153
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/146b837420485439ab02b4aaf9b51b9a.pdf
08f55173b90257741b12d54f262f89b7
PDF Text
Text
BINGHAMTON
U N 1 V E R s 1 T Y
STATE UNIVERSITY OF NEW Y O R K
w d e c
D E P A R T M E N T
STUDENT RECOGN ITION
MIDDAY CONCERT
Thursday, May 8, 201 4
1:20 p.m.
Casadesus Recital Hall
�2 P R O G R AM s
.Frédéric Cho pin
Noctu rne in C mino r
(18101849)
Yuansi Du, violin
Margaret Reitz, piano
Nominated by Janey Choi
J.S. Bach
(16851750)
Preludio
Joseph Vande rpool, violin
Nominated by Janey Choi
Gaetano Don izetti
Kerianna Kreb ushevski, soprano
William James Lawson, piano
Nominated by Mary Burgess
(17971848)
Sergei Rachm aninoff
Thom Baker, tenor
Margaret Reitz, piano
(1 8731 943)
Nominated by Mary Burgess
. Wolfgang Am adeus Mozart
(17561791)
Emily Geller, mezzosoprano
Timothy Perry, clarinet
Margaret Reitz, piano
Nominated by Mary Burgess
Nocturne in Dflat, L . 8 2 .
Seonghyang Kim, piano
Jessica Biagio tt i, flu te
Two Preludes for Flute Alone .
Andante motto
Allegro molto
Jacqueline Robins, flute
Robert Muczynski
(19292010)
Flute Trio with Piano, no. 1, Opus 14 .
Richard Hugu nine
Nominated by Georgetta Maiolo
La Gondola.
Parto, parto
from “La Clem enza Di Tito”
(19131979)
Allegretto grazioso
ChaiKyou Mallinson, piano
Nominated by Georgetta Maiolo
Violin Partita no. 3 in E major.
They Replied, Op. 21 , no. 4.
. Eldin Burton
Sonatina for F lute and Piano ..
Nominated by Michael Salmirs
.Claude Debussy
(18621918)
(b. 1953)
Ricky Lombardo
Circus March.
Binghamton University Flu te Trio
Jessica Biagiotti, flute
Cara Natale, flute and alto flute
Jacqueline Robins, flute
(b. 1946)
Nominated by Geotgetm Maiolo
Una furtiva lagrima .
from “L’Elisit d ’amore”
.Gaetano Don izetti
(17971848)
Michael Celentano, tenor
John Isenberg, piano
Nominated by Thomas Goodheart
Ab, per sempre io ti perdei .
from “I Purita ni”
Matthew Sam luk, baritone
John lsenberg, piano
Nominated by Thomas Goodheart
.Vincenzo Bellini
(18011835)
�Binghamton U niversity Depa rtment of Mus ic
é
w
w
w
Coming Events
w
w
w
w
m
w
w
b
Friday, May 9 – String Orchestra Concert – 4:00 p.m. Grand
Corridor free
Friday, May 9 – Brass Ensemble Con cert – 5:00 p.m. Casadesus
Recital Hall free
Sunday, May 11 – Gramm y Award Winning vocal guest artist
Jacqueline Ho merKw ia t ek – 3 :00 p.m. – Casadesus Recital Hall $5
general public; free for students
Wednesday, May 1 4 – German Diction Class Recital – 8:00 p.m.
Casadesus Recital Hall free
W
M
M
M
M
M
M
M
M
M
!
»
For tickets or to be added to our email list, visit andersonbinghamtonedu or
call (607) 777ARTS . For a complete list of our concerts call (60 7) 7 7 7
2 592, visit music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to continue
a
f [ = ] the work of students, faculty, and guest artists and their
contributions to our community. Please make your
donation payable to the Binghamton University Music
[=]
Department, and send your check to BU Music
5
Department, P.O. Box 6000, Binghamton, NY 13902
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
101:12:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75006">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75006</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student recognition mid-day concert, May 8, 2014
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Chopin, Bach, Donizetti, Rachmaninoff, Mozart, Debussy, Burton, Muczynski, Hugunine, Lombardo, Donizetti, Bellini. Held at 1:20 p.m., May 8, 2014, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Vanderpool, Joseph
Krebushevski, Kerianna
Lawson, William James
Baker, Thom
Geller, Emily
Perry, Timothy
Kim, Seonghyang
Biagiotti, Jessica
Mallinson, Chai-Kyou
Robins, Jacqueline
Binghamton University Flute Trio
Natale, Cara
Celentano, Michael
Isenberg, John
Samluk, Matthew.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Chopin, Frédéric, 1810-1849
Bach, Johann Sebastian, 1685-1750
Donizetti, Gaetano, 1797-1848
Rachmaninoff, Sergei, 1873-1943
Mozart, Wolfgang Amadeus, 1756-1791
Debussy, Claude, 1862-1918
Burton, Eldin
Muczynski, Robert, 1929-2010
Hugunine, Richard
Lombardo, Ricky
Donizetti, Gaetano, 1797-1848
Bellini, Vincenzo, 1801-1835
Date
A point or period of time associated with an event in the lifecycle of the resource
5/8/14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/0be332dd83d1d2d300f923f4fa22fca8.pdf
89b9f89ba1e5e60bfa15e6bc6b5bc72b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
’
vowdee
D E P A R T M E N T
= o’re
5 “ITEA’A’AM !5f’ ' *
v
A
3
.
STUDENT RECOGNITION
MIDDAY CONCERT
Thursday, May 9, 2013
1:20 p.m.
Casadesus Recital Hall
�PROGRAM
Net, tol‘ko tot, kto znal..
. P. Tchaikovsky
(None but the lonely heart)
Fantasy, Op. 79 for Flute and Piano ..
Jessica Biagiotti, Flute
ChaiKyou Mallinson. Piano
Nominated by Georgetta Maiolo
..Gabriel Fauré
(1845–1924)
(1840 – 1893)
Robert Heepyoung Oh, baritone
John lsenberg. piano
Nominated by Thomas Goodheart
Ave Maria, transcription for piano ...
S. 558, No.12
Recondita Armonia .
Giacomo Puccini
from Tosca
(1858 – 1924)
Mario Eun Hwan Bae. tenor
John lsenberg. piano
Nominated by Thomas Goodheart
Chanson d’avril..
..Georges Bizet
Molly AdamsToomey. mezzosoprano
William James Lawson, piano
Nominated by Mary Burgess
Les collines d‘Anacapri ..
(from Preludes Bk. 1)
David Gaita, piano
(18381875)
.. Claude Debussy
(1862–1918)
Nominated by Michael Salmirs
. Franz Liszt
(1811 – 1886)
Sukyung Kim, piano
Nominated by Jinah Lee
Sonatine pour Trombone et Piano
Andante sostenuto
..Jaques Castérede
(b. 1926)
William Marsiglia, trombone
Margaret Reitz, piano
Nominated by Don Robertson
To One in Paradise.
Charles Hyland, baritone
John lsenberg. piano
Nominated by Thomas Goodheart
. Kyle Gullings
(b. 1983)
�Binghamton University Music
Department’s Coming E ven ts
M
M
M
M
M
M
é
'
W
Thursday, May 9 – Recital/Masterclass: Guest Artist
Victor Chavez Jr., clarinet 4:30 – 6 p.m. –
C asadesus Recital Hall – free
Thursday, May 9 – Harpur Chorale and Women’s
Chorus – 8:00 p.m. – Anderson Center Chamber
Hall – $6 general public; $3 faculty/staft/seniors; free
for students
Friday, May 10 – Junior Recital: Kerianna
Krebushevski, soprano – 8:00 p.m. – C asadesus
Recital Hall – free
6
1
?
“
w
a
For tickets or to be added to our email list, visit
anderson.binghamton.edu or call (607) 777ARTS. For a
complete list of our concerts call (607) 7772592, visit
music. binghamton. edu or become a fan on Facebook.
If you were inspired by this performance. consider
supporting the Department of Music with a financial gift.
Your support helps to continue the work of students. faculty,
and guest artists and their contributions to
[ = ] = [wm] our community. Please make your donation
payable to the Binghamton University Music
Department, and send your check to BU
Music Department, P.O. Box 6000,
Binghamton, NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
53:50:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85317">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE85317</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student recognition mid-day concert, May 9, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Faure, Puccini, Bizet, Debussy, Tchaikovsky, Liszt, Gullings. Held at 1:20 p.m., May 9, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Biagiotti, Jessica
Chai-Kyou, Mallinson
Eun Hwan Bae, Mario
Isenberg, John
Adams-Toomey, Molly
Lawson, William James
Gaita, David
Oh Robert, Heepyoung
Sukyung, Kim
Marsiglia, William
Reitz, Margaret
Hyland, Charles
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-5-9
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/7640686f6c5ee2d51c31936ed7db3cc5.pdf
892e79073c0f7f95739569b7f3d09e1d
PDF Text
Text
STATE UN I VE RSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT O F MU S I C
p resen ts
STUDENTS o f
THE NEW YORK WOODWIND QUINTET
i n a program of
WIND ENSEMBLE MUSIC
Wednesday, J u ly 2 9 , 1970
8 : 30 p . m .
S o c i a l Room, S t uden t Cen te r
�‘ r /
P R O G R A M
Serenade f o r Winds i n EP ma jo r Op . 7
Horns
Susan Kap lan
Richard S chwar t z
Ma r t in G i g le r
Karen Moore
S teven Ri chman
Richard R i ghtn o u t
Ch r i s t ie Ro l las on
S t rauss
Cond uc te d by Ar t h ur We isbe rg
Qu in te t f or P i ano and W inds i n E‘j mino r Op . 16
G ra ve : A l l e g r o , ma non t rop p o
Andan te c a n t a b i l e
Rondo : A l l e g r o , ma non t rop p o
Flu tes
Oboes
Beethoven
S tephen Berke lhammer
V i r g in i a Brewer
James Mose ley
Clarinets
INT E RMISS ION
Jane t E l i a s ,
Deborah Hanks
Sara S impson
Ibrook Tower
ce l lo
Na than Haks
P iano
Ange la Lou ise Manso
Oud
Serenade i n D minor f or Winds Op . 44
Modera to q uas i Ma r c ia
Mennue t t o
Andante con mote
F in a l e ; A l le g ro mo l t o
Dvorak
Bassoons
Laureen Hayes
Lew is L i pn i c k
Karen Sargean t
Conduc ted by S teven Ri chman
Con t ra Fago t t o
Thomas Classe r
I gnaz Me cho in ia M i s hp i v i s
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:13:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63279
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63279">Students of the New York Woodwind Quintet in a Program of Wind Ensemble Music</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Students of the New York Woodwind Quintet in a Program of Wind Ensemble Music
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Strauss, Beethoven, Dvořák. Held at 8:30 pm, July 29, 1970, Social Room, Student Center
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-7-29
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Strauss, Richard, 1864-1949
Beethoven, Ludwig van, 1770-1827
Dvořák, Antonín, 1841-1904
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607252
39091019607302
-
https://omeka.binghamton.edu/omeka/files/original/2d2043bcf48c0a4567281d85963101d6.pdf
0caaaa6e804331718248ed1473b02fb5
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
presen ts
Puccini ’s
WolfFerrari ’s
S I S T E R A N G E L I C A and
T H E S
E C R E T O F S
UZANNE
by
Students o f t he Opera W o r kshop
Th u r sda y , Dec e m be r 10, 1970
F r ida y , Decem ber 1 1 , 1970
8 : 1 5 p. m .
M usi c Rec i ta l Ha l l
�PROGRAM
SISTER ANGELICA
PROG R A M
Gia como Puccini
( E ngl ish ve r s i o n—He r be r t W i the rs )
E r m ano Wolf Fe r ra r i
( E ngl ish ve r s ion—C la u d e Avel ing)
T H E S E C R E T O F S U Z A N N E
Cha racters
Siste r Angelica
Soprano
Th e P r i n c e s s
Mezzosoprano
(Siste r Angelica ’s Aun t)
Siste r Genevieve
Soprano
Kathleen Ty r r e l l
Susan Ba ll
The Monitor
Soprano
Susan Ste rn
The Mist ress of the
Novices
T h e F i r st T ou r ie r e
T h e Nov i ces
Soprano
No r ma Schlesinge r
M ezzo sopra no
C la i r e W i tl in
Sopra no
Mezzo soprano
Soprano
Soprano
Ma r ga r e t Ko t ylo
Nancy Ca llman
Diane K rasinsk i
Kvitka Cisyk
Drama tic Di rec tor and Cond uc tor
M usi ca l P r epa ra tion
Coa ch a nd Accom panist
Technical Assistance
Cha ra c te rs
Toby Jean Manke r
William Lewis
Robe r ta Sc hlosse r
Ba r ba ra Ga rges
Susan Ba ll
PROGRAM NOTES
P uc c in i ’s Si ster Angel ica i s t he sec ond o f t he t h r ee one a c t ope ras
th at com pr ise Il Trittico (the othe rs a re Il Tabarro a n d Gianni Schicchi).
T h e l ibr e ttist wa s G ioa c c h ino F o r za no. T h e pr e m ie r e wa s he ld a t
the Met ropolitan Opera o n Decem be r 14, 1918.
T he se tting is a con ven t in t he la t te r pa r t of the E igh teen t h Cen t u r y .
T h e c ha pel is in t he ba c kg round beyond the l ef t hand a r c a de ; beyond t he
r igh t hand a r cade is the cemete r y. In the m iddle of the stage towa rds
t he ba c k is a sh r in e ; o n t he r igh t , downsta ge , a vege ta bl e ga r den , g ra ss
and flowe rs.
Siste r Angel i ca ha s sough t r ef uge t o e x pia te a n ol d sin . W hen an a un t
v isi ts he r , Angel i ca inqui r es a bou t the fa te of t he c h i ld she had a ban
don ed befo r e ta k ing vows.
P uc c in i ’s bea u tiful sc o r e prov ides t he l istene r with on e lovel y m om en t
af te r ano t he r . T h e d ra m a ti c in tensi t y ra nges f r o m the ca r ef r ee da il y
rou tine o f a con ven t t o t he u l tim a te t ra ged y o f Siste r Angel i ca ’s sui c ide.
Count Gil
Ba r itone
Jam es Osborne
The Countess Suzanne
Soprano
G ra ce Ma r tin
Mute
Alf red Wilson
Sante, a se rvant
Dra m a tic Di rec to r
Musical P repa ra tion a nd Cond uc tor
Coa c h a nd Accom panist
Technical Assistance
Lisbeth J . Roman
Robe r ta Schlosse r
Ba r ba ra Ga rges
C la i re Witlin
PROGRAM NOTES
W ol f F e r ra r i ’s one a c t ope ra (o r in te r m ezzo), T he Secret of Suzanne,
ha d i ts pr e m ie r e a t t he M un i c h Ope ra o n Dec e m be r 4 , 1909. T h e
librettist was Enrico Golisc ian i.
T h e se tting i s a l i v ing r oo m i n P ied m on t a r ou nd t he t u r n o f the cen tu r y.
Coun t G i l is d ist u r bed , sin c e eve r y t i m e h e r e tu r ns h om e h e de tec ts the
odo r of c iga re tte sm oke. H is suspicions tha t his wife is en te r ta ining a
love r mount as she evades answe r ing his questions. The f resh and witty
sc o r e a ccen t ua tes t he h u m o r o f a d ra m a ti c si t ua tion t ha t wa s a l l too
possibl e a t t he tu r n o f t he cen t u r y .
A
A C K N O W L E D G E M E N T
T h e m e m b e r s n l t h e O p e r a W o r k s h o p wish to e x p r e s s t h e i r s i n c e r e a p p r e c i a t i o n t o the D e p a r t m e n t
o f T h e a t e r fo r t he i r va l ua bl e a ss is ta n c e i n t he va r ious tec h n i ca l a s pec ts o f t his pr od u c t ion . a n d
m o s t p a r t i c u l a r l y f o r the d r a m a t i c guidanc e o f M i s s L i s b e t h J. R o m a n
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39:48:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63354
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63354"> Students of the Opera Workshop perform Puccini' Sister Angelica</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Students of the Opera Workshop perform Puccini's Sister Angelica
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Puccini. Held at 8:15 pm, December 10, 1970, Music Recital Hall
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-12-10
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Puccini, Giacomo, 1858-1924
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020096032
3909102096081
-
https://omeka.binghamton.edu/omeka/files/original/7d173629268e9a3c4fb56b95cb35e36e.pdf
0caaaa6e804331718248ed1473b02fb5
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
presen ts
Puccini ’s
WolfFerrari ’s
S I S T E R A N G E L I C A and
T H E S
E C R E T O F S
UZANNE
by
Students o f t he Opera W o r kshop
Th u r sda y , Dec e m be r 10, 1970
F r ida y , Decem ber 1 1 , 1970
8 : 1 5 p. m .
M usi c Rec i ta l Ha l l
�PROGRAM
SISTER ANGELICA
PROG R A M
Gia como Puccini
( E ngl ish ve r s i o n—He r be r t W i the rs )
E r m ano Wolf Fe r ra r i
( E ngl ish ve r s ion—C la u d e Avel ing)
T H E S E C R E T O F S U Z A N N E
Cha racters
Siste r Angelica
Soprano
Th e P r i n c e s s
Mezzosoprano
(Siste r Angelica ’s Aun t)
Siste r Genevieve
Soprano
Kathleen Ty r r e l l
Susan Ba ll
The Monitor
Soprano
Susan Ste rn
The Mist ress of the
Novices
T h e F i r st T ou r ie r e
T h e Nov i ces
Soprano
No r ma Schlesinge r
M ezzo sopra no
C la i r e W i tl in
Sopra no
Mezzo soprano
Soprano
Soprano
Ma r ga r e t Ko t ylo
Nancy Ca llman
Diane K rasinsk i
Kvitka Cisyk
Drama tic Di rec tor and Cond uc tor
M usi ca l P r epa ra tion
Coa ch a nd Accom panist
Technical Assistance
Cha ra c te rs
Toby Jean Manke r
William Lewis
Robe r ta Sc hlosse r
Ba r ba ra Ga rges
Susan Ba ll
PROGRAM NOTES
P uc c in i ’s Si ster Angel ica i s t he sec ond o f t he t h r ee one a c t ope ras
th at com pr ise Il Trittico (the othe rs a re Il Tabarro a n d Gianni Schicchi).
T h e l ibr e ttist wa s G ioa c c h ino F o r za no. T h e pr e m ie r e wa s he ld a t
the Met ropolitan Opera o n Decem be r 14, 1918.
T he se tting is a con ven t in t he la t te r pa r t of the E igh teen t h Cen t u r y .
T h e c ha pel is in t he ba c kg round beyond the l ef t hand a r c a de ; beyond t he
r igh t hand a r cade is the cemete r y. In the m iddle of the stage towa rds
t he ba c k is a sh r in e ; o n t he r igh t , downsta ge , a vege ta bl e ga r den , g ra ss
and flowe rs.
Siste r Angel i ca ha s sough t r ef uge t o e x pia te a n ol d sin . W hen an a un t
v isi ts he r , Angel i ca inqui r es a bou t the fa te of t he c h i ld she had a ban
don ed befo r e ta k ing vows.
P uc c in i ’s bea u tiful sc o r e prov ides t he l istene r with on e lovel y m om en t
af te r ano t he r . T h e d ra m a ti c in tensi t y ra nges f r o m the ca r ef r ee da il y
rou tine o f a con ven t t o t he u l tim a te t ra ged y o f Siste r Angel i ca ’s sui c ide.
Count Gil
Ba r itone
Jam es Osborne
The Countess Suzanne
Soprano
G ra ce Ma r tin
Mute
Alf red Wilson
Sante, a se rvant
Dra m a tic Di rec to r
Musical P repa ra tion a nd Cond uc tor
Coa c h a nd Accom panist
Technical Assistance
Lisbeth J . Roman
Robe r ta Schlosse r
Ba r ba ra Ga rges
C la i re Witlin
PROGRAM NOTES
W ol f F e r ra r i ’s one a c t ope ra (o r in te r m ezzo), T he Secret of Suzanne,
ha d i ts pr e m ie r e a t t he M un i c h Ope ra o n Dec e m be r 4 , 1909. T h e
librettist was Enrico Golisc ian i.
T h e se tting i s a l i v ing r oo m i n P ied m on t a r ou nd t he t u r n o f the cen tu r y.
Coun t G i l is d ist u r bed , sin c e eve r y t i m e h e r e tu r ns h om e h e de tec ts the
odo r of c iga re tte sm oke. H is suspicions tha t his wife is en te r ta ining a
love r mount as she evades answe r ing his questions. The f resh and witty
sc o r e a ccen t ua tes t he h u m o r o f a d ra m a ti c si t ua tion t ha t wa s a l l too
possibl e a t t he tu r n o f t he cen t u r y .
A
A C K N O W L E D G E M E N T
T h e m e m b e r s n l t h e O p e r a W o r k s h o p wish to e x p r e s s t h e i r s i n c e r e a p p r e c i a t i o n t o the D e p a r t m e n t
o f T h e a t e r fo r t he i r va l ua bl e a ss is ta n c e i n t he va r ious tec h n i ca l a s pec ts o f t his pr od u c t ion . a n d
m o s t p a r t i c u l a r l y f o r the d r a m a t i c guidanc e o f M i s s L i s b e t h J. R o m a n
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
29:18:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63363
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63363">Students of the Opera Workshop perform Wolf-Ferrari' Secret of Suzanne Ermano </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Students of the Opera Workshop perform Wolf-Ferrari's Secret of Suzanne
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Wolf-Ferrari. Held at 8:15 pm, December 11, 1970, Music Recital Hall
Creator
An entity primarily responsible for making the resource
Students of the Opera Workshop
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-12-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Wolf Ferrari, Teodoro, 1878-1945
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020096131
39091020096180
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:19:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63591
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63591"> Students of William Lockwood Studio Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Students of William Lockwood Studio Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Balay, Bozza, Hubeau. Held at 8:15 pm, February 11, 1972, Recital Hall.
Creator
An entity primarily responsible for making the resource
Lockwood, William
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-2-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Balay, Guillaume, 1871-1942
Bozza, Eugène, 1905-1991
Hubeau, Jean, 1917-1992
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020096339
-
https://omeka.binghamton.edu/omeka/files/original/75ffb89472f8d22706d57ee735d40590.jpg
dc70ac46892b0c9f80f2596916e0dc58
https://omeka.binghamton.edu/omeka/files/original/e188e6b77f9cf0173bde4ba399672c40.jpg
bcbbbeb728f431dd69e89a6ec05121e4
https://omeka.binghamton.edu/omeka/files/original/76d65e9731c18e30cdbb575988211221.jpg
6e548c6029b87abf8a33feee8095c147
https://omeka.binghamton.edu/omeka/files/original/373c6c3ee15afb0eb8cb3449c9c7da1d.jpg
166ea999cb19c0af51c60ffafa592d1c
https://omeka.binghamton.edu/omeka/files/original/96bc1d92533fb0b3a0d625e3934efde1.jpg
707ce7f6e62765997f33f6580821286f
https://omeka.binghamton.edu/omeka/files/original/c32b8e2dfccc1753535e1ebb5efeed3e.jpg
3c00b3ac3273b86b4505a61f48e5c5ab
https://omeka.binghamton.edu/omeka/files/original/1264b207976c6b99c472dd41deed0c4e.jpg
5e4a15a5551f42286345b27250119407
https://omeka.binghamton.edu/omeka/files/original/f209320db2cc9c8d66dd8ae8fdbe6501.jpg
ac3541ba61d81472cb26a8d404c72ac1
https://omeka.binghamton.edu/omeka/files/original/745a4946b4fa8115cb2026ff2f5c6a4f.jpg
deefa198c5e1aa2fefec92589268c9ed
https://omeka.binghamton.edu/omeka/files/original/8114dddaf078f4ba8b8db96f2389e43a.jpg
7b7e1a5c5b1c4a954e6af6a998b1697f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Stamped "Deutsches Theater zu Berlin." Stage instructions, stage drawing, cast list all found opening pages. Markings in purple pen, black pen, red pencil, blue pencil, black pencil, orange pencil.
Contains extensive written markings throughout promptbook. Written markings consistent throughout - black pen used for play notes, colored pencils used mainly for staging directions, set designs, etc.
Various stage/scene drawings found throughout promptbook. Appears that Reinhardt may have created his own scene start and endpoints throughout promptbook, marked in red pencil with roman numerals.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
19cm x 13.5cm
Notes
Located in Binghamton University Special Collections
PT2635.E548 P75 v.117
Production(s)
July 1914, Marina dei Ronchi, Scotti, Italy
July 1915; August 9, 1915, Kloster Hiddensee.
-Supporting materials: Box 7 Folder 3: Photographs
Box 11 Folder 23: Photographs
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sturm [promptbook]
Subject
The topic of the resource
Shakespeare, William, 1564-1616
Promptbook
Stage directions
Creator
An entity primarily responsible for making the resource
Shakespeare, William, 1564-1616
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3210
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/f21256b3fd313b991dd0492c7d577d59.pdf
82cb833d08ae07499ff8d56e15422499
PDF Text
Text
Harpur • Season 66·67
Summer Series
�PROGRAM
Sunday , Ju ly 24, 1966
8:15 p . m . College Theate r
QUINTET, Op . 115, F OR C LARINET, TWO
VIOLINS, VIO LA, AND VIOLONCELLO
Allegro
Adagio
Andantino, Presto non assai ma con
sentimento
Con Moto
J . BRAHMS
Harold Wright, Clarinet
STRING QUARTET No . 2 (1958)
Mode rato, Allegro Moderato
Adagio
Allegr o Molto
(played without pause )
L . KIRCHNER
intermission
QUARTE T, Op . 131
Adagio, ma non troppo e molto e spre ssivo
L. V . BEETHOVE N
A RECEPTION honoring the Quartet will be
held in the Fa culty Lounge adjacent to the
theater fo llowing this evening's recital. The
audience is most cordially invited to attend.
�Notes
by William Klenz
he clarinet quartet of Brahms is one of
his most generally admired chamber
works. Like the other works for clarinet
it was inspired by the remarkable playing
of Mühfeld, to whom we owe thanks for
extending Brahms' chamber output beyond Op. ill.
The combination of instruments, although not without
problems for the performers, gives rise to a great
variety of tone color ranging from brilliant to sombre .
Also, the presence of the visiting wind instrument
with its long range and variety of articulation leads
to the creation of thematic types and textures which
go beyond the normal language of Brahms' string
quartet writing. The work dates from ca. 1892 and
exhibits at every turn the consummate craftsmanship of the experienced master, especially his infallible rhythmic sense.
The work, in the key of G minor, has been described as •sorrowful," but it seems more proper
to say that it is passionate, alternating fire with
melancholy and lyricism. The movements are spacious and completely developed. The most remarkable moment is the central portion of the adagio
where the clarinet "takes off" with the stunning
arabesques which are the characteristic feature of
Hungarian popular music. Genuinely rhapsodic in
nature, disturbing and exotic, they are descendants
of the oriental influences which intrigued the Greeks
(to the dismay of Plato and Aristotle) and predecessors of the wonderful uses of Bartok, whose
Contrasts were recently heard in this room.
• The second string quartet of Leon Kirchner bears
the date, 1958. It is in three movements played
without pause, but with many incidental changes of
pace. It is composed accordrng to no system except
that of the composer's own powers of invention and
conception which are primarily directed toward the
creation of intrinsically beautiful, even delicate,
sonorities from whose exploration an inner logic
�emerges. It makes no use of arbitrary techniques
or method. The musical ideas and motives retain
their identities but are subject to metamorphosis
as their interaction, which creates the structure,
unfolds. The mood is lyrical and unharried, and the
substance light and transparent.
These properties characte rize the first movement, Moderato Allegro Moderato, which is a "construct," free in form but using traditional, logical
methods including recapitulation and repetition. The
second movement, Adagio, is rhapsodic in nature,
mercurial and yet poetic. The last movement, Allegro Molto is also a unique structure which combines
the characteristics of the other two in intensified
form. A formal recapitulation in an almost classical
sense (bar 259) follows a quotation from the second
movement, gains momentum and then gives way to a
calm coda, which brings the work to an end in serene
lyricism.
• The Quartet in C Sharp Minor from the year 1822
is the fourteenth of Beethoven's quartets. It is in
six movements played without a break. They are 1:
Adagio, Fugue, C#; 2: Allegro Vivace, Sonatina, D;
3: Recitative and Andante with seven variations, A;
4: Presto, Scherzo, E; 5: Adagio, Lied, G#; 6:
Allegro, Sonata, with extended terminal development,
C#.
The fugue is on an austere subject, granitic and
gnomic which inevitably reminds us of Bach's fugue
in the same key from the first book of the Well
Tempered. It is a philosophical discussion of the
thorny subject which somehow manages to clarify
and lighten itself, but remains the generating idea
of the thematic materials of the entire quartet.
The second section is in extreme contrast, a
simplified sonata form with only one real subject
which flows without hindrance to its natural conclusion. The third section begins with a recitative and
proceeds to a theme and variations whose successive
emotional states are the assurances needed to balance
the disturbance of the initial fugue.
The Presto, No. 4, is a Scherzo of headlong
energy
and drive, the kind of movement which is the exclusive property of Beethoven. The Adagio, Lied, is a
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
violin
John Dalley
violin
Michael Tree
viola
David Sayer
cello
R EC IT AL S O S EA SO N 1 966-67
SUMMER SERIES
W INTE R SE RIES
SPRI NG SE RIES
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday, November 6
Tuesday, December 13
Wednesday, January 4
Wednesday, January 11
Sunday, February 12
Sunday, March 12
Saturday, March 18
Sunda y, April 2
Sunday , April 30
Satu rd ay, May 6
July 10
July 24
August 7
August 14
September 11
October 9
All performances at 8:15 p.m. in the Harpur College Theater .
Late com ers will be s eated after the first quartet.
Ushering courtesy of Alpha Phi Ome ga and Gamma Sigma Sigma.
OPEN R E HEARSALS The public is cordially invited to atte nd the quartet's
r ehearsals, held the day prior to each r ecital, at 3 p.m. (during August 10 a .m .),
in the music room (CA - 183) near the theater.
NOTES (Continued}
concentrated expression of sublime calm and assurance which engenders
the confidence to undertake the const ru cti on of the final, sonata, move ment.
This is a vast constructi on which unites the m ate ri a ls of the pre ceding sections and comments on their underlying unity and ends with the incandescent
dithyrambic transfor mation of the or iginal proposition.
TONIGHT'S GUEST ARTIST
HAROLD WRIGI-IT is the first c larinetist of the ationa l Symphony and has made
numerous solo appearances with the Was hington, D. C. Orchestra. He has been heard
in c hamber music performances with the Budapest and Juilliard String Quartet s .
In addition, Mr. Wright has participate d in the Casals Festiva l in Pue rto Ri co and
at Marlboro, Vermont. He has r ecorded extensively for Columbia Records.
Program design by William Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:55
17:17
38:50
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54462">Summer Series Recital Guarneri Quartet Recital </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer Series Recital Guarneri Quartet
Recital Tape 1966-7-24
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Brahms, Kirchner, Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Brahms, Johannes, 1833-1897
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-7-24
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Summer Series Recital Guarneri Quartet Recital Tape 1966-7-24.pdf
-
https://omeka.binghamton.edu/omeka/files/original/3706516d0d029c76c93d4e95e745d917.pdf
6cff451854c6bf3b731183c2cc10aad6
PDF Text
Text
�PROGRAM
Sunday, August 14, 1966
8:15 p. m
College Theater
QUARTET in F MAJOR, K. 590
Allegro moderato
Allegretto
Menuetto, Allegretto
Allegro
W . A. MO ZART
CONCERTI NO for STRING QUARTET
(1920)
I. STRAVI NSKY
intermission
QUARTET Op. 130 in B FLAT
I Adagio, ma non troppo; Allegro
II Presto - L'istesso tempo
III Andante con moto, ma non troppo
IV Alla d anza tedesca. Allegro assai
V Cavatina. Adagio motto espressivo
VI Finale; Grand Fugue (Op. 133)
L. v . BEETHOVE N
A RECEPTION honoring the Quartet will be
held in the Faculty Lounge adjacent to the
theater following this evening's recital . The
audience is most cordially invited to attend.
�Notes
by William
Kl enz
ozart's last quartet, K. 590 in F Major, is the
third of the (proposed)
series of six (17B9-90)
for Frederick William II of Prussia. It is the
largest in scale and of brilliant, masterly effect,
relying upon no unusual forms or procedures.
The highly developed 'cello part is in recognition
of the patron's predilection for that instrument.
€ The Concertino
of Stravinsky 1s a concise, highly inte-
grated work relieved by some elements of virtuosity by the
first violin. Written in 1920, it reflects the reaction of the
period against "systematic" composition and traditional
forms and seeks to exploit and extend tonal resources, speci-
fically by de-emphasizing the classical consonant relationships of thirds, and supplanting them with fourths. The
unsentimental and even cynical aphorism that results is a
c l ear reflection of the post World War I era.
• The Quartet in B Flat, Op. 130 is one of the three works
undertaken fo r P rince Nicholas van Galitzin. The series
begins with op. 127 in 1823-24, followed by Op. 132 in 1825
and Op. 130 in 1826. (The seeming contradiction in order is
the result of the order of publication.) With an unusually
large number of movements, the work is complex, varied
and extensive. In the original version, performed this evening, the work ended with a iitanic fugue.
At the first performance, 1826, the second and fourth
movements had to be repeated whereas the final fugue, which
is of transcendent difficulty for both player and listener,
was felt to be without effect. For this,and practical reasons
suggested by the publisher (with an eye to sales I), Beethoven
supplied in November, 1826 a new finale which was his last
completed composition. The "Grand Fugue"was published,
and is often played, separately as Op. 133 with a dedication
to Archduke Rudolph.
The first movement is a sonata form which begins with a
slow introduction before its brilliant principal theme. The
movement is complicated by a number of reappearances of
the introductory material at crucial moments in the form,
e .g. the beginning of the development and of the coda. This
most unusual procedure may at first disturb the listener's
formal accounting, but in reality it is a powerful unifying
factor imposing both order and moments of respite-variety
upon the somewhat intractable materials of the sonata proper.
�The multipl icity of movements is occasi oned by Beethoven ' s use of two Scherzi, one in bina r y meter, one in
ternary meter, movements II and I V . T he i ncl usion of the
second may have been due to its pre-existence. Intended
originally for the A Minor quartet, Op. 127, where it was to
have been in A MaJor, it is labelled "Alla danza tedesca"
("like a German dance"). Its popular elements are welcome
in the rarefied, intense atmosphere of the rest of the work.
Another possible reason fo r its removal to this quartet where
it appea r s in the key of G 1s that this key per mits the use of
the hurdy-gurdy drone-like "open" D stringinthewaltz-like
passages of the first violin i n the trio.
T he third movement, Andante _ ts, in the classic Viennese
tradition, the result of the application of the pri nciples of
Sonata development an d variation to lyr ic {r ather than theatrical) materials. The resulting richness, variety and fantasy of design el ements and texture are nowhere surpassed
even by Beethoven himself. The Cavatina, V, is as its name
implies, a direct lyric utterance of s i mple form without
extensive deve lopment. It is of the exal ted, subllmeexpressio11 accessible only to the greatest maste r s.
The Fugue-finale 1s accordmg to Beethoven'sownsuperscription "now free, now st r ict,• and r esembles no other
then existing work. Its form:
I. Introduction ("Overtura")
a stark exposition of its "Euclidian" or perhaps better "Cartesian" kernel-theme,
which incidentally bears not a little resemblance to
the co r e-materials of both Op. 131 and 132. Also presented are fragments of a second fugue theme.
ll. First Fugue (strict, subject in wide, jagged intervals
accompanied by kernel-theme) followed by three variations or (free) developments.
a. Triplets.
b. Eighths and sixteenths .
c. Subject (wide intervals mod1f1ed by triplets).
III. Second Fugue (strict, subject flowing sixteenths with
kernel-theme) followed by the va r iations or (free)
devel opments.
a. Allegro, /(, kerne l -theme .
b. Kernel-theme augmented and subject inverted.
c. Subject diminished, modulation.
IV. Threefold deve lopment of the two fugues, reminiscences and development of preceding sections.
V. I. Repetition of first variation of the second fugue.
2. Further development of second fugue.
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Departm ent of Music presents
TH E GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
John Dalley
violin
violin
R EC I TALS
O
Michae l Tree
viola
SEASON 1966-67
SUMMER SERIES
WI NTER SER IES
Sunday,
Sunday,
Sunday.
Sunday ,
Sunday,
Sunday ,
Sunday, November 6
Tuesday, December 13
July 10
J uly 24
August 7
August 14
Septembe r 11
October 9
Dav id Soyer
cello
Wedne sday , January 4
Wednesday, January 11
Sunday , February 12
SPR ING SER IES
Sunday, March 12
Saturday, Ma r ch 18
Sunday , April 2
Sunday , April 30
Saturday, May 6
All performances at 8:15 p.m. in the Harpur College Theater.
Lafe comers will be seated after the first quartet.
Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma.
OPEN REHEARS ALS
During the month o! August, the Guarneri Quartet
will be holding open rehearsals according to the following schedule:
Mondays . . . . . . . . . . . . . . . . . . . . . . . . . . August 15, 22
Wednesda ys . . . . . . . . . . . . . . . . . . . . . . August 10 , 17 , 24
Fridays . . . . . . . . . . . . . . . . . August 12 (at 3:00 p.m.), 19 , 26
All rehe arsals will be held in the Musi c Rehearsal Room (Classroom• Administrahon
Building-Room 183), and will begin at 11 :00 a.m., except for the August 12 rehearsal.
The public is cordially invited to attend. Persons may quietly enter and leave the
rehearsal a rea at anytime.
NOTES (Continued)
VI. Coda
l. Ke rnel•theme //, massive, unison.
2. Subject of second fugue, (transformation
by tr ill s) .
3. Recapitulation of first subject (wide mtervals v. 1) with kernel•theme
in augmentation (v . 2 , 'cello) and characte risti c rhythm (in viola).
4. Brilliant, r esonant statement of simplest e lements of the subject.
A towe r ing edifi ce indeed, nor is its access easy, o r gamed at the hrst attempt!
Program design by William Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:27
09:57
37:21
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54650">Summer Series Recital Guarneri Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer Series Recital Guarneri Quartet, August 14, 1966
Recital Tape 1966-8-14
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Stravinsky, and Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Stravinsky, Igor, 1882-1971
Beethoven, Ludwig van, 1770-1827
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-8-14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Summer Series Recital Guarneri Quartet, August 14, 1966 Recital Tape 1966-8-14.pdf
-
https://omeka.binghamton.edu/omeka/files/original/af4f7b15d5180b7c4cc6e12a092ebc13.pdf
ecc2450b6e0a65170aa6ed3c8cd2e335
PDF Text
Text
Harpur. Season 66·67
Summer Series
�PROGRAM
Su nday, Augu s t 7, 1966
8 :15 p . m. College Theater
QUART ET in E FLAT MAJOR, K.171
Adagio, Allegr o assa i
M enuetto
And ant e
Alleg r o assai
W. A.MO ZART
STRING QUARTET No . 2
Lento -
All eg r o Appassionato, all a br eve V ar i ations, Andant e tranqu illo Prest o - Adagi o -
R . SESSIONS
interm ission
QUARTET in F M AJOR, Op. 135
Allegr etto
Vivace
Le nto as sai , cant ante e tr anquillo
De r Schwer gefassl e Entschluss;
Gr ave, ma non troppo tratto, Al leg ro
L. v.BEETHOVE N
A RECEPTION honoring the Qua rtet will be
held in the Faculty Lounge adjacent lo !he
theater following this evening's recital. The
audience is
most
cordially invited
to attend.
�Notes
by William Klenz
ozart ' s quartet in E flat, K .171 bears the date
1773 and was w ritten in Vienna, afterthe l tal1an
visit of that year . In it we pe r ceive the influence
of the taste of the capitol and of the works of
Joseph Haydn whose then "newer" quartets, Op.
17 and 20, opened the dimenslonsof organization
and econom y which mak e t he form the most highl y regarded
musical expression of ou r culture. We see Mozart at eighteen, not yet so sure-handed as he will become, borrowing
and "trying out" what he will later assimilate completel y .
The opening is a formal introduction in the taste of the
"classic" theatre, an intrada or invocation. There follows a
movement which cont ains the recognizable elements of a
sonata move ment, but, as often with Haydn, arranged in an othe r fashion. Here Mozart abandons the dramatic principle
which gover ns so much of his work, and also like Haydn,
becomes the thoroug h and systematic essayist, returning to
his main premise threetimesinordertoround out his argu m ent- structure. T he fugal nature of this main (sustained
tone) idea and incidental use of counterpoint are pa r t of the
"bor rowings" from Haydn, and contribute t o the more sinewy
s t yl e. The reappearance of the ce r e monial in1 r oduction at
the end is most unusual and serves to frame and suppor t the
ir r egular structure it bounds. The Menuetto also shows definite signs of the influence of Haydn's "new" manner in its
use of imitation among the parts, and. al so of Haydn's wit,
in the little three bar solo for the first violin. The Andante
is even mo r e ambitious in this r espec t , eschewing theatrical,
Italian l yricism fo r a rather severe "churchy" manner remin iscent of the styl e of the p r eceding century . T he Finale,
Allegro Assai , however r everts to the I talian, Milanese
manne r and coul d be the last movement of an opera-overture
symphony such as t hose of J.C. Bach or his own K . 16. The
fast terna r y meter and. the uncomplicated material s are its
earmarks.
- One of the most articul ate American co mposers alive
today, Roger Sessions, studied. at Harvard, Yal e, in Paris
and Rome, and. at the Cleveland Institute of Music,
as a pupil
and later the successor of Bloch. He al so taught at Snuth,
Princeton, and the University of California at Berkeley and
has been the recipient of many d ifferent g rants. Acutely
aware of the r esponsibility of the modern composer to his
audience, he has treated this probleminartlcl esand a book.
The Second Quartet, written in 1950, is in hve movements,
played without pause. About this work the compose r writes:
�" In three of the move ments I have adapted to my own purposes so-called standard forms which I have never he ret ofore used i11 what I conside r my mature compositions. The
first move ment may be roughl y described as a double-fugue
. . it g r ew literall y from one phrase to the next and while
I was co mposing it, each happening seemed to me the onl y
possibl e result of what had gone before.• Th e Variations of
the third movement he re fers to as "restrained,"
in that
the y do not depart far from the theme itself, although changing in dynamics , tempo, and rhythm. In the fourth movement ,
Scherzo, he uses the "da capo" form, but explains that the
"da capo• is not complete but m o re concentrate d and at a
different pitch. The second movement he describes as having
two contrasting sections, "one fast and one quieter and more
rhapsodic"; the fast section returns thr ee times enclosing
tw o quite different statements of the sl ow section. The last
movement "is the shortest and least elaborate .. and has
in a sense the charact er of an epilogue.''
• The last of Beethoven's string quartets, Op. 135 in F
m ajor, was c r eated 111 the Summer and F all of 1826. The
first public performance was in March, 1828. The work 1s
short but concent rated. A friend of Beethovenobservedt!1at
he had deliberatel y held down its l ength because the publisher
paid h11n in mere n orms instead of the agreed aristocratic
ducats; "he sends short ducats, he'll get a sho rt quartet"
was the t ypical mock-cynical
r eJoinde r. The form 1s severely cl assica l. A sonata movement Allegrettousing nonth eatri c al materials is followed by a most c harac teristi c
Scherzo, Vivace. The s l ow move ment, Lento assai, cantante
e tranquillo consists of two parallel strophes of Lied form .
The last movement bea rs the superscription, DerSchw er
gefasste Entschluss, (the d1fhcult decision). In the original
parts copied by Beethoven himself, he has inserted beneath
the notes the text Muss es sein? (Must it be?) which we hear
at the beginning, Grave f rom the viola and cello, and the
answe r, Es muss sein!
{It must be!)wh1chthe violins reply,
Allegro.
Two stories, ei ther o r even bo th of which may be
true , are gi ven for theor1ginofthesewords. We have documentary evidence - his com·ersation notebook, 1823, where
his housekeeper wrote, "Today is Saturday and I must have
money. [I must be." This pe r emptory, sybilline
utterance
of the coo k apparentl y amused Beethoven and it may have
become a household joke. In the July book of 1826, a friend,
Holz, writes ". . he laughed and asked,'must 11 be?'" Then
in the Dece1nber book there appear in Beethoven's own hand
the musical fragments which are used in the quartet. Holz
also provides a short catch for four men's voices using the
same material. This appears to have been occasioned by
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arno ld Steinh ardt
violin
Jo hn Da lley
violin
RE C ITALS
S UMMER S ERIES
Sunday ,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday ,
July 10
July 24
August 7
August 14
Septembe r 11
Octobe r 9
Michae l Tree
viola
Davi d Sayer
cello
O SE A S O N 1 96 6 -6 7
WI NT ER SERIES
SPRING SERIE S
Sunday, November 6
Sunday, M ar ch 12
T uesday, Decem be r 13
Wednesday, January 4
Wednesday, Janua r y 11
Saturday, Ma r c h 18
Sunday, April 2
Sunday, April 30
Satu rday, May 6
Sunday , Februar y 12
All pe r for mances at 8:1 5 p.m. i n the Har pur College T heater.
Lafe comers wi ll be seated after
the first
quartet.
Ushering cour tesy of Alpha Phi Omega and Gamma Sigma Sigm a.
OPEN REHEARSALS
During the month of August, the Guarne ri Quartet
will be holding o pen r ehearsals according to the fo llowing schedule:
Mondays .
. . . . . . . . . August 15 , 22
Wedne sdays .
. . . . . . . . . . . . . . August 10 , 17 , 24
F ridays .
. . . . . . . . August 12 (at 3:00 p. m .), 19, 26
All re hearsals will be held in the Musi c Rehearsal Room (Classroo m- Admi nis tration
Building- Room 183), and will begin at 11 :00a. m. ,except for the August 12 r e hear s al.
The publi c is cor dially invited to attend. Pe rsons may qui etl y ente r and le ave the
r ehearsal area at anytime .
NOT ES (Continued)
the sam e words E s muss sei11, used byBeethoveninanot her connection (the fi r st per fo rmance of Op. 130), and who was then amused to find himse U as or acula r as his
cook . Beethoven's sense of humor and unvarying abilit y to perceive the large within
the s mall and take fresh strength from eventhetrivial has not failed him even a mong
t he tribulations of his last year. This was , as he knew and said, his last quarte t -"a difficult decision ," which he faces with yet one mo re profession of faith and abunda nt humanity.
Program d esig11 by Will iam Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:39
24:03
27:42
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54467">Summer Series Recital Guarneri Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer Series Recital Guarneri Quartet, August 7, 1966
Recital Tape 1966-8-7
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Sessions, Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Sessions, Roger
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-08-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Summer Series Recital Guarneri Quartet Recital Tape 1966-8-7.pdf