faculty/staff/seniors/abtmni; $10 studen ts; free for B U s tudents with ID Saturday, September 2 0  ­  Incurable Romantics: Timothy Perry &  Friends ­  7 :3 0 p.m. ­ Watters Theater – $ 1 0 general public; $7 faculty/staff/ seniors/alumni; $5 students Friday, September 26  ­  Piano Master Class: Binghamton Philharmonic Orchestra ­  3:00 – 4 :3 0 p.m. – Casadesus Recital Hall ­  free Thursday, October2 ­ Mid­Day Con cert­ 1:20 p.m. ­  Casadesus Recital Hall ­ free Thursday, October9 – Mid­Day G m c r t –  1 :20 p.m. – Casadesus Recital Hall – free Saturday, October 11 ­  Family Weekend Concert (Wind Symphony, Harpur Chorale and Women’s Chorus}­ 3  p.m. ­  Osterhout Concert Theater ­ free Thur sda y, Octo ber 1 6  – Mid­Da y Co n cert ­  1 :20 p.m. – Casadesus Recital Hall ­  free Friday, October 1 7 ­  University Symphony Orchestra School Performance: We Like to Move It.’­ 10 a.m. ­  Osterhout Concert Theater ­  Call (607) 777­3004for resermfimis Saturday, October 18 – University Symphony Orchestra: We Li k e  to Move I t ! –   3 p.m. – Osterhout Concert Theater – $ 1 0 general public; $ 7 faculty/staff/seniors/alumni; $5 for students M M M é fl é M M M M é fl Q fi M é fi é b For  tickets  or  to  be  added  to  our  email  list, v isit  anderson.binghamton.edu  or  call  (60 7 )  777­ARTS .  For  a complete list ofourconcem call (607) 7 7 7­2 592, visit music.binghamton.edu or become a fan on  Facebook. [ = ]  = [ = ]   [ = ] g   If you were inspired by this performance, consider supporting the Department of  Music with a financial gift.  Your support  helps  to  connnut the work of  students, faculty, and  guest artists and  their  contributions  to  our  community.  Please  make  your  donation  payable  to  the Birtghamton University Music Department, and  send  your check  to  E U  Music Department, P.O. Box 6000, Binghamton, N Y 1  3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 101:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74931">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74931</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solaris Duo  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Britten, Prokofiev, Ravel, Barber, Shrude. Held at 3:00 p.m., September 7, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Dieger, Joel Vardzelashvili, Mariam Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Britten, Benjamin, 1913-1976 Prokofiev, Sergey, 1891-1953 Ravel, Maurice, 1875-1937 Barber, Samuel, 1910-1981 Shrude, Marilyn Date A point or period of time associated with an event in the lifecycle of the resource 9/7/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0b7af0739f23b897d9c96dd693364c0b.jpg 270fdaab0d146d1a1f9032332cfc82f8 https://omeka.binghamton.edu/omeka/files/original/266a11079ee62a57128ecf52b2ac51c8.jpg 64d41ad4a441749ee9eb272e4fb215d1 https://omeka.binghamton.edu/omeka/files/original/40cf470d92b81d4875c15c9e24daf88e.jpg c771b6da7c8290b8f5aee77ac6b1ae32 https://omeka.binghamton.edu/omeka/files/original/f180bb42d3f0291d812a6289688a8b48.jpg 0fa378df79d0df904873886d9485ae86 https://omeka.binghamton.edu/omeka/files/original/cc1a445844e3d5af5289fb1a25a43eae.jpg c1df916b89190593f9966236ae7db7e0 https://omeka.binghamton.edu/omeka/files/original/6ac127c728188df4ec785051d80ee227.jpg d898a2f9503dd1d77de7e3b940fb4b24 https://omeka.binghamton.edu/omeka/files/original/35154b5f30c73589863ad1a2a160fa80.jpg fe1592d41ced2bfb28c2d1506f00c28c https://omeka.binghamton.edu/omeka/files/original/b461582c627803642cd52b23ebea0c04.jpg 86e02279de30cf3666b0d563653d0743 https://omeka.binghamton.edu/omeka/files/original/767c5a72366ffb09c0ce90b10855253c.jpg 8b377b638712d3381d5125b6ed1c4c74 https://omeka.binghamton.edu/omeka/files/original/579fb36d8402f378fb6f9ff435da69b4.jpg 0c25b2ffc82c77e81c85283b1405c4b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Markings in black pen, black pencil, blue pencil, red pencil, purple pen, and pink pen. Three cast lists given, one in black pencil (1904), one in red (1921), one in purple (1925). Slips of dialogue often found taped over original lines of dialogue. Notes often most extensive at the beginning of each act. Extensive written notes and stage sketches/directions common, mainly in black pencil. Minimal notes from start of Fifth Act to end. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29cm x 23.5cm Earlier version Earlier version (dcterms:isVersion Of) A Midsummer Night's Dream Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.113 Production(s) 1904, Berlin -Supporting materials: Box 6 Folders 10-15: Photographs; scene designs and characters Box 6 Folder 54: mounted photos Oversized mounted 1, 2 March 1921, Berlin, Grosses Schauspielhaus April 19, 1921, Berlin -Supporting materials (all 1921 productions): Box 6 Folder 23: Photographs Box 6 Folder 23: Photographs January 10, 1925, Vienna -Supporting materials: Box 6 Folders 24-28: Photographs; characters, scenes, and artwork Oversized mounted 2, 15 February 4, 1925, Vienna -Supporting materials: Box 6 Folders 24-28: Photographs; characters, scenes, and artwork Oversized mounted 2, 15 Folder 14 Folder 35 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sommernachtstraum [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Midsummer nights dream -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3206 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Grosses Schauspielhaus Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/3fc8004f882932ad7ac3ff7b95ec1b6d.jpg 55f2478c74fed9fc548f25182b1d0ff3 https://omeka.binghamton.edu/omeka/files/original/37d0ddefa28fa0452dff3b99ba7c906d.jpg 6599044224547821bd2d36139ea63cbd https://omeka.binghamton.edu/omeka/files/original/142072cb56d131b2015e04bb9ca08f4e.jpg a0a1cb3533a00bbde2dbe2c2632c5e64 https://omeka.binghamton.edu/omeka/files/original/853296dac1d87559a530758fe644964b.jpg 0c42de19c994751ec02d37f21852f1ab https://omeka.binghamton.edu/omeka/files/original/088c3fb97541efec1dac8a9268c73ba3.jpg 0a962053aa63110e32bb59e828d5eff2 https://omeka.binghamton.edu/omeka/files/original/76afbd6d88f3199ea6509c8e0e72d071.jpg 7ec42c100b781184a85dc4f230d0dd76 https://omeka.binghamton.edu/omeka/files/original/a4be385eaa52f85709542f60b2444738.jpg 339981f7a2cbc332c74e0ffb2fdcf599 https://omeka.binghamton.edu/omeka/files/original/ab9fe5faef96d01fc1544e00c0b2a889.jpg 32aa08ea911523dea26383b553a9c6d6 https://omeka.binghamton.edu/omeka/files/original/fd944f06f4838d1fb9f516739018c120.jpg aa4ee9e3d24caa848024efe9baccbc74 https://omeka.binghamton.edu/omeka/files/original/35c1fd04fb7c3a2a61ae1ed14b24dda0.jpg 2db50318e3e90e9500d86a931f86c773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Book, rebound with added note pages. Markings in red pencil, black pencil, purple pen, and black pen. Black pencil doesn’t appear to be Max Reinhardt’s handwriting. Some (about half) of the purple pen notes are also not Max Reinhardt’s handwriting. On page 25 most written notes switch from purple pen to black pen. This item also includes a inserted typed page “Zettels Erwachen!” found within. 48. Also includes an envelope with a typed note page inside labelled “Ein Sommernachtstraum” with an excerpt of dialogue. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29cm x 23.5cm Earlier version Earlier version (dcterms:isVersion Of) A Midsummer Night's Dream Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.115 Production(s) 1927, Salzburg -Supporting materials: Box 6 Folders 29-32: Photographs; scenes, scene designs, and characters July 21, 1927, Beauvallon, France July 23, 1927, Paris, France November 17, 1927, New York Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sommernachtstraum [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Midsummer Night's Dream -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3208 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/a3f02cdcc4160bbc514d356e967d6690.jpg f65511ef274e7468c2b96b84ff499da6 https://omeka.binghamton.edu/omeka/files/original/40e5652d524513e2d5bd578e5b0352c8.jpg 25f945715247e0a861934389fa0f9edf https://omeka.binghamton.edu/omeka/files/original/0dfd135ec99f85f523b364519e7edb43.jpg bf1f8625b995cfc21ee6068a26eeaf5c https://omeka.binghamton.edu/omeka/files/original/4ddf65e7d62d77c6f081e9c5298a178f.jpg ace6a900befc54ce62167d96ea9b8288 https://omeka.binghamton.edu/omeka/files/original/bfd18f11c372b80bf4c57d64d70593ca.jpg 007b659fb38e7138d8e657b5b9234c57 https://omeka.binghamton.edu/omeka/files/original/12ee8d17c5c847a95da282f150aad16c.jpg 0133e0d0e736045fbb801ed94990e57b https://omeka.binghamton.edu/omeka/files/original/2c17d4fa49c85abc006bcd305950f94d.jpg 6ac77e17326735e25daceab66bd0b601 https://omeka.binghamton.edu/omeka/files/original/6e953f99ce52b39656417d7a0beabb3e.jpg bb7f6fbe97893d1e1f8b2e51a5d06c7a https://omeka.binghamton.edu/omeka/files/original/70a07235f111a64c6cb2b6accef2fc86.jpg 624045ec46d6803c52218129dc87186c https://omeka.binghamton.edu/omeka/files/original/74271ffee2fdd5a1ffddf5b83519cabd.jpg 06e1bdc09d83f891c1f1a92919f9e4db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Text in German and Italian, featuring a side-by-side translation. Markings in pink pencil, purple pen, black pencil, red pencil, and blue pencil. Most written notes appear in purple pen on the side with the Italian translation. Written notes are fairly extensive and consistent throughout entire promptbook. Excerpts of dialogue from separate promptbook pasted on every page of the German side of this promptbook. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29cm x 22.5cm Earlier version Earlier version (dcterms:isVersion Of) A Midsummer Night's Dream Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.116 Production(s) May 7; 16; 31 1933, Boboli Gardens, Florence, Italy -Supporting materials: Box 6 Folders 34-35: Photographs: promptbook, characters, scene designs, rehearsals Oversized mounted 5 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sommernachtstraum [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Midsummer Night's Dream -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3209 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Boboli Gardens Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.