155
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:05
27:53
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243607">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243607</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Pidgeon, music of J.S Bach, organ, April 8, 1973
Recital Tape 1973-4-8
Description
An account of the resource
Held at 4:00 pm, April 8, 1973, Recital Hall.
Creator
An entity primarily responsible for making the resource
Pidgeon, John
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
4/8/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:35
21:52
20:38
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243611">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243611</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale, autumn to april: a chorale tribute to spring, April 8, 1973
Recital Tape 1973-4-8
Description
An account of the resource
Works of Leisring, Schein, Billings, Bruckner, Bach. Held at 8:15 pm, April 8, 1973, Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur Chorale
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
4/8/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:10
42:16
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243616">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243616</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Roberta Schlosser, David Clatworthy and Mareda Graves, voice studio recital, April 9, 1973
Recital Tape 1973-4-9
Description
An account of the resource
Works of Mozart, Perti, Caccini, Brahms, Debussy, Faure. Held at 4:10 pm, April 9, 1973, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Schlosser, Roberta
Clatworthy, David
Graves, Mareda
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
4/9/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/a952ecd1882ca4b925d7976987dd4492.pdf
d85d233d443dd121588f2ca85895cf3b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STATE UNIVERSIT Y OF NEW Y O R K
[4
vwdee
D E P A R T M E N T
Student performers from the studios of Ben Aldridge,
Donald Robertson, and Brian Sternberg
present:
®) ©Cons
, a ‘ “
‘
/
“4,
"
3
t
m
l
5
, ,
.
BR ASS STUDIO
RECITAL
Accompanied by Margaret Reitz, piano
Friday, May 1, 2015
4 p.m.
Casadesus Recital Hall
�0+ PROG R AM +0
Fanfare for St. Edmundsbury
Concerto for Trump et
Jason Boniello, Michael Stern, Jonathan Terner
to cast a shadow again
movemen ts 1 & 2
. Eric Ewazen
(b. 1954)
Jake Stamatis, baritone Anne Taylor, trumpet
John lsenberg, piano
Harald Genzmer
(1909 2 0 0 7)
Thomas Parker, trumpet
Yorkshire Ballad.
Michael Sugarman, euphonium
Sonatina fur Posaune und Klavier
1. Allegro
Jason Boniello, trumpet
James Barnes
(b.1949)
.1(an’mierz Serocki
(1922 1981)
Sonata in f minor
Allegro Moderato
Alice Xue, trumpet
Profile Vl
Slowly, rubato
Otto Ketting
(1935 2012)
Fisher Tu ll
(1934 1994)
Letitia Chang, trumpet
Morceau de Concert
Gabriel Bedard, French Horn
Sonata for Trumpet
Mvt. 3 Allegro
Camille SaintSaens
(1835 1921)
Kent Kennan
(1913 2003)
Brandon Ashley, trumpet
.G. P. Telemann
(1681 1767)
Jacob Solon, trombone
Suite in D
Overture Gigue
Aire Bourree March
.Georg Friedrich Handel
(1685 1859)
Brandon Young, trumpet
Sonatina fur Posaune und Kla vier .
lIl. Allegro vivace
.
Kazimierz Serocki
(1922 1981)
ChristOpher Beard, trombone
Bipperies
3 5, 7
Moderato
Lowell Shaw
(b. 1930)
Harry Huffnagle
Daniel Muller, Emmanuel Davis, French Horns
Bradley Marquardt, trombone
Intrada
(1778 1837)
Benjamin Britten
(1913 1976)
Sonafine
Adagio Saltarello
Joharm Hu mmel
MvL 3 Allegro
6 x 4.
Alec Wilder
92, 3, 4
Cornucopia .
Fripperies
#9
(19071980)
.Earl Hoffman
Lowell Shaw
Katherine Saturnino, Abbey McMahon
Daniel Muller, Gabriel Bedard, French Horns
Mini Tripperies .
Lowell Shaw
Dona Nobis Pacem .
A
Anonymous
#3,6
Moderato.
Felix Mendelssohn
(18091847)
Menuetto .
.Anton Reicha
(moms)
Zach Bimbaum, David Luther, Emmanuel Davis, French Horns
(01m)
�Fugue “For All the Gentiles”.
..Felix Mendelssohn
(1809 1847)
Paul Barber, Alice Xue
Jason Boniello, Michael Stern, Jonathan Terner
4 0 Binghamton University Low Brass Ensemble 4 0
Canzona terza
arr. Kurt Sturzenegger
Giovanni Gabrieli
(1557 1613)
Adagio from Symphony No. 3.
trans. Ken Murley
..Camille SaintSaens
(1835 1921)
Achieved is the Glorious Work,.
from “The Creation,” arr. Donald Miller
I’m Getting Sentimental Over You..
arr. Daniel Martin
Trombones:
Christopher Beard
Bethany Evans
Bradley Marquardt
Jacob, Solon
Josh Yamuder
Bass Trombone
Patrick Jones
Euphonium
Michael Sugarman
...Franz Joseph Haydn
(1732 1813)
. George Bassman
(1914 1997)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
54:45
23:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74818">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74818</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student performers from the studios of Ben Aldridge, Donald Robertson, and Brian Sternberg present Brass Studio Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Britten, Ewazen, Genzmer, Barnes, Serocki, Ketting, Tull, Saint-Saëns, Kennan, Hummel, Telemann, Handel, Serocki, Huffnagle, Wilder, Hoffman, Shaw, Mendelssohn-Bartholdy, Reicha, Gabriele, Haydn, Bassman. Held at 4:00 p.m., May 1, 2015, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Binghamton University Low Brass Ensemble
Reitz, Margaret A.
Bonielli, Jason
Stern, Michael
Terner, Jonathan
Stamatis, Jake
Taylor, Ann
Isenberg, John
Parker, Thomas
Sugarman, Michael
Marquardt, Bradley
Xue, Alice
Chang, Letitia
Bedard, Gabriel
Ashley, Brandon
Solon, Jacob
Young, Brandon
Beard, Christopher
Muller, Daniel
Davis, Emmanuel
Saturnino, Katherine [Kathryn]
McMahon, Abbey
Birnbaum, Zach
Luther, David
Barber, Paul.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Britten, Benjamin, 1913-1976
Ewazen, Eric, 1954-
Genzmer, Harald
Barnes, James
Serocki, Kazimierz
Ketting, Otto
Tull, Fisher
Saint-Saëns, Camille, 1835-1921
Kennan, Kent, 1913-2003
Hummel, Johann Nepomuk, 1778-1837
Telemann, Georg Philipp, 1681-1767
Handel, George Frideric, 1685-1759
Serocki, Kazimierz
Huffnagle, Harry
Wilder Alec
Hoffman, Earl
Shaw, Lowell
Mendelssohn-Bartholdy, Felix
Reicha, Anton, 1770-1836
Gabrieli, Giovanni, approximately 1554-1612
Haydn, Joseph, 1732-1809
Bassman, George
Date
A point or period of time associated with an event in the lifecycle of the resource
5/1/15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/141c98c91bee9ff7b6e25b1aba9c3468.pdf
551c40d571e40d846499746a4ed9cf0b
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
wdee
D E P A R T M E N T
F LUTE S TUDIO AND
FLUTE CHAMBER
CONC ERT
Was“ ff
yq/
x._
0
‘ \ _
i
, , '
"\
fi
.~ .
fi fl
a
= "
.
p
< 5
Yb
Friday, May 1, 2015
10:45 a.m.
Casadesus Recital Hall
�c‘an PROG RAM « 5
Allegretto for Flute and Piano .
. Benjamin Godard
Emily Paye, flute
William James Lawson, piano
Suite in b minor for Flu te and Piano.
Polonaise
Badinerie
Johann Sebastian Bach
(16851750)
Devin Kasinki, flute
William James Lawson, piano
Suite de Ballet.
Suite in a minor for Flu te and Piano
Overture, Allegro
Menuet
Réjouissance
.Georg Phillip Teleman
(16811767)
Eleni Floralds, flute
William James Lawson, piano
Bin h ton Universi
u Tri
Jacqueline Robins
(18721 958)
Humoresque
.Charles Marie Widor
(18441937)
Lydia Carolan, flute
William James Lawson, piano
. Ralph Vaughan Willia ms
Improvisation
Gavotte
Passepied
(18491895)
Scherzo, from Suite.
Opus 34 for Flute and Piano
Michelle Li
Jessica Biagiotu’
Kohar Bedonian, flute
William James Lawson, piano
Concertino, Opus 107 for Flute and Piano
. Cécil Chaminade
Jacqueline Robins, flute
William James Lawson, piano
Menuet and Dance of the
Blessed Spirits for Flute and Pia no
from the Opera Orpheus
Grand Trio in Ré Majeur Opus 86.
pour Trois Flutes
Allegro
(18571944)
Bingha mton University Flue uartet
Michelle Li
Eleni Florakis
Jacqueline Robins
Jessica Biagiotti
.Christo ph Willibald Gluck
(17141787)
Jour D'été A L a M
ontagne...
pour Quatre Flu tes (1953)
Michelle Li, flute
William James Lawson, piano
Svrinx pour Flute Seule .
Jessica Biagiotti, flute
Friedrich Kuhlau
(17861832)
Pastorale
Ronde
.Eugéne Bozza
(19051991)
..Claude Debussy
(18621918)
Flutis ts are from t he Flute S tudio o f Georgetta Maiolo
M i a W i s
�Bingham ton University Departm ent of Music
Coming Events
a
M
M
M
M
M
m
M
m
a
b
e
e
Friday, May 1 – Brass Recital – 4 p.m. Casadesus Recital Hall – free
Saturday, May 2 – Senior Reci tal: Daniel Malinovsky, piano 12 noon
Casadesus Recital Hall free
Saturday, May 2 – Master’s Recital: Je nny Gac, soprano – 3 p.m. –
Casadesus Recital Hall – free
Sunday, May 3 – University Chorus and Symphony Orchestra :
Mendelsso hn’s “Lobgesang” 3 p.m. Osterhout Concert Thea ter $7
general public; $5 faculty / s taff/ seniors/ a lumni; free for studen ts
Sunday, May 3 – Joint Recital: J unior Max Rydqvist, baritone and
Senior Ricky Nan, tenor 7:30 p.m. – Casadesus Recital Hall – free
Thursday, May 7 – Student Re cognition MidDay Concert – 1 :20 p.m.
– Casadesus Recital Hall – free
Thursday, May 7 – Harpur Chorale and Women’s Chorus Spring
Concert – 7:30 p.m. – Anderson Center Chamber Hall – $7 general
public; $5 faculty/ s taff/ seniors/ a lumni; Free for students
Friday, May 8 – Nuk porfe Afri can Drum ming and Dance Ensemble
7:30 p.m. Watters Theater – $5 general ad mission at the door
Saturday, May 9 – Se nior Recital: Caitlin Gotimer, soprano – 7:30 p.m.
– Casadesus Recital Hall – free
6
M
b
6
M
M
b
6
b
e
6
M
b
6
fi
fi
b
For tickets or to be added to our email list, visi t anderson.binghamton.edu or call (607) 777ARTS. For a
complete list of our concerts call (6 07) 7772592, visit music.binghamton.edu or
— a
become a fan on Facebook.
B
—
If you were inspired by this performance, consider supporting the Department of
F
Music with a financial gift. Your support helps to continue the work ofstudents,
faculty, and guest artists and their contributions to our community. Please make
your donation payable to the B inghamton University Music Department, and end
your check to B U Music Department, P O . Box 6000sss, B inghamton, NY
13902***
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
56:20:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74822">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74822</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Flute studio and flute chamber concert, May 1, 2015
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Godard, Bach, Vaughan, Chaminade, Gluck, Dubussy, Windor, Telemann, Kuhlau, Bozza. Held at 10:45 a.m., May 1, 2015, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Paye, Emily
Kasinski, Devin
Bedonian, Kohar
Robins, Jacqueline
Li, Michelle
Biagiotti, Jessica
Carolan, Lydia
Florakiss, Eleni
Lawson, James, William
Binghamton University Flute Trio
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Godard, Benjamin, 1849-1895
Bach, Johann Sebastian, 1685-1750
Vaughan Williams, Ralph, 1872-1958
Chaminade, Cécil
Gluck, Christoph Willibald
Debussy, Claude, 1862-1918
Widor, Charles-Marie, 1844-1937
Telemann, Georg Philipp, 1681-1767
Kuhlau, Friedrich
Bozza, Eugène
Date
A point or period of time associated with an event in the lifecycle of the resource
5/1/15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/78b6b00675d692cc84b6473ccf48d867.pdf
14bea3f65ad7a30fe13e1f84876e48a1
PDF Text
Text
State University of New York
Department of Music
Joint Student Recital
Jessica Bastek, piano
Juliana Maslen, piano
Saturday, May 1, 2004
3:00 p.m.
Casadesus Recital Hall
�About the Performers
JESSICA BASTEK is a senior majoring in math and economics.
She has played the piano since she was young. She studied
privately with Diane Miller during elementary school, Vivian
Graziano during middle school and Morris Borenstein during high
school. She played with the Minisink Valley band, chorus and at
All County Jazz Festivals. At Binghamton University, she studies
with Chai-Kyou Mallinson.
JULIANA MASLEN is a junior majoring in psychology and
music. She began studying piano at age seven with Charlotte
Davis. She continued her studies through high school with Marie
Balcom. At Binghamton University, she takes private piano
instruction with Chai-Kyou Mallinson and participates 1n
University Chorus. Maslen hopes to become a music therapist.
A Few Tips on Concert Etiquette
For those in the audience who are new to classical concerts, here are a few
suggestions on what to do and what not to do. Please turn offall cell phones and
pagers. Please do not talk to your neighbor (even softly), move around
excessively in your chair, rustle papers or cellophane. If you need a throat
lozenge, open it during applause only. And one more tip -- please don't applaud
between movements -- wait until the end of the piece. Follow these few simple
rules and you 'll make the concert a joy for everyone! And thank you for coming!
�Program
French Suite in G Major .................................................... J.S. Bach
Allemande
(1685-1750)
Courante
Sarabande
Gavotte
Sonata in C Minor, K 457 .......................... ....... W. A. Mozart
Allegro
(1756-1791)
Adagio
Mo/to Allegro
Jessica Bastek, piano
Intermission
Songs Without Words ......................... ..... Felix Mendelssohn
Venetian Boat Song
(1809-1847)
Spring Song
Rhythm (From Three Pieces for Piano, 1999) ......... Paul Goldstaub
Juliana Maslen, piano
Toccata (From Trois Pieces) ........................ ................... F. Poulenc
(1899-1963)
Duets ............... .......................... ............ George Gershwin
(1898-1937)
I Was Doing All Right
Slap That Bass
I Got Plenty o 'Nuttin '
Jessica Bastek, piano
Juliana Maslen, piano
�Coming Events
Thursday, May 6 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free
Thursday, May 6 - Harpur Chorale and Women's Chorus - Peter Browne
and Emily Burr, conductors - 8:00 p.m. - Anderson Center Chamber Hall free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:57:54
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253436&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253436&change_lng=en&select_viewer=metsViewer</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Joint student recital, May 1, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-5-1b
Description
An account of the resource
Works of Bach, Mozart, Mendelssohn, Goldstaub, Poulenc, Gershwin. Binghamton University Department of Music, Jessica Bastek, piano, Juliana Maslen, piano.
Creator
An entity primarily responsible for making the resource
Bastek, Jessica
Maslen, Julia
Date
A point or period of time associated with an event in the lifecycle of the resource
5/1/2004
Rights
Information about rights held in and over the resource
In copyright
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
61 minutes :36 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142450">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142450</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student recognition mid-day concert, May 10, 2012
Description
An account of the resource
Works by Reicha, Handel, Leclair, Stout, Clarke, Verdi Held at 1:20 p.m., May 10, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Arenstein, Zachary
McAuliffe, Matthew
Birnbaum, Zackary
Cakalli, Meghan
Lee, ü, Hsia, Tienen
Lawson, William James
Foley-Reynolds, Chilton
Jasinskas, Kathleen
Goldenberg, Adam
Jacobsen, Cabiria
Rossnagel, Mark
Kampler, Zachary
Pochliy, Benjamin l Reitz, Margaret
Kompar, Christina
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/10/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/9e8d9476e0e0ce617404cf233d897373.pdf
38a1a6bd2a5f2de399a77716e40594dd
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
d e e
D E P A R T M E N T
GERMAN LYRIC DICTION
FINAL CONCERT
JUDY BERRY, INSTRUCTOR
with
William Lawson, Accompanist
Thursday, May 10, 2012
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
Franz Schubert
. (1797 –1828)
Hugo Wolf...
(1860 –1903)
Standchen (from Schwanengesang, D. 957)
Verschwiegene Liebe (Eichendorff Lieder, no. 3)
Erlkonig (Opus 1, D. 328)
In dem Schatten meiner Locken (“Spanische Lieder”, no. 4)
Christina Kompa r
HeePyoung Oh
Abendstern (D. 806 )
Richard Strauss
(1864 –1949)
Heimliche Aufforderung (Op. 27 No. 3)
Richard G. Leon berger
Gretchen am Spinnrade (Op. 2, D. 118)
Eun Hwan Bae
Traum durch die Dammerung (Op. 29 no. 1)
Meghan Cakalli
Robert Schumann......
Seit ich ihn gesehen (from Frauenliebe und Leben, Op. 42)
Molly AdamsToomey
Molly AdamsToomey
...(1810 –1856)
Zueignung (Op. 10, No. 1)
Richard G. Leon berger
Selections from Dichterliebe, Op. 48
Johann Strauss.
Im wunderschonen Monat Mai
Aus meinen Tranen sprieRen
Die Rose, die Lilie
“Mein Herr Marquis” (from Die Fledermaus)
Ich grolle nicht
Charles Hyland
Eun Hwan Bae
..(1825 –1899)
Meghan Cakalli
�TRANSLATIONS
Sténdchen (Serena de)
(Heinrich Rellstab)
My songs quietly implore you
through the night:
down to the silent w ood
my love, come to me!
The tree tops whisper
in the light of the moon;
Don’t be afraid, my love,
no one will observe us.
Can you hearthe nightingales?
Oh! They implore you,
their sweet lament
pleads with you on my behalf.
They understand the yearning I
feel,
they know Iove’s torture.
with their silvery notes
they touch every soft heart
Let them touch yours, too,
sweet love: hear my plea!
Trembling I await you,
come, bring me bliss!
Erlkdnig
(Johann Wolfgang von Goethe)
“You dear child, come, go with
me!
Very lovely games I ’ll play with
YOU;
Some colourful flowers are on
the beach,
My mother has some golden
robes.”
“My father, my father, and don‘t
you hear
What the Elfking quietly
promises me?”
“Be calm, stay calm, my child;
The wind is rustling through
withered leaves.“
“Do you want to come with me,
pretty boy?
My daughters shall wait on you
finely;
My daughters will lead the
nightly dance,
And rock and dance and sing
you to sleep.”
“My father, my father, and don’t
you see there
The Elfking’s daughters in the
gloomy place?”
“My son, my son, I see it clearly:
There shimmer the old willows
so grey.”
his arms,
Reaches the farm with trouble
Is bitter to me.
My poor head
Is crazy to me,
My poor mind
Is torn apart.
Abendstern
My peace is gone,
My heart is heavy,
I will find it never
It horrifies the father, he swiftly
rides on,
He holds the moaning child in
and hardship;
In his arms, the child was dead.
(Evening Star)
(Johann Mayrhofer)
Why do you linger alone in the
sky, o beautiful star?
and you are so mild ;
why does the spark ling crowd
of your brothers shun your
sight?
“I am the star of true love,
and they keep far away from
Love.”
So you should go to them,
if you are love; do not delay!
Who could then withstand you,
you sweet but stubborn light?
“I sow, but see no shoot,
and so I remain here, mournful
and still.”
and never more.
For him only, I look
Out the window
Only for him do I go
Out of the house.
His tall walk,
His noble figure,
His mouth’s smile,
His eyes’ power,
And his mouth‘s
Magic flow,
His handclasp.
and ah! his kiss!
My peace is gone,
My heart is heavy,
I will find it never
and never more.
Gretchen am Spinnrade
(Gretchen at the spinning
wheel)
(from Faust by Johann
Wolfgang von Goethe)
My bosom urges itself
toward him.
Ah, might I grasp
And hold him!
“My son. why do you hide your
will use force.”
“My father, my father, he’s
grabbing me now!
My peace is gone,
My heart is heavy,
[will find it never
and never more.
And kiss him,
As I would wish.
At his kisses
I should die!
Elfiting?
The Elfking has done me some
harm!”
Where I do not have him.
That is the grave,
The whole world
Who rides, so late, through night
and wind?
It is the father with his child.
He has the boy well in his arm
He holds him safely, he keeps
him warm.
face so anxiously?”
“Father, do you not see the
The Elfking with crown and tail? ”
“My son, it’s a wisp of fog.”
“I love you, your beautiful form
entices me;
And if you’re not willing, then I
�Seit ich ihn gesehen
(Since I first saw him)
(Adalbert von Chaimsso)
Since I first saw him
I think I must be blind;
wherever I look
I see only him;
as if in a trance,
his image hovers before me,
emerging from the deepest
gloom even brighter.
All else is dark and colorless
in my surroundings:
my sisters‘ games
interest me no longer;
I would rather weep
quietly in my room.
Since I first saw him,
I think I must be blind.
Im wunderschénen Monet Mai
(In the wonderfully beautiful
month of May)
(Heinrich Heine)
In the wonderfully beautiful
month of May
When all the buds are bursting
open,
There, from my own heart,
Bursts forth my own love.
In the wonderfully beautiful
month of May
When all the birds are singing,
So have l confessed to her
My yearning and my longing.
Aus meinen Trénen sprieBen
(Many flowers spring up from
my tears)
(Heinrich Heine)
From my tears spring
many blooming flowers forth,
and my sighs become
a nightingale choir,
and if you have love for me,
child.
I’ll give you all the flowers,
and before your window shall
sound
the song of the nightingale.
Die Rose, die Lilie
(The rose, t he lily)
(Heinrich Heine)
The rose, the lily, the dove, the
sun,
I once loved them all in love’s
bliss.
I love them no more, I love only
the small, the fine, the pure, the
one;
she herself, source of all love,
is rose and lily and dove and
sun.
Verschwiegene Liebe
(Silent love)
(Josef Karl Benedikt von
Eichendorff)
Over treetops and corn
and into the splendor —
who may guess them,
who may catch up with them?
Thoughts sway,
the night is mute; thoughts run
free
Only one guesses,
one who has thought of her
by the rustling of the grove,
when no one was watching any
longer except the clouds that
flew by —
my love is silent and a s fair as
the night.
In dem Schatten meiner
Locken
(In the shadow of m y tresses)
Ich grolle nicht
(I bear no grudge)
(anon. translated into German
by Emanuel Geibel and Paul
Heyse)
I bear no grudge, even though
my heart may break.
eternally lost love!
I bear no grudge.
However you may shine in the
splendor of your diamonds.
no ray of light falls in the
darkness of your heart.
In the shadow of my tresses
My beloved has fallen asleep.
Shall I awaken him now?
Ah, no!
(Heinrich Heine)
I have long known this, I saw
you in a dream,
and saw the night within the
void of your heart,
and saw the serpent that is
eating your heart —
I saw, my love, how very
miserable you are.
Carefully I comb my ruffled
Locks, early every day;
Yet for nothing is my trouble,
For the wind makes them
disheveled yet again.
The shadows of my tresses, the
whispering of the wind,
Have lulled my darling to sleep.
Shall I awaken him now?
Ah, no!
I must listen to him complain
That he pines for me so long,
That life is given and taken
away from him
By this, my brown cheek,
And he calls me a snake;
Yet he fell asleep by me.
Shall I awaken him now?
Ah, no!
Heimliche Aufforderung
(Secret invitation)
(John Henry Mackay)
Up, raise the sparkling cup to
your lips,
And drink your heart’s fill at the
joyous feast.
And when you raise it, so wink
secretly at me,
Then I’ll smile a nd drink quietly,
as you. . ,
And quietly as I, look around at
the crowd
Of drunken revelers — don’t
think too ill of them,
No, lift the twink ling cup, filled
with wine,
And let them be happy at the
noisy meal.
But when you’ve savored the
meal, your thirst quenched,
Then quit the loud gathering’s
joyful fest,
And wander out into the garden,
to the rosebush,
There shall I await you, as often
of old.
And ere you know it shall I sink
upon your breast,
And drink your kisses, as so
often before,
And twine the rose’s splendor
into your hair.
Oh, come, you wondrous,
longedfor night!
�Traum durch die Ddmmerung
Mein Herr Marquis
(Dreaming through the
twilight)
(My dear Marquis)
(Karl Haffner and Franz
Broad meadows in the grey
twilight;
the sun’s light has died away
and the stars are moving.
Now I go to the loveliest of
women,
across the meadow in the grey
twilight,
deep into bushes of jasmine.
My dear marquis, a man like
you should better understand.
Therefore, I advise you to look
more closely at people!
(Otto Julius Bierbaum)
Through the grey twilight to the
land of love;
I do not walk quickly, I do not
hurry.
I am drawn by a faint, velvet
thread
through the grey twilight to the
land of love,
into a blue, mild light.
Zueignung
(Dedication)
(Hermann von Gilm)
Yes, you know it, dearest soul,
How I suffer far from you,
Love makes the heart sick,
Have thanks.
Once I, drinker of freedom,
Held high the amethyst beaker,
And you blessed the drink,
Have thanks.
And you exorcised the evils in it,
Until I, as I had never been
before,
Blessed, blessed sank upon
your heart,
Have thanks.
Friedrich Richard Genée)
This hand is surely far too fine,
This foot so dainty and small,
The manner of speaking I have,
My waist, my bustle,
These would never be found
On a lady’s maid!
You really must admit,
This mistake is very comical!
Yes, very comical is this matter,
So pardon me if I laugh!
With this profile in Grecian style
being a gift of nature;
If this face doesn’t say enough,
just look at my figure!
Just look through your lorgnette
at this outfit.
It seems to me that love
has clouded your eyes.
The image of your chambermaid
has quite filled your heart!
Now you see her everywhere!
This is truly a very comic
situation!
Yes very comical is this matter,
So pardon me if I laugh!
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
48 minutes :27 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142453">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142453</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
German Lyric Diction final concert, May 10, 2012
Description
An account of the resource
Works by Schubert, Schumann, Strauss Held at 8:00 p.m., May 10, 2012, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Berry, Judy
Lawson, Williams James
Oh, Hee-Pyoung
Leonberger, Richard G
Cakalli, Meghan
Adams-Toomey, Molly
Hyland, Charles
Bae, Eun Hwan
Kompar, Christina
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/10/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
52 minutes :42 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142456">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142456</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
University Percussion Ensemble concert, May 10, 2012
Description
An account of the resource
Works by Fabricius, Laney, Whitacre, Abe, Crockarell, Arndt, Beck, Sousa Held at 8:00 p.m., May 10, 2012, Watters Theater, BU Fine Arts.
Creator
An entity primarily responsible for making the resource
Fabricius, Daniel
Goldenberg, Adam
Goetz, Emily
Steenstra, Rose
Erdman, John
Ramos, Benjamin
Rava, Alexander
Steere, Tyler
Tracy, Devn
Valera, Alex
Williamson, Andrew
Patterson, Ryan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/10/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/d3ba4417ef320b73060cbdfd128fd060.pdf
41410a996895d281d263f69ae30721e6
PDF Text
Text
U '
» .
x
l a i “5. 8
1 11.3.5
s
§ AY
, ,
v
,
1 1 5 ! )
I.
i
f ) , l
!
n d
on
C
A RA
1
N
B INGH AMTO
R S ] T Y
N
I V E
State University of New York
Departm ent of Music
Master ’s Recital
Elisa Co rdova, soprano
with
Margaret Reitz, pia no
1
I
Saturday, M ay 10, 2003
8 :00 p.m.
Casadesus Recital Hal l
�Program
.. Joaquin Rodrigo
(19011999)
CuatroMadrigalesAmatorios............................. . ene
Con que la lavare?
Vos me matasteis
De donde venis, amore?
De los Alamos vengo, madre
Die Forelle
l
ll
n n o c o o o . . . n – . n . – . . . . n n . o n . . . . . . o a o n o n – – o c o o o u c o o – o . –
Gretchen am Spinnrade
Franz Schubert
(17971828)
Giacomo Puccini
(18581924)
Sole e Amore
Terra e Mare
O, mio babbino caro from Gianni Schicchi
Intermission
Green
Extase
C’est I’extase
Le Manoir de Rosemonde
Oh, never sing to me again
Lilacs
In the silence of the secret night
Bee! I’m expecting you!
The Bird
The Serpent
.......Claude Debussy
(18621918)
Henri Duparc
(18481933)
....Claude Debussy
Henri Duparc
...........Sergei Rachmaninov
(18731943)
.............John Duke
(18991984)
.............Lee Hoiby
(b. 1926)
r
l1
i
�T ranslations
Con que la lavare?
(With what shall I bathe?)
With what shall I bathe the bloom of
my face,
Now that I live in so much pain.
The wives bathe their faces with lemon
water.
I’ll wash my marks of anguish.
with pain and sorrow.
Vos me matasteis
(You have killed me)
You have killed me, girl of the long
tresses.
Child, I am dead, you have made me
dead.
On the banks of the river I saw a
virgin...
Girl of the long tresses, you have killed
me.
De donde venis, amore?
(Where have you come from, my
love?)
Where have you come from, my love?
I know full well where you’ve been!
Where have you come from, my
friend?
Ah, if I could only be a witness.
De los Alamos vengo, Madre
(From the Poplars I come, Mother)
I have been to the poplars, Mother.
I have seen how the branches sway in
the breezes.
I have been to the poplars of Seville
to see my beautiful friend.
Die Forelle
(The Trout)
In a clear brook,
Merrily speeding, a playful trout shot
past like an arrow.
I stood on the bank,
Watching with happy ease the lively
little fish
Swimming in the clear brook.
A fisherman with his rod was standing
there on the bank,
Coldbloodedly watching the fish dart
to and fro...
“As long as the water remains clear,” I
thought,
“He will not catch the trout with his
rod.”
But at last the thief could not wait any
longer.
With guile he made the water muddy,
And, before I could guess it,
His rod jerked,
The fish was floundering on it,
And my blood boiled as I saw the
betrayed one.
Der Tod und das Madchen
(Death and the Maiden)
(The Maiden)
Pass me by, oh pass me by,
Go, wild skeleton!
I am still young: go, dear one,
And touch me not!
(Death)
Give me your hand, oh fair and tender
form!
I am your friend; I do not come to
punish.
Be of good cheer! I am not wild,
You shall sleep softly in my arms.
�G retchen am Spinnrade
(G retchen a t the SpinningWheel)
My peace is gone, my heart is heavy,
I can never find peace, never again.
In his absence, I feel as if dead,
And the whole world is turned to gall.
My poor head is distracted,
My poor mind is shattered,
My peace is gone, my heart is heavy,
I can never find peace, never again.
For him alone I look out of the window
For him alone I go out of the house.
His lofty carriage, his noble form,
The smile of his lips, the power in his
glance.
And the magic flow of his speech,
The clasp of his hand, and oh!
His kiss!
My peace is gone, my heart is heavy,
I can never find peace, never again.
My bosom yearns towards him,
Oh, might I grasp and hold him!
And kiss him all I could,
And on his kisses I would pass away!
Sole e Amore
(Sun and Love)
The sun joyfully taps at your windows;
Love very softly taps at your heart,
and they are both calling you.
The sun says: “Oh, sleeper,
show yourself for you are beautiful!”
Love says: “Sister, with your first
thought
Think of the one who loves you!
Think of the one who loves you!
Think!”
To Paganini, G. Puccini
Te rra e Mare
( Earth and Sea)
The long rows of poplars, bent by the
wind,
Are roaring again.
In the darkness, half asleep, I hear
them
And I dream of the voice of the sea.
And I dream of the deep voice
With its peaceful, mighty rhythms ;
Reflected in the wave, the stars shining
in the sky
Are looking at me.
But the wind rages louder
Through the long row of poplars,
It wakes me from m y joyous sleep...
Distant is the voice o f the sea!
O mio babbino caro
(Oh, my darling father)
Oh, my darling father
I like him so, h e’s so handsome!
I want to go to the Porta Rossa
to buy the wedding ring.
Yes, yes! There I want to go.
But if my love is in vain,
I will throw myself into the Arno
River.
I am so tormented, Oh, God...
I’d rather die.
Daddy, have pity.
Daddy, have pity.
�G reen
(G reen)
Here are fruits, flowers, leaves, and
branches,
And here too is my heart that beats
only for you.
U
Do not destroy it with your two white
:
hands,
and to your lovely eyes may the
humble gift seem sweet!
I come covered with dew
that the morning breeze has chilled on
my brow.
Let m y weariness, resting at your feet,
Dream of dear moments that will bring
repose.
On your young breast let me rest my
head
Still ringing with your last kisses.
Let it be appeased after the good
tempest,
That I may sleep a little as you rest.
Extase
(Ecstasy)
On a pale lily, my heart sleeps
a sleep sweet as death...
Exquisite death, death perfumed
by the breath of the beloved...
On your pale breast my heart sleeps
a sleep sweet as death...
l
l
C ’est l’extase
(It is ecstasy)
It is languorous ecstasy,
it is loving fatigue,
it is all the tremors of the woods
in the embrace of the breezes,
it is in the gray branches,
the choir of tiny voices.
Oh, the frail, fresh murmuring!
That twittering and whispering is like
the sweet cry
breathed out by the ruffled grass...
You would say, beneath the swirling
waters,
the muted rolling of the pebbles.
This soul which mourns is subdued
lamentation,
it is ours, is it not?
Mine, say, and yours,
breathing in a humble anthem
in the warm evening, very softly?
Le Manoir de Rosamonde
(The Manor of Rosamund)
With its sudden and voracious fang,
Like a dog, love has bitten me.
By following the blood I have shed,
Go! You will be able to follow my
trail.
Take a thoroughbred horse,
set out, follow my arduous way,
bog or hidden path,
If the journey does not exhaust you!
In passing where I have passed,
you will see that alone and wounded,
I have roamed this sad world,
and that thus I went to die
far away, far away, without ever
discovering
the blue manor of Rosamund.
�Ne poi k rasavitsa pri mne
(Oh, never sing to me again)
Sing not, Oh lovely one, in my
presence
Your melodies of sorrowful Georgia,
They recall in me
Another life and a distant shore
Alas, your cruel song recalls in me
the steppe, the night, and in the
moonlight,
The features of a maiden, sad and
faraway!
I see you and forget that dear and
fateful vision
But you sing, and it comes to me anew.
Sing not, oh lovely one, in my
presence
Your melodies of fateful Georgia.
They recall in me
Another life and a distant shore.
O dolga budu ja
(In the silence of the secret night)
Oh, long will I, in the silence of the
secret night
Banish from my thought and call to
memory again
Your smile, beguiling words and gaze,
>
l
l
l
your offhand gaze,
Your tresses gentle to my touch ...
In whispers to amend the thoughts of
which we spoke,
timid thoughts,
And then in rapture, against all reason,
With your cherished name awaken
the darkness of the night.
Oh, long will I, in the silence of the
secret night
With your cherished name awaken the
darkness of the night.
Sirenj
(Lilacs)
In the morning, at dawn,
Through grass wet with dew,
I will go to breathe the fresh air.
In the fragrant shade where lilacs
crowd
I will search for my happiness there...
One happiness only in my life I will
find,
And it dwells in a lilac bower,
On green branches,
In fragrant clusters,
My meek happiness blooms.
l
l
�About the Performers
I
ELISA CORDOVA, a native of Chile, is a Resident Artist with TriCities
Opera where she made her debut in 2001 as Gretel in Hansel and Gretel. She
appeared last season as Nella in Ithaca Opera’s production of Gianni Schicchi.
Some of her favorite roles include Adele in Die Fledermaus with the Brevard
Music Festival, Despina in Cosi fan tutte, and Bianca in La Rondine with the
“Teatro Felice” in New York City. While residing in New York, she also toured
with the Metropolitan Opera Guild’s Outreach division for their 20002001
season.
In addition to Opera, Cordova is an active recitalist. She has premiered new
works throughout the United States, Italy, and Chile in connection with various
artists such as Steve Reich, Christopher Larkin, and her father, composer and
guitarist, Miguel Cordova. Elisa Cordova is a graduate of the Eastman School
of Music and the University of Rochester where she earned a BM in Vocal
Performance and a BA in Psychology. Cordova is a recipient of a Clark
Fellowship and is proud to be graduating with a Masters in Opera from
Binghamton University this spring. This summer, she will perform as solo guest
artist with the Orchesta Philomusica de Asuncion in Paraguay, South America.
l
MARGARET REITZ, pianist, received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink
and Walter Ponce and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America, and at the American
Institute of Musical Studies in Graz, Austria. She and Binghamton University
faculty member Timothy Perry were winners of the 1997 Artistic Ambassadors
Program of the United States Information Agency in partnership with the John
F. Kennedy Center for the Performing Arts. They were invited to present a
recital at the International Clarinet Conference in Paris in 1996 and in Belgium
in 1999. She recently performed at a Chamber Music Workshop in Chapel Hill,
North Carolina. She was an official accompanist for the MTNA State and
Eastern Division Competition held at Ithaca College in 2001. She will be a
guest soloist with the Binghamton Community Orchestra in Spring 2 003. Reitz
has been on the faculty at Binghamton University since 1991 and The Ithaca
College School of Music since 1999. She maintains a private piano studio. in
Vestal.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:54:26
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253385&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253385&change_lng=en&select_viewer=metsViewer</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, Elisa Cordova, soprano, May 10, 2003
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2003-5-10
Description
An account of the resource
Works of Rodrigo, Schubert, Puccini, Debussy, Duparc, Rachmaninov, Duke, Hoiby. Translations of works available in accompanying program. Held at 8:00 p.m., May 10, 2003, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Cordova, Elisa
Reitz, Margaret
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/10/2003
Rights
Information about rights held in and over the resource
In copyright