157
10
1775
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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55 minutes :18 seconds
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Flute studio and flute chamber concert, May 4, 2012
Description
An account of the resource
Works by Telemann, Lewallen, Faure, Zahnhausen, Matthews, Kummer Held at 10:15 a.m., May 4, 2012, Casadesus Recital Hall.
Creator
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Dayan, Hagar
Reitz, Margaret
Belle, Yoeli
Goldsmith, Raquel
Dewhirst, Andrea
McCreary, Natalie
Ralbovsky, Lindsay
Baron, Alexander
Maiolo, Georgetta
Publisher
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Binghamton University Libraries
Date
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5/4/12
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In copyright
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sound
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https://omeka.binghamton.edu/omeka/files/original/6dc55cd1b2fcd21c9f029d2cc6a86c8d.pdf
d9add1ccb952fa796de83e9a2288fb9d
PDF Text
Text
UNIV A L C
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. JECCh
BINGHAMSTON
I T Y
U N I V E R
State University of New York
“Go G h e F o r e l
1HhewUGEmdleuullhuufik3
O f Percy A .Grainger,
And h i s C o n b e mp o r a r i es.
nsemble
U n i v e r s i t y U i n d E
Gerald Cavemau gh. Cond uctor
I
Sunday, May 4, 2003
3:00p.m.
Anderson Center Chamber Hall
�Mock Morris
(RMTB 1) (1910)
Program
Percy A. Grainger
(18821961)
Handel in the Strand (Clog Dance)
(RTMB 2) (191112)
Margaret Reitz, Piano
Percy A. Grainger
a r r. R. F. Goldman
The Merry King
(BFMS 39) (190539)
Percy A. Grainger
ed. M. Rogers
Greg Cecere, French Horn
Margaret Reitz, Piano
Bellpiece (Now, O Now I Needs Must Part)
A Free Ramble on Lute Ayre b y John Dowland
(FMFS 6) ar r. 1953 wind band)
Edward Savo, tenor
a r r. Percy A. Grainger
ed. Duffy/ Ould
Margaret Rietz, Piano
Jody Schum, organ keyboard
Bronzissimo Bell Choir, Donna Halbert, director
Children’s March, Over the Hills and Far Away
(RMTB 4) (191618)
Margaret Reitz, Piano
Percy A. Grainger
rev. Frank Erickson
INTERMISSION
Retreat and Pumping Song (1995)
Pumping Song
Sarah Streb, offstage trumpet
David Stanhope
(1961 )
Illyrian Dances (1996)
II – Aubade
Ill Gigue
Guy Woolfenden
(1937 )
David Gillingham
Concertina for Four Percussion and Wind Ensemble
(1947 )
(1996)
Katie Haskins, xylophone
Matthew Lichstein, marimba
Matthew Green, timpani/ bass d r ums
Richard Milburn III, bells, bass drums
Margaret Reitz, Piano
Rolling Thunder
(1916)
Henry Fillmore
(1881 1956)
Gerald Cavanaugh’s performance a t today’s
concert is offered in partial complet ion of the
requirements for the Master of Mus ic degree
in Instrumental ( Conducting.
�Performance Notes
I. Mock Morris As you may notice in your program the pieces listed under
Grainger’s name have a parenthetical catalogue number included under its
title (FMFS 6, for instance). These listings stand for the collections of Folk
Song settings from which Grainger derived many of his transcriptions.
There are dozens of volumes of these FolkSong collections within the
Grainger catalogue. Our first piece, Mock Morris, is one such selection from
the “RoomMusicTitBits No.1.” collection of English folk dance music.
During the years between 1907 and 1911, we see five works conceived in a
particular order; Molly on the Shore, Country Gardens, Shepherd’s Hey.
Mock Morris, and Handel i n t he Strand. The extreme latter two have been
chosen to program as an example of the wealth of cultural information
Grainger discovered during his years as a folksong collector in England,
and Ireland. Part of this rich cultural information stemmed from various
types of dance music that Grainger uncovered during his travels. Mock
Morris, though different from the above listed works, maintains a rhythmic
cast like a Morris dance (hence the title “Mock"). but according to the
composer’s performance notes in the score, he states that while this work
has a semblance to many Morris dances he encountered in the northern
regions of England, that no actual folk material was used in the overall
construction. The inscription on the original manuscript reads as, “Birthday
Gift, Mother 3.7.10,” and was, like much of Grainger‘s original
arrangements, a piano work. Many other renditions exist on this piece,
including one for recorder and piano.
m l l . H r m ¢ l e I i n the Strand (Room MusicTitBits No.2) this work was
originally for piano. and was finished in 1911. Grainger had a slightly
different idea when it came to assigning a title to this work. Originally, he
wanted to call it simply “Clog Dance.” A Clog dance is fairly self
explanatory, in that the style of the dance involves heavy stamping on the
primary beats of the measure, due to the dancers wearing very heavy
wooden shoes. A friend of Grainger‘s, the banker William Gain Rathbone,
who had befriended Grainger while he lived in London, suggested re
naming the work “Handel in the Strand.” He felt the music ‘seemed to
reflect the styles of both Handel, and English Musical Comedy,‘ the home
of the latter being “the Strand” in London’s west end, is the British
equivalent to our Broadway. From what Grainger includes in his score, as
well as Rathbone’s suggestion, we can find fragments of musical matter
from variations he wrote on Handel’s “Harmonious Blacksmith tune.”
These partial and minute transcriptions are seen between measures 116 and
4760.
I
�4 lll. The Merry King (BFMS No.39) This work originated as part of the
collection for British FolkMusic Settings, noted down in August 1905 by
Grainger as he was traveling the English countryside’s. And in the program
notes left by Grainger we have these statements, “Mr. Alfred Hunt, who sang
me “The Merry King” 9at Wimbledon, London, England) was a working
man who hailed from Kirdford, West Sussex. England. The words of Mr.
Hunt ’s first verse ran as follows:
__It’s a merry king of Old England
I’II swim the wide ocean
That stole my love away;
All on my bare breast
And it’s I in Old England
For to find out my true love
1
}
No longer can’t stay.
Whom I do love best
The text of Mr. Hunts 6 verses, and notes on the song, may be consulted in
the Journal of the Folk Song Society, No.12 (London, 1908).”
This beautiful rendition of an old Sussex tune is in its root form from which
the concert, and easy, piano solo renditions (1936, 1939 respectively) were
“dishedup.” Sketched for chorus in 1905 or 1906, and later, for piano and
room music for small orchestra, was sketched July 1936; worked out late
A
19389.
“ 1– ‘lV. Bellpiece (Now, O Now I Needs Must Part) Q uite possibly one
of the most intriguing, and hard to obtain, works by Percy Grainger, this “free
ramble” based on an ayre (“Now, O Now I Needs Must Part") for lute and
voice, by John Dowland, was believed to be the most treasured work
Grainger ever composed. It is reported for the last 12 years of his life;
Grainger listened to a recording of the original ayre every night before retiring
to bed. Based partly on Grainger‘s piano solo transcription that appears as
No. 6 in his series of Free settings of Favorite Melodies. In turn, Grainger’s
transcription was based on another transcription by Sidney Beck, a well
known historian in ancient musics, as it appeared in a copy of The First Book
of Songs or A yres of foure parts with Tablature for the Lute, in the possession
of the Henry E. Huntington Library and Art Gallery, San Marino, California.
The word “ramble” describes much of what happens harmonically in this
piece, in that, the two original verses are extracted exactly from manuscript,
providing our melodic material, while later that same line “rambled” upon by
the ensemble. This is a truly lovely and lavish setting.
F
Y
r di
1
"
.
V. Children’s March (Over the Hills and Far Away) This fun and
exciting march has become a true Grainger staple among wind band
compositions. The title is misleading, however, for it is actually a dedication
to Grainger’s “dear friend from behind the hills.” Its vibrant lilt and innocent
melodies will keep you humming for hours. This work also stems from
Grainger’s extensive experience playing and writing for military bands.
hl
�l
l
Piccolo
Amy Forgacs
University Win d Ensemble Pe rsonnel
$= local visiting artists
*= section leader A= English Horn
Baritone Saxop hone
Philip Belle
Flute
Jennifer Thomas*
Amber Beckley
Sarah King
Stephanie Juliano
Nicole Kalisz
Chung~Eun Kim
Oboe
Nancy Bayewitch*
Lesley McClelland” $
Bassoon
Sara Kurtzberg
Clarinet
Heather Boland
Caroline Bravo*
Jessica Diminich
Vanessa Finley
Lloyd Gewuerz
Michelle Grexer
Andrew Hsu
Hilary Salamack
Perter Snyder
Sherri Vishner
Yael Weitz
Dominique Zino
Bass Clarinet
Michael Cohn*
Robin Desantis $
Alto Saxophon e
Philip Wirsing*
Jay Gwak
Tenor Saxopho ne
Yuehtang (Felix) Chang
Trumpet
Phil Deitz
Derek Ersback
Michael Osa*
Sarah Streb
French Horn
Greg Cecere*
Jeremy Garlick
Maxwell Guido
William Stallsmith
Trombone
Ari Atkinson
David Henann*
Tenseng Guh
Robin Linaberry $
Euphonium
Eric Forti
Dennis Pettas*
Robert Szkotak
Tuba
Brian Belluci*
Dan Gallagher
Percussion
Matt Cosnett
Matt Green
Matt Lichstein $
Kati Haskins
Richaard Milburn*
Keyboard
\ Prof. Margaret Reitz
Jody Schum
Bronzissimo Bell Choir $
Donna Halbert, director $
�Grainger Biography
Born on July 8, 1862. Grainger began his musical study at the early age of six.
After the estrangement of his father, John Grainger in 1890. Percy and his mother
Rose, made a determination to survive on their own. By doing so, Rose took on a
daunting task as a single mother to raise, teach, musically guide, and companion
young Percy. Beginning piano lessons at age seven, Grainger’s talents were soon
quite evident to his mother, and soon caught the attention of many other
individuals around Melbourne. By age 10, Grainger took piano lessons from Louis
Pabst, and began concertizing throughout eastern Australia. Upon moving to
FrankfurtamMann in 1895, he studied piano and composition at the Hoch
Conservatory. While in Frankfurt, we see a lifelong friendship built between
Grainger and some of this fellow students: a lasting friendship that later became
known as “the Frankfurt Group.” Grainger’s lasting friendships with Cyril Scott,
Balfour Gardiner. Roger Quilter. and Herman Sandby, was a collaborate effort of
principle, musical creativity, and boundless adventures into revolutionary methods
of composition and artistic expression. _
From Frankfurt, Grainger and his mother moved to London in 1901. to pursue a
life of performance. The London audiences, a very hard people to please,
celebrated Grainger’s pianistic endeavors with instant adoration. Among the many
aspects of Grainger’s life that we could discuss at great lengths is the enormous
component of his biography dealing with life as a concert pianist. While taking
composition lessons from Busoni in London, Grainger also began teaching piano
lessons by 1910. Grainger established himself as one of the finest piano virtuosos
(persons with masterly skill or technique in the arts) of the 20* century. While in
London, Grainger’s pianistic performance achieved him two great professional
relationships, one with the great Norwegian nationalist composer, Edvard Grieg,
and the other’with impressionist composer, Frederick Delius. It was the connection
he made with Grieg. however, that proves to be one of the most successful. Grieg
was quoted in a Norwegian newspaper once saying; “Il have not heard one of my
own countrymen perform any of my music, or the music of my people, until this
young redhaired, blueeyed Australian came along. He understands exactly how
this music should sound. the Norwegian people should happily embrace Percy
Grainger.” Grieg indeed served as a surrogate father figure for Grainger, and his
famous A minor Piano Concerto was written specifically for Grainger to perform.
Since this historic event, there has not been another example in the 20* century,
of a major piano concerto, and its leading authority, keeping the living presence
of the composer‘s intent, for as long as Grainger. Grainger’s legacy as a pianist is
one that has lived on for generations.
Another important milestone in the Grainger’s life also occurred while he lived in
the UK. It was during this time that Grainger began to exercise his skills at
collecting, transcribing, and recording folksong materials from dozens of locations
throughout England, Scotland, Wales, and Ireland. Soon after this period (around
1912 to 1917) Grainger also extended his ethnomusicological boundaries to
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include areas of his homeland Australia, China, the Pacific Rim, and areas of
Scandinavia. His endeavors as an ethnomusicologist predate those of Bela Bartok
and Zoltan Kodaly in Hungary and Eastern Europe, by some ten years. We can say
that Grainger joins the ranks of pioneer ethnomusicologists, such as Cecil Sharpe,
in collecting folk music. and transcribing them for idioms that the public could
appreciate and familiarize. Strapping an Edison phonograph to his back, Grainger
would often trail the English and Irish countryside’s on foot, stopping from house
to house, or sitting outside of pubs and other community gathering establishments
and ask native inhabitants to sing their songs into his phonograph. This pioneering
accomplishment also aided in the success of his compositions that were direct
transcriptions of the folk songs he collected. One of the most famous of these
collections of folk materials actually adorns a title which adequately describes the
composition as a “bouquet of wildflowers in music:" Lincolnshire Posy.
In 1917. Grainger moved, with his mother Rose, to America where they settled in
New York State. Some five years later, Grainger and his mother bought a house at
17 Cromwell Place, in White Plains. To this day the house still stands and has been
preserved as a museum of some of the Grainger’s personal artifacts, memoirs,
documents, and manuscripts. Grainger became a United States citizen in 1918,
after he enlisted in the Army’s 9* Regiment Artillery Corps Band. He served with
that band from1917 to 1919. While serving as a saxophonist, Grainger learned a
wealth of information about writing music for military and brass bands. It was
during this experience Grainger also fell in love with the saxophone. He played
tenor saxophone for most of his time in the 9* regiment, and learned a great deal
about how to incorporate the sound of a saxophone choir into many of his wind
band compositions. Being a pianist, Grainger also scored much of his wind band
compositions with piano in mind, but inevitably rescored the parts to include
doublings in the woodwinds and brass.
Some of Grainger’s other timeless accomplishments have to do with his work as
an educator and conductor. During the 1950’s while Grainger served as
department chair for at NYU, he began a summer music camp. and later
performing arts high school, at Interlochen, Michigan. This contributory institution
to American music education, and the performance of band music. has continued
to be a major arts center today. Also, Grainger often found himself guest
conducting many orchestras and high school band festivals across the country
while enjoying still, a semiactive concert recital schedule. Grainger continued
playing piano recitals well into his seventies. After the tragic suicide of his mother,
Rose, in 1922, Grainger focused enormous amounts o f his energies on composing
and also finding true love: enter Ella Viola Strom. A Swedish pianist, Strom and
Grainger met on a Nordic cruise in 1926 and the two were married, in the spring
of 1928, at an extravagant concert at the Hollywood Bowl, California. From
there, the two lived a full and happy life in White Plains, until Grainger
underwent surgery for prostate cancer in 1953; from which he never fully
recovered. Ultimately, Grainger passed away on February 20. 1961, from physical
and mental complication of cancer. Upon his death, Ella wrote to their dear friend
�a publicist, Hans Meyer Petersen, saying, “Today, our beloved Percy has died, and
1 am afraid we shall all be lost without him.”
An amazing marvel, Grainger loved many things other than the music he wrote.
He was a “tinker” and experimented with inventing musical machines capable of
performing “Free Music” without the hindrance of human fallibility and
imperfections. These machines went through many phases before Grainger and a
physicistfriend Burnett Cross designed a final patent. Grainger’s concept of “Free
Music” involved passages in his music that went far beyond indeterminacy, but
instead, was a construct for music that should resemble how elements of nature
behave and move. “Music should be as free as a breeze in the wind, or the
rustling of leaves, or a limb that clambers as it falls to the ground,” according to
Grainger. To accomplish this technique, Grainger believed in using “gliding tones.”
or long glissandi that moved not only by half steps, but incorporated aspects of
microtones, or intervals smaller than a half step. Free rhythm was also a major
factor in his “Free Music.” Works such as Hill Songs Nos.1 & 2, The Song of
Salomon, and the famous, Lincolnshire Posy, all exhibit elements of “Free Music.”
As far as building was concerned, in 1935, Grainger erected a museum designed to
preserve his memorabilia, artifacts. music, and memoirs here, along with his body.
after his death, as part of the University of Melbourne, Melbourne. Australia. The
museum is a fully functioning research and preservation facility that is still manned
and operated today. Grainger was an avid enthusiast of the Norwegian sagas,
languages. and folklore. Over his lifetime he learned 11 different languages,
speaking many fluently. These talents among many others help us paint a vivid
and distinct portrait of a gifted and unique person that has made an indelible
mark on the face of the wind band genre both in America, and across the globe. I
wish to leave these remarks with two lasting quotes by Grainger that helps to
summate some of the personality of this remarkable fellow:
“ ...Every time I see a paper napkin l mourn for the woods that are being thoughtlessly wasted:
every time I see a bit of wroughtore (metal) I tremble for the men in the mines who are losing
their lives needlessly just because the world has gone mad about wroughtore. If all peoples felt as
l do they would never use a piece of wroughtore without first wondering whether its usefulness
outweighs against the mightbeness (possibility) of a man‘s death. Fancy an age in which men take
their children to watch men and women do liferisking acts on the trapeze or in the lion cages an
age in which prize fighting and wrestling are lawhallowed (sanctioned) while nakedness and
Iewdness (such guiltless mirth) are not!” December, 23rd 1950
“ Destroy Nothing, Forget Nothing.
Remember all, say all.
Trust life. trust mankind.
As long as the picture of truth is placed
In the right form (art, science, history)
It will offend none!” November. 13th 1936
i
3
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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0:58:32
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253397&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253397&change_lng=en&select_viewer=metsViewer</a>
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Title
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"To the Fore!": the wind band music of Percy A. Grainger and his contemporaries, May 4, 2003
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2003-5-4
Description
An account of the resource
Works of Percy A. Grainger, David Stanhope, Guy Woolfenden, David Gillingham, Henry Fillmore. Held at 3:00 p.m., May 4, 2003, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Cavanaugh, Gerald
Date
A point or period of time associated with an event in the lifecycle of the resource
5/4/2003
Rights
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In copyright
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https://omeka.binghamton.edu/omeka/files/original/f73da0fb227dd66078020449c45c4d4d.pdf
fbf89256db0512ad422046aa94a538a9
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y OF N E W Y O R K
D
E
P
A
R
T
DENISE BASSEN
O R G AN
Monday, May 5, 2014
8:00 pm
Fine Arts Room 21
W
M
[4
E
N
T
�PROGRAM
ABOUT THE PE RFORME R
(16851750)
DENISE BASSEN is a graduate of the Mannes College of Music,
the New School University, in New York City, where she received a
full tuition scholarship grant to complete her senior year from the
Helena Rubenstein Foundation.
. Felix MendelssohnBartholdy
She was awarded regional finalist in the Metropolitan Opera
auditions, and has sung professionally in opera, oratorio, and
liturgical music.
Prelude and Fugue in Gmajor, BWV 541 .
Sonata VI in Dminor
Johann Sebastian Bach
Chorale and Variations
Fugue
(18091847)
Denise pursued organ studies at Vassar College, and choir
conducting at the Centre d’Art Polyphonique in Alsace, France.
She has continued to pursue professional studies at Ho fstra
Andante
University, McGill University in Montreal, and the Yale University
School of Sacred Music in New Haven. She is a candidate for a
Variations sur un théme de Clement Jannequin .
Jehan Alain
(19111940)
Masters of Music in Organ Performance a t Binghamton University
(SU NY).
Denise has been Organist a t th e First Presbyterian Church of
Piece Heroique ..
. Cesar Franck
(18221890)
~ Wolff Organ ~
This program is offered in partial fulfillment of the requirements for the degree of
Master of Music. Denise Bassen is a student of Dr. Jonathan Biggers.
Pleasant Valley, Music Director at the Freedom Plains Presbyterian
Church, and Music Director for The Church of the Holy Trinity in
Poughkeepsie.
For more information, her website is: www.denisebassen.com
�Binghamton U niversity Musi c Department ’s
4
UPCOM ING EV ENTS
M
M
M
M
M
M
M
M
J
V
Tuesday, May 6 – Percussion Ensem ble Concert – 8:00 p.m. – Anderson
Center Chamber Hall $ 7 general public; $5 faculty/staff/seniors ; free for
students
Thursday, May 7 – Nukporfe African Drumming and Dance Ensemble
– 7:00 p.m. – Watters Theater $5 general admission at the door
Thursday, May 8 – Student Recognition MidDay Concert – 1 :20 p.m. –
Casadesus Recital Hall – free
Thursday, May 8 – Harpur Chroale and Women ’s Chorus Spring
Co n c ert – 8:00 p.m. – Anderson Center Chamber Hall $ 7 general public; $5
faculty/staff/seniors ; free for students
Friday, May 9 – String Orchestra Concert – 4:00 p.m. – Grand Corridor –
free
Friday, May 9 – Brass Ense mble Con cert – 5:00 p.m. – Casadesus Recital
Hall – free
Sunday, May 11 GrammyAward W inn in g vocal gu es t artist jacqueline
HornerKwiatek – 3 :00 p.m. – Casadesus Recital Hall $5 general public; free
for students
Wednesday, May 1 4 – German Diction Class Recital 8:00 p.m. ~
Casadesus Recital H all – free
[ = ] ys
—
For tickeu or to be added to our email list, visit andersonbinghamtonedu or
call (607) 7 7 7ARTS. For a complete list of our concerts call (6 0 7) 7 7 72592,
visit music.binghamton.edu or become a fan on Facebook.
i f you were inspired by this performance, consider supporting the Department
of Music with a financial gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our community.
Please make your donation payable to the Binghamton University Music
usic Department, P.O. Box 6000,
Department, and send your check to B U M
Binghamton, NY 13902 .
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Denise Bassen, organ recital
Subject
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Concerts
Instrumental music
Live sound recordings
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Works by Bach, Mendelssohn-Bartholdy, Alain, Frank. Held at 8:00 p.m., May 5, 2014, Fine Arts room 21.
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Bassen, Denise
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Binghamton University Libraries
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Bach, Johann Sebastian, 1685-1750
Mendelssohn-Bartholdy, Felix
Alain, Jehan, 1911-1940
Franck, César, 1822-1890
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sound
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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18:55
33:11
40:32
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Lenox String Quartet, recital, May 5, 1973
Recital Tape 1973-5-5
Description
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Works of Haydn, Bartok and Schubert. Held at 8:15 pm, May 5, 1973, Watters Theater.
Creator
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Lenox String Quartet
Publisher
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Binghamton University Libraries
Date
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5/5/73
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In copyright
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sound
-
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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33:37
42:09
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Collegium, May 5, 1973
Recital Tape 1973-5-5b
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Binghamton University Libraries
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5/5/73
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-
https://omeka.binghamton.edu/omeka/files/original/3b547dab7e7f7c3e8994ec9717126ab5.pdf
cc90e9056334cba5abada98b4e58c78e
PDF Text
Text
BINGHAMTON
UNIV ERSIT Y
usi
D E P A R T M E N T
UNIV ERSI TY PERC USSI ON
ENSEMBLE CON CERT
Joel Stnales, Direc tor
Tuesday, May 6, 2014
8:00 PM
Anderson Center Chamber Hall
�PROG RAM
African Welcome Piece ................................................... Michael Udow
(b. 1949)
Danza de Samba ............................................................... Jeffrey Payton
(b. 1966)
La Spagnola .................. ................................. Arranged by Ru th Jeanne
(1910-2004)
Three Brothers ............................................................ Michael Colgrass
(b. 1932)
Carousel ................................................................... Samuels/Fr iedman
(b. 1948/1944)
TI1e Black and White Rag ........................................... George Botsford
(187 4-1949)
Alex Strong, xylophone
You're Looking a Little Pail .............................................. Michael Ross
(B. 1970)
Concerto for Drumset and Percussion Ensemble ................ John Beck
(B. 1933)
Andrew Willia1nson, drumset
The Bingham ton University Percussion Ensemble
Joey Glowienka
Bobby Hopkins
David Indictor
Daniel Kim
Alex Rava
Alex Strong
Carly VanOpdor p
Andrew Williamson
Dillon Eggleston
�ABOUT THE DIRECTOR
Joel Smales is Adjunct Professor of Percussion at Binghamton
University and Director of Bands at Binghamton High School's Rod
Serling School of Fine Arts, in Binghamton, NY. He holds music
degrees from the Crane School of Music (BM) and Binghamton
University (MM).
His school ensembles have performed for Bands of America in
Indianapolis, New York State School Music Association Winter
Conference, New York State Band Directors Association Winter
Conference, Music Educators N ational Conference National
Conference in Minneapolis, Percussive Arts Society International
Convention in Nashville, First Night Virginia, First Night International,
the World Physics .Conference an, numerous Steel Drum Festivals and a
concert tour throughout Oklahoma.
As a performer, Mr. Smales performs as Principal Percussionist with
the Tri-Cities Opera Orchestra, with the Binghamton Philharmonic
Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA.
He has performed on over thirty professional CD recordings and runs
an annual Summer Percussion Camp in Binghamton for area school
students. His published works include solos, ensembles, books and
method books published by Kendor, HoneyRock, Drop6, House
Panther Press and Phantom Music Publishing.
Mr. Smales has presented clinics for MENC, NYSSMA, NYSBDA and
the NJMEA and his articles on music and percussion have appeared in
Percussive Notes, School Band and Orchestra, School Music News,
The Instrumentalist, Vermont Music Educator and Band World
magazmes.
Smales served as the Percussion Chair for the New York State School
Music Association from 2004-2011 and V.P. for the NYS Percussive
Joel and his wife Athena live in
Arts Society from 2005-2010.
Kirkwood, NY with their four children.
�Bingha mton Univer sity Depar tment of Music
Comin g Events
Wednesday, May 7 - Nukporle African Drummin g and Dance Ensemble 7:00 plm. - Watters Theater - $5 general admission at the door
Thursday, May 8 - Student Recognition Mid-Day Concert - 1:20 - Casadesus
Recital - free
Thursday - May 8 - Harpur Chorale and Women's Chorus Spring Concert8:00 p.m. - Anderson Center Chamber Hall - $7 general
Friday, May 9 - String Orchestra Concert - 4:00 p.m. - Grand Corridor - free
Friday, May 9 - Brass Ensemble Concert - 5:00 p.m. - Casadesus Recital Hall free
Sunday, May 11 - Grammy Award Winning vocal guest artist Jacqueline
Horner-Kwiatek - 3:00 p.m. - Casadesus Recital Hall - $5 general public; free for
students
Wednesday, May 14 - German Diction Class Recital - 8:00 p.m. - Casadesus
Recital Hall - free
For tickets or to be added to our email list, visit anderson .binghamton.edu
or call (607) 777-ARTS . For a complete list of our concerts call (607)
777-2592, visit music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to continue
the work of students, faculty, and guest artists and their contributions to
our community. Please make your donation payable to the Binghamton
University Music Department, and send your check to BU Music
Department, P.O. Box 6000, Binghamton, NY 13902 .
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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54:20:00
Streaming Audio
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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University Percussion Ensemble concert
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Payton, Friedman, Botsford, Ross, Beck. Held at 8:00 p.m., May 6, 2014, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Smales, Joel
Glowienka, Joey
Hopkins, Bobby
Indictor, David
Kim, Daniel
Rava, Alex
Strong, Alex
VanOpdorp, Carly
Williamson, Andrew
Eggleston, Dillon
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/6/14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/2b860930e67c2ef4635b925c72a9ed7e.pdf
eb9178d1a951466ccb262bd72f0398f5
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y O F N E W YORK
J
Cves ie
D E P A R T M E N T
STUDENT RECOGN I TION
MIDDAY CONCE RT
o
n
u;
I s a
0
Thursday, May 7, 20 1 5
1 :20 p.m.
Casadesus Recital Hall
:
�& PROGRAM «5
Muset ta’s ar ia, “Quando m ’en vo ,”.
from L a Bahéme
Giacomo Puccini
( 1 85819 24)
O deI mio amato ben...
George Frideric Handel
(16854759)
Ricky Nan, tenor
Willia m law son. p iano
Aprite un po ’ quegl i occh i.
from Le Nozze di Figaro
. Siegm und S andow
for Violin and Piano
Alexio Chang, viol in
Annie Tao, p iano
( 1 8501919)
La zingara
Jenny Gac, soprano
Michael Lew is, piano
Sea ra mouche.
.Darius Milhaud
11 Modéré
(18924974)
Il est doux, il est hon.
John lsenherg, piano
ilic ix Mendelssohn
Christ ina Santa Maria, soprano
Michael Lew is, piano
Felicity
Rober t Dura nte
(b. 1994)
Robert Durante, singer/songwr iter
. Jibron Harr is
(b.1 991)
Jibron Harris, computers
(18421912)
Ca i t lin Go t im e r, spra no
(18091847)
Daft
. Giuseppe Verdi
( 1 8131 901)
Jules M assenet
from Hérodiade
Danie lle Stoner, al to saxophone
Nightt ime .
Wolfgang Amadeus Moza rt
( 1756 1791)
Jake Stamatis, bassbaritone
John I senberg, piano
Cavat ine, O pus 3 , no. 1
Die Liebende schreiht.
(18791925)
Kevin Truax, tenor
John I senberg, piano
Meroé Adeeb. oprano
Michael Lew is, piano
Every Valley Shall Be Exalted
Stefano Donaudy
$ $ $ $ $ $ $ $ $ $ $ $
Please join us for a reception in the Green Room,
imm ediat ely following t he pe rform a nce
�Bingha m ton U niversity Depa rt men t of Music
Com ing Even ts
afiénéibuéionéia neéia méibnfiémééméia mfiéwfiibnéibfl
Thursday, May 7 Harpur Chorale and Women’s Chorus Spring Concert
7 : 30 p.m. Anderson Center Chamber Hall $7 general pulilic; $5
lacu lty/s t a t i/se n io rs/a lu nm i; free for st ud en ts
Friday, May 8 N uk porfe Africa n d ru m m ing and Dance Ensemble 7:30 p.m.
\X aters Theater $5 general adm ission at the door
Sat u rday, May 9 Senior Recital : Cole Torn berg, te nor 3 p. m. Casadesus
Rec ital Hall tree
Saturday, May 9 Senior Recital: Caitlin Got me r, soprano 7:30 p.m.
Casadesus Recital Hall free
fiibfl'éfbfl’éwfbwfifbfinfiwfififiwfififlflfiwfirflfifbfi
For tickets or to he added to our email list, wisit
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anderson.binghamton.edu or call (60 7) l 7 7 A R T S , Fm a complete
list of our concerts call ( 60 7) 7772592 . visit mus i c.bi nghamton.edu
7
7
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.
c
( n i k ’ L ’ U l n L ’ (1 f u n ( ” 1 F a c e b o o k .
l ! you were mutated by this performa n ce, c o ns ider suppor t i ng t he
Depart ment of M us i c ur t h a fina n c i al gift. Yam support helps to
[
=
]
;
cont i nue the u m k of s t udents, faculty. and gues t artists and t hen
contributions to our community. Please make your donation payable
to the Binghamton Unnumt} Music Department‘ and send your check to B U MUSIC
Department, P.O. Box 6000. Binghamton, N Y 1 3902 .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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Title
A name given to the resource
Student recognition mid-day concert, May 7, 2015
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Puccini, Handel, Sandow, Milhaud, Mendelssohn-Bartholdy, Harris, Donaudy, Mozart, Verdi, Massenet, Durante. Held at 1:20 p.m., May 7, 2015, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Adeeb, Meroë
Lewis, Michael
Nan, Ricky
Lawson, William
Chang, Alexio
Annie Tao
Stoner, Danielle
Santa Maria, Christina
Harris, Jibron
Truax, Kevin
Isenberg, John
Stamatis, Jake
Gac, Jenny
Gotimer, Caitlin
Durante, Robert
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Puccini, Giacomo, 1858-1924
Handel, George Frideric, 1685-1759
Sandow, Siegmund
Milhaud, Darius, 1892-1974
Mendelssohn-Bartholdy, Felix
Harris, Jibron
Donaudy, Stefano, 1879-1925
Mozart, Wolfgang Amadeus, 1756-1791
Verdi, Giuseppe 1813-1901
Massenet, Jules, 1842-1912
Durante, Robert
Date
A point or period of time associated with an event in the lifecycle of the resource
5/7/15
Rights
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In copyright
Type
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sound
-
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audio disc
Duration
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01:04:05
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74985">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74985</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Transatlantic journeys: a meeting of music and dance : traditions from West Africa and the Caribbean
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 7:00 p.m., May 7, 2014, Watters Theater, Binghamton University.
Creator
An entity primarily responsible for making the resource
Nukporfe African Dance-Drumming Ensemble
Burns, James
March, Marcel
Ny[a]muame, Elikem
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
5/7/15
Rights
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In copyright
Type
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sound
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
Duration
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47 minutes :01 seconds
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142237">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142237</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Composition seminar studio recital : music from the seminar, May 8, 2012
Description
An account of the resource
Works by Martin, Cody, Baine, Mayr Held at 8:30 p.m., May 8, 2012, Watters Auditorium.
Creator
An entity primarily responsible for making the resource
Martin, Christian
Lawson, William James
Baron, Alexander
Polacco, Nicholas
Arenstein, Zachary
Strohm, Jacob
Gukowsky, Matthew
Goldstaub, Paul
Baine, Ilyssa
Lathwell, John
Perry, Timothy
Micceri, Jennifer
Adams-Toomey, Molly
Sucha, Kathryn
Rovou, Joshua
Furrey, Thomas
Harris, Jibron
Berg, Alex
Ford, Elizabeth
Gonzolez, Crystal
Kupfer, Nicole
Levine, David
Mayr, James
Meyer, Lindsey
Forzano, Michael
Mones, Mike
Romberger, Daniel
Weinstein, Daniel
Zhao, Jonatham
Publisher
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Binghamton University Libraries
Date
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5/8/12
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/146b837420485439ab02b4aaf9b51b9a.pdf
08f55173b90257741b12d54f262f89b7
PDF Text
Text
BINGHAMTON
U N 1 V E R s 1 T Y
STATE UNIVERSITY OF NEW Y O R K
w d e c
D E P A R T M E N T
STUDENT RECOGN ITION
MIDDAY CONCERT
Thursday, May 8, 201 4
1:20 p.m.
Casadesus Recital Hall
�2 P R O G R AM s
.Frédéric Cho pin
Noctu rne in C mino r
(18101849)
Yuansi Du, violin
Margaret Reitz, piano
Nominated by Janey Choi
J.S. Bach
(16851750)
Preludio
Joseph Vande rpool, violin
Nominated by Janey Choi
Gaetano Don izetti
Kerianna Kreb ushevski, soprano
William James Lawson, piano
Nominated by Mary Burgess
(17971848)
Sergei Rachm aninoff
Thom Baker, tenor
Margaret Reitz, piano
(1 8731 943)
Nominated by Mary Burgess
. Wolfgang Am adeus Mozart
(17561791)
Emily Geller, mezzosoprano
Timothy Perry, clarinet
Margaret Reitz, piano
Nominated by Mary Burgess
Nocturne in Dflat, L . 8 2 .
Seonghyang Kim, piano
Jessica Biagio tt i, flu te
Two Preludes for Flute Alone .
Andante motto
Allegro molto
Jacqueline Robins, flute
Robert Muczynski
(19292010)
Flute Trio with Piano, no. 1, Opus 14 .
Richard Hugu nine
Nominated by Georgetta Maiolo
La Gondola.
Parto, parto
from “La Clem enza Di Tito”
(19131979)
Allegretto grazioso
ChaiKyou Mallinson, piano
Nominated by Georgetta Maiolo
Violin Partita no. 3 in E major.
They Replied, Op. 21 , no. 4.
. Eldin Burton
Sonatina for F lute and Piano ..
Nominated by Michael Salmirs
.Claude Debussy
(18621918)
(b. 1953)
Ricky Lombardo
Circus March.
Binghamton University Flu te Trio
Jessica Biagiotti, flute
Cara Natale, flute and alto flute
Jacqueline Robins, flute
(b. 1946)
Nominated by Geotgetm Maiolo
Una furtiva lagrima .
from “L’Elisit d ’amore”
.Gaetano Don izetti
(17971848)
Michael Celentano, tenor
John Isenberg, piano
Nominated by Thomas Goodheart
Ab, per sempre io ti perdei .
from “I Purita ni”
Matthew Sam luk, baritone
John lsenberg, piano
Nominated by Thomas Goodheart
.Vincenzo Bellini
(18011835)
�Binghamton U niversity Depa rtment of Mus ic
é
w
w
w
Coming Events
w
w
w
w
m
w
w
b
Friday, May 9 – String Orchestra Concert – 4:00 p.m. Grand
Corridor free
Friday, May 9 – Brass Ensemble Con cert – 5:00 p.m. Casadesus
Recital Hall free
Sunday, May 11 – Gramm y Award Winning vocal guest artist
Jacqueline Ho merKw ia t ek – 3 :00 p.m. – Casadesus Recital Hall $5
general public; free for students
Wednesday, May 1 4 – German Diction Class Recital – 8:00 p.m.
Casadesus Recital Hall free
W
M
M
M
M
M
M
M
M
M
!
»
For tickets or to be added to our email list, visit andersonbinghamtonedu or
call (607) 777ARTS . For a complete list of our concerts call (60 7) 7 7 7
2 592, visit music.binghamton.edu or become a fan on Facebook.
If you were inspired by this performance, consider supporting the
Department of Music with a financial gift. Your support helps to continue
a
f [ = ] the work of students, faculty, and guest artists and their
contributions to our community. Please make your
donation payable to the Binghamton University Music
[=]
Department, and send your check to BU Music
5
Department, P.O. Box 6000, Binghamton, NY 13902
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
101:12:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75006">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75006</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Student recognition mid-day concert, May 8, 2014
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Chopin, Bach, Donizetti, Rachmaninoff, Mozart, Debussy, Burton, Muczynski, Hugunine, Lombardo, Donizetti, Bellini. Held at 1:20 p.m., May 8, 2014, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Vanderpool, Joseph
Krebushevski, Kerianna
Lawson, William James
Baker, Thom
Geller, Emily
Perry, Timothy
Kim, Seonghyang
Biagiotti, Jessica
Mallinson, Chai-Kyou
Robins, Jacqueline
Binghamton University Flute Trio
Natale, Cara
Celentano, Michael
Isenberg, John
Samluk, Matthew.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Chopin, Frédéric, 1810-1849
Bach, Johann Sebastian, 1685-1750
Donizetti, Gaetano, 1797-1848
Rachmaninoff, Sergei, 1873-1943
Mozart, Wolfgang Amadeus, 1756-1791
Debussy, Claude, 1862-1918
Burton, Eldin
Muczynski, Robert, 1929-2010
Hugunine, Richard
Lombardo, Ricky
Donizetti, Gaetano, 1797-1848
Bellini, Vincenzo, 1801-1835
Date
A point or period of time associated with an event in the lifecycle of the resource
5/8/14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound