150 10 1775 https://omeka.binghamton.edu/omeka/files/original/bb43160c66da7eb060b596eca2e470b9.pdf 673c2a2c63ec79bbb19350a7b533f852 PDF Text Text L Stat e University of New York Dep artm ent of Music St ud en t Re cit al Alicia Fus ani , violin Sar ah Steiding, violin Ry an Bagg, gui tar Ma rga ret Reitz, pia no Frid ay, Marc h 26, 2004 8:00 p.m. Casa desu s Reci tal Hall �Program Partita No. 2 in d minor. ................................................... ..J.S. Bach Allemande (1685-1750) Sarah Steiding, violin Cantabile for Violin and Guitar ...................... ....... Niccolo Paganini (1782-1840) Historie du Tango, Bordel 1900 ....... ......................... Astor Piazzolla (1921-1992) Ryan Bagg, guitar Sarah Steiding, violin Concerto No. 3 in b minor, Opus 61 ................. Camille Saint-Saens Movement Ill (1835-1921) Alicia Fusani, violin Margaret Reitz, piano --Intermission-Sonata No. 3 ................................................................ Eugene Y saÿe Ballade (1858-1931) Alicia Fusani, violin "Nigun" (Improvisation) from Baal Shem ............ ........ Emest Bloch (1880-1959) Sarah Steiding, violin Margaret Reitz, piano 44 Duos for 2 Violin .. .. ................. .. ............................... Béla Bart6k 41. Scherzo (1881-1945) 43. Pizziccato 42. Arabian Song Alicia Fusani, violin Sarah Steiding, violin �About the Performers ALICIA FUSANI, a Buffalo, N.Y native, is enrolled in a dual degree program with a BA in Music and a BS in Human Development. After touring with the Buffalo Suzuki Tour Ensemble, she became a Nielson Scholarship Recipient under the direction of the late Janet Brady. She is a student of Patricia Sunwoo. She is a member of the Binghamton University Symphony Orchestra, Sinfonia, various chamber groups, and other selective activities. She also participates in two dance organizations (Kickline and International Flag Dancers), as well as being Educational Chair for her Pre-Health Fraternity Delta Epsilon Mu. Fusani plans to pursue a dual master's program in Music Performance and Music Therapy. SARAH STEIDING, from Long Island, N.Y., is a senior who plans to graduate in May 2004 with a BA in Music. Steiding studied violin with Laura Broverman for twelve years at the North Shore Suzuki School. She is a student of Patricia Sunwoo. She was concert mistress of Binghamton's newly-formed Sinfonia Orchestra, as well as a member of the Binghamton University Symphony Orchestra, various chamber ensembles, and the Peter Mozart Band. Steiding plans to attend graduate school next fall for a Master's degree in Music Education. RYAN BAGG, from Vestal, N.Y., started playing the guitar at age 13. Bagg sings in the Binghamton Crosbys and University Chorus. This semester, Bagg was a percussionist with the University Wind Ensemble. He plans to graduate with a BA in Music in Fall 2004. He 1s a singer/songwriter and a founding member of the Peter Mozart Band. MARGARET REITZ, an active recitalist and accompanist, has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. **The performers would like to extend a thank you to Roberta Crawford, Timothy Perry, Margaret Reitz, Pattie Sunwoo, Jane Zuckerman, Ryan Bagg, friends and family. �Coming Events Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Thursday, April 15 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem - Bruce Borton, conductor, also Brahms' Tragic Overture, Timothy Perry, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 fac•ulty/staff/seniors; free for students Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person, saxophone - 1:20 p.m. - Osterhout Concert Theater - free Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 25 - University Wind Ensemble: New Dances - Timothy Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:39:04 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253450&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253450&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, March 26, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-26 Description An account of the resource Works of Bach, Paganini, Piazzolla, Saint-Saëns, Ysaÿe, Bloch, Bartók. Creator An entity primarily responsible for making the resource Fusani, Alicia Steiding, Sarah Bagg, Ryan Reitz, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3/26/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/ddd2c82db25873c00d3934452740fdea.pdf a490fab33d16ed20f5673fca9a32caab PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   UNIVERSITY O F  N E W  Y O R K [4 vodeo D E P A R T M E N T E p e s  fea t» I I.”  ­§ o l  r o u p {   I ;   D 2 )    o  h " ?   I ,   .  0 ' ,‘, ' i .­ _ , '   t  d E x  i  .  q   :  .  A g ” n 2 ) 2  5  = v ] ,  Q 8 ! ­ MID­DAY CONCERT Thursday, March 27, 201 4 1 :20 p.m. Casadesus Recital Hall �ea­  PROGRAM ass Passacaglia on an Old English Tune Justin Lafond, viola Margaret Reitz, piano Suite No. 2 in D minor, B WV 1008.  Prelude  Gigue J. S. Bach (1685­1750) Sonata for Cello and Piano, Op. 40..  Allegro  Dmitri Shostakovich (1906–1975) Hannah Watrobski, viola .. Be’la Bartok (1881­1945) Romanian F olk Dances.  Jocul cu bata  Braul Pe loc Buciumeana Poarga Romaneasca Maruntel Rebecca Clarke (1886­1979) Paul Watrobski, cello Margaret Reitz, piano Quintet in E flat Major, Op. 44  .  Allegro Brilliante  Sara Kohtz, violin Margaret Reitz, piano Suite populaire espagnole ..  El pafio moruno  Nana Cancion J ota Xander Edwards, cello Margaret Reitz, piano Kol Nidrei.  Eleanor Krasner, violin Margaret Reitz, piano Manuel de Falla (1876­1946) . Max Bruch (1838­1920) .Robert Schumann (1810­1856) Alexio Chang and Kieran Murphy, violin Justin Lafond, viola Xander Edwards, cello Natasha Talukdar, piano �Binghamton University Music Dep artment Coming Events V O W W M W   e b ­ Friday, March 28 – Har pur Vocal Jazz – 7:00 p.m.  ~ Casadesus Recital Hall – free Saturday, March 29 – Junior Recital : Caitlin Gotimer, soprano with Jake Stamatis, bass baritone– 3:00 p.m. – Art Museum – free Saturday, March 29 – Master’s Recital : Matthew Samluk, baritone – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April 3 – Mid­Day Concert – 1:20 p.m. – Fine Arts Room 21 – free Friday, April 4 –  Opera Scenes  – 8  p.m.  – Art  Museum – $10  general public; $7 faculty/stafflseniors ; $5 for students Saturday, April 5 – Flute Tr io Recital – 3:00 p.m. – Casadesus Recital Hall free —  Saturday, April 5 – Junior Recital : Christina Santa Maria, so prano and Cole Tornberg, tenor – 8 :00 p.m. – Casadesus Recital Hall – free Sunday, April 6 ­­  Faculty Recital : Michael Salmirs, piano – 3 :00 p.m. – Anderson Center Chamber Hall – $10 general public; $7 faculty/staff/seniors; $5 students Tuesday, April 8 – String Fever (String Classes and Studio String Recital) – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April 1 0 – Jazz Mid­Day Concert with guest artist – 1 :20 p.m. – Osterhout Concert Theater –  free Thursday, April 10 – Harpur Jazz Ensemble Concert wit h guest artist – 8:00 p.m. – Osterhout Concert Theater – $7 general public; $ 5 faculty/staff/seniors; free for students fi w w m m m w w w For tickets or to be added  to our email list, visit anderson.binghamton.edu or call (607) 777­ARTS,  For  a  complete  list  of  our  concerts  call  (60 7)  7 77­25 92,  visit music.binghamton.edu or become a fan on Facebook. –  [ = ]   a f .  If you  were inspired by this performance, consider supporting the = [ m ]   Department of Music  with  a financial gift.  Your support helps to continue the work of students, facu lty, and guest artists and their   contributions to our community. Please make your donation payable to  the  Binghamton  University  Music  Department,  and  send  your check  to  BU  Music  Department, P.O.  Box  6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:48:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE69128">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE69128</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, March 27, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Bartók, Falla, Bruch, Bach, Shostakovich, Schumann. Held at 1:20 p.m., March 27, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lafond, Justin Reitz, Margaret Kohtz, Sara Edwards, Xander Krasner, Eleanor Watrobski, Hannah Watrobski, Paul Chang, Alexio Murphy, Kieran Talukdar, Natasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bartók, Béla, 1881-1945 Falla, Manuel de, 1876-1946 Bruch, Max, 1838-1920 Bach, Johann Sebastian, 1685-1750 Shostakovich, Dmitri Schumann, Robert, 1810-1856 Date A point or period of time associated with an event in the lifecycle of the resource 3/27/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7e2e53039d2f576d7e94425a289432ab.pdf bc26f9c6c957d0c6733a3c9e741ba393 PDF Text Text BIN GH AM TO N U N I V E R S I T Y S T A T E  UNIVERSITY  O F  NEW  Y O R K e d e D E P A R T M E N T JUNIOR FLUTE RECITAL JESS ICA B IA GI OT TI Pa ul Watrobski, cello Jacqu eli ne  Ro bins, fl u te Ch ris tin a San ta M ari a, sop ran o W illi am  Ja mes Lawson , p iano a nd ha rpsich ord Friday, March 27, 20 1 5 7:30 p.m. Casadesus Recital  Hall �B O   PROGRAM  c s Sonata in F Major, H WV 369.  for Flute, Cello and Harpsichord  1.  Larghetto Nocturne et Allegro Scherzando.  for Flute and Piano  .Georg Friedrich Handel (1685­1759) 3.  Sicliana 4.  Allegro .  .  .Robett Schumann (1810­1856) 3.  Nicht schnell Syrinx pou r Flute Seule .  ..Claude Debussy (1862­1918) Flute Duet with Piano, Opus 37 .  World Premiere  Richard H ugunine (b. 1953) ­1nterm ission~ Variations on a Them e by Rossini.  .  Frederic Chopin from the opera, La Cenerentola for Flute and Piano  (1810­1849) Theme Variation 1 Con An ima Variation 2 Pui Lento Variation 3 Vivo Variation 4 Con Brio Une Flute Invisible  .  for Flute, Soprano an d Piano  Come! An unseen flute Sighs among the orchards. The most peaceful song Is the song tha t shepherds sing. The wind ruffles beneath the ilex The waters’ sombre mirror . The most joyous song Is the song the birds sing. .  Philippe Gaubert (1879­1941) About the Performers J essica  Bi agi o tti   is   a  J u nior  a t   Bi ngha m ton  Universi ty  ma joring  in  I n tegra tive 2. Allegro Three Romances, Opus 94  for Flute and Piano  1.  Nicht schnell 2.  Einfach, innig .  .....Camille Saint­Saéns (1835­192 1) Let no care torment you. Let us love! Let us alwayslove! The most charming song Is the song that lovers sing. Neuroscience and Music Performance.  She attended Smithtown High School East, Smithtown New York, where she was Principal Flutist in the orchestra and a member of the  Tri­M  Music  Honor  Society, As  a  member  of the  Long lsland  Flute  Club, she performed in their Honors Flute Choir and Flute Competitions.  Jessica completed all six levels in  the New York State School Music A ssociation for both piano and flute. She  was selected  to  take part  in the Suffolk  County Music Educator ’s  Association Festival and attended the Crane Youth Music Summer Program at Potsdam University. Jessica is the Principal Fl utist of the Binghamton University Symphony Orchestra and has perform ed each semester in the Flute Studio and Chamber Concert.  In the fall of 2013,  she  participated  in  the Bingham ton  University Concerto Competition.  As a music student, she has performed on Mid­day Recitals, Student Recognition Concerts, and Woodwind Performance Classes .  On May 9, 20 14, Jessica and Jacqueline Robins soloed with  the University String Orchestra.  They performed the Concerto for  Two Flutos by Domenico Cimarosa.  Additionally, Jessica is a member of  the Bingham ton University Flute Trio that has performed on First Fridays, a scholar’s luncheon at President Stenger’s, the  Oakdale M all and Willowpoint Nursing Home.  Jessica is a member of  the Flute Studio of Georgetta Maiolo, and Mu  Phi Epsilon, professional music fraternity. This past  summer, as  a recipient of the Harpur Fellows  Grant, Jessica and her sister, Kaitlin, implemented a month long, self­designed service project in Cusco, Peru.  It was titled, Mission Melody, and it served as a musical immersion p rogram crea ted to expose children to friendship, opportunity, creativity and artistic otpression.  For the past two years, Jessica has been active as a certified nursing assistant at Elizabeth Church Nursing Home.  She  is an intern in the Harpur College Physician Mentor  Program and  was recently inducted into Nu Rho Psi, the Neuroscience Honor Society. Paul Watrobski started  his study of violoncello at  the age of six.  By ninth grade, he completed the Suzuki m ethod and began studying a greater variety of music.  Through middle  and  high  school  Paul  was  a  member  of  the  Hochstein  Youth  Symphony Orchestra in  Rochester, NY, at one point going on tour in  Germany and the Czech Republic.  Paul has also travelled to the Dominican Republic to participate in a music exchange program, Travelling Notes, to spread the love and joy of music to those less fortunate.  in addition to studying solo and orchestral works, he perform ed in a variety of  venues  as  a  member  of  various  smaller  ensembles  including  a  cello  quartet, Amanticello, and a jazz trio, Pick3.  During his undergradua te career at Binghamton, Paul studied under  Professor  Stephen  Stalker.  He has  contributed  to  numerous ensembles including the Binghamton Symphony Orchestra, Harpur Jazz Ensemble, and many smaller ensembles both classical and jam.  He graduated in May 2014 with a BS in computer engineering and will graduate this May widi an MS in electrical engineering specializing in information assurance.  Paul plans to continue his musical endeavors wherever he ventures nod. �Jacqueline Robins is a Junior at Binghamton University, majoring in m usic and biology.  Before a ttending Bingha mton University, she pa rticipated in nu merous music p rograms, such as the Queens College P reparatory Stud ies in th e music program  (CPSM), the Skidmore Summer Flute Institute, and th e Usdan  Center for Performing Arts. Jacqueline is principal flute in  the Binghamton University Wind Symphony and has performed on the Flute Studio and Chamber Concert each  semeste r. She is also a member of the Binghamton University Flute Trio perform ing concerts on and off campus.  In her sophomore year she and Jessica Biagiotti participated in the  University  Concerto  Competition.  In  May,  2014,Jacqueline  and  Jessica soloed  with  the  Bingham ton  University  String  Orchestra.  Jacqueline  has perform ed on  the Mid­Day Concerts and the Honors Concer t sponsored by the Music Department. She is a mem ber of the flute studio of George tta Maiolo. In addition to her music studies, she is an undergraduate resear ch assistant at the Translational Affective Neuroscience Laboratory in Clea rview Hall and a biology tutor at the Student Athlete Success Center.  She is looking forward to new  and future duet endeavors wi th Jessica Biagiorti. Christina Santa Maria, soprano, is a senior in the Bachelor of M usic program at Bingham ton University. Her roles include both Gretel and Hansel, respectively, in  BU’s 20 12 and  2013  productions of  Humperdinck’s  Hansel  and  Gretel,  the soprano soloist in Bach’s Christmas Oratorio with the BU  Symphony Orchestra and Chorus (‘13) and several opera scenes with the ‘Stage Techniques for the Singing Actor’  class  under  the  direction  of  Thomas  Goodheart  and  Willie  Anthony Watters. She  has  perform ed with  Tri­Cities Opera  as a  member  of  the ope ra chorus (‘11­'14) and as ‘Billie ’ in  the one­act com ic opera  Speed  Dating  Tonight (‘15).  She  has  perform ed  at  venues  in  Italy  and  Austria,  in  addition  to appeara nces at Avery Fisher Hall, Carnegie Hall, Jazz at Lincoln Center, Madison Square Garden with Elton John and The Barclay Cen ter with  Barbra Streisand. Christina is in the voice studio of Mary Burgess. William  James Lawson has  an  extensive  background  in  music,  dance,  and theater. He was  one of the first graduates of New York University’s Depar tment of Performance Studies. an  innovative  inter­disciplinary graduate  program  in  the Tisch School of the Arts. For more than thirty years he has been  active as a voice coach,  accompanist,  and  church  musician.  At  Binghamton  University  he  has taught courses in  music theory and diction  and phonetics for singers. He  has a  keen  interest  in dance  history,  which  over  the years has led  to  his working on the staff of the New  York City Balle t, as an editor a t Dance Magazine, and as assistant to the British  dance  author  Richard Buckle. Last semester he taught the course Ballet: Petipa to Balanchine, and he will be  continuing to teach dance history at Binghamton University. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:21:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74847">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74847</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior flute recital with Jessica Biagiotti, Paul Watrobski, Jacqueline Robins, Christina Santa Maria, and William James Lawson  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Handel, Schumann, Debussy, Hugunine, Chopin, Saint-Saëns. Held at 7:30 p.m., March 27, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Biagiotti, Jessica Lawson, William James Watrobski, Paul Robins, Jacqueline Santa Maria, Christina Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Handel, George Frideric, 1685-1759 Schumann, Robert, 1810-1856 Debussy, Claude, 1862-1918 Hugunine, Richard Chopin, Frédéric, 1810-1849 Saint-Saëns, Camille, 1835-1921 Date A point or period of time associated with an event in the lifecycle of the resource 3/27/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:50:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74964">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74964</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Vocal jazz concert Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Held at 7:00 p.m., March 28, 2014, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/28/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cee04d5941d675046e37d71167d019d2.pdf 29b83382c882fa0791fce91f53f90b71 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   N E W   Y O R K D E P A R T M E N T THURSDAY Mib­DaY Conan­r _­, j' / / , 0 '   X e S MARCH 29, 2012 1:20 B.M. CASADESUS RECITAL HALL �Springtime Blues PROGRAM Morceau de Concours. WeiJie Zhao, flute .Gabriel Fauré (1845–1924) .James Mayr Crystal Gonzalez, piano James Mayor, piano I know what I want to say and I will say it I know the odds to weigh and I’ll weigh them but when I drift off to sleep and dream that I am complete, the rain is pitter pattering, the thunder claps the scattering and I am all alone How I remember in December daydreaming of you now that we’re through my mind can’t get enough of you, now that we’re through but last Spring when you held me in your arms Felicia C. Scalzetti, cello Maxim Pekarskiy . Christopher Morgan Loy Two Selections from Homages and Fantasies, op. 56 Petals from Igor’s Rose (A Fantasy) In Memoriam: Jamie Cannon C. M. Loy, piano Whenever I’m crazy or hazy or lazy or right in between I think to myself it really could help if I just fled the scene Chorus .Maxim Pekarskiy Fine Arts in the Afternoon . John Lathwell, oboe One by one and two by two my eyes, they rest on something new, on A few, seconds linger as they touch the air and I stare and I stare but no one’s there Ilyssa Baine, guitar Maxim Pekarskiy, viola Hunters’ Caper  Chorus: It’s what you do, follow my clue, all I can take, all I can take when you walk through the door you .Ilyssa Baine Springtime Blues.  Haven’t you heard my only call my only cry I don’t know why when Spring has sprung you sprung by When I feel lonely and stinky and homely I look for a clue of mystic persistence but when cataclysmic, sparks something new Pak Lok Pio Lau, piano Home  The straw that breaks your camel’s back broke mine instead The mystery, topsy turvy inside my head Chorus �Binghamton University M usic Department’s UPCOMING E V E N TS fi t fi M fi M W M fi ­ fi w fi w Thursday, March 29 – Nukporfe African Drumming and Dance Ensemble – 8 p.m. ­­ Anderson Center Chamber Hall – $5 per person (tickets will be sold a t the door) Thursday, April 12 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Friday, April 13 – Senior Recital : Alexander Baron, recorder – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 14 – Masterclass with organist Carla Edwards – 10 a.m. – 12 noon – Fine Arts 21 – free Saturday, April 14 – Robert Smith, euphonium, presents “El Bombardino” with Margaret Reitz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 – Africanaise : An afternoon of African Inspired Compositions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $6 faculty/staff/seniors; $3 students Sunday,ApriI15 – Guest Organist Carla Edwards – 4 p.m. – United Presbyterian Church, Binghamton – $10 general public; $6 faculty/ staff/seniors; $3 students   Thursday, April 19 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall – free Friday, April 20 – University S tring Orchestra – 4:00 p.m. – Grand Corridor – free Saturday, April 21 – Junior Recital : Matthew Gukowsky, tuba – 8:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Office at 777­ARTS To see all events, please visit music. binghamton . e du Become a fan on Facebook by visiting Binghamton University M usic Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34 minutes :38 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142051">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142051</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 29, 2012 Description An account of the resource Works by Faure, Mayr, Baine, Pekarkskiy, Loy Held at 1:20 p.m., March 29, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Zhao, WieJie Lau, Pak Lok Pio Gonzalez, Crystal Mayor, James Baine, Ilyssa Pekarskiy, Maxim Scalzetti, Felicia Lathwell, John Loy, Christopher Morgan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f0d9f48c2d3c4563ce2177b58598dd0b.pdf e34d21e12495b86e92f5684f5ed799b6 PDF Text Text BINGHAMTON U  N 1 v  E R s  1 T  Y STATE  U N I V E R S I T Y   O F  N E W   YORK wdee D E P A R T M E N T SPRING CONCERT The Nukporfe African Dance­Drumming Ensemble of Binghamton University Thursday, March 29, 2012 8:00 p.m. Anderson Center Chamber Hal l �between the lead drummer and dancers is absolute –~ every note cues a movement or gesture. PROGRAM Tonight we will present a selection of traditional dance­drumming pieces from  southern  Ghana.  These  ensembles  are  the  collective  work  the Beginning and Advanced sections of African Dance (THEA 289J/389J; AFST 289J/389J) and the African Music Ensemble (MUS 143B/MUSP IV.  tomime  to  dramatize  battlefield  events such  as  firing  a gun, hiding in the brush, pursuing the enemy, and so on. Each story sequence is introduced by the lead drum, and is completed with a 257; AFST 188B). These courses are offered each semester through the Departments of Africana Studies, Music, and Theatre Dance. Students who complete one of these courses can audition into Nukporfe, which is a touring, professional dance company based at Binghamton University. Nukporfe provides drumming and singing for all of the dance classes at Binghamton University, and gives workshops in African music through­ out the Northeastern United States. turning movement by the dancers. Beginning African Dance Class/Nukporfe African Music Ensemble V.  Advanced African Dance Class/Nukporfe African Music Ensemble I.  Vulolo [Processional from the dance Agbekor]. These first four pieces  present  the  dance  Agbekor,  a  war  dance  of  the  Ewe people of Ghana. Tonight we are attempting to recreate the way this sequence  of dances  would  occur  in  an  Ewe  village,  be­ ginning with the vulalo, which serves to draw the community to the performance grounds. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the European colonial powers. The second  song  memorializes  the  great  warrior  Kundo  who  led warriors into battle and has been killed. The movements imitate experiences  of  the  warriors  in  battle,  and  follow  the  drum language of the lead drum, atsimevu. II.  III.  Banyinyi [Asking the ancestors to bless the occasion]. After the village has gathered to the performance space, it is customary for the  group  elders  to  pour  libation,  and  then  to  lead  a  short sequence of the Afa dance, an important ritual dance, in order to obtain a favorable outcome for the performance. Adzotsotso [Preludes]. These short dance interludes introduce the solo dance section that follows. Both of these pieces are among the  most  technically  demanding  works  in  traditional  African music.  The  accompanying  music  is  played  in  a sharp  presto tempo between 190­200 beats per minute, and  the musicians must  maintain  several  highly syncopated  musical  lines whose strokes  tend  to  fall  between  the  beats.  The  communication Vutsotsoe [Solo dance  flights].  The  following  ten  solo dance movements each  tell a story using symbolic gestures and pan­ Gahu. Gahu is a neo­traditional dance that has been adopted and adapted  by the  Ewe people of Ghana.  It  is an offshoot of the Gome dance, a Pan­Atlantic African dance form that emerged in the  19th  century  from  the  synthesis  of European  hymns  and marches  with  West  African  musical  sensibilities.  The  name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and celebration. Advanced African Dance Class/Nukporfe African Music Ensemble VI.  Sohaun.  Sohoun  is an  Ewe­Fon sacred  dance  used  to  open  a ceremony of the Yeve shrine. The original movements danced at the shrine inspired the choreography for this folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. Nukporfe African Music Ensemble VII.  Agbadza. Agbadza is a common funeral dance in  Eweland that encourages community participation by restricting the choreog­ raphy to a single movement sequence that can be quickly learned and  personalized  by anyone.  In  our  version  we  have tried  to evoke this sense of inclusiveness by featuring several first time dancers (who thought  they only signed up to drum!) intermixed with experienced dancers from the group. As is customary in the village,  it  is perfectly acceptable to cheer them  on  when  they come out to dance! �Beginning African Dance Class/Nukporfe African Music Ensemble VIII.  Kparsa. This dance comes from a neighboring group of the Ewe, known  as  the  Ga­Adangbe.  They  share  many  linguistic  and cultural affinities with the Ewe, and these two groups have his­ torically interacted with each other. The characteristic movement of Kpatsa  is  a  limping  gait  that  imitates  the  movements  of dwarfs, a magical race that is believed to inhabit rural areas in Ghana. This movement was combined with dance combinations Alexandra  Abel, Abena  Afful,  Solip  Ahn, Alexandra  Bloom, Tiffany Campbell,  Elissa  Connors,  Afua  Donkor,  Alexandra  Escalante,  Lydia Gyampoh, Alexandria  Hall,  Mirim  Han,  Kimberly  Hoffman, Ataveria participants. A DVA N C E D  DANCE­CLASS Togo Atsia. This dance piece is made up  of a series of choreo­ graphed dance sequences known as atsia. These sequences are cued  by  drum  language  phrases  [vugbe]  played  by  the  lead drummer on aisimevu — the tall drum leaning on the stand — which are answered by the response drum kidi — the medium– sized drum. In the 1960s, expert choreographers and drummers Joannie Almonte, Yae Sl Bae, Elizabeth Brown, Tanesha Brown, Megan Buah, Hanna Chang, Imji Choi, Jin Choi, Kimberly Cruz, Jessica Davis, Jennifer  Etienne, Jieun Gang, Zeinah  Issah,  Mujiberehman  Kamil, Na Hyun Kim, Soo Yun Kim, SunWoo Kim, Gabriella Layne, Fedia Louis, Shannon  McKenzie,  Monica  Morales,  Kaitlyn  Orr,  Sasha  Powell, Elizabeth  Song,  ltoro­Chloe  Udo,  Leslie  Vargas, Shaloma  Wagstaffe, Suycon Yu. NUKPORFE  DANCERS in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisa movements into a performance piece, which they dubbed Togo Atsia, in recognition of their origin within Ewe groups in Togo that had migrated to the Ghanaian capital of Accra. Cynthia  Amoah,  Vanessa Ayivi,  Sarah  Kuras,  Mildred  Ngminebayihi, Camille Adolphe, Brianna  Padilla, Amy Merke, Aisatou Toure, Jacky Tibbett, Christelle Dossous, Mildred Ngminebayihi, Michaela  Pinnock. Kinka. Kinka is a relatively modern style of Ewe funeral music that became popular in the 1950s. It  features a distinctive body of songs and drum language phrases that juxtapose images and themes from traditional Ewe culture with modern life. Like the Agbadza dance presented above, the original choreography uses Drumming directed and arranged by James Burns, Departments of Music and Africana Studies Again, we feature several first time dancers intermixed with ex­ perienced dancers from the group. As is customary in the village, it is perfectly acceptable to cheer them on when they come out to dance! Yan Ding, Carolyn  Fann, Ki Yoon Jeong, Wangjin Lee, Yuqiao Shi, Max Aaronson, Jobin Arikurmel, Dennis Asante, Bingye Chen, Chun Chen, Evan Flury, Donovan Hotz, Alexander  Irwin, Yea Jee  Lim, Nathan  Schmaling, Evan Schulz, Fangling Zeng Gota. Gota  is another Ewe dance that  was adapted  from  their linguistic cousins the Fon of Benin. For this piece we would like to invite members of the audience to come up and join in  the dancing! NUKPORFE  DRUMMERS only  one  basic  movement  so  that  everyone  can  participate. XI.  B E G I N N I N G  DANCE­CLASS Johnson, Ramzi Kakish, Jessica Katon, Yooji Kim, Amanda Kohn, Ann Kossachev,  Sungjae  Lim, Nina  Marinara,  Jasmin  Martinez,  Jenelle Murling,  Melanie  Rivkin,  Sarit  Sandowski,  Victoria  Scalzo,  Alyssa Starrantino, Priscilla Tong, Kancheng Wang, Jessica Wu. Nukporfe African Music Ensemble X.  Assisted by Ambre Avery, Seth Awotwi. Brianna Padilla, Karin Tifa drawn from the Dipo rites, an  Adangbe  female coming­of­age ceremony where young women are presented to the community as  being  mature  and  suitable  for  marriage.  The  Dipo  dances feature movements that emphasize the beauty and talents of the IX.  Dances Directed and Choreographed by Marcel March, Department of Theatre Dance Assisted by Maritza Rodriguez, Wayne Papke, Devon Tracy, David Sharwell BEGINNING DRUMMERS Jeffery  Appeagyei,  Chen  Chen,  Junxin  Chen,  Seon  Ho  Choe,  David Donaphin, Asuanana Etuk, Hyunkyung Kim, Helena Levi, Dan  Lee, Barry Jackson,  Juan  Restrepo,  Eliana  Rodriguez,  Devan  Tracy,  Christopher Tristano, SangEun Yoon. �I f  you like the music please follow our Facebook page (Nukporfe African Dance­Drumming Ensemble) for upcoming performances. e E VV ? } N   We are also an SA Chartered group, and welcome students and faculty to join our group at: http://paws.binghamton.edu/organization/Nukporfe Ne w Beginnings All of the music and dance that you see today is performed by students at Binghamton University, who are taking one of the following courses in the Departments of Music, Africana Studies, and Theatre Dance: B a c k  t o  o u r  R o o t s Sunday,  ucwbe11s.2011.~1m p.m. ST. Patrick’s Catholic Church Beginnings B’ 9 Leroy Street, Binghammn.NY   . Sunday,  \1m1.11.20u. 4 : 0 0 m Trinity Memorial Church 44 Main Street, Binghamtnn. NY Lessons and Carols for Christmas Crossroads C h u n k  ot‘thc Holy Trinity Tabernacle United Methodist Church 83 Main Street. Burglummn NY if  you  are  interested  in  learning  the  dancing  please  register  for  the Beginning  (THEA  289J/AFST  289])  or  Advanced  (THEA389J/ AFST389J) sections of African Dance. Saturday, November 26, 2011 ‘  . Sunday,  N o r e m b e t l ' .  2 011,  0 0 9 m . 146 Prospect Srieerlanghamzon. NY _ Q ~ _ c , \ s _ — 1  .  “ \ S i s A u  ‘  — _ — / ur “ ll / 6 0 – ­  1 0 4 . 6 – l  ~N\ Fm Tickers: wicwsmadvigalchoir.com if  you  are  interested  in  the  drumming  and  singing,  register  for  the African Music Ensemble (MUS 143B/AFST 188B). . Sunday, June 3, 2012, 4:00 p.m. [ e 5 5  5  2011–2012  H u m e The Madrigal L’hoir rifillngharnrnn U; MAMPARUS!  1  x im – m c  c a?” 13 9 < ,.4  19° { DAGOMEA  i(  f (  \. w ,~  ~ i551)  — A   \ i  G o m a   ’  IGUAN)  /  !  _4\  A & \   11 Ea  ­’737’03.W e”  . va i1  1 \  n\ ,­/EC.;~\ J e  i  \ Ethnic Groups  h  of Ghana  w  U !  m x en ) enoups/ o n   " " '   7.1.— — m  ,~‘/ l b . »   7.1:   N a A , a” oy “ewe N ;  “U: 3"be “1ff H __:C:  h ”   Coo­1  public service media for vour community am­ °  — ­ _ ~ . _ L J — ~ — P  v n o t u b m u w w \ \  u  ~.\  . \ \  9 1 , 1 5 3 . 1 5   &  © 1 1 5 5 ­ �Binghamton University Music Department’s U P C O M I N G  E V EN TS l a m b ­ M M Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, April 12 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall free —  Friday, April 13 – Senior Recital : Alexander Baron, recorder – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 14 – Masterc lass with organist Carla Edwards – 10 a.m. – 12 noon – First Presbyterian Church, Binghamton – free Saturday, April 14 – Robert Smith, euphonium, presents “El Bombardino” with Margaret Reitz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staff/seniors; free for students Sunday, April 15 – Africanaise : An evening of African Inspired Compositions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $6 faculty/staff/seniors; $3 students Sunday, April 15 – Guest Organist Carla Edwards – 4 p.m. – First Presbyterian Church, Binghamton ­­ $10 general public ; $6 faculty/staff/seniors; $3 students Thursday, April 19 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall free —  Friday, April 20 – University String Orchestra – 4:00 p.m. – Grand Corridor – . free  Saturday, April 21 – Junior Recital : Matthew Gukowsky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – University Chorus – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 75 minutes :1 second 8 minutes :38 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142084">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142084</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spring concert: The Nukporfe African Dance-Drumming Ensemble of Binghamton University, March 29, 2012 Description An account of the resource Held at 8:00 p.m., March 29, 2012, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/29/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:03 29:37 30:21 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243598">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243598</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet, recital, March 31, 1973 Recital Tape 1973-3-31 Description An account of the resource Held on March 31, 1973. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/31/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6caa5d740cf59b10dcd4296bef893d58.pdf cddd43e692d8f5b46396fa0a3eb6aede PDF Text Text ap 200 4 -5 SPECCOL State Univ ersity of New York Dep artm ent of Mus ic A Tri but e to Ez ra La der ma n with Geo rget ta Maiolo, flute Ma rlon Tor res, dan cer Cha i-K you Mal lins on, pian o Lar a Lon gsw orth , mez zo-s opra no B·ru ce Bor ton, spe ake r Friday , March 5, 2004 8:00 p.m. Ander son Cente r Cham ber Hall �Program Ezra Laderman, composer (b. 1924) I. *June 29th for Solo Flute (1983) Georgetta Maiolo, flute II. Two arias from Opera-Oratorio Galileo Galilei ( 1967) My friend, you speak too openly I too am woman Lara Longsworth, mezzo-soprano Chai-Kyou Mallinson, piano Bruce Borton, spoken part III. *Sonata for Flute and Piano (1952) Moderato Allegro motto Fugato Allegro Georgetta Maiolo, flute Chai-Kyou Mallinson, piano --Intermission-- �IV. *Ten Pieces for Piano (2000) ("The Circus of My Mind") I. 2. 3. 4. 5. 6. 7. 8. 9. 10. Mercurial Driven & impetuous Andante Andantino Gently Forceful , Brusque Pesante Con amorc Allegro Tenderly Chai-Kyou Mallinson, piano V. *Duet for Flute and Dancer ( 1966) Choreographe d by Marlon Torres Georgetta Maiolo, flute Marlon Torres, dancer *Premiere performances in this region �Program.Notes June 29th 1983) was written for Carol Wincenc. June 29th is our mutual birthday. The two-note motif is a heartbeat. That beat is transformed into a life affirming pulse. The pulse evolves and develqps, extends and contracts and throbs with verve and excitement. ( Galileo was premiered over CBS Television in 1975. Joanna Simon sang the role of the Friend. This role is the only one in the opera that is not historically based. It is a composite person made up of those who befriended Galileo, warned and pleaded with him during his struggles with the Church. The Tri-Cities Opera . Company, directed by Carmen Savoca and conducted by Peyton Hibbitt, gave the first theatrical performance in Binghamton on March 2, 1979. The Sonata for Flute and Piano ( 1952) was written for Sam and Carol Baron. It is the first published piece of mine that I will happily listen to. The four distinctly different movements are filled with youthful verve and drive. The lyricism is unabashedly tonal and the Sonata concise, though it covers a lot of territory. Ten Pieces for Piano was written in 2000. The pieces interlocked by a four-note cell are distinctly disparate. The emotional range is large and the technical challenges demanding. Although these pieces make up the second movement of the Piano Sonata No. 3, the pieces can and have been done as an entity unto itself. Duet for Flute and Dancer ( 1966) was written for Sam Baron and Jean Erdman. The unique aspect of this work is that the dancer's part is rhythmically and dynamically written out and incorporated into the score by the composer. The gestures are created by the choreographer based on the instructions notated. The spatial relationships are also created by the artists, should they both be on stage. --Ezra Laderman �About the Performers EZRA LADERMAN was born in Brooklyn, New York, on June 29, 1924. He attended the Brooklyn Ethical Culture School, the High School of Music and Art, and Brooklyn College. He served in the Field Artillery of the 69 th Division from l 943 to 1946. Laderman studied composition with Stefan Wolpe, and with Otto Luening and Douglas Moore at Columbia University, where he received his M.M. in l 952.His compositions range from solo instrumental and vocal works to dance, large-scale choral and orchestral music. His eleven string quartets and his concertos for piano, violin, viola, cello, flute, clarinet, oboe, bassoon, bass clarinet, string quartet, and double winds are notable contributions to the repertory. His works for orchestra, including eight symphonies, have been conducted by Lawrence Leighton Smith, Eleazar Decarvalho, Ricardo Muti, Andre Previn, Alfredo Antonini, Carlo Maria Giulini, Rostropovitch, Eduardo Mata, Cristof Eschenbach, Sergio Commisiona, Ferrucio Scaglia, Thomas K. Sherman, Herbert Bloomstedt, Michael Tilson Thomas, Hugh Wolff, Arthur Weisberg, Andre Kostelanetz, Gunter Herbig, Jose Serebrier, Dennis Russell Davies, Julius Hegyi, Jesse Levine, Michael Palmer, Peyton Hibbitt, Margaret Hillis and David Hayes. He has also written music to the Academy Award winning films The Eleanor Roosevelt Story and Black Fox. He has written seven operas and six dramatic oratorios with librettos by Ernest Kinoy, Clair Roskam, Joe Darion, Norman Rosten, and Daniel Hofmann. His music for dance has been choreographed by Jean Erdman, Anna Sokolov, Jose Limon, John Butler, and Sophie Maslow. Laderman incorporates a lyrical style into a contemporary context, using tonal material in combination with atonal, polytonal or aleatoric elements, and seeking out unusual formal structures for his music. A compositional process that has evolved through many of his works deals with the transformation of musical material. Whether it be enigmatic or declarative at the outset, the initial musical structure is intrinsic to all that follows. Commissions have come from the orchestras of Chicago, Philadelphia, New York, Los Angeles, Minnesota, National, Louisville, American Composers, Pittsburgh, Dallas, Houston, Fort Worth, Denver, New Jersey, Saint Paul, Detroit, Columbus, and New Haven. He has written many works for CBS TV, the Library of Congress, the Kousevitsky and Barlow Foundations, Meet the Composer, the National Endowment for the Arts, in addition to commissions from such distinguished artists as David Shifrin, Ransom Wilson, Yo-Yo Ma, Emmanuel Ax, Aldo Parisot, Jean-Pierre Rampal, Judith Raskin, Elmar Oliveira, Julius Baker, Robert Bloom, Nathaniel Rosen, Toby Appel, Leonard Amer, Eugene List, Erica Morini, Samuel Baron, Patrick Jee, and the Juilliard, Concord, Lenox, Composers, Tokyo, Audubon, Sequoia, Colorado and Alard Quartets. He has written for the Connecticut Trio, Elm City Ensemble (now Antares), DaCapo Chamber players, the International Society of Contemporary Musicians, the New York Woodwind Quintet, and the Yale Cellos. Laderman ' s opera Marilyn, based on the life of Marilyn Monroe, had its premiere at the New York City Opera in 1993. The dramatic oratorio Brotherly Love, based on a �poem by Daniel Hoffm an , was premiered Mar ch 4, 2000 by the Ph singers under David Ha iladelphia yes. Th e Concerto fo r Ba ss Clarinet an d Orches premiered January 20, tra wa s 2003 with Richard Pa ge. Hsing-ay Hsu prem Piano Sonata No . 3 De iered hi s cember 13 , 2003 at the Yale School of M us ic 's Hall. Sprague Laderman was Dean of the Yale School of Mus ic from 1989-1995 and currently Professor of is Music . He ha s be en ch airman of the Natio Endowment for the Ar nal ts composer-librettist pr ogram ( 1973-79), pres American Music Cent ident of the er (1972-75), director of the music program National Endowment of the for the Arts (1979-82), president of the Natio Council (from 1983-87) na l Music , and chairman of the bo ard of the American Co Orchestra (1987-91). He mposers is currently Vice Presid ent of the American Ac of Arts and Letters. ademy He has taught at Sara h Lawrence College ( 1960-61, 1965-66) and State University of N ew at the York at Binghamton (1 97 1-82), where he also he position of composer-i ld the n-residence. He has also held the position composer-in-residence of visiting at Yale University ( 19 88-89). He has receiv separate Quggenheim ed three fellowships (1955 , 19 58, and 1964) the Ro (1963), and has had me Prize residencies at the Be nnington Composers (1952), and at the Am Conference erican Academy in Rome (1982-83), and Rockefeller Foundatio at the n at Bellagio (1986) . He was the directo Bennington Composers r of the Conference (1967 and '6 8) , and was in resid the Israel Philharmonic ence with ( 1982). Recordings of his music include Concerto fo r Do uble Orchestra with Hu W ol ff and the Ne w Jers gh ey Symphony (New W or ld), Citadel, Sanctuary, Violin Concerto with th an d the e Louisville Orchestra and Lawrence Leighton (First Editions), Pentim Smith, ento with the Albany Symphony with Hegy Concerto fo r Orchestra i (CRI), , Baltimore Symphony with Co m m isi on a (Des Etudes with Elana Vere to ), Piano d (Connoisseur) Quartet No. 6 with the Audubon Victor), Quartet No. 7 (RCA with the Colorado (Alb any), and ov er the last five CD 's have been three years released by Albany Re cords of his solo and works. A sixth CD is no chamber w in production. Many of his earlier works publ Ox fo rd University Pres ished by s, are with Theodore Pr esser. His music is now exclusively by G. Schirm published er. Dancer MARLON TO RRES is a member of Company and a featu the Se co nd Hand Danc red dancer with Linc e ol n Amphitheater. He's television appearances made on The Jerry Lewis Te lethon MDA, Por fin es Boy, Los Mini Pops an lunes, Rat d Agatha. Torres has ap peared as an actor or BU in Free Beer, Hot dancer at Sex and The Weight of Gravity and Chicago, an Lincoln Amphitheater d with in The Music Man. He has studied ja zz with Fr Rick Atwell, and Denise ed Weiss, LaPointe , ballet with Ka theryn Sullivan and Al Tresser, tap with Deni exander se Butterfly and moder n dance with Miguel Milton May ers. Lopez and \ �Flutist GEORGETTA MAIOLO is a graduate of Duquesne University, Pittsburgh, Pennyslvania with a Bachelor of Science Degree in Music Education. She attended graduate school at West Virginia University, Morgantown, West Virginia. She has studied with Bernard Goldberg, principal flutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At the age of 15, she made her solo debut with the Pittsburgh Symphony. Maiolo is the recipient of numerous honors. She is the principal flutist with the Binghamton Philharmonic Orchestra, Tri-Cities Opera Orchestra, B.C. Pops Orchestra, Southern Tier Concert Band and Downtown Singers Orchestra. In addition to her playing positions, she concertizes as a soloist, recitalist, and chamber musician. As a soloist, she has appeared with the Binghamton Youth Symphony, Oneonta Symphony, Geneseo Community Orchestra, Hornell Symphony and Symphonette, Elmira Symphony, B.C. Pops Orchestra, and high school orchestras and wind ensembles. She is a member of the Binghamton Woodwind Quintet, The Three Winds, Flute and Harp Duo, Four Flutes for Fun, and the Binghamton University Faculty Woodwind Quintet. Maiolo is a faculty member at Binghamton University and Broome Community College, teaching flute and directing flute ensembles. CHAI-KYOU MALLINSON, on the faculty of the Department of Music at Binghamton University, received a B.M. degree in Piano from Juilliard, Licence d 'Enseignement from Ecole Normale de Music de Paris, France and a M.A. degree from Binghamton University, where she studied with Jean Casadesus. A prize winner in the Korean National Music Competition, she was awarded the French Government Scholarship, Tanglewood Summer Music School Full Scholarship and the Fontainebleau American Conservatory Full Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active as a recitalist, vocal accompanist and coach, and chamber music performer, as well as an active adjudicator of piano auditions and competitions. By invitation, she appeared in a performance with the Seoul Philharmonic Orchestra, which Eumag Choonchu, one of Korea's most respected music magazines, described as "of rare quality, moving and lyrical----". As a teenager iin her native Korea, she was invited to perform with the orchestra of the Korean Broadcasting System after winning a prize in the Korean National Music Competition in Piano. She made numerous appearances on Korean TV and radio, and has performed in Europe and in the U.S. LARA LONGSWORTH (mezzo-soprano) is from Richmond, VA. She is a member of the Tri-Cities Opera Resident Artist Training Program and a candidate for a Master of Music in Opera at Binghamton University. Longsworth is a graduate of Virginia Commonwealth University where she sang the title role in Rossini's La Cenerentola, Prince Orlofsky in Strauss's Die Fledermaus, and Fidalma in Cimarosa's fl Matrimonio Segreto. She made her Tri-Cities Opera debut as the Mother in Menotti's Amahl and the Night Visitors. �Coming Events Saturday, March 6 - Duke Ellington Orchestra - 8:00 p.m. - Anderson Center Concert Theater - $25 general public; $20 faculty/staff/seniors; $10 students (co-sponsored by the Harpur Jazz Project) Sunday, March 7 - University Wind Ensemble - "Cinematic Signatures II Music by John Williams" - 3 :00 .m. - Anderson Center Concert Theater free Thursday, March 18 - Mid-Day Concert with Faculty and student performers - 1:20 p.m. - Casadesus Recital Hall - free Saturday, March 20 - Harpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall - free Sunday, March 21 - Mozart Lecture/Recital - Lecture by Alice Mitchell with faculty artists performing - 3:00 p.m. - Casadesus Recital Hall - $8 general public; $6 faculty/staff/seniors ; free for students Thursday, March 25 - Harpur Trumpet Ensemble Concert - 8:00 p.m. Casadesus Recital Hall - free Saturday, March 27 - Songs My Teachers Taught Mc - Soprano Mary Burgess and Friends - 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students l Thursday·,. April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Thursday, April 15 - Mid-Day Concert with faculty and student performers I :20 p.m. - Casadesus Recital Hall - free Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem - Bruce Borton, conductor - 8:00 p.m. - Anderson Center Concert Theater $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artists - I :20 p.m. Anderson Center Concert Theater - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:04:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253430&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253430&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A tribute to Ezra Laderman, March 5, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-5 Description An account of the resource Works of Laderman At head of title: Binghamton University Department of Music Creator An entity primarily responsible for making the resource Laderman, Ezra Maiolo, Georgetta Torres, Marlon Mallinson, Chai-Kyou Longsworth, Lara Borton, Bruce Date A point or period of time associated with an event in the lifecycle of the resource 3/5/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/78251da1aa44436267940f02a6c3f3db.pdf a95619a8e550eb2f63108ba1812680a1 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  l  T  Y S T A T E   U N l V E R S I T Y   O F  NEW  Y O R K D E P A R T M E N T The Binghamton University Depart ment o f Musi c prese nts a MID­DAY CONCERT £2 Tuesda y, M a r c h 6, 20 12 1 :2 0 p. m. Casadesus Rec ital Ha ll �PROGRAM String Quartet # 14 in D minor, D.81 0  (“Death and the Maiden")  .Franz Schubert (1797–1828) l. Allegro Aria of Amina, “Come per me sereno Sovra iI sen,”  from La  Sonnambu/a  Christina Santa Maria, soprano William James Lawson, piano Quartet for Saxophones  lll .  Papillons  Gabriel Fauré (1845–1924) Natalie McCreary, fl ute Margaret Reitz, piano Sonata #23 in F minor, Op. 57,  “Appassionata”.  1. Allegro assai  .Ludwig van Beethoven (1770–1827) Sung­Kyun Ryu. piano Sonata in E­flat Major for V iola and Piano, Op. 1 20, No. 2.......Johannes Brahms 1. Allegro amabile  (1833–1897) Benjamin Pochily, viola Michael Salmirs, piano Concerto for Trombone and Orchestra .  ll. Andante grave (Quasi una leggende)  Launy Grendahl (1886–1960) William Marsiglia, trombone Margaret Reitz, piano The Lure of L ittle Voices Stephen Lias (b. 1966) Richard G. Leon berger, tenor U Lee, piano Neoromantic Preludes Nos. 1, 2, 3 .   Christian Martin, piano Vincenzo Bellini (1801–1835) Meghan Cakalli, soprano U Lee, piano Stefano Donaudy (1879­1925) Fantaisie for Flute and Piano (1898)  Gordon Stout (b. 1952) Adam Goldenberg, marimbo James Hsia and Gabrielle Maire, violins Benjamin Pochily, viola Xander Edwards, violoncello Amorosi miei giorni  Mexican Dance #1 for Marimba Solo.  . Christian Man in (b. l990) Tiger Rag .  Faustin JeanJean (1900–1979) Traditional, Arr. Bill Holcombe Dean Papadoupolos, soprano saxophone Zal Mirza, alto saxophone Raymond Hendricks. tenor saxophone Darin Mihalik, baritone saxophone Duet, “O Mimi, tu piii non torni” from La  Boheme  . Giacomo Puccini (1858–1924) Mario Eun Hwan Bae, renor (Rodolfo) Robert Hee­Pyoung Oh, baritone (Marcello) U Lee, piano James Hsia, Violin—is a second~year M.M. majoring in  V iolin Performance Gabrielle Maire. Fiolin—is a sophomore, major undeclared Benjamin Pochily, Hal o  is a sophomore majoring in Music and Comp.Science Xander Edwards, Violoncello—is a sophomore, major undeclared Christina Santa Maria. Soprano—is a freshman B.Mus majoring in Voice Natalie McCreary, Flute—is a junior majoring in Human Development Sung­Kyun Ryu. Piano—is a senior majoring in Mathematics William Marsiglia. Trombone­–is a junior majoring in  Biology and Music Richard G. Leonberger. Tenor—is a second­year M.M. majoring in Opera Christian Martin. Composer–is a senior B.A. Music major Adam Goldenberg. Marimba—is a senior majoring in Biochemistry/Music minor Meghan Clkalli. Soprano—is a second­year M.M. majoring in Opera Dean Papadoupolos, Soprano Saxophone—is a senior majoring in Accounting Zal Mirza. Alto Saxophone—is a sophomore majoring in Engineering Raymond Hendricks. Tenor Saxophone—is a senior majoring in Engineering Darin Mihalik. Baritone Saxophone—is a freshman majoring in Physics Mario EunHtvan Bae. Tenor—is a first­year M.M. majoring in Opera Robert Hee­Pyoung Oh. Baritone—is a first­year M.M. majoring in Opera �Binghamtan University Music Department’s U P C O M I N G .  E V E NT  S M M t b ' fi M t D ­ W fi w r b ’ Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Saturday, March 10 — Paul Taylor Dance Compa ny with the University Symphony Orchestra — 8 p.m. — Osterhout Concert Theater — $41 general public; $36 faculty/staff/seniors; $21 students Sunday, March 11 — Trombone Recital and Ma sterclass with guest art ist Timothy Smith — 7:30 p.m. — Casadesus Recital Hall — free Thursday, March 15 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, March 15 — Harpur Chorale & Women ’s Chorus : O Canada — 8 p.m. — Anderson Center Chamber Hall — $6 general public; $3 faculty/staff/ seniors; free for students Saturday, March 17 — Organist Jona than Biggers presents “My Favorite Fantasies” — 4 p.m. — First Presbyterian Church — $10 general public; $6 faculty/staff/seniors ; $3 students Sunday, March 18 — Student Song Recital — 3:00 p.m. — Phelps Mansion Museum — $10 general public; BU students free with valid I.D. Thursday, March 22 — Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Friday, March 23— Master’s Recit al : Kathleen Jasinkas, sopra no — 8:00 p.m. — Casadesus Recital Hall — free if y  ou enjoyed and were inspired by this performance, please consider supporting the Department of Music with a financial gift.  Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community.  Please  make  your  donation  payable  to  the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 77 minutes :58 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141270">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE141270</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 6, 2012 Description An account of the resource Work by Schubert, Donaudy, Beethoven, Brahms, Grondahl, Lias, Martin, Stout, JeanJean, Puccini Held at 1:20 p.m., March 6, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hsia, James Maire, Gabrielle Pochily, Benjamin Edwards, Xander Santa Maria, Christina Lawson, William James McCreary, Natalie Reitz, Margaret Ryu, Sungkyun Salmirs, Michael Marsiglia, William Leonberg, Richard Lee, U Martin, Christian Goldenberg, Adam Cakalli, Meghan Papadopoulos, Dean Mirzram Zal Hendricks, Raymond Mihalikm, Darin Bae, Eun Kwan Oh, Robert Heepyoung Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 3/6/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d0a23a904b1236309ad3db236cfb097f.pdf 239660c4dffc18ccad1476a9cee70929 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V ER S I T Y   OF  N E W   Y O R K Ld v d e e D E P A R T M E N T :  ( ­ q  fi v a n y d f   N      3 5 :m  '  ,(‘;J"J’  o n y l  A  ‘  ‘ l u O   Q ’   g‘gl’g“  X : ‘ 4  “ f y ” ” a 3  b  o ) J  o i   l y   S a y {   S oY,e5  MID­DAY CONCER T Thursday, March 6, 201 4 1:20 p.m. Casadesus Recital Hall �sing ing 31­3 ; s t a r s !   PROGRAM  «6 & @ Johannes Brahms Rhapsody in G minor, Op. 79, No. 2...  Benjamin Calhoun, piano Sing not, bea utiful maiden, Op. 4, No. 4 . They Answered, Op. 21, No. 4 Spring Tor rents, Op, 1 4, No. 1 1 (1833­1897) .. Sergei Rachma ninoff (1873­1943) Canzonctta.  (1863­1937) Ma ry McGahay, clarinet Margaret Reitz, piano ' g d p i r . Gabriel Pierné   J b  L P _ . l u F \    i a  i j w i fi i g a n s .  Bn  s t e roid a l»  “l, C & =   w i th I odeICelebritiu Tri­Cities Dpsra S’tars­wrllbitpal’ed w  in duets from Opera, Broadway anthibie eI Theater! S a t u r d a y,  M a r c h  8  * 8 : 0 0 p m .F.A. Guilmanr (1837­191 1) Morceau Symp ho nique . »  » 4  ,  Thom Baker, tenor Ma rga ret Reitz, pia no Christopher Beard, trombone Ma rga ret Reitz, pia no . Dmitri Shostakovich Sonata in d minor, Op. 40  (1906­1975) Largo  Stephen Stalker, cello Tri­Cities Opera Center 3 1 5  Cl int on Stre et » B inghamt on, NY For details about VIP ticketing options, which include a cocktail hour before the show, reserved seating and special onstage seating, call 60 7­7 72­0400 or visit us online at tricitiesopera.com. Ma rga ret Reitz, pia no .Darius Milhaud (1892­1974) Duo Concerta nte . Skylar Buono, clarinet Ma rga ret Reitz, pia no Ernest Chausson Chansons dc Shakespeare . Chanson dc clown Chanson d’amour Cha nson d ‘op hélie , , , ,   ,  ~ 7   . i   ,  C o u n c  o f .   . . ,   “ . i  (1855­1899) 2  Michael Celenta no John Isenberg, piano L AR L Y    L M A V R Vos  or  i :]g  oa s l �Bingha mto n U nive rsi ty  Depa rtme nt of Music Coming Events m m 5 6 ­ W W W Saturday, March 8 ­  Harpur Chorale and Women’s Chorus – 3 :00 p.m. – Anderson Center Chamber Hall – free Sunda y, March 8 ­  TriCi ties Opera presen ts  “Singing wth the  Stars ” fundra iser– 8:00 p.m. – Opera Center, 3 1 5 Clinton Street  – call (607)772­ 0400 for tickets Sunday, March 9  – Master ’s Recital: Thom Baker, tenor– 3 :00 p.m. – Casadesus Recital Hall – free Th ursday, March 1 3  – Mid­Da y C o ncer t –  1:30 p.m. – Casadesus Recital Hall – free Saturday, March 15 – Master ’s Recital: Michael Celentano, baritone – 3 :00 p.m. – Casadesus Recital Hall – free Saturday, March 15 – Wind Sympony Concert: Music by Numbers – 8:00  p.m.  –  Anderson  Center  Chamber  Hall  ­  $7  general  public;  $5 faculty/staff/ seniors; free for students Wednesday, March 19 ­  Opera  Scenes –  8:00 p.m.  –  Anderson  Center Chamber Hall ­ $ 1 0 general public; $ 7 faculty/staff/ seniors; $5 for students Thursday, March 20 – Mid­Day Concer t– 1:20 p.m. – Casadesus  Recital Hall – free Th ursday, March 27 – Mid­Day C o ncer t –  1:20 p.m. – Casadesus Recital Hall – free Friday, March 2 8  – Harpur Vocallazz –  8:00 p.m.  –  Casadesus  Recital Hall – free W M O a f p 0 4  =   W é M fi ­ fi fi fl For  tickets  or  to be added  to  our email  list, visit anderson.binghamton.edu  or  call (607) 777­ ete  list of our concern ml! (60 7 ) 7 7 7­2592, visit music.binghamton.edu  or   ARTS. Fora compl become a fan on  Faceboolc i f  you  were inspired  by  this performa nce, consider supporting the Department of  Music with a financial gift. Your support helps to continue the work  of students, faculty, and  guest artists and their contributions  to our community.  Please  make  your donation  payable  to the Binghamton   usic Department, P.O. Box  6000, University Music Department, and  send your check to B U M Binghamton, NY  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:48:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE69125">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE69125</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, March 6, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Brahms, Rachmaninoff, Pierné, Guilmant, Shostakovich, Milhaud, Chausson. Held at 1:20 p.m., March 6, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Calhoun, Benjamin Baker, Thom Reitz, Margaret McGahay, Mary Beard, Christopher Stalker, Stephen Buono, Skylar Celentano, Michael Isenberg, John Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Brahms, Johannes, 1833-1897 Rachmaninoff, Sergei, 1873-1943 Pierné, Gabriel, 1863-1937 Guilmant, Alexandre, 1837-1911 Shostakovich, Dmitriĭ Dmitrievich, 1906-1975 Milhaud, Darius, 1892-1974 Chausson, Ernest, 1855-1899 Date A point or period of time associated with an event in the lifecycle of the resource 3/6/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound