152 10 1775 https://omeka.binghamton.edu/omeka/files/original/aeb0e8a8627abc9afca2883df48a006e.pdf 18697a17abe83b84a07adf155832744e PDF Text Text BINGHAMTON OU N I V E R S E K I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K oide e [4 D E P A R T M E N T GUEST ORGAN CONCERT CARLA EDWARDS CoSponsored by the Bin ghamton Chapter of the A merican G uild of O rganists Su nday, Ap ril 15, 20 12 4:00 p.m . Un ited Pres byterian Church Bingham ton, New York �PROGRAM ABOUT THE PER FORMER Festive Proclamation . .Samuel Adler (b. 1928) ChoralePrelude : .. Jo han n Sebastian Bach Wachet au f, raft uns die S timme, BW’V 64 5 (16851750) ChoralePartita on. Wachet auf, ruft uns die Stimme, op.8, no.2 Hugo Distler (1908–1942) I. Toccata II. Bicinium III. Fugue C a r l a E d w a r d s is Professor of Organ and Harpsichord at De Pauw University in Greencastle, Indiana. She received her Bachelor o f M usic degree with highest distinction from The University of Kansas, a Master of Music degree from the University of Alabama, and her Doctor of Musical Arts degree from Indiana University. She has studied with Larry Smith, Delores Bruch, James Moeser, Catharine Crozier, Robert Noehren, Michael Schneider, and J. Warren Hutton. Passacaglia quasi Toccata na tema EACH .. ..Milos Sokola (19131976) & INTERMISSION a s A Triptych of Fugues ...Gerald Near (l). 1942) I. Lively, with dash II. Slowly, expressively III. Broadly Choralvorspiele fur Orgel, op.67.. . Max Reger (18731916) Wie schon leucht ’t uns der Morgenstern Jesus, meine Zuversicht Herzlich tut mich verlangen Meinen Jesum lass ich nicht Vom Himmel hoch, da komm ich her Prélude et Fugue sur le nom d’Alain, op.7. .Maurice Duruﬂé (19021986) + G uilbaultThérien Organ, 1996 * Dr. Edwards has been featured several times on the nationally syndicated radio program Pipedreams, and she has performed in England, Italy, and Finland. Nationally, she was a featured artist at the 1994 American Guild of Organists National Convention held in Dallas; the 1997 AGO Region V Convention held in Evansville, Indiana; the 2001 AGO Region V convention held in Ft. Wayne, Indiana; and at the 2007 Organ Historical Society National Convention held in Indianapolis. She has performed as a concerto soloist with the Virginia Symphony, and has recently presented a solo organ concert at the 2008 AGO National Convention held in Minneapolis, Minnesota. Most recently, she presented a solo organ concert at the Region V AGO Convention, held in June 2011 in Lexington, Kentucky. Dr. Edwards has recorded two CDs on the Calcante Recordings label, two CDs with the Del’auw University Band, one CD of works for soprano/organ with Professor Caroline Smith (vocal faculty at DePauw University). and has recently recorded a solo organ CD on the Hellmuth Wolﬀ organ at DePauw University. �gbam tan University Music Departm en t’s Bin UPCOMING E V E N T S a5» {364 564 56t3’6t5’ MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FRE E Saturday, April 14 – Robert Smith, e uphonium, presents “El Bombardino” with Margaret Re itz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Sunday, April 15 – Africanaise: An even ing of African Inspired Compositions — 3 p.m. – Anderson Center Chamber Hall – $10 genera public; $6 faculty/staﬀ/seniors; $3 studen ts Sunday, April 15 – G uest Organist Carla Edwards – 4 p.m. – First Presbyterian Church, Binghamton – $10 general public; $6 faculty/staﬀ, seniors; $3 students Thursday, April 19 — M idDay Concert – 1:20 p.m. – Casadesus Recita Hall – free Friday, April 20 — U n ive rsity St ring Orchest ra — 4 :00 p.m. – G rand Corridor – free Saturday, April 21 — J unior Recital: Matthew G ukowsky, tuba — 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – Un ive rsity Chorus: Haydn’s “Lord Nelson Mass” – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/ staﬀ/seniors; $3 students For ticket information, please call the A nd ama n Can t er Box Oﬀi ce at 7 7 7 AR T S To see all events, please visit mus i c.bi ngbamtan.e du Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32 minutes :34 seconds. 44 minutes :17 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142102">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142102</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest organ concert, Carla Edwards, April 15, 2012 Description An account of the resource Works by Adler, Bach, Distler, Sokola, Near, Reger Held at 4:00 p.m., April 15, 2012, United Presbyterian Church. Creator An entity primarily responsible for making the resource Edwards, Carla Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/15/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f206a18337925e8f5cf6a782a1fa0187.pdf fccfa5cd121d3156e70593d9b6632649 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K Ld w d e c D E P A R T M E N T F A C U L T Y R E C I T A L Zachary Sweet, cello Michael Salmirs, piano Thursday, April 16, 2015 7:30 p.m. Casadesus Recital Hall �About the Performers so PROGRAM (as “Pohadka” (1685) . I. Con Moto II. Con Moto Ill. Allegro “Arietta”... Leos janaéek (18541928) . Daniel Godfrey (18681939) Sonata for Cello and Piano I. Lentoallegro moderato II. Allegro scherzando III. Andante IV. Allegro Mosso .Sergei Rachmaninoﬀ (18731943) Pianist MICHAEL SALMIR S is well known as a recitalist and chamber musician. As a founding member and artistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as soloist with the Coming Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and was frequently a featured pianist on their Sunday Chamber Series. In addition to perfonning most of the standard ch. mber music repertoire for strings and piano, he has premiered numerous solo and chamber works. and has given the world premieres of Piano Quintets by David Liptak and Marek Harris, as well as Diego Vegas Piano Quartet with the Finger Lakes Chamber Ensemble and Piano Quartet by Wendy Wanki Lee with the Binghamton University resident piano quartet, Mobius Ensemble. He has also participated in such contemporary music series as Binghamton Universitys Musica Nova, Cornell University’s Ensemble X, Chiron. and has toured and recorded for the Syracuse Society for New Music. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers include pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University where he is Coordinator of Piano Studies. As a composer, his Silenced Voice, for Soprano, Baritone, Clarinet, and Piano Quartet, was premiered in 20 1 0 at Binghamton University. He is presently composing a vocal chamber work on texts by Stephen Levine as well as a Piano Quintet. This season features performances of the complete works for cello and piano by Beethoven with cellist. Stefan Reuss and a piano recital at Binghamton University in April. Zachary Sweet is currently instructor of cello at Binghamton, Mansﬁeld and Colgate Universities, on the faculty at Ithaca Talent Education and Music Together of Ithaca, and artistic director of Ithaca Free Concerts in Ithaca, NY. As a performer and clinician, Zachary has performed and gi n master classes extensively throughout the TriState area. Currently, Zachary is principal of Colgate University Orchestra and plays regularly with the Orchestra o f the Southern Finger Lakes and TriCities Opera. From 200 1 2003, Zachary held the Talented Students in the A rts Initiative Fellowship at the Aspen Music Festival, where he acted as mentor to the Concert and Symphonic orchestras while playing with the Festival Orchestra under the batons o f David Zinman and James Conlon. Zachary completed his Master’s in Performance and Literature at the Eastman School of Music in 2006 and studied chamber music with the Ying Quartet, Elinore Freer, Dr. Jean Barr, Richard Kilmer, and Dr. Kenneth Grant; his principal instructors there were been Alan Harris and Kathy Kemp. Zachary plays the 2001 “Willow Cello” by Jim McKean and a 1999 Bow by Ron Forrester. Photo courtesy o f Glen Sanders © m l 1, www.gmsanders.net. �B i n ba 1S m ton Universi W M us ic De Partmen tfs Com i n g Even t s ﬁwﬁééﬂﬂéwéﬂﬁbﬁﬁwwb Friday, April 17 Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, ﬂute 5 p.m. – Casadesus Recital Hall – free Friday, April 17 Composition Master Class with Guest Organist Craig Phillips 11:00 a.m. 1 :00 p.m. ~ Fine Arts 2 1 »free Friday, April 1 7 TriCities Opera presents Gounod’s Faust – 8 p.m. The Forum Theater call (607) 7720400 for tickets Saturday, April 1 7 Joint Recital: Sophomore Natasha Talukdar, piano and Senior Annie Tao, piano 3:00 p.m. Casadesus Recital Hall free Saturday, April 18 Master Class with Guest Organist Craig Pillips 10 a.m. 12 noon Fine Arts 2 1 free Saturday, April 18 Senior Recital: Ch ristina Santa Maria, soprano 7:30 p.m. Casadesus Recital Hall free Sunday, April 19 TriCities Opera presents Gounod’s Faust 3 p.m. – The Forum Theater call (607) 7720400 for tickets Sunday, April 19 – Guest Artist: Organist Craig Philips 4 p.m. United Presbyterian Church $1 0 general public ; $7 faculty/staﬀ/seniors/alumni ; $5 for students Tuesday, April 21 String Fever (String Classes and Studio String Recital) – 7:30 p.m. Casadesus Recital Hall Free Thursday, April 23 Jazz MidDay Concert with saxophonist Camille Thurman (Mike Carbone) 1:20 p.m. Osterhout Concert Theater free Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7 :30 p.m. – Osterhout Concert Theater – $7 general public ; $5 faculty/staﬀ/seniors/alumni ; Free for students tﬁfbﬂﬂéfbﬂﬁébﬁsﬁeéwéwéibéc§nﬁé~6énéé~ For tickets or to be added to our email list, visit andersonbingham tonedu or call (607) 7 7 7 A R T S . For a complete list of our concerts call (60 7) 7772592, visit music.binghamton.edu or become a fan on Facebook. — [ m ] . = [ = ] If you were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U M usic Department, P.O. Box 6000sss, Binghamton, NY 13902*** � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:11:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74841">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74841</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zachary Sweet and Michael Salmirs, faculty recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Janáček, Godfrey, Godfrey, Rachmaninoff. Held at 7:30 p.m., April 16, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Sweet, Zachary Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Janáček, Leoš, 1854-1928 Godfrey, Arietta Godfrey, Daniel Rachmaninoff, Sergei , 1873-1943 Date A point or period of time associated with an event in the lifecycle of the resource 4/16/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0eb88300e7cdb61b25e44de97b486cb5.pdf b4859993af5734ea4048bec4f9ebf764 PDF Text Text (, UNIV ecital tape 00 4-.. 1 CO BINGHAMTON U N I \' E R S I T Y State University of New York Department of Music Presents Brahms Tragic Overture Op. 81 Mozart Requiem K. 626 Leslie Hochman, soprano Lara Longsworth, mezzo soprano Timothy Fallon, tenor Richard Galyon, baritone The University Chorus The University Symphony Orchestra Timothy Perry and Bruce Borton, conductors Saturday, April 17, 2004 8:00 p.rn. Osterhout Concert Theater �Program Tragic Overture (Op. 81) ..................................... Johannes Brahms ( 1833-1897) University Symphony Orchestra Timothy Perry, conductor Requiem .............................................. Wolfgang Amadeus Mozart (17 56-1791 ) 1. Requiem/Kyrie 2. Dies irae 3. Tuba mirum 4. Rex tremendae 5. Recordare 6. Confutatis 7. Lacrymosa 8. Domine Jesu 9. Hostias 10. Sanctus 11. Benedictus 12. Agnus Dei/Lux aeterna Leslie Hochman, soprano; Lara Longsworth, mezzo soprano Timothy Fallon, tenor; Richard Galyon, baritone The University Chorus University Symphony Orchestra Bruce Borton, conductor �Program Notes Brahms Tragic Overture The Tragic Overture, Op. 81 is Brahms' contribution to the genre of "absolute" concert overture - that is, a work not tied to any specific dramatic or operatic production. Brahms himself never so much as hinted at any extra-musical associations for the overture. Issued with its companion overture, the Academic Festival Overture Op. 80 (a fantasy on student drinking-songs) perhaps Brahms wished to "keep faith" with wearing the mantle of Beethoven's successor. The work is in any case magnificent in its compressed power, mastery of variation technique and brilliance of orchestration. The thematic material, all laid out in the first ten bars, is I) the interval of a fourth, either open (as at the outset) or filled in melodically and 2) two intervals of a third which span the octave between them. The work's central section consists of a curious funeral march cum fugato which presages similar episodes in Mahler's symphonies by a dozen years. With the balanced outer sections, Brahms thus creates a broad (ABA) sonata form. As to the specifics of the tragedy - desolation, depression, anger and rage in the first thematic area; hope, happiness or the remembrance of better times in the second theme (in the major key) area; the crumbling of great empires, or the ravages of fate - each listener has ample room to discover the tragic story for himor herself. --T.Perry Mozart Requiem The decade leading up to 1791 saw the creation of most of Mozart's most important compositions in all genres including chamber music, operas, symphonies, and keyboard works. It was not until 1791, however, that the composer returned, after a decade of inactivity, to the composition of choral music. The summer and early autumn months were filled with first the composition and rehearsals of his opera La clemenza di Tito, composed for the coronation of the Emperor in Prague and then the completion and rehearsals for The Magic Flute in Vienna. In the midst of this intense activity, Mozart managed to compose his Masonic Cantata, the exquisite motet Ave verum corpus, and began work on his final composition, Requiem. The historical circumstances surrounding the commission and composition of the Requiem have become clouded with 200 years of inaccuracies and theatrical fiction. The truth is perhaps less colorful but interesting nonetheless. In the spring of 1791, Mozart was approached �by a messenger with a letter from an anonymous patron who wished to commission a memorial Requiem in honor of his recently deceased wife. It was not until 1963 that music scholars discovered the true identity of this patron as Herr Franz, Count von Walsegg, a wealthy nobleman and amateur musician and composer who may, in fact, have hoped to pass off the Requiem as his own composition. Mozart set to work, only to be interrupted by his journey to Prague and the final preparations for The Magic Flute. When he finally was able to return to the choral work in the Fall , he was beginning to show signs of his final illness. In spite of his progressively weakening condition, the composer worked intensively, and was able to complete the first movement, Requiem and Kyrie, and sketch the vocal parts and orchestral accompaniment of the movements through Hostias. Of the final movements, Sanctus, Benedictus, Agnus Dei, no trace survives in Mozart's hand. Mozart died in December of 1791 leaving the work incomplete, and the commission unfilled. Mozart' s widow, Constanze, approached several individuals with the proposal to complete the work , finally persuading Mozart's pupil, Franz Xaver Stissmayr, to undertake the task. The question of how much of the Requiem's completion is attributable to Mozart and how much is original to Stissmayr remains an open debate. Contemporary accounts, including reports of Constanze and her sister, describe Mozart in his final days singing parts of the unfinished work with Stissmayr at his bedside, presumably receiving instructions as to how to complete the work. Scholars have pointed out a number of flaws in Stissmayr' s work, and several other "completions., have been published in recent years. Perceived flaws notwithstanding, the Requiem represents the pinnacle of achievement in choral composition for the composer, and lovers of choral music can only lament the fact that Mozart's early death came at the very moment that he seemed poised to return to choral composition. His dramatic approach to the setting of this text set the stage for later romantic era settings of Berlioz, Verdi , and other nineteenth century composers. In particular, these later composers seemed drawn to the colorful and dramatic possibilities of the Dies irae poem which forms the heart of the Requiem liturgy. The Mozart Requiem takes the genre clearly out of its traditional religious setting and into the realm of true concert music. -- Bruce Borton �Requiem, K.626 (1791) I. Requiem and Kyrie Chorus and Soprano Solo Rest eternal grant to them, 0 Lord, and let perpetual light shine upon them. A hymn befits thee, 0 God in Zion, and to thee a vow shall be fulfilled in Jerusalem. Hear my prayer, for unto thee all flesh shall come. Lord have mercy. Christ have mercy. Lord have mercy. 2. Dies irae Chorus Day of wrath, that day shall dissolve the world into embers, as David prophesied with the Sybil. How great the trembling will be, when the Judge shall come, the rigorous investigator of all things! 3. Tuba mirum Soloists The trumpet, spreading its wondrous sound through the tombs of every land, will summon all before the throne. Death will be stunned, likewise nature, when all creation shall rise again to answer the One judging. A written book will be brought forth, in which all shall be contained, and from which the world shall he judged. When therefore the Judge is seated, whatever lies hidden shall be revealed, no wrong shall remain unpunished. What then am I, a poor wretch, going to say? Which protector shall I ask for, when even the just are scarcely secure? 4. Rex tremendae Chorus King of terrifying majesty, who freely saves the saved: Save me, fount of pity. 5. Record are Soloists Remember, merciful Jesus, that I am the cause of your sojourn; do not cast me out on that day. Seeking me, you sat down weary: havingsuffered the Cross, you redeemed me. May such great labor not be in vain. Just Judge of vengeance, grant the gift of remission before the day of reckoning. I groan. like one who is guilty; my face blushes with guilt. Spare your supplicant, 0 God. You who absolved Mary (Magdalene). and heeded the thief, have also given hope to me. My prayers arc not worthy, but Thou, good one, kindly grant that I not burn in the everlasting fires . (irant me a favored place among thy sheep, and separate me from the goats, placing me at thy right hand. �6. Confutatis Chorus When the accursed are confounded, consigned to the fierce flames, call me to be with the blessed. I pray, suppliant and kneeling, my heart contrite as if it were ashes: protect me in my final hour. 7. Lacrymosa Chorus 0 how tearful that day, on which the guilty shall rise from the embers to be judged. Spare them then, 0 God. Merciful Lord Jesus, grant them rest. 8. Domine Jesu Chorus and Soloists Lord Jesus Christ, King of glory, liberate the souls of all the faithful departed from the pains of hell and from the deep pit; deliver them from the lion's mouth; let not hell swallow them up, let them not fall into darkness: but let Michael, the holy standard-bearer, bring them into the holy light, which once thou promised to Abraham and to his seed. 9. Hostias Chorus Sacrifices and prayers of praise, 0 Lord, we offer to thee. Receive them, Lord, on behalf of those souls we commemorate this day. Grant them, 0 Lord, to pass from death unto life, which once thou promised to Abraham and to his seed. I 0. Sanctus Chorus Holy, Holy, Holy, Lord God of Hosts. Heaven and earth are full of thy glory. Hosanna in the highest. 11. Benedictus Soloists Blessed is he who comes in the name of the Lord. Hosanna in the highest. 12. Agnus Dei Chorus and Soprano Solo Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them rest everlasting. Light eternal shine on them, 0 Lord, with Thy saints forever. because Thou art merciful. Eternal rest give unto them. 0 Lord. and let perpetual light shine on them. �About the Performers Leslie Hochman is a native of Austin, Texas and is currently pursuing a Master of Music in Opera Degree at Binghamton University. She received a Bachelor of Music from the University of Texas, where she performed the roles of Olympia in Les Contes d 'Hoffmann, Gretel in Hansel and Gretel, Servilia in La Clemenza di Tito, Mme. Silbertonen in Der Schauspieldirektor, and The Friend in Amelia goes to the Ball. Other opera credits include Adele in Die Fledermaus with the Austin Singers' Circle and Blondchen in Die Entfuhrung aus dem Serail with the AustrianAmerican Mozart Academy. Oratorio credits include Handel's Messiah at the St. Louis Catholic Church of Austin and Mozart's Litanaie Lauretanae in churches across Austria. Leslie is currently a resident artist at the Tri-Cities Opera. She was recently seen as Mrs. Gobineau in Menotti's The Medium and will make her mainstage debut this month as Suor Genovieffa in Suor Angelica. Lara Longsworth is a mezzo-soprano from Richmond, VA . She is a member of Tri-Cities Opera Resident Artist Training Program and a candidate for a Master of Music in Opera at Binghamton University. She is a graduate of VA Commomwea lth University where she performed the roles of Cenerentola in Rossini ' s La Cenerentola, Prince Orlofsky in Strauss' Die Fledermaus , and Fidalma in Cimarosa's fl Matrimonio Segreto. She made her TCO debut as the Mother in Menotti's Amahl and the Night Visitors. Other roles with TCO include: Giovanna in Verdi's Rigoletto, the Voice of the Mother in Offenbach ' s Les Contes d 'Hoffmann, and Marcellina in Mozart ' s Le Nozze di Figaro. She will sing the roles of the Monitor and the Mistress of the Novices in TCO's upcoming performance of Puccini ' s Suor Angelica. She made her concert debut with the Richmond Symphony Orchestra in 1997 as Carmen in a concert performance, George Manahan conducting. Longsworth's honors include First Place at the SE Regional and VA State National Association of Teachers of Singing Competition. �Tim othy Fall on , tenor, is a native of Binghamton New York : This is his first season with the Tri-Cities Opera as a Master of Mus ic student. He recently performed his first role with the company as Spalazani in Les Contes d' Hoffman. He also performed the role of Basilio in Mozart's The Marriage of Figaro. Last summer, he performed in the Spoleto Festival USA in Charleston, SC, with the Westminster Choir and sang at the Music Academy of the Wes t in Santa Barbara, CA under the tutelage of Marilyn Horne. Fallon holds a B.A. degree from Westminster Choir College, Princeton , NJ. Richard Galyon, baritone, is in his first season with the Tri-C ities Opera's Resident Artist Training Program. He was seen most recently as Mr. Gobineau in Menotti's The Medium, following performances of Count Almaviva in Moz art's Le Nozze di Figa ro and Hermann and Schlemil in Offenbach's Les Contes d"Hoffmann, all this season at TCO. He is covering the role of Silvio in Leoncavallo's Pagliacci this spring. Last year,Galyon studied in the Opera Performance program at The University of Texas at Austin. During his short stay there, he played Mr. Gobineau in Menotti's The Medium and also was seen as Master Spinelloccio and Pinellino in Puccini's Gianni Schicchi. He was the featured baritone soloist for a concert performing Herbert Howells' Requiem, among other pieces, with UT's Chamber Singers, under the direction of James Morrow. He has studied voice with David Small, Burt Rosevear and Gregory Oaten. �University Symphony Orchestra Timothy Perry, conductor Flute Kelsey Bauer* Caitlynn McMullen Kira Slocum Karen Krause Mark Liu JungSun Oh Aman da Dumo nt Oboe Lana Banne r Rebec ca Rodbart* Violin II Christina Wan James Leddy Shaun a Buckm an Lindsey Krecko Tama ra Potap ova Jennifer Paull Jah-yu (Lulu) Chen Claud ia Fathi Sheri Zola Karen Tang Stephanie Mawh irt Sarah Baird Clari net Caroline Bravo Jordan Paster nak• Bassoon Robin Kindig Kimberly Meeker* French Horn Ernie Epelman Alfred Jacobsen* Patrick Lokken Greg Cecere Trum pet Erinn Hibbard* Glen Widjeskog Trom bone David Hennan* Jonathan Ludwin Timpani/Percussion Matthew Chidester* Violin I Morgan Kim Sarah Steiding Alicia Fusani Marie Mizuno Julia Kim Micah Banner-Baine Meggie Knapp Yoh-Seung Chiu Youlee Choi Viola Melissa Mattern Kenneth Perschke Melissa Lee Christopher Fiore Kerry Conw ay Leah Rabinowitz Christopher Trow Cassandra Aikman Janet levins Cello Ben James Tanya Brescia Nicholas Capon e Emily Creo Matthew Woolever Michael Day Katy Walker Shelley Levin Angela Wynne Yi-Eun Park Contrabass Beth Bartlett Andrew Eiche �The University Chorus Bruce Borton, conductor Corry Shimer, Emily Burr, and Jennifer James, assistant cpnductors Peter Browne, accompanist Soprano 1 Susan Bachman Rebekah Baker Nanette Borton Martha Jane Bralla Emily Burr Priscilla Clark Asali Daniel Alison Dura Lorrina Fuentes MayBelle Golis Margaret Hays Barbara Heme Jennifer James Donna Lundy Susan MacLennan Cathie Makowka Joyce Merwin S. Joselle Orlando Mary Joan Ragard Marilyn Ross Diane Ruocco Gloria Salameda Corry Shimer Jennifer Stahl-Perkins Barbara Thamasett Faith Vis Soprano 2 Cari Begeal Patricia Caldwell Heather Jean Chin Hyun Choi Joanne Corey Sandra Czelusniak Vadhya Elivert Joyce Haber Nancy Jeavons Tiffany Jetter Soyeo Jung Natalie KhalatovKrimnus Monica Lee JoAnne Maniago Juliana Maslen Mary Peg Mathis Katherine L. McCrink Elaine McGuinness Donna Miller Sioux Petrow Susan Sarzynski Lois Wilston April Witkes Alto 1 Jee Yun Ahn Melanie Andrejev Jue Ting Chen Maria Luisa Cook Randi N. Cook Barbara DeShane Rachel Franz Janet Frederick Danielle Furey Elaine Hilton Grace Houghton Claire Labbe Theresa Lee-Whiting Margit Mayberry Anna Nicholas Allison Pfiefer Molly Polin Dorothy Powell Joyce Printz Ruth Rajkumar Richel Ruivivar Jane Shear Patricia Souder Susan Szczotka Katie Wolff Linda M. Wolff Erica Yamamoto Alto 2 Amy Au Yeung Kathryn Baine Barbara Barno Kate Bouman Jean Bruce Phyllis S. Burr Jeanne Fenzel Mary Beth Gamba Sandra Haining Carol Hammond Ida Amelia Jones Flo Koniski Beverly Kresge Cheryl Labban Ethel F. Molessa Shirley Rodgers Lee Shepherd Hae Lee H. Shin Nadia Zarembo �The University Chorus Tenor David Andrus Roy Bergstraser Joseph Boccio David Clark Araoye lbitoye H.B. King Carl Kinne Dennis Leipold Anne Linn Hanbyoel Park Ed Schappert Floyd R. West Paul White Sherry Williamson Bass 1 Toby Anderson Ryan Bagg Eric Bare Ronald Bauchamp Anthony Biconish Sthephen M. Boel Robert Bruce Daniel Uan Chan Robert Christie Michael Darfler Richard Dutko Remington Gregg James Hilton Michael Jabo, J .D. Bohyun Jo Brian Jones Daniel Keller Tom Lamphere Chris Longano Edward J. Orosz Don Powell Alex Pullman Brian Scott Sanderson Richard F. Schwartz Myron F. Shlatz Gerry Turock Timothy Wetherbee Bass2 Chris Benjamin Lance Dunning Mark Epstein Harry Frederick David Hanson Hu Huang J. Scott Husted Darren Klein Michael A., Little Ario H. Meeker Phil Millspaugh Christian Ritter David L. Schriber Donald Lee Stanley Bob Sullivan �Coming Events Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person, saxophone - l :20 p.m. - Osterhout Concert Theater - free Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 25 - University Wind Ensemble: New Dances - Timothy Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall - free Tuesday, April 27 - University Percussion Ensemble - 8:00 - Anderson Center Chamber Hall - Free Friday, April 30 - Flute Studio Recital - I 0: 15 a.m. - Casadesus Recital Hall - free Wednesday, May 5 - An Evening of German Songs featuring graduate and undergraduate voice and opera students - 8:00 p.m. - Casadesus Recital Hall -free Thursday, May 6 - Student Recognition Mid-Day Concert - l :20 p.m. Casadesus Recital Hall - free Thursday, May 6 - Harpur Chorale and Women's Chorus - Peter Browne and Emily Burr, conductors - 8:00 p.m. - Anderson Center Chamber Hall free I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:26 13:51 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253439&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253439&change_lng=en&select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brahms, Tragic Overture, Op. 81, Mozart, Requiem, K. 626, April 17, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-4-17 Description An account of the resource Tape 1. Brahms, Tragic overture -- tape 2. Mozart, Requiem. Creator An entity primarily responsible for making the resource Hochman, Leslie Longsworth, Lara Fallon, Timothy Galyom, Richard Perry, Timothy Borton, Bruce Brahms, Johannes Mozart, Wolfgang Amadeus Date A point or period of time associated with an event in the lifecycle of the resource 4/17/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/4cf52b29a4fe57185fbe44e31389c82e.pdf e92fcb7fcd4b1af2f71a9d4b56e39a46 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K zed ec D E P A R T M E N T SEN IOR HONOR S REC I T AL CHRISTINA S ANTA M ARIA , SOPRANO M I C HA E L LEWIS, PIANo HANNAH WATROBSKI, VIOLA Sa turday, Apr i l 18, 2015 7:30 p.m. Casadesus Rec i tal Ha l l �iaoPROGRAMéo I. Amor dormiglione Barbara Strozzi (16191677) Sposa son disprezzata from Bajazet............................Antonio Vivaldi (16781741) II. Liebeszauber..............................................................Clara Schumann (18191896) Warum sind den die Rosen so blaB Die Liebende schreibt Fanny Mendelssohn (18051847) .....Felix Mendelssohn (18091847) Widmung Robert Schumann (18101856) wINTFRMISSIOMz III. A m I in Your Light? From Doctor Atomic....... Hannah Watrobski, viola Montparnasse IV. Hyde Park Hotel Les Chemins de l’amour ....John Adams (b.1947) Francis Poulenc (18991963) Cuatro Madrigales Amatorios.......................................Joaquin Rodrigo LCon qué la lavaré? Vos me matasteis [JDe donde venis, amore? De los alamos vengo, madre �TRANSLATIONS & PROGRAM NOTES 1 A m or dormlglione (Cupid the sleepyhead) Cupid, sleep no longer! Arise now, wake up, for wh ile you are asleep My pleasures sleep, too, and my troubles are awake! Don’t be a goodfornothing, Cupid! Arrows, arrows, ﬁre, ﬁre! Arise, sleep no longer! Wake up now, Cupid, arise! Ah, you lazy creature, you slowpoke, You have no common sense. Stupid Cupid! Cowardly Cupid! Ah, while I remain ﬁlled with ardor, You sleep on, Cupid. That I really don’t need! Barbara Strozzi (16191677) was an Italian Baroque singer and composer. She studied with opera composer Francesco Cavalli and was an active performer of vocal and instrumental m usic. However, her talent in composition was what distinguished he r as “the most proliﬁc composer~man or woman~of printed secular vocal music in Venice in the middle of the 1 7* century,” according to Beth Glixon. Amor dormiglione is a playful da capo aria that was originally composed for soprano and harpsichord or lute (in this performance transcribed for piano by Pietro Floridia). The singer’s impatience for Cupid to wake up is realized through wonderful word painting and the repetitions of words such as “su” and “svegliati”, which translate to “get up! awake now!”. Sposa son disprezzata (I a m wife and I a m scorned) from Bajazet I am wife and I am scorned, I am faithful and I’m outraged. Heavens, what have I done? And yet he is my heart. my husband, my love, my hope. �I love him, but he is unfaithful, I hope, but he is cruel, will he let me die? O God, valor is missing, valor and constancy. , Antonio Vivaldi (16781741) was an Italian Baroque composer and violinist. He is known as one of the greatest and most inﬂuential composers of the Baroque period and recognized for his instrumental concertos and many operas. S posa son disprezzata is from his operatic pasticcio, Bajazet. However, the music for this aria was actually composed by another composer, Geminiano Giacomelli (16921740) and was originally called Sposa, non mi conosci. Vivaldi changed the poetry to ﬁt the character of Irene, a villain personality who has been betrayed by her betrothed. This da capo aria exhibits the complexity of love and the contradicting emotions that accompany the revelation of unfaithfulness. II. ' Liebeszauber (Love’s Magic) Now Love once like a nightingale in rosebush perched and sang; with sweetest wonder ﬂew the sound along the woodland green. I And as it rang, there rose a scent from ring of thousand buds, and all the treetops rustled soft, and softer blew the air; i the brooklets’ silences, scarcely come by splashing from the heights, the fawns stood as if in dream and listened to the tone. And bright and ever brighter ﬂowed the sunbeams down inside, �‘round blossoms, wood and gorge it gushed with golden red su nshine. I walked along that path tha t day and also heard that sound. Alas! What ever since I’ve su ng was just its echo faint. Warum sind denn die Rose n so blass (Why are the roses so pale) Why are the roses so pale? o speak, my love, why? Why in the green grass are the blue violets so silent? Why with such a lamenting voice does the lark sing in the sky? Why from the balsam weed does there rise the scent of wilting blossoms? Why does the sun shine down on the meadow, so coldly and morosely? Why is the earth so gray and desolate like a grave? 7 Why am I myself so ill and d ull. My lovely darling speak, O speak, my heart’s most beloved love, why have you abandoned me? Die Liebende schreibt (The loving woman writes) One look from your eyes into mine, One kiss from your lips on my lips, Can one who has certain knowledge of these, as I, Take pleasure in anything else? �Far from you, separated from my loved ones, ' I let my thoughts roam constantly, And always they alight upon that one Single hour: and I begin to weep. Suddenly my tears are dried: He loves indeed, I reﬂect, here in this stillness, Oh, should you not reach out to me in the far distance? Hear these whispered words of love My sole happiness on earth is your goodwill to me; Give me a sign! Widmung You my soul, you my heart, you my bliss, o you my pain, you the world in which I live; you my heaven, in which I ﬂoat, 0 you my grave, into which I eternally cast my grief. You are rest, you are peace, you are bestowed upon me from heaven. That you love me makes me worthy of you; your gaze transﬁgures me; you raise me lovingly above myself, my good spirit, my better selﬂ The four songs in this set are composed by four of the most inﬂuential musicians of German Romanticism: husband and wife, Robert and Clara Schumann and siblings, Felix and Fa nny Mendelssohn. I like to think of this set as a single narrative of a woman experiencing the diﬀerent stages of love. The ﬁrst two songs represent love found and love lost. Liebeszauber embodies the allencompassing nature of love. In the song, the “tune” of love makes everything in nature stop and pay attention to its sound. In the following song, Wamm sind den die Rosen so blaﬂ, the lack of love has made nature sad and pale from abandonment. The �last two songs represent longing and celebration of love, respectively. In Die Liebende schreibt, a woman writes to her lover who is far away (whether this is far in location or emotionally is u nclear). She waits for the hour that he will return and gaze upon her lovingly. Robert Schumann composed Widmung as a wedding presen t to Clara. It is a celebration of their love and recounts all the things that Clara embodies to him (she is his “soul, heart, bliss and pa in”). It is a deeply emotional peace and one of Schumann’s most beloved songs in the repertoire. I L A m I I n You r Light? from D oc tor A tom ic Am I in your light? No, go on reading (the hackneyed light of evening quarrelling with the bulbs; the book’s rent rectangle, solid on your knees) only my ﬁngers in your ha ir, only my eyes splitting the skull to tickle your brain with love in a slow caress blurring the mind, kissing your mouth awake, op’ning the body’s mouth, stopping the words. This light is thick with birds, and evening warns us, Warns us beautif’lly of death. Slowly I bend over you, Slowly your breath runs r hythms through my blood As if I said I love you and you should raise your head, I love you. Listening, speaking into t he covert night: Did someone say somethi ng? Love, am I in your light? See how love alters the living face, Go spin the immortal coi n through time, Watch the thing ﬂip through space, Tick tick, tick tick... �Doctor Atomic is a contemporary opera by John Adams (b. 1947) tha t premiered in 2005 at the San Francisco Opera. The opera focuses on the lives of the scientists involved in the Manhattan Project~the historical experimentation of the atomic bomb in the early 1940’s lead by physicist J. Robert Oppenheimer. Am I In Your Light? is Robert’s wife, Kitty Oppenheimer’s aria from Act I scene two. In this scene, Kitty is trying to distract Robert from reading in bed and to initiate romance. In the opera, Kitty represents love/peace and oﬀers sanctuary from the evils of destruction and war that are overcoming Robert’s being. The poetry is partially based on a Muriel Rukeyser poem “Three Sides of a Coin” published in 1935. The text seems more conversational than lyrical and, when superimposed above the suspended quality of the accompaniment, can feel rhythmically uneasy. It seems as if Kitty is in a daydream, saying whatever comes to mind, in order to steal the attention of her husband. Iv. Montparnasse Oh hotel door, with your two green plants which will never bear any ﬂowers, 7 Where am I planting myself? say: Where are my fruits’ Hotel door, an angel stands outside you handing out leaﬂets (virtue has never been so well defendedl). Give me in perpetuity a room at the weekly rate. Oh bearded angel, you are really a lyric poet from Germany who wants to get acquainted with Paris. You know that between its pavingstones there are lines which one must not step on. And you dream of spending Sunday at a mansion out of town. The weather is a bit oppressive and your hair is long; oh good little poet, you’re rather stupid and too blond. Your eyes look so much like those two big balloons ﬂoating oﬀ in the pure air wherever chance takes them... �Hyde Park The makers of religion preached in the fog The shadows we passed by Played blind man’s bluﬀ At seventy years of age Fresh cheeks of little children Come, come Eleonor And what else do I know Watch the cyclops come The pipes ﬂew away But ﬂy away unrepentant gazes and Europe Europe Sacred gazes Enamoured hands And the lovers loved each other For as long as preachers preached. Hotel My room has the form of a cage. The sun reaches its arm in through the window. But I want to smoke and make shapes in the air, and so I light my cigarette on the sun’s ﬁre. I don’t want to work, I wan t to smoke. Les Chemins de l’amour ( The path of love) The paths that go to the ocean protect our crossing, ﬂowers losing their leaves and the echo under the trees, Our two bright laughs. Alas, from days of happiness radiant joys take ﬂight, I journey without recovering your traces In my heart. �Paths of my love I try to ﬁnd you always lost paths, you don’t exist anymore, And your echoes have been muﬀled. Paths of despair, Paths of memory, Paths of ﬁrst love, Divine pathways of love. This I am dutybound to forget one day the way that life obliterates all things. I want in my heart that a memory will rest More strongly than another love. The memory of paths Where trembling and completely passionate, a day l have felt above myself to burn and be consumed by your hands. Francis Poulenc (18991963) was a French composer and pianist known for his beautiful melodies, operas and solo piano works. His compositions are in the neoclassical style, which stays in the sphere of diatonicism but also employs many of the newer d issonances of the 20™ century to create a lush and elegant tonal atmosphe re. Poulenc’s art songs are often thought to more appropriate for the music hall than the concert hall, but yet they remain in the recital repertory and are considered as some of the greatest treasures in French mélodie. Montparnasse and Hyde Park are two melodies on Guillaume Apollinaire poems that recall the poets’ ﬁrst impressions of these two locations in Paris and London, respectively. It took Poulenc four years to complete Montparnasse (194 11945) and he regarded it as “probably one of [his] best songs”. The “bearded angel” represents a young and naive Apollinaire taking in the sights of Paris. This colorful, pensive piece shows Poulenc’s lyricism and his penchant for tasteful dissonances. Hyde Park is a quirky little piece that describes the crazy little things that Apollinaire saw while walking through Hyde Park in the early 2 0” century (i.e., the lit butts of cigarettes in the fog that made people look like cyclops). The quick grace notes and staccato accompaniment add momentum and humor to the speechlike vocal melody. �Hotel d raws in the listener from the ﬁrst chord. The lush chromatic harmonies create a lethargic atmosphere, lending perfectly to the laments of the poet who just wants to be lazy and smoke her cigarettes instead of work. Les C be m i ns d e I ’amourwas composed for French nightclub singer, Yvonne Printemps. The verses recall memories of a past love in a nostalgic waltz. The chorus is also in the waltz rhythm, but it evokes a diﬀerent mood. Instead of reminiscing on lost love, the chorus is about accepting the past and moving forward. V. Cuatro Madrigales Amatorios (Four Love Madrigals) ;Con qué la lavaré? (With What Shall I Wash?) With what shall I wash the skin of my face? With what shall I wash That I live badly punished? They wash the married women with water from lemons. I wash myself, anguished, with grief and sorrow. Vos me matasteis (You Killed Me) You killed me, girl with your hair, you have killed me. At the river’s edge, I saw a virgin, girl wi th the hair, you have killed me. zDe donde venis, amore? (From where do you come, love?) From where do you come, love? I know well from where. From where do you come, friend? Ah! I have been a witness. De los alamos vengo, madre (From the poplars I come, mother) From the poplars I come, mother, to see how they move in the air. From the poplars of Seville, to see my pretty girlfriend. �Joaquin Rodrigo (19021999) was a Spanish composer and virtuoso pianist, best known for his guitar concerto compositions. Rodrigo lost his sight at the age of three but was able to study music through his youth and wrote his compositions in Braille. His Cuatro Madrigales Amatorios was composed in 1947 and was based on chant melodies and texts from Juan Vasquez’s sixteenth century poetry collection titled Recopilacion de sonetos y sonetos y villancios a quarto y a cinco. The Baroque inﬂuence is clear, especially in the ﬁrst three songs, as evident in the stepwise motion of the melodies, parallel ﬁfth motion and the kinds of cadences used. However, it is hard to ignore the traditional Spanish ﬂair, especially in the piano accompaniment, which adds a unique ﬂavor to the set. Each song represents diﬀerent components of love: despair, lust, passion and delight. k h k k h k k k h h k h k h h k h k h k h k d d ix h k r h h h k h d h d d i i k ix x k x �ABOUT THE PE RFORME R S Soprano Christina Santa Maria is originally from Brooklyn, NY and will be receiving her Bachelors of Music in Voice Performance this upcoming May. While at Binghamton University she has performed as the soprano soloist in Mozart’s Coronation Mass (2012), in the roles of both Gretel (201 2) and Hansel (2013) in Humperdinck’s Hansel and Gretel, and as the soprano soloist in Bach’s Christimas Oratorio (201 3). As a part of the Binghamton Opera Scenes program she has sung the pa rtial roles of Rose in Lakme. Meg Page in Falstaﬀ, Zerlina in Don Giovanni, and Susanna in Le Nozze di Figaro. She has performed with TriCities Opera as a member of the opera chorus (201114) and as ‘Billie’ in the oneact comic opera Speed Dating Tonight (2015). She placed 3™ for Senior Women at the 2015 Eastern Conference of NATS (National Association of Teachers of Singing) at Westminster Choir College and is a recipient of the John and Marcella Keeler Scholarship of the Arts, as well as the Harry and Betty Lincoln Scholarship for Achievement in Music History. She is a student of Professor Mary Burgess. Michael Lewis, Adjunct Lecturer at BU and Assistant Music Director at Tri Cities Opera, earned his undergraduate degree in Vocal Performance from Ithaca College in May 2013. He has had coaching experience with the International Vocal Arts Institute, Mill City Summer Opera, CoOPE RAtive program and Ithaca College School of Music. While at Ithaca College, Michael was involved with the inaugural season of the ﬁrst studentrun opera company at IC, Ithaca College Light Opera, in which he served as Assistant Music Director and Vocal Coach. He went on to lead the group in their second season as Music Director. The opera company continues to perform one oneact opera each semester. As a vocalist, he has performed a variety of roles in Ithaca College’s mainstage productions. In his ﬁnal year at Ithaca, he had the opportunity to play the title role in Gianni Schicchi. This production was paired with Suor Angelica, for which Michael served as opera chorus master. In the past decade, Michael has been actively developing his style as a composer. His current works which focus on the voice a nd piano have been performed throughout the United States and Australia. �Hannah Watrobski is a sophomore at Binghamton University double majoring in Human Development and music. She has been a part of Binghamton’s music department for two years studying viola with Professor Roberta Crawford with whom she studied in high school for two years in Ithaca, NY. Hannah is originally from Penﬁeld, NY where she started playing violin at the age of three with the addition of viola in third grade. She also sings and composes music. Hannah has had the opportunity to travel to various countries to attend music camps and perform beneﬁt concerts for their communities. She has been a member in both MCSMA and NYSSMA Area All State orchestras elementary school through high school. Hannah was also selected to attend Conference AllState both her junior and senior years of high school. Outside of school and music she enjoys reading, cooking, photography, working with animals, and hiking. She hopes to one day be a practicing nurse or work in social service and ﬁnd a way to incorporate her love of music. Dedica tion: I would like to thank my family and friends for supporting me and attending my recital, whether it meant traveling 5 hours or 5 minutes. Thank you to all the professors who have helped me on this journey and inspired a love of learning. Thank you, Richard Hugunine, for arranging the viola part for the Adams aria. Thank you to all the coaches (Maestro Willie Waters, Diane Richardson, William Lawson) that have worked to help me perfect my diction and style over these last four years. Thank you to my pianist, Michael Lewis, for your beautiful playing. I hope we can collaborate again in the future. Most importantly, I would like to thank my voice teacher Mary Burgess for believing in me and teaching me how to sing freely and in a healthy fashion. I am excited to start the next stage of my life and no matter where I am, I know that music will keep be grounded. �B i n ghamton Univers i ty M usic Depar tment’s Com i ng E vents 6 M 6 M M M M M M ¢ V Sunday, A pril 19 – TriC ities Opera presents Gounod’s Faust – 3 p.m. – The Forum Theater call (607) 7720400 for tickets Sunday, April 19 Guest Artist: Organist Craig Philips 4 p.m. United Presbyterian Church – $10 general public; 57 faculty/staﬀ/seniors/alumni; $5 for students Tuesday, April 21 String Fever (String Classes and Studio String Recital) 7:30 p.m. Casadesus Recital Hall Free Thursday, April 23 Jazz MidDay Concert with saxophonist Camille Th urma n 1:20 p.m. Osterhout Concert Theater free Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7 :30 p.m. – Osterhout Concert Theater $7 general public; $5 Faculty/staﬀ/scniors/alumni; Free for students Friday, April 24 – Master’s Recital: J ake Stamatis, baritone 7:30 p.m. Casadesus Recital Hall free Saturday, April 2 5 – Master’s Recital : Kevi n T ra ux, tenor 3 p.m. – Casadesus Recital Hall free Saturday, April 25 – J unior Recital : Rachel You ng – 7 :30 p.m. Casadesus Recital Hall – free Sunday, April 26 University Wind Symphony: Once Upon a Time 3 p.m. Anderson Center Chamber Hall $7 general public; 5 5 faculty/staﬀ/seniors/alumni; Free for students Tuesday, A pril 28 Percussion Ensemble 7 :30 p.m. Anderson Center Chamber Hall 57 general public; $5 faculty/staﬀ/seniors/alumni; Free for students M M M M M G ﬁ M M M é é w w é ﬂ For tickets or to be added to our email list, visit andersonbingluimtonfdu or call (607) 7 7 7 ARTS. For a complete list of our concerts call (607 ) 7 7 72 59 2, visit musicbingftamtonedu or become a fan on Facebook. lfyou were inspired by this performance, consider supporting the Department ofMusic with a ﬁnancial gift. Your support helps to M — [ = ] continue the work of students, faculty, and guest artists and their [ = ] contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P.O. B ox 6000sss, Binghamton, NY 13902*** � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45m 18s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74991">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74991</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christina Santa Maria, senior honors recital, April 18, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Strozzi, Vivaldi, Schumann, Mendelssohen, Mendelssohn-Bartholdy, Schumann, Adams, Poulenc, Rodrigo. Held at 7:30 p.m., April 18, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Santa Maria, Christina Lewis, Micahel Watrobski, Hannah Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Strozzi, Barbara, 1619-1677 Vivaldi, Antonio, 1678-1741 Schumann, Clara, 1819-1896 Mendelssohn, Fanny, 1805-1847 Mendelssohn-Bartholdy, Felix Schumann, Robert, 1810-1856 Adams, John Poulenc, Francis, 1899-1963 Rodrigo, Joaquín Date A point or period of time associated with an event in the lifecycle of the resource 4/18/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0cf1b93ff3b8b8db1b78fb2956ca1e15.pdf 5c815bc1b07bb65373e1b20fe0d7783a PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F NEW Y O R K D E P A R d e c T M E N T J OINT P I A N O R ECITAL ANNIE TAO NATASHA TALUKDAR Saturday, A pr i l 18, 2015 3:00 p.m. Casadesus Rec ital H a ll �ABOUT THE PERFORMERS PROGRAM&– Libertango for Two Pianos Annie Tao, Natasha Talukdar Astor Piazzolla (19211992) . Ludwig van Beethoven Sonata No. 5 in C minor, Op.10, No.1 . ' (17701827) 1. Allegro molto e con brio 2. Adagio molto 3. Finale: Pres tissimo Natasha Talukdar Frédéric Chopin (181 0–1849) Ballade No. 3 in Aﬂat major, Op. 47 Annie Tao wINTFRMISSIOMx .Sergei Rachmaninoﬀ Prelude in C sharp minor. Natasha Talukdar Prelude in C major, Op. 1 2 , No. 7 . Natasha Talukdar (18731943) Sergei Prokoﬁev (18911953) Franz Liszt Etude No. 3 , Un sospiro Annie Tao Le Grand Tango for Two Pianos Annie Tao, Natasha Talukdar (18111886) Astor Piazzolla (19211992) Annie Tao is a graduating senior at Binghamton University. She is a psychology major and a music minor. She began her training with Ms. Gao Fei in her local town, where she received two golden ribbon awards for outstanding performance in piano by the Rockland County Teacher’s Guild. She completed the NYSSMA piano auditions through level 6 with a perfect score. She was selected to perform in the piano showcase at the Rochester winter conference in 2010. She also completed the associated board of the Royal School ofMusic with distinction and participated in the “high score” recital. In 2010, she entered Manhattan School of Music precollege division, where she studied with Ms. Elena Belli. She also participated in the NYYS Chamber music program. She played in a piano trio and was selected to perform in Symphony Space. She participated annually in the Music Marathon for the United Hospice of Rockland County. a fundraising event for their music therapy program. Music has always been a huge part of her li fe. As the winner of the concerto competition last year at Binghamton University, she performed the ﬁrst movement of Grieg’s Piano Concerto in A minor, Op. 1 6 with the BU Symphony Orchestra. She currently studies with Professor Michael Salmirs at Binghamton University, and hopes to eventually teach piano students. Natasha T alukdar is a sophomore at Binghamton University pursuing degrees in both Piano Performance and in English literature. Natasha has been playing piano for ﬁfteen years, having previously studied with Dr. Simon Li, and is currently studying with Michael Salmirs as a Bachelor of Music student. She completed the six levels of NYSSMA piano auditions with perfect scores and completed all eight levels of the Associated Board of the Royal School of Music. Before coming to Binghamton, Natasha made her solo debut at Carnegie Hall as a winner of the American Asian Fine Arts Young Artists Competition. She was also named a winner of the World Journal Young Musicians Competition, and a ﬁnalist of the New York lnternational Music Competition. In high school, Natasha was a founding member of Piano for Patients, a student organization that went to nursing homes all over Long Island and played classical music for senior citizens. She is also part of the Chamber Music program at Binghamton, the accompanist for Harpur Chorale, and teaches beginner piano to younger children. Natasha is currently a member of Mu Phi Epsilon, Binghamton’s coed music fraternity, and enjoys using music as a way to give back to the community. �B i nghamton Un iversity M usic Department ’s Co m i ng Even ts ﬂ a b ﬁ é b n ﬁ w w w w w w b Saturday, April 18 Senior Recital: Ch ristina Santa Maria, soprano 7:30 p.m. Casadesus Recital Hall free Sunday, April 19 TriCities Opera presents Gounod’s Faust 3 p.m. The Forum Theater call (607) 7 720400 for tickets Sunday, April 19 G uest Artist : Organist Craig Ph il ips 4 p.m. – United Presbyterian Church $1 0 general public; $7 thculty/staft/seniors/nlumni; $5 for students Tuesday, April 21 St ring Fever (String Classes and Studio String Recital) 7:30 p.m. Casadesus Recital Hall Free Thu rsday. April 23 Jazz MidDay Concert with saxophonist Camille Th u rma n 1:20 p.m. Osterhout Concert Theater free Thursday, A pril 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7:30 p.m. Osterhout Concert Theater faculty/staﬀ/seniors/alumni; Free for students $7 general public; $5 Friday, April 24 – Master’s Reci tal : J ake Sta ma tis. bari tone – 7:30 p.m. – Casndesus Recital Hall free Saturday. April 25 Master’s Recital: Kevin Traux. tenor 3 p.m. Casadesus Recital Hall free Saturday, April 25 Junior Recital: Rachel Young 7:30 p.m. Casadesus Recital Hall free Sunday, April 26 University Wind Sy mphony: Once U pon a Time – 3 p.m. – Anderson Center Chamber Hall $7 general public; $5 faculty/staﬀ/seniors/alumni; Free for students M M M M M é M M M M M b ﬁ é ﬂ For tickets or to be added to our email list, visit andsrsonbinghamtonedu or call (607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or become a fan on Facebook. — [ = ] If you were inspired by this performance, consider supporting the » Department of Music with a ﬁnanc ial gift. Your support helps to — [ = ] continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000sss. Binghamton, NY 13902*** � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51m 34s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74994">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74994</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Joint piano recital with Annie Tao and Natasha Talukdar, April 18, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Piazzolla, Beethoven, Chopin, Rachmaninoff, Prokofiev, Liszt. Held at 3:00 p.m., April 18, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Tao, Annie Talukdar, Natasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Piazzolla, Astor Beethoven, Ludwig van, 1770-1827 Chopin, Frédéric, 1810-1849 Rachmaninoff, Sergei, 1873-1943 Prokofiev, Sergey, 1891-1953 Liszt, Franz, 1811-1866 Date A point or period of time associated with an event in the lifecycle of the resource 4/18/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0deb5ae1fd6c2c34272b201c05849f03.pdf 7741498ebb721bf6de3d9c305ab9c2dd PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N l V E R S I T V O F N E W Y O R K ede D E P A R T M E N T THURSDAY MIDDAY CONCERT x % 1; A N \ 4 , > O . a APRIL 19, 2012 1:20 P.M. FA 21 �PROGRAM Core ’ngrato .. ..Salvatore Cardillo Mario EunHwan Bae, Tenor ChaiKyou Mallinson, Piano (1874–1947) .... Giovanni Legrenzi (1626–1680) What PowerArt Thou.. from King Arthur .. Ryohei Hirose (1930–2008) Meditation...... Che ﬁero costume .. Fantasia 8 in g minor.. .. Georg Phillipp Telemann (1681–1767) Alexander Baron, Recorder Joseph Keller, Baritone William Lawson, Piano Passacaglia and Fugue in Cminor.... Johann Sebastian Bach (1685–1 750) Jonathan Biggers, Organ .. Santino DeAngelo (b. 1990) Christina Santa Maria, Soprano William Lawson, Piano Claire de Lune... ..Johann Sebastain Bach ChoralePrelude on (1685–1750) Schmucke dich, o liebe See/e “Deck thyself, my Soul, with gladness” Master Tallis’ Testament Mark Rossnagel, Organ Herbert Howells (1892–1983) . Henry Purcell (1659–1695) �Binghamton University Music D epartment’s U P C O M I N G E V E N T 5 6 & M M 1 3 0 Saturday, April 21 – Junior Recital: Matthew Gukowsky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – University Ch orus – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staﬀ/seniors; $3 students Tuesday, April 24 – Friedheim M emorial Lecture/Recital Series: Brahms “Regenlieder” from Song to Sonata (lecturer Janey Choi, pianist Michael Salmirs and sop rano Mary Burgess) – 8 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Thursday, April 26 – MidDay Co ncert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, April 26 – Brass Stud io Recital — 8 p.m. Casadesus Recital Hall – free Friday, April 27 – TriCities Opera presents “The Magic Flute” – 8 p.m. – The Forum Theatre – call (607) 7720400 for tickets Saturday, April 28 – University S ymphony Orchestra: The Three B’s (Bach, Brahms and Beethoven) with faculty violinist Janey Cho i and oboist John Lathwell – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, April 29 – Harpur Chora le and Women’s Chorus: Sing in to Spring – 3 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Sunday, April 29 – TriCities Opera presents “The Magic Flute” – 3 p.m. – The Forum Theatre – call (607) 7720400 for tickets Tuesday, May 1 – String Department Recital: String Fever – 8:30 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice at 7 77ART5. For more information, please call (607) 7772592, visit music. binghamton. edu or become a fan on Facebook. To see all events, please visit mus ic. b inghamton. e du � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 66 minutes :15 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142150">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142150</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 19, 2012 Description An account of the resource Works by Cardillo, Hirose, Telemann, DeAngelo, Bach, Howells, Legrenzi, Purcell Held at 1:20 p.m., April 19, FA 21. Creator An entity primarily responsible for making the resource Bae, Eun hwan Mallinson, Chai-Kyou Baron, Alexander Santa Maria, Christina Lawson, William James Rossnagel, Mark Keller, Joseph Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/19/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6fb11c4caf7dd2c9569fc44f3ce0eba5.pdf 12bcd3fc7925db31d1cc086131841f69 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F NEW Y O R K D E P A R W T M Ld E N C R A I G P H I L L I P S ORGAN with Georgetta Maiolo, ﬂute Uli Speth, violin Sunday, April 1 9. 2 0 1 5 4 pm. United Presbyterian Church 0 T �SCENES FROM A GALLE RY 8‘) P ROG RA M «3 Fantltrc (2000) Craig Phillips (b. 1 9 0 1 ) First Chakra Light Barbara W. Lines Prelude on Noulutrm ( 1 99 1 ) ‘7” 1 f ‘ \ \ x Arclmng ISniro( 1 0 1 1 ) Michael UJI~rtoI Raphael Uriel ' J 1,7 Sce nes fro m a t h l o n ( 2 009) For ﬂute, violin and (vr Aw ’nl ( t n fo nal works of art I First Chakra Light I I . Calculated Rnk Ev ll I Never Alone I \ ' Muse V. . \ 1 4 \ ( 1 1 L ‘ I \ \ . I ( I u \ l 1 1 ( ] \ I . l ( I U I I lurk ildu x \'I Iirmlan I a Calculated Risk ‘ sculpture by Michael Westmoreland U ) I N T E R M I S S I O N « 3 Choral I I I in A nnnar César Franck ( 18221890) Prelude on Caithness (20 14) ChoralImprovisation sur le “Victimae paschali” (reconstructed Iw Maurice Duruﬂé) Craig Phillips Charles Tournemire ( 18701 939) �Never. Alone Mathemat ic al Equation fo r Grac e Muse Breaking Loose DIOnr‘lG Pnce Deborah Houston Jena Rowley Taylor Karen Wolfram 4 �ABOUT THE PE RFORME R S C R A I G P H I L L I P S (b. 1961 ) is a distinguished and popular American composer and organist. His choral and organ music is heard Sunday by Sunday in churches and cathedrals across the United States, and many of his works have been performed in concert throughout North America, Europe and Asia. He was named the American Guild of Organists Distinguished Composer for 20 1 2 – the seventeenth recipient of this special award. Dr. Phillips joins an illustrious list that include past honorees Virgil Thomson, Ned Rorem, Daniel Pinkham, Stephen Paulus, David Hurd and others. Dr. Phillips was featured as soloist at the opening service o f the 20 1 2 National Convention o f the American Guild of Organists in Nashville with the premi¢re of a newly commissioned work, Three Sketches for Organ, and in his works for organ, brass and percussion. The 20 1 0 National Convention of the AGO saw the premiere of his commissioned work Sojourn for organ and winds; and in 2002, Dr. Phillips was featured as soloist with the Philadelphia Orchestra in a performance of his Concertina for organ and orchestra during the National Convention of the AGO in Philadelphia. He has also appeared as soloist with members o f the Eastman Philharmonia, the Oklahoma Symphony, the Los Angeles Mozart Orchestra, and Musica Angelica at the Corona del Mar Baroque Music Festival. Dr. Phillips has appeared as soloist at regional conventions of the AGO and at various venues across the United States. He has distinguished himself in a number o f competitions, including First Prize in the 1 994 Clarence Mader Competition for organ composition. H e was a judge for the 2004 National Competition in Organ improvisation at the National AGO convention in Los Angeles, the 2005 AGO/Holtcamp Award in Organ Composition, and the 2009 American Guild of Organists Award in Organ Composition. The music of Craig Phillips has been the subject of feature articles in The American Organist (March 20 1 2), the Los Angeles Times (February 20 1 2) and The Diapason (June 2009). Dr. Phillips has received numerous commissions from such organizations as The American Guild o f Otganists (for the National Conventions in Washington, DC, 20 1 0, Nashville, 20 1 2, and Seattle, 2000, and for regional conventions in Atlanta, 2007, Lexington, 20 1 1 , Boston, 2009, San Diego and Binghamton, 200 1 ), The Episcopal Church (for the 2006 General Convention), The Association of Anglican Musicians, Stellar Brass (USAF Academy Band), The Chamber Orchestra at St. Matthew ’s (Paciﬁc Palisades. CA), CoroAllegro of Wilmington, Delaware, The University of Iowa, Syracuse University, University of California at Riverside, Washington National Cathedral and many other churches and institutions. His secular works include a Concerto for Harpsichord und Chamber Orchestra, Concerto for Bassoon and Strings, A Festival Song for chorus and orchestra, a song cycle for soprano and orchestra entitled Songs of the Unknown Region, Suite for Organ, Brass Quintet and Percussion, two Sonatas for organ, and a number of other chamber works. His works have received critical acclaim in journals such as Gramaphone, Clavier, The American Organist, Cross Accent, and The Journal of the Association of Anglican Musicians, and have been broadcast on American Public Media’s Pipedreams. He has received numerous ASCAP awards, and a Meet the Com poser grant for a work premiered at the Ojai Festival. His organ and choml and chamber works are published by several prestigious ﬁrms. A new recording, Fanfare: Christopher Wells plays the organ music o f Craig Phillips has just been released on the Pro Organo label. A 2004Gothic Records release,A Festival Sung, features a sampling of Phillips’ choral and instnimental works performed by All Saints’ Choir and Craig Phillips as organist. Other works have been recorded on the Arkay, JAV, Summit, and Pro Organo labels. Dr. Phillips holds the degrees Doctor of Musical Arts, Master iiiMusic, and the Performers Certiﬁcate from the Eastman School of Music, Rochester, New York, where he studied with the great pedagogue Russell Saunders, H is Bachelor o f Music Degree is from Oklahoma Baptist University, and his early musical studies were at the Blair School o f Music in Nashville. Dr. Phillips has served s Director o f Music at All Saints’ Church, Beverly H ills since 2009. H e previously sened for 20 years as the churches’ Associate Director of Music and Composer–in Residence. He is a member of the American Guild of Organists, the Association of Anglican Musicians, and the American Society o f Composers, Authors and Publishers and serves on the board o f the Ann Stookey Fund for New Music and the Clarence Mader Foundation. He resides in West Hollywood, Cali fornia. G E O R G E T T A M A I O L O is a member of the faculty of Binghamton University and Broome Community College, teaching ﬂute and directing ﬂute ensembles, From 1977 to 1996, she held the position of Assistant Professor of Flute at Ithaca College, lthaca, New York . She also taught ﬂute at Hartw ick College, Oneonta, New York and West Virginia University, Morgantown, West Virginia. Mrs. Maiolo is a graduate o f Duquesne University, Pittsburgh, Pennyslvania and attended graduate school at West Virginia University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal ﬂutist of the Pittsburgh Symphony, Marcell Moyse at Marlboro School of Music and Victor Saudek . A fter 4 5 years as the Principal Flutist o f the Binghamton Philharmonic Orchestra and TriCities Opera Orchestra, Ms. Maiolo retired in 20 1 3. A native of Germany, U L I S P E T H completed his undergraduate studies at the Mozarteum in Salzburg/Austria, subsequently earned his Master o f Music degree from the Manncs College o f Music. Ul i is ﬁrst violinist o f the DillerQ uaile String Q uartet in residence at the DillerQ uaile School o f Music in New York . This group has played concerts throughout the U.S., has commissioned and premiered new pieces for string quartet, and has performed live on Vermont Public Radio and KMFA o f Texas. As a chamber musician, Mr. Speth has also enjoyed the opportunity of performing alongside members of the Hagen, Pro Arte, Cavaliere, and Y ing quarters and Orpheus Orchestra. His performances have earned him praise by the critics of the Austin American Statesman, Salzburger Nachrichten and Broome County Arts Mirror. Uli has played with New York C i ty Opera since 1 99 7 and serves as concertmaster o f the Binghamron Philharmonic Orchestra since 2005. �Binghamton University Music Department’s Coming Eve nts ﬂ é é ﬁ w ﬁ w w w w w w b Tuesday, April 2 1 String Fever 7 :30 p.m. Casadesus Recital Hall Free Th u rsday, April 2 3 Ja zz MidDay Concert with saxophonist Camille Th urman (Mike Ca rbone) 1 :20 p.m. Osterhout Concert Theater free Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7:30 p.m. Osterhout Concert Theater 57 general public ; 5 5 faculty /staﬀ/seniors/alumni ; free for students F riday, April 24– Master’s Recital : Jake Stamatis, ba ritone 7 :30 p.m. Casadesus Recital Hall free Saturday, April 2 5 Master ’s Recital: K evin Truax, tenor 3 p.m. C sadesus Recital Hall free Saturday, April 2 5 Joint Recital: Rachel Young, soprano and Eleanor Krasner, violin 7:30 p.m. Casadesus Recital Hall free Sunday, April 26 – University Wind Symphony : Once Upon a Time 3 p.m. Anderson Center Chamber Hall $7 general public ; 5 5 faculty /staﬀ/seniors/alumni ; free for students Tuesday. April 28 Percussion Ensemble 7:30 p.m. Anderson Center Chamber Hall $ 7 general public ; $5 faculty/ s tati/seniors/ alumni; free for students Thursday. April 30 MidDay Concert 1 :20 p.m. Casadesus Recital Hall free Thursday, April 30 Piano Ensemble 7 :30 p.m. Casadesus Recital Hall free Friday, May 1 Flute Studio and Flute Chamber Concert 10:45 a.m. Casadesus Recital Hall free Friday. May 1 Brass Recital 4 p.m. Casadesus Recital Hall free Saturday, May 2 Senior Recital : Daniel M alinovsky, piano 1 2 noon Casadesus Recital Hall — f ree Saturday, May 2 Master ’s Recital : Jenny Gac, soprano 3 p.m. Casadesus Recital Hall free Sunday, May 3 University Chorus and Symphony Orchestra: Mendelssohn’s “Lobgesang” 3 p.m. Osterhout Concert Theater $7 general public ; $5 faculty /staﬀ/seniors/alumni ; free for students Sunday, May 3 Joint Recital : Junior Max Rydqvist, baritone and Senior Rick y Nan, tenor 7 :30 p.m. Casatlesus Recital Hall free Thursday, May 7 Student Recognition MidDay Concert (James Burns/Timothy Perry) 1:20 p.m. Casadesus Recital Hall free M M é b M M 6 b 6 & 6 & 6 @ — E For tickets or to be added to our emml list, visit anderson.binghamton.edu or call (607) 777 [ s ] ARTS. For a complete list of our concerts call (607) 7772592, visit mime.hmghamtonedu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department uj Music with a fnumcutl gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Ple ase make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000. Bmghamton, NY 13902, � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:58 31:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74837">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74837</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Craig Phillips, recital, April 19, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Phillips, Franck, Tournemire. Held at 4:00 p.m., April 19, 2015, United Presbyterian Church. Creator An entity primarily responsible for making the resource Phillips, Craig Maiolo, Georgetta Speth, Uli. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Phillips, Craig Franck, César, 1822-1890 Tournemire, Charles Date A point or period of time associated with an event in the lifecycle of the resource 4/19/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fe2447923b3d6f15ec9e7fe318c34464.pdf 69c45e8408d3d46618d14e3abce12293 PDF Text Text BING HAM TON U N I V E R S I T Y S T A T E U N l V E R S I T Y O F N E W Y O R K D E [4 W P A R T M E HARMONY CLUB F a nd ra i s er C o n c e r t Celeb rating Ado lphe Sax Th ursday, April 2 , 2015 7:30 p.m. Casadesus Rec ital Ha ll N 0 T �80 P ROG RAM (93 Suite for Five Saxophones From “Fuenfstimmigte Blasende Musik ” (1685) . 1. Intrada II. Sarabande III. Bal Joha nn Pezel (16391694) Nicholas Follett, Danielle Stoner, sopra no saxophone Stephanie Ve rhage, Julia D unnigan, alto saxophone Benjamin Va nDerAa, Crystal Fisher, tenor saxophone Darin Mihalik, Daniel Gross, baritone saxophone 4 Introduction and Comments Rhapsody in Blue (1925) ..George Gershwin Symphony No. 2 (1907). .Serge Rachmaniof Symphony No. 3 “Scottish ” (1942) Felix Mendelssohn (1808–1847) . Ferde Grofe Grand Canyon Suite. Th e Sorcerer’s Apprentice (1897) .. The Saxophone Fdhily Syrinx (1913) ... ..Claude Debussy Nicholas Follett, alto saxophone (18621918) i The Nutcracker Ballet (189 2) . Symphony N o. VI (1939) Symphony Fa ntastique (1830).. Orchestral Excerpts . Traditional Arr. Ralph Martino Danielle Stoner, soprano saxophone Stephanie Ve rhage, alto saxophone Benjamin VanDerAa, tenor saxophone Darin Mihalik, baritone saxophone Rossini a la carte (Medley) Eb Soprano, Bb Soprano, and Bass Clarine ts Concerto in F (1925) . Adolphe Sax, A Short History Americana Suite.. Orchestral Excerpts to be chosen from the following: ..Gioacchino Rossini Arr. Rolf Sch neebiegl Nicholas Follett, soprano saxophone Crystal Fishe r, tenor saxophone Julia Dunnigan, alto saxophone Daniel Gross. baritone saxophone Till Eulenspiegel’s Merry P ranks (189495) (18981937) (18731943) (18921972) ..George Gershwin (18981937) Paul Dukas (18651935) .. Antonio Vivald i (16781741) Dmitri Shosta kovich (19061975) Hector Berlioz (18021869) Richard Strauss (18641949) Soprano, Alto, Tenor and Baritone Saxophone American in Paris.. Original Orchestration Rhapsody in Blue .. ..George Gershwin (18981937) ..George Gershwin (18984937) Lieutenant Kijé . Sergei Prokoﬁev Bolero (1928) .. . Maurice Ravel Symphonic Dances from .. “West Side Story” (1957) (18911953) (18751937) .. Leonard Be rnstein (19181990) �L’arlésienne, Second Suite. (18384875) The Plow that Broke the Plains (1940). .Virgil Thomson (18824961) Danielle Stoner Danielle is a senio r with a double major in integrative neuroscience and music. She is a graduate of Rube n A Cirillo High School in Walworth, NY. Recently named the National Residence Hall Honora ry’s Febr uary 2015 Smdent of the Month for her service to the Binghamton University and surro unding communi ty, Miss Stoner is also a past president of Mu Phi Epsilon and is music director of Newman House (the campus Catholic Church). Danielle is a 20142015 recipient of the Gardner Stéwart Memoria l Schola rship fro m the Bingham ton Universi ty Music Department. She is a member of the U niversity Saxophone Quartet and the Harp ur Jazz E nsemble and plans to attend medical school with hopes of becom ing a neu rologist. (19061975) Stephan ie Verha ge (18961989) Porgy and Bess ..George Gershwin (18981937) Tableaux d’une exposition. .Modest Mussorgs ky (Pictures at an Exhibition) ' (18391881) Orchestration by Maurice Ravel (18751937) Hary Janos Suite (1926). l British Folk Music Settings N r. 12 .. Age of Gold.. .. Zolton Kodalv (18821967) 1 ..Percy G rainger 2 La création du monde.. (The Creation of the World) is About the Performers .George Bizet .Dimitri Shostakovich * .Darius Milhaud (189219 74) Stephi is a junior with a double major in Psychology and PPL (Philosophy, Polit ics and Law) and is also a music m inor. Stephi is a graduate of Williamsville North High School in East Amherst, NY. A member of Phi Be ta Kappa Honor Society and Mu Ph i Epsilon, Stephi is planning to attend law school after graduation. Benjami n VanDe rAa Ben is a freshman majoring in engineering. He is a graduate o f Acton Boxborough Reg ional High School in Massachusetts. Ben is a member of the B inghamton University Saxophone Quartet and the Harpur Jazz Ensemble. After pu rsuing a post grad uate degree, he would like to work for a com pany tha t builds cars or bo ats. Darin Mihalik Darin is a senior physics major. He is a graduate of PatchogueMedfo rd High School in NY. A recent recipien t of the Robert Pe nﬁeld Award in Physics, Darin is a member of the Phi Be ta Kappa Honor Society. He will pursue a doctorate at Stony Brook in the fall in Condensed Matter Physics a nd hopes to have a career in Coun terTerro rism. �Nicholas Follett Nicholas is a graduate saxophone performa nce major from the studio of April Lucas. He holds a Bachelor of Music Education from Mansﬁeld University in PA. and is currently a membe r of the No rwich H igh School Field Band staﬀ where he is the instructor of music for winds a nd brass. As a subst itute teacher in several area school districts, Nick really enjoys working with kids and hopes to have a career as a music educator. Nicholas is currently p reparing to ﬁll a longterm mater nity leave position as a third grade E I A teacher in the Norwich City School District. He is also working on a second master’s degree in literacy and is an alumni from Norwich H igh School in Norwich, NY. J ulia Dunn igan Julia is a graduate of North Rockland High School in NY and a sophomore at Binghamton University studying mathematics and economics. She works as the Multimedia Promotions Assistant at Late Nite Binghamton and is the Fellowship Chair for the Binghamton Chapter of Circle K International. In addition to the University Saxophone Quartet, she perfor ms with the BU Wind Symphony. She hopes to become an ac tua ry after graduating fro m BU. Crystal Fisher Crystal is a graduate of Vestal H igh School in Vestal, NY . Now, an undeclared freshman with an interest in music and science, she participates in the University Saxophone Quart and the BU Wind Symphony. No matter what direction her fu ture takes her, she ho pes to always part icipate in a musical ensemble. Daniel Gross Dan is a graduate of East Meadow High School in NY. He is a junior majoring in history. Dan is a member of the University Saxophone Quartet and the Wind Symphony. He hopes to have a career with the National Park Service after grad uation. A sincere “ Thank Yo u” to the H armony Club of Binghamton fo r all the awards, encourageme nt, and opportunities they have given to so many deserving h igh school students. Harmony C lub award winning students are just like the performers in this evenings‘ concert, they are not necessarily music ma jors, but loved music in high school and continued to participa te in music programs in their chosen colleges and universities. Harmony Club, we sincerely appreciate your support! Thank you to Mu Phi Epsilon for your help in the logistics of this evenings’ p rogram and for your continued service and participatio h in the ﬁeld of music to o ur University and our Commun ity! If you would like to help support the Harmony Club in their eﬀorts to provide awards to deserving high school sen iors, there will be someone at the desk be fore and after our program to accept your d onations. Karen Fu, piano a – a t on e Q t p o e t – t e – n e ’ e – o – o ono t t t n t – o e o o o o onnng t a a �Bi nghamt on Un ivers ity Mus ic Departme n t’s Com i ng Events ﬁ b M M G Q M M Q D M ﬁ b Th ursday, April 2 MidDay Con cert 1 :20 p.m. – Casadesus Recita l Hall – free Th ursday. April 16 MidDay Con cert 1:20 p.m. Fine Arts Building, Room 2 1 free Th ursday. April 16 Faculty Recital: Zachary Sweet, cello and Michael Sa lmirs, piano 7:30 p.m. Casadesus Recital Hall $7 general public; $5 faculty/staﬀ/seniors/alumn i; Free for students Friday, April 17 Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, ﬂ ute 5 p.m. Casadesus Recital Hall free i Friday, April 17 – TriCit ies Opera presents Gounod ’s Faust 8 p.m. – The Forum Theater c all (607) 7 720400 for tickets Saturday, Ap ril 17 Joint Recital: Sophomore Natasha Talukdar, piano and Senior Annie Tao, piano 3 :00 p.m. Casadesus Recital Hall free Saturday, A pril 18 Senior Recital: Christina Santa Maria, soprano – 7 :30 p.m. Casadesus Recital Hall free Sunday, April 19 TriCities Opera presents Gounod’s Faust – 3 p.m. – The Forum Theater c all (607) 7 7 20400 for tickets Sunday, April 19 Guest Artist : Organist Craig Philips – 4 p.m. United Presbyterian Church $10 general public; $7 facu lty/staﬀ/senio rs/alumni; $5 for students Tuesday, April 2 1 – St ring Fever (String Classes a nd Stud io String Recital) 7 :30 p.m. – Casadesus Recital Hall Free Th ursday, April 23 Ha rpur Jazz Ensemble Co ncert with saxophonist Camille Th urman 7:30 p.m. Osterhout Co ncert Theater $7 general public; $5 fac ulty/staﬀ/sen iors/alumni; free for students e w w w w b n ﬁ w w w é n ﬁ i w a a n é b E a — f I E For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777ART’S, For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or become a fan on Faceboolt. I f you were inspired by this performance, consider suppo rting the Department of Music with a ﬁnancial gift, Your sup port helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U M usic Department, P.O. Box 6000, Binghamton, N Y 1 3902. k o k � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74844">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74844</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harmony Club fundraiser concert Celebrating Adolphe Sax Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Pezel, Rossini, Gershwin, Rachmaniof [Rachmaninof], Mendelssohn, Grofe, Vivaldi, Shostakovich, Berlioz, Strauss, Bernstein. Works by Held at 3:00 p.m., April 2, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Follett, Nicholas Stoner, Danielle Verhage, Stephanie Dunnigan, Julia VanDerAa, Benjamin Fisher, Crystal Mihalik, Darin Gross, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Pezel, Johann, 1639-1694 Rossini, Gioachino, 1792-1868 Strauss, Richard, 1864-1949 Gershwin, George, 1898-1937 Rachmaninoff, Sergei, 1873-1943 Mendelssohn-Bartholdy, Felix Grofe, Dukas Vivaldi, Antonio, 1678-1741 Shostakovich, Dmitriĭ Dmitrievich, 1906-1975 Berlioz, Prokofiev, Ravel Bernstein, Leonard, 1918-1990 Date A point or period of time associated with an event in the lifecycle of the resource 4/2/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56 minutes: 2 seconds 16 minutes :44 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142196">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142196</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior honors lecture recital, Matt Gukowsky, April 21, 2012 Description An account of the resource Works by Gukowksky, Soule, Shimomura, Kondo Held at 8:00 p.m., April 21, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Gukowsky, Matthew Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/21/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d9a508b81a808becb749e5629a116cba.pdf dba936871da632195e0b9cf3024eedbc PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F NEW Y O R K [4 1245724 D E P A R T M E N T String S tudents and Faculty from the Studio Lesson and Chambe r Music Program present STRING FEVER Assisted by Marga ret Reitz, piano with Special G uests Adarsha Ramakumar, Indian classical violin James Bu rns, keyboard .. Gavin Webb, percussion Tuesday, April 21, 20 15 7:30 p.m. Casadesus Recital Hall �80 PROGRAM 08 Metallica (1991) arr. Apolcalyptic (1998) “Nothing Else Matters” muMmmdhmquMCMn Allison Butler, Evan Fetten, Deborah Mariottini. Kelly Mercer, Charlie Miller, Greg Scala, Mary Spencer, Zachary Sweet Fritz Kreisler Sicilienne and Rigaudon (18751962) Jiwon Nam, violin Margaret Reitz, piano (18411904) ( Rebecca Sgroi, violin Margaret Reitz, piano George Frederic Handel (16851759) Sonata for Two Violas in G Minor. Op.2, No.8 Andante Allegro Jessica Funnel & Kaitlyn MacDonald, violas Margaret Reitz, piano Tempo di Menuetto Antonio Bartolomeo Bruni Duet No.3 in D Major, Op. 38. Allegro (17571821) .JacquesFerol Mazes (17821849) Emma Lecarie & Rebecca Sgroi, violins ® INTERMISSION ca Sonatas for 2 Violins Op 3 no 2 Allegro Maya Orlofsky & Cricket Tombs Allegro – Kieran Murphy Gt Eleaner Krasner Adarsha Ramamkumar, violin James Burns, keyboard Gavin Webb, percussion Concerto No. 3 in G Major, BWV 1048 Johann Sebastian Bach (Allegro) Adagio Allegro (16851750) String Fever Chamber Ensemble Violins . Antonin Dvorak Duet No.6 in D Major. Op.34 (17671847) i t i t t i t i t i t * i * * i i t t t t t t t * * Sonatina in G Major, Op. 100 Allegro .Tyagarja Brovabarama. Jean Marie Leclair (16971764) Op 3 no 4 Allegro assai Sara Kohtz & Nathaniel Christman Aria gtatioso: Andante Alexio Chang & Emily Sui Giga: Allegro moderato Jiwon Nam & Kristin Moriarty Alexio Chang Nathaniel Christman Sara Kohtz Eleanor Krasner Emma Lecarie Kristin Moriarty Kieran Murphy Maya Orlofsky Rebecca Sgroi Emily Sui Cricket Tombs Violas Daniel Cooke Jessica Funnel Justin Lafond Kaitlyn MacDonald Hannah Watrobski Cellos Allison Butler Evan Fetten Deborah Mariortini Kelly Mercer Charlie Miller Greg Scala Mary Spencer Binghamton Un ivers ity Mus ic Department String Faculty Janey Choi, Roberta Crawford, Zachary Sweet, Stephen Stalker �Bingha mton Un iversity M usic Depa rtment’s Coming Events W W W Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman – 7:30 p.m. Osterhout Concert Theater $ 7 general public; $5 facu lty/staﬀ/ seniors/ a lumni; free for students Friday, April 24– Master’s Recital: Jake Stamatis, baritone 7:30 p.m. Casadesus Recital Hall free Saturday, April 2 5 Master’s Recita l: Kevin Truax, tenor 3 p.m. Casadesus Recital Hall free Saturday, April 25– Joint Rec ital : Rachel Young, soprano and E leanor Krasner, violin 7:30 p.m. Casadesus Recital Hall free Sunday, April 26 – University Wind Symphony: Once Upon a Time 3 p.m. Anderson Center Chamber Hall $7 general public; $5 faculty/staﬀ/se niors/alumni; free for students Tuesday, April 28 – Percussion Ensemble – 7 :30 p.m. And erson Center Chamber Hall $ 7 general public ; $5 faculty/ s taﬀ/ seniors/ a lumni; free for students Thursday, Apr il 30 MidDay Concert 1:20 p.m. Casadesus Recital Hall free Thursday, April 30 Piano E nsemble 7:30 p.m. Casadesus Recital Hall free W M ﬁ M é ﬁ M ﬁ u b ﬂ é é ﬂ For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777ARTS. For a complete list of our concerts call (607) 7772592, vis it music.binghamton.edu or become a fan on Faceboolt. E — = [ = ] If you were inspired by this performance, consider supporting t he Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and the ir contributions to our community. f = ] & Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10:13 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74834">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74834</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource String students and faculty from the Studio Lesson and Chamber music Program present String Fever Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Kreisler, Dvořák, Handel, Bruni, Mazas, Leclair, Bach. Held at 7:30 p.m., April 21, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Ramkumar, Adarsha Burns, James Webb, Gavin. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Kreisler, Fritz, 1875-1962 Dvořák, Antonín, 1841-1904 Handel, George Frideric, 1685-1759 Bruni, Antonio Bartolomeo, 1757-1821 Mazas, Jacques-Ferol Leclair, Jean-Marie, 1697-1764 Bach, Johann Sebastian, 1685-1750 Date A point or period of time associated with an event in the lifecycle of the resource 4/21/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound