151 10 1775 https://omeka.binghamton.edu/omeka/files/original/8fb30cd40a75dae7600ca94725dd978c.pdf fe28e74c82311bec7d665814e59f4607 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y  OF  NEW  Y O R K [4 w dee D E P A R T M E N T MASTERS RECITAL Nicholas Follett, alto saxop hone and Alexand ria Hanessian, clarinet Margaret Reitz, piano Frida y, March 6, 2015 7:30 p . m. Casadesus Rec i tal H a l l �8:3  PROG RAM  08 k )  ABOUT THE PE RFORMERS ( z io of NICHOLAS FOLLETT is  a gradua te saxophone perfo rmance major from the stud April Lucas.  He holds a Bachelor of Music Education from Mansfield University in ff Pennsylvania.  He is currently a member of the Norwich High School Field Band sta everal s   acher in stitute te As a sub s.  where he is the instructor of music for winds and bras area school districts, Nick  enjoys working with children of all ages and hopes to have a le and career as a music educator.  As a member of the Mansfield University Jazz Ensemb k, and New Yor sylvania,  ed Penn  has tour mble, he ind Ense the Mansfield University W  is also London  where he  performed at  the  2012  World  Olympic  Games.  Nicholas Y. N ,  Norwich  is from  Nicholas literacy.     degree in s master’ nd  working on a seco of conce rt ALEXANDRIA HAN’ESSIAN is currently in her  ninth year as the director  Lakes  Finger  soud’tem l in the  e Schoo and jazz bands at Spencer  ­  Van Etten Middl ys and chool pla middle s l  ed severa lso direct she has a region of Spencer, NY. In  addition,  musicals and is Musical Director for high school productions (including Crazy  for You, hool and Beauty and the Beast, The  Music Man, and Seussiazl). As an active leader in her sc  music r county nt of he s Preside  tenure a  finished  recently community, Ms. Hanessian ege at aca Coll from Ith teachers  udent  junior st ted   has hos tion and educators associa , ducation Spencer ­ Van Etten. She is a member of the National Association for Music E Music School  State  New  York  State  Band  Directors  Association,  and  New  York  icts, she Association (NYSSMA). Passionate about building success in  small school distr ls” all Schoo en in Sm gs Happ “Big Thin and her colleagues presented a workshop entitled   at nference AiME Co legiate N t the col at the NY SSMA Conference in  2010, and again a tra d Orches Band an Midwest  the  ented at   she pres Nazareth College  in 2012. In 2013 istrict. a rural d ng in  in teachi resented  lenges p rent chal the diffe Clinic in Chicago on  hirty­ Since beginning at Spencer ­  Van Etten, the instrumen tal progra m has grown by t ol level. ddle scho five percent and there are now active drama and jazz programs at the mi Music Ms. Hanessian holds a BM in  Clarinet Performance and Education and an MM in  in cher  rivate tea r and a p Education from I thaca College and is a sought­after  performe the Ithaca/Binghamton area. MARG ARE T REI TZ, pianist, is a n ative of the Binghamton area. She receive d her bachelor  and  master  of  music degrees  in  piano  performa nce with  accompanying emphasis.  She  attended  Boston  University,  New  England  Conservatory  and us,  Victor Bingham ton  U niversity.  She  has  studied  piano  wi th  Jean  Casades Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has  accompanied throughout the United States, in England, South America, s a Spain and at  the American Institute of Musical Studies in Graz, Austria. She wa tion Informa States  United  the   by  winner  of  the Artistic  Ambassadors  Program Agency  in  partners hip with the John  F. Kennedy Cen ter for  the  Performing Arts. She  has  been  on  the  faculty a t  Bingham ton  U niversity  since  1991,  College School of Music since 1999. and  Ithaca jules Massenet Meditation from Thais transcribed by Nicholas Follett (1842­1912) Nicholas Follett, alto saxophone Margaret Reilz, piano Concerto , Op. 109 . Allegro modera to ­ Andante ­ Allegro Alexander Glazounov (1865­1936) Nicholas Follett, alto saxophone Margaret Reitz, piano &  INTE RMISS ION c s .Claude Debussy    18) (1862» 19 Nicholas Follett, alto saxophone Selections from Eight Pieces . for Clarinet, Viola and Piano, Op. 83, No. 6 Edited for Alto Saxophone by  Harry R. Gee V1.  Andante con moto II.  Allegro con moto V114  Allegro vivace, ma non troppo Alexand ria Hanessian, clarinet Nicholas Follett, alto saxophone Margaret Reitz, piano .Max Bruch (1838­1920) �Bingha mton U niversity  Depart ment of Music Coming Events e w w w w w w w w w m o ­ Saturday, March 7  ­  Harpur Chorale  and Women’s Chorus ­  7:30  p.m. ­  Anderson  Center Chamber Hall ­ $7 general public; $5 faculty/staff/seniors/ alumni; Free for students Sunday, March 8 ­  University Wind Symphony: Just Like a Concert in the Park ­  3  p.m. ­ Osterhout Concert Theater ­ $7 general public; $5 faculty/staff/seniors/alumni; Free for students Sunday, March 8 ­  Sophomore Recital: Hannah Watrobski, viola ­  5 p.m. – Casadesus Recital Hall ­ free Thursday, March  12  ­  Opera Scenes  Mid­Day  Concert  (Thomas Goodheart)  ­  1:20  p.m.  ­ Anderson Center Chamber Hall ­ free Thursday, March 12 ­  Opera Scenes ­  7:30 p.m. ­ Anderson Center Chamber Hall ­ $10 general public; $ 7 faculty/staff/seniors/alumni; $5 for students Saturday, March 14 – Master’s Recital: Meroé Khalia Adeeb, soprano  – 4  p.m. ­  Casadesus Recital Hall ­ free Sa turday, March 1 4 – U niversity Symphony Orchestra: Dark Passions – 7 :30 p.m. – Osterhout Concert Theater ­ $7 general public; $5 faculty/staff/seniors/alumni; Free for students Sunday, March 15  ­  Opera Scenes and  Arias ­  3  p.m.  ­  Phelps Mansion,  191  Court Street, Binghamton  – $10 general  public;  BU students free with ID ­  For reservations call the  Phelps Mansion at (607) 7224873.  This concert is cosponsored by  the  Binghamton University Music Department and Phelps Mansion Museum. Thursday, March 19 ­  Mid­Day Concert ­  l : 20 p.m. ­  Casadesus Recital Hall ­  free Thursday. March 19 ­  Lontano Ensemle: Music Now! ­  7:30 p.m. ­ Casadesus Recital Hall ­ $7 general public; $5 faculty/staff/ seniors/ alumni; Free for students Thursday, March 19 ­  Master Class BU Alumnus Lee Musiker, piano ­ 6 ­  7:30 p.m. ­  Fine Arts 24 ­ free a fi w w b é M M M M M Q ­ é m é ­ For tickets or to  be  added  to our email list, vmt anderson.binghamton.edu or call (607) 777­ARTS. For a complete list ofour concerts call (607) 777­2592, visit music.binghamton.edu or become a fan on Facebook. —  i a ]   é  — E if you were inspired by this performance, consider supporting the  Department of Music    with  a  financial  gift.  Your  support  helps  to  continue  the  work  of students, faculty, and  guest artists and their contributions  to our community. Please  make  your  donation  payable  to  the  Binghamton  University  Music Department,  and  send  your  check  to  BU  Music  Department,  P.O.  Box 6000sss, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 23:59 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74859">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74859</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital with Nicholas Follett, Alexandria Hanessian, and Margaret Reitz, March 6, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Massenet, Glazounov, Debussy, Brunch. Held at 7:30 p.m., March 6, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Follett, Nicholas Hanessian, Alexandria Reitz, Margaret. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Massenet, Jules, 1842-1912 Glazounov, Alexander Debussy, Claude, 1862-1918 Bruch, Max, 1838-1920 Date A point or period of time associated with an event in the lifecycle of the resource 3/6/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a25571b00c0f2d947d912a355d9ea26a.pdf cc8174347c130aa8a0026fb62503f108 PDF Text Text BINGHAMTON U N I V E R  S L E Y STATE  U N I V E R S I T Y  O F   N E W   Y O R K D E P A R T M E N T CHORAL  TREASURES OF THE BRITISH ISLES THE WOMEN’S CHORUS Bruce Borton, conductor Assisted by William J. Lawson, piano and organ THE  HARPUR CHORALE Peter Browne, conductor Assisted by Natasha Talukdar, piano Saturday, March 7, 2015 7:30 p.m. Anderson Center Chamber Hall �PROG RAM On the  Morrow . Yorkshire Folk Song Arranged by Samuel Gaines I .  T H E  WOMEN’S Cnonus Sound the Trumpet.  (1869­1945) Henry Purcell [1659­1695] Three Elizabethan Madrigals Tan Ta Ra Ran Tan Tant Ballad of Green Broome, op.4 7, No.5  Thomas Weelk es 1 Go Before my Darling . Thomas Morley (1553­1603) Missa Brevis  Kyrie  Benjamin Britten (1913­1976) Gloria Blow the Wind Southerly.  Traditional English Arr. John Clements Sigh No More Ladies  Ralph Vaughan Williams (From S ir John  in  Love)  (1872­1958) (1913­1976) WOME N’S C h o r us (1575­1623) john Dowland (1557­1603) Flow Not so Fast Ye Fountains.. Benjamin Britten [from Five Flower  Songs)   Bruce Barton, conductor Willia m ]. Lawson, accom pan i st Soprano l  Caroline Brickley  Kailyn Giaccone  Alto Tamar Ashdot Lauren Bass Rachel Zielinsk i  Erica Levy Kimberly Torres Julie G regg  Kalie Fioranza Soprano IT Abby Arnold Kaitlin Biagion i Courtney Densmore Jamila Gordon Shaniee Hodge Georgia  Kasow l l .  T HE HA RPUR CHO RALE Fire, Fire! My Heart.  Ave Verum Corpus William Byrd (1543­1623) Praise Ye the Lord  lohn Rutter Alex Castonguay, baritone (b.194 5) Set Me as a Seal Upon thine Heart. William Walton (1902­1983) Colin Roth, ten or and Carina Kahane, soprano Just as the Tide was Turning . HARPUR CHORALE Peter Browne, conductor Natasha Talukdar, accompanist Thomas Morley (1557­1603) .Ralph Vaughan Williams (1872­1958) Sopranos  Janine Alto  Deanna Feuerbach  Rachel Graham  Carina Kahane  Audrey  Russo  Christina Santa Maria Altos  Alexa D icken  Inez Nelson  Kate Sherwood  Joanna Wallace  Tenors Dallas Marsh Tho m “  Parker Matthew Pedersen Colin Roth Jonah Steue Basses Alex Castonguay E van Flury Ten­Young Guh Jibron Harris John Rosser �M Bing hamton U niversity  Depa rtme nt of Music Com ing Events M M M M fi M M M M M fi M S u n ¢ 1 w March  8  ­  Universi ty  Wind  Symphony: Just  Like a Concert  in  the  Park  ­  3 p.m.  ­ Osterhout Concer t  Theater ­  $7  general public; $5  faculty/staff/seniors/alumn i; Free for students Sunday,  March 8 ­  Sophomore Recital: Han nah Watrobski, viola ­  5 p.m. ­  Casadesus Recital H all ­  free Thursday. March  12  ­  Opera Scenes Mid­Day Concert ­  1:20 p.m . – Anderson Center Chamber Hall ­  free Thursday. March 12 ­  Opera Scenes ­  7:30 p.m. ­  Anderson Center Chamber Hall ­  $10 general public; $7  faculty/s talf/seniors/alumn  $5 for students Satu rday.  March  14  ­  Master’s  Recital:  Meroé  Khalia  Adeeb,  soprano  –  4  p.m.  – ( l sadesus R   ecital Hall ­  free Saturday,  March  14  ­  Universi ty Symphony Orchestra: Dark Passions  ­  7:30 p.m.  ­ Ostcrliout Concer t Theater ­  $7  general public; $5  faculty/staff/seniors/alumn i; Free  for students Sunday,  March  15  ­  Opera Scenes an d Arias  ­  3 p.m.  ­  Phelps Mansion.  191  Court Street. Binghamton – $10 general public; B U  students (tee with I D  – For reservations call the Phelps Mansion at (607) 722­48 73.  This concert  is co—sponsored by the Binghamton Universi ty Music Department and Phelps Mansion Museum. Thursday, March 19 – Mid­Day Concert– 1:  20 p.m. ­ ( '  sadesus Recital Ha ll ­  free Thursday , March  19  ­  Lontano  Ensemle : Music Now! ­  7:30 p.m . ­  Casadesus Recital Hall ­ $7 general public; $5 faculty/ staff/sen iors/alumni; Free for students Th u rsday, March  19­ Mast er Class  BU Al u m n us Lee M usike r. piano  ­  6 ­  7:30  p.m.  ­ Fine Arts 24 ­  free M M M M M ­ fi w w w é fl é w w b For tickets or  to be added to our email list, visit anderson.bingha mton.edu or call ( 60 7 ) 7 7 7­AR TS. For a complete list of our conc erts  call ( 60 7 ) 7 7 7 ­ 2 5 9 2 ,  visit  music.binghamton.ed u  or  become a fan on Facebook. —  [ = ]   M  — E If  you  were  inspired  by  this  performance,  consider  supporting  the Department  of Music  with a  financial  gift.  Your  support  helps  to continue    the  work  of  students,  faculty, and  guest  artists  and  their contributions to our  community. Please  make your donation payable to  the  Binghamton  University  Music  Department,  and  send  your check  to  BU Music  Department.  P.O. Box  6000sss.  Bltlgllllmwtl, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:06:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74856">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74856</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choral Treasures of the British Isles, March 7, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Purcell, Weelkes, Dowland, Morley, Britten, William, Byrd, Rutter, Walton Held at 7:30 p.m., March 7, 2015, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Harpur Chorale Castonguay, Alex Colin Roth Carina Kahane Lawson, William J. Browne, Peter Talukdar, Natasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Purcell, Henry, 1659-1695 Weelkes, Thomas, approximately 1575-1623 Dowland, John, 1563?-1626 Morley, Thomas, 1557-1603 Britten, Benjamin, 1913-1976 Vaughan Williams, Ralph, 1872-1958 Byrd, William, 1539 or 1540-1623 Rutter, John, 1945- Walton, William, 1902-1983 Date A point or period of time associated with an event in the lifecycle of the resource 3/7/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/320b909fb8f248b6deb09a1dd43a41f5.pdf c2769d5ce08a636d5ed15a96017c6338 PDF Text Text VA \ C Recital C \) 00 4 3 7 SPECC 0 L..§tate University of New York Department of Music UNIVERS ITY WIND ENSEMB LE Timothy Perry, conductor Stephen Boel, assistant conductor "Cinematic Signatures II: The Film Music of John Williams'' Sunday, March 7, 2004 3:00 p.m. Anderson Center Concert Theater �The Binghamton University Department of Music prcs<::n ts the Wind Ensemble University Timothy Perry, Director and Conductor Stephen Boel, Assistant Conductor CINEMATIC SIGNATURES II THE FILM MUSIC OF JOHN WILLIAMS Program "Jaws" Suite ( I975) ....................... ......... arr. John Cacavas Main Title - The First Victim - Out to Sea - Epilogue "Star Wars: The Empire Strikes Back" (l 980) .. arr. Jack Bullock Finale - End Credits "Raiders of the Lost Ark" ( 1981) ................ arr. Jack Bullock Raiders March - Marion's Theme "E.T. The Extra-Terrestrial" (l 982) ........... arr. Frank Erickson Adventure on Earth - E.T. and Elliott - Over the Moon - Main Theme ''The Witches of Eastwick" ( 1987) ............. arr. Paul Lavender Dance of the Witches "Schindler' s List" ( 1993) arr. Calvin Custer Main Theme Alicia Fusani, Violin Solo "Saving Private Ryan" ( 1998) .................. arr. Paul Lavender Hymn to the Fallen "Harry Potter and the Sorcerer's Stone"(2001) .. arr. Robert Smith Hedwig's Theme - Nimbus 2000Hogwarts Forever - Quiddi tch Leaving Hogwarts - Harry's Wondrous World �UNIVERSI1Y WIND ENSEMBLE TIMOTHY PERRY, DIRECTOR STEPHEN BOEL, GRADUATE AsSISTANT Piccolo Amy Forgacs Tenor Saxophone Stephanie Mack Flute Lisa DePaula Stephanie Holleran Nicole Lean Elise Martingale Jennifer Thomas* Jennifer Weintraub* Baritone Saxophone Oboe Nancy Bayewitch Clarinet Heather Boland* Caroline Bravo* Sandra Czelusniak* Lloyd Gewuerz Michelle Grexer Andrew Hsu Angela Orlando Julie Pinsonneault Bass Clarinet Sam Jones* Christopher Strub Soprano Saxophone Philip Belle* Michael Irani Keyboard Judy Zhu Trumpet Max Baden Philip Deitz Derek Ersbak Michael Osa* Thomas Osa French Horn Greg Cecere* Ernie Epelman Maxwell Guido Trombone Ari Atkinson Jamie Cepler Ten-Seng Guh David Henann* Jonathan Ludwin Euphonium Dennis Pettas Jay Gwak Tuba Alto Saxophone Emily Alkiewicz* Amy Natiella* Percussion Ryan Bagg Matt Green Kristine Jackson Robin Kindig Pete Tringali* Dan Gallagher * Section Leader �About the Performers Conductor/Clarinetist TIMOTHY PERRY is Professor of Music at Binghamton University, where he serves as Director of Orchestral Activities, Director of the Wind Ensemble Program, and Professor of Instrumental Conducting and Studio Clarinet. Off campus, he is completing his tenth season as Music Director of the Binghamton Community Orchestra and recently guestconducted the Catskill Symphony and Binghamton Philharmonic orchestras. In addition to directing more than two hundred concert programs as conductor, Perry maintains a career as solo clarinetist and chamber musician. He has presented two programs at world conferences of the International Clarinet Association, toured Latin America as a United States Musical Ambassador, and recently premiered his composed reconstruction of Carl Baermann's concertina, The Hour of Ghosts. STEPHEN BOEL is a graduate student 1n Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, Massachusetts, Boel double-majored in Music Education and Music Performance. He also fulfilled the requirements for the Choral Conducting Certificate of ENC while serving for three years as the student director of the A Cappella Choir and Chamber Singers under the mentorship of Timothy SShetler. Conducting opportunities while ·serving as student director, and later as assistant director, included appearances at the Pennsylvania State University, New England Conservatory's Jordan Hall, and St. Paul's Cathedral in London. Upon receiving his baccalaureate degree, Boel served as director of music for the Wollaston Church of the Nazarene on the campus of his alma mater, a position held for five years before coming to Binghamton. During that time, he also played trumpet in the brass septet Tribute in Brass and assisted with the Wind Ensemble of Eastern Nazarene College. He serves as assistant director of the Binghamton University Wind Ensemble. He plans to graduate with his M.M. in Instrumental Conducting in the spring of 2005. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:54:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The film music of John Williams, March 7, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-7 Description An account of the resource Title from cassette label Creator An entity primarily responsible for making the resource Williams, John Date A point or period of time associated with an event in the lifecycle of the resource 3/7/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/f58f83b9dff38c3d6541f4a6e200377f.pdf e09db26e5c0a0f7fee053eef2c9511c2 PDF Text Text BINGHAMTON U N I V E R S I T Y S ’ A I E  U N I V E R S I T Y   O F   N E W   Y O R K D E P A R T M E N T RICHES FROM THE EAST Choral M usic of Asia a n d t h e Sou th Pacific T HE WOMEN’S CHORUS Bruce Borton, conductor Assisted by W illiam Lawson, piano THE HARPUR CHORALE Peter Browne, conductor Assisted by Michelle Li,flute Saturday, March 8, 201 4 3:00 p.m. Anderson Center Chamber Hall �I I .  T H E  H ARPUR C HORALE PROGRAM I.  T HE WOMEN’S CHORUS odi 011i  . Tamil Song Arr. Stephen Hatfield The  Tamil people are widespread throughout  southern  Asia and  their language is one of fourteen official languages of India.  The chant­like melody is sung above a three tone drone typical of this music.  The text: “Untold millions o f p eople run and run, constantly seeking, grow desperate and die looking for the light that is within them.” Kashiri. . Tae Kyun Ham (btl936) Tae Kyun Ham is Professor of Music at Kunsan National University, Korea. Kashiri was commissioned for the 16!” Seoul Music Festival in 1984.  The text is a traditional Korean lyric poem: ”Are you going away, indeed? Are you going away leaving me behind? Without caring whether i can live on, are you going away? Though i wish to hold you here, I fear you will leave never to return.  Now I let you go, though grief­stricken; Come back to me as quickly as you are leaving.” Kaming Mag ma mani (Selling Peanuts) peanuts, poor and wretched with nothing to boast about.  We have only fragrant, ripe peanuts, and peanuts strung together to make necklaces, rings and earrings.” Traditional Chinese grea t sea, i still wa nt to fly to your place.” .Victor Paranjoti (India) This wordless piece embodies traces of ragas from the Carnatic music of South India, but also bears a resemblance to Hindustani classical music which  uses  Persian  and  Arabic  phonemes  as  nonsense  syllables. “Dravidian” refers to the languages o f South India while “Dithyramb” is a Greek term for a wild, passionate hymn. [anger  Traditional Balinese Folksong Arr. Budi Susanto Yohanes Janger is traditionally sung while dancing. often to the accompaniment of instruments from the gamelan. In this arrangement, the voices sometimes imitate the sounds ofthe instruments. Chinese Folksong Arr. Philip Lawson Mo Li Hua  Mo Li Hua (Jasmine Flower) is a traditional song about the fragrance and beauty of the iasmine flower.  The arrangement i s by Philip Lawson of The King’s Singers. Arirang.  Korean Folksong Arr. Sonia Poorman and Jonathan W. Lim Michelle Li, flute Arirang  is a widely  known  Korean  folksong telling the story  of a love doomed to a tragic end. . Inner Mongolian Folksong Arr. Yongrub Dorven Dalai.  Dorven Dalai is a joyful song which urges everyone to rejoice and sing ­ “Let‘s raise our wine cups, rejoice and sing, and enjoy this happy moment together.” Japanese Folksongs Arr. Misuzu McManus Itsukino Komoriuta. “There is a distant, distant place. A small stream hahhles and the wind ripples; A  kite with a broken string soars  freely; It gently  flies into the distance, A tropical place.  Even after passing over high mountains, Even after crossing the Dravidian Dithyramb.  Patang Padi is an arrangement of an old Malay  folksong about the rice ha rvest, a time for singing and dancing. Traditional Philippines in this traditional song, the plight of the poor farmer is accompanied by voices  mitating  instruments :  “We  are  a  group  o f farmers  who  grow Yo gay au yuen (A Tropical Place) Felicia Wang, soloist Malay Folksong Arr. Juliette Lai Potong Padi .  Takeda no Komoriuta Michelle Li, flute ltsukino Komoriuta and Takeda no Komoriuta are lapanese lullabies, the second o f which is sung by a baby­sitter anxious to finish with her duties and return home, Siksik Si Batu Manikkam.  Tapanuli Traditional Song (Sumatra) Arr. Pontas Purba Rachel Young, Daniela Rivera, Matthew Pedersen, solo trio Siksik Si Baru Mamkkam is a setting o fa  pantun, a traditional Malay poetic form often used in courting songs sung by groups of young men searching for lovers or e ven wives. �WOMEN’S CHORUS Bruce Barton, conductor Sop ra no 1 Stacey Davis Alexandra Leslie Nicole Meeker lillian Robertson Calli Seigart Brianna VanOsdol Felicia Wang Jamila Gordon Karima Jibril Kate Sherwood Altos Alexa Bruck Linda Melissa Cruz Kaitlyn Kang Laura Keim Soprano ll Kaitlin Biagiotti Rachel Blaifeder lzabelle Lawston Urenna Nwogwugwu Laura Sonnenberg Kimberly Torres Alida Cooke Alexa Dicken H ARPUR C HORALE Peter Browne, conductor Sop ra nos Carrie Buck Deanna Feuerbach Michelle Goldrich Kerianna Krebushevski Lauren Silberstein Rachel Young Tenors Ten­Young Guh Feng Nan Matthew Pedersen lay Rosser Joshua Rovou Jin­Ki Seong Altos Rachel Graham Shoshana May lnez Nelson Daniela Rivera Basses Thom Furey Jibron Harris Joseph Keller Thomas Sinclair Kerr Max Rydqvist S P E C I A L  T H A N K S To Chai­Kyou Mallinson for help with Korean pronunciation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:40:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74973">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74973</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Women's Chorus presents Riches from the East: Choral music of Asia and the South Pacific   Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Ham, Paranjoti. Held at 3:00 p.m., March 8, 2014, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Borton, Bruce Lawson, William The Harpur Chorale Browne, Peter Li, Michelle Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Ham, Tae Kyun, (b. 1936) Paranjoti, Victor Date A point or period of time associated with an event in the lifecycle of the resource 3/8/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c052243191ddd628c461602620dc0b37.pdf b63b8456fe1f13a4e2996f4fd17360c6 PDF Text Text BINGH AM TON U N I V E R S I T Y S T A ’ E   U N W E R ’ S I N   OF  N t v .   Y O R K d  ze dec D E P A R T M E N T MASTER’S RECITAL Thom Baker, tenor Margaret Reitz, piano Sunday, March 9, 20 14 3:00 p.m. Casadesus Recital H all �&  PROGRAM  «5 ib­  ABOU T THE PERFORMER « 6 L’honesta negli’ amori: Gia 11 sole dal Gange . .Alessandro Scatlatti ( 1 6601 725) Caro mio ben. .Tonunzuo Giordani (C.1730–1806) Paride ed  Elena: O del mio dolce ardor . . Christoph Willibald Gluck An die ferne Geliebte, Op. 98  1. Auf dem Hiigel sitz’ ich  2. Wo die Berge so blau 3. Leichte Segler in den Hohen 4. Diese Wolken in den Hohen 5. Es keh ret der Maien 6. Nimm sie hin, denn .  Ludwig van Beethoven (1770­18 27) (1714­1787) io­ INTE RMISSI ON «& Trois chansons de troubadours, Op. 152b.  I.  Rassa, ma dame  II.  Belle dame de mon émoi IIL.  Je suis tombé .Darius Milhaud (1882­1974) Three Poems of Paul Goodman.  g  1. For Susan  2. Clouds 3. What Sparks and Wiry Cries ,  Do Not Sing, My Beauty, Op 4 no. 4  .  They Replied, Op 2 1 no. 4  Spring Torrents, Op 14 no. 1 1 .  Sergei Rachmaninoff (1873­1943) Ned Roreni (b.l923) “Bpecially pleasing,” were die fitkt words used by  The New York Times to describe the singing of tenor  Thom Baker.  Considered  by some as  an  expert in choral arts and period performance practice, the lion’s share of Baker’s career has been performing and recording as soloist and choral artist with earlymusic ensembles including Musica Sacra, New York’s Ensemble (or Early Music, Voices of Ascension, the  G regg Smith Singers and AmorArtis, to mention a few. The tenor ’s first longtime  musical  guide  was  the  late  tenor  Charles  Btessler,  an  original  member  of  Noah Greenberg’s New York Pro Musica, a grand­parent of period performance practice in the United States. Mr.  Baker continues his seventeen­year relationship with the Grammy­nominated vocal ensemble Pomerium, with which he has traveled E urope and the Far East and recorded (as late as February 20 14) several programs of virtuoso Renaissance polyphony, the enseinble’s specialty. He has also recorded Stravinsky  with the  composer’s arrienuenris. Robert Craft, and appears on Bobby  McFerrin’s  VOCAbuLAn‘eS,  also  Grammy­nominated.  In  2010,  Mr.  Baker  began  to perform on  the other side of the pod ium as a choral conductor. In that year, he assem bled and prepared  a  choir  for  performances of  Monteverdi  and  Carissimi  with  NYS Baroque.  Darid Alminu, the Syracuse­based music cr itic, wrote that Vocannir , Baker’s choir, “...delivered...alertly and with great enthusiasm, achieving a good blend of vocal timbre and delivering  their words with mpetb  diction,” singing  the final movement  of Carissimi‘s  Historia  de  Jepthe, “with great poigimiq­ a nd minim o i ecprressiun.” bcl rogv . c  a f e m o n u i s  The 1Hi8eA  Gay Men’s Chorus hired  Mr.  Baker  as  Music  Director  in  that  year  and  he  immediately  diversified  the  group’s repertoire and expanded public appearances from two annual concerts to over twenty events per year.  in February of 2011, Baker became the Choir Director and Music Coordinator for the First Unitarian Society of Ithaca.  In  August  of  2013, SU NY Broonie  Community College engaged Thom Baker as Director of Choral Activities. As such, he conducted the SU NY Broome College Chair’s Masterworks Concert in November, performing Vivaldi’s Gloria and  Handel’s Ode on St. Cecilia ’s  Day.  Thom  Baker  is  pursuing  a  Master’s  of  Music  at  Binghaniton  University, anticipating his degree in May of 201 4. Under the tutelage of Professors Mary Burgess and Bruce Borton, he pursues a degree in two specialties, Vocal Performance and Choral Conducting MARGARET (Pei! REITZ,  pianist,  is  a native  of  the  Binghamton  Area.  She  received  her Bachelor and Master of  Music degrees in  piano performance with accompanying emphasis.  She attended  Boston University, New  England Conservatory a nd Binghamton  University.  She  has studied piano with Jean Casadesus, Victor  Rosenbaunr. Seymour  Fink and Walter Ponce  and accompanying  with  Allen  Rogers.  She  has  accompanied  throughout  the  United  States,  in England,  South  America,  Spain  and  at  the  American  Institute  of  Musical Studies  in  Graz, Austria.  She was a winner of the Artistic Ambassadors  Program by the United States infomianon Agency in  partnership with  the John  F. Kennedy Center  for  the  performing arts. She was  an official  accompanist  for  the  MTNA State  and  Eastern  Division  Competition  held  at  Ithaca College  She has been  a guest chamber music artist in Morges, Switzerland.  She also was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty a nd Coaches. She was  united to  the International  Clarinet Conference  to  play a  recital  in Tokyo, Ja pan  She was a guest artist on the Cornell  Summer Series.  She  was  an  official  pianist  at  the  Internationa l  Double  Reed  Competition  and Convention at Ithaca  College and was irm’red to play the Convention in Birmingham, England with the Glickman Ense mble.  She was selected tn accompanying at the Interpretation of Spanish Music in conjunction with Universi ty of Madrid in Grenada, Spain coached by  Teresa Berganza and at  Mannes School of Music. She will  he a guest a rtist perform ing at  The  Breakers on  the Newport Music Festival J uly 2014.  She is curren tly on the fa culty at Binghamton University since 1991 and Ithaca College  School of M usic since  1999.  She is  treasurer of the local District VII Music  Teachers  Association  and  is  an  active  adjudicator  for  the  National  Piano  Guild Organization. �@ &   TRANSLATIONS «5 Gia il sole dal Gange Already the sun over the Ganges shines more brightly, and dries every teardrop from the weeping dawn. With golden rays it bejewels every stem. and draws on the meadow the stars in heaven. Caro mio ben My dear darling, believe at last that without you my heart languishes. Your faithful one continually sighs. End, cruel one, such stubbornness. O del mio dolce a rdor O, my sweet passion’s coveted theme. the air which your breathe I finally take in. Anywhere I turn my glance, your elusive likeness is outlined. my thoughts so dissemble the most blissful hopes; and within the craving that fills my heart, I search and call, hope and stgh. An die ferne Geliebte To the Distant Beloved (Original German text by Alois Isidor Jeitteles) l .  I sit on the hill peering out into the blue mist­laden land, searching for the far­off meadows where I found you, beloved. I am widely separated from you; mountains and valleys lie as a barrier between us and our peace. out happiness and our sorrow. Alas, you cannot see my glances hastening to you so ardently, and my sighs die away in the space that separates us. Will nothing more, then, reach you.’ W ill  nothing he love’s messenger! I w ill  sing, sing songs that will complain to you of my grief! Before the music of song all space and all time flee and a loving heart attains 3. You, that sail easily in  the heights above, and you small, narrow brook, i f you can catch sight of my darling, greet her a thousand times from me. If you clouds then see her walking, lost in thought, in the quiet valley, let me image arise before her in the airy hall of the skies. where the clouds cover the sky – that is where I would like to be! There in the calm valley, Now the wedded ones live together faithfully; those that winter separated. me, complain to her, birds, of my sorrow! it knows how to join those who love. Soft west winds, in your blowing May is returning, the meadow deliver to my heart’s choice my sighs, which perish like the last ray of sun. V’hisper my supplicarion of love to her, small and narrow brook. let her see faithfully reflected in your When the spring joins all  who love, only for our love does no spring appear, and tears are all that is attains. waters my tears without number. 4. These clouds in the heights above, the merry pageant of songbirds w ill  see you, graceful one, Take me along in your easy flight! These west winds w ill  play and sport around your cheeks and breast, w ill  ruffle your silken tresses, Could I but share this with all ofyou! quietly meditates among the rocks, where the wind blows so softly ­ that  where I would lilte to be! This little brook busily hastens I am urged by love, by inner grief. Ah, I could not be drawn away, beloved, if I could be with you forever, the spring has now united; blossoms, The breezes are blowing so gentle and warm; only I cannot leave this place. pains and sorrow are silent. There where the primrose O ff t o the contemplative forest The swallow retums to the hospitable roof, it builds its bridal chamber so diligently; love will dwell therein. lt busily brings from here and there many a soft bit for the nuptial bed, many a warm morsel for the little ones. I f  she then stands by the bushes. now discolored and bare. complain to her of what has become of what a loving heart has consecrated! 2. Where the mountains so blue peer out from the misty gray. where the sun ceases glowing, The breezes ate blowing so gentle and warm; the brooks now mu. chattering. toward her from those hills. If her image is reflected in there. then flow back without delay! 5. May is  returning, the meadow blossoms. 6. Ta ke them then, these songs, beloved, which I have sung to you; then sing them again the evening to the sweet sound of the lure! When the red of sunset then moves toward the quiet blue lake and its last ray goes out behind that mountain peak, and you sing what I sang, what rang out from the fullness of my heart without ostentation of art, with consciousness only of longing: Then, in the face of these songs. all that has separated us so widely will yield. and a loving heart will attain what a loving heart has consecrated! �Trois Chansons de Troubadour (Original poems by J ean Valmy­Baisse) IL  Rassa, my lady is unsullied and refined, And young and charming and affectionate. She is blonde and of high mien And her skin, refined by her race. Has obscured with white ermine The pallor of the hawthorn flower. For her refined and unspotted color, For her celebrity and her honor. These qualities, prized most by connoisseurs. These range among the finest. You see where I have put my heart. H .  Lovely lady of my craving, Who can listen to your voice Or see your eyes wrthout being 7 Crazy in love of your whole being.  Alas, your heart is so cold. It gives to no man its feeling. But I will sustain my own malady Until each man whom you love Will suffer as do L No lady should have my heart So fragile in its vigor. I see her joyful and flirtatious, Availing herself to all tributes Instead of guarding her favors For the sole ma n that she has named Within her heart. I will love better the un ruly savoir I I I. Ihaye fallen into a grievous sickness by following my heart which leads me and never will unravel the snares of the net where my lady took me the this time and chained me. She pleases with these spear­like glances shot in bias, this lively and charming Helen. I ended my confinement and made Lana my only queen. Nothing in her beauty deceives, no subtlety touches her jor. Her young body, so graceful. inspiring love and blossoming youth­scented and breaking misfortune. Cheerful is the man to whom it is unveiled at the hour when the day dies in his in his abode, because his eyes w ill  see a better li fe. Th ree Poems of Pau l Goodman 1 .  For Susan How like a wild­flower untended among garden flower. no fairer are Susan and these kempt children beauties all! Surely a wild strain of blood and wit, as well as we know, is in her : fitful, fearful, willful, gay. and tearful All  these: yet persevering like the corn flower, the daisy, and never w ill  agree to take a fatal loss. Praise God. somehow in our disastrous homes the sun and rain and fresh winds blow. and these nourish our darling. 2.  Clouds So effortlessly we are not given to move on earth as these in heaven clouds, nor without desire to tend whither the airs conspire. The clouds exaggerate and pile into heights of mile on mile. In  the breathing o’ the universe they drift asunder and disperse. 3 .  Wha t Sparks and Wi ry Cries What sparks and wiry cries shall I 7 strike first upon the iron strings’  for I have got a pick of flint and I have learnt a skirl of glee, I’ll say the love I had a little and the longing like a block of ice, for never never never again shall we two meet. My blood stood still, my sparkling hair rose up in fright as wide between us grew the space now fixed. Oh! brilliant more than fire is the song of the heart undivided by hope or fear: the string that sounds again is tangled with a furious joy. So, next rhis drizzling war I ’ll keen, that no one wills and all  desire. Do not sing, mv benutv (Original Russian text by Alexander Sergeyn’ich Pushkin) Don   ot sing, m y  beauty. to me your sad songs of Georgia; they remind me of that other li fe and distant shore. Alas, they remind me. your cruel melodies. of the steppe, the night and moonlit features of a poor, distant maiden! Thar sweer and fateful apparition I forger when you appear; but you sing, and before me 1 picture that image anew. Do not sing, my beauty, to me your sad songs of Georgia; they remind me of that other life and distant shore. They Replied (Original French text by Victor Hugo Translated into Russian by Lev Alexandrovich Mey) “How,” asked the men, “can we flee the Spanish police in our small boats.” “Row,” replied the women. “How,” asked the men, “can we forget strife, misery and da nger” “Sleep,” replied the women. “How,” asked the men, “can we enchant beautiful women without love potions.” “Love,” replied the women. Spring Torrents (Original Russian text by Fyodor Ivanovich Tyutchev) The fields are still covered with white snow. But the streams are already rising in a spring mood, Running and awakening the sleepy shore, Running and sparkling and exclaiming loudly. They are announcing loudly to every corner: “Spring is coming, Spring is coming! We are the messengers of young Spring. She has sent us forth, Spring is coming, Spring is comingl And the quiet, warm May days Follow, squeezed happily Into the rosy, bright dancing crowd.” �Binghamton University  Department of Music Coming Events W W W Thursday, March 13  ­  Mid­Day Con cert ­  1:30  p.m. ­  Casadesus Recital  Hall ­ free Saturday, March 1 5  – Master’s Reci tal: Michael Celentano, baritone ­  3:00 p.m. – Casadesus Recital Hall – free Saturday, Alarcb 15  ­  Wind Swnpony Concert: Music by Nu mbers ­  8:00 p.m. – Anderson Center Chamber Hall  ­ $ 7 general  public;  $ 5 faculty/sta /seniors;  free for students Wednesday, March 1 9  ­  Opera Scenes ­  8:00 p.m. ­  Anderson Center Chamber Hall ­ $ 1 0 general  public, $ 7 faculty/sta /seniors; $ 5 for students Thursday, March 20 – Alid­Da  Con cert ­  1:20 p.m. – Casadesus Recital Hall – free Thursday, March 2 7 – Mid­Day Concert  ­  1:20 p.m. ­  Casadesus Recital Hall – free Friday, March 28  – H ar pur  P o m / j a z z  – 8 :00 p.m. – Casadesus Recital Hall – free Saturday, March 29  ­  Ju nior Reci tal: Caitlin  Go t imer, soprano with  Jake Starnatis, bass baritone – 3 :00 p.m. ~ Art Museum – free Saturday, March 29 – Mas ter’s Reci tal: Ata tdew Samluk, bari tone – 8:00 p.m. ­Casadesus Recital  Hall  ­  free Thursday, Apri l 3 ­ M d D ay Con c er t ­  1:20 p.m. ­  Fine Arts Room 21  ­ free a l; w e m m w m w w e b For tickets  or  to  be added  to  our  email  list,  visit  andersonbmghamtonedu or  call (607) 7 7 7­ARTS.  For a  complete  list  of  our  concerts  call (607) 777­2592.  visit musi c. binghamton.edu  or become a fan on Facebook. If you  were  inspired  by  this  performance, consider  supporting  the  Department  of Music  with a  financial  gift.  Your  support  hel ps  to  continue  the  work of  students, faculty, and  guest  artists  and  their  contributions  to  our  community.  Please  make your donation  payable  to  the  Binghamton  University Music Department. and  send your check to  B L '  Music Department, P. O . Box 0000. Binghamton. N Y 1  3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:23:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74970">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74970</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital with Thom Baker, March 9, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Scarlatti, Giordani, Gluck, Beethoven, Milhaud, Rorem, Rachmaninoff. Held at 3:00 p.m., March 9, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Baker, Thom Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Scarlatti, Alessandro, 1660-1725 Giordani, Tommaso, 1733-1806 Gluck, Christoph Willibald Beethoven, Ludwig van, 1770-1827 Milhaud, Darius, 1892-1974 Rorem, Ned, 1923- Rachmaninoff, Sergei , 1873-1943 Date A point or period of time associated with an event in the lifecycle of the resource 3/9/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e8bb4eead7e040af3946faaaf55a61bf.pdf aa2b902e58af431cae7c012359672d74 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   N E W  Y O R K [4 (20 7224 D E P A R T M E N T JAZZ M I D ­ D A Y CONC E R T featuring : Ma rko Mar cinko, d r u m set also featuri ng BillC   arter, piano Mik e  Carbone, saxophones Ton y Mari no, bass Th u rs d ay, A pr il 10, 20 14 1:20 p. m. Oster hou t Conce r t Th ea t e r �ib­  PROG RAM  &» &  ABOUT THE PERFORMER  «~& Program selected from the following and announced from the stage: Marko  Marcinko ca me  onto  the  international  music  scene  in  1994 while touring and  recording with trumpet legend Maynard  Ferguson. Marko served as drummer and arranger for Ferguson and his Big Bop Nouveau  Band  for  three  years.  Marko  appears  on  the  Concord Recording  “One  More  Trip  To  Birdland”.  Born  in  Archbald, Pennsylvania, Marcinko studied technique with drumming master Joe Morello and continued his training at the University of M iami where he  studied  classical,  jazz,  brazilian  and  afrocuban  styles  under professors  Fred  Wickstrom.  Steve  Bagby,  Steve  Rucker.  Harry Hawthorne and Ney Resaro. Over the years Marko has pla yed with jazz greats Joe  Henderson,  Phil Woods, Clark  Terry, Bob  Dorough,  Red Rodney, Michael Brecker, Randy Brecker, M ulgrew Miller, Mike Stern, Tierney  Sutton,  Terrell  Stafford  and  Will  Lee.  Other  notables Marcinko has  worked with include Jon Secada, Joan Rivers, Connie Francis,  Don  Rickles,  Melba  Moore, J uan  Gabriel,  Clay Aiken,  Jay Dance 24 .  .Bill Carter Mr. Syms..  . John Coltrane Elegy .  It Might as Well be Spring‘  Brent’s Beadle .  Bill Carter Rodgers and Hammerstein Bill Carter Leno. Bob Newhart and Nicol Williamson. During his  years in the music industry, Marcinko has worked as a freelance musician  playing drum set, percussion, piano/keyboards, bass guitar and trombone. He has also served as a studio session player, arranger, musical director and producer  for  numerous  commercial  jingles,  indie­films  and  off, broadway /  club and  theater engage ments. Currently, Marcinko tours and  records  with  jazz  saxophone  icon  and  N EA  jazz  master  Dave Liebman.  Discography  includes:  The  Dave  Liebman  Group, “Conversation”  SunnySide  Records,  “Blues  Always”,  Omni  Tone Records, “Back On The Corner” Tone Center Records,  “Beyond The Line",  Omni  Tone  Records.  “TurnAround”  the  music  of Omette Coleman, Jazzwerkstart Records, “As Always” The DLBB Live, MAMA Records. You can also hear Marcinko’s drumming and arranging on “ Essentials”  CD  a  retrospective of Maynard  Ferguson.  Marko  more recently has been touring and recording with The Organik Vibe Trio Co~sponsored by  the Binghamton University Music Department and the Harpur Jazz Project featuring multi Grammy award winning jazz great Dave Samuels.  CD titled  “Moscow”  The  Organik  Vibe  Trio.  Mr.  Marcinko  is  also  an adjunct professor of jazz studies at Penn State University, State College, PA. He also serves as the artistic director for the Scranton Jazz Festival, The Pa Jazz Alliance and the Keystone College Jazz Institu te. For more info on Marko Marcinko please visit www.markomarcinko.com. Marko endorses  Zildjian  Cymbals,  Yamaha  Drums,  Vic  Firth  Sticks  and Aquarian Drum Heads. �Bingha mton U n iversity M usic De part ment’s Com ing Eve n ts M 6 $ ~ fi b 6 M M § fl fl é m ¢ b ¢ 6 M fi 6 fi fl Thursday, April 1   0 ­ H ar pur  J a z z  Ensemble Concert with guest artist Marko Marcinko ­ 8:00 p.m. ­ Osterhout Concert Theater ­ $7 general public; $5 faculty/ s taff/ seniors; free for students Thursday, Apri124, Mid­Day Con cer t  1:20 p.m. ­ Casadesus Recital Hall ­ free Saturday, April  2 6  – Senior Reci tal: Kerianna Krebushevski, soprano – 8:00 p.m. ­ Casadesus Recital Hall ­ free Sunday, April  2 7  ­ Senior Reci tal: P a ul  Watrobski, cello  ­  1:00 p.m. ­ Casadesus Recital Hall ­ free Sunday, April  2 7  – Univeristy Chorus and Wind Symphony Concert: An American Music Celebration – 3 :00 p.m. ­ Osterhout Concert Theater ­ $10 general public; $7 faculty/staff/seniors; $5 for students Sunday, April  2 7, Master’s Reci tal:  Seonghyang Kim, p   iano ­ 7 :3 0 p. m. ­ Casadesus Recital Hall ­ free Tuesday, April  29 ­ Piano Ensemble Concert ­ 8:00 p.m. ­Casadesus Recital Hall ­ free Thursda y, Ma y 1 – Mid­Da y Con cer t – 1 :2 0 p.m. – Casadesus Recital  Hall —  free Friday,  Alay 2– String Orchestra Concert – 4 :00 p.m.  – Grand Corridor – free M W M W M W W For tickets or  to  be  added  to  our  email list, visit anderson.binghamton.edu or  call (607) 7 7 7­ ARTS. For a complete list of our concerts call (607 ) 777­2592, visit music.binghamton.edu or become a fan on Facebook. E — [ = ] g   ‘  a  E If    you  were  inspired  by  this  performance,  consider  supporting  the Department  of  Music  with a financial  gift.  Your  support  helps  to continue  the  work  of  students,  faculty,  and  guest  artists  and  their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check  to BU Music Department, P.O. Bax  6000, Binghamton, N Y  13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53m 12s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75025">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75025</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Mid-day concert featuring Marko Marcinko, April 20, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Carter, Coltrane, Rodgers, Hammerstein. Held at 1:20 p.m., April 20, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Harpur Jazz Project Marcinko, Marko Carter, Bill Carbone, Mike Marino, Tony Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Carter, Bill Coltrane, John Rodgers, Richard, 1902-1979 Hammerstein, Oscar, II, 1895-1960 Date A point or period of time associated with an event in the lifecycle of the resource 4/10/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d143138c052f70dd7d61382dea42766e.pdf d0b73e820d40c0471377cebb9fcba663 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y  O F   NE W   Y O R K D E P A R T M E N T HARPUR JAZZ ENSEMBLE DIRECTED BY  MIKE CARBONE FEA TU R ING Marko  Marci nko Thursday, April  10, 2014 8:00 p.m. Ostcrhout Concer t Theater �ib­  ABOUT THE PERFORMER  ass NDHALFwi  ‘ M k M r i n k   Program selected  from the following: Blue Daniel Frank Rosolino Arranged by Rob McConnell The Chicken.  James Ellis Arranged by Kris Berg North Africa Chick Corea Arranged by Mike Tomato Real Loud First Note Blues .  Spain mer Tom Kubis Chick Corea Arranged by Dave Wolpe Stealnsville.  .Mark Taylor Co­sponsored lry the Binghamton University Music Department and the Harpur Jazz Project MARKO MARCINKO came onto the in ternational music scene in 1994 while  touring  and  recording  with  trumpet  legend  Maynard  Ferguson. Marko served as drummer  and  arranger  tor Ferguson and his Big Bop Nouveau Band for three years. Marko ap pears on the Concord Recording “One  More  Trip  To  Birdland",  Born  in  Archbald,  Pennsylvania, Marcinko  studied  technique  with  drumming  master  Joe  Morello  and continued  his  training  at  the  University  of  Miami  where  he  studied classical,  jazz,  brazilian  and  at’rocuban  styles  under  professors  Fred Wickstrom, Steve Bagby, Steve Rucker, Harry Hawthorne and Ney Resaro. Over  the  years,  Marko has  played  with  jazz greats Joe  Henderson,  Phil Woods. Clark Terry, Bob Dorough, Red  Rodney, Michael Brecker, Randy Brecker, Mulgrew Miller, Mike Stern. Tierney Sutton, Terrell Stafford and W ill Lee. Other notables Marcinko has worked with include: Jon Secada. Joan Rivers, Connie Francis, Don Rickles. Melba Moore, Juan Gabriel, Clay Aiken, Jay Leno,  Bob  Newhart and  Nicol  Williamson.  During  his years in the music industry, Marcinko has worked as a freelance musician playing drum set, percussion, piano/keyboards, bass guitar and trombone. He has also served as a studio session player, arranger, musical director and  producer  for  numerous  commercial  jingles,  indie­i’ilms  and  off­ broadway /  club and theater engagements. Currently, Marcinko tours and records  with jazz saxophone  icon and NEA  iazz master Dave Liebman. Discography  includes:  The  Dave  Liehman  Group,  “Conversation” SunnySide Records, “Blues Always”, Omni Tone Records, “Back On The Corner” Tone Center Records,  “Beyond The Line”, Omni Tone Records. “TumAround” the music of Ornette Coleman, Jazzwerkstatt Records, “As Always” The DLBB Live. MAMA Records. You can also hear Marcinko’s drumming and arranging on “Essentials ” C D  a retrospective of Maynard Ferguson.  Marko more recently has been touring and recording with The Organik Vibe Trio featuring multi Grammy­award winning jazz great Dave Samuels. CD titled “Moscow” The Organik Vibe  Trio. Mr. Marcinko is also an adjunct professor of iazz studies at  Penn State University, State College. PA.  He also serves as  the artistic director  for the Scranton Jazz Festival, The Pa Jazz Alliance and the Keystone College Jazz Institute. For more  into  on Marko  Marcinko  please  visit  www.markomarcinko.com. Marko endorses Zildjian Cymbals, Yamaha Drums, Vic Firth Sticks and Aquarian Drum Heads. �Binghamton University Music Department’s Upcoming Events o é é o – é é o o a i é n é ’s é n fi f a m é b n é ‘ s é n é é n é f a e Thursday, April 24 ­  Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­ free Saturday, April 26 – Senior Recital: Kerianna Krebushevski, soprano ­  8:00 p.m. ­  Casadesus Recital Hall ­  free Sunday, April 27 ­  Senior Recital: Paul Watrobski, cello ­  1:00 p.m. ­ Casadesus Recital Hall ­  free Sunday, April 27 – University Chorus and Wind Symphony Concert: An American Music Celebration ­  3:00 p.m. ­  Osterhout Concert Theater ­ $10 general public; $7 faculty/staff seniors; $5 for students Sunday, April 27 ­  Master’s Recital: Seonghyang Kim, piano ­  7:30 p.m. ­ Casadesus Recital Hall – free Tuesday, April 29 ­  Piano Ensemble Concert ­  8:00 p.m. ­  Casadesus Recital Hall ­  free Thursday, May 1 ­ Mid­Day Concert ­  1:20 p.m. ­  Casadesus Recital Hall ­ free Thursday,  May  1  ­  Grammy­Award  Winning  vocal  guest  artist  Jacqueline Homer­Kwiatek ­  8:00 p.m. ­  Casadesus Recital  Hall ­ $5 general  public; free for students Friday, May 2 – Flute Studio and Flute Chamber Concert ­  11:30 a.m. ­ Casadesus Recital Hall ­ free Friday, May 2 – Tri­Cities Opera presents Strauss’ Die Fledermaus ­ 8:00 p.m. ­  The Forum Theatre ­  call (607) 7 7 2 0400 for tickets Saturday, May 3 ­  University Symphony Orchestra : Symphonic Smorgasbord ­ 3:00 p.m. ­  Osterliout Concert Theater ­  $7 general public; $5 iacu lty/sta l l/se n iors; free for st udents W W W ­ 0 5 m m For tickets or  to be added to our email list. visit anderson.binghamton.edu or call ( 6 0 7 )  777­ARTS. For a  complete  list  of  our  concerts  call  (607) 777­2592, visit  music.binghamton.edu  or  become  a  fan  on Facebook. o f [ =   E   B  2  If you  were  inspired  by  this  performance,  consider  supporting  the  Department  of M usic  with  a  financial  gi ft. Your  su p port  helps  to  continue  the work  of  students, faculty, and guest artists and their contributions to our community.  Please make your donation  payable to  the  Binghamton  University  Music  Department, and send your check to B U  Music Department, P O .  Box 6000. Binghamton, N Y  1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51m 39s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75021">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75021</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Marko Marcinko, April 10, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Simon, Alston, Skeets, Sherwin, Maschwitz, Bliztein, Weill, Ellington, Mills, Davis, Coleman, Leigh, Lind, Willis, Hooper, Nestico, Rosolino, Ellis, Corea, Kubis, Taylor. Held at 8:00 p.m., April 10, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Marcinko, Marko Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Simon, Paul Alston, Jon Skeets, Campbell Sherwin, Manning Maschwitz, Eric Bliztein, Marc Weill, Kurt Ellington, Duke, 1899-1974 Mills, Irving Davis, Miles Coleman, Cy Leigh, Carolyn Lind, Jon Willis, Allee Hooper, Less Nestico, Sammy Rosolino, Frank Ellis, James Corea, Chick Kubis, Tom Taylor, Mark Date A point or period of time associated with an event in the lifecycle of the resource 4/10/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/36b7e1217f33ff4437d2377b3fac1c76.pdf 7f642d4f4b8a07954cea313eb49e4a95 PDF Text Text UN I V R ecit A RC \ CD 200 BIN( HAMTON 3 '-\ 2 lJ N I \. I R S I T Y SPEC COL State University of New York Department of Music Presents Peace, Praise, and Perdition Works by Beethoven, Bruckner, and Vaughan Williams Mary Burgess, soprano Timothy LeFebvre, baritone The University Chorus Bruce Borton, director University Symphony Orchestra Timothy Perry, conductor Saturday, April 12, 2003 Anderson Center Concert Theater 8:00 p.m. �PROGRAM Scene and Aria, Ah, Perfido .................... Ludwig van Beethoven ( 1770-1827) Mary Burgess, soprano University Symphony Orchestra Psalm 150 ................... ......................................... Anton Bruckner (1824-1896) Mary Burgess, soprano University Chorus and Symphony Orchestra INTERMISSION Dona nobis pacem ............................... Ralph Vaughan Williams (1872-1958) Soprano and Chorus I. Agnus Dei Chorus II. Beat! Beat! Drums! III. Reconciliation Baritone, Soprano and Chorus Chorus IV. Dirge for Two Veterans V. The Angel of Death VI. 0 Man, Greatly Beloved Baritone and Chorus Baritone, Soprano and Chorus Mary Burgess, soprano Timothy LeFebvre, baritone University Chorus and Symphony Orchestra �The University Symphony Orchestra Timothy Perry, conductor Flute Tuba Viola Crystal Allard Kelsey Bauer Caitlynn McMullen Kira Slocum Brad Davis Leah Robinowitz Melissa Mattern Suzanna Chhim Kenneth Perschke Janetlevins Brian Fang Victoria Leung Alice Scimia Percussion Matthew Chedister Oboe Violin I Elizabeth H. Mellin Anya Stockburger Stephanie Eisenberg Kimberly Meeker Christine Wan Alicia Fusani Morgan Kim Shauna Buckman Julia Kim Heather Sheiman Tamara Potapova Meghan O'Loughlin Samara Cohen Lucy Sun Trumpet Violin II Erinn Hibbard Michael McKeon Rosemary Gaeta Sarah Steiding Lauren Moscowitch Sheri Zola Jean Gaffney Julie Cserhalmi Cynthia Kim Sarah Park Miriam Reznik Gloria Chen Claude Pal Jennifer Paull Andrew Kim Clarinet Lauren Hughes Jordan Pasternak Bassoon Hom Sarah Berloe Alfred Jacobsen Patrick Lokken Thomas Mellin Trombone Sean Kassof Stephen Sorscher Cello Alex Wiesendanger Katy Walker Andrea Rico Tanya Brescia Matthew Woolever Alex Kim Alexis Witek Angela Wynne Emily Creo John Yu JeongSun Oh Andrew Lavery Bass Adam Schechter Noah Lauzon �The University Chorus Bruce Borton, conductor Soprano 1 Susan Bachman Cari Begeal Nanette Borton Elizabeth Ellis Glenda Ely Lorrina Fuentes Eva George MayBelle Golis Emily-Kate Goodrich Margaret Hays Barbara Herne Nicole Lee Michaela Lisi Donna Lundy Susan MacLennan Sydney R. Marsh Mary Barb Martin Joyce Merwin Jennifer Perkins Mary Joan Ragard Marilyn Ross Barbara Thamasett Megan Elizabeth Williams Soprano 2 Patricia Caldwell Joanne Corey Vadhya Elivert Christine Howe Amy Linda JoAnne Maniago Donna Miller Michele Peltz Sioux Petrow Kelly Pueschel Susan Sarzynski Hilary Shaw Jane Shear Millicent Owusu Tiwaah Yu Wen Wang Alto 1 Agatha Blackman Monique M. Charles Maria Luisa Cook Randi N. Cook Janet Frederick Danielle Furey Cheryl Gilroy Elaine Hilton Grace Houghton Claire Labbe Theresa Lee-Whiting Marilyn M. Myers Anna Nicholas Dorothy Powell Joyce Printz Colleen Reardon Richel Ruivivar Patricia Souder Susan Szczotka Katie Wolff Linda M. Wolff Jacqueline Zaslavsky Shirley Zhou Alto2 Barbara Barno Georgia Berny Kate Bouman Sarah Craig Jeanne Fenzel Mary Beth Gamba Sandra Haining Ida Amelia Jones Flo Koniski Cheryl Labban Nancy McGee Adrienne Miller Ethel F. Molessa Taryn Misu Moorer Karen Raphaeli Shirley Rodgers Lee Shepherd Hae Lee H. Shin Merideth Van Scoy Nadia Zarembo Betty J. Zechman �TRANSLATIONS AND TEXT Ah, Perfido I I Ahl faithless, deceitful, brutal traitor, you are leaving me? And this is your final farewell? Whoever heard of harsher cruelty? Go, scoundrel! Go, flee from me then, but you will not flee the fury of the Gods! If there is justice in Heaven, if there is pity, they will all vie in scheming to punish you! Like a pursuing shadow, present wherever you go, I shall see vengeance done; I enjoy it already, just imagining it; I see the thunderbolts already flashing around you! Ah, no! Ah, no! Stop, ye avenging Gods! Spare that heart, strike mine! If he is no longer as he was, I am still as I was. For him I lived-- I am willing to die for him! For pity's sake, do not bid me farewell, what shall I do without you? You know this, my idol, that I shall die of grief. Ah, cruel one, cruel one! You want me to die! Have you no pity for me? Why do you repay so brutally the one who adores you? Say, ye Gods, if in such bitter grief I do not deserve pity? Psalm 150 Alleluia! Praise the Lord in His sanctuary; praise Him in the firmament of His power! Praise Him for His mighty acts; praise Him according to His excellent greatness! Praise Him with the sound of the trumpet; praise Him with the psaltery and harp! Praise Him with the timbrel and dance; praise Him with stringed instruments and organs! Praise Him upon the loud cymbals; praise Him upon the high sounding cymbals! Let every thing that hath breath praise the Lord! Alleluia! Dona nobis pacem I. Lamb of God, who takest away the sins Agnus Dei qui tollis peccata mundi Of the world; Grant us peace. Dona nobis pacem. From the Mass liturgy II. Beat! beat! drums! - blow! bugles! blow! Through the windows - through the doors - burst like a ruthless force, Into the solemn church, and scatter the congregation, Into the school where the scholar is studying; Leave not the bridegroom quiet- no happiness must he have now with his bride, Nor the peaceful farmer any peace, ploughing his field, or gathering in his grain, So fierce you whirr and pound you drums - so shrill you bugles blow. �Beat! Beat! Drums! - blow! bugles! blow! Over the traffic of cities - over the rumble of wheels in the streets; Are beds prepared for the sleepers at night in the houses? No sleepers must sleep in those beds, No bargainers' bargains by day- would they continue? Would the talkers be talking? Would the singer attempt to sing? Then rattle quicker, heavier drums -you bugles wilder blow. Beat! Beat! Drums! - blow! bugles! blow! Make nor parley - stop for no expostulation, Mind not the timid - mind not the weeper or prayer, Mind not the old man beseeching the young man, Let not the child's voice be heard, not the mother's entreaties, Make even the trestles to shake the dead where they lie awaiting the hearses, So strong you thump O terrible drums - so loud you bugles blow. Walt Whitman (1861) III Word over all, beautiful as the sky, Beautiful that war and all its deeds of carnage must in time be utterly lost, That the hands of the sisters Death and Night incessantly, softly, wash again and ever again, this soiled world; For my enemy is dead, a man divine as myself is dead, I look where he lies white-faced and still in the coffin - I draw near, Bend down and touch lightly with my lips the white face in the coffin. Walt Whitman (1865-66) IV The last sunbeam Lightly falls from the finished Sabbath, On the pavement here, and there beyond it is looking Down a new-made double grave. Lo, the moon ascending, Up from the east the silvery round moon, Beautiful over the house-tops, ghastly, phantom moon, Immense and silent moon. I see a sad procession, And I hear the sound of coming full-keyed bugles, All the channels of the city streets they're flooding As with voices and with tears. I hear the great drums pounding, And the small drums steady whirring, And every blow of the great convulsive drums Strikes me through and through. �For the son is brought with the father, In the foremost ranks of the fierce assault they fell , Two veterans, son and father, dropped together, And the double grave awaits them. Now nearer blow the bugles, And the drums strike more convulsive, And the daylight o'er the pavement quite has faded, And the strong dead-march enwraps me. In the eastern sky up-buoying, The sorrowful vast phantom moves illumined, 'Tis some mother's large transparent face, In heaven brighter growing. 0 strong dead-march you please me! 0 moon immense with your silvery face you soothe me! 0 my soldiers twain! 0 my veterans passing to burial! What I have I also give you. The moon gives you light, And the bugles and the drums give you music, And my heart, 0 my soldiers, my veterans, My heart gives you love. Walt Whitman V The Angel of Death has been abroad throughout the land; you may almost hear the beating of his wings. There is no one as of old ...... to sprinkle with blood the lintel and the two side-posts of our doors, that he may spare and pass on. John Bright Dona nobis pacem. Grant us peace. From the Mass Liturgy We looked for peace, but no good came; and for a time of health, and behold trouble! The snorting of his horses was heard from Dan; the whole land trembled at the sound of the neighing of his strong ones; for they are come, and have devoured the land ... and those that dwell therein ...The harvest is past, the summer is ended, and we are not saved ... Is there no balm in Gilead? Is there no physician there? Why then is not the health of the daughter of my people recovered? Jeremiah VIII: 15-22 �VI Oman greatly beloved, fear not, peace be unto thee, be strong, yea, he strong. Daniel X: 19 The glory of this latter house shall be greater than of the former ... and in this place will I give peace. Haggai II: 9 Nation shall not lift up a sword against nation, neither shall they learn war any more. And none shall make them afraid, neither shall the sword go through their land. Mercy and truth are met together; righteousness and peace have kissed each other. Truth shall spring out of the earth, and righteousness shall look down from heaven. Open to me the gates of righteousness, I will go into them. Let all the nations be gathered together, and let the people be assembled; and let them hear, and say, it is the truth. And it shall come, that I will gather all nations and tongues. And they shall come and see my glory. And I will set a sign among them and they shall declare my glory among the nations. For as the new heavens and the new earth, which I will make, shall remain before me, so shall your seed and your name remain for ever. Glory to God in the highest, and on earth peace, good-will toward men. Adapted from Micah, Leviticus, Psalms, Isaiah, and Luke Dona nobis pacem Grant us peace. �PROGRAM NOTES Despite being listed as Opus 65, Beethoven's concert aria Ah, Perfido is a product of a young artist still feeling his way in the world of composition . In 1796, the twenty-five-year old Beethoven, having left Bonn for Vienna ju t two years before, had established himself first as a brilliant solo pianist, and only secondarily as a composer. Beethoven had studied with both Haydn and Salieri, and was assiduously studying and copying the works of Mozart and other contemporaries in order to gain insight into fonn and the technique of writing for instruments and voices. It was during his first concert trip to Prague early in the year that he set the Metastasio text of Ah, Perfido for the soprano Josepha Dussek, using as his models Mozart's Bella mia fiamma (also composed for Dussek) and Haydn's Scena di Berenice (written the previous year). The work, originally entitled "An Italian Scene", is set as a recitative and aria. To reflect the high emotional tenor of the text, Beethoven employs no fewer than seven different tempi in the recitative. The tranquil aria in E-flat Major forms the middle section, after which the vocal fulminations extend through another seven increasingly demanding and virtuosic sections, culminating in a brilliant operatic conclusion. Anton Bruckner may be best remembered for his symphonic works, but his sacred choral works were a significant part of his overall output. His a cappella motets, in particular are treasured by choral music lovers for their rich text ures and renaissance spirit colored by the highly chromatic and complex harmonic developments of his Germanic contemporaries. His setting of Psalm 150, however, was never intended for religious use, and indeed its intimidating vocal demands and large orchestra carry it far beyond the nonnal worship setting. The work was commissioned originally as a celebratory occasional piece for the opening of a theatrical exhibition. The first performance in November of 1892 was apparently under-rehearsed, poorly executed, and badly received by the public and the critics who quickly labeled the work "impossible" and "unperformable" due to its extreme range and dynamic demands. The choral sopranos are required to sing no less than eleven high B-flats and at one point a sustained high C. Similar incredible demands are made on the tenor section. The chorus is freque ntly divided into eight or nine separate vocal parts. A highly chromatic fugal section near the end poses particular challenges and the string and wind parts are equally difficult. It remains one of the compos,er' s most brilliant and difficult choral/orchestral compositions. By the decade of the 1930' s, Ralph Vaughan Williams had achieved the stature of a leading elder statesman in English music. Even so, major changes in his compositional style were taking place which led to new and remarkable developments in his later compositions over the next decades until his death in 1958. The cantata Dona nobis pacem, completed in 1936, was created in an environment of the gathering political storm on the European continent. It is . less known than some of his other choral and vocal works, and certainly is less �familiar to modem audiences than its close cousin, the War Requiem of Vaughan Williams' younger compatriot, Benjamin Britten. Yet the work is a masterpiece in the relatively small repertoire of works written against war. Its liturgical title notwithstanding, Dona nobis pacem is not a religious work in the traditional sense. Vaughan Williams used the two lines of liturgical Latin text from the Mass as his beginning point (and eventually his point of return), but for the bulk of the work, the composer chose the words of one of his poetic idols, Walt Whitman, whose civil war era poetry collection "Drum Taps" contained insightful and lyrical observations of war and the horrors of war. The work opens with the liturgical cry for piece by the soprano soloist and chorus. Under the final measures of the opening movement, however, the distant rumbling of drums is heard, and an urgent bugle call introduces Whitman's "Beat! Beat! Drums" describing in graphic and apocalyptic terms a relentless and merciless march of death and destruction. No one is to be spared - not the worshiper or the scholar, not the young or the old. Brass and percussion increase in intensity to a terrible climax at the words "so strong you thump O terrible drums, so loud you bugles blow," and then fade into the distance as the strings carry the listener forward into the third movement. "Reconciliation" begins with a lyrical baritone solo "Word over all, beautiful as the sky, Beautiful that war and all its deeds of carnage must in time be utterly lost." The reconciliation is between two enemies, one now the "white face in the coffin", the other realizing this was "a man divine as myself." A brief recapitulation of the opening "Dona nobis pacem" carries the music into "The Dirge for Two Veterans." The blaring bugle calls and rattling drums of the second movement are transformed into a distant slow march. The "silvery round moon" looks down on the funeral procession for two veterans - son and father --who fell together in battle are to be buried in a double grave. Movement five begins with the baritone intoning a brief passage from a speech by John Bright, a nineteenth century English statesman and member of Parliament. Known as a brilliant and powerful orator, his reference to the Old Testament Passover story sets the stage for the biblical passages that follow. The Jeremiah passage that follows represents the pivotal moment in the cantata. "We looked for peace, but no good came .. .Is there no balm in Gilead? Is there no physician there?" The hopeless searching is answered finally by the baritone soloist at the beginning of the final movement proposing that peace; indeed, is the promise and hope, and the cantata ends with a choral fugue comprised of short passages from various Old Testament books, and ending with the only New Testament passage, the famous Luke 2 passage from the Christmas story, "Glory to God in the Highest, and on Earth, peace, good will toward men." Chorus and soprano soloist recap one final time the opening cry for peace, (Bruce Borton and Timothy Perry) "Dona nobis pacem." �University Chorus (continued) Tenor Bass 1 David Andrus Roy Bergstraser David Clark Dale Furman Araoye lbitoye H.B. King Dennis Leipold David W. Martin John Novak* Ed Schappert Mathew Varghese Judson Wallis Floyd R. West Paul White Sherry Williamson Frank Ammirata* * Ryan Bagg Eric Bare Anthony Biconish Daniel Gilbert James Hilton Michael Jabo, J.D. Daniel Keller Tom Lamphere Vitaliy Maystruk Edward J. Orosz Don Powell Alex Pullman Zach Rothman-Hicks Richard F. Schwartz *Chorus President **Chorus Treasurer Scott Singer Blake Sloane Timothy Wetherbee Bass2 Mark Epstein Harry Frederick Andy Grammer David Hanson J. Scott Husted Ario H. Meeker Craig Russell David L. Schriber Bob Sullivan Shaun Wilcox �Coming Events (Subject to Change) Thursday, April 24 - Mid-Day Concert with faculty and student performers l :20 P.M. - Casadesus Recital Hall - free Sunday, April 27 - Guest Organist: Todd Wilson - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Tuesday, April 29 - Piano Recital by students of Michael Salmirs - 8:00 p.m. - Casad.esus Recital Hall - free Thursday, May 1 - Jazz Mid-Day Concert with guitarist Dave Stryker - I :20 p.m. - Watters Theater - free Thursday, May 1 - Harpur Jazz Ensemble with guitarist Dave Stryker - 8:00 p.m. - Watters Theater - $8 general public; $6 faculty/staff/seniors; free for students Friday, May 2 - Flute Studio Recital - l 0:00 a.m. - Casadesus Recital Hall free Saturday, May 3 - Harpur Chorale and Women's Chorus - 3:00 p.m. Trinity Memorial Church, Binghamton - free Sunday, May 4 - University Wind Ensemble - 3:00 p.m. - Anderson Center Chamber Hall - free Tuesday, May 6 - University Percussion Ensemble - 8:00 p.m. - Watters Theater - free Thursday, May 8 - Student Recognition Mid-Day Concert - l :20 p.m. Casadesus Recital Hall - free Thursday, May 9 - Student Conductors' Concert featuring choral and instrumental groups - 8:00 p.m. - Anderson Center Chamber Hall - free Friday, May 9 - String Chamber Concert - 8:00 p.m. - Casadesus Recital Hall- free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:57:59 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253388&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253388&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peace, praise, and perdition: works by Beethoven, Bruckner, and Vaughan Williams, April 12, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003 4-12 Description An account of the resource Works of Beethoven, Bruckner, and William. Translations of works available in accompanying program. Held at 8:00 p.m., April 12, 2003, Anderson Concert Theater. Creator An entity primarily responsible for making the resource Burgess, Mary LeFebvre. Timothy Borton, Bruce Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/12/2003 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/d99c448886aa3ce7b73c1dde13774461.pdf a6e3d9dbd1c1d49810e2223d54aaf9ff PDF Text Text BINGHAMTON U  N  T V  E  R  S  T T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K zed e C D E P A R T M E N T STUDENT R ECI TAL ALEXANDER BARO N , RECORDER with Pes  Reitz;  Harpsichord Ad am Goldenberg, Peycussconv Friday, Aprib13, 2012 8:00 p. W C W R W M H M �PROGRAM Sonata in f minor  Triste  Allegro ABOUT THE PERFORMERS .  .  .  .  .. George Philipp Telemann (1681–1767) Andante Vivace Bravade.  Modo 1  '  '  Modo 2 Modo 3 '  '  '  '  '  '  '  '  La Luna.  Meditation..  Sonata Seconda.  Wayfaring Stranger  .Jacob van Eyck (c.1590–1657) Alexander Baron has performed with the Binghemton Baroque. Manhattan Recorder Orchestra, and Adirondack Recorder Guild, at Binghamton University Mid­day Concerts, and at various private events and nursing homes. He attended the Indiana Recorder Academy in 2006–2009. and  the Amherst Early Music Festival in 2011. He was the winner of the 2011 American Recorder Society President’s Scholarship. Previous studies have been mainly with Eva Legene and Michael McCraw. Current studies are with Rachel Begley, Daphna Mor, and Pete Rose. Alexander has interests in both early and modern music. He plays both the recorder and native American flute. He is scheduled to play selections from the GP Telemann Concerto for Recorder, Flute, Strings, and Basso Continuo with the University String Orchestra and flutist Georgetta Maiol o later this April. .. Christiane Mar tini Ryohei Hirose (1930–2008) Dario Castello ­(c.1590­c.1 658) Pete Rose (b.1942) Improvisation .  . Alexander B aron (b. 1989) Sonata in g minor  Vivace  jimi  l  gdin  Allabreve Largo Allegro ma non Presto . Antonio Vivaldi '  (1678–1741) Pej Reitz, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis.  She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus. Victor Rosenbaum. Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States. in England, South America. Spain and at the American Institute of Musical Studies in Graz, Austria.  She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F.  Kennedy Center for the performing arts. She is currently on the faculty at  Binghamton University since 1991 and Ithaca College School of Music since 1999.  She is Treasurer of the local District VII Music Teachers Association and is an active adjudicator for the National  Piano Guild Organization. Adam Goldenberg is a senior biochemistry major and music minor. Mr. Goldenberg studies with Professor Daniel Fabricius, and regularly performs with the University Wind Ensemble and Percussion Ensemble. In 2011, Mr. Goldenberg was a featured soloist in Terry Gillingham’s “Concertino for Percussion and W ind Ensemble” a nd in Paul Creston’s Concertina for Marimba and Wind Ensemble. In spring of 2012, Mr. Goldenberg will be performing Keiko Abe’s “The Wave” Concertino for Marimba and Percussion Ensemble on May 10th at the spring percussion ensemble concert. �Bingha mton Univer sity Music D epartm ent’s U P C O M I N G  E V E N 7  3 S a  eDoas M’s­mesme­ Saturday, April 14 – Mas terclass with organist  Carla Edwards  – 10 a.m. – 12 noon – First Presbyterian Church, Binghamton – free Saturday, April 14 – Rob ert Smith, e uphoniu m, prese nts “ E l  Bombard ino” with  Margare t Reitz, pi ano – 3 p.m. – Casadesus Recital Hall – $6  general public; $3 faculty/staff/seniors; free for students Sunday,  April 15 – Afri canaise:  A n  e vening o f  A frican Inspired  Compos itions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $ 6 faculty/staff/seniors; $3 students Sunday,  April 15 – Gue st Organ ist Carla Edwards  – 4 p.m. – First Presbyterian Church, Binghamton – $10 general public; $6  faculty/stafflseniors; $3 students Thursda y, April 19 – Mid­Day Conce rt – 1:20 p.m. – Casadesus Recital Hall – free Friday, A pril 20 – Universi ty String  Orchest ra – 4:00 p.m. – Grand Corridor – free Saturday, April 21 – Junior  Recital: Matthew  Gukows ky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday,  April 22 – Univer sity Cho rus: Hay dn’s “Lo rd Nelson Mass” – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students For ticket information, please call the Anderson  Center B ox  O ffice a t 777­ART S � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53 minutes :17 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142099">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142099</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, Alexander Baron, April 13, 2012 Description An account of the resource Works by Telemann, Eyck, Martini, Hirose, Castello, Rose, Baron Held at 8:00 p.m., April 13, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Baron, Alexander Reitz, Margaret Goldenberg, Adam Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/13/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:11:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74958">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74958</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, Thursday, April 24, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Bach, Piazzolla, Debussy, Mayer, Schubert, Hundley, Faure, Brahms. Held at 1:20 p.m., April 24, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Vanderpoo, Joseph Talukdar, Natasha Tao, Annie Krebushevski, Kerianna Lawson, James, William Perry, Timothy Keyes, Elizabeth Stalker, Stephen Bernstein, Carol Baker, Thom. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Piazzolla, Astor Debussy, Claude, 1862-1918 Mayer, John Schubert, Franz, 1797-1828 Hundley, Richard Faure, Gabriel, 1845-1924 Brahms, Johannes, 1833-1897 Date A point or period of time associated with an event in the lifecycle of the resource 4/14/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound