155 10 1775 https://omeka.binghamton.edu/omeka/files/original/7e0efcc9ad002d9d300d96301f13ff01.pdf b527756f52aca9638cd9864cd1be1a15 PDF Text Text BINGHAMTON L  . \   i  V  i;  R  \  I  1  3 State University of  New York UNVI  JFflfl  veel    fl ' t ‘ m w % 5  C r  d e : e B E Y  A R T  M E N T T HE BINGHAMTON UNIVERSITY SAXOPHONE STUDIO CONCERT Featu ring the Binghamton University Saxophone Q uartet And the Binghamton University Saxophone Ensemble W ith Margaret Re itz, P iano A nthony Ald uino, Bass Saxophone co­sponsored b y The Binghamt on University Music Depart m ent May 5, 2007 3:00 p. m. Casadesus Recital Hall �PROGRAM +vereeeen.  Eugene Bozza (1905­1 991 ) Aria (1936) Marissa Roe, Alto Saxophone Georg Phillip Telemann (1681­1 767) Sonata 1 II Adagio III Allegro Emily Alkeiwitz and Am y Natiella, Alto Saxophones ..Ronald Caravan Quiet Time........ (B. 194 7) Steven Inganamort, Tenor Saxophone siOoon ge  Produc Sonata  No. 3......cccenneee a  o k Handepl 11 Allegro Katherine Navarett, Alto Saxophone .........A ntone V ivaldi Suite in C Minor........ooevenes (1678­1759) II Corrente IV Sarabnade V Gigue Kristen Weiss, Tenor Saxophone Hector Villa Lobos Fantasia (1948)........ccceenens (1887­1 959) I Anim e’ Amy Natiella, Soprano Saxophone WINTE RMISS IONC3 Three Preludes ..............ceue. 1%  movem ent 2™  movem ent 3 ”  movem ent rovin.G eorge Gershwin (1898­1 937) The Binghamton University Saxophone Quartet Amy Natiella, Soprano Saxophone Emily Alkeiwitz, Alto Saxophone Michael Marchisotto, Tenor Saxophone Marissa Roe. Baritone Saxophone ABOU T T H E  P E R F O R M E R S APRIL L UCAS earned both a Bachelor of Arts and Master o f Music at Binghamton University and is currently on the  faculties  of Binghamton University  and Broome Commun ity College and a former m ember of the Hartwick Col lege music faculty. Ms. Lucas is a founding member of the Empire Saxophone Quartet and has recorded with the Hudson Valley Saxophone Quartet, the Saxophone Sinfonia, the New Sousa Band and the Empire Saxophone Quartet. A former regional director of the North American Saxophone  Alliance,  Ms.  Lucas  has  served  as  a  clinician  and  guest  conductor throughout New  York  State.  She is a  full time  instrumental music  teacher  for the Susquehanna  Valley  School  District.  Ms.  Lucas  is a member  of the  Binghamton Philharmonic Orchestra, the Tri­Cit ies Opera Orchestra, and the Southern Tier Concert Band and has been a member of the New Sousa Band under the direction of Keith Brion since 1989. April Lucas has been soloist with the Southern Tier Concert Band, the Binghamton Community Orchestra and the New Sousa Band. MARGA RET RE ITZ, pianist, is a native of the Binghamton Area. She received her Bachelor  and Master  of Music  degrees  in piano performance  with  accompanying emphasis,  and  attended  Boston  University,  New  England  Conservatory  and Binghamton  University.  She  has  studied  piano  with  Jean  Casadesus,  Victor Rosenbau m, Seymour Fink and Wa lter Ponce and accompany ing with  Allen  Rogers. She has accompanied throughout the United States, England, South America, and at the American  Institute  of Musical  Studies  in  Graz,  Austria.  Reitz  and  Binghamton University  faculty  member  Timothy  Perry  were  winners  of  the  1997  Artistic Ambassadors Program by the United States ln fonnation Agency in partnership with the John F. K ennedy Center for the Performing Arts. During the summer of 2005, Reitz, clarinetis t Timothy Perry and cellist Stephen Stalker were invited to perform at the lntemational Clarinet Conference in Tokyo, Japan. Other notable performances include guest  chamber  music  artist  in  Morges,  Switzerland  and  guest  soloist  with  the Binghamton University Orchestra.  She  was the  official accompanist at the MTNA State and Eastern Division Competition at Ithaca College in 200 1 and will be returning in 2006.  In addition, she  was selected to  attend the  Accompanying  Workshop  for Singers and Pianists held at Northwestern University. During the summer of 2006, she will compose the musical score for an independent film  by MANDIS Production, to be released in February 2007. ANTHONY ALDUINO (baritone saxophone) is a music educator in the Susquehanna Valley School District and an active musician in  the Southern Tier. He has a woodwind studio  for private instruction and has performed w ith the B inghamton and Syracuse Symphony Orchestras. Tony has recorded with the Rascher Ensemble, the Fredonia Saxophone Ensemble and  the  Saxophone  Sinfonia. He is a  former member of the Onondaga Commu nity College faculty. �Perpetuum Mobile  Johann Strauss II (1 825­1 899) Arr. P. Aldi The Bingham ton University Saxophone Q uartet Amy Natiella, Soprano Saxophone Emily Alkeiwitz, Alto Saxo phone Michael Marc hisotto, Tenor Saxophone Marissa Roe. Baritone Saxo phone Percy CIDRID REY (1882­1961) Arr. P. Cohen Shepherd’s Hey  o v  Grainger Spoon RIVEL ........coomm mmm i mmmmsiiad iindP ians.  (1882­1961 ) Arr. P. Cohen The Binghamton University Saxophone Q uintet Amy Natiella. Soprano Saxophone, Emily Natiella, Alto Saxophone Kristen Weiss, Alto Saxophone Michael Marchisotto, Tenor Saxophone Marissa Roe. Baritone Saxophone Two Rags for Saxophone E nsemble (1974)  1  Sad Rag  II Glad Rag Arthur Frackenpohl (B. 1923) The Binghamton University Saxophone E nsemble Amy Natiella. Soprano Saxophone Emily Natiella, Alto Saxophone Kristen Weiss, Alto Saxophone Michael Marc hisotto, Tenor Saxophone Marissa Roe. Baritone Saxo phone Anthony Alduino, Bass Saxophone T he St u d ent Perfor m ers are from t he Studio of A pril Lucas �Coming  ‘Cuents Sunday, May 6 – Stu dent Recital : Rosa Nam, p iano – 3:00 .m. – Casadesus Recital Hall – free Wednesday, May 9 – Glimmerglass Opera Young Artists Ensemble – 8 :00 p.m. ­ Casadesus Recital Hall – free Th u rsday, May 1 0 – Stu dent Recognition Mid­Day Con cert – 1 :20 p.m. Casadesus Recital Hall – free Th u rsday, May  1 0 –  Har pu r Chora le &  Women ’s Chor us –  8:00  p.m. – Anderson Center Chamber Hall – free Satu rday, May 1 2 – Master ’s Recital : William G ilch rest, t ru m pet ~ 8:00 p.m. – Casadesus Recital Hall ­ free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:13:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196823">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196823</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Binghamton University saxophone studio concert featuring the Binghamton University Saxophone Quartet and the Binghamton University Saxophone Ensemble, May 5, 2007 Recital Tape 5-5b-2007 Description An account of the resource Held at 3:00 p.m., May 5, 2007, Casadesus Recital Hall. "The student performers are from the studio of April Lucas." Works of Bozza, Telemann, Caravan, Handel, Vivaldi, Lobos, Gershwin, Strauss II, Grainger, Frackenpohl. Creator An entity primarily responsible for making the resource Reitz, Margaret Alduino, Anthony Rose, Marissa Alkeiwitz, Emily Natiella, Amy Inganamort, Steven Navarette, Katherine Weiss, Kristen Marchisotto, Michael Lucas, April Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 972f175a-29bb-4123-9edd-92f6ceb7d2a1 https://omeka.binghamton.edu/omeka/files/original/0d21c7a6b105064ae254492f8b5ad82c.pdf 196a497a2d2363acf82c8440d5eda95d PDF Text Text BINGHAMTON Y R I Y E R D I ST A T E   U N I V E R S I T Y   O F   N E W   Y O R K (4 CESEC D E P A R T M E N T The Bingham ton University Sym phon y O rchestra presents MUSIQUE F ANTASTIQUE with Timothy Perry, Cond uctor Saturday, May 2, 2009 8:00  p.m. Osterhout Concer t Theater �PROGRAM ' M M M … W M l I { } I Than kyouforattendin gtoday’sconcer t . We appreciate yo ur suppor t of our outstanding student­musicians ! Please join the Orchestra for its exciting 2009­2010 season: October 14” ACA Gala with the Paul Taylor Dance Com pany December 12” Mus ic Depar tment Gala “Facul ty Fireworks!” March 6” Winners of the USO Concerto & Aria Competition May 1 * Spring Concert P rogram to be annou nced ) ni  D it  D daie  D L a ti D La CPE)  ani  VCL  eit  D at i O Symphonie Fantastique, Op. 14 ( 1 8 3 0 ) . . . Reveries.  Passions. I.  Un bal II.  ps Scène aux cham III.  ­  IV.  ­  Marche au supplice­ Songe d ’une nuit du Sab bat bg  .Hector Berlioz (1803­1869) i {i { l ! l Intermission l ! l i 1 & ! } i i !H Î {{ } Î Suite (1919) from L ’Oiseau de Feu. ... (The Firebird) Introduction­ L ’oiseau de feu et sa danse – Variation de l’oiseau de feu Ronde des princesses – Danse infernale du roi Kastcheï – Berceuse — Finale (­ leading directly to the next movement w ithout pause) ‘ ……… . Igor Stravinsk y (1882­1971 ) �ABOUT THE MUSIC W e  close this season with two works of prodigious creativity that blend the concepts, and test the limits, of musical form and musical fantasy.  Separated by a span of eighty years, both premiered in  Paris and each represents a watershed moment in music history, works that epitomize that recent popular­ cultural and advertising phrase ‘this changes everything ’. Berlioz’ programmatic symphony serves,  more  than  any other work, as the dividing line leaving Classicism for Romanticism; Stravinsky’s ballet is one of a handful of works whose premieres served to close that Romantic period. In each case, the composition launched a major career; in each case the composer was not yet thirty years of age; each  pushes the possibilities of the orchestra outwards, both technically and timbrally, to unheard­of extremes. Finally, in  a way few compositions do, each preserves through its freshness and originality a certain quality of mystery and magic, which I hope that you will experience with us this evening. – TP over the winter months of 1909­1910. The story draws from several versions folk fairy­ tales about Prince Ivan and the mythical Firebird. In  Slavic tales the Firebird represents a ‘Quest of the Hero’; if caught, the bird will  employ its powers  (here, to help Ivan free the princesses) in  return  for its release.  (The plot synopsis of the ballet follows these program notes.) ’j .\ # 0   D  D Berlioz’ Symphonie Fantastique had  its genesis in the composer’s romantic obsession  with  the  English  actress  Harriet  Smithson  (whom  he  first saw  in  1827, married in 1832 and divorced in 1844).  Driven by a (false) rumor of Smithson’s affair with her manager, Berlioz created the work in a white­heat of jealous inspiration. The symphony  traces  in  its  five  movements  an  arched  progression  of their  fantasized relationship as experienced by “a young musician of unhealthily sensitive natu re an d endowed with vivid imagination”: I.  Idealized love; II. Actualized love; III. Happiness, suspicion and betrayal; IV. Negation of actualized love; V. Negation of idealized love. (Berlioz’ full ‘program ’ follows these program notes) The famous idée fixe  ­ the theme of the beloved ­ opens the faster section of the first movement,  and  appears throughout  the  work  as a continuous  musical  marker  that Berlioz varies with the psychological context of the situation.  All movements except the  first  employ a  real­life  context as metaphors for the  emotional  progress of the turbulent and ultimately doomed romance. The work  fairly  bristles with  Berlioz’ brilliant and innovative orchestration ranging from the English horn­oboe duet in  the third movement pastorale to the col legno (tapping the string with the wood of the bow) effects from the Witches’ Sabbath to the four­player timpani chords that imitate distant thunder at the conclusion of the third movement.  All elements are given new flexibility in the service of the ‘fantastic ’. Berlioz’ dynamic (volume) markings are pushed to pppp levels never before req uested and the balance of all  parts  is  marked with  extraordinary care.  Harmonic invention includes the juxtaposition of seemingly unrelated chords, creating a number of  ‘sound effects’. Finally, the phrase structure employs extensions and elisions and freq uently departs from the 2­4­ and 8­bar norm of the period. As Berlioz biographer David Cairns remarks,  “Berlioz in the  ‘Fantastic ’ Symphony was  s peaking a new language : not only a new language of orchestral sound...but also a new language of feeling.” The  Firebird  was  the  first  of  the  three  ballet  scores  composed  by  Igor Stravinsky  between  1910  and  1913  for  Serge  Diaghilev’s  Ballet  Russe  company ( Petroushka and The Rite of Spring completing the trio).  Stravinsky worked from the scenario by Mikhail Fokin, to which he also contributed, composing the score in Russia Musically, the entire ballet derives from the first six­notes of the score.  The compositional processes Stravinsky employs with this thematic ‘interval cell’ built on the tritone interval are much closer to those used by his contemporary Bela Bartok than to the Russian school in which Stravinsky trained. The original orchestration is large, complex  and  brilliant, and while  showing  much  influence  of Stravinsky’s teacher, Rimsky­Korsakov, goes into  uncharted territory in terms of musical effects like the harmonic  slides  of  the  Introduction  and  the  virtuosic  fluttering  in  the  firebird’s ‘Variation ’. Tonight’s 1919 suite is scored for a standard symphonic orchestra and joins suites completed in  1910 and 1945 by the composer.  The work was rehearsed in  St. Petersburg with  final  preparation  in  Paris from  May  1910. The  premiere  proved  a triumph  for  the  dance  company  and  the  composer  and  established  Stravinsky ­TP April 2009 permanently at the forefront of Parisian musical life.   ELK K K BERLIOZ’S SYMPHONIE FANTASTIQUE: Composer’s Note The composer’s intention has been to develop, insofar as  they contain musical possibilities,  various  situations  in  the  life  of  a n   artist.  The  outline  of  the instrumental drama, which lacks the help of words, needs to be explained in advance. The following program should thus be  considered as  the spoken text  of an  opera, serving to  introduce  the  musical  movements,  whose  character  an d expression  it motivates. [ \ PROGRAM FROM THE PUBLISHED SCORE A young musician of unhealthily sensitive nature and endowed with vivid imagination has poisoned himself with opium in a paroxysm of love­sick despair. The narcotic dose was too weak to cause death, but it has thrown him into a long sleep accompanied by the most extraordinary visions. In this condition, his sensations, feeling, and memories find utterance in his sick brain in the form of musical imagery. Even the beloved one takes the  form of melody in  his  mind, like an ever­returning idée fixe that  he  hears everywhere. Ist movement : Visions and Passions. At  first, he thinks of the  uneasy and nervous condition of his mind, of sombre longings, of depression and joyous elation without any recognizable cause, which he experienced before the beloved one had appeared to him. Then he remembers the ardent love with which she suddenly inspired him; he thinks of the almost insane anxiety of his mind, of his raging jealousy, of his re­awakening love, and of religious consolation. 2 nd movement : A Ball. In a ball­room, amid the confusion of  a brilliant festival, he finds the beloved one again. �3rd movement : Scene  in  the Country. On a summer evening, he  is  in  the country musing when he hears two shepherd lads playing the ranz des vaches (a tune used  to call flocks together) in alternation. The shepherd­duet, the location, the soft whisperings of  the  trees  stirred  by  the  zephyr­wind,  remembered  hopeful  prospects­­all  these sensations unite to impart a long­unknown repose to his heart and lend a smiling color to his imagination. A nd then she appears once more. His heart stops beating as painful forebodings fill his soul: “ What if she should prove false to him?” One of the shepherds resumes the melody, but the other answers him no more. ... Sunset ... distant rolling of thunder ... loneliness ... silence. 4th movement : March to the Scaffold. He dreams that he has murdered his beloved­ that he has been condemned to death and is being led to the scaffold.  A march that is alternately sombre an d wild, brilliant and solemn, accompanies the procession. ... The tumultuous outbursts are  followed  without  modulation  by  measured steps. The idée fixe returns; for  a moment a  last thought of love  is  revived­­which is cut short by the death­blow. 5th  movement : Dream of a  Witches’ Sabbath.  He dreams  that  he  is  present  at  a witches’ dance, surrounded by horrible spirits, amid sorcerers and monsters in  many fearful forms, all come to attend his funeral. Strange sounds are heard­­ groans, shrill laughter, distant yells, which other cries seem to answer. The beloved melody is heard again, but it has lost its noble and shy character, and become a vulgar, trivial, grotesq ue kind of dance. It is she who now comes to attend the witches’ sabbath. Friendly howls and shouts greet her arrival ... she joins the infernal orgy ... bells toll for the dead ... a burlesque parody of the Dies Irae ... the witches’ round­dance ­the dance and the Dies Irae are heard together. L ’OISEAU DE FEU ( THE FIREBIRD): SYNOPSIS Stravinsky’s ballet ce nters on the journey of its hero, Prince Ivan. Ivan enters the magical  realm of Kashchei the Immortal; all  of the  magical objects and creatures of Kashchei are herein  represented  by a chromatic descending motif, usually in the strings. While wandering in the gardens, he sees and chases the Firebird. The Firebird, once caught by Ivan, begs for its life and ultimately agrees to assist Ivan in exchange for eventual freedom . U n i v e r s i t y  S y m p h o n y  O r c h e s t r a  Timothy Perry, Conductor Flute/Piccolo* Tae Kim SuYeon  Oh* Valerie Spiller Missy Voldan* Oboe/Eng. Horn* Valerie Hammel Maxwell Rosenberg* Katie Warner Clarinet/E­flat* Gregg A ckerman* Matthew Hassel James Wu Jonathan Yousefzade h* Bassoon Daniel Bessel Paige Elliott Kristin Grennan Franch Horn Diana Amari Zack Arenstein Zachary Birnbaum Kirstie Cummings Next, Prince Ivan sees thirteen princesses, with one of whom he falls in love. The next day, Ivan chooses to confront Kashchei to ask to marry  one of the princesses; the  two  talk  and  eventually  begin  quarreling.  When  Kashchei  sends  his  magical creatures  after  Ivan,  the  Firebird  ­ true  to  its  pledge  ­  intervenes,  bewitching  the creatures and making them dance an elaborate, energetic dance (the “Infernal Dance") . Trumpet The creatures and Kashchei then fall asleep; however, Kashchei awakens and is  then  sent  into  another  dance  by  the  Firebird.  While  Kashchei  is  bewitched, the Firebird  tells Ivan the secret  to Kashchei’s immor tality and Ivan destroys it,  killing Kashchei. Jay Bartishevich Rob Menard Chris Mann With Kashchei gone  and his magic broken, the magical creatures and palace all disappear.  All of the “real” beings (including the princesses) awaken and, with one final fleeting appearance from the Firebird, celebrate their victory and freedom. Dan Brisk Daniel Fein Tim O’Brien Trombone Tuba Percussion/Timpani Amanda Jacobs Stephanie Lehman Brian Lindenbaum Gavin Osterhoudt Lee Vilinsky Violin ! Griffin Sargent Michael Chin Richard Law Amy Honigsberg Alicia Koepke Emily Wong Margaret Yoon Gregory G. Greene Eric Lewis­Clark Solomon Dawson Jehwan Lee Hemangi Shah Jin Park Amy Su Violin Il Elizabeth Sterling Molly Ariotti Erin Chang Jenny Raphael Ye­Won Kwak Hyeyon Seo Nicole Boucicaut Paul Beechner Xiang He Rebecca Velez Jane Evans Elizabeth Joyce Viola Maxim Pekarskiy Sarah Sterling Janet Levins Albert Kim Jeffrey Kohn Shane Thorn Stephanie Chaung William Grandin Jodi Ezratty Jacquelyn Emmons Felicia Korenstein Violoncello Dam Soh Jennifer Chen Ryan Joyce Taylor Reitmeier Daniel Copel Ronit Rapaport Adam Engel Contrabass David Katz Rachel Casey Melanie Clark Owen Domber t The USO employs rotati ng seating; Woodwinds, Brass an d Percussion rotate by compostion an d are listed alphabetically.  Strings rotate by concert an d  are listed in seating order. Congratulations a n d  best wishes to our graduatin g members (+ ) �Bingha mtonU nivers ityMus icDepa rtment ’s UPCOMING EVENTS S u n da y, Ma y 3 ™ Masters Recital: J enean Truax, soprano, Casadesus Recital Hall, 3:00 PM, FREE     Percussion Ensemble, 8:00  PM, FREE T uesday, M a y 5 Anderson Center Ch amber Hall Thursday, May 7” Student Recognition Mid­Day Concert, Casadesus Recital Hall, 1 :2 0  PM, FREE   ”  Harpur Chorale an d Women’s Chorus, Th ursday, M a y 7 Anderson Center Chamber Hall, 8:00 PM, FREE n University African Music Ensemble,   Friday, M a y 8  ” Binghamto Casadesus Recital Hall, 8:00 PM, FREE Saturda y, May 9 ”  Hindustani (North Indian) Classical: Tomek Regulski, Casa desus Recital Hall, 8:00 PM, FREE   asters Recital: Jonathan Moots, baritone, Casadesus S u n da y, Ma y 1  0 ” M Recital Hall, 3:00  PM, FREE (tentativ e ) For ticket information, please call the A nderson  Center Box Office a t  777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:47 21:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149870">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149870</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Binghamton University Symphony Orchestra presents Musique fantastique, May 2, 2009 Recital Tape 2009-5-2b Description An account of the resource Held at 8:00 p.m., May 2, 2009, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:07:29 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189730">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189730</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The complete organ works of Johann Sebastian Bach (1685-1750), program II, November 9, 2008 Recital Tape 2008-11-9 Description An account of the resource Works of Bach.Held at 4:00 p.m., November 9, 2008, First Presbyterian Church. Creator An entity primarily responsible for making the resource Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-09-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 9104aca5-e352-4074-8ae9-7aadfc277f57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiocassettes 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 54:51 38:34 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189978">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189978</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The creation, April 13, 2008 Recital Tape 2008-4-13b Description An account of the resource Held at 3:00 p.m., April 13, 2008, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Borton, Bruce Perry, Timothy Boyd, Sibongile Nanni, Steve Calis, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-04-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 55a4af44-aeec-4cf6-b63f-e98e6a5da157 https://omeka.binghamton.edu/omeka/files/original/c2d9a765a0864605cb0d7ce7196d639c.jpg 2312760e973ea0c2f8924b5ee1c8360b https://omeka.binghamton.edu/omeka/files/original/c9db9806bd84241381cf99613a0135a1.jpg 6b8c842b9c4e686dd04a98aa94734ca8 https://omeka.binghamton.edu/omeka/files/original/a3976bd492337c08ea731679110b0219.jpg 818d459e710177e77153dc4a9d6615ee https://omeka.binghamton.edu/omeka/files/original/291de76f043395f4434baea2e95ceb3e.jpg 4410860f36cc92247735551803c365c1 https://omeka.binghamton.edu/omeka/files/original/1fd7905c39235ca1e5ec48ad54427b42.jpg 5373e8483b9e81ad8519749dfbc17432 https://omeka.binghamton.edu/omeka/files/original/4810ba4afe5a405d836661b69ca96638.jpg b2d25740b45e74ffb211b079acab3d8f https://omeka.binghamton.edu/omeka/files/original/25a6eea67ec80e39950f0f827a6d5e8a.jpg b5f4c9b2d89c1eed92a791c4cc50efbe https://omeka.binghamton.edu/omeka/files/original/6e83b3ea2ac3a0d2e6de62ad28869864.jpg 9e3b6fd0996d97cf873ec880bd2c0e17 https://omeka.binghamton.edu/omeka/files/original/0a6096d489ecc64242391f6f337a3754.jpg 4eb0184168a62b68ce5dfe864f1176d8 https://omeka.binghamton.edu/omeka/files/original/3ff66255c63b15ea295377ce702de213.jpg f204c66a83956914569435b46e4f974b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Text in both German and English. Play separated into four seperate promptbooks. [Part I] Key to markings, symbols given opening page. No consistent page numbers given throughout entire section. Often changing, various added pages. Heavily marked promptbook. Handwritten notes throughout, mostly in German. Abundance of added dialogue, pages, note-sheets, etc. pasted throughout. [Part II] Page numbers not consistent. Includes many inserted pages. Marked as consistently and heavily as Part I. Handwritten notes throughout, mostly in German. Large amouint of added dialogue, pages, note-sheets, etc. pasted throughout. [Part III] Page numbers not consistent. Many inserted pages. Marked as consistently and heavily as other parts. [Part IV] Pages numbers not consistent. Contains extensive markings. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 31.5cm x 25.5cm Earlier version Earlier version (dcterms:isVersion Of) Der Weg der Verheißung Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.150 Production(s) Part I: October 31, 1935 New York November 1, 1935, New York December 18, 1935, New York (First rehearsal in theater) December 13, 1936, New York(Some dates given are listed as rehearsal dates) Part II: No performances or dates given. Part. III: November 23, 1935, New York January 13, 1936 Part IV: No performances or dates given. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The eternal road [promptbook] Subject The topic of the resource Werfel, Franz, 1890-1945. Eternal road -- Translations into English Promptbooks Stage directions Creator An entity primarily responsible for making the resource Werfel, Franz, 1890-1945 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German English Identifier An unambiguous reference to the resource within a given context R 3244 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/320b909fb8f248b6deb09a1dd43a41f5.pdf c2769d5ce08a636d5ed15a96017c6338 PDF Text Text VA \ C Recital C \) 00 4 3 7 SPECC 0 L..§tate University of New York Department of Music UNIVERS ITY WIND ENSEMB LE Timothy Perry, conductor Stephen Boel, assistant conductor "Cinematic Signatures II: The Film Music of John Williams'' Sunday, March 7, 2004 3:00 p.m. Anderson Center Concert Theater �The Binghamton University Department of Music prcs<::n ts the Wind Ensemble University Timothy Perry, Director and Conductor Stephen Boel, Assistant Conductor CINEMATIC SIGNATURES II THE FILM MUSIC OF JOHN WILLIAMS Program "Jaws" Suite ( I975) ....................... ......... arr. John Cacavas Main Title - The First Victim - Out to Sea - Epilogue "Star Wars: The Empire Strikes Back" (l 980) .. arr. Jack Bullock Finale - End Credits "Raiders of the Lost Ark" ( 1981) ................ arr. Jack Bullock Raiders March - Marion's Theme "E.T. The Extra-Terrestrial" (l 982) ........... arr. Frank Erickson Adventure on Earth - E.T. and Elliott - Over the Moon - Main Theme ''The Witches of Eastwick" ( 1987) ............. arr. Paul Lavender Dance of the Witches "Schindler' s List" ( 1993) arr. Calvin Custer Main Theme Alicia Fusani, Violin Solo "Saving Private Ryan" ( 1998) .................. arr. Paul Lavender Hymn to the Fallen "Harry Potter and the Sorcerer's Stone"(2001) .. arr. Robert Smith Hedwig's Theme - Nimbus 2000Hogwarts Forever - Quiddi tch Leaving Hogwarts - Harry's Wondrous World �UNIVERSI1Y WIND ENSEMBLE TIMOTHY PERRY, DIRECTOR STEPHEN BOEL, GRADUATE AsSISTANT Piccolo Amy Forgacs Tenor Saxophone Stephanie Mack Flute Lisa DePaula Stephanie Holleran Nicole Lean Elise Martingale Jennifer Thomas* Jennifer Weintraub* Baritone Saxophone Oboe Nancy Bayewitch Clarinet Heather Boland* Caroline Bravo* Sandra Czelusniak* Lloyd Gewuerz Michelle Grexer Andrew Hsu Angela Orlando Julie Pinsonneault Bass Clarinet Sam Jones* Christopher Strub Soprano Saxophone Philip Belle* Michael Irani Keyboard Judy Zhu Trumpet Max Baden Philip Deitz Derek Ersbak Michael Osa* Thomas Osa French Horn Greg Cecere* Ernie Epelman Maxwell Guido Trombone Ari Atkinson Jamie Cepler Ten-Seng Guh David Henann* Jonathan Ludwin Euphonium Dennis Pettas Jay Gwak Tuba Alto Saxophone Emily Alkiewicz* Amy Natiella* Percussion Ryan Bagg Matt Green Kristine Jackson Robin Kindig Pete Tringali* Dan Gallagher * Section Leader �About the Performers Conductor/Clarinetist TIMOTHY PERRY is Professor of Music at Binghamton University, where he serves as Director of Orchestral Activities, Director of the Wind Ensemble Program, and Professor of Instrumental Conducting and Studio Clarinet. Off campus, he is completing his tenth season as Music Director of the Binghamton Community Orchestra and recently guestconducted the Catskill Symphony and Binghamton Philharmonic orchestras. In addition to directing more than two hundred concert programs as conductor, Perry maintains a career as solo clarinetist and chamber musician. He has presented two programs at world conferences of the International Clarinet Association, toured Latin America as a United States Musical Ambassador, and recently premiered his composed reconstruction of Carl Baermann's concertina, The Hour of Ghosts. STEPHEN BOEL is a graduate student 1n Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, Massachusetts, Boel double-majored in Music Education and Music Performance. He also fulfilled the requirements for the Choral Conducting Certificate of ENC while serving for three years as the student director of the A Cappella Choir and Chamber Singers under the mentorship of Timothy SShetler. Conducting opportunities while ·serving as student director, and later as assistant director, included appearances at the Pennsylvania State University, New England Conservatory's Jordan Hall, and St. Paul's Cathedral in London. Upon receiving his baccalaureate degree, Boel served as director of music for the Wollaston Church of the Nazarene on the campus of his alma mater, a position held for five years before coming to Binghamton. During that time, he also played trumpet in the brass septet Tribute in Brass and assisted with the Wind Ensemble of Eastern Nazarene College. He serves as assistant director of the Binghamton University Wind Ensemble. He plans to graduate with his M.M. in Instrumental Conducting in the spring of 2005. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:54:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The film music of John Williams, March 7, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-7 Description An account of the resource Title from cassette label Creator An entity primarily responsible for making the resource Williams, John Date A point or period of time associated with an event in the lifecycle of the resource 3/7/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/6fc0ca26060d018ca36474900ee30d77.pdf 092f595366bd7a7f7bc3ca2bdf36d76f PDF Text Text UNIV ARC Recital BINGHAMTON Tape 2004 UNIVERSITY 3-25b SPEC - State University of New York Department of Music The Harpur Brass Ensemble Ben Aldridge, Director Stephen Boel, conductor Thursday, March 25, 2004 8 p.m. Casadesus Recital Hall �Program The Earl of Oxford's March ................................. . ..... William Byrd (1543-1623) Rondo for Li fey .................................................... Leonard Bernstein (1918-1990) Stephen Boel, trumpet Concerto for Trumpet ............................ Johann Nepomuk Hummel ( 1778-183 7) Allegro con Spirito Erinn Hibbard, trumpet Suite for Five Trumpets .......................................... Ronald LoPresti (Composed in 1957) Intrada - Chorale - Finale Stephen Boel, conductor -- Intermission -Prelude and Fugue ......................................................... Eric Ewazen (b. 1954) for Trumpet Choir Moro Lasso al mio Duo lo ........................................ Carlo Gesualdo (1560-1613) Contrapunctus I ................................. ........... Johann Sebastian Bach (1685-1750) The Harpur Brass Quintet Four Moods for Brass Quintet ........................... ..... ..... Arthur Harris (b. 1927) Chorale- Waltz Lyric Piece - Finale Rondeau .................... ......................................... Jean Joseph Mouret ( 1682-1738) �About the Performers BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the international Trumpet Guild, and has been recorded on Columbia and Redwood records. STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel double-majored in Music Education and Music Performance. He also fulfilled the requirements for the Choral Conducting Certificate of ENC while serving for three years as the student director of the A Cappella Choir and Chamber Singers under the mentorship of Timothy Shetler. Boel served as director of music for the Wollaston Church of the Nazarene on the campus of his alma mater, played trumpet in the brass septet Tribute in Brass and assisted with the Wind Ensemble of Eastern Nazarene College. He serves as assistant director of the Binghamton University Wind Ensemble. �The Ensemble Trumpets Stephen Boel Derek Ersbak Laura O'Hanl on Phillip Dietz Erinn Hibbard Paul Persichette Alex Rubie Horn Max Guido Trombone David Henann Tuba Daniel Gallagher **** **** **** **** **** **** **** *** Coming Events Saturday, March 27 - Cherished Friends, Cherished Songs - Soprano Mary Burgess and pianist George Darden - 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Thursday, April 15 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem - Bruce Borton, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 18 - The King of the Instruments: Guest Organist David Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $ I 4 general public; $12 faculty/staff/seniors; $6 students Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person, saxophone - 1:20 p.m. - Osterhaut Concert Theater - free Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Sunday, April 25 - University Wind Ensemble: New Dances - Timothy Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:41:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur Brass Ensemble, March 25, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-3-25b Description An account of the resource Works of Byrd, Bernstein, Hummel, LoPresti, Ewazen, Gesualdo, Bach, Harris, Mouret. Creator An entity primarily responsible for making the resource Aldridge, Benjamin Boel, Stephen Date A point or period of time associated with an event in the lifecycle of the resource 3/25/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/3273ee8d0928e10c9d00ff427aa11388.pdf 8706eca2839b40676aa0f870e3093f22 PDF Text Text STATE  UNIVERSITY OF NEW  YORK  AT  BINGHAMTON HARPUR  COLLEGE THE  DEPARTMENT  OF  MUSIC THE  HARPUR ORCHESTRA David Buttolph, Conductor Wednesday, April 29, 1970 8 :15 p. m. The Don A. Watters Theater �ORCHESTRA PERSONNEL VIOLINS Phylis Costanzo, Concertmistress *Ralph Wade Martha Strassberger Lor raine  F ink Carol Pettys Douglas Diegert Richard Luskin Jonathan Leer *John Mayorchak *Pamela Severski, P rincipal Paul  Friedman Mancy Peschko E lizabeth Nicolacopoulos Samuel Jacobs Jeffrey Feinsilver ‘Sophie Horowitz Sally Shafer VIOLAS Joyce Stelzl, P rincipal *Russel Colton Carolyn Lohman Richard Brooks Miriam G ilbert Deborah Reed “Ann Ziegler Ira Miller CELLOS Timothy Perry, Principal *Ruth Brown Miriam Diamond Dana Schnipper Evelyn Kalish Cynthia Dicker Vicki Fox CONTRABASS *Donal O’Buckley, P rincipal Dayle Sherba *James Hills Jim Kuenzli FLUTES Marsha Kadleck Carol Sevush Caroline Glaiber FRENCH  HORNS Matthew Goldstein *Bruce Sternberg Stuart Reeve Steven Kliewer *George Pappastra t James Hoskins TRUMPETS Thomas Sigler William Lockwood Joseph Lindstrom OBOES Geoffrey Bar ron Patricia Emery ENGLISH  HORN Scott Eddy TROM BONES Mark Clymer James Buttolph G rant Sullivan James Baldon CLARINETS TUBA David Marcus Daniel Blazej Peter Fredell BASS  CLARINET Ralph Daino CONTRA  ALTO CLARINET William Moore BASSOONS Thomas Closser David Bell *Binghamton Symphony member TIMPANI David Crowe PERCUSSION Peter Buttolph Richard Compton Ferris Lebous Robert Mirsky HARP Dulcie Barlow PERSONNEL MANAGER Paul Knoeffler The  music  for  this  occasion is provided by a grant f rom the Music Perf ormance Trust Funds  (Jerome H. Adler, T rustee), a public service organization created and financed  by  the  Recording  Industries  under  agreements with the American Fed­ eration of Musicians. �P ROGRAM CAP RICCIO ESPAGN OL  Rimsky­Korsakow Alborada Variazioni Alborada Scena e canto git ano F andango Asturiano P RE LU DE , ARIA,  FINALE  (U.S. PREMIERE )  William Mathias Allegro moderat o e pesante Adagio sostenuto, sempre cantab ile Poco allegro By ar rangement with Oxford University P ress, 200 Madison Ave . N. Y. C. RHAPSODY FOR CIMBALOM  Eugene  Zador SAM CHIANIS, Guest  Artist Intermission DIVERTIMENTO FOR PLANO AN D STRINGS  Dominick Argent o Veloce e giocoso Moderato cantab ile Allegro energico E LIZABE TH KORTE,  Pianist SYMP HONIC ME TAMORP HOSIS  On Themes of  Carl Maria von Weber (1943) Allegro Turandot, scherzo Andantino Marsch Paul Hindemith �PROGRAM N OTES lVIL L IA M M A T   H IAS William  was  born  in  Carmarthenshi re, Wales in 19 34 and studied at the Royal Academy of Music in Lo ndon. He  has  had  commissions  f rom  the  festival  committees of  Llandaff, St. David’s (Cardiff), the Welsh Committee of the Arts Council, a nd the Royal National E isteddfod and c ommissions f rom the BBC. Mathias  has  written  music  f or  the  church,  f or  orchestra, thre e piano concertos,  works  for  string  orchest ra,  for  harp,  string qua rtet, music for organ, and a violin sonata . EUGENE  Z ADOR Eugene  Zador  (b.  1894)  was  born  in  Hungary  and studied composition with Max Rege r and musicology with Albert and Schering.  He ea rned his Doctor of Philosophy degree i n 1921. A very p rolific compose r in all medium s (opera, balle t, symphony, sum – phonic poem, c hamber music, and song), M r.  Zador now mak es his home in southern Ca lifornia. The Rhapsody  was written in 1969 andgiven its premiere in  Los Angeles. The musical fla vor is unmista kably Hungarian and the composer expertly exploits  all the idiomat ic techniques of the Hungarian cimbalom. Mr.  Zador ’s  Rhapsody is be ing given its E astern premiere this evening. DOMINICK AR GENTO Argento, born in York, Pa. in 1927, received both bachelor ’s and master ’s degrees in com position f rom the Peabod y Conservatory and his doctorate f rom the Eastm an School where he studied with Be rnard Rogers a nd Howard Hanson.  He studied with Luigi Dallapic cola in Florence, Italy on a  Full­ bright Fellows hip in 1951 and returnedto Flo rence for further studies as a Guggenheim  Fellow  in  1957­58  and  1964 –65.  Since 1957, he has been a member of the faculty of the Departme nt of Music, University of Minnesota. PA U L HINDEMITH The Sym phonic Metaniovphosis On The mes of Carl  Maria von Web er  was Continued next p age �completed in 1943.  Hindemith has explained that as none of the fragments on  which  he  bases  the work represent Weber at his best, in his opinion, he has not hesitated to  make thematic alterat ions to fi t  his requirements. The  themes  for  the  fir st,  thi rd  and  fourth  movements are drawn from Weber ’s Music for Piano, Fou r Hands,  The principal theme of  the Scherzo is  a  genuine  Chinese  melody which  Weber  came  across in Rousseau’s Dictionary  of  Music  and  which  he  used  in  his incidental music fo r a production  of  Schiller ’s  play  Turandot ,  based  on  an  Oriental subject. A B OUT  T HE ARTIST S ELIZABETH KORTE Mrs.  Elizabeth Korte studied and received her B.S.  and M.S. in music at Julliard  School  of  Music,  and  performed  a  solo  New York recital upon completion  of  her  degree  work.  She has played numerous solo recitals throughout the East and has performed with t he Oklahoma City Symphony Orchestra,  the  Albuquerque Symphony Orchestra and the Brevard Music Cente r  Symphony.  Recently,  she appeared with the Buffalo Symphony at SUNY  in their performance of Roef Lieberman’s Concerto for Jazz Band and  Symphony.  On  April  12,  she  performed in a recital at SUNY Bing­ hamton with  Albert  Hamme  of  the SUNY Binghamton f aculty.  E lizabeth Korte  also  has  performed  and  recorded  Matrix  for  woodwind quintet and  piano.  This  number was composed by Mr. Karl Korte and  recorded for CRI label.  Mrs. Korte also teaches privately in the Binghamton area. SOTIRIOS (SA M) C HIANIS Born  in  Santa  Barbara,  California  (1926),  Mr.  Chianis  received his musical education at L ong Beach State College (California) and earned his Ph.  D.  degree  in  Ethnomusicology  from  the  University  of California a t Los Angeles. He  studied cimbalom with Spyros Stamos of  San Francisco.  For several years before coming to  SUNY Binghamton, he served as a studio music ian with  ma jor  motion  picture  and  TV  studios  in Hollywood and has p layed under the batons of sev eral distinguished composers and conductors such as Pier re Boulez, Miklos Rosz a,  Manos Hadzidakis, Lalo Schfrin, Quincy Jones,  etc.  M r.  Chianis  is  currently  on  the  music f aculty at SUNY Binghamton. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:30:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63228 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63228">The Harpur College Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur College Orchestra, April 29, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Rimsky-Korsakow, Mathias, Zador, Argento, Hindemith. Held at 8:15 pm, April 29, 1970 at Don Watters Theater. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-29 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Rimsky-Korsakov, Nikolai, 1844-1908 Mathias, William Zador, Eugene, 1894-1977 Argento, Dominick, 1927- Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091029606940 39091019607104 39091019606833 https://omeka.binghamton.edu/omeka/files/original/4ec49920a7ecf4b9673914a55642041e.pdf f879a6da28df17de4d99739eccc4edd1 PDF Text Text BINGHAMTON U  N  I  V E R  S I T  Y State University of  New York e d e [4 D E P A R T M E N T The Ha rpu r Trumpet Ensemble and Friends Ben Aldridge, director Margaret Reitz, piano The Harpur Trumpet Ensemble Phillip Deitz William Gilchrest Thomas Osa Steven Pan Andrew Sanfratello The Otsego Brass Quintet William Gilchrest & Amy Hoxie, trumpets Lee Ferrara, horn Paul Blake, trombone Christopher Rubenacker, tuba Sunday, April 23, 2006 7:30 p.m. Casadesus Recital Hall �PROGRAM Intrada from Suite for Five Trumpets...................... Ronald LoPresti (1933­1985) The Ensemble Suite in D for Trumpet and Piano............... Georg Friedrich Handel Overture – Gigue – Menuetto (1685­1759) March 1 – March 2 William Gilchrest, trumpet Margaret Reitz, piano Concerto for T r u Allegro – Adagio – Allegro m p e t ...Karl Pilss (1902­1979) William Gilchrest, trumpet Margaret Reitz, piano ~Intermission~ Sixty­Note Fanfares for............ Four Antiphonal Trumpets ...Tom Johnson (b. 1939) The Ensemble Intrada for Unaccompanied Trumpet..........ccccceevennen.e.. Otto Ketting (b. 1935) William Gilchrest, trumpet Aelgro ­ o rA iVvi ace Quintet for Brass... The Quintet ...Malcolm Arnold (b. 1921) �©  (ents Tuesday, April  25 – University Percussion  Ensemble – 8 p.m. – Anderson Center Chamber Hall – free Thursday, April 27 – Mid­Day Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Saturday, April 29 ­­  Saxophone Quartet Concert ­ 3 :00 p.m. – Casadesus Recital Hall ­ free Saturday,  April  29  –  University  Chor us and  O rchestra : O rff’s Ca rmina’ Burana  –  8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students Sunday, April 3 0  –  Master’s  Recital :  Erin  Lahm, soprano –  1 :00  p.m. – Casadesus Recital Hall ­ free Tuesday, May 2 – Mid­Day Concert with faculty and guest performers – 1 :20 p.m. ­­ Casadesus Recital Hall – free Tuesday, May 2 – Master’s Recital : Christian Huebner, organ – 7:00 p.m. – First Presbyterian Church, Binghamton ­ free Wednesday, May 3 – Student Recital : Jennifer Curiano, soprano and Cari Begeal, mezzo­soprano – 8:00 p.m. ­  Casadesus Recital Hall – free Thursday, May 4 – Mid­Day Jazz Concert with guest artist Cynthia Scott– 1:20 p.m. – Osterhout Concert Theater – free Thursday, May 4 ­­ Harpur Jazz Ensemble with guest artist Cynthia Scott – with guest artist – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors; free for students Friday, May 5 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Saturday, May 6 – Master’s Recital : Paul Blake, trombone – 3:00  p.m. – Casadesus Recital Hall – free Sunday, May 7 – University Wind Ensemble – 3 :00 p.m. – Anderson Center Chamber Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204265">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204265</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur Trumpet Ensemble and Friends, April 23, 2006 Recital Tape 2006-4-23 Description An account of the resource Works of LoPresti, Handel, Pilss, Johnson, Ketting, Arnold. Held at 7:30 p.m., April 23, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Aldridge, Benjamin Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-4-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID dfebed7f-225d-4945-81ea-66df856f6040 https://omeka.binghamton.edu/omeka/files/original/57ad0c39f8804e214acc6c140aaf9102.pdf 137c7bfca1663ae73660a5ac220280a6 PDF Text Text UNIV ARC i ci l t pe 2003 4- 3 SP C CO L State University of New York Department of Music · The Harpur Tr11mpet Ensemble Ben Aldridge, Director Margaret A. Reitz, Accompanist Thursday, April 3, 2003 8p . m. Casadesus llecital Hall �Program Fanfare for Europe .................................................. Edmund Rubbra (1901-1985) Prayer of St. Gregory .............................................. Alan Hovhaness (1911-1989) Todd Paciencia Nightsongs ............................................................... Richard Peaslee (b. 1947) Erinn Hibbard Chorale ..................................................................... Verne Reynolds (b. 1936) Angels ................................................... ..... Carl Ruggles (1876-1971) --Intermission -Chorale ........................................................................... G.F. Handel (1685-1759) Sonatina .................................................................. Harald Genzmer Andante Tranquillo (1918-1984) Phillip Deitz Concerto ..................................................................... .Robert Planel Anime - Lent - Vivace (b. 1923) Erinn Hibbard Canzon ..................................................... ................. Samuel Scheidt (1587-1684) Here's That Rainy Day ............................. .............. Jim Van Heusen �About the Performers BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Utica and Catskill Symphonies, as well as the Northeast Pennsylvania Philharmonic and the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the international Trumpet Guild, and has been recorded on Columbia and Redwood records. MARGARET REITZ, piano, received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink nied and Walter Ponce and accompanying with Allen Rogers . She has has aaccompa c throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. �The Ensemble Trumpets Phillip Deitz Timothy Haley Michael McKean Alex Rubie Derek Ersbak Erinn Hibbard Todd Paciencia Sarah Streb Horns Greg Cecere Patrick Lokken *********************** ******** Coming Events Friday, April 4-An Evening of Piano Music with Ewa Mackiewicz-Wolfe8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 10- Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall -- free Saturday, April 12 - University Chorus and Orchestra, Timothy Perry, conducting - 8:00 p.m. - Anderson Center Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students Thursday, April 24 - Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall - free Sunday, April 27 - Guest Organist: Todd Wilson - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12 faculty/staff/seniors; $6 students Tuesday, April 29 - Piano Recital by students of Michael Salmirs - 8:00 p.m. - Casadesus Recital Hall - free Thursday, May 1 - Jazz Mid-Day Concert with guitarist Dave Stryker - 1:20 p.m. - Watters Theater - free Thursday, May 1 - Harpur Jazz Ensemble with guitarist Dave Stryker- 8:00 p.m. - Watters Theater - $8 general public; $6 faculty/staff/seniors; free for students Friday, May 2 - Flute Studio Recital - 10:00 a.m. - Casadesus Recital Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:47:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253421&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253421&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur Trumpet Ensemble, April 3, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003-4-3b Description An account of the resource Works of Edmund Rubbra, Alan Hovhaness, Richard Peaslee, Verne Reynolds, Carl Ruggles, G.F. Handel, Harald Genzmer, Robert Planel, Samuel Scheidt, Jim Van Heusen. Creator An entity primarily responsible for making the resource Aldridge, Benjamin Reitz, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 4/3/2003 Rights Information about rights held in and over the resource In copyright