152 10 1775 https://omeka.binghamton.edu/omeka/files/original/a952ecd1882ca4b925d7976987dd4492.pdf d85d233d443dd121588f2ca85895cf3b PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  UNIVERSIT Y  OF  NEW  Y O R K [4 vwdee D E P A R T M E N T Student performers from the studios of Ben Aldridge, Donald Robertson, and Brian Sternberg present: ®)  ©Cons ,  a ‘ “ ­ ‘ / “4,­  " 3 t  m l  5 , , . BR ASS STUDIO RECITAL Accompanied by Margaret Reitz, piano Friday, May 1, 2015 4 p.m. Casadesus Recital Hall �0+  PROG R AM +0 Fanfare for St. Edmundsbury  Concerto for Trump et  Jason Boniello, Michael Stern, Jonathan Terner to cast a shadow again  movemen ts 1 & 2  . Eric Ewazen (b. 1954) Jake Stamatis, baritone ­ Anne Taylor, trumpet John lsenberg, piano Harald Genzmer (1909 ­ 2 0 0 7) Thomas Parker, trumpet Yorkshire Ballad.  Michael Sugarman, euphonium Sonatina fur Posaune und Klavier  1. Allegro  Jason Boniello, trumpet James Barnes (b.1949) .1(an’mierz Serocki (1922 ­ 1981) Sonata in f minor  Allegro Moderato  Alice Xue, trumpet Profile Vl  Slowly, rubato  Otto Ketting (1935 ­ 2012) Fisher Tu ll (1934 ­ 1994) Letitia Chang, trumpet Morceau de Concert  Gabriel Bedard, French Horn Sonata for Trumpet  Mvt. 3 ­ Allegro  Camille Saint­Saens (1835 ­ 1921) Kent Kennan (1913 ­ 2003) Brandon Ashley, trumpet .G. P. Telemann (1681 ­ 1767) Jacob Solon, trombone Suite in D  Overture ­ Gigue  Aire ­ Bourree ­ March .Georg Friedrich Handel (1685 ­ 1859) Brandon Young, trumpet Sonatina fur Posaune und Kla vier .  lIl. Allegro vivace  .  Kazimierz Serocki (1922 ­ 1981) ChristOpher Beard, trombone Bipperies  3 5, 7  Moderato  Lowell Shaw (b. 1930) Harry Huffnagle Daniel Muller, Emmanuel Davis, French Horns Bradley Marquardt, trombone Intrada  (1778 ­ 1837) Benjamin Britten (1913 ­ 1976) Sonafine  Adagio ­ Saltarello  Joharm Hu mmel MvL 3 ­ Allegro  6 x 4.  Alec Wilder 92, 3, 4  Cornucopia .  Fripperies  #9 (1907­1980) .Earl Hoffman Lowell Shaw Katherine Saturnino, Abbey McMahon Daniel Muller, Gabriel Bedard, French Horns Mini Tripperies .  Lowell Shaw Dona Nobis Pacem . A  Anonymous #3,6 Moderato.  Felix Mendelssohn (1809­1847) Menuetto .  .Anton Reicha (moms) Zach Bimbaum, David Luther, Emmanuel Davis, French Horns (01m) �Fugue “For All the Gentiles”.  ..Felix Mendelssohn (1809 ­ 1847) Paul Barber, Alice Xue Jason Boniello, Michael Stern, Jonathan Terner 4 0  Binghamton University Low Brass Ensemble 4 0 Canzona terza  arr. Kurt Sturzenegger  Giovanni Gabrieli (1557 ­ 1613) Adagio from Symphony No. 3.  trans. Ken Murley  ..Camille Saint­Saens (1835 ­ 1921) Achieved is the Glorious Work,.  from “The Creation,” arr. Donald Miller  I’m Getting Sentimental Over You..  arr. Daniel Martin  Trombones: Christopher Beard Bethany Evans Bradley Marquardt Jacob, Solon Josh Yamuder Bass Trombone Patrick Jones Euphonium Michael Sugarman ...Franz Joseph Haydn (1732 ­ 1813) . George Bassman (1914 ­ 1997) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 54:45 23:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74818">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74818</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student performers from the studios of Ben Aldridge, Donald Robertson, and Brian Sternberg present Brass Studio Recital  Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Britten, Ewazen, Genzmer, Barnes, Serocki, Ketting, Tull, Saint-Saëns, Kennan, Hummel, Telemann, Handel, Serocki, Huffnagle, Wilder, Hoffman, Shaw, Mendelssohn-Bartholdy, Reicha, Gabriele, Haydn, Bassman. Held at 4:00 p.m., May 1, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Binghamton University Low Brass Ensemble Reitz, Margaret A. Bonielli, Jason Stern, Michael Terner, Jonathan Stamatis, Jake Taylor, Ann Isenberg, John Parker, Thomas Sugarman, Michael Marquardt, Bradley Xue, Alice Chang, Letitia Bedard, Gabriel Ashley, Brandon Solon, Jacob Young, Brandon Beard, Christopher Muller, Daniel Davis, Emmanuel Saturnino, Katherine [Kathryn] McMahon, Abbey Birnbaum, Zach Luther, David Barber, Paul. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Britten, Benjamin, 1913-1976 Ewazen, Eric, 1954- Genzmer, Harald Barnes, James Serocki, Kazimierz Ketting, Otto Tull, Fisher Saint-Saëns, Camille, 1835-1921 Kennan, Kent, 1913-2003 Hummel, Johann Nepomuk, 1778-1837 Telemann, Georg Philipp, 1681-1767 Handel, George Frideric, 1685-1759 Serocki, Kazimierz Huffnagle, Harry Wilder Alec Hoffman, Earl Shaw, Lowell Mendelssohn-Bartholdy, Felix Reicha, Anton, 1770-1836 Gabrieli, Giovanni, approximately 1554-1612 Haydn, Joseph, 1732-1809 Bassman, George Date A point or period of time associated with an event in the lifecycle of the resource 5/1/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/86de71d7fe652afae44618e3eeac3ae9.pdf 88a19058dc6973ae69b80b8c3d02b028 PDF Text Text MDT-1 State University of New York Harpur College DEPARTMENT OF MUSIC Student Recital Music Rehearsal Room October 15, 1964 4:30 P.M. Sonata in Cm, Op. 10, No . 1 (Beethoven) 1st movement Allegro molto econ brio May Night (Palmgren) Mrs. Alberta Weisz, pianist Prelude No. 8 in Ebm (J. S. Bach) Impromptu in Ab (Schubert) Ellen Leinwand, pianist The Little Sheperd (Debussy) Jeffrey Gimurich, pianist ___________________________________________________ THE HARPUR CHAMBER ENSEMBLE Five German Dance Movements in four Parts I. Valentin Hausmann (1599) II. Johann Staden (1618) III. Melchior Franck (1604) IV. Johann Staden (1618) V . Melchior Franck (1604) Solo Cantata No. 8 "Mein Herz is bereit" (Buxtehude) Clifford Myers, bass Hymn and Fuguing Tune No. 2 for String Orchestra (Henry Cowell) __________________________________________________ Members of the Ensemble Violins Patricia Isham Paula Fenimore Anita Walls Anne Gaylord Frances Duda Viola Howard Isham Continuo Robert Whitney Cellos Christine Livingston Kathy Gruber Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:08 14:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54329">Student Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student Recital Recital Tape 1964-10-15 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Beethoven, Bach, Schubert, Debussy performed by students: Patricia Isham, Paula Fenimore, Anita Walls, Anne Gaylord, Frances Duda, Howard Isham, Robert Whitney, Christine Livingston, Kathy Gruber. Creator An entity primarily responsible for making the resource Isham, Patricia Fenimore, Paula Walls, Anita Gaylord, Anne Duda, Frances Isham, Howard Whitney, Robert Livingston, Christine Gruber, Kathy Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Bach, Johann Sebastian, 1685-1750 Schubert, Franz, 1797-1828 Debussy, Claude, 1862-1918 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1964-10-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Student Recital Recital Tape 1964-10-15.pdf https://omeka.binghamton.edu/omeka/files/original/81389031c2886debc8450d567cae5d0f.pdf e1d5d34a73c8083a03e5123a538dcaae PDF Text Text WP- 5 State University of New York at Binghamton Harpur College T H E D E P A R T ME N T OF lI U S IC STUDENT RECITAL From the Studios of: Roberta Schlosser 9 voice Elizabeth Korte and MIyron Fink , piano Patricia Isham, violin Laila Storch, woodwind quintet Sunday 9 June 6, 1965 College Theater 3:00 P.M. PROGRAM Romance in G Paula Fenimore 9 violin Barbara Garges 9 piano Prelude and Fugue in D Major James Baldwin, piano Beethoven J. S. Bach Duet: "La ci darem la mano" (Don Giovanni) Malita Frogate, soprano Paul Darnell , bass W. A. IIozart "Non piu andrai" (Le Nozze di Figaro) baritone Paul Darnell , W. A. Mozart Nocturne Michael Pawlicki, piano Scenas Infantis Corre, Corre Roda, Roda Marcha 9 Soldadino Dorme, Nene Salta, Salta Duo Pianists: Ellen Leinwand Cecile Berkowi tz Chopin Octavio Pinto �-200 Passacaille Quintet A. Barthe in Eb Major, Op. 88, No. 2 A. Reicha Lento-Allegro Noderato Andante grazioso Allegro Molto Woodwind Quintet: Margaret Jackson, flute Arthur Abrahams, clarinet Abigail Mohn, oboe Stephen Walker, bassoon John Evansohn, horn INTERMISSION Concerto in þÿB&m, K. 191 Andante Allegro Steven Leiden, tuba Philip Friedheim, piano 0 Mozart Schumann Four Lieder Widmung Hor ich das Liedchen Klingen Ein Jungling liebt ein Mädchen Wanderlied Paul Dieke, tenor Allegro from Sonata in D, K 205 Alice Stitelman,piano Mozart "Stride la vampa" (Il Trovatore) Debbi Pollack, mezzo soprano "M' Verdi appari" (Hartha) John Taylor, tenor von Flotow "Voi lo sapete" (Cavalleria Rusticana) Millicent Conklin, soprano Scaramouche Vif Modéré Brazileira Duo Pianists: Ellen Leinwand Cynthia Stone *** Vocal Accompanist - Barbara Garges Mascagni Milhaud � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:14 32:59 33:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54406">Student Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student Recital Recital Tape 1965-6-6 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Beethoven, J. S. Bach, W. A. Mozart, Chopin, Octavio Pinto, A. Barthe, A. Reicha, Shumann, Verdi, von Flotow, Mascagni, Milhaud Creator An entity primarily responsible for making the resource Scholosser, Roberta Korte, Elizabeth Fink, Myron Isham, Patricia Storch, Laila Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Pinto, Octavio, 1890-1950 Barthe, Adrien, 1828-1898 Reicha, Anton, 1770-1836 Verdi, Giuseppe 1813-1901 von Flotow, Friedrich, 1812-1883 Mascagni, Pietro, 1863-1945 Milhaud, Darius, 1892-1974 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-06-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Student Recital Recital Tape 1965-6-6.pdf https://omeka.binghamton.edu/omeka/files/original/d99c448886aa3ce7b73c1dde13774461.pdf a6e3d9dbd1c1d49810e2223d54aaf9ff PDF Text Text BINGHAMTON U  N  T V  E  R  S  T T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K zed e C D E P A R T M E N T STUDENT R ECI TAL ALEXANDER BARO N , RECORDER with Pes  Reitz;  Harpsichord Ad am Goldenberg, Peycussconv Friday, Aprib13, 2012 8:00 p. W C W R W M H M �PROGRAM Sonata in f minor  Triste  Allegro ABOUT THE PERFORMERS .  .  .  .  .. George Philipp Telemann (1681–1767) Andante Vivace Bravade.  Modo 1  '  '  Modo 2 Modo 3 '  '  '  '  '  '  '  '  La Luna.  Meditation..  Sonata Seconda.  Wayfaring Stranger  .Jacob van Eyck (c.1590–1657) Alexander Baron has performed with the Binghemton Baroque. Manhattan Recorder Orchestra, and Adirondack Recorder Guild, at Binghamton University Mid­day Concerts, and at various private events and nursing homes. He attended the Indiana Recorder Academy in 2006–2009. and  the Amherst Early Music Festival in 2011. He was the winner of the 2011 American Recorder Society President’s Scholarship. Previous studies have been mainly with Eva Legene and Michael McCraw. Current studies are with Rachel Begley, Daphna Mor, and Pete Rose. Alexander has interests in both early and modern music. He plays both the recorder and native American flute. He is scheduled to play selections from the GP Telemann Concerto for Recorder, Flute, Strings, and Basso Continuo with the University String Orchestra and flutist Georgetta Maiol o later this April. .. Christiane Mar tini Ryohei Hirose (1930–2008) Dario Castello ­(c.1590­c.1 658) Pete Rose (b.1942) Improvisation .  . Alexander B aron (b. 1989) Sonata in g minor  Vivace  jimi  l  gdin  Allabreve Largo Allegro ma non Presto . Antonio Vivaldi '  (1678–1741) Pej Reitz, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis.  She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus. Victor Rosenbaum. Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States. in England, South America. Spain and at the American Institute of Musical Studies in Graz, Austria.  She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F.  Kennedy Center for the performing arts. She is currently on the faculty at  Binghamton University since 1991 and Ithaca College School of Music since 1999.  She is Treasurer of the local District VII Music Teachers Association and is an active adjudicator for the National  Piano Guild Organization. Adam Goldenberg is a senior biochemistry major and music minor. Mr. Goldenberg studies with Professor Daniel Fabricius, and regularly performs with the University Wind Ensemble and Percussion Ensemble. In 2011, Mr. Goldenberg was a featured soloist in Terry Gillingham’s “Concertino for Percussion and W ind Ensemble” a nd in Paul Creston’s Concertina for Marimba and Wind Ensemble. In spring of 2012, Mr. Goldenberg will be performing Keiko Abe’s “The Wave” Concertino for Marimba and Percussion Ensemble on May 10th at the spring percussion ensemble concert. �Bingha mton Univer sity Music D epartm ent’s U P C O M I N G  E V E N 7  3 S a  eDoas M’s­mesme­ Saturday, April 14 – Mas terclass with organist  Carla Edwards  – 10 a.m. – 12 noon – First Presbyterian Church, Binghamton – free Saturday, April 14 – Rob ert Smith, e uphoniu m, prese nts “ E l  Bombard ino” with  Margare t Reitz, pi ano – 3 p.m. – Casadesus Recital Hall – $6  general public; $3 faculty/staff/seniors; free for students Sunday,  April 15 – Afri canaise:  A n  e vening o f  A frican Inspired  Compos itions – 3 p.m. – Anderson Center Chamber Hall – $10 general public; $ 6 faculty/staff/seniors; $3 students Sunday,  April 15 – Gue st Organ ist Carla Edwards  – 4 p.m. – First Presbyterian Church, Binghamton – $10 general public; $6  faculty/stafflseniors; $3 students Thursda y, April 19 – Mid­Day Conce rt – 1:20 p.m. – Casadesus Recital Hall – free Friday, A pril 20 – Universi ty String  Orchest ra – 4:00 p.m. – Grand Corridor – free Saturday, April 21 – Junior  Recital: Matthew  Gukows ky, tuba – 8:00 p.m. – Casadesus Recital Hall – free Sunday,  April 22 – Univer sity Cho rus: Hay dn’s “Lo rd Nelson Mass” – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/staff/seniors; $3 students For ticket information, please call the Anderson  Center B ox  O ffice a t 777­ART S � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53 minutes :17 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142099">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142099</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, Alexander Baron, April 13, 2012 Description An account of the resource Works by Telemann, Eyck, Martini, Hirose, Castello, Rose, Baron Held at 8:00 p.m., April 13, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Baron, Alexander Reitz, Margaret Goldenberg, Adam Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/13/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f4f245a718999486c20771e401c08472.pdf e5e987fac7859013afdd4bc7cc33f11b PDF Text Text BINGHAMTON U  N  I  V  E  R  S  l  T  Y S TATE  UN I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T STUDENT RECITAL EMILY GELLER, Mezzo ­SOPRANO widv Pg’fieétg; piano­ an d harpsichord and Hakan Tayga­Hromek; cello­ Saturday, Marci/1”, 2014 8 p .m   Casadesus H a l l �GeolgeFrider­ic Handel (1685­1759) fromAIcina  Verdi prati  Sta nelrircana II. Zigeunerilieder, 0p.103.  1. He, Zigeuner, greife in die Satan ein  2. Hochgetfirrnte Rimatht 3.Wisst ihr, wann mein Kindchen 4. Lieber Gott, du weisst 5. Brauner Bursche fiihrt zum Tanze Johannes Brahms (1833­1897) from Toic’ e st moi.  C‘est ga la vie, c’est ga I’amour  Half­Minute Songs.  1. Making the Best of It  2. First Ask Yourself 3. To Understand 4. Doan’ Yo’ Lis’n 5. How to Find Success 6. The Pleasure of Giving 7. Answer the First Rap 8. A Good Exercise 9. A Present from Yourself 10. Now and Then 11 When They Say the Unkind Things 12. Keep Awake V. from Kiss Me, Kate  So In Love  Thank You So Much Missus Lowsborough­Goodby from Nymph Errant The Physician from Panama Hattie Make It Another Old Fashioned, Please opportunities for elaborate staging and special eflects that were immensely popula has not yet been transformed and is besottad with the sultry Alcina. Living in sin with her, he has forgotten his betrothal to Bradamante, who has pursued him to the island disguised ®INTERMISSIONcs Youkali (Tango Habanera).  supernatural elernens than his earlier operas. This type d mafical opera providesr with them before she transforms them into boulders, trees, straarns, or wild animals. Her latest captive Is the knight Ruggiero (originally a castrato role, today sung by mezzo­soprano). He 7. Kommt dir manchmal in den Sinn 8. Rote Abendwolken ziehn III. constructed Covent Garden Theatre on A prils.1735.1 he anonymous libretto was based on two cantos lrorn Italian poet Ludovico Ariosto’s Orlando Iurioso (1 516) about the adventures of paladins In Charlemagne’s court. Alcina was so popular that there was a revival of the work just a year after its premiere. At this point In his career. Handel had the lreedorn to choose from a wider range of librettos; this explains why Alcina contains more Handel’s audiences. The opera focuses the sorceress Alcina. who lures brave men to her island, seducing 6. Rbslein dreie in der Reihe from Chants populaires.  Chanson espagnole  andel composed works in almost every musical genre, 1mm George Frlderlc H orchestral b vocal pieces, chlnber music to oraorio. Alcina was presented at the newly­ .  Joseph­Maurice Ravel (1875­1937) .Kurt Weill (1900­1950) .  Moses Simons (1889­1945) . Carrie Jacobs­Bond (1889­1945) .  .Coie Porter (1891­1964) as a young man. Eventually Ruggiero succeeds in destroying Alcina’s magic powers. All the enchanted heroes are restored to their human form and Ruggiero ls reunited with Bradamante. Both “Verdi prati” and “Sta neil rcana’ are sung by Ruggiero, but they could not be larther apart in character; the first ls ethereal and introspective, the other bold and aggressive. ‘Verdl prati is known  one of Handel’s most beautiful arias, although Carestini, the castrato who first sang Ruggiero, initially rejected it because of its simplicity. From Act II it loreshadows Alcina’s coming defeat and eventual vengeance with the world. As Ruggiero emerges from his entrapment, he comes to accept the island’s real, horrid aspect and bids twewell to Alcina’s magic island. Caught in an emotional tug­of­war between Alcina and his abandoned fiancée Bradamante, Ruggiero presents a largely passive figure until emerging In his rollicking final Act III aria “Sta nell’lrcana.” This aria resumes his heroic stance just after he escapes cina’s Alcina’s spell, solidifying him as a heroic warrior. After breaking away from Al enchantment, Ruggiero abandons her to return to his fiancée. Alcina pleads with Ruggiero to come back, but he instead breaks the urn that contains her power. The energy and excitement of “Sta nell’Ircana” is  manifested in the fiery accom paniment, which when performed with full orchestra, features horns and quick repeated notes In the strings. I. Verdi Pratt (Green Meadows)  Green meadows, charming woods, you will  lose your beauty.  Lovely flowers, flowing streams, your  charm, your beauty,  will soon be changed.  Sta ne  Teena (In her rocky Hyrcanlan lair) In her rocky Hyrcanian lair. lurks an angry tigress, unsure whether to run or await the hunter. She wants to save herself from his arrow, And as every lovely object changes,  everything within this place will return to the  but that would mean leaving  her young in danger. horror of its former appearance.  She shivers, torn between bloodlust and maternal devotion, the victor is  love. Johannes Brahms’s place as one of the great song composers of the nineteenth century and one of the maior German song composers Is untispuled. His works are chaaclarizad  by both strictness and freedom in form, line, texture, and rhythm. Considering himself a self­taught composer, he wrote approximately 380 songs for one, two, three and tour voices, including nearly 100 arrangements of lolk songs and children’s songs. Brahms‘s lundamental interest in folk music permeated his musical aesthetic. His great respect and admiration for classical forms manifested itself in musical symmetry, which is always found in his songs. This, coupled with his strong lyric gift, gives his Lieder a high degree of emotional intensity  and expressive impact. �Throughout his tile. Brahms was fascinated with the music of the Hungarian Gypsies. These songs are rearrangements from the eleven vocal quartets composed In 1887 as Zigeuneriieder for four voices. In the solo version, published in 1889, there we eight songs encompassing an array of emotions from exuberant joy to melancholy. Dance rhythms are found in the piano and also in the rhythms of the vocal lines of some of the songs. Brahms begins and ends this set with strongly accented. broad­lined songs. The Indigenous quality of Hungarian vocal music lacks upbeats. Although all eight songs are in simple dupie meter, variety is created by use of syncopations, triplets, and dotted patterns. ­attributed to Carol Kimball II. 1.He, Zlgeuner, greife In die Salton Hey, Gypsy, play your violin! Play the song of the unfaithful gri! Let the strings weep, lament. sadly and anxiously, until hot tears moisten my cheek! 2. Hochgetirnm Rimaflut River Rima with your towering banks, how troubled you are; by its edge I loudly moan for you. my love! Waves dash by, waves rush along and rumble up to the riverbank where i stand; by the banks of the Rima let me weep eternally for her! 3. Wlsst Ihr, warm meln K indchen Do you know when my darling is most beautiful? When her sweet little mouth iokes and laughs and kisses. Dear little girl, you are mine. I kiss you fervently; loving heaven created you for me alone! Do you know when I like my sweetheart best? When he holds me close in his arms. Dear lover, you are mine, I kiss you fervently; loving heaven created you for me alone! 4. Lieber Gott, du welsst Dear God, you know often I have regretted the kiss I once gave my sweetheart. My heart commanded me to kiss him; I will think about that first kiss as long as I live. Dear God, you know how often in the silence of the night I have thought about my loved one in pleasure and pain. Love is sweet. even if r epentance is bitter,  atr rtwill remain eternally, my poor he eternally true to him. 5. Brauner Bursche fiihrt tum  Tanze A suntanned lad leads his beautiful blue­ eyed sweemeart to the dance; he boldly strikes his spurs together; a czardas melody begins; he kisses and caresses his sweet loved one; turns her around. leads her, rejoices and leaps: he throws three bright silver coins onto the cimbalom to make It twang. 6. Roslein dreie In der Raine Threelitflerosesina row blossom so  red; there‘s no law  against a young man’s visiting a young girl! Dear God, if  that were forbidden, the beautiful, wide world would have been gone long ago: to remain unmarried Is a sin! The prettiest little town In Alféld Is Kecskemét; there, there are really a lot of good­looking and nice girls! Friends, find yourselves a bride there, ask for her hand and establish your household; drain the cup of joy! 7. Kommt dlr manchmal In  den Slnn Do you sometimes recall to mind. my darling, what you once promised me with sacred oath? Don’t deceive me, don’t abandon me; you don’t know how much I love you; love meas  much as I love you, and then God’s g’ace will pour down on you! 8. Rote Abendwolken xlehn Red evening clouds pass by in the firmament; my heart burns longingly for you, my darling. The sky beams in glowing splendor, and I dream, by day and night, only of my sweet lover. All three of these French songs have a “Spanish flair” through dance rhythms. French composer Maurice Ravel once commented that he did not want his music to be interpreted, but performed. The Chants populaires Is one of four prize­winning folk song amrangements designed to promotethe awareness and performance of international folk song. A relentless militant rhythm (similar to Bolero) underlies a bitter comment in the text   pon a man’s soul. about the hardening effect d w a u Kun Weil ’s persistent experimentation with hybrid toms of musical theater produced some of the most stimulating, expressive. and enduring works for musical theater in the last century. German­born, Weill wrote ‘Youkdi:Tango Habanera‘ while in Paris. The French text was later added by Roger Fernay. “Youkali” is languid and nostalgic, written in strophic form. It contains Weill’s trademark of  major­minor alternation. Its narrative stanzas are set In a tango rhythm but the habanera is heard in the refrain. Weil’s major­minor ventilation is used ironically here; the final phrase migrates to the major key as hope for finding the dream of Youkali s crushed Moisés Simons was a leading Cuban composer, pianist. and conductor. After having built his career in Cuba, he composed one of the most lamous pieces of Cuban music. “El Manisero (The Peanut Vendor).” Its success led to a “rumba craze” In the US and Europe which lasted until the 1940s. In Paris, he wrote the operetta Toi, c’est Moiwith popular French novelist, Henri Duvernois. It consists of a series of extremely varied numbers punctuated by humorous comedy scenes. The CubaHaern musicologist Alejo Carpentier praised Simons’ excellent musical and technical accomplishment saying that Toi C’esl Moi Simons’ creative career. “C’est la vie” is an arresting take on the   was b l e the peak of  Carmen story in which Carmen kills a cheating Escamillo. III. Chanson espagnole (Spanish Song) F zeweil. go, my husband, farewell; Since they have taken you for the war There is no longer on earth Alas! for me, neither laughter. nor fun! Vouknli (Tango Habanera) It was almost to the end of the world That my wandering boat Straying at the will of the waves Led me one day The Isle is very small But the kind fairy that lives there Invites us to take a look around. Youkali is the land of our desires Youkali is happiness, pleasure Youkali Is the land where we forget all our worries It Is in our night, like a bright rift the star we follow, it is Youkail Youkali Is the respect of all vows emhanged Youkali is the land of love returned II is the hope that Is in every human heart The deliverance we await for tomorrow Youkali Is the land of our desires Youkali is happiness, pleasure Bu t i t isa tt  dream,  a folly There is no Youkali. Castille takes our boys To make her cause triumphant, They go off as soft as rose petals, They return hard as  thistles. And life carries us along Tediously, day by day But the poor human soul Seeking forgetfulness everywhere Has, in order to escape the world Managed to find the mystery In which our dreams burrow themselves In some Youkali. Youkali is the land of our desires Youkeli is happiness, pleasure Youkdi is the land where we forget all our worries It is in our night, like a bright rift the star we follow, it is Youkali Youkali is the respect of all vows emhanged Youkali is the land of love returned It “s the hope that is in every human heart The deliverance we await lor tomorrow Youkali is the land of our desires Youkali is happiness, pleasure But it is a dream, a folly There is no Youkali. �C’sst ca la  vie (That’s Life) Carmen the gypsy loved the handsome Escamillo; She swore to love the Toreador forever. But all men are the same, He tired of her kisses. He deceived her, she reproached him. He left her! That’s Me. that’s love! Here a little embarrassment one gets into, One falls in love one night, the next day it’ goodbye. That’s life. that’s love. Carmen the gypsy returned to the Toreador; She forgave him, wanting him to adore her again, But all men are the same, Escamillo deceived her again. The gypsy seized his dagger, And killed him! That’s life. that’s love! Here a little embarrassment one gets Into. We love one night, one day we kill. That’s life, that’s love. Carrie Jacobs­Bond was a piano prodigy, but did not pursue music professionally until after the death of her second husband. Having lost nearly everything, she fought poverty for years and provided for herself and her son by writing, selling. and performing songs ‘unpretentious as a wild rose.” She suffered stage fright and was criticized for being “plain and angular.”  As an untrained singer. she courageously performed her songs on her own due to financial trouble. Ultimately she became quite successful, allowing for her music to have professional performances. Upon hearing her most famous song, ”At the End of a Perfect Day” in concert. a Viennese composer visiting the United States stood up, thinking it was the national anthem. It is easy to imagine Jacobs­Bond delivering the pearls of wisdom in “The Half­Minute Songs.” They are infused with her quirkiness and forthrightness. “I wonder what the world would be like if  there were nobody to do the simple things!” Bond wrote. “I wonder how folks would get along without snappers, and hooks and eyes, and pins. Nothing could be much commoner than they are, but they fill a very much­needed place. You see, lots of folks can get along without a point lace collar, but I should hate to see folks try to get along without the other commodities I’ve spoken of. And sometimes songs (simple songs) like pins keep folks together.” ­Adapted from Briana Sekamcto N. 1. M aking the Bes t  o f  It. What you can’t help, What you can’t help. What you can’t help. Forget! 2. First Ask  Yourself. Before you have said It about them, Ask yourself if you’d like them to know you said it. 3. To Understand. To understand a sorrow, You must have one all your own. Cole Porter is a world famous composer and lyricist, who had such an individuality of style that a genre known  “the Cole Porter song” emerged. The hallmarks of a typical Porter song are suave and witty lyrics and melodies with a sinuous, brooding quality. Richard Rodgers said, “Few people realize how architecturally excellent his music is. There’s a foundation, a structure and an embellishment. Then you add the emotion he’s put in and the result is Cole Porter.“ In 1937, Porter was thrown from a horse, breaking both his legs and danaging his nervous system. For the rest of his life, Porter in constant pain and became a virtual recluse. Kiss Me, Kate is one of Cote Porter’s most loved musicals. It opens with the cast of a musical version of William Shakespeare’s The Taming afthe Shrew rehearsing for opening night. Egotistical Fred Graham is the director/producer/starring as Petruchio, while his movie­star ex­wife, Lilli Vanessi, ls playing Katherine. Although they seem to be constantly arguing, Lilli receives a flower arrangement, identical to her wedding bouquet, with a card from Fred. She sings, “So In Love", remembering why she fell in love with him to begin with. Her rekindling love for Fred dies when she finds out the flowers were not intended for her. just delivered to the wrong dressing room. Some of Porter’s most unique and hilarious songs come from musicals rarely done today. Nymph Emant, once considered controversial, tells the story of a young English lady. Evangeline, intent on losing her virginity, Evangeline is sold and married into a harem, but she complains to the harem keeper about the lack of intimacy with her new husband, who she has yet to meet. He asks if  she has ever been in love. and she tells him of a crush she once had in, “The Physician.” Porter considered this score his best because of its worldliness and sexual sophistication. The World War II musical, Panama Hattie tells the story of Hattie Maloney, a gaudy, good­hearted nightclub singer who tends to love above her station. In “Make It Another Old F ashioned, Please” Hattie tries to swear off  liquor with little success. The Broadway premiere starred Ethel Merman as Hattie. One of Porter’s rare independent songs, “Thank you So Much Missus Lowsborough Goodby” was inspired by an invitation to a country house. A typescript of  the lyric was found among the unused lyrics of ‘Anything Goes’, indicating that Porter might have contemplated using it in that show. ­Am’buted to The Associated Press, New York Times V. 6. The Pleasure of  G iving I’d rather say “You’re welcome” once, then “Thank you” a thousand times. 7. Answer the First Rap. Opportunity may knock often, but it’s  better to answer the first rap! 8. A Good Exercise. With evil things you’ll always find It’s best to be deaf. dumb and blind. 9. A Present from Y ourself. A friend is a present you give yourself 4.Doan’ Yo’ Lls‘n. No mattah w’at dey said. Keep a­walkin’ straight ahaid, W’y dey’ll praise yo’ when yo’ daid, But doan’ yo’ lis’n. 10. Now and Then. The “lucky” fellow gets up at five (AM.), And gen’rally works till ten (P.M.); But the other fellow not quite so ”lucky.” Works hard­just now and then! 5. How to F ind Success. The man who finds success looks sometimes when he‘s tired, When he’s tired. when he’s tired. Looks sometimes when he’s tired. 11. When They Say  the Unklnd Things. Ain’t it gay that what “they say” Can’t hurt you unless it’s true? 12. Keep Awake. Success never comes to the sleeping. So In L ove Strange dear, but true dear, When I’m close to you, dear, The stars fill the sky, So in love with you am I. Even without you, My arms told about you, You know darling why, So In love with you am I. In love with the nightmysterious. The night when you first were there, In love with myjoy delirious, When I knew that you could care. So taunt me, and hurt me, Deceive me, desert me, I’m  yours, till I die So In love, So in love, So In love with you. my love, am I �Thank You So Much Missus Lowsborough­Goodby Mlssus Lowsborough­Goodby gives weekends. and her weekends are not a success, but she asks you so often you finally soften and end by answering “Yes.” When I left Missus Lowsborough­Goodby’s The letter I wrote was polite But ltwould have been bliss Had I dared write her this, The letter I wanted to write: Thank you so much Missus Lowsborough­ Goodby, Thank you so much. Thank you so much for that infinite weekend with you. Thank you a lot. Mlssus Lowsborough­ Goodby. Thank you a lot. And don’t be surprised if  you suddenly should be quietly shot. For the clinging perfume And that damp little room, For those cocktails so hot And the bath that was not, For those guests so amusing and mentally bracing Who talked about racing and racing and racing. For the ptomaine I got from your famous tin salmon, For the fortune I lost when you taught me backgammon. For those momings I spent with your dear but deal mother. For those evenings I passed with that bounder, your brother, And for making me swear to myself there and then Never to go for a weekend again. Thank you so much. Missus Lowsborough­ Goodby, Thank you. thank you so much. The Physician Once I loved such a shattering physician, Quite the best­looking doctor In the state. He looked alter my physical condition, And his bedside manner was great. When I’d gaze up and see him there above me, Looking less like a doctor than a Turk, I w  tempted to whisper, “Do you love me. Or do you merely love your work?” He said my bronchial tubes were entrancing, My epiglottis filled him with glee, He simply loved my larynx And went wild about my pharynx, But he never said he loved me. He said my epidermis was darling, And found my blood as blue as could be, He went through wild ecstatics, When l showed him my lymphatics, But he never said he loved me. And though. no doubt, It was not very smart of me, I kept on a­wracking my soul To figure out Why he loved ev’ry part of me, And yet not me as a whole. With my esophagus he was ravished. Enthusiastic to a degree, He said “twas iust enormous, My appendix vermiformis, But he never said he loved me. He said my vertebrae were “sehr schone,” And cdled my coccyx “plus oue gentil,” He murmured “molto bells.” When I sat on his patella, But he never said he loved me. He took a fleeting look at my thorax, And started singing slightly off key, He did a double hurdle when I shook my pelvic girdle, But he never said he loved me. As it was dark, I suggested we walk about Before he returned to his post. Once in the park. I induced him to talk about The thing I wanted the most. He lingered on with me until morning, Yet when I tried to pay him his fee, He said. “Why, don’t be funny, It is I who owe you money,” But he never said he loved me.” Make It Another Old F ashioned, Please Make it another old­fashioned, please. Make it another. double, old­fashioned, please. Make it let one who’s due tojdn the disillusion crew Make it for one of love’s new refugees. Once high in my castle, I reigned supreme, and oh what a castle, built on a heavenly dream. Then quick as a lightning flash, that castle began to crash So, make it another old­fashioned, please Leave out the cherry, Leave out the orange, Leave out the bitters Just make it straight rye. ABOUT THE PERFORMERS Hailing from Long Island, Mezzo­soprano Emily  G eller is urrrently a Resident Artist with Tri­Cities Opera. Most recently she performed Mercedes in Carmen, Lola in Cavelleria rusllcene and Ines In Il trovatore. Before TCO, she was a Tyler Young Artist with Opera on the James where she covered Giannetta In Lelisir d’emore and performed The Wife In The Music Shop. She has been noted as “outstanding”, “delightfully over the top,” and “most enjoyable to watch and listen to.” Ms. Geller has performed lead roles with numerous regional companies, Including C­R Productions at Cohoes Music Hall, One World Symphony, Amore Opera. Regina Opera. NY Lyric Opera Theater. Staten Island Philharmonic. Village Light Opera Group and The Harvard­Radcliffe Gilbert and Sullivan Players. During the summer, she has performed with such festivals as Music Theater Bavaria, Intermezzo Opera Theater. Rising Star Opera Theater. College Light Opera Company and Boston University Tanglewood Institute. Favorite roles performed include Third Lady in Die Zauberfiéute, La Voix in Les contes dHoffmann, Mrs. Anderson In A Little Night Music, Mere Marie in Dialogues des Carmelites, Miss Todd in The Old Maid and the Thief, La maestra delle novizie in Sour Angelica and Mrs. Herring in Albert Herring. Having an affinity for Gilbert and Sullivan operettas, Ms. Geller has extensively performed Katisha in The Mikado throughout the Northeast. Other G&S roles include Pitti­sing in The Mikado, Cousin Hebe in HMS Hrrafore. Kate In Pirates dPenzrrnce. Duchess of Plaza­torn in The Gondoliers and lolanthe and Queen of the F airies In lolanthe. Outside of opera, Ms. Geller’s solo experience include Mendelssohn’s Elijah. Vivaldi’s Gloria, Dumfle’s Requiem, Debussy’s Trois Chansons, Britten’s Rejoice in the Lamb, Bach’s Christmas Oratorio and Handel’s Messiah. Ms. Geller is currently a Master of Music student in Opera at Binghamlon University with a full assistantship under the tutelage of Prof. Mary Burgess. She received her Bachelors of Music in Vocal Performance from New England Conservatory earning the Ruth S. Morse Scholarship, the NYSTEA Award of Excellence for Exceptional Work in Theater and the Emmett Quinton Scholarship for Theater. While at Binghanton University, she performed Hansel in Hansel and Gretel in The Anderson Center Chamber Hall. Upcoming performances include “Country Nights to New York Lights“ a concert of American Opera and Musical Theater with Opera North in Wilder, VT March 8 ” and 9th. With Tri­Cities Opera. she will be performing in a brand new production of  Die Fledermaus as Prince Orlofsky, May 2™ and 4 “ a  t The Forum Theater. This summer. Ms. Geller will return to Opera North as  a Young Artist. performing Mrs. Emma Jones in Weill’s Street Scene and covering F lora Bervoix in Verdi’s La Traviata. �Pej Rcitz. pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano perlormance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamlori University She has studied piano with Jean Casadesus, Victor Rosenbaurn. Seymour Fink and Walter Ponce and accompanying with Allen Rogers She has accompanied throughout the United States, in England, South America. Spain and at the American Institute of Musical Studies in Graz. Austria. She was a winner of the Artistic Ambassadors Program by the United S tates Information Agency in partnership with the John F .  K ennedy Center for the performing arts. She was an official accom panist for the MTNA Sta te and Eastern Division Competition held at Ithaca College. She has been  a guest chamber music artist in  Morges, Simtzerland. She also was selected to attend the Accompanying  Workshop for Singers and Pianists held at Northwestern University with Chicago  Lyric Opera F aculty and Coaches. She was invited to the International Clarinet Conference to play a recital in Tokyo, Japan. She was an official pianist at the  International Double Reed Competition and Convention in at Ithaca College and  was invited to play at the Convention in Birmingham. England with the Glickman  Ensemble She recorded several CD’s with the Glickman Ensemble in   Englewood, NJ. She will  perform with the Glickman Ensemble on the Cornell  Summer Series in July. She was selected to accompanying at the Interpretation of  Spanish Music in conjunction with University of Madrid in Grenada, Spain  coached by Teresa Berganza and at Mannes School of Music . She was a Guest  Artist playing two concerts in Granada, Spain and accompanied the Barcelona  Song F estival . She soloed with  the Catskill Symphony at the Otesaga in  Cooperstown, NY under the direction of Charles Schneider. She has  accompanied at The International Spanish Music F estival in Madrid, Spain. She is  the pianist for Theater Street Productions and will perform on the Newport Music F estival and International G & S F estival in England this summer  i  She is currently on the faculty at Binghamton University since 1991 and Ithaca  College School of Music since 1999. She is the treasurer of the local District VII Music Teachers Associa tion and is an active adjudicator for the National Piano Guild Organization.  Hakan Tayga­Hromek, cellist. trained in Music Performance at Ithaca College, SUNY­  Purchase and Binghamton University  An active orchestral cellis t, Hakan currently serves   as Principal Cellist of the Binghamton Philharmonic and the Tri­Cities Opera Orchestra.  Other orchestral and chamber experience has included Kenai Peninsula Music F estival in  Alaska. S yracuse S ymphony (S ymphoria), Northern Tier S ymphony An avid chamber  musician collaborations have included working with BU F aculty. artists in the Central NY  Region. novodtet. DeVere Quartet. and Convivium Plano Trio. Of special interest, the  Novodtet has recorded W illiam H. Wegel Dance Suite (String Quartet #2) in2012. Teachers and Artists that have had great influence have included Peter Wiley. Daniel Phillips, Manon Feldman, Stephen Stalker, Einar Jeff  Holm, and Fritz Wallenoerg ­ “W“"em’e’  t l W =  +  4 t  h  J wk  y   h e !  N < NM FARA ' y '  £ = = T h i n k  “ D a n   fi C lho  w i t h t h e  S t a r  %o  n s  t eroi ds! Tri ­ C i t ios ­ D per a  S t a r s  w i l l b  e p  a i r e d  w i t h l o c a l  C el e bri t i es _ ­  cd "  a   u s i c a l  T h o a ‘ " ! i ” d  u e t s  f r o m  O p ‘ r a ’  B r o a d w a y  a n d M S a t u r  d a y ’ m  M a   r c h .  8    . 8 : 0 0 p m T r i ­ C i t i e s  O p e r a C  e n t e r 3 1 5  C l i n t o n  S tr ee t  » B i n g h a m t o n ,  N Y For details  a bout  V IP tic k e ting  options, .  which  include a cock tail hour before  the  show, r .  ­  r eser v ed  s e a t i n g  a n d  s pec i a l  on S tag e  sea t in g , f ,   p i .   ca ll  607»772­0400 o r  v isi t  us on l in e  a t  tric i t iesoper a x om . ’ p  _ y  ,  :',  CLAD   fo . , '   2 ) , 1ri « [ : l  Emily would like to thank everyonefor coming out tonight. Moist especially,  herdevatedparents, fr1endsandfamilyfrom/aruway, suppomvecolleogues  andprofessars andloving boyfriend, Travis, for agreeing to be part of  this  fey ­  940­3014  N 4_§~§­._§;r Laat  RELI  l ­  S u l a   ,  4 S  n  r” ‘ O A “ fi gs , '  ,  i  fi fi r h r . fi “ ' ‘  f . , .  v»,  . . u... v 1 55575 fi t   n fi ? : ­1 3 9   “1 1.5: .'  h m 1.11 .,    a m a  c fi ‘ fi p r ‘ o g r     ­ )  sh Urfatd  ru n s 121.132}:­  bl: ‘  :  a t   ­ r  fl fi l   {ll  M  ,  fl  i  r ­ ' F } .  il‘ii’Tr r m us,  .: c 3  4 $55,541 ,' llél‘j 1 )  I’t’{  Johann  I~»'ii':‘ii§’i7:‘: ' ' " rllil ’ v is i ‘ t illlu tli t ­ " i i ? “   ' “k �Bingbam ton University Music Department’s Coming Events M M M M M W M Thursday, March 6—Ml’aLDay Concert (Peny)—I:20 p.m.—Casadesus Recital Hall—free Saturday. March 8­Harpur Chorale and Women '.r Chorus—3:00 p.m.— Andewrson Center Chamber Hall–$7 general public; $5 faculty/staft/seniors; free for students Saturday. March 8—Td­Clrle’ Opera preremr  “Singing with the Stars” fundraiser– 8:00 p.m.—Opera Center, 315 Clinton Sn—ca/I (607) 772­0400 for ticket; Sunday, March Sit–Muster? Recital: Thom Baker, tenor (tentaflve)—3:00 p.m.— Casadesus Recital Hall—flee Thrusday, March I3–MJ‘d­Day Concert (Goodheart)–1:20 p.m.—Ander_ron Center Chamber Hall–free Saturday. March 15­Master’s  Recital: Michael Celentano. baritone (tentative)— 3:00 p. m . —Ca:ade.rur Recital Hall—flee Saturday. March I5—Mnd Symphony Concert: Music by Numbers—8:00 p.m.— Anderson Center Chamber Hall­­$ 7 general public; $5 faculty/rtafflreniom free for students Wednesday, March 19­Opera Scenes–8:00 p.m.—Anderron Center Chamber Hal « 5 IO general public: $7 faculty/staff/seniors; $5 for n‘udentr Thursday, March 20—Mld­Day Concert (Schlewe)—l:20 p. m. —Caraderu.r Recital Hall­free Thursday, March 20 – Harpur Chorale and Women s’  Chorus ­ 8:00 p. m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for students M E  =  M M M M M M For  tickets  or  to  be  added  to  our  email  list,  visit anderson.binghamton.edu or call (607) 777­ARTS. For a complete list of  our  concerts call (607) 777­2592.  visit  mu:ic.binghamton.edu or become a fan on Faaebook. If  you  were  inspired  by  this  performance,  consider  supporting  the Department  of Music  with  a  financial  gift.  Your  rapport  help:  to continue  the  work  of  students,  faculty.  and guest  artists and  their contributions to our community. Please make your donation payable to the Binghamton University Music Department. and rend your check to   3902. BU Muric Department. P.O. Box 6000, Binghamton, N Y 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50m 37s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75055">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75055</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, Emily Geller, March 1, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Handel,  Brahms,  Ravel, Weill, Simons. Porter. Held at 3:00 p.m., March 1, 2014, Casadesus Recital Hall.  Creator An entity primarily responsible for making the resource Geller, Emily Publisher An entity responsible for making the resource available Binghamton University Libraries In copyright Binghamton University Contributor An entity responsible for making contributions to the resource Handel, George Frideric, 1685-1759 Brahms, Johannes, 1833-1897  Ravel, Maurice  Weill, Kurt, 1900-1950 Simons, Moisés Date A point or period of time associated with an event in the lifecycle of the resource 3/1/14 Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/bb43160c66da7eb060b596eca2e470b9.pdf 673c2a2c63ec79bbb19350a7b533f852 PDF Text Text L Stat e University of New York Dep artm ent of Music St ud en t Re cit al Alicia Fus ani , violin Sar ah Steiding, violin Ry an Bagg, gui tar Ma rga ret Reitz, pia no Frid ay, Marc h 26, 2004 8:00 p.m. Casa desu s Reci tal Hall �Program Partita No. 2 in d minor. ................................................... ..J.S. Bach Allemande (1685-1750) Sarah Steiding, violin Cantabile for Violin and Guitar ...................... ....... Niccolo Paganini (1782-1840) Historie du Tango, Bordel 1900 ....... ......................... Astor Piazzolla (1921-1992) Ryan Bagg, guitar Sarah Steiding, violin Concerto No. 3 in b minor, Opus 61 ................. Camille Saint-Saens Movement Ill (1835-1921) Alicia Fusani, violin Margaret Reitz, piano --Intermission-Sonata No. 3 ................................................................ Eugene Y saÿe Ballade (1858-1931) Alicia Fusani, violin "Nigun" (Improvisation) from Baal Shem ............ ........ Emest Bloch (1880-1959) Sarah Steiding, violin Margaret Reitz, piano 44 Duos for 2 Violin .. .. ................. .. ............................... Béla Bart6k 41. Scherzo (1881-1945) 43. Pizziccato 42. Arabian Song Alicia Fusani, violin Sarah Steiding, violin �About the Performers ALICIA FUSANI, a Buffalo, N.Y native, is enrolled in a dual degree program with a BA in Music and a BS in Human Development. After touring with the Buffalo Suzuki Tour Ensemble, she became a Nielson Scholarship Recipient under the direction of the late Janet Brady. She is a student of Patricia Sunwoo. She is a member of the Binghamton University Symphony Orchestra, Sinfonia, various chamber groups, and other selective activities. She also participates in two dance organizations (Kickline and International Flag Dancers), as well as being Educational Chair for her Pre-Health Fraternity Delta Epsilon Mu. Fusani plans to pursue a dual master's program in Music Performance and Music Therapy. SARAH STEIDING, from Long Island, N.Y., is a senior who plans to graduate in May 2004 with a BA in Music. Steiding studied violin with Laura Broverman for twelve years at the North Shore Suzuki School. She is a student of Patricia Sunwoo. She was concert mistress of Binghamton's newly-formed Sinfonia Orchestra, as well as a member of the Binghamton University Symphony Orchestra, various chamber ensembles, and the Peter Mozart Band. Steiding plans to attend graduate school next fall for a Master's degree in Music Education. RYAN BAGG, from Vestal, N.Y., started playing the guitar at age 13. Bagg sings in the Binghamton Crosbys and University Chorus. This semester, Bagg was a percussionist with the University Wind Ensemble. He plans to graduate with a BA in Music in Fall 2004. He 1s a singer/songwriter and a founding member of the Peter Mozart Band. MARGARET REITZ, an active recitalist and accompanist, has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. **The performers would like to extend a thank you to Roberta Crawford, Timothy Perry, Margaret Reitz, Pattie Sunwoo, Jane Zuckerman, Ryan Bagg, friends and family. �Coming Events Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Thursday, April 15 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem - Bruce Borton, conductor, also Brahms' Tragic Overture, Timothy Perry, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 fac•ulty/staff/seniors; free for students Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person, saxophone - 1:20 p.m. - Osterhout Concert Theater - free Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 25 - University Wind Ensemble: New Dances - Timothy Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:39:04 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253450&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253450&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recital, March 26, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-26 Description An account of the resource Works of Bach, Paganini, Piazzolla, Saint-Saëns, Ysaÿe, Bloch, Bartók. Creator An entity primarily responsible for making the resource Fusani, Alicia Steiding, Sarah Bagg, Ryan Reitz, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3/26/2004 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 61 minutes :36 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142450">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142450</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 10, 2012 Description An account of the resource Works by Reicha, Handel, Leclair, Stout, Clarke, Verdi Held at 1:20 p.m., May 10, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Arenstein, Zachary McAuliffe, Matthew Birnbaum, Zackary Cakalli, Meghan Lee, ü, Hsia, Tienen Lawson, William James Foley-Reynolds, Chilton Jasinskas, Kathleen Goldenberg, Adam Jacobsen, Cabiria Rossnagel, Mark Kampler, Zachary Pochliy, Benjamin l Reitz, Margaret Kompar, Christina Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 5/10/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/dbb82ec123b0547b91d55d06e53bc524.pdf d0f099147de851c1c65caeded92e3943 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  l  T  Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K   E N T D E P A R T M STUDENT RECOGNITION M I D ­ D AY  CONCERT 0  /  P= p {"§’#t<\  a t ) i NE 1  >  , / Led  v  /   V /   &  S 4 , / v a .  4 Thursday, May 12, 2011 1:20 p.m. Casadesus Recital Hall �Madama Butterfly — Flower Duet The Binghamton University Department of Music presents its 201 1–12 S tudent Recognition Mid­Day Outstanding achievement in Music Scholarship, Leadershi p and Performance Program Prof. Timothy Perry, Chair Welcome  H ee   e a s t  e ...............BurrellPhillips Daniel Bessel, Bassoon nominated by Prof  Martha Weber Kdyz mne stard (Songs My Mother Taught Me) Op. 55, No. 4 ...... Antonin Dvorak Briana Sakamoto, Soprano nominated by Prof. Mary Burgess Alexa Weinberg, A rts Ad ministration nominated by Prof. Paul Schleuse Jieun Jang, Piano nominated by Prof  Michael Salmirs . Robert Schumann Marienwiirmchen (Ladybug), Op. 79, No. 13 . Samantha Banton, Soprano nominated by Prof. Mary Burgess H eath e r W ord en, I nstr u mental Cond ucting nominated by Prof  Timothy Perry Laura MacAvoy, Soprano weveeeneen.  Richard  Strauss nominated by Prof. Mary Burgess String Quartet No. 8 in c minor, Op. 1 10 (Movement 2)........ Dmitri Shostakovich Alla Corda Quartet James Hsia & Gabrielle Maire, Violins Benjamin Pochily, Viola Xander Edwards, Cello nominated by Prof  Roberta Crawford Flower Duet (from Madama Butterfly) .. Cabiria Jacobsen, Mezzo­Soprano Victoria Cannizzo, Soprano nominated by Prof. Peter Sicilian .Giacomo Puccini Many thanks to our accompanists  .. Chai­Kyou Mallinson, Margaret Reitz and U. Lee Reception to follow .  Signora, quetatevi... quel pianto..   Bu tterfly: No: rido, rido! Quanto lo dovremo aspettar? Che pensi? Un ’ora? Suzuki: Di piu. Butterfly: Due ore forse. Tu tto... tu tto sia pien di fior, Pictures at an Exhibition : X. The Great Gate of  Kiev.............Modest Mussorgsky Schlagende Herzen (Throbbing Hearts), Op. 29, No. 2.. Butterfly: Scuoti quella fronda di ciliegio e m ’innonda di fior. Io vo ’ tuffar nella piggioa odorosa l’arsa fronte. Suzu ki : ..in the Green Room, across the hall Come la notte e di faville. Va pei fior! Suzu ki : Tutti i fior? Butterfly: Tutti fior... tutti, tutti, Pesco, viola, gelsomin, Quanto di cespo o d ’erba o d ’albero fiori. Suzuki: Uno squalor d ’inverno sara Tutto il giardin. Butterfly: Tutta la primavera voglio Che olezzi qui. Suzuki: A voi signora. Butterfly: Cogline ancora. Suzuki: Sovente a questa siepe veniste a Riguardar lungi, piangendo Nella deserta immensita. Butterfly: Giunse 1’atteso, nulla piu chiedo al mare. Diedi pianto alla zolla, essa i suoi fior mi da! Butterfly: Shake that branch of cherry tree and bathe me in flowers. I want to plunge my burning brow into the perfumed rain of cherry blossoms. Suzuki: Madame, calm yourself, those tears. Bu tterfly: No: I’m laughing, I’m laughing! How long will we have to wait for him? What do you think? An hour? Suzu ki : More. Butterfly: Two hours perhaps. Let everything be full of flowers, Just as the night is full of sparkling stars. Go for the flowers! Suzuki: All the flowers? Butterfly: All the flowers... all... Peach, violet, jasmin, Anything that has bloomed on bush, grass or tree. Suzuki: The garden will have a look of wintry squalor. Bu tterfly: All of the springtime I want that smells here. Suzuki: Here, madame. Butterfly: Pick some more. Suzu ki : Often to this hedge you came to look far away, weeping in the deserted immensity, Bu tterfly: The awaited man has arrived; I ask no more of the sea. I poured my tears onto the earth & it gives me back its flowers! �Suzu ki : Spoglio e I’orto. Butterfly: Spoglio ‘e I’orto? Vien, m ’aiuta. Suzuki: Rose al varco della soglia. Butterfly & Suzu ki : Tutta la primavera voglio Che olezzi qui. Seminiamo intorno April. Suzuki: Gigli, viole? Butterfly: Intorno, intorno spandi. Il suo sedil s’inghirlandi di convolvi. Butterfly & Suzuki: Gettiamo a mani pi ene, Mammole tuberose, Corolle di verbene, Petali d ’ogni fior! Suzuki: The garden is stripped. Butterfly: The garden is stripped? Come, help me. Suzuki: Roses at the opening of the threshold. Butterfly & Suzu ki : I want all o f springtime to pene trate this room with its scents. Let us sow the mo of April around us. Suzuki: Lilies, violets? Butterfly: Around, around spread them. His seat b garlanded with morning glories. Butterfly & Suzuki: Let’s throw with hands full, shrinking violets and tuberoses, corolla: verbenas, petals of every flower! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:35:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145502">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145502</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 12, 2011 Recital Tape 2011-5-12 Description An account of the resource Held at 1:20 p.m., May 12, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bessel, Daniel Sakamoto, Briana Jang, Jieun Banton, Samantha Worden, Heather MacAvoy, Laura Hsia, James Maire, Gabrielle Pochily, Benjamin Edwards, Xander Jacobsen, Cabiria Canninzzo, Victoria Mallinson, Chai-Kyou Reitz, Margaret A Lee, Ü Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9c89c83a01d0b6d567f6299d225df0bd.pdf 5095b843e70e6ef84888b4f3c6f207d0 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A T E   U N I V E R S I T Y  O F  N E W  Y O R K zedec Swpfiwfifidaammv D E P A R T M E N T MID­DAY C O N C E R T Thursday, MW 6, 20/0 1:20p.m. Casadesus 2661631 17311 �PROGRAM Sonata In G­mlnor  Largo  PROGRAM . Henry Eccles (1670­1742) Corrente Stephen Brooks, double bass Margaret Reitz, piano Introduced by Stephen Stalker Aprile  Paolo Tosti Dan Ibeling, tenor Introduced by Duane Skrabaiak Fantasy on Japanese Woodprints  (1846­1916) .Alan Hovhaness It is A pril! It’s the season of love! Come! o my love, into the blooming fields! (1911­2000) Nocturne Sweetly fragrant linden­blossoms Introduced by  Dan Fabricius Nocturne.  In  the flowing June­night. Joseph Marx (1882­1964) Amanda Chmela, soprano Margaret Reitz, piano Introduced by  Mary Burgess .Charles Ives (18741954) Briana Sakamoto, soprano William James Lawson, piano Introduced by Mary Burgess Cello Concerto Op. 85 .  Edward Elgar Moderato  (1857­1934) Margaret Reitz, piano Introduced by  Stephen Stalker A s  if rang in my ears softly the song of happiness, echoing softly. Jleun Jang, piano Introduced by  Michael Salmirs Two Little Flowers (and dedicated to them).  A feeling of delight in my heart Is awakened in my consciousness. the long lost song of youth. .Sergei Sergeyevich Prokofiev (1891­1953) Jen Chen, cello Your paths are  strewn with violets, you will dress with roses and bluebelis, and pure white butterflies will dance lightly around your hair. Marc Silvagni, manmba Margaret Reitz, piano Etude, Op. 52  Aprile Do you not smell on  the air the wafting perfume of Spring? Do you not hear in your soul the tunes of a new coaxing voice? It is April – the season of love: Come! Come, my love, to blooming fields... Sweetly fragrant linden­blossoms In  the flowing June–night. A feeling of delight in  my heart Turns to pain within me. �The Binghamton University Department of Music is proud to present its 2010­2011 season concerts. The Department of Music presents over 100 concerts (most of which are free) from solo recitals to orchestra concerts to jazz presentations which include a variety of performances by guest, faculty and student artists. For a complete list of our concerts and more, visit us at music.binghamton.edu Summer Youth Musical Theater Workshop presents Titanic August 14 & 15 , Jonathan Biggers, organ September 26, November 19, February 17, April 3 Reunion Recital with Marietta Simpson, mezzo­soprano October 9 University Symphony Orchestra’s Children’s Concert: All Creatures October 15 and 16 Viola Plus: Roberta Crawford presents Chamber Works of the 20th and 21st Centuries October 17 Guest Organists: Michael Bauer & Man’e Rubis October 24 University Chorus November 14 Czech Vocal Music: Mary Burgess, soprano, Timothy LeFebvre, baritone, and guest artist Timothy Cheek, piano November 21 University Symphony Orchestra: All­American Program December 4 Harpur Jazz Ensemble with guest artist December 9 Faculty Recital: Timothy LeFebvre, baritone and Michael Salmirs, piano February 20 University Symphony Orchestra February 26 Pianist Michael Salmirs presents a Chopin & Schumann 200th Birthday Celebration April 9 Harpur Jazz Ensemble with guest artist April 14 University Chorus with the University Symphony Orchestra present Choral Masterworks: Roman Maciejewski and Requiem: Poulenc Gloria May 8 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145258">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145258</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 6, 2010 Recital Tape 2010-5-6 Description An account of the resource Works by Eccles, Tosti, Hovhaness, Marx, Prokofiev, Elgar. Held at 1:20 p.m., May 6, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Brooks, Stephen Reitz, Margaret A Jang, Jieun Lawson, William James Ibeling, Dan Silvagni, Marc Chmela, Amanda Sakamoto, Briana Chen, Jen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2b860930e67c2ef4635b925c72a9ed7e.pdf eb9178d1a951466ccb262bd72f0398f5 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  U N I V E R S I T Y   O F   N E W  YORK J  Cves ie D E P A R T M E N T STUDENT RECOGN I TION MID­DAY CONCE RT o n   u;  I s  a 0  Thursday, May 7, 20 1 5 1 :20 p.m. Casadesus Recital Hall : �&  PROGRAM  «5 Muset ta’s ar ia, “Quando m ’en vo ,”.  from L a  Bahéme  Giacomo Puccini ( 1 858­19 24) O deI  mio amato ben... George Frideric Handel (16854759) Ricky Nan, tenor Willia m law son. p iano Aprite un po ’ quegl i occh i.  from Le Nozze di Figaro  . Siegm und S andow for Violin and Piano  Alexio Chang, viol in Annie Tao, p iano ( 1 850­1919) La zingara Jenny Gac, soprano Michael Lew is, piano Sea ra mouche.  .Darius Milhaud 11 Modéré  (18924974) Il est doux, il est  hon.  John lsenherg, piano ilic ix Mendelssohn Christ ina Santa Maria, soprano Michael Lew is, piano Felicity Rober t Dura nte (b. 1994) Robert Durante, singer/songwr iter . Jibron Harr is (b.1 991) Jibron Harris, computers (1842­1912) Ca i t lin Go t im e r,  spra no (1809­1847) Daft  . Giuseppe Verdi ( 1 813­1 901) Jules M assenet from Hérodiade  Danie lle Stoner, al to saxophone Nightt ime .  Wolfgang Amadeus Moza rt ( 1756­ 1791) Jake Stamatis, bass­baritone John I senberg, piano Cavat ine, O pus 3 , no. 1  Die Liebende schreiht. (1879­1925) Kevin Truax, tenor John I senberg, piano Meroé Adeeb. oprano Michael Lew is, piano Every Valley  Shall Be Exalted  Stefano Donaudy $ $ $ $ $ $ $ $ $ $ $ $ Please join us for a reception in the Green Room, imm ediat ely following t he pe rform a nce �Bingha m ton U niversity  Depa rt men t of Music Com ing Even ts afiénéibuéionéia neéia méibnfiémééméia mfiéwfiibnéibfl Thursday,  May  7  ­  Harpur  Chorale  and  Women’s Chorus Spring  Concert  ­ 7 : 30  p.m.  ­  Anderson  Center  Chamber  Hall  ­  $7  general  pulilic;  $5 lacu lty/s t a t i/se n io rs/a lu nm i; free for st ud en ts Friday, May 8 ­  N uk porfe Africa n d ru m m ing and Dance Ensemble ­  7:30 p.m. ­  \X aters Theater ­ $5 general adm ission at the door Sat u rday,  May 9  ­  Senior  Recital : Cole  Torn berg,  te nor ­  3  p. m. ­  Casadesus Rec ital Hall ­  tree Saturday,  May  9  ­  Senior  Recital:  Caitlin  Got me r,  soprano  ­  7:30  p.m.  ­ Casadesus Recital  Hall ­ free fiibfl'éfbfl’éwfbwfifbfinfiwfififiwfififlflfiwfirflfifbfi For  tickets  or  to  he  added  to  our  email  list,  wisit ­ = [ = ]   .  m ]   anderson.binghamton.edu  or  call  (60 7)  l 7 7 ­ A R T S ,   Fm  a  complete list  of our  concerts  call ( 60 7) 777­2592 . visit  mus i c.bi nghamton.edu 7 7 7 ­ A R T S .   c ( n  i k ’ L ’ U l n L ’  (1  f u n  ( ” 1   F a c e b o o k . l !  you  were  mutated  by  this  performa n ce,  c o ns ider  suppor t i ng  t he Depart ment  of  M us i c  ur t h  a  fina n c i al  gift.  Yam  support  helps  to [ = ] ;   cont i nue  the  u m k   of  s t udents,  faculty.  and  gues t  artists  and  t hen contributions  to  our  community.  Please  make your  donation  payable to  the  Binghamton  Unnumt} Music  Department‘  and  send  your  check  to  B U  MUSIC Department, P.O. Box  6000. Binghamton, N Y 1 3902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:03:23 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74988">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74988</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student recognition mid-day concert, May 7, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Puccini, Handel, Sandow, Milhaud, Mendelssohn-Bartholdy, Harris, Donaudy, Mozart, Verdi, Massenet, Durante. Held at 1:20 p.m., May 7, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Adeeb, Meroë Lewis, Michael Nan, Ricky Lawson, William Chang, Alexio Annie Tao Stoner, Danielle Santa Maria, Christina Harris, Jibron Truax, Kevin Isenberg, John Stamatis, Jake Gac, Jenny Gotimer, Caitlin Durante, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Puccini, Giacomo, 1858-1924 Handel, George Frideric, 1685-1759 Sandow, Siegmund Milhaud, Darius, 1892-1974 Mendelssohn-Bartholdy, Felix Harris, Jibron Donaudy, Stefano, 1879-1925 Mozart, Wolfgang Amadeus, 1756-1791 Verdi, Giuseppe 1813-1901 Massenet, Jules, 1842-1912 Durante, Robert Date A point or period of time associated with an event in the lifecycle of the resource 5/7/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound