15 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49 minutes : 35 seconds 48 minutes :01 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140217">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140217</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource By Gershwin, by George! October 20, 2012 Description An account of the resource Works by Whitney, Grofe, Perry, Bennett Held at 3:00 p.m., October 20, 2012, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Salmirs, Michael Mller Goodheart, Jean Goodheart, Thomas Chandler, Sarah Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 10/20/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/02bb8b20e91454d5305b1bef864fb359.pdf 3020bd75d45a061efbba1b4d127a28b8 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music The Catskill Woodwind Quintet Sunday October 1 0 , 1976 G S PPM, Casadesus R e c i t a l H a l l �PROGRAM *kkkkkk Trois Pieces Breves Allegro Jacques Ibert Andante ASSEZ Lent: Allegro scherzando The C a t s k i l l Woodwind Q uint et ************* ************* *** J u l i a Hasbrouck C l ay, hor n F l oy d Heber t , ﬂ u t e Frank Holden, bassoon David Nietham er, c l a r i n e t Rene P r i n s , oboe Q u i n t e t g minor, Op.56 No.? Allegretto Andante Menuett AlLegho Quintet 11 (1957) : Andante con moto Allegro commodo Adagio Franz Danzi A l v i n E t e n : Vivace INTERMISSION Partita fon Woodwind Quintet Introduction and Theme Variation Interlude Gigue Coda Suite Prelude Blues Toccata Trving Fine Gunther Schuller pi = �COMING EVENTS kkkhhkkhhkkkk Oct.23, Sun. Concert Series – Toby Appel Nov. 6, Sat. Concert Series–Seymour Fink, Delmar Pettys Nov. 8, Mon. Harpur Symphony Nov.13, Sat. Harpur Chorale ‘ Nov.14, Sun. Jazz Ensemble (3:00 p.m.) Nov.14, Sun. Concert Series – Peter Marsh and Friends Dec. 4, Sat. University Chorus & Orchestra Bicentennial Dec. 9, Thur. Collegium Musicum (University Union) Dec.12, Sun. Concert Series – Laredo, Robinson, Ponce Dec.13, Mon. Wind Ensemble _— � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:13 23:02 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333534">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333534</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catskill Wind Quartet, Recital, October 10, 1976 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1976 10-10 Description An account of the resource Works of Ibert, Danzi, Fine, and Schuller. Held on October 10, 1976. Creator An entity primarily responsible for making the resource Catskill Wind Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-10-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/aa300d62f25e0b46223a5e86fa530bc5.pdf 940476b0c3005d11efaa73c2ee08b64e PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC The Catskill A Wo A o dw i n d Quintet’ - t THURSDAY APRIL 14, 1977 8:15 P. M, CASADESUS RECITAL HALL \ » B l, J a �i sdy PROGRAI ~~ Kleine Kammermusik §Urn glng BLHser.. Paul Hindemith Lustig. MUssig schnelle Vierntel Walzer. Durchweg Sehr Leise Ruhig und einfach. Achtel Schneﬂe Vierntel Sehr Lebhaft THE CATSKILL WOODWIND QUINTET Quintet i n D Major, Opus 91, Number 3 . . Anton Reicha Lento: Allegro assai Adagio Menuetto Finale: Allegretto Julia Hasbrouck Clay, horn Floyd Hebert, ﬂ u t e Frank Holden, bassoon David Niethamer, clarinet Rene Prins, oboe (oa \5 - - - INTERMISSION - - - “Pour Le Con A n gl a i s " . . . . . . . . . . . . . . A n t o n Reicha Andante arioso Adagio L d Andante Q U A R L E E s 5 1 0 0 6 5 3 5 5 5 1 0 s a 0 n i s J e a n F r Andante Thanquillo: ALLegno a s s a l Presto Theme and Variations Tempo d i marcela grancese a n c a i x � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:04 26:18 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catskill Woodwind Quintet, Recital, April 14, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 4-14 Description An account of the resource Works of Hindemith, Reicha and Francaix. Held at 8:15 pm, April 14, 1977, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Catskill Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/92f82251ae3155099f36b7df9ff47e33.pdf c9e50263534476627ad7cabbb8e6573c PDF Text Text UN i fe - a 0 g, . r 9 BIN U N I V E R N Y State University of New York Department of Music Chamber Music Masterpieces Patricia Sunwoo, violin Roberta Crawford, viola Stephen Stalker, cello Mary Burgess, soprano Michael Salmirs, piano with guest artist Rebecca Ansel, violin April 10, 2005 3:00 p.m. Anderson Center Chamber Hall �Program String Quartet in D Major, Op. 20, No. 4.........Franz Joseph Haydn (1732-1809) Allegro di molto Un poco adagio aﬀettuoso Menuetto: Allegretto alla zingarese Presto scherzando Rebecca Ansel, violin; Patricia Sunwoo, violin Roberta Crawford, viola; Stephen Stalker, cello Seven Romances on Poems of Alexander Blok, Op. 127 Dmitri Shostakovich (1906-1975) 1. Ophelia’s song 2. Hamayun, the prophetic bird 3. We were together 4. The city is asleep 5. The storm 6. Secret signs 7. Music Ma ry Burgess, soprano; Michael Salmirs, piano Patricia Sunwoo, violin, Stephen Stalker, cello --Intermission-Piano Quintet in F Minor... Molto moderato quasi lento—Allegro César Franck (1822-1890) Lento, con molto sentimento Allegro non troppo, ma con fuoco Rebecca Ansel, violin ; Patricia Sunwoo, violin Roberta Crawford, viola ; Stephen Stalker, cello Michael Salmirs, piano �Program Notes String Quartet Op. 20, No. 4 in D major Haydn’s six Opus 20 string quartets are known as the “Sun” Quartets because of the publisher’s emblem (a rising Sun) on the title page of the 1772 edition. Among his most frequently performed chamber works, these quartets are representative of the mature composer, writing a steady supply of music to be performed at the Esterhazy court. The opening Allegro di molto is both fresh and lyrical: in the development section, the four instruments converse with one another in triplet runs. The Un poco Adagio aﬀetuoso, in the parallel minor key is a theme with variations which feature each instrument in turn: it is followed by a bright Menuetto in D major, with “gypsy” cross-accents and syncopation. The quartet closes with a typical, high-spirited Haydn rondo. Shostakovich: Seven Romances on Poems of Alexander Blok, Op. 127 Written in 1967 when Shostakovich was recovering from a heart attack, the Seven Romances were commissioned by cellist Mstislav Rostropovich and dedicated to Rostropovich’s wife, the soprano Galina Vishnevskaya. They were premiered in October of that year at the Moscow Conservatory, the performance marking the 50th anniversary of the October Revolution. The original performers were Rostropovich, Vishnevskaya, violinist David Oistrakh, and pianist Mieczyslaw Vainberg. The poetic texts by the highly inﬂuential, early 20th Century poet Alexander Blok are almost relentlessly dark and pessimistic. Near the end of a diﬀicult life and facing what may have seemed like imminent death, Shostakovich (who lived until 1975) chose poems that demonstrated Blok’s grim prescience of coming catastrophes. His musical settings make it clear that he expected nothing better in the future. Nevertheless, the last song movingly ﬁnds the composer (and poet) oﬀering up his ﬁnal “passion” to Music, “empress of the universe,” from her “unworthy slave.” l �In her memoirs, Vishnevskaya wrote of the cycle: “This work of agonizing beauty occupies a unique place in Shostakovich’s oeuvre. He wrote it in the hospital after his heart attack, after his confrontation with death and return to life. He seems to survey his life journey as if from the vault of the heavens, and he addresses himself to those spiritual values for whose sake alone life is worth living.” ¢ l Franck : Piano Quintet in F Minor César Franck was 57 when he completed his Piano Quintet. It was the ﬁrst piece of chamber music he had written in 30 years, and its romantic mood contrasted with Franck’s earlier work. The choice of medium is explained by the recent launching of the Société Nationale de Musique, which set as its goal to promote chamber music. As for the mood, the likely explanation is Franck’s infatuation with his student Augusta Holmes, a beautiful and gifted woman 25 years his junior. The novelties of the work were not lost on the audience of the ﬁrst performance. The premiere left some unpleasant memories: the piano part was played by Camille SaintSaéns, who was Franck’s rival and had little aﬀinity for the emotional intensity of the piece. When the performance was ﬁnished Saint-Saéns left the stage rather abruptly, leaving the manuscript on the piano in a gesture everyone interpreted as very ill mannered. Another person who was appalled by the new work was Frank’s wife Félicité, who had no doubts about the inspiration behind it. Frank based nearly all of his mature works on musical ideas that recur in all the movements, a technique he had learned primarily from Franz Liszt. 4 l �l About the Performers Violinist REBECCA ANSEL earned her BM from Rice University and her MM and DMA from the University of Michigan, where she served as a teaching assistant for ﬁve years. Her primary teachers were Kathleen Winkler and Paul Kantor. Her summers have been spent at numerous music festivals including Aspen, Bowdoin, Music Academy of the West, Brandeis and Taos, where she had the opportunity to work with the American, Brentano, Takacs, Chicago and Lydian string quartets. Dr. Ansel previously taught at Ohio State University, Blue Lake Fine Arts Camp, the Rocky Mountain Summer Conservatory and the ASTA String Institute at Ithaca College. She is currently Assistant Professor of Violin at Ithaca College, where she is also a member of the Ariadne String Quartet. Additionally, she is on the faculty of The Adriatic Chamber Music Festival in Bonefro Italy. Dr Ansel is an active recitalist and has performed with many ensembles in Ann Arbor, Michigan, the Iris Chamber Orchestra in Memphis, Tennessee, Pro Musica Chamber Orchestra and the Columbus Bach Ensemble in Ohio, The Roycroft Chamber Players in East Aurora, NY and the Cayuga Chamber Orchestra and Ensemble X in Ithaca, NY. Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent engagements include appearances at the Carnegie Hall’s Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. ; �ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As Associate Director and a founding member of the Finger Lake Chamber Ensemble, Crawford has participated in over one-hundred solo, chamber, and lecture-recitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and is Associate Principal Violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has had several works dedicated to her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is Director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently Coordinator of Strings at Binghamton University " [ STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-in-Residence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. A l �MARY BURGESS, associate professor of voice at Binghamton University, recently celebrated the fortieth anniversary of her New York City Opera debut, which occurred while she was still an undergraduate at the Curtis Institute of Music in Philadelphia. Her European operatic debut at the Holland Festival, in the title role of Cavalli’s L’Erismena, brought engagements at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several consecutive seasons in leading roles at Dublin Grand Opera in Ireland. Her repertoire of thirty-eight roles in ﬁve languages includes six which she has performed in Binghamton at Tri-Cities Opera: Madama Butterﬂy, La Traviata, Tosca, Marguerite in Faust, The Merry Widow, and Norma. A frequent soloist with orchestras, Burgess has appeared with more than two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. In August 1996, at Monadnock Music Festival in New Hampshire, Burgess made a critically acclaimed debut in the role of Susan B. Anthony in Virgil Thomson’s The Mother of Us All, honoring the centenary of his birth. She returned to Monadnock Festival in August 1997 as Violetta in a gala concert performance of Verdi’s La Traviata, . prompting the Boston Herald to comment: “...she negotiated Ah, fors’e lui and Sempre libera with warmth and speciﬁcity of expression. She also produced beautiful, ﬂoaty pianissimos in the aria. More importantly, she had a minutely detailed conception of the character and the role that informed her singing. It was a revelation to watch her.” Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Wednesday, April 13 – Master ’s Recital : Jennifer Perkins, soprano – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Senior Honor’s Recital: Nancy Schneider, piano – 8:00 p.m. - Casadesus Recital Hall – free Friday, April 15 – Student Recital : Sut-Han Che, piano – 8:00 p.m. Casadesus Recital Hall – free Saturday, April 16 – Senior Honor’s Recital: Talitha Phillips, string bass – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 16 -- University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. – Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 1 9 – Student Brass Quintet – 8:00 p.m. ~ Casadesus Recital Hall – free Thursday, April 21 – Mid-Day Jazz Concert with guest artist artist - 1 :20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 1 :20 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with guest artist artist - 1:20 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor ’s Recital : Deanna Bunal, mezzo-soprano – 3 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:34;38:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber music masterpieces, April 10, 2005 Description An account of the resource Works of Haydn, Shostakovich, Franck. Held at 3:00 p.m., April 10, 2005, Anderson Chamber Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Crawford, Roberta Stalker, Stephen Burgess, Mary Salmirs, Michael Ansel, Rebecca Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-10 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (104 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 104 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 7/12/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243926">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243926</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles Bernstein with "Open Mike" at the Amsterdam December 7, 1993 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from Charles Bernstein at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions before the featured poet. The event was held on December 7, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Bernstein, Charles, 1950- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1993/12/07 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1993 12-7 Format The file format, physical medium, or dimensions of the resource video/mp4 https://omeka.binghamton.edu/omeka/files/original/1c983d4682bb6689bec07ba4099da87c.pdf 3f6b1afb7413d26745294374053ffb57 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presen ts Cha r les Brewer, Harps ichord Sa t . , Dec . 11, – 1 9 71 – 8 : 1 5 Rec i t a l Ha l l �PROGRAM Ga l l ia rd Anon. (The Mul l ine r Book ca. 1555) Pavane Louis Couperin , ca . 1626– 1661 (Pa rvi l le MS) Four p ieces f rom the “ In tabola tura Nova D i Ba l l i ” (Ven ice, 1551) Pass ’ e mezo nouvo (I , I I , I I I ) Sa l ta re l lo d e l Re Pavana ‘ F us i ’ Moneghima Gag l ia rda Pavana Lachrymae John Dowland , 1562– 1626 set by W i l l iam Byrd, 154 3– 1623 ( F i t zw i l l iam V i r g ina l Book, CXXI ) Suonata p r ima, ‘ Johann Kuhnau, 1660– 1 722 I l Comba t t imen to tra David e Go l ia t h (The F igh t be tween Dav id and Go l ia t h) (1) Go l ia t h ’ s s tamp ing and ran t ing (2) The t remb l ing of the Is rae l i t es , and thei r prayer to God a t the s ig h t of t h is horr id enemy (3) The s tead f as tness o f David , h is urge to crush the g ian t ’ s boas t f u l d eﬁan c e , and h is c h i l d l ike t rus t i n God ’s help (4) The cha l leng ing words exchang ed between David and Go l ia t h, and the ﬁ g h t i ts e l f , i n which the stone i s s lung in to Go l ia th ’ s forehead , by which he i s f e l led and even k i l led (5) The ﬂ i g h t of the P h i l is t ines , as we l l as how the Is rae l i t es chase them and s lay them by the sword (6) The re jo ic ing o f the Is rae l i t es a t t h is V ic tory (7) The concert to the g lo ry of David , performed by the women i n cho irs (8) And ﬁ n a l l y the general happ iness which shows i ts e l f i n an abundance of danc ing a f ro l ic king (S i x B ib l ic a l Sonatas f or Keyboard, 1 700) INTERMISSION In Nomine SpanyBle r Tancz Hopper dancz Doctor John B u l l , ca . 1562– 1628 ( F i t zw i l l iam V i r g ina l Book, XXXVII ) Hans Weck, ca. 1510 Four P ieces f rom the Keyboard P ub l ica t ions of P ie rre A t ta ingnan t , . 1 55 2 Chanson "Cel le q u i ma tan t pourmen e'– C laudin (Dixneu f dChansor Pavane, Ga i l la rde (Quatorze ga i l la rdes , neuf pa rmes . . . 1530) , 15 29) Chanson "Tant que vivray "– C laudin (V ing te t Cinq Chansons , . . . 1530) O Rosa Be l la John Duns tab le, ca . 1370– 1453 (Buxheim Organ Book, ca . 14 70) My Lady Cakeys Dompe Anon. (B r i t ish Museum, R . App . 5 8, ca . 15 1C Cen to P a r t i t e sopra Passaca g l i G i ro lamo Fresc oba ldi, 158 3– 164 3 (Toccate d ’ In t a ro la t u ra . . . , Lib ro P r imo, 16 37) Concerto Op . 3, No. 1 2 An ton io V i va l d i t ransc ribed f o r so lo Keyboard by J . S . Bach Harps ichords “ French", 2 manuals , 2 x 8' , 1x4!” “ I ta l ian " , 1 manua l, 2x8 ’ “ V i rg ina ls , 1 manua l, 1x8 ” W i l l i a m Dowd , 1 9 6 8 W i l l iam Dowd, 1968 Derwood Crocker , 1 965 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:27:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569"> Charles Brewer, Harpsichord, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles Brewer, Harpsichord, Recital, December 11, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Dowland, Kuhnau, Weck, Dunstable. Held at 8:15 pm, Dec. 11, 1971, Recital Hall. Creator An entity primarily responsible for making the resource Brewer, Charles Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-11 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Dowland, John, 1563-1626 Kuhnau, Johann, 1660-1722 Weck, Hans, 1495-1536 Dunstable, John, 1390-1453 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073742 39091020073692 39091020073643 https://omeka.binghamton.edu/omeka/files/original/1eb3a0ccd18fb17b2bed5120d93a6b3e.pdf 40b6a5f3bf940f9a5afa19ba52f3fdd2 PDF Text Text U n i v hfe © APD 2004 Y Z JrELC BINGHAMTON EEN E V E R S 4 0 State University of New York D e pa rtm e n t of M usi c I . Charles Ives Remem bered A n Af ternoon of Song and Chamber Music Timothy LeFebvre, baritone Michael Salmirs, piano Margaret Reitz, piano Timothy Perry, clarinet a n d conductor Patricia Sunwoo, violin Ste phen Stalker, cello Ben Aldridge, trumpet and The Rod Serling Dance Compan y at Binghamton High School Karen Koyanagi, director with commentary by Paul Goldstaub, composer Sunday, November 21, 2004 3:00 p.m. Anderson Center Chamber Hall i �Program The Alcotts from Sonata #2, “Concord, Massachusetts, 184060” , (composed 19021919) Michael Salmirs, piano In The Alley (text by Ives, composed 1896) Memories (text by Ives, composed 1897) The Greatest Man (text by Anne Collins, composed 1921) The Housatonic a t Stockbridge (text by Robert Underwood Johnson, composed 1908) They Are There! (text by Ives, composed 1917) Timothy LeFebvre, baritione Margaret Reitz, piano In The Barn from Sonata #2 for Violin and Piano (composed 1908) Timothy Perry, clarinet Margaret Reitz, piano Intermission–– from The AllEnduring Timothy LeFebvre, baritone Margaret Reitz, piano �Trio (composed 190407, revised 191415) Movement III: moderato con moto Patricia Sunwoo, violin Stephen Stalker, cello Michael Salmirs, piano Four Songs for Brass Qu intet (arranged by Kenneth Singleton) On The Counter (text by Ives, composed 1920) The Slide Show (text by Pat Rooney, Sr., composed 1886) Slow March (text by L. Brewster, with additions by Ives family members) Tarrant Moss (text by Rudyard Kipling, composed 190203) 1 1i Timothy LeFebvre, baritone Margaret Reitz, piano Erinn Hibbard, Stephen Boel, trumpets Patrick Lokken, horn David Henann, trombone Daniel Gallagher, tuba The Unanswered Question (composed 1908) Binghamton University Orchestra Timothy Perry, conductor Stephen Boel, assistant con ductor Ben Aldridge, trumpet Rod Serling Dancers at Binghamton High School Cornelia Horne, Lisa Bettencourt, Karen Koyanagi Choreography by Karen Koyanagi Visit our Charles Ives Website, designed by graduate stud ent Christian Ritter, at. bingweb.binghamton.edu/~musinova/ �About the Performers Baritone TIMOTHY LEFEB VRE recently made his debut with Syracuse Opera singing the role of Germont in La Traviata to rave reviews. LeFebvre’s other operatic experience includes leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Indianapolis Opera, and Opera Theater of Pittsburgh. Also a frequent concert singer, he recently sang performances of the Beethoven 9th Symphony with Chattanooga Symphony and Opera, Magniﬁcat and the Easter Oratorio with the Rochester Bach Festival, the Brahms Requiem with the Susquehanna Valley Choral Society and The Bells by Rachmaninoﬀ with the Binghamton Philharmonic. LeFebvre has also appeared in concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has appeared in concert at New York ’s Carnegie Hall and Alice Tully Hall. LeFebvre is a winner of the N ew York Liederkranz Vocal Competition, and other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently an adjunct lecturer in voice at Binghamton University and is also on the faculty of the Berkshire Choral Festival. Future engagements include a solo recital at Binghamton University in February, Beethoven 9th Symphony with Syracuse Symphony in April, Sharpless in Madama Butterﬂy with Syracuse Opera in lateApril, and the Count in Le Nozze di Figaro with Waco Opera in May. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University ’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Sh ure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students o f all ages and levels. 1 l " r �] 1 MARGARET A. REITZ, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria. She and Binghamton University faculty member Timothy Perry were winners of the 1997 Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. They bot h were invited to present a recital at the International Clarinet Conference in Paris summer 1996 and were invited back to perform in Belgium in 1999. She recently was a guest soloist with the Binghamton Community Orchestra performing “Africa” by C. SaintSaens. She was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001. This past summer (2003) she was a guest chamber music artist in Morges, Switzerland. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She maintains a private piano studio in Vestal, New York. She is on the Executive Board of the New York District MTNA organization. She is past President of the local Southern Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. TIMOTHY PERRY is a Professor of Music at Binghamton University, where since 1986 he has served as Director of the University Orchestra, Conductor of the University Wind Ensemble, and Professor of Studio Clarinet and Conducting. He recently stepped down after his tenth season as Music Director of the Binghamton Community Orchestra. Perry holds degrees from the Manhattan and Yale Schools of Music, where he earned numerous honors as a doublemajor student of Otto Werner Mueller, John Mauceri, Arthur Weisbergand, Szymon Goldberg (in conducting) and Leon Russianoﬀ and Keith Wilson (in clarinet). Perry is widely known as a virtuoso solo and chamber music clarinetist with pianist Margaret Reitz, twice appearing as a featured artist at the International Clarinet Conferences ll in Belgium and France, and touring Latin America and the Caribbean for the Department of State as a United States Musical Ambassador. He appeared as solo clarinetist at festivals in Thy, Denmark (1998) and Vinalhaven, Maine (1999) and with the Binghamton Philharmonic in 2001. He has recorded the complete 18 Etudes de Perfectionnemen t of Paul Jeanjean and prem iered his reconstruction of The Hour of Hosts by the Romantic Munich virtuoso Karl Baermann in 2003. �Canadianborn violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent engagements include appearances at the Carnegie Hall’s Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. v¥ 1 STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumburg Chamber Music Competition, and was an Artistin Residence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. BEN ALDRIDGE holds both Bachelor’s and Master’s degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the International Trumpet Guild, and has been recorded on Columbia and Redwood records. [4 ‘ �PAUL GOLDSTAUB is associate professor of music theory and composition at Binghamton University. His works have been performed by the Guthrie Theater, the Minnesota Opera and the Cincinnati Opera; at Lincoln Center and Carnegie Hall; and in Canada, Great Britain, Japan, Germany and Italy. His comic opera, The Marriage Proposal, based on Chekhov, was produced oﬀoﬀBroadway. Binghamton University faculty, including Bruce Borton, the late Janet Brady, Mary Burgess, Mike Carbone, Dan Fabricius, Al Hamme, April Lucas, Ewa MackiewiczWolfe, Georgetta Maiolo, ChaiKyou Mallinson, Timothy Perry, Margaret Reitz, Stephen Stalker and Brian Sternberg, have given many of his works their local or world premieres. A national ﬁnalist in the St. Paul Chamber Orchestra’s American Composer Competition, he has been awarded grants by the National Endowment for the Arts, the National Endowment for the Humanities, Meet the Composer and the Minnesota State Arts Board. He is also an annual ASCAP award recipient. A compact disc of instrumental compositions was released in 1998. He is a frequent guest lecturer at the Chautauqua Institution, and has presented papers and conducted workshops at the Oberlin Conservatory, Syracuse University, St. Olaf College, the Crane School of Music at SUNY Potsdam, and national and regional meetings of the College Music Society and the National Association of Schools of Music. KAREN KOYANAGI was trained in Canada. Koyanagi has a BFA (Honors) in Dance from York University (Toronto) and a BSC in Marine Biology from the University of British Columbia. Before moving to Binghamton, she danced in Toronto, Vancouver and San Francisco. While primarily working in modern dance, she has choreographed musicals, been involved in music and performance videos and collaborated with innovative high tech performance artists. She has taught for organizations such as Binghamton University, Whitney Center for Dance, 171 Cedar Arts, Inc., the Southern Tier Institute, and the Imagination Celebration. Koyanagi is a frequent performer with the American Dance Asylum and a member of the B.F. Harridans Women’s Morris. Presently, Koyanagi is Task Force Chair working with the New York State Department of Education to develop a statewide Regents exam for dance. She teaches at the Rod Serling School of Fine Arts at Binghamton City Schools, New York and is artistic director of the Rod Serling Dance Company. Special thanks to Timothy Rolls, Audio Production , Steve Machlin, Technical Director, Anderson Center, and Dan Sonnen, Assistant Technical Director, Anderson Center �[las University Orchestra Violin Akira Maezawa Micah BannerBaine Corinne Paull Tamara Potapova Jennifer Paull Emily Peterson Jungsun Oh James Leddy Tiﬀany Chang Karen A. Krause Richard Goldman Mark Liu Christina Wan Samuel Wang Sarah Baird Viola _ Melissa Mattern Leah Robinowitz Kerry Conway Christopher Fiore Janet Ievins Cello Alex Wiesendanger Nicholas Capone Emily Creo YiEun Park Heajung Kim Katy Walker Bass Andrew Eiche Chris Zavala Flute Megan Pulver Joanna Hunt Caitlynn MacMullin Erin Lahm * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Coming Events Thursday, December 2 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free for students Thursday, December 2 – Student Performance of Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of University Union – $16 Friday, December 3 – Flute Studio Recital 10:30 a.m. – Fine Arts Room 1 1 l – free Friday, December 3 – Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of the University Union $35 Saturday, December 4 Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of the University Union $35 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:32 46:17 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&change_lng=en&select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles Ives remembered: an afternoon of song and chamber music, November 21, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-21 Description An account of the resource Works of Ives. Held at 3:00 p.m., November 21, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, TImothy Salmirs, Michael Reitz, Margaret Perry, Timothy Sunwoo, Patricia Stalker, Stephen Aldridge, Benjamin Goldstaub, Paul Koyanagi, Karen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/21/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/790e48d1d8b5c4a6cf321e11776a311c.pdf 4c37910a621265c95cb4e12e04ac6194 PDF Text Text D w T e D(Le Y ; (‘>('\r_e\ C v j; of.) i O71 Cou The Binghamton University Music Department, TimeWarner Cable, and the SS Discovery Center are proud to present [4 Z e E C D E P A R T M E N T Children’s Concert: MAKING MOVIE MUSIC University Symphony Orchestra Timothy Perry, Director The Percussion Family: Drums, Mallet Instruments, Unpitched Percussion Auburn RunOut Ernest Muzquiz The Brass Family: Trumpet, French Horn, Trombone, Tuba Fanfare for the Play ‘La Peri’ Paul Dukas The Woodwind Family: Flute & Piccolo, Oboe & English Horn, Clarinet & Brass Clarinet, Bassoon Noble Harold Noble Mayer’s Dance from Buntingford..............occceeeveevevervensenienenesesssiesieseeseesessessessessessenenneen. The String Family: Violin, Viola, Violoncello, Contrabass, Piano, Harp Holst Gustav Holst The Dargason, from St. Paul ’s SUite.............coveevevienenesesineseniesiesnesesresesscssesensenenneenne. Making Movie Music Setting: The When and Where The Polar Express Suite .. Believe, The Polar Express When Christmas Comes to Town, Spirit of the Season Alan Silvestri and Glen Ballard arr. Jerry Brubaker Character: The Who Suite from Beauty and the Beast......... B e l l e Be Our Guest – Beauty and the Beast ..Music by Alan Menken arr. Danny Troob Action: The What Selections from Pirates of the CaribBean............uueeeeeeeeecreeeeeeieeireeeeeeieeecseesee Badelt arr. Ted Ricketts “Disney’s Beauty and the Beast Orchestral Suite” Arranged by Danny Troob Music by Alan Menken © 1992 Wonderland Music Co., Inc. (BMI) 1 1 U N I R S I T i of New York ] State University E E N R A W C A T H E P O W E R O F Y O U EDiscovery C aA e H L lllllmIl T ID B L E �The Binghamton University Symphony Orchestra Timothy Perry, Director Flute/Piccolo Erica L e o Missy Voldan Valerie Spiller Oboe/English Horn Marissa Ludwig Maxwell Rosenberg Clarinet Percussion Ai Karasawa ' Caleb De Groote Khristine Jackson Mark Turley Keyboard Stefano Pena Harp Alexander Vincenzi Bethany B onhoﬀ Gregg Ackerman Heather Boland Leigh Collins Mary Schappert Bassoon Micah BannerBaine Yang Hu Jennifer Paull Liz Baker Griﬀin Sargent Erika Chin Akira Maezawa Dan Goldberg Elizabeth Sterling Kevin Acunto Alexander Wong Alexandra K. Brutus Eileen Tam Mayra Rodriguez David Weinberg Eleanor Sonley French Horn Alexa Weinberg Diana Amari Matt Rek Robert Muller William Stallsmith Trumpet William Gilchrest Trombone Daniel J. Brisk Hikiru Naito Richard Mokan Tuba Katherine Winchell Violin I Yiolin II Marie Mizuno Hyobin Lee Janet Kim Christina Laube Molly Ariotti Jennifer Liebman Richard Goldman Amy Honigsberg Johnny Pang Juliann Taylor Emily Krecko Suji Lim Rachel Jacobs Adrienne Martian Viola Danielle So fer Christopher Fiore Melissa Le e Joseph Gili berti Sarah Sterling Ted Gramiak Abigail Fabro Jeﬀrey Ko hn Beth Vayshenker Macia Gravelding Kerry Conway Janet Ievins Violoncello Daniel Copel Ryan Joyce Emily Creo C. MacKenzie Wen John Choi Jim Glasgow Nicholas Capone Jennifer Aracena Contrabass Serena Murray Julian Goetz Andrew Eiche David Katz � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:02:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204945">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204945</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Children's concert: Making Movie Music, October 13, 2006 Recital Tape 2006-10-13 Description An account of the resource Works of Muzquiz, Dukas, Noble, Holst, Sylvestri/Ballard, Menken, Badelt. Creator An entity primarily responsible for making the resource Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-10-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 0f5e4c34-5686-4afb-9d1b-36a5e67e49f9 https://omeka.binghamton.edu/omeka/files/original/7c94298a83756fba29a5cd92574458d5.pdf 173a76a58f8107b869c6dfbc05f9ad1a PDF Text Text C C H 0 O .N R C A E L R T MAY 25, 1966 8: 15 P.M. College Theater �Toward State University of New York at Binghamton HARPUR COLLEGE The Department of Music presents THE HARPUR COLLEGE CHOIR Directed by David Buttolph PROGRAM THE UNKNOWN REGION ............... . Ralph Vaughan Williams from "Whispers of Heavenly Death" by Walt Whitman Brass Ensemble: Horns : George Papastrat", Dale Whitney, David Banner, Sylvia Seehausen Trumpets: Peter Boor, David Hurd, Craig Jacobson Trombones: Allen Thompson, John Baldon, Roger Keagle" Tuba: Steven Leiden Piano: Cynthia Stone Vaughan \Villiams had an early and pronounced interest in the works of the American poet Walt Whitman, as evidenced by the setting in the Symphony #1 ( the "Sea Symphony") for chorus, soloists and orchestra, and by this choral setting written in 1905 and revised in 1918. Although most of his pieces have a parhcularly "British" flavor, using English folk melodies and modal harmonies, Vaughan Williams has chosen to set this Walt Whitman poem in a late romantic style. \Vhitman's exuberance and breadth of expression are excellently coupled to the complex chromaticism and rich texture of Vaughan \Villiams. The song for chorus and orchestra is in three distinct, though connected parts. The first reflects in short, hushed phrases and wandering tonality the mystery of the journey toward the unknown. The second section moves forward witl1 increasing intensity to a climactic uni on high note which ushers in a concluding march-like section in F major based on a melody reminsicent of the composer's well-known, Sine Nomine ( 1905 ). ASPECTS OF LOVE.................................................. .............. .... Karl Korte ( world premiere) RISE UP MY LOVE Song of Solomon ( Full Chorus) Rise up my love, my fair one, and come away. For, lo, the winter is past; The rain is over and gone; The flowers appear on the earth; The time of the singing of bird is come, And the voice of the turtle-dove is heard in our land SHALL I? Sappho (Women's Voices) I do not know what to do. At first I say yes, and then I say no! I WILL MAKE YOU BROOCHES Robert Louis Stevenson ( Full Chorus) I will make you brooches and toys for your delight Of bird- ong at morning and tar- hine at night. I will make a palace fit for you and me, Of green days in forests and blue days at sea. I will make my kitchen, and you shall keep your room, Where white flows the river and bright blows the broom, And you shall wash your linen and keep your body white In rainfall at morning and dewfall at night. And this shall be for music when no one else is near, The fine song for singing, the rare song to hear! That only I remember, that only you admire, Of the broad road that stretches and the roadside £re. Ralph Waldo Emerson ( Full Chorus) Is not marriage an open question, when it has been alleged from the beginning of the world, that such as are in the institution wish to get out, and such as out wish to get in. WI E OF THE GRAPE Li T'ai Po (Tang Dynasty ) Paul Dieke, Tenor Solo Wine of the grape In a goblet of gold, And a fifteen-year-old Maiden of Wu. She came on a gentle palfrey, Her eyebrows painted a deep blue-black, Her slippers of red brocade. She did not use the purest speech, But how divinely he could sing! We dined together-a banquet for twoThen she drank and got drunk in my arms. Behind the curtains, all lotus-embroidereedHow could I help what did befall? BITTER IS MY LOT Shao Ch'ang Heng (Ch'ing) ( Men's Voices) Canon Bitter, bitter is my fate. Last year I old my cow and plow, And this year I have pawned my wife and son. My home is empty, and my tears pour forth in streams. Bitter, bitter is my lot! JE Y K.ISS'D ME James Henry Leigh Hunt (Men's Voices) Jenny kiss'd me when we met, Jumping from the chair she sat in; Time, you thief, who love to get Sweets into your list, put that inl Say I'm weary, say I'm sad, Say that healtl1 and wealth have miss'd me, Say I'm growing old, but add, Jenny kiss'd me. William Blake MY SILKS AN D FI E ARRAY ( Full Chorus) His face is fair as heav'n, My silks and fine array, My smiles and languish'd air, When springing buds unfold; 0 why to him was't giv'n, By love are driv'n away; Whose heart is wintry cold? And moumful lean Despair Brings me yew to deck my grave: His breast is love's all worship'd tomb, Where all loves pilgrims come. Such end true lovers have. Bring me an axe and spade, Bring me a windind sheet; When I my grave have made, Let winds and tempests beat: Then down I'll lie as cold as clay. True love doth pass away! MARRIAGE Ir. Korte, Harpur's composer-in-residence, began this composition during the pring semester of 1965, and completed it at Yaddo, a summer colony for creative artists. The texts for the cycle cover a literary span of three thousand years, and present a variety of attitudes toward the relationship between the sexe . The composer has captured the special atmosphere and approach of each poem while maintaining an appealing lyricism and grace throughout. Three longer settings for full chorus ( os. I, 3, and 8) form the backbone �HARPUR COLLEGE CHOIR First Sopranos Virginia Baker Malita Frogate Rosemary Gruss Alice Hayes Chrystyna Prytula Elizabeth Robbins Jessica Roth Linda Snodgrass Alida Stahl Kathy Zaslovsky Second Sopranos Carol Anthony Joanne Grizzanto Sue Jurkowski Caryl Morris Mary Morrison Cynthia Stone First Altos Elaine Bolton Judith Elterman Linda Lewis Christine Livingston Marcy Walter Eleanor Winston Second Altos Emoke Berecz Linda Fishkin Karen Grant Margaret Jackson Jane Kaplan Ellen Leinwand Pamela Starr T enors Ben Erlitz Alan Hardy Terry Howell Zane Kalter Steve Walker Basses James Baldwin David Crowe Daniel Dushrnan Jay Ellenbogen Stephen Foulk Russell F uller Alan Metrick Harry Waterston Keith Willcox Chinese poems from "A Garden of Peonies" - Translations by Henry H . Hart. Permission of Stanford University Press. Program notes by Pamela Starr Cover design by Stanton Miller Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma of the cycle, and contras t in texture and style with th e shorter and more p iquant settings fo r various arrangements of voice , including a tenor solo ( "Wine F rom the Grape" by Li T' ai). Although the harmo nic idiom is primarily tonal, the composer stre es that the piece ar "on," rather th an "in" a given tonality. One of the mo t chara cteri tic sounds is th e cad nee on an open fifth, which is especially effective at the nd of "My Silks and Fine Array." I TERMISSIO AVE MARIA ...................................................................... Giuseppe Verdi At the age of eighty, aft er a long and eminently uccessful areer as an operatic composer, Verdi turned to the sacred litu rgy for his final work. The e four short choral p ieces display a marked hange in tyl from his first attempt at sacred compo ition, the well known Requiem. Thi arlier work, written directly after Aida ref! cts an uruni takcably op ratic idiom . His last choral works are smaller in cale and l s theatrical . T he Ave Maria rep resents a ynthesis of Verd i' w 11-loved lyri i m and th ubd ued motet style. It is in a cappella tting of an extraordinary melodic pat- tern, called by Verdi an "enigmatic scale." Thi cale : C, D , E, F#, G#, A#, B, C appears once in each voice, urround d by a shifting and hi ghly expressive harmonic fr amewo rk in the other voic . MISSA o . 14 ( Kronunge-M esse ), K. 317 ........ Wo lfgang A. Mozart Helen Boatright, Soprano Dori Mayes, Contralto Paul Dieke, T enor Kenneth McDavit, Bariton Kyrie Gloria Credo Sanctus Beneclictus Agnus Dei In the spring of 1779, Mozart was erving as Court Orga nist to th Archbishop of Salzburg. He probably compo ed the Ma in C Major fo r an annual outdoor religious service. In respon e to the Archbi hop's requirement , Mozart produced a concise but fes ti v settin g, calling fo r choru , oloi t , and full festival orches tra. Thus restricted in cope, 1ozart utilizes th e mo t telling economy in musical expression, as in the flee ting inflection to th minor which sets off the single phrase 'Chris te Eleison' as a separ at s ction . Unity achieved by the recurrence of thematic material. The lovely solo line in th Kyrie, for example, returns briefly in th e oboes to close th e movement. Th theme receives furth er treatment in th e 'Dona • obi Pac m,' wh re it fun ctions as a link between the first and last movements. Mozart mak use of the "concerted style," in which tutti and olo quartet fun ction a th e ripieno and concertante of the concerto grosso . The chorus materi al i fundam entally homophonic and declamatory, in contrast to the more relaxed and lyri cal olo pas ages . In general, the quartet material i co ntrapuntal, with th e ingle exception of the highly expressive 'et incarnatus st! HARPUR REPERTOIRE ORCHESTRA Violins Celli 0 Patricia Isham 0 Ru th Brown 0 David Einfeldt 0 Donal O'Buckley 0 Alan Sopper Becky O'Connor Dia ne Phelps Robert Giblin David Rajnes Basses Kay C. Roberts 0 Gerald Bruce Ruth Riley Daphne Randa ll 0 Russell Colton °William Bailey Oboe Sally Shafer 0 cott Eddy Irene \ Vetzelberg Kathy Cox Bassoon Ruth Kerker Tom Arnold °Member of th e Binghamton Civic Symphony H oms 0 Geo rge Papastrat Dale W hitney Trombones Allen Thompso n John Baldo n 0 Roger Keagle Trumpets David Hurd Craig Jacobso n Ti mpani Lanny L vine � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:55 34:52 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54366">Choral Concert Harpur College Choir Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choral Concert Harpur College Choir Recital Tape 1966-5-25 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Ralph Vaughan Williams, Karle Korte. Creator An entity primarily responsible for making the resource Harpur College Choir Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vaughan Williams, Ralph, 1872-1958 Korte, Karl State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1966-05-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Choral Concert Harpur College Choir Recital Tape 1966-5-25.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:24 34:01 30:13 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59372 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59372"> Choral Institute '68 Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choral Institute '68 Concert Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, August 4, 1968, Harpur College Theater. The Creation by Joseph Hayden. Creator An entity primarily responsible for making the resource Choral Institute '68 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-08-04 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020094540 39091020094599 39091020094649