155 10 1775 https://omeka.binghamton.edu/omeka/files/original/564d5155bc1a62c54262ffe13c705a93.pdf 3da855c49968aa0388f4cb29df87f072 PDF Text Text LINLVN J y '“ — t e c U N I V E R S I T Y ~ ) o BINGHAMTON h H w I A State University of New York Depart ment of Music UNIVERSITY WIND ENSEMB LE Timothy Perry, Conductor Stephen Boel, Associate Conductor Cinematic Signatures III : G rea t W hite Wa y to the Silver Screen Sunday, Feb ruary 27, 2005 3:00 p.m. Anderson Center Cham ber Hall �The Binghamton University Department of Music presents the University Wind Ensemble Dr. Timothy Perry, Director Stephen Boel, Associate Conductor Cinematic Signatures lll: Musical Movies Sunday 3:00 p.m. Chamber Hall Febniary 27, 2005 Program Anderson Center for the Arts Overture to Guys and Dolls (1955).................... Frank Loessing Arr. Philip Lang Three–cornered Tune – I’ve Never Been in Love Before A Bushel and a Peck – Guys and Dolls An American in Paris (1951)........... George Gershwin Arr. Jerry Brubaker South Paciﬁc ( 1 9 csv c 5siv8rsase)seis. «ee.......Richard Rodgers Arr. Philip Lang Some Enchanted Evening – A Wonderful Guy Bali Ha’i There is Nothin’ Like A Dame The Music Man (1962).................... Meredith Willson Arr. Alfred Reed The Wells Fargo Wagon.– ‘Till There Was You SeventySix Trombones My Fair Lady (1964) Frederick Loewe Arr. C . Paul Herfunh On the Street Where You Live – With a Little Bit of Luck l’ve Grown Accustomed to her Face – I Could Have Danced All Night Fiddler on the Roof(1971). . .. . .. .. Sheldon Harnick and Jerry Bock Arr. Bob Lowden Tradition – Matchmaker – Do You Love Me? – Miracle of Miracles Sunrise, Sunset – I f Were a Rich Man –To Life Les Miserables (1987) . .. . .. . .. . .. . .. . ClaudeMichel Schonberg Arr. Warren Barker At the End of the Day I Dreamed a Dream Master of the House On My Own – Do You Hear the People Sing? Phantom of the Opera (2004) .................Andrew Lloyd Webber Think of Me – Angel of Music The Phantom of the Opera Arr. Warren Barker All I As k of You – The Point of N o Return – The Music of the Night University Wind Ensemble Timothy Perry, Director Stephen Boel, Associate Director Piccolo Amy Forgacs Flute Joanna Hunt Nicole Kalisz Subin Lim Elise Martingale Lauren Silinonte Valerie Spiller Clarinet Heather Boland Alice Choi Shanika Cooper Colin Edmunds Michelle Grexer Simon Hawk Andrew Hsu Andrei Lee Bass Clarinet Joshua Schaier Christopher Strub Alto Saxophone Emily Alkiewicz Amy Natiella Tenor Saxophone Kevin Kneifel Trumpet Mark Alfes Garret Clark Philip Deitz Derek Ersbak Thomas Osa Steven Pan Andrew Sanfratello French Horn Megan Caruso Greg Cecere Patrick Lokken Alfred Jacobsen Trombone Jamie Cepler David Hennan David Ricotta Baritone/Euphonium John Testa Richard Mokan Tuba Erik Appleyard Dan Gallagher Percussion Christopher Jacobson Baritone Saxophone Joe Sobel A i Karasawa Spencer Lo Christine Jackson Mark Turley String Bass Chris Zavala Keyboard Robert Magee �Coming Events Thu rsday, March 3 – MidDay Concert with faculty and student performers – 1:20 p.m. Casadesus Recital Hall free Satu rday, March 5 – Master’s Recital – Leslie Hochman, Sop rano – 3:00 p.m. – Casadesus Recital Hall – free Satu rday, March 5 – University Sym phony Orchestra – Around the Horn – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, March 6 – Musica Nova with Patricia Sunwoo, violin and Ewa MackiewiczWolfe, piano 3:00 p.m. – Casadesus Recital Hall $10 general public; $7 faculty/staﬀ/seniors; free for students Th u rsday, March 1 0 – MidDay Concert with faculty and student performers 1:20 p.m. – Casadesus Recital Hall free Satu rday, March 1 2 Master’s Recital – Timothy Fallon, tenor – 3:00 p.m. Casadesus Recital Hall – free Satu rday, March 1 2 – Master’s Recital – Jo d y Schum, piano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, March 1 3 – Harpu r Chorale and Women ’s Chorus Concert – 3:00 p.m. – Anderson Center Chamber Hall free Th u rsday, March 1 7 – MidDay Concert with faculty and student performers –l :20 p.m. ~ Casadesus Recital Hall – free Thursday, March 31 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Sunday, April 3 O rganist Jon a than Bi ggers – Music for O rgan and Strings – 4:00 p.m. First Presbyterian Church, Binghamton $15 general public; $13 faculty/staﬀ/seniors; $7students Sunday, A p ril 3 – Ha rpu r Tru m pet Ensem ble an d Studio Concert – 7:30 p.m. – Casadesus Recital Hall – free Thu rsday, April 7 – MidDay Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:01:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cinematic Signatures III: great white way to the silver screen, February 27, 2005 Description An account of the resource Works of Loessing, Gershwin, Rodgers, Willson, Loewe, Harnick and Bock, Schönberg, Webber. Held at 3:00 p.m., February 27, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Boel, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-2-27 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/d41d16fad1f76f708d0cb101043bf7ed.pdf bca860256793cf6d105e8542d1ce63df PDF Text Text BINGHAMTON UNIVER SITY State University of New York Binghamton University Department of Music THURSDAY MID-DAY CONCERT March 3, 2005 - Casadesus Recital Hall Image pour Flûte Seule .......................................................... ..................................... Eugène Bozza (1905-1991) Kelsey Bauer, flute Nocturne, Op. 33 (Homage to John Field) ................................................................. Samuel Barber (1910-1981) Nancy Schneider, piano Selections from Les Nuits d'été.................................................................................. Hector Berlioz (1803-1869) Villanelle Le Spectre de la Rose Sur les Lagunes Absence Leslie Hochman, soprano Margaret Reitz, piano Sonata in Eb, Op. 120, No. 2 ............................................................................... Johannes Brahms (1833-1897) Allegro amabile Melissa Mattern, viola Michael Salmirs, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:25:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243839&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243839&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243839&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 3, 2005 Description An account of the resource Works of Bozza, Saint-Saëns, Barber, Berlioz, Brahms. Held at 1:20 p.m., March 3, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bauer, Lesey Bravo, Caroline Reitz, Margaret Schneider, Nancy Hochman, Leslie Mattern, Melissa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-3 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/5b52e67464300985ffd3a42149d69c92.pdf 8a1d466c64048aed9b304055f995fd2c PDF Text Text 1 \ b ¢ 1 BINGHAMTON o — £ % Ga U N I V E R S I T Y State University of New York Department of Music Musica Nova Music for Violin & Piano Patricia Sunwoo, violin Ewa MackiewiczWolfe, piano Sunday, M arc h 6, 2005 3 :00 p.m. Casadesus Recital Hall �P rogram L Alfred Schnittke (19341998) Sonata No. 1 for violin and p1ano Andante Allegretto Largo AllegrettoscherzandoAllegro II. Isang Yun (19171995) Kontraste (1987) for violin solo III. Synchronisms No. 9 for violin and tape (1988) ........................ Mario Davidovsky (b. 1934) IV. Who Let the Cat Out Last Night from Three Country Fiddle Pieces for violin, piano and optional percussion ... Paul Schoenﬁeld (b. 1947) Inrermission a 8 V. AriaLament for solo violin (1991 ) . ..Aaron Jay Kemis (b. 1960) VI. Sonata for violin and piano (1964) Allegro Andantino Lento Allegro John Corigliano (b. 1938) �Composer’s Biographies an d P rogram Notes LI Alfred Schnittke (19341998) was born in the Soviet Union, to German Russian parents. Schnittke began his musical studies in Vienna where his father, a journalist, had been posted. In 1948 the family moved to Moscow, where Schnittke studied piano and choral conducting, and later composition at the Moscow Conservatory. From 1962 to 1972, Schnittke taught instrumentation at the Conservatory. Thereafter, he supported himself mainly by composing ﬁlm scores. Like his predecessor (and inspiration) Dmitri Shostakovich, Schnittke had many problems with the Soviet Ministry of Culture. The authorities often felt his music too antiideological, and tried to prevent his music from being heard. This included attempts to take away foreign commissions and forbid the purchase of his scores. Despite these attempts, Schnittke found ways to keep up with the compositional trends of the Western world, and develop his hallmark “polystylistic” idiom. He was supported by musicians such as Gidon Kremer and Mstislav Rostropovich, and was eventually commissioned by Camegie Hall, Boston Symphony Orchestra an d New York Philharmonic, among others. In 1990 he moved to Hamburg, where he died after his third stroke. Today he is regarded as Shostakovich’s “heir”. His works have become staples of musical literature, and more than ﬁfty recordings devoted exclusively to his music have been released. Included in this oeuvre are three violin sonatas. Sonata No. 1 fo r violin and piano (1963) Violinist Midori writes: Schnittke’s First Violin Sonata opens with a lonesome short soliloquy on the violin, which is constructed on the 12tone row. Then, the piano enters with staccato notes, aga in using the tone row, adding to the “~ eeriness of the atmosphere. The climax of the movement is the row in reverse. Sarcasm and irony prevail in the second movement, which leads with pause into the next Largo. In this third movement, Schnittke plays tribute to Bach. As the violin holds the note G, the upper line of th e piano plays th e notes CBDC sharp. These notes correspond to BACH by a whole step. The harmonics at the end of this movement imitate the sound of a Baroque ﬂute. The ﬁnal movement resembles a burlesque. I also feel compelled to include a quote from David K. Nelson of Fanfare: Schnittke ’s Sonata No. 1 calls for novel colors and methods of attack, with ironclad execution. There is plenty of pure pounding for the pianist, and chances for the ﬁddle to shriek like a banshee in this tunefulyet 12tone sonata. The music must have sounded ve ry modern in 1963, rocketing dizzyingly between a mockreligioso mood to a Prokoﬁevlike toccata to a jazz/pop segment. IL Isang Yun (191 71995) one of Germany’s foremost composers, did not hear a major scale until he was eight years old, when the Western music world was already throwing in the towel on tonality. Yun was raised in the small southern Korean ﬁshing town of Tong Yong. His only contact with Western tonal music was through the neighborhood missionary Church, which oﬀered simple hymns not unlike Bradbury’s 1862 hit “Jesus Loves Me”. The ﬁrst European instrument Yun laid eyes on, was the church harmonium. Yun’s early musical sphere consisted wholly of traditional Korean sounds. This included harvest songs sung in riceﬁelds, ritual songs of shamans, chants and drumming consoles during Buddhist festivities, traveling Chinese and Korean opera troops accompanied by traditional instruments. A Department o f Music was set up at the Seoul National University in 1946, which became the breeding ground for Europeanstyle compositional studies. Yun accepted a teaching position here when the Korean War ended in 1953. He then tra veled to Paris and West Berlin where he mastered European serialism, but quickly grew disinterested in it. It was only during this time that he realized the value of traditional music, and thereafter consistently sought to incorporate it into his works. In 1967, when living in West Berlin, Yun was kidnapped by his own South Korean government, tried for high treason and sentenced to death for falsely suspected communist activ ities during an earlier trip he too k to North Korea. As he sat in prison for the next few years, an outraged German government fought for his freedom. It ﬁnally took a petition signed by an elite group of international musicians to save his life, including Boulez, Stockhausen, von Karajan, Klemperer, and Stravinsky. An excerpt from their letter to then South Korean President Ch ung Hee Park reads: Mr. Yun is known, not only in Europe, but throughout the whole world, as an outstanding composer. His goal is always to un ite the most distinguished traditions of Korean music with Western musical practices; _his work and his personality must be regarded as an inestimable means to announce Korean culture and art outside of Korea. Without him, we would know very little about your country.... The international music world needs Mr. Yun. His role as a mediator between the Ea st and West i s o f utmost importanc e to us....Yun w as indeed released and returned to West Germany, where he received citizenship in 1971. In an interview with his biographer Luise Rinser, he said “Everyday, I would like to stop and return to my Korean homeland, and there sit at sea, ﬁsh, hear the sp irit o f music without seeing it, and ﬁnd myself in the large silence. This homesickness is beautifully captured in Kontraste. Yun died in 1995 without ever revisiting Korea. �Kontraste (1987) Yun asks the violinist to evoke traditional Korean instruments by way of unconventional techniques: the komungo, a plucked zither used in aristocratic courts, produces a soft sound that mixes percussion and melody; the haegum, a bowed twostringed ﬁddle held like a tiny cello, has a peculiar nasal sound quality; the taegum, a yellow bamboo ﬂute with reed tissues over the ﬁnger holes and a very large blowhole, can produce a rasping, buzzing sound and accommodate a very wide vibrato and pitch ﬂuctuations. Yun writes in elaborate pentatonic ornaments and speciﬁc instructions for vibrato usage. l J Practically every note has a dynamic scheme, and very often they cover the extreme possibilities. The last page consists of gradations of quadruple fortes and triple fortes. Almost every note is followed by a slide, sometimes covering merely a quartertone. In ancient Korean music, the single tone is an entity all by itself. It does not need another tone or a complete phrase to be fulﬁlled. The natural vibration of each note is then used as a means of expression, manifesting itself through embellishments, trills, glissandi and dynamic changes. IV. Paul Schoenﬁeld (b. 1947) a native of Detroit, is an accomplished pianist, and has toured Europe, South America and the United States with diﬀerent groups, including Musicians from Marlboro. Among his recordings are the complete violin and piano works of Bartok with Sergiu Luca. He is also a scholar of mathematics and Hebrew. As a composer, he has received commissions and grants from the National Endowment of the Arts, the Ohio Arts Commission, Chamber Music America, and many other organizations. His works have been recorded on the EMI, Angel, Decca, BMG and New World labels. II]. “ ~ Mario Davidovsky was born in 1934 in Buenos Aires, Argentina. He ﬁrst studied composition with Guillermo Graetzer at the University of Buenos Aires. Particularly interested in electronic music, Davidovsky visited the Tanglewood Music Festival in 1958, where he worked with Aaron Copland and Milton Babbitt. In 1960, he took up permanent residence in New York City, ﬁrst as a Guggenheim Fellow at Columbia University where he sat in on the seminars of Otto Luening, and then as the leader of ColumbiaPrinceton Electronic Music Center, where he remained until 1994. In 1994, he joined the faculty of Harvard University. He is most widely recognized for his contributions in the realm of electroacoustic music, with his series of Synchronisms for live instruments and prerecorded electronic sounds. These include works for ﬂute, string quartet, cello, chorus, percussion ensemble, piano (for which he won a Pulitzer Prize in 1971), orchestra, woodwind quintet and solo violin. (Davidovsky has also Who Let the Cat Out Last Night from Three Country Fiddle Pieces (1984) This is the ﬁrst of three popular short pieces for ampliﬁed violin, piano and optional percussion (played today without ampliﬁcation or percussion). It draws on the styles of jazz, blues, and country ﬁddling. Schoenﬁeld carefully notates the improvisational qualities o f these popular idioms. For example, he uses quarter tones and “1/6” tones to indicate the ﬂat bending of a pitch. He infused the piano part with Ivesian harmonies, and short witty quotations from Romantic works, such as” Cesar Franck ’s Sonata for Violin and Piano, and Wagner’s Tannhauser. composed many works for “acoustic” instruments.) Synchronisms No. 9 for violin and tape (1988) This work was commissioned by the Massachusetts Institute of Technology. The electronic tape was produced at the MIT Media Laboratory and the Electronic Music Center, Columbia University. Eric Salzman writes for Composers Recordings Inc.: Davidovsky was trained as a violinist and he was brought up on the traditions of what he calls “turnofthecentury violinism.” He literally takes the technique of one generation and applies it to the musical sensibility of another; Sarasate or Wieniawski serialized! He also plays with the relationship between the live instrument and the electronic part, one in the traditional Western tuning, the other with the whole gamut of tonal possibility on a continuum. “1 was,” he says, “trying to embed two musical spaces into one and hopefully come up with something that is more than the sum of its parts. The violin initiates gestures that the tape ﬁnishes. The violin modulates the tape and the tape modulates the violin.” Like the other works in the Synchronisms series, this piece follows traditional classical phrasing but neither traditional thematic construction nor strict twelvetone methods apply. Davidovsky describes this compositional method as a “statistical curve of density”; it is related to European serialism but distinctive. Never mind; like the earlier Synchronisms, this is not a theoretical statement but a remarkably coherent piece with clarity and rhythmic integrity in its musical gestures. V. \ ) ' 3 A aron J ay Kernis was born in Philadelphia in 1960, and studied composition at the San Francisco Conservatory, the Manhattan School o f Music and Yale University, with John Adams, Charles Wuorinen and Jacob Druckman. In 1998 he won the Pulitzer Prize for his Second String Quartet, which was recorded by the Lark String Quartet. He has also earned Grammy nominations for Air for solo violin recorded by Joshua Bell, and a recording of his Symphony No. 2 by the Birmingham Symphony Orchestra. Kemis was commissioned by Disney to �write a choral symphony, Garden of Light, to celebrate the millennium. He wrote the New Era Dance to commemorate the 1 50” anniversary of the New York Philharmonic. He was also recently commissioned by the American Museum of Natural History in New York City to create an ambientsound installation for the museum‘s new Rose Center. Since 1998 he has been the New Music Advisor to the Minnesota Orchestra. His music is published by Boosey and Hawkes and Associated Music Publishers. Recordings of his works can be found on the CRI, Nonesuch, EMI, New Albion and Argo labels. faculty at City University of New York and the Juilliard School. In 1991 he was elected to the A merican Academy and Institute of Arts and Letters, and in 1992, Musical America named him their ﬁrst “Composer of the Year”. His music is published exclusively by G. Schirmer. v a AriaLament Kemis writes: AriaLament was written in 1991 for violinist Kate Light, It is the second work that I composed as part of my cycle of works which respond and meditate on war in our time. Some of the other works in this cycle include my Second Symphony, Colored Field, Still Movement with Hym n and Lament and Prayer for violin and orchestra written for Pamela F rank. I wrote AriaLament as my own awareness about the conﬂict in BosniaHerzogovinia led me to read extensively on the Holocaust and look more deeply at my Jewish heritage. There are elements in this work that come from personal impressions and memories of cantorial singing. variations of the ﬁrst. The third movemen t caps a tense, emot ional VI. Jo hn Corigliano (b. 1938) received the Pulitzer Prize in Music for his Symphony No. 2 in 2001, which was premiered by the Boston Symphony Orchestra under Seiji Ozawa. In 2000, Corigliano won another coveted prize: the Academy Award, for “The Red Violin,” his third ﬁlm score. EsaPekka ~ Salonen leads soloist Joshua Bell and the London Philharmonia in Sony Classical’s recording of the soundtrack. Commissioned by the Metropolitan Opera, where it premiered in 1991, the immensely popular opera Ghosts of * Versailles sold out two engagements at the Metropolitan as well as its 1995 production at the Chicago Lyric Opera. The nationwide telecast of the Metropolitan ’s premiere was released on videocassette by Deutsche Grammophon. Corigliano’s Symphony No. 1, commissioned by the Chicago Symphony Orchestra, was an impassioned response to the AIDS crisis. It captured the 1991 G rawemeyer Award for Best New Orchestral Composition; Chicago’s recording of the symphony won two Grammy awards for both Best New Composition and Best Orchestral Performance. In 1996, the Cleveland Quartet ’s recording of his String Quartet also won a G rammy Award for Best New Composition, making Corigliano the ﬁrst composer to win twice in the history of that award. Born in New York, Corigliano comes from a musical family. His father was concertmaster of the New York Philharmonic from 19431966 and his mother was an accomplished pianist. Corigliano is on Sonata for Violin a nd Piano (1964) This popular early work won the 1964 Spoleto Festival Competition for Chamber Music. It was premiered by Yoko Matsuda and Charles Wadsworth. Corigliano writes: This Sonata is an optimistic, ultrarhythmic, tonalandthensome duo for two masterful players. I built the themes and harmonics of its four movements all from a second and its inversion, a seventh. The movements center, respectively, on C, D, G minor, and D—but I freely included nontonal and polytonal sections when needed. I think its eclecticism, its rhythmic energy, and its bright character give the Sonata a very American quality, though that wasn’t the goal of writing it. I didn’t so much develop the lively theme in the opening Allegro as herald it with a brief opening fanfare and then embed it in a detailed backdrop, like a stone in a mosaic. Then, from those backdrop details, I built the ﬁrst theme of the next movement, a gentle Andantino in a modiﬁed sonata form. Three themes seem to intertwine in this movement, which peaks and peaks again before quieting—but a closer look should reveal that both the second and third themes are but violin soliloquy with hushed echoes of th e sonata’s signal interval ( th e second), and the fourth movement, a rondo with a diﬀerence, takes a vivid polytriadic theme, and augmented variation on it, and accompanimental ﬁgures from previous movements, and spins them all into a breathless and exuberant polymetric ﬁnale. * o �A bout th e Performers v s Violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performi ng Berg’s Violin Concerto at Lincoln Center with the Juilliard Orchestra. As a member of the Whitman Stri ng Quartet, winner of the 1998 Naumburg Award, she performed to critical acclaim across the United States, recorded works of Artur Schnabel and Michael Whalen, and was frequently heard on NPR. In February, the Whitmans gave a reunion concert at Carnegie Hall’s Weill Recital Hall, premiering a work for quartet and cantor by Kenji Bunch. She has also been a member of New York City’s new music ensembles Sequitur and Continuum, and has worked with composers such as Joan Tower and John Corigliano. She looks forward to giving the ﬁrst performance of Marek Harris’s Duo in May with the Finger Lakes Chamber Ensemble, which was commissioned by friends from the Binghamton University community last spring. Ms. Sunwoo tours with the Bard Festival String Quartet, and recently joined the Finger Lakes Chamber Ensemble and th e Rochester Philharmonic Orchestra. She has been teaching at Binghamton University since 2001, and now resides in Rochester with violinist and husband David Brickman, and daughter Claire. —~ O . EWA MACKIEWICZ WOLFE, the winner of the International Competition o f Renaissance and Baroque Music, and the International Competition for Young Pianists in Warsaw, Poland, is also the recipient of awards in international music competitions in Budapest, Hungary and Dresden, Germany. She appeared in several music festivals such as the Young Artist Festival o f Karol Szymanowski, the Festival o f Vladyslav Kedra for Young Pianists in Poland, Chamber Music Festivals in Germany and Hungary. Her career as a piano soloist developed further as a result of concerts arranged by the Association of Polish Artists/Musicians, Government Art Agency (PAGART), the Karol Szymanowski Musical Society, and various music colleges. She performed solo recitals and concerts with symphony orchestras throughout Eastern Europe, Northeastern United States and Canada. Ms. MackiewiczWolfe received her bachelor’s and master’s degrees in piano performance with honors and high distinction from the Academy of Music in Lodz, Poland where she continued as Assistant Professor and Master Lecturer in music. Since 1984, she has been associated with the Binghamton University Music Department. �Coming Even ts (Subject to Change ) Th ursday, March 31 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Sunday, April 3 Organist Jona than Biggers – Music for Organ and Strings – 4:00 p.m. First Presbyterian Church, Binghamton $15 general public; $13 faculty/staﬀ/seniors; $ 7students \ l Th ursday, April 7 – MidDay Con cert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall Th ursday, April 7 – Master ’s Recital – Donald Truesdail, s tring bass – 8:00 p.m. – Casadesus Recital Hall – free Saturday, Apri l 9 – Student R ecital – Jessica Cheng, piano – 3:00 p.m. – Casadesus Recital Hall – free Sunday, April 1 0 – Chamber Music Masterpieces – 3:00 p.m. – Anderson Center Chamber Hall $15 general public; $13 faculty/staﬀ/seniors; $7 students Wednesday, Ap ril 1 3 – Master ’s Recital : Jenni fer Perkins, sop rano – 8:00 p.m. – Casadesus Recital Hall free Th ursday, April 1 4 – MidDay Co ncert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Th ursday, April 1 4 – Senior Hon or ’s Recital : Nancy Schned ier, piano – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 1 6 – Senior Hono r ’s Recital : Talitha Phillips, string bass 3:00 p.m. – Casadesus Recital Hall – free Saturday, Apri l 1 6 – University C horus and Orch estra – Coronat ion and Confrontation – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public; $7 facult/staﬀ/seniors; free for students Sunday, April 1 7 – Piano Studio Recital : Students of ChaiKyou Mallinson – 3:00 p.m. – Casadesus Recital Hall – free Th ursday, April 2 1 – MidDay Concert with faculty an d student performers – 1 :20 p.m. ~ Casadesus Recital Hall L l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:01;37:38 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243851&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243851&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243851&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Musica Nova: Music for violin & piano, March 6, 2005 Description An account of the resource Works of Schnittke, Yun, Davidovsky, Schoenfield, Kernis, Corigliano. Held at 3:00 p.m., March 6, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Mackiewicz-Wolfe, Ewa Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-6 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/7631c43b41952ad097f8f44f9ad354f7.pdf cdc97c69ec74ad6efff33dedb9077381 PDF Text Text lU N \ O\ BIN \ U N I V E R S I T Y \ . ' , .. r L T . State University of New York l ‘J J 1 ' :; Binghamton University Department of Music C Hh THURSDAY MIDDAY CONCERT March 10, 2005 – Casadesus Recital Hall Lucia di L c d n a t S Nachtgang Zueignung, 4 n .. e h Richard Strauss (18641949) Leslie Hochman soprano Margaret Reitz, piano a r e m m m \ r o o Scene and Aria: Regnava nel silenzio... Gaetano Donizetti (1797 1848) Lucia – Nili Riemer soprano Alisa – Ivy Gaibel mezzosoprano The Magic Fl ute W f l o g a n Quintet: Hm,Hm,Hm... g Amadeus Mozart (1756 1791) Papageno – Andrew Sudduth baritone Tamino – Mark Kratz tenor 1* Lady – Julia Ebner soprano ady – Stefanie Sudduth soprano 2”L 3” Lady – Ivy Gaibel mezzosoprano R R Les Roses D ’Ispahan Notre Amour Fleur Jetée R Timothy Fallon – tenor Carol Wong piano The M e rry Wives of Windsor ..................... Opening Duet Gabriel Fauré (18451924) Mistress Ford – Julia Ebner soprano Mistress Page – Melisse Weber mezzosoprano ..Otto Nicolai (1810 1849) �Translations Faure Mandoline The givers of serenades And the lovely women who listen Exchange insipid words Under the singing branches. There is Thyrsis and Amyntas And there’s th e eternal Clytander, And there’s Damis who, for many a Heartless wom an, wrote man y a tender verse. Their short silk coats, Their long dresses with trains, Their elegance, their joy And their soft blue shadows, Whirl around in the ecstasy O fa pink and grey moon, And the mandolin prattles Among the sh ivers from the breeze. Paul Verlaine Les Roses D ’Ispahan (The roses of lspa han) The roses of Ispahan in their sheath of moss, the jasmines o f Mosul, the orange blossoms, have a fragran ce less fresh, an aroma d ess sweet, O pale Leila, than your light breath! “ Your lips a re coral and your light laughter has a softer and lovelier sou nd than rippling wate r, lovelier than the joyous breeze that rocks the orangetree, lovelier than the bird that sings near its nest of moss. O Leila, ever since in their airy ﬂight all the kisses have ﬂed from your lips so sweet, there is no longer any fragrance from the pale orangetree, no heavenly aroma from the roses in the moss. Oh, if only your youthful love, that light butterﬂy, would return to my heart on swift and gentle wings, and perfume once more the orange blossom and the roses of Ispahan in their sheath of moss. CharlesMarieRené Leconte de Lisle Notre A mour (Our love) Our love is something light like the perfum es which the breeze brings from th e tips of ferns for us to inhale as we dream. Our love is something light. Our love is something enchanting like the morning’s songs in which regrets are not heard but uncertain hopes vibrate. Our love is something charming. Our love is something sacred like the forests’ mysteries in which an unknown soul quivers and silences have voices. Our love is something sacred! Our love is something inﬁnite like the paths of the evening, where the ocean, joined with the sky, falls asleep under slanting suns. Our love is something eternal like all that has been touched by the ﬁery wing of a victorious god, like all that comes from the heart. Our love is something etern al! Armand Silvestre Fleur Jetée (Discarded ﬂower) Carry oﬀ my folly at the whim o f the wind, oh ﬂower which I picked while I sang and threw away as I dreamed. Carry oﬀ my folly at the whim of the wind! Like ﬂowers scythed down, love dies. The hand that once touched you now shuns my hand forever. Like ﬂowers scythed down, love dies. May the wind that withers you, oh poor ﬂowe r, a moment ago so fresh and tomorrow all faded. May the wind that withers you wither my heart! Armand Silvestre Translations Strauss Standchen (Serenade) Open up, open up, but softly my dear, So as to wake no one from sleep. The brook hardly murmers, the wind hardly shakes A leaf on bush or hedge. So, softly, my maiden, so that nothing stirs, Just lay your hand softly on the door latch. With steps as soft as the footsteps of elves, Soft enough to hop over the ﬂowers, Fly lightly out into the moonlit night, To steal to me in the garden . The ﬂowers are sleeping along the rippling brook, Fragrant in sleep, only love is awake. Sit, here it darkens mysteriously Beneath the lindens, The nightingale over our heads Shall dream of our kisses, And the rose, when it wakes in the morning, Shall glow from the wondrous passions of the night. Nachtgang (Night Walk ) We walked through the silent, mild night, Your arm in mine, your eyes in mine. The moon poured silver light upon your face, As though gold rested on your beautiful head. And you appeared to me an angel, Mild, mild and great and overﬂowing with soul, Holy and pure like the dear sun. And in my eyes swelled urgent warmth, As of threatening tears. I held you tighter and kissed you, kissed you ve ry softly. My soul wept. Zueignung (Blessing) Yes, you know it, dearest soul, How I suﬀer far from you, Love makes the heart sick, Have thanks. Once I, drinker of freedom, Held high the amethyst beaker, And you blessed the drink, Have thanks. And you exorcised the evils in it, Until I, as I had never been before, Blessed, blessed sank upon your heart, Have thanks. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 10, 2005 Description An account of the resource Works of Strauss, Donizetti, Mozart, Fauré, Nicolai. Held at 1:20 p.m., March 10, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hochman, Leslie Reitz, Margaret Riemer, Nili Gaibel, Ivy Sudduth, Andrew Kratz, Mark Ebner, Julia Sudduth, Stefanie Fallon, Timothy Wong, Carol Weber, Melisse Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-10 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/c7d4f9e89a06f6049ede79a1a536b2eb.pdf d1ad11e52546758113748bf3c408578c PDF Text Text BINGHAMTON UNIVERSITY State University of New York Binghamton University Department of Music THURSDAY MID-DAY CONCERT March 17, 2005 - Casadesus Recital Hall Concerto No. 2, Mvmt. 1 .............................................................................. Carl Maria Von Weber (1786-1826) Theresa Perrone, clarinet Margaret Reitz, piano Premier Quator, Op. 53 (1857) ..................................................................... Jean Baptiste Singelée (1812-1875) Andante Reconstitution: Jean Marie Londeix Allegro Quatour (1956) .................................................................................................... Pierre-Max Dubois (b. 1930) Spirituoso III. Cascades (1904) ............................................................................................................. Scott Joplin (1868-1917) The Binghamton University Saxophone Quartet Amy Natiella, Emily Alkiewicz, Michael Marchisotto, Sam Reed "Tre arietta" ........................................................................................................... Vincenzo Bellini (1801-1835) Il fervido desiderio Dolente imagine di Fille mia Vaga luna, che inargenti Michaela Lisi, soprano Chai-Kyou Mallinson, piano Concerto in C minor ...................................................................................... Johann Christian Bach ( 1735-1782) Allegro molto ma maestoso Arr. Henri Casadesus Melissa Lee, viola Margaret Reitz, piano Concerto, Op. 85 ......................................................................................................... Edward Elgar (1857-1934) Adagio Alex Wiesendanger, cello Margaret Reitz, piano Kol Nidre ........................................................................................................................ Max Bruch (1838-1920) Heajung Kim, cello Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:42:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 17, 2005 Description An account of the resource Works of Von Weber, Singelée, Dubois, Joplin, Bellini, Bach, Elgar, Bruch. Held on March 10, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perrone, Theresa Reitz, Margaret Lisi, Michaela Mallinson, Chai-Kyou Lee, Melissa Wiesendanger, Alex Kim, Heajung Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-17 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/6419e954c51954a43183dd2626817e4b.pdf 7692488783ae4d0f1b20841c279eae8f PDF Text Text BINGHAMTON U N I \. I· R S I T Y State University of New York Department of Music THURSDAY MID-DAY CONCERT March 31, 2005 - 1:20 p.m. - Casadesus Recital Hall Sonata for Clarinet and Piano .......................................................................... Camille Saint-Saens (183 5-1921) III. Lento II. Allegro animato Caroline Bravo, clarinet Margaret Reitz, piano Chaconne ................................................................................................................. Armand Russell (b. 1942) Don Truesdail, double bass Chai-KyouMallinson, piano Op. 120, No.2 ................................................................................. Johannes Brahms Sonata in E-flat, (1833-1897) Appassionato, ma non troppo allegro viola Melissa Mattern, Michael Salmirs, piano Sonata for Two Clarinets ........................................................................................ Francis Poulenc (1899-1963) 1. Presto 2. Trés lent 3. Vite, avec joie Theresa Perrone, clarinet Caroline Bravo, clarinet Trumpet Concerto ................................................................................. Johann Nepomuk Hummel (1778-1837) IL Andante III. Rondo Erinn Hibbard, trumpet Margaret Reitz, piano K. 498 ....................................................................................................... W. A. Mozart Trio in E-flat, (1756-1791) III. Rondo (allegretto) Melissa Mattern, viola Theresa Perrone, clarinet Candace Che, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, March 31, 2005 Description An account of the resource Works of Saint-Saëns, Russell, Brahms, Poulenc, Hummel, Mozart. Held at 1:20 p.m., March 31, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bravo, Caroline Reitz, Margaret Truesdail, Don Mallinson, Chai-Kyou Mattern, Malissa Salmirs, Michael Perrone, Theresa Hibbard, Erin Che, Candace Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-31 Rights Information about rights held in and over the resource In copyright Format The file format, physical medium, or dimensions of the resource 1 audio disc https://omeka.binghamton.edu/omeka/files/original/3b5115deb9e93c1db93d224ea25a9da4.pdf 2f10534dd3a91fbf26bb1fb8e8576aa3 PDF Text Text BINGHAMTON U N I \' E R S I T Y State University of New York Department of Music THURSDAY MID-DAY CONCERT April 7, 2005 -1 :20 p.m. - Casadesus Recital Hall Sonata in A minor, Op. 42, D 845 ........................................................................... Franz Schubert Andante, poco mosso (1797-1828) Nancy Schneider, piano Automne ................................................................... ................................................... Gabriel Fauré Aurore (1845-1924) Les Berceaux Neu Amber Alarcon, mezzo-soprano Chai-Kyou Mallinson, piano Romance and Rondo ...................................... ............................................................... Franz Keyper (1756-1815) Talitha Phillips, double bass Margaret Reitz, piano Per La Gloria D' Adorarvi ................................................................... Giovanni Battista Bononcini (1670-1747) O Del Mio Dolce Ardor ....................................................................... ... Christoph Willibald Gluck (1714-1787) Deanna Bunal, mezzo-soprano Chai-Kyou Mallinson, piano Suite, Op. 14 ................................................................................................................. Béla Bart6k Allegretto (1881-1945) Scherzo Allegro molto Sostenuto Sut Han Che, piano Suite D-Dur ................................................................................................ Georg Friedrich Händel (1685-1759) Ouverture Allegro (Gigue) Aire Bourrée March Erinn Hibbard, trumpet Margaret Reitz, harpsichord � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243752&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243752&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243752&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 7, 2005 Description An account of the resource Works of Schubert, Fauré, Keyper, Bononcini, Gluck, Bartók, Händel. Held at 1:20 p.m., April 7, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schneider, Nancy Alarcon, Amber Mallinson, Chai-Kyou Phillips, Talitha Reitz, Margaret Bunai, Deanna Han, Che Sut Hibbard, Erin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-7 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/bcc5eea82a75736f282b5f0834b51dfd.pdf 7941922e06212f42305291d827f97d3f PDF Text Text Y RRC N \- ¢\ ¢ An) 0 A BINGHAM TON U N I V E R \ State University of New York Binghamton University Department of Music (C )5 AD Y - {H i . THURSDAY MID-DAY CONCERT \ April 14, 2005 – Casadesus Recital Hall VEC ¢ OW ... Henry Purcell (1659-1695) Four Songs .................. Musicfor a While Sound the Trumpet Nymphs and Shepherds Man is f o r the Woman made Amber Alarcon, mezzo-soprano Student o f Prof. Burgess Chai-Kyou Mallinson, piano .Serge Koussevitzky (1874-1951) Andante Talitha Phillips, double bass Student of Prof. Stalker Margaret Reitz, piano Nur, wer die Sehnsucht kennt, Op. 6, 10.6 e s s e ... P.Tschaikowsky (1840-1893) ... Johannes Brahms (1833-1897) Der Jager, Op. 95, n0.4 .. Wanderers Nachtlied, Op. 96, no.3............. ... Franz Schubert (1797-1828) Die Vogel, Op. 172, n0.6..........cceeueeee. ... Franz Schubert .. Johannes Brahms - Von ewiger Liebe, Op.48, no.1......... (translations on back) Deanna Bunal, mezzo-soprano Student of Prof. Burgess Chai-Kyou Mallinson, piano Camille Saint-Saens (1835-1921) Sonate pour Clarinette IV Molto Allegro Caroline Bravo, clarinet Student of Prof. Perry Margaret Reitz, piano DanZON e ... Paquito D’ Rivera (b. 1931) e Timothy Perry, clarinet Stephen Stalker, violoncello Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243759&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243759&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243759&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, April 14, 2005 Description An account of the resource Works of Purcell, Koussevitzky, Tschaikowsky, Brahms, Schubert, Saint-Saëns, D'Rivera. Held April 14, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Alarcon, Amber Mallinson, Chai-Kyou Phillips, Talitha Reitz, Margaret Bunal, Deanna Bravo, Caroline Perry, Timothy Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-14 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/3c06a4dd2a868f62f3c961e6e81cbd0f.pdf bdbeedda5902ee60aaddf62d34efae8e PDF Text Text uNlIy A L C \ “ e . 5 \ l W\ BIN A00 5 q »\ L, o r e O, 1 C U N I V E R TY State University of New York A Department of Music B E S Senio r Piano Recita l Sut Han Che, piano with Miehaei Saimirs, piano Friday, April 15, 2005 8 :00 p.m. Casadesus Recital Hall �Program Sonata, KV 330 Allegretto Andante Allegretto W.A. Mozart (1756-1791) Etudes............ Frédéric Chopin (1810-1849) Revolutionary, Op. 10-No. 12 Butterﬂy, Op. 25-No. 9 C minor, Op. 25-No. 12 --Intermission-: 5 .. Claude Debussy (1862-1918) En Bateau Cortege Menuet Ballet Suite Op. 14 Allegretto Scherzo Allegro molto Sostenuto Ballade No. 3 in A-ﬂat, Op. 47 Allegretto . Béla Bartok (1881-1945) . Frédéric Chopin (1810-1849) �About the Performers SUT HAN CHEN (Candice) was born in Macau SAR. She started to learn piano with private piano teachers when she was eight. To gain orchestral experience, Che joined her high school orchestra and played clarinet for three years. Along with high school education, she attended Macau Conservatory to study music history, theory and improve her techniques during which she participated in the Annual Macau Youth Music Competition and won prizes in solo piano and chamber music. After high school graduation in 2001, Che came to the United States to continue her eduation at Binghamton University as an accounting major. At the University, Che studied piano performance with Professor Michael Salmirs and gained many public performance experiences during and also outside of piano classes. Che also studied chamber music with other professors at the University and performed several pieces in public. s éq1 M C H AAEW AYLRAFT) sm and amd artistic s Airon Pianist RATAIYY O TL S A M I R S , founding member director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Saturday, April 16 – Senior Honor ’s Recital – Talitha Phillips, string bass 3:00 p.m. – Casadesus Recital Hall - free Saturday, April 16 – University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. -- Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 19 – Student Brass Quintet – 8:00 p.m. – Casadesus Recital Hall -- free Thursday, April 21 – Mid-Day Jazz Concert with Bill Easley - 1:20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpu r Jazz Ensemble with Bill Easley – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert - 1:20 p.m. – Casadesus Recital Hall – free : Friday, April 29 – Master’s Recital – Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall - free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzo-soprano. – 3 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital – Amber Alarcon, mezzo-soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble: We Band of Brothers – 3:00 pm. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243762&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senior piano recital, Sut Han Che, piano, April 15, 2005 Description An account of the resource Works of Mozart, Chopin, Debussy, Bartók. Held on April 15, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Che, Sut Han Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-15 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/597a5b153de5a60ca299fc35588690f0.pdf a07bc20bab55ce68ee770d4cc449698d PDF Text Text ’ B IN U N I V E { ; } — ON R S E S State University of New York Depart ment of Music “Music through the Ages” Harpur Brass The Brass Quintet of Binghamton University Erinn Hibbard, trumpet Stephen Boel, trumpet Patrick Lokken, French horn David Henann, trombone Daniel Gallagher, tuba Ben Aldridge, faculty advisor Tuesday, April 19, 2005 8 :00 p.m. Casadesus Recital Hall �Program Procession of the Nobles.. Nikolai Rimsky-Korsakov from Mlada (1844-1908) Arr. Rolf Smedvig Intrada .. ..Johann Groh from 36 neue liebliche und zierliche Intraden, so zuvor niemals gesehen Nuremberg, 1603 Contrapunctus I from The Art of the Fugue (c. 1575-c. 1627) «eee... JOhann Sebastian Bach The Promise of Living .. Thanksgiving Song from The Tender Land (1685-1750) .Aaron Copland (1900-1990) --Intermission-Buckaroo Holiday from Rodeo ..Aaron Copland (1900-1990) Four Songs for Brass Quintet. ..Charles Ives based on four songs originally for voice and piano* (1874-1954) transcribed by Kenneth Singleton 1. “On the Counter” (text by Ives; composed 1920) 2. “The Side Show” (text by Pat Rooney, Sr.; composed 1886) 3. “Slow March” (text by L. Brewster, with additions by Ives family members; composed c. 1887) 4. “Tarrant Moss” (text by Rudyard Kipling; composed 1902-03) Four Moods for Brass Quintet .. .. Arthur Harris I. Chorale: Komm siisser Tod. (translation: Come sweet death.) II. Waltz III. Lyric Piece IV. Finale Just A Closer Walk.. ......... .. (1957) ....traditional hymn Arr. Don Gillis �Charles Ives’ Songs *original text for the songs in which Four Songs for Brass Quintet by Charles Ives is based: 1. “On the Counter” Tunes we heard in “ninety-two,” soﬁ and sweet, Always ending “I love you”. . phrases nice and neat; The same old chords, the same old time the same old sentimental sound, Shades of Hawley, Smith and Nevin, in new songs abound. 2. “The Side Show” “Is that Mister Riley, who keeps the hotel?” Is the tune that accomp’nies the trotting track bell; An old horse unsound, turns the merry-go-round, Making poor Mister Riley look a bit like a Russian dance, Some speak of so highly, as they do of Riley! 3. “Slow March” One evening just at sunset we laid him in the grave; Although a humble animal his heart was true and brave. All the family joined us, in solemn march and slow, From the garden place beneath the trees and where the sunﬂowers grow. 4. “Tarrant Moss” I closed and drew for my Love’s sake, That now is false to me, And I slew the Riever of Tarrant Moss, And set Dumeny free. And ever they give me praise and gold, And ever I mourn my loss; For I struck the blow for my false Love’s sake, And not for the men of the Moss! �COMING EVENTS Thursday, April 21 – Mid-Day Jazz Concert with guest artist – 1:20 p.m. – Anderson Center Osterhout Concert Theater -- free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – ﬁ'ee Friday, April 29 – Master’s Recital : Paul Blake, trombone – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzosoprano – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Master’s Recital : Amber Alarcon, mezzo-soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 1 – University Wind Ensemble – We Band of Brothers – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. – Casadesus Recital Hall – free Monday, May 2 – Master’s Recital : Robin Kindig, bassoon – 8:00 p.m. – Casadesus Recital Hall – 8:00 p.m. – free Wednesday, May 4 – Student Conductors’ Concert – 8:00 p.m. – Watters Theater – free Thursday, May 5 – Student Recognition Mid-Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – Harpur Chorale and Women’s Chorus – 8:00 p.m. -Anderson Center Chamber Hall - free - � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:26:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243765&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music through the Ages, April 19, 2005 Description An account of the resource Works of Rimsky-Korsakov, Groh, Bach, Copland, Ives, Harris. Held at 8:00 p.m., April 19, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Hibbard, Erinn Boel, Stephen Lokken, Patrick Hennan, David Gallagher, Daniel Alridge, Ben Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-19 Rights Information about rights held in and over the resource In copyright