153 10 1775 https://omeka.binghamton.edu/omeka/files/original/338c9fb4d78d7b8355bcc0bc1869b69d.jpg e57a3e1b99da4250acfe079dca2d6b47 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. cc15bba2-35ad-4c26-9ba3-af0b01218d48 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:58 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990019472670204802">Wally Butts and Lloyd Van Brunt with "open mike" at Benlin's, June 11, 1991 (DVD) on Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990011691210204802">Working firewood for the night: poems (book) on Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Stars Like Minstrels Sing to Blake" read by Lloyd Van Brunt, June 11, 1991 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Lloyd Van Brunt reads his poem "The Stars Like Minstrels Sing to Blake” from his collection Working Firewood for the Night: Poems on June 11, 1991 at Benlin's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Van Brunt, H. L., 1936- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1991-06-11 https://omeka.binghamton.edu/omeka/files/original/54c898d9ac4d655bb18b15a81a3d9a4c.jpg d100eded8a663cac9fb9c6e1f9b23282 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 9cefdf8e-a27a-401e-b3bb-af0b01216648 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:58 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821360204802">Robert Creeley with the Binghamton Community Poets at Mad Murphy's, September 15, 1992 (DVD) on Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018403570204802">Selected poems, 1945-2005 (book) on Find It!</a> Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 3 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Rain" read by Robert Creeley, September 15, 1992 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Robert Creeley reads his poem "The Rain” from his collection Selected Poems on September 15, 1992 at Mad Murphy's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Creeley, Robert Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1992-09-15 https://omeka.binghamton.edu/omeka/files/original/104123cd050bf206293e2d409f6da49b.jpg e8a0fcbcaa312ccabadb19baabf5af89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 99e055cb-3ab8-4cf3-ad6d-af0b0121a663 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1:42 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821940204802">Richard Martin and Jerome Washington at Swat Sullivan's Hotel, June 20, 1990 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/lk13oi/alma990012367480204802">Modulations (book) in Find It!</a> Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 1 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Fluke of Insolvency" read by Richard Martin, June 20, 1990 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Richard Martin reads his poem "Fluke of Insolvency” from his collection Modulations on June 20, 1990 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Martin, Richard, 1949- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1990-06-20-1 https://omeka.binghamton.edu/omeka/files/original/1cbcb0785775733b16be84b648f97680.jpg 4d0fa13e2c30b5d33678055ac22e9acb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 2c5d08d7-038b-4775-9076-af0b01218df4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:36 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821810204802">David Bosnick and Liz Rosenberg with "open mike" at Benlin's, May 12, 1992 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990003939480204802">The fire music (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Featured Order Enter an integer (1,2,3,4, etc) specifying desired sort order in "Featured" section on Collection Overview page 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "In the End We Are All Light" read by Liz Rosenberg, May 12, 1992 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Liz Rosenberg reads her poem "In the End We Are All Light” from her collection Fire Music on May 12, 1992 at Benlin's in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Rosenberg, Liz Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1992-05-12 https://omeka.binghamton.edu/omeka/files/original/44cc08cdf2bba0846e98821b1a872bb4.jpg cff85f91747a3b655173b44b5277482a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 13fc470b-6044-4af0-9661-af0b01219dc0 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2:30 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018807030204802">Phil Sweeney, Pierre Joris, and Milton Kessler at Swat Sullivan's Hotel, March 15, 1989 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990006746390204802">The grand concourse: poems (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "God's Cigar" read by Milton Kessler, March 15, 1989 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Milton Kessler reads his poem "God’s Cigar” from his collection The Grand Concourse: Poems on March 15, 1989 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Kessler, Milton Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1989-03-15 https://omeka.binghamton.edu/omeka/files/original/ab846900a603d660ef35d73d7340ee6f.jpg 5c875f561b854e2ddb97bb7a87f7edaa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 59b3e101-68ab-41e4-a3c1-af0b01218e42 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3:15 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821950204802">Barney Bush, Jerome Rothenberg, and Martin Bidney at Swat Sullivan's Hotel, May 6, 1987 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990001321020204802">Poland/1931 (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Wedding" read by Jerome Rothenberg, May 6, 1987 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Jerome Rothenberg reads his poem "The Wedding” from his collection Poland/1931 accompanied by Martin Bidney on May 6, 1987 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Rothenberg, Jerome, 1931- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1987-05-06 https://omeka.binghamton.edu/omeka/files/original/143d8c4d58b9ec7a39c5bec247d91feb.pdf fcada20481c1b6544e8a14e06013ae16 PDF Text Text BINGHAMTON UNIVERSI TY State University of New York Binghamton University Department of Music THURSDA Y MID-DAY RECOGNITION CONCERT May 5, 2005 -1:20 P.M. Casadesus Recital Hall Etude inc-sharp minor, Op. 25, No.7 ..................................................................... Frédéric Chopin (1810-1849) Nancy Schneider, piano Recognized by Michael Salmirs, Professor ofpiano Andante .................. ............................................................................................ Serge Koussivitzky (1874-1951) Talitha Phillips, double bass Margaret Reitz, piano Recognized by Stephen Stalker, Professor of cello Fripperies ..................................................................................................................... Lowell Shaw (b. 1930) Ballad Allegro Greg Cecere, Ernie Epelman, Al Jacobsen, Pat Lokken, horns Recognized by Brian Sternberg, Professor of French horn Nur, wer die Sehnsucht kennt, Op. 6, no. 6 .................... ....................................... P. Tschaikowsky (1840-1893) Deanna Bunal, mezzo-soprano Chai-Kyou Mallinson, piano Recognized by Mary Burgess, Professor of voice Romance for Violin and Piano, Op. 3 ............................. ... ...................................... Reinhold Glière (1875-1956) Christina Wan, violin Jody Schum, piano Recognized by Patricia Sunwoo, Professor of violin (please tum over) �Canci6n de cuna para dormir a un negrito ....................................................... Xavier Montsalvatge (b. 1912) Amber Alarcon, mezzo-soprano Chai-Kyou Mallinson Recognized by Mary Burgess, Professor of voice Sonata for Two Clarinets ......................................................................................... Francis Poulenc (1899-1963) Presto Theresa Perrone, clarinet Caroline Bravo, clarinet Recognized by Timothy Perry, Professor of clarinet Estampes: III. "Jardins Sous La Pluie" .............................................................................. Cluade Debussy (1862-1918) Jessica Cheng, piano Recognized by Eva Mackiewicz-Wolfe, Professor ofpiano The Year's at the Spring .................................................................................... ............. Amy Beach (1867-1944) Timothy Fallon, tenor Chai-Kyou Mallinson, piano Recognized by Timothy LeFebvre, Professor of voice • • o cara"............................................................................... Gi1useppe verdi1 Scene an d Duet, "P ar1g1, (1813-1901) (from Act III, La Traviata) Leslie Hochman, soprano (Violetta) Timothy Fallon, tenor (Alfredo) Julia Ebner, soprano (Annina) Duane Skrabalak, piano Recognized by Duane Skrabalak and Peter Sicilian, Professors of opera Erinn Hibbard, trumpet- recognized by Benjamin Aldridge, Professor of trumpet Stephen Boe[, , instrumental conducting and trumpet - recognized by Timothy Perry, Professor of music and recognized by Benjamin Aldridge, Professor of trumpet Christian Ritter, composition - recognized by Paul Goldstaub, Professor of composition **Please join us for a reception in the Green Room following the concert** �About the Performers NANCY SCHNEIDER is being recognized for her many accomplishments. Having graduated from the Decker School of Nursing last Spring, she is completing her BA in Music this semester. Throughout the intensive nursing program, Nancy has found time to organize, direct, and perform three multimedia productions in addition to performing her Honors Recital for which she earned High Honors. She is a member of the Golden Key International Honor's Society and will be leaving for St. Petersburg, Russia as a Rotary International Cultural Ambassadorial Scholar. Most of all, Nancy is being recognized for her devotion to music and for her sincere, good heart, evident to all who know her. I will miss her greatly. Michael Salmirs TALITHA PHILLIPS Bravo, Talitha. Congratulations on your four years of exceptional achievement in the Music Department. You came in as a virtual beginner on the upright bass, starting from scratch, so to speak, and made remarkable progress. You became a main stay in the jazz program, but also continued to pursue the bass as a classical, solo instrument. You gave us many colorful performances in the String Seminars. You were the Music Director for the Dickenson College production of Godspell. Your Honors Recital was a wonderful demonstration of your many diverse achievements. It has been great having you with us. Best wishes and good luck to you in your future endeavors. · Stephen Stalker GREG CECERE, EMIE EPELMAN, AL JACOBSEN, PAT LOKKEN The four members that comprise this horn quartet came together over the last two years to fashion a close-knit team that has accomplished some lofty deeds. The culmination of their efforts was the preparation of the extremely difficult Konzertstucke for four horns and orchestra by Robert Schumann. This piece calls for virtuoso playing from each member. They performed this with the University Orchestra this spring. Each has been a regular participant in the major performing organizations, as well as various chamber ensembles. They are performing here as a quartet although each deserves personal recognition. The music selected today was written by horn player Lowell Shaw specifically for horn players. Al, Pat, and Greg will be graduating this semester. They will be missed. Brian Sternberg �DEANNA BUNAL, mezzo, is from Lee Center, NY, and is completing her B. A. in Music as a voice major studying with Prof. Mary Burgess. Always the activist, Deanna has been a member of the Harpur Jazz Project, the Undergraduate Music Advisory Committee (UMAC), the Executive Committee of Music Organizations, and Students for Music. She has sung with Harpur Chorale for seven semesters, currently serving as President of that organization. Outside the Music Department Deanna has continued to support the awareness and appreciation of music through groups such as WHRW, the campus radio station, and REALM, a group dedicated to the open-minded sharing of music and viewpoints. Deanna is the recipient of the Nielsen Music/Theatre scholarship, 2003-2005, and the Arnold G. and Lenora Meyer Scholarship, 2003-2005. Chosen by the Music Dept. faculty to receive the 2005 Stevenson Barrett Memorial Award, given to a senior for highest achievement in vocal performance, Deanna performed an Honors Recital in Casadesus Hall last Saturday. She plans to pursue a Masters of Teaching in music education.------Deanna is recognized by her teacher for outstanding improvement and for her tireless efforts on behalf of the Music Department. Mary Burgess CHRISTIAN WAN is the 2004-05 recipient of the Janet Brady Memorial Scholarship, in recognition of outstanding leadership and dedication to music performance. She has been concertmaster of the University Orchestra, and contributed her services to the Music Department in innumerable ways. She will graduate with a BA in Music Performance, and plans to continue her studies in graduate school. Her presence will be missed. Patricia Sunwoo AMBER ALARCON, mezzo, is a native of Los Angeles, CA. She earned a B.Mus. degree in vocal performance and choral-vocal music education from California State University, Long Beach, and is now completing her Master's degree in Voice as a student of Prof. Mary Burgess. Amber has been active in Harpur Chorale and in Tri-Cities Opera Chorus; has appeared as soloist with the University Chorus and Orchestra under the direction of Prof. Perry; and after graduation will join the Resident Artists Training Program at Tri-Cities Opera. Amber received a Clark Fellowship here at Binghamton and has been a most valuable teaching assistant in the Music Department, where her duties included, among many others, teaching a class in beginning voice and maintaining a large studio of private voice students. How did Amber come to Binghamton from Los Angeles? Prof. Colleen Reardon heard her in Los Angeles and urged her to apply for the Voice program here. Colleen and Amber, as it happened, studied with the same voice teacher in Los Angeles!---Amber is recognized by her teacher for her outstanding improvement and for exemplary contributions to the Music Department. Mary Burgess �THERESA PERONNE a graduate of Ithaca College, teaches elementary vocal music in the Greene school district. A member of the University Orchestra, she presents her first Master's Clarinet recital this coming Saturday. In addition to studies at Binghamton and maintaining a full-time teaching position, Theresa manages to maintain a private studio of woodwind students. She is a delightful example that those that teach, CAN in fact 'do' ! Timothy Perry CAROLINE BRAVO graduates next week with a bachelor1s degree in History. She has participated in the Wind Ensemble and the University Orchestra throughout her career at Binghamton, sometimes performing in both, and completed her studio studies with her senior recital on April 17th. She is cofounder and e-board member of Binghamton University's culinary club, Taste Buds, and a member of the honors fraternity Sigma Alpha Lambda. Caroline will take time off to travel next year before moving onwards towards graduate Law School. Timothy Perry JESSICA CHENG has been my student for the last four years. She is very bright, a quick learner and an excellent musician. I have been very fortunate to have her in my studio for the last four years. In November, 2001 she was a winner of B.U. Symphony Orchestra Concerto Competition; in 20022003 she performed a piano duo recital as well as Chopin joint recital, both with pianist Lisa Wang; in October 2004, she performed the Carnival of the Animals by C. Saint-Saens, with fellow pianist Jody Schum and B.U. Symphony Orchestra; and in April, 2005 she presented a Senior Honors Recital, a very demanding program including R. Schumann Carnaval which is usually performed on the graduate level. She received the Highest Honors. On campus, she is an active member and a past President of the Taiwanese Student Organization. Majoring in music and accounting, Jessica will graduate in May and will be working full time as an auditor at KPMG, one of the Big 4 accounting firms in the U.S. Ewa Mackiewicz-Wolfe TIMOTHY FALLON, tenor, is a native of Binghamton New York. He is a graduating Master of Music major in opera student and sings with Tri-Cities Opera. He has performed several roles with the company including Beppe in Pagliacci and Tonio in La Fille du Regiment and will appear this May as Alfredo in LaTraviata. This past summer he performed at the Music Academy of the West in Santa Barbara, CA under the tutelage of Marilyn Horne. This coming summer he will perform public masterclasses with Marilyn Horne in Villecroze, France and perform with the Merola Program of the San Francisco Opera in San Francisco, California. In the Fall Mr. Fallon will be a member of Juilliard Opera Center at the Juilliard School of Music in New York City. Mr. Fallon holds a B.A. degree from Westminster Choir College, Princeton, NJ. Timothy LeFebvre �LESLIE HOCHMAN graduates this year with a Master of Music degree with Opera Specialization. In addition to her academic successes, Leslie has appeared at Tri-Cities Opera as the Sandman in Humperdinck's Hansel and Gretel, Sister Genevieve in Puccini's Suor Angelica, Mrs. Gobineaux in Menotti's The Medium, Belinda in Purcell's Dido and Aeneas, and will appear as Violetta in a special matinee performance of Verdi's La Traviata on May 9th at 10:00 a.m. We wish her the best ofluck and continued success in her career. Duane Skrabalak and Peter Sicilian ERINN HIBBARD, trumpet, completed her undergraduate studies at Ithaca College where she studied with Frank Campos. She was a teaching assistant in the Department of Music and was the recipient of the Music Faculty Award. She has performed with distinction as a member of the Orchestra, the Trumpet Ensemble and Brass Quintet, and the Jazz Ensemble, in addition to having presented very successful solo and chamber recitals during her tenure at BU. She performs throughout the Southern Tier in various performing groups. Erinn's accomplishments are all the more significant in light of the serious health problems she has had to endure while pursuing her degree here. Benjamin Aldridge STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel doublemajored in Music Education and Music Performance. Stephen Boel, in addition to his excellent large ensemble conducting work, has given numerous strong performances on trumpet in both solo and ensemble capacities. Additionally, he also organized, and did most of the rehearsal/preparation for, what has easily been the best (and most active) brass quintet we've had on campus in many, many years. He has been an outstanding student conductor, leader and human being. Stephen is a hard worker who nonetheless always goes beyond what is 'expected' to produce results which are consistently excellent. He brings to his work an unfailingly positive attitude, a desire for personal improvement, and an abiding respect not only for the musical tasks before him but for each person with whom he works. He is a model of a young conductor. Timothy Perry and Benjamin Aldridge CHRISTIAN RITTER is completing the Master of Music in Composition, and has been chosen for special recognition by Dr. Goldstaub. Christian has composed over a dozen pieces and a 38-minute thesis since last year, writing for organ, brass, orchestra, percussion, solo voice, synthesized sounds, piano and chorus. His music is high quality, interesting and enjoyable, and, most significantly, he has earned the respect of the musicians who have devoted their time to performing his music. Christian also has been an excellent teaching assistant in theory and musicianship classes, where his organizational skills and personality have been a great asset. His latest contribution is his assistance in the creation of the new graduate theory web page, which will allow all incoming students to practice dictation online. It has been a pleasure to work with Christian, and we wish him great success as he moves on to new opportunities as a composer and music educator. Paul Goldstaub � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 9:20;29:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day recognition concert, May 5, 2005 Description An account of the resource Works of Chopin, Koussivitzky, Shaw, Tschaikowsky, Glière, Montsalvatge, Poulenc, Debussy, Beach, Verdi. Held at 1:20 p.m., May 5, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schneider, Nancy Philips, Talitha Cecere, Greg Epelman, Emie Jacobsen, Al Lokken, Pat Bunal, Deanna Mallinson, Chai-Kyou Perrone, Theresa Bravo, Caroline Cheng, Jessica Fallon, Timothy Hochman, Leslie Ebner, Julia Skrabalak, Duane Boel, Stephen Ritter, Christian Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-5 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/4eb857e33924504c1656371b6c63ca87.pdf 4ff6ee066dcce87fbfc0010f9e88ccae PDF Text Text LIN i . e BINGHAMTON ,\ s‘ t , \ \ H O N yop >) : I V E R S I T Y State University of New York Department of Music ‘Around the Horn’ University Symphony Orchestra Timothy Perry, Director and French Horn Soloists Emie Epelman G reg Cecere Patrick Lokken Alfred Jacobsen Sa turday, M a rch 5, 2005 8 :00 p. m . O s t er h o n t C on c ert T h e a t e r �The Binghamton University Department o f M usic presents ‘Around the Horn’ with the 1 l University Symphony Orchestra Timothy Perry, Director And French Horn Soloists Greg Cecere Alfred Jacobsen Ernie Epelman Patrick Lokken 8 :00 P.M. Osterhout Concert Theater Saturday, March 5, 2005 Anderson Center for the Arts Program I. Prelude to /'Aprésmidi d’un Faune (The afternoon of a faun) Konzertst iick in F Major. Op. 86 for Four Horns and Orchestra Claude Debussy ( 1 862 191 8) Robert Schumann ( 18 10 1856 ) Le b h a ﬁ Romanze– Sehr l e b h a ﬁ Soloists Mr. Cecre, Ms. Epelman, Mr. Jacobsen, Mr. Lokken “~ I n lerm ission—F ifteen minutes EL] i l 5 ' Symphony No. 2 in D Major, Op. 36........... Ludwig van Beetho ven Adagio moltoAllegro con brio ( 1 7701827) Larghctto Scherzo & Trio ( A llegro) A llegro molto a The University Symphony and University Chorus w ill present their Spring concert on Saturday. A pril 1 6 " , p erforming the Coronation Scene from Mussorgsk y ’s opera Boris Godonov and the secular cantata The Fir st WalpurgisNight by Felix Mendelssohn. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:08:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Around the horn, March 5, 2005 Description An account of the resource Works of Debussy, Schumann, Beethoven. Held at 8:00 p.m., March 5, 2005, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Cecere, Greg Epelman, Emie Jacobsen, Alfred Lokken, Patrick Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-5 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/022b1355fa954ead21e6aa091c0e7db3.pdf 66e5b1977fb0c2097f51341bc25b2149 PDF Text Text K \ . . i BINGHAMTON + 1 \ a 10\" U N I V E R S I T Y State U n i v e r s i t y o d e [4 D E P A R T M E N T A Beneﬁt Conce rt A Bach Ce lebration Music of Johann Sebastian Bach (16851750) with Faculty Artists Jonathan Biggers, organ Timothy LeFebvre, baritone John Lathwell, oboe Michael Salmirs, piano Stephen Stalker, violoncello and the * University Chamber Orchestra Timothy Perry, conductor Sat urda y, October 1 5, 2005 8 :00 p. m . A nderson Center C ha m be r Hall �The Binghamton University Department of Music presents a Beneﬁt Concert Cantata No. 82 “Ich habe genug,” BWV 82 A Bach Celebration Nr. 3 Aria “Schlummert ein” Music of Johann Sebastian Bach (16851750) with Faculty Artists Nr. 4 Recitative and Arioso Nr. 5 Aria “Ich freue mich ” Timothy LeFebvre, baritone Jo h n Lathwell, oboe Jonathan Biggers, organ Timothy LeFebvre, baritone John Lathwell, oboe Michael Salmirs, piano Stephen Stalker, violoncello Sinfonia from Cantata No. 29, BWV 29 “Wir danken dir, Gott, wir danken dir” a nd the Jonathan Biggers, organ University Chamber Orchestra Timothy Perry, conductor PROGRA M Concerto in F minor, BWV 1056 Allegro Largo Presto Michael Salmirs, piano Suite in G Major for Violoncello Solo, BWV 1 007 Ld Nr. 1 Aria “Ich habe genug ’ Nr. 2 Recitative and Arioso Prelude Allemande Courante Sarabande Menuet I & I1 Gigue Stephen Stal ker, violoncello Passacaglia in C minor, BWV 582 Jonathan Biggers, organ ~I NTERMISSION~ ﬁ t t t t t t t t t ‘ t t t t t t t i t t ‘ t t t ‘ t t t ‘ t t t t t t t t t t t t ﬁ Text Translation for Cantata No. 82 “lch habe genug ” 1. Aria I have now enough, I have now my Savior, the hope of the faithful Within my desiring embrace now enfolded; l have now enough! On him have I gazed, My faith now hath Jesus impressed on my heart; I would now, today yet, with gladness Make hence my departure. 2. Recit. l have now enough. = My hope is this alone, That Jesus might belong to me and I to him. In faith I hold to him, For I, too, see with Simeon The gladness of that life beyond. Let us in this man’s burden join! Ah! Would that from the bondage of my body The Lord might free me. Ah! My departure, were it here, With joy I’d say to thee, O world: I have now enough. 3. Aria Slumber now, ye eyes so weary, Fall in soft and calm repose! World, I dwell no longer here. Since I have no share in thee Which my soul could oﬀer comfort. Here I must with sorrow reckon, But yet. there, there 1 shall witness Sweet repose and quiet rest. 4. Recit. My God! When comes that blessed “Now!” When I in peace shall walk forever Both in the sand o f earth’s own coolness And there within thy bosom rest? My parting is achieved. O world, good night! 5. Aria Rejoicing do I greet my death, Ah, would that it had come already. I’ll escape then all the woe Which doth here in the world conﬁne me. © Z Philip Ambrose, translator. Web pub/Icallon hllp u’ww uvm eduLclassics/faculry/bach �ABOUT T H E MUSIC “Not ‘brook ’ (Bach) but ‘sea ’ should he be called – because of his inﬁnite, inexhaustible rich ness in tonecombinations and harmonies " Ludwig van Beethoven written by Timothy Perry No matter how many beautiful and profound works we encounter, study or perform, all musicians stand in humility before t he achievements of Johann Sebastian Bach. If the sheer staggering quantity and quality of his oeuvre were not enough, Bach’s depth of passion, the balance of form and content, and his ability to create a fullyformed microcosm of human emotions from any instrument, ensemble, or voice these strike every m usician worthy of the name into stunned awe. This evening’s musical celebration of Bach oﬀers a diverse, albeit tiny, handful from a treasurechest laden with inestimable gems. I _\ The fourteen concertos for harpsichord, strings and continuo all date from the last period of Bach’s term as Director of the Collegium Musicum in Leipzig (173540). All are now believed to be transcriptions from concerti composed for other instruments, a lthough many of these original versions are now lost to us. T he source of the o uter movements for tonight ’s Concerto in F minor is a lost oboe concerto in g m inor. Although the shortest of the concerti, it is the most popular today, owing to its transcendently beautiful Adagio middle “We ‘re all plodders compared to him. " Robert Schumann movement, w hose singing tone has ma d e it a favorite o f pianists since t he mid nineteenth century. (The Adagio was further recycled as the openingmovement Sinfonia to Canta ta 1 56 ‘I stand with o ne foot in the gra ve'). The ﬁrst movement is a taut, restless aﬀair in which the rhythmic germ of the movement contends between onbeat accentuation (in the bass) and oﬀbeats (in treble). The orchestral tuttis a re likewise played o ﬀ a gainst the predom inant sextuplets o f the solo part, doubtless reworked and elaborated by Bach from their original. The ﬁnale employs a similarly subtle juxtaposition of oﬀbeat accent and hemiola to keep the music in a state of muscular imbalance which is only brought back into its normal 3/8 accentuation at the point of cadence. Cantata 82 is one of a mere handful of works for solo voice based on ltalian models of Scarlatti and Handel. These few Bach himself titled ‘cantatas ’: the others, when named at all, Bach called ‘concerti ’. The devotional text derives from St. Luke ’s account of Simeon’s encounter with the baby Jesus as Mary brings him to the temple. Th e meeting fulﬁlls the promise of t he Holy Spirit and frees Simeon for death in the famous nunc demittis “Lord, now lettest thou thy servant depart in peace, according to thy word.” The sense of spiritual fulﬁllment is echoed in the repetitions of text on “1 have now enough’ and ‘With joy’ which bind the movements toget her. The obbligato oboe is here less a moumful presenc e than one of warmth and comfort. The ﬁrst two arias have overtones o f lullaby rhythms, the ﬁrst restless and yearning and the second awaiting a peace ful departure from earthly life. The ﬁnal movement, again in minor but with strong dance overtones, emphasizes the believer’s joyous cagerness for the blessed world which is soon to come. Study Bach! There you will ﬁnd everything! Johannes Brahms > The six suites for solo cello, like the more spectacularly written six sonatapartitas for solo violin, date from Bach ’s tenure in Cothe n (around 1720). This was a period in which many instrumental masterpieces like the Brandenburg Concerti and the ﬁrst Orchestral Suite were composed. Many musicologists have remarked upon the relatively more spare, even ‘m inimalist’ texture of the cello suites as compared to the violin partitas. Whether this stemmed from a conscious desire by Bach to write in a more succinct way, or was driven by the need to accommodate the acoustics and/or playing techniques of the cellos of the period is unclear ; the result, though, is spectacularly eﬀective. Bach employs the standard suite form of his day, namely a free prelude followed by four dances (a llemande, courant, sarabande and gigue). In each suite Bach i nserts a ‘new’ dance after the sarabande, in this case a pair of Minuets. The magic of these works is how Bach manages to extract a balance of melody, harmony and counterpoint from the musical thread o f single line. Unlike many other genres, whose composition was conﬁned to one or another period of his residence and employment, the works for organ cover virtually the entire gamut of Bach’s composing li fe. While the majority were composed while Bach was court organist for Duke Wilhelm in Weimar between 1708 and 1717, the majestic Passacaglia and Fugue in c minor may date back to Bach'’s earlier work in Arnstadt (1 7031707). The work shows the inﬂuence of Danish organist Dietrich Buxtehude who himself composed a number of noteworthy passacaglia and whose playing Bach walked 200 miles to hear in concert in Liibeck. The thematic ground borrows from a passacaglia theme by a French composer André Raison. Bach’s theme and the countersubject he derived from it ﬂower through so me twenty variations before the culminating fugue, a compositional tour de force, weaving all the various thematic threads into a stupendous climax worthy of Bach the greatest organ virtuoso of his age. At last, this is som ething from which I can learn! Wolfgang Amadeus Mozart l l It is no surprise that Bach borrowed constantly from himself, recycling works for other occasions in which he felt the y could do justice to the spirit of the event. Thus the Sinfonia from Cantata 29, which premiered for the inauguration of the Leipzig town council in 1731, made use of the opening movement of the E major violin partita (BWV 1006). No one does ‘brilliant’ better than Bach, as he here further bumishcs the organ’s solo part with the addition of three clarini and timpani. There are few more dazzling threeminute cpisodes in all o f music. Enjoy! �ABOUT THE PERFORMERS JONATHAN BIGGERS, cited as “one of the most outstanding concert organists in the United States,” maintains an active career as both a professor of organ and as a concert organist of the ﬁrst order. Presently Chair of the Department of Music and Professor of Organ and Harpsichord at Binghamton University in New York, Dr. Biggers has presented concerts in church and university settings throughout the United States, Canada, and Europe. He has also appeared with various orchestras in North America, and has been featured on NPR, Canadian Broadcast Corporation, and Radio Suisse Romande broadcasts. The Kansas City Star, in a review of a concert by Biggers, noted that his performance demonstrated “authority and eloquence” and stated “were there more players like this, the organ would be far less a minority interest.” Dr. Biggers studied with Russell Saunders (Eastman School of Music), Lionel Rogg (Conservatory of Music, Geneva, Switzerland), J. Warren Hutton (The University of Alabama), Wallace Zimmerman (Atlanta), Harold Vogel (Bremen, Germany), and has won numerous prizes in many diﬀerent competitions. In particular, he was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, secondprize in the 1982 American Guild of Organists National Organ Playing Competition, and unanimously won the 1990 Calgary International Organ Festival Concerto Competition. Two highly acclaimed Compact Disc recordings of his work (“Sleepers, Wake! A Reger Perspective” and “Bach on the Fritts!”) have been issued by Calcante Recordings, and Dr. Biggers will be recording several other releases in the future, to be issued by Loft Recordings. Baritone TIMOTHY LEFEBVRE’S recent performances include Beethoven’s 9” Symphony with Syracuse Symphony, Sharpless in Madama Butterﬂy with Syracuse Opera, a solo recital at Binghamton University and Messiah with Pensacola Symphony. LeFebvre has appeared in concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has also appeared in concert at New York ’s Camegie Hall and Alice Tully Hall. LeFebvre ’s operatic experience includes leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera, Indianapolis Opera, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner of the New York Liederkranz Vocal Competition, and other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently on the faculty at Binghamton University. His 20052006 engagements include appearances with the New Dominion Chorale in Brahms’ Requiem, West Virginia Symphony in Mozart ’s Requiem, Jacksonville Symphony in Bemstein’s Arias and Barcarolles and Central City Opera in Ballad o f Baby Doe. “ JOHN LATHWELL is the principal oboist of the Binghamton Philharmonic, the TriCities Opera and the Cayuga Chamber Orchestra. He also performs regularly with the North Eastern Pennsylvania Philharmonic, the Skaneateles Festival and is active as a chamber musician throughout the central New York area. In New York City, Mr. Lathwell has performed with the Orchestra of St. Lukes, the New York Chamber Symphony, the American Composers Orchestra, the Westchester Philharmonic and the Brooklyn Philharmonic among many others. Mr. Lathwell is a member of the music faculty at both Binghamton University and the Tennessee Governor’s School for the Arts. He has also taught at Ithaca College. His primary teachers have been Joseph Robinson, principal oboist of the New York Philharmonic and Richard Killmer, Professor of Oboe at the Eastman School o f Music. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary musjc, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY. TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the Binghamton University faculty in 1986 as director of the orchestral and wind ensemble programs and instructor of studio conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree from the Yale School of Music and a B. Mus. degree from the Manhattan School of Music. Dr. Perry ’s more than two hundred programs include ten seasons as Music Director of the Binghamton Community Orchestra and as guest conductor of both the Catskill Symphony and Binghamton Philharmonic orchestras. Perry is widely known as a virtuoso solo and chamber music clarinetist, touring Latin America and the Caribbean as a United States Musical Ambassador and appearing at international festivals in Europe and Asia. He presented his third artist recital at an International Clarinet Conference this past summer in Tokyo. �UNIVERSI TY CHAM BER ORCH ESTRA Violin I Alisa Selman Marie Mizuno Claire Bym e Elizabeth Sterling Viola Melissa Lee Sarah Sterli ng Melissa Ma ttern Beth Vayshenker Violin II Akira Maezawa Alexander Wong Anna Cardillo Molly Ariotti Cello Heajung Kim John Choi Nicholas Ca pone Clarini William Gi lchrist Bethany Bo nhoﬀ Gregg Acke rman Bass Elizabeth Bartlett Timpani Mark Turle y * * t * * * * * * * * * * * * * * * * * * * * * * * * * * * * COMI NG EVENT S Th ursday, October 20 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free Sat urda y, October 2 2 – A n Evening of Rodgers a nd Hammerstein – University Orchestra, Harpur Chorale and soloists – 8:00 p.m. – Osterhout Concert Theater $18 general public; $16 fac ulty/staﬀ/seniors; $10 students ( A Beneﬁt for the Music Department) Th ursda y, October 27 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free F riday, Octobe r 28 – G uest Organist : Robert Poovey – 8:00 p.m. – First Presbyterian Church, Chenango St., Binghamton $14 general public; $ 12 faculty/staﬀ/seniors; $6 st udents Sunda y, October 30 – University Wind Ensemble – 3:00 p.m. Anderson Center Chamber Hall – free Th ursda y, November 3 – MidDay Concert with faculty and student performers 1 :20 p.m. – Casadesus Recital Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:56; 28:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A benefit concert, a Bach celebration: music of Johann Sebastian Bach (1685-1750), October 15, 2005 Description An account of the resource Works of Bach. Held at 8:00 p.m., October 15, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Biggers, Jonathan LeFebvre, Timothy Lathwell, John Salmirs, Michael Stalker, Stephen Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-15 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/92f82251ae3155099f36b7df9ff47e33.pdf c9e50263534476627ad7cabbb8e6573c PDF Text Text UN i fe - a 0 g, . r 9 BIN U N I V E R N Y State University of New York Department of Music Chamber Music Masterpieces Patricia Sunwoo, violin Roberta Crawford, viola Stephen Stalker, cello Mary Burgess, soprano Michael Salmirs, piano with guest artist Rebecca Ansel, violin April 10, 2005 3:00 p.m. Anderson Center Chamber Hall �Program String Quartet in D Major, Op. 20, No. 4.........Franz Joseph Haydn (1732-1809) Allegro di molto Un poco adagio aﬀettuoso Menuetto: Allegretto alla zingarese Presto scherzando Rebecca Ansel, violin; Patricia Sunwoo, violin Roberta Crawford, viola; Stephen Stalker, cello Seven Romances on Poems of Alexander Blok, Op. 127 Dmitri Shostakovich (1906-1975) 1. Ophelia’s song 2. Hamayun, the prophetic bird 3. We were together 4. The city is asleep 5. The storm 6. Secret signs 7. Music Ma ry Burgess, soprano; Michael Salmirs, piano Patricia Sunwoo, violin, Stephen Stalker, cello --Intermission-Piano Quintet in F Minor... Molto moderato quasi lento—Allegro César Franck (1822-1890) Lento, con molto sentimento Allegro non troppo, ma con fuoco Rebecca Ansel, violin ; Patricia Sunwoo, violin Roberta Crawford, viola ; Stephen Stalker, cello Michael Salmirs, piano �Program Notes String Quartet Op. 20, No. 4 in D major Haydn’s six Opus 20 string quartets are known as the “Sun” Quartets because of the publisher’s emblem (a rising Sun) on the title page of the 1772 edition. Among his most frequently performed chamber works, these quartets are representative of the mature composer, writing a steady supply of music to be performed at the Esterhazy court. The opening Allegro di molto is both fresh and lyrical: in the development section, the four instruments converse with one another in triplet runs. The Un poco Adagio aﬀetuoso, in the parallel minor key is a theme with variations which feature each instrument in turn: it is followed by a bright Menuetto in D major, with “gypsy” cross-accents and syncopation. The quartet closes with a typical, high-spirited Haydn rondo. Shostakovich: Seven Romances on Poems of Alexander Blok, Op. 127 Written in 1967 when Shostakovich was recovering from a heart attack, the Seven Romances were commissioned by cellist Mstislav Rostropovich and dedicated to Rostropovich’s wife, the soprano Galina Vishnevskaya. They were premiered in October of that year at the Moscow Conservatory, the performance marking the 50th anniversary of the October Revolution. The original performers were Rostropovich, Vishnevskaya, violinist David Oistrakh, and pianist Mieczyslaw Vainberg. The poetic texts by the highly inﬂuential, early 20th Century poet Alexander Blok are almost relentlessly dark and pessimistic. Near the end of a diﬀicult life and facing what may have seemed like imminent death, Shostakovich (who lived until 1975) chose poems that demonstrated Blok’s grim prescience of coming catastrophes. His musical settings make it clear that he expected nothing better in the future. Nevertheless, the last song movingly ﬁnds the composer (and poet) oﬀering up his ﬁnal “passion” to Music, “empress of the universe,” from her “unworthy slave.” l �In her memoirs, Vishnevskaya wrote of the cycle: “This work of agonizing beauty occupies a unique place in Shostakovich’s oeuvre. He wrote it in the hospital after his heart attack, after his confrontation with death and return to life. He seems to survey his life journey as if from the vault of the heavens, and he addresses himself to those spiritual values for whose sake alone life is worth living.” ¢ l Franck : Piano Quintet in F Minor César Franck was 57 when he completed his Piano Quintet. It was the ﬁrst piece of chamber music he had written in 30 years, and its romantic mood contrasted with Franck’s earlier work. The choice of medium is explained by the recent launching of the Société Nationale de Musique, which set as its goal to promote chamber music. As for the mood, the likely explanation is Franck’s infatuation with his student Augusta Holmes, a beautiful and gifted woman 25 years his junior. The novelties of the work were not lost on the audience of the ﬁrst performance. The premiere left some unpleasant memories: the piano part was played by Camille SaintSaéns, who was Franck’s rival and had little aﬀinity for the emotional intensity of the piece. When the performance was ﬁnished Saint-Saéns left the stage rather abruptly, leaving the manuscript on the piano in a gesture everyone interpreted as very ill mannered. Another person who was appalled by the new work was Frank’s wife Félicité, who had no doubts about the inspiration behind it. Frank based nearly all of his mature works on musical ideas that recur in all the movements, a technique he had learned primarily from Franz Liszt. 4 l �l About the Performers Violinist REBECCA ANSEL earned her BM from Rice University and her MM and DMA from the University of Michigan, where she served as a teaching assistant for ﬁve years. Her primary teachers were Kathleen Winkler and Paul Kantor. Her summers have been spent at numerous music festivals including Aspen, Bowdoin, Music Academy of the West, Brandeis and Taos, where she had the opportunity to work with the American, Brentano, Takacs, Chicago and Lydian string quartets. Dr. Ansel previously taught at Ohio State University, Blue Lake Fine Arts Camp, the Rocky Mountain Summer Conservatory and the ASTA String Institute at Ithaca College. She is currently Assistant Professor of Violin at Ithaca College, where she is also a member of the Ariadne String Quartet. Additionally, she is on the faculty of The Adriatic Chamber Music Festival in Bonefro Italy. Dr Ansel is an active recitalist and has performed with many ensembles in Ann Arbor, Michigan, the Iris Chamber Orchestra in Memphis, Tennessee, Pro Musica Chamber Orchestra and the Columbus Bach Ensemble in Ohio, The Roycroft Chamber Players in East Aurora, NY and the Cayuga Chamber Orchestra and Ensemble X in Ithaca, NY. Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent engagements include appearances at the Carnegie Hall’s Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. ; �ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As Associate Director and a founding member of the Finger Lake Chamber Ensemble, Crawford has participated in over one-hundred solo, chamber, and lecture-recitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and is Associate Principal Violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has had several works dedicated to her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is Director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently Coordinator of Strings at Binghamton University " [ STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-in-Residence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. A l �MARY BURGESS, associate professor of voice at Binghamton University, recently celebrated the fortieth anniversary of her New York City Opera debut, which occurred while she was still an undergraduate at the Curtis Institute of Music in Philadelphia. Her European operatic debut at the Holland Festival, in the title role of Cavalli’s L’Erismena, brought engagements at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several consecutive seasons in leading roles at Dublin Grand Opera in Ireland. Her repertoire of thirty-eight roles in ﬁve languages includes six which she has performed in Binghamton at Tri-Cities Opera: Madama Butterﬂy, La Traviata, Tosca, Marguerite in Faust, The Merry Widow, and Norma. A frequent soloist with orchestras, Burgess has appeared with more than two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. In August 1996, at Monadnock Music Festival in New Hampshire, Burgess made a critically acclaimed debut in the role of Susan B. Anthony in Virgil Thomson’s The Mother of Us All, honoring the centenary of his birth. She returned to Monadnock Festival in August 1997 as Violetta in a gala concert performance of Verdi’s La Traviata, . prompting the Boston Herald to comment: “...she negotiated Ah, fors’e lui and Sempre libera with warmth and speciﬁcity of expression. She also produced beautiful, ﬂoaty pianissimos in the aria. More importantly, she had a minutely detailed conception of the character and the role that informed her singing. It was a revelation to watch her.” Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Wednesday, April 13 – Master ’s Recital : Jennifer Perkins, soprano – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Senior Honor’s Recital: Nancy Schneider, piano – 8:00 p.m. - Casadesus Recital Hall – free Friday, April 15 – Student Recital : Sut-Han Che, piano – 8:00 p.m. Casadesus Recital Hall – free Saturday, April 16 – Senior Honor’s Recital: Talitha Phillips, string bass – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 16 -- University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. – Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 1 9 – Student Brass Quintet – 8:00 p.m. ~ Casadesus Recital Hall – free Thursday, April 21 – Mid-Day Jazz Concert with guest artist artist - 1 :20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 1 :20 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with guest artist artist - 1:20 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor ’s Recital : Deanna Bunal, mezzo-soprano – 3 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:34;38:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber music masterpieces, April 10, 2005 Description An account of the resource Works of Haydn, Shostakovich, Franck. Held at 3:00 p.m., April 10, 2005, Anderson Chamber Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Crawford, Roberta Stalker, Stephen Burgess, Mary Salmirs, Michael Ansel, Rebecca Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-10 Rights Information about rights held in and over the resource In copyright