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                    <text>AT BINGHAMTON
STATE UNIVERSITYOF NEW YORK
DEPARTMENT OF MUSIC

AN

OF

EVENING

GREEK

FOLK

&amp;
DANCE

Sotirios (Sam ) Chiani s
director

DON

A.

WATTERS THEATER

M ARCH 30,
8:15

1971

P.M.

MUSIC

�PRO GRA M

OPEN ING REM ARK S
Fath er Cons tanti ne Com bitch is of the Annu n ciatio
n Gree k Ortho dox
Chur ch, Endi cott, New York .
"The 150th Anni v e rsary of Gree k Indep ende nce"
KLE PHT IKO
One of the most impo rtant categ ories
Pelo ponn esus and cent ral Gree ce (Rou m eli}
The Klep htiko is a histo rical song , relat ing
durin g the long strug gle for indep ende nce.
the song begin s in free- mete r.
Cimb alum solo

of folk song s throu ghou t the
are the Klep htic balla ds.
the hero ic deed s of the Klep hts
Afte r a shor t intro ducti on,

Sotir ios Chia nis

KAL AMA TIAN O
The Kala mati ano is the only folk danc e that can
corre ctly be calle d
pan- Helle nic. The mete r of the Kala mati ano is
7/8 (3 + 2 + 2) and the
danc e conta ins twelv e basic steps (in the cycle }.
The entir e Danc e Ense mble
SYN GA THIS TOS HOR OS
The north ern regio n of Gree ce, calle d Epir us,
has alwa ys enjoy ed
a weal thy folkl orist ic tradi tion. Amo ng the num
erou s folk danc es of this
regio n, the Syng athis to is most char acter istic .
The musi c from Epir us
tends to be penta tonic in natu re, slow in temp o,
and with many melo dic
slide s. This danc e is set in 5/4 mete r and perfo
rmed by wom en only.
Row ena- Robe rtson - lead danc er

�TRATA
In parts of Greece, especially along the coastline of the Peloponnesus,
certain dances are highly traditional. The dance, literally meaning the
fisherman's net, reflects the motions of "pulling-in the nets." The Trata
is traditionally danced only by women. The music is in 4/ 4 meter.
Stephanie Zunno - lead dancer

ZONARADHIKO
The Zonaradhiko dance is from the eastern part of the region Thrace.
In this facinating region, people still retain their village customs, costumes,
and rich folk traditions.
The dance, named after the beautiful belts of
Thrace (as can be seen on the dancers), is traditionally performed only by
women.

PAIDOUSKA
Also from the region of Thrace, the Paidouska contains many small
and intricate dance steps. Though it resembles the Bulgarian Paidouska,
this version is definitely Greek.

SYR TOS HOROS
A very common dance in all parts of Greece is the Syrto. It is set
in 4/4 (or 2/4) meter and generally the tempo is lively. In this particular
Syrto, the mode is diatonic and the melodic style characterizes the region
of Roumeli. Many dance tunes, such as this Syrto, are strictly instrumental.
Instrumental Ensemble

BALLOS
The music of the Aegean Islands tends to be rather lively and "lighthearted" in character. Of all the Greek dances found on the various islands,
the Ballas is considered the most common. It is a multi-sectional composition, set in a lively 2/4 meter,
and commonly played strictly instrumentally.
This Ballas is well-known throughout the Aegean.
Instrumental Ensemble

�PENTOZALI
Though the island of Crete is located in the southern Aegean, Cretan
traditions such as music, dances, instruments, language, etc. can be found
on no other Greek island. The Pehtozali is definitely Cretan. Though the
music is quite repetitive, the dance offers many opportunities to display
the leaps, turns, and intricate dance-steps so c ommonly found on Crete.
The Pentozali is traditionally performed by m en.

TSAMIKOS HOROS
In all of Greece, there is no folk danc e more h eroi c in character than
the Tsamiko. The lead-dancer is free to perform the danc e in his own
particular style while the remaining dancers maintain the basic steps of the
dance. Instrumentally, the Tsamiko offers the lead instrumentalist a unique
opportunity to display his improvisatory abilities · in the section of the Tsamiko
known as "sto dopo!'
Saul Stahl - lead dancer

INTERMIS S ION

KERKYRAIKOS HOROS
This music comes from the island of Kerkyra (in English it is known
as Corfu). You will readily hear that West e rn musi cal traditions have very
greatly influenced this music. The music is in 2/ 4 meter and performed
on the instrument known as the kanoun (or ka nonaki).
Lorelei Beer - Kanoun

POGONNISIO
Another characteristic dance from Epirus is the Pogonissio. The dan c e
is in two parts: the first being rather slow an d stat e l y , _while the second
The entire dance continu e s in this manner . . The t ext of the
part is lively.
dance begins:
"I will become a basil plant a t y our window
And will remain a bachelor for y our pleasure."

�KARA GO UNA
This dance com es from
live several nomadic peoples
exceedingly wealthy tradition
dance; beginning slowly and

the plains of Thessaly. On this rich land
such as the Karagounidhes. They have an
of song and dance. Again, it is a doubleending quite lively.

SOUSTA
One of the liveliest folk dances of Crete is the Sousta. The steps
are short and highly intricate. The dance begins at a lively tempo and
becomes even livelier.

ZEIBEKIKO
The Zeibekiko dance is very popular among the islands of the Eastern
The music is set in 9 / 4 meter (divided 4 + 5) and the tempo
Aegean Sea.
Though many Zeibekika have song texts, this one
deliberate.
and
is slow
is instrumental.

SKYRIANOS HOROS
In many regions of Greece, a distinct style is developed for a certain
folk dance. For example, on the island of Skyros (located in the North
Aegean), the Syrto is performed in a typical manner. The music is lively,
gay, and in meter 2/4.

SYRTAKI
A presentation of songs and dances of Greece would not be complete
without the Syrtaki. Though it properly belongs to the popular tradition,
it nevertheless has taken Greece by storm; everyone is dancing the Syrtaki.
The style is Greek but the harmonies are very Western. The dance begins
slowly, with highly stylized steps; and is brought to a close with a lively
dance called the Has sapiko.
The entire Dance Ensemble

�ACKNOWLEDGMENTS

We are greatly indebted to The American Civic Association,
Binghamton, New York, for their willingness to loan us the Greek
Foustanella costumes.
Our sincerest and warmest thanks go to Mrs. Lambro u and her
daughter, Aliki, of Athens, Greece.
Because of their genuine love for
the many traditions of their small island of Skyros, and for their sincere
interest in our Study Program of Greek Folk Music and Dance here at
Harpur, they so kindly made it possible to bring to America (for the
first time) authentic folk costumes from the island of Skyros.
We would also like to acknowledge the Greek Community of the
Triple-Cities and their organizations.
These are:

Annunciation Greek Orthodox Church
Endicott, New York
Father Constantine Combitchis
Holy Trinity Greek Orthodox Church
Binghamton, New York
Father Constantine Regopoulos
Greek Orthodox Ladies Philoptohos Society
Annunciation Greek Orthodox Church
Endicott, New York
• Mrs, Josephine Koukoudes: President
American Hellenic Educational Progressive Association (AHEPA)
Brotherhood Chapter No. 77
Triple- Cities
Mr. Charles Leounis: President
Daughters of Penelope
Athens Chapter No. 39
Triple-Cities
Mrs. Tillie Carbo: President
Greek Orthodox Youth of America (GOYA)
Triple-Cities
Miss Margo Alexander: President

�INSTRUMENTALISTS

*
*
*

*

Accordion - George Romonchuk
Cimbalum, Clarinet
Sotirios Chianis
Dumbek
George Carris Jr.
Guitar
George Carris
Kanoun
Lorelei beer
Mandolin
John Carris
VOCALIST
Kathleen Tyrell
DANCERS
Bunny Mednick
Marcy Meinwald
Barbara Moskowitz
Paul Olson
Sandra Orzelek
Rowena Robertson

Saul Stahl
Alma Sternberg
Brian Sternberg
Daniel Unger
Mark Weinheimer
Stephanie Zunno
SINGERS

Kristin Adolph
Sheryl Bernard
Linda Berry
Robert Brodesky
Francine Carris
Ronald Drumm
Kathie Edson
Lynne Federman
Alice Gavenda
Mirian Gilbert
Ellen Goldhaar
Judy Gross
Karen Gwertzm an
Elise Heim
Cheryl Hyde
Marilyn Kar han
Aviva Katz
Linda Klein

*

Guest Artist

Mary Lawler
Louise Lippen
Carol Lowenheim
Karen Pearlman
Eileen Perahia
Margaret Polemis
Nancyanne Preston
Deborah Reed
Sharon Rosenblum
Jeanne Spira
Elyse Springer
Sherry Stern
Constance Stirling
Phillip S ykas
Gary Trager
Ilene Traiger
Debra Triffleman
Roslyn · Tunis
Linda Uhly

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                  <text>&lt;p&gt;The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the &lt;em&gt;The Big Horror Reading Series&lt;/em&gt; at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.&lt;br /&gt;&lt;br /&gt;Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.&lt;br /&gt;&lt;br /&gt;The collection also &lt;a href="https://omeka.binghamton.edu/omeka/collections/show/31"&gt;includes twelve excerpted poems&lt;/a&gt; that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Digitization and DVD Production&lt;/strong&gt; &lt;br /&gt;After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&amp;nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Preservation and Expanded Access&lt;/strong&gt; &lt;br /&gt;Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. &lt;strong&gt;(N.B.: They are only accessible on campus or via campus VPN.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from &lt;a href="https://www.pinterest.com/pin/548805904585058425/"&gt;Pinterest&lt;/a&gt;. If you are the rights holder, please contact The Libraries.&lt;/p&gt;</text>
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                  <text>Bern Mulligan&#13;
Erin Rushton&#13;
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Rachel Turner &#13;
David Floyd&#13;
Sasha Frizzell&#13;
Aynur de Rouen&#13;
Nicholas Eggleston&#13;
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                    <text>B
INGHAMTON
U N I V E R S I T Y
S TAT E  U N I V E R S I T Y  O F  N E W  Y O R K   ­

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D E P A R T M E N T

STRING FEVER
STRING STUDIO &amp; CHAMBER RECITAL

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�PROGRAM
Meditation from “Thais” 

Gregory Gerald Greene, violin
Michael Salmirs, piano
On Wings of Song ..

Taylor Reitmeier, cello
Margaret Reitz, piano

Rudolfph Koegl, double bass
Margaret Reitz, piano

. Piotr Tchaikowsky
(1840­1893)

Robert Schumann

Jin Woo Lee, cello
Margaret Reitz, piano
Salut d’Amour... 
Zeno Pittarelli, cello
Margaret Reitz, piano
The Swan.. 

Ryan Joyce, cello
Margaret Reitz, piano
Fond Recellections... 
Eric Wuu, cello
Margaret Reitz, piano
Concerto for Cello in E minor, Op. 85 .. 

Adagio—Moderato 

Jennifer Chen, cello
Margaret Reitz, piano

Violin Concerto No. 1 in G minor, Op.26. 
Adagio 

..Max Bruch
(1838­1920)

Ella Serrano, violin

.. Felix Mendelssohn
(1809­1847)

Chanson Tn’ste.. 

Traumeri

..Jules Massenet
(1842­1912)

(1810­1856)

. Edward Elgar
(1857­1934)

.. Camille Saint­Saéns
(1835­1921)

. David Popper
(1843­1913)

Margaret Reitz, piano

PAUSE
String Quartet, K 168. 
Fuga 

...W.A. Mozart
(1756­1791)

Chris Rogers, violin
Janey Choi, violin
Benjamin Pochily, viola
Jin Woo Lee, cello
String Quintet in C minor, K 405 (516b)... 
Allegro 

...W.A. Mozart
(1756­1791)

GaEun Kim, violin
Imji Choi, violin
Maxim Pelarskiy, viola
Shane Thorne, viola
Zeno Pittarelli, cello

Brandenburg Concerto No. 3 in G major, BWV 1048  J.S. Bach
(1685­1750)
Allegro 

. Edward Elgar

(1857­1934)

Aléﬂ‘udean/and/ﬁwally a r e / 9 0 m m
  a g o r v o d e / ram b e r  P r o g r a m
StringL

�String Fever Participants

‘Violin

Janey Choi*
Xiang He*
Ella Serrano*
Hemangi Shah

Richard Law
Andrew Tsai
GaEun Grace Kim
Wesley Ha
Imji Choi

Gregory Gerald Greene
Edwin Kabigting
Chris Rogers
MinJeong Jaime Jeon
Viola
Roberta Crawford*
Maxim Pekarskiy*
Benjamin Pochily*
Shane Thorn
VWII Grandin
Kevin Christie
Cello
Stephen Stalker*
Eric Wuu*
Jennifer Chen*
Jin Woo Lee
Zeno Pittarelli
Ryan Joyce
Rayleen Bichler
Bass
Stephen Brooks
Taylor Reitmeier
Rudolf Koegl

Piano
Margaret Reitz
Michael Salmirs
* Brandenburg Concerto Soloists

�</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                    <text>BINGHAMTON
UNIV ERSIT Y
STATE UNIVERS I TY O F NEW YORK

D

E P A

R T

M

E N

STRING
ORCHESTRA
CONCERT
Directed by Heather Worden

Friday, April 19, 2013
4p.m.
Grand Corridor

T

�PROGRAM

Dobra, Dobra .............................................. ... ..... arr. by H. Worden

Symphony No. 1 for Strings ......................... ... ........... .Jeff Manookian

BRIEF

PAUSE

Game of Thrones Theme ............................. ........ ..... arr. H. Worden

Pavane pour un Infante Defunte ... .......... .... ........ ...... .. Maurice Ravel
arr. by Jeff Mookian

Viva La Vida ...... ......... .. .. ...... ............ .. .... ............................ Cold play
arr. Sebastia Salvà

�MEMBERS OF THE STRING ORCHESTRA
Directed by Heather Worden

Violins
Won Jae Lee, principal
Fanny Chu
Henry Savit
Trey James
Wesley Ha, principal
Julia Kenny
Kimberly Griffin
Ron Miles+
Caleb Chang
In the String Orchestra we
alternate the violins between
first and second parts with each
piece. This gives every player
the challenge of playing lead
parts.

#Community member
+Binghamton University Faculty

Violas
Tom Fuchs, co-principal
Tamera Raysor, coprincipal
Alison Tuck
Cellos
Ryan Ference, principal
Danielle Koontz
Raeleen Bichler
Dae Young Jung+
Dennis McGee+
Basses
Nicholas Hoyos
Tim Roossien#

�Binghamton University Music Department's
Coming Events
Saturday, April 20 -Senior Recital: Sungkyun Ryu, piano - 8:00 p.m. Casadesus Recital Hall - free
.Sunday, April 21-Mu Phi Epsilon Concert- 3:00 p.m. - Casadesus
Recital Hall - free
Thursday, April 25 - Jazz Mid-Day Concert with jazz pianist Larry Ham 1:20 p.m. - Osterhout Concert Theater- free
Thursday, April 25 - Harpur Jazz Ensemble Concert with jazz pianist Larry
Ham - 8:00 p.m. - Osterhout Concert Theater - $6 general public; $3
faculty/staff/ seniors; free for students
Friday, April 26- Flute Studio and Flute Chamber Concert- 10:15 a.m. Casadesus Recital Hall - free
Friday, April 26 - Wind Symphony Concert: ''The Divine Comedy" 8:00 p.m. -Anderson Center Chamber Hall - $6 general public; $3
faculty/staff/ seniors; free for students
Friday, April 26- Tri-Cities Opera presents Mascagni's "CAVALLERIA
RUST/CANA " and Leoncavallo's "PAGL/ACC /"- 8:00 p.m. - The Forum
Theatre - call (607) 772-0400 for tickets
Saturday, April 27 -Master's Recital: Brister Hay IV, tenor- 3:00 p .m. Casadesus Recital Hall - free
Saturday, April 27 - Faculty Recital: Christopher Morgan Loy- 8:00 p.m.
- Casadesus Recital Hall - $6 general public; $3 faculty/staff/ seniors; free
for students
For tickets or to be added to our email list, visit anderson.bin ghamton.edu or call
(607) 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit
music.bingha mton.edu or become a fan on Facebook.
If you were inspired by this performance, consider
supporting the Department of Music with a financial gift.
Your support helps to continue the work of students,
faculty, and guest artists and their contributions to our
community. Please make your donation payable to the
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000,
Binghamton, NY 13902.

�</text>
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                    <text>U N I V  {ARC

Rec 

Tog 0
Pog  C

Binghamton University Music Department

STRING PROGRAM RECITAL

Cal  L’s  ( j

Concerto in A Minor, BWV 1041 

J.S. Bach

Allegro moderato 

Jennifer Liebman, violin
Margaret Reitz, piano

Passacaglia on an Old English Tune (1943) 
Melissa Lee, viola 
Margaret Reitz, piano

Meditation from “Thais” 
Jennifer Paull, violin 
Margaret Reitz, piano

Fantasy 

Sarah Sterling, viola 
Margaret Reitz, piano

Duo for Two Violins, Op. 24 

Rebecca Clarke
(1886–1979)

Jules Massenet
(1 842–1912)

Johann Nepomuk Hummel
(1778–1837)

Ignaz Pleyel

Allegro 

Jennifer Paull
Beth Vayshenker

Quartet in D minor, Op. 76, No 2 “Quinten” 
Andante, o piu tosto Allegretto 
Allegro

(1685–1750)

(1757–1831)

Joseph Haydn
(1732­1 809)

Elizabeth Sterling and Griﬀin Sargent, violins
Sarah Sterling, viola  Ryan Joyce, cello

Concerto No.3 in G Major, BWV 1048 “Brandenburg ” 
(Allegro) 
Adagio
Allegro
Janey Choi, Akira Maezawa, Griﬀin Sargent, violins
Roberta Crawford, Melissa Lee, Sarah Sterling, violas
Stephen Stalker, Heajung Kim, Ryan Joyce, cellos
Peter Browne, continuo

Tuesday May 8, 2007, 8:30 PM
Casadesus Recital Hall

J.S. Bach
(1685–1750)

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                    <text>BINGHAMTON
U N I V E R S I T Y
S T A T E   U N I V E R S I T Y   O F   NEW  Y O R K

[4

1245724

D E P A R T M E N T

String S tudents and Faculty from the
Studio Lesson and
Chambe r Music Program

present

STRING FEVER
Assisted by Marga ret Reitz, piano
with Special G uests

Adarsha Ramakumar, Indian classical violin
James Bu rns, keyboard
.. Gavin Webb, percussion

Tuesday, April 21, 20 15

7:30 p.m.

Casadesus Recital Hall

�80  PROGRAM  08
Metallica (1991)
arr. Apolcalyptic (1998)

“Nothing Else Matters” 

muMmmdhmquMCMn

Allison Butler, Evan Fetten, Deborah Mariottini. Kelly Mercer,
Charlie Miller, Greg Scala, Mary Spencer, Zachary Sweet
Fritz Kreisler

Sicilienne and Rigaudon 

(1875­1962)

Jiwon Nam, violin
Margaret Reitz, piano

(1841­1904)
( 

Rebecca Sgroi, violin
Margaret Reitz, piano

George Frederic Handel
(1685­1759)

Sonata for Two Violas in G Minor. Op.2, No.8 
Andante ­ Allegro 

Jessica Funnel &amp; Kaitlyn MacDonald, violas
Margaret Reitz, piano
Tempo di Menuetto 

Antonio Bartolomeo Bruni

Duet No.3 in  D Major, Op. 38. 

Allegro 

(1757­1821)

.Jacques­Ferol Mazes

(1782­1849)

Emma Lecarie &amp; Rebecca Sgroi, violins

®  INTERMISSION  ca
Sonatas for 2 Violins 
Op 3 no 2 
Allegro ­ Maya Orlofsky &amp; Cricket Tombs
Allegro – Kieran Murphy Gt  Eleaner Krasner

Adarsha Ramamkumar, violin
James Burns, keyboard
Gavin Webb, percussion
Concerto No. 3 in  G Major, BWV 1048 

Johann Sebastian Bach

(Allegro) ­ Adagio ­ Allegro 

(1685­1750)

String Fever Chamber Ensemble

Violins

. Antonin Dvorak

Duet No.6 in D Major. Op.34 

(1767­1847)

i t i t t i t i t i t * i * * i i t t t t t t t * *

Sonatina in G Major, Op. 100 

Allegro 

.Tyagarja

Brovabarama. 

Jean Marie Leclair
(1697­1764)

Op 3 no 4
Allegro assai ­ Sara Kohtz &amp; Nathaniel Christman
Aria gtatioso: Andante ­Alexio Chang &amp; Emily Sui
Giga: Allegro moderato ­ Jiwon Nam &amp; Kristin Moriarty

Alexio Chang
Nathaniel Christman
Sara Kohtz
Eleanor Krasner
Emma Lecarie

Kristin Moriarty
Kieran Murphy

Maya Orlofsky
Rebecca Sgroi
Emily Sui
Cricket Tombs
Violas

Daniel Cooke
Jessica Funnel
Justin Lafond
Kaitlyn MacDonald
Hannah Watrobski

Cellos
Allison Butler
Evan Fetten
Deborah Mariortini
Kelly Mercer
Charlie Miller
Greg Scala
Mary Spencer

Binghamton Un ivers ity Mus ic Department String Faculty
Janey Choi, Roberta Crawford, Zachary Sweet, Stephen Stalker

�Bingha mton Un iversity M usic Depa rtment’s

Coming Events

W

W

W

Thursday, April 23 ­ Harpur Jazz Ensemble Concert with saxophonist
Camille Thurman – 7:30 p.m. ­  Osterhout Concert Theater ­ $ 7 general
public; $5 facu lty/staﬀ/ seniors/ a lumni; free for students
Friday, April 24– Master’s Recital: Jake Stamatis, baritone ­  7:30 p.m. ­
Casadesus Recital Hall ­ free

Saturday, April 2 5­  Master’s Recita l: Kevin Truax, tenor ­ 3 p.m. ­
Casadesus Recital Hall ­ free
Saturday, April 25– Joint Rec ital : Rachel Young, soprano and E leanor
Krasner, violin ­  7:30 p.m. ­  Casadesus Recital Hall ­ free

Sunday, April 26 – University Wind Symphony: Once Upon  a Time ­ 3 p.m.
­ Anderson Center Chamber Hall ­ $7 general public; $5
faculty/staﬀ/se niors/alumni; free for students
Tuesday, April 28 – Percussion Ensemble – 7 :30 p.m. ­ And erson Center
Chamber Hall ­ $ 7 general public ; $5 faculty/ s taﬀ/ seniors/ a lumni; free for
students
Thursday, Apr il 30 ­ Mid­Day Concert ­  1:20 p.m. ­ Casadesus Recital Hall ­
free
Thursday, April 30 ­ Piano E nsemble ­ 7:30 p.m. ­ Casadesus Recital Hall ­
free
W

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For  tickets or to  be  added  to  our email  list, visit anderson.binghamton.edu or call (607) 777­ARTS.
For a complete list of our concerts call (607) 777­2592, vis it music.binghamton.edu or become a fan

on Faceboolt.

E

—

=  [ = ]   If  you were inspired  by this performance, consider supporting t he  Department
of  Music with a  ﬁnancial gift. Your  support  helps  to  continue  the  work  of

students, faculty, and guest artists and the ir contributions to our community.

f = ]  
&amp; 

Please  make  your  donation  payable  to  the  Binghamton  University  Music
Department, and send your check to
B U Music Department, 
 
P.O. Box 6000, Binghamton, NY 13902.

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‘ U N I V E R S I T Y
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W

[4

0

D E P A R T M E N T

String students from the
Studio Lesson and Chamber Music

program present

STRING FEVER
Assisted by Margaret R eitz, piano

Tuesday, April 16, 2013
8 p.m.
Casadesus Recital Hall

�PROGRAM
Variations on Lo, How a rose ‘ere Blooming. 
for solo cello 
Paul Watrobski, cello

.Mark Summer
(b. 1963)

DMO for cello quartet .
with energy

. Shirl Jae Atwell
Paul Watrobski
Eric Wuu
Andew Card

Xander Edwards
Concerto for Violin. Op. 14

Emily Sui, violin
Margaret Reitz. piano

Salmacis. A Tale of Unrequited Love 
Dance of Salmacis and Hermaphroditus 

Transformation and Finale

.Samuel Barber
(1910­1981)

Teasing Song #26
Burlesque #16
Mosquito Dance #22
Santino DeAngelo
(b. 1990)

Eric Wuu, cello
Margaret Reitz. piano

. Bela Bartok

Duos for Two Violins, Sz. 98..

(1881­1845)

Rebecca Sgroi
Na ta lie Bock

Sorrow #28

Ife Samms

Nicholas Thompson
Baal Shem: Three Pictures from Hassidic Life . 
Nigun (Improvisation) 
Eleanor Krasner, violin
Margaret Reitz. piano

Sonata in E minor, Op. 38 .. 
for cello and piano 
Allegro non troppo 

'

Xander Fdwards, cello
Margaret Reitz. piano

.Ernest Bloch
(1880­1959)

. Johannes Brahms
(1 833­1 897)

Ruthenian Kolomeika #35
Eleanor Kramer
Joseph Vanderpool
Pillow Dance #1 4
Bagpipes #36
BU String Studios Violin Ensemble

.arr. Natalie Bock

Celtic Medley..
BU String Studios Ensemble

zolNTERMlSSIONos

�MEMBERS OF THE BU STRING STUDIO
AND CHAMBER MUSIC PROGRAM
Violins 

Violas

Natalie Bock 
Nathaniel Christman 
Fanny Chu 
Wesley Ha 
Sara Kohtz 
Eleanor Krasner 

Jillian Chen
Harrison Dulin
Tom Fuchs
Ethan Schaber
Tamera Raysor
Kaila Umbach

Jingwei Li 
Gabrielle Maire 

Cellos
Andrew Card

WonJae Lee

Jiwon Namm 
Jaclyn Podd 

Xander Edwards
Deborah Mariottini

Emily Sui 

Eric Wuu

Ife Samms 
Rebecca Sgroi 

Nicholas Thompson
Joseph Vanderpool 

Kelly Mercer
Paul Watrobski

Basses
Robert Durante
Evan Flury
Lucas Hennessey
Nicholas Hoyos

From the studios of Roberta Crawford,
Stephen S talker, Janey Choi and Peter Rovit

If   you  were  inspired  by  this  performance,  consider
s upporting the Department of Music with a ﬁnancial gift.
Your  support  helps  to  continue  the  work  of students.
faculty,  and guest artists and their  contributions to our
community. Please make your donation payable to the
[=]¢ 
Binghamton University Music Department, and send your
check to BU Music Department, P.O. Box 6000, Binghamton. NY 13902.

 a.
–  p
[uw]  “ E

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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59397"&gt; Student Honors Recital&lt;/a&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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