159
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:10
27:40
25:29
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243656">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243656</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital Recital Lenox String Quartet, June 23, 1973
Recital Tape 1973-6-23
Description
An account of the resource
Held on June 23, 1973.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
6/23/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
29:15
33:47
25:17
31:50
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243661">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243661</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Seminar, June 25, 1973
Recital Tape 1973-6-25
Description
An account of the resource
Held on June 25, 1973.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
6/25/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:32:05
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243687">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243687</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Myra Hess, June 26, 1973
June 26, 1973
Recital Tape 1973-6-26
Description
An account of the resource
Works of Beethoven, Schubert, Brahms, Mozart.
Creator
An entity primarily responsible for making the resource
Hess, Myra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
6/26/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
34:34
26:28
31:39
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243647">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243647</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
A name given to the resource
Lenox String Quartet, recital, June 6, 1973
Recital Tape 1973-6-9
Description
An account of the resource
Held June 9, 1973.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
6/9/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:44:20
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243699">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243699</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Serge Koussevitzky, July 24, 1973
Recital Tape 1973-7-24
Description
An account of the resource
"Music treasury--G. Lemco"--Container.
Creator
An entity primarily responsible for making the resource
Koussevitzky, Serge
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
7/24/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:33:11
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243690">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243690</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Clemens Krauss, July 3, 1973
Recital Tape 1973-7-3
Description
An account of the resource
Works of Strauss and Brahms.
Creator
An entity primarily responsible for making the resource
Krauss, Clemens
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
7/3/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:34:41
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243693">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243693</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Joseph Szigeti, July 31, 1973
Recital Tape 1973-7-31
Description
An account of the resource
Works of Tartini, Bartok, Brahms, Bach, Debussy.
"Music treasury--G. Lemco"--Container.
Creator
An entity primarily responsible for making the resource
Szigeti, Joseph
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
7/31/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:30:48
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243696">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243696</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Serge Koussevitzky, August 8, 1973
Recital Tape 1973-8-8
Description
An account of the resource
Works of Beethoven, Beethoven, Prokofiev, Mozart, Berlioz.
Creator
An entity primarily responsible for making the resource
Koussevitzky, Serge
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
8/8/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/44e7171d77e7bd26eb478ba5ac679e28.pdf
59e17525866d418901944150c06cf0e9
PDF Text
Text
BINGHAMTON
U
N
G
E
N
State University of New York
De pa rt ment of Music
“VOICES F R O M H O M E A N D
DISTANT LANDS”
T imot h y Pe rry, clarinet
Margaret Reitz, pia n o
W it h
Guest Ar tists
H a k a n TaygaHromek, violoncello
A pril Lucas, saxophone
'
F riday, September 10, 2004
8:00 p . m .
Anderson Center C ha m be r Hall
�The Binghamton University Depart ment of Music 20045 Chamber Series
Timothy Perry, clarinet
Margaret Reitz, piano
with guest artists
Hakan TaygaHromek, violoncello
April Lucas, alto saxophone
Program
Eyatusiome
Bucolique (1949)
Café 1930 .................................................AstorPiazzolla
from Histor y o f the Tango
(19211992)
J
J o h n Mayer
Raga Music for Clarinet Alone (1952)
1.
2.
3.
4.
(19302004)
5. Shri (Afternoon)
Vilasakhani
Megha (Rainy season) 6. Pilu (Evening)
7. Puravi (End of Day)
Vibhasa (Sunrise)
Gunakali (Morning) 8. Kanada (In the Deep of Night)
9. Vasanta (Spring Raga)
o
Egyplian MaWal ( T M o
Fantasy Trio (1969, rev. 1989). . . . . .
for Clarinet, Violoncello and Piano
1. Allegro energico
2. Andante con espressione
(b. 1958)
. . .Robert Muczynski
(b. 1929)
3. Allegro deciso
4. Introduction and Finale
Hakan TaygaHromek, violoncello
�About the Music
The increasing reach of globalization has also facilitated an
Intermission
almost instantaneous int erchange of ideas, accelerating the
¥
Fantasie for Clarinet and Piano
: d a h e h
Unity (2003)
R
e
Three American “Songs Without Words”
i ining Night
Ngi
Sure O n This Shining
r from Candide
Gay, f
y,aom
G
i
Glitter and Be
borrowed material from the next town. That twoway traffic is
reflected in much of tonight ’s program. To balance t he interest in a
new and unfamiliar sound, genre, form or instrument and yet
remain grounded in one’s sense of place and time presents the
composer with a subtle balancing act. Too little crosscultural input
may result in ethnic veracity that can prove unintelligible to the
listener, while too much input may create music that lacks roots,
afflicted with a kind of sonic homelessness. We hope that tonight’s
musical selections reflect the more successful atte mpts to embrace
and share – locally and globally the world’s musical riches.
April Lucas, saxophone
r from Porgy Pogry and Bess
y li So, f
in’ Necessarily
S o,om
It Ain’t
opportunity for composers both here and abroad to assimilate
influences from across the globe as easily as they formerly
. George Gershwin
P v E
.. Samuel Barber
h
s
a
. Leonard Bernstein
A r i e
Eugene Bozza (19051991), longtime professor of
composition at the Paris Conservatoire de Musique, was a
musician of rare ability who won the Paris Conservatory’s coveted
Premier Prix in Violin, Conducting and Composition. One of a
string of virtuosic wind solos, his Bucolique (1949) is d edicated to
the Conservatory’s thenprofessor of Clarinet Ulysse Delécluse
and was used as that yea r’s competition piece. Its mixture of rural
impressionism reminiscent of Honegger’s Pastorale d’Ete with
Bozza’s personal interest in oriental and Indian scaleforms suffuse
one of the most technically difficult short works ever written for
the clarinet.
As a composer who divided his time between Argentina
and New York, Astor Piazzolla worked throughout a long career to
blend the unique timbres and sensuous rhythms of the traditional
tango with formal and harmonic aspects of modern jazz. As an
accomplished bandoneon player, Piazzolla worked to bring his
instrument into acceptance in classical orchestral and chamber
music circles, and its special tone color and figurations are
discernible just below the surface of most of his works. Café 1930
forms the second movem ent of his suite Hie History of the Tango
originally published for G uitar and Flute. The work is highly
�evocative, reminiscent of the smoky rooms and smoldering
passions in which the doomed romances of the fi lm noir era played
out as much in life as in the cinema.
g
The relatively recent entrance of classical Western music
into the cultural life of the Arab world is matched by the paucity of
works by Arab composers available in the West. At present, Cairo
probably has the most active center of musical interchange
between European and Arabic musical cultures. Sudanese by
birth, Ali Osman trained in Cairo as a student of Gamal Abdel–
Rahim and Awatif AbdelKarim. In the composer’s words, “The
Mawal is a free song part normally sung before the main song by
Arab singers and it has love lyrics, and sometimes folkloric
wisdoms.” The form makes use of complex meters (10/8 and 7/8
time) and a sinuous melodic line which includes use of sikha,
expressive quartertones outside Western scaleforms, and finally,
{ .
C
music is earnest and unpretentious in character. His pieces tend to
be short because his music is pure substance nothing but the
aesthetic basics: distinctive motifs wo ven into clear, transparent
textures, developed logically but imaginatively into concise,
satisfying, compelling formal entities. The result is a friendly
modernismtonal but not reactionary.” For music with such taut
construction, Muczynski manages to evoke a surprising amount of
expression, intensity and (in the “bluesy” third movement) fun.
cadenzaimprovisation sections (faqgasim) of a quasi
Hungarian composer Frigyes Hidas completed his musical
education at the Franz Liszt Academy in Budapest. Hidas enjoyed
a distinguished career as music director of the National Theatre
(1951 1966) and between 1974 and 1979 at the municipal
Operetta Theatre, at which time he retired to devote himself full
time to composition. Hidas has a large body of works spanning
almost every genre of music but is known primarily in the U.S. for
his excellent wind chamber music. A selfprofessed “Post–
Romantic,” Hidas’ music shows the strong residual influences of
Kodaly and Bartok while incorporating elements of modernist and
jazz rhythms. The small Fantasie fro m 1965 is built from its
opening motive of a melodic fourth and a second, moving through
improvisational nature.
Born in Calcutta to an AngloIndian father and Indian
mother, John Mayer became the first composer to merge Indian
music with Western forms in this evening’s Raga Music of 1952.
Mayer was trained in both Indian and Western violin by teachers
including Melhi Mehta, the father of conductor Zubin Mehta prior
to joining London’s Royal Philharmonic Orchestra in 1958. Eight
years later, he formed one of the earliest “worldmusic” crossover
ensembles, IndoJazz Fusions, and as Professor of Composition at
the Birmingham Conservatory wrote music for musicians as varied
as flutist James Galway, jazz saxophonist Carlos LopezReal and
the rock group Emerson, Lake and Palmer. A pioneering piece of
“world music,” Raga Music uses approximated Indian scaleforms
a series o f variations and transformations into a central recitative
and recapitulation.
(ragas) in short pieces appropriate to the varying seasons and times
of day.
Robert Muczynski steadily built a reputation as one of America’s
leading composers as Professor of Composition at the University
of Arizona in Tucson. A formidable pianist, Muczynski composed
most of his early works for piano, but garnered critical acclaim
with his 1961 Sonata for Flute and Piano. Tonight ’s Fantasy Trio
was premiered in 1969 and revised in 1989. Its style is well
summed up by his publisher, Theodore Presser: “Muczynski’s
“Unity was written in response t o a commission from the
4
o)
University of Houston’s Aura Contem porary Music Ensemble. The
original instrumentation was for Alto Sax, Viola, and Piano. This
version is reworked for Alto Sax, Clarinet, and Piano. The title is a
reflection on an observation that the main themes from the middle
section rely not on simply one instrument playing a theme and the
others accompanying, but rather that all three instruments together
make up the theme. Compare this to the first movement of
�Mozart’s Piano Sonata in Cmajor (K. 333), which has a melody
that is recognizable whether the accompaniment is played or not.
In Unity, there is a sense of something missing when the other
instruments are not playing. This is emphasized by the passages in
which the viola is playing alone, or later where the sax plays a
“cadenza” before the return of the first theme of the B section.”
Timothy Michael Rolls
We conclude the evening’s program with instrumental
About the Performers
I
°
transformations from three favorite Ame rican songs. The first
draws on Jascha Heifetz’s setting of It Ain ‘t Necessarily So from
the 1935 score to Porgy and Bess. My memories of popsconcert
performances backing the immortal Cab Calloway inform my
arrangement, an homage to the morethanslightly naughty tongue
incheek interpretation of the role of Sportin’ Life.
We follow with the young Samuel Barber’s simply
celestial 1938 setting of James Agee’s Sure On This Shining Night.
Barber’s light touch in mixing modern formal and harmonic
elements with a gift for ravishing melody makes him one of the
20thcentury’s most emotionally satisfying composers.
To close, we offer my own transcription of Bernstein’s
coloratura aria for Cunegonde from Candide. A smiling yet satiric
take on Gounod’s Flower Song from Faust, Bernstein’s “good
news, badnews” life of a courtesan echoes the composer’s own
career an ceaseless, indefatigable revel for love of music and
life.
Timothy Perry
August 2004
T
l
L
Clarinetist, Conductor and Professor of Music, TIMOTHY PERRY joined
the Binghamton University faculty in 1986 as Director of the Orchestral and
Wind Ensemble programs and Instructor of Studio Conducting and Clarinet.
Perry holds D.M.A., M.M.A. and M.M. degrees in Clarinet from the Yale
School of Music (as a pupil of Keith Wilson) and a Bachelor of Music
degree from the Manhattan School of Music (as a student of Leon
Russianoft). He has served as Principal Clarinet in numerous orchestras
including the Wisconsin Chamber Orchestra, New England Chamber
Orchestra, the Catskill Symphony, Glimmerglass Opera and was Assistant
Principal Clarinet of the New Haven Symp hony and Northeast Pennsylvania
Philharmonic. A devoted chamber music player, Perry has performed
frequently as a member of the Catskill Woodwind Quintet, Catskill
Chamber Players and Finger Lakes Chamber Ensemble and has been
selected for festivals in Vinalhaven, Maine and Thy, Denmark. As a soloist,
he has been featured with the Binghamton Philharmonic, Catskill
Symphony and Binghamton Community Orchestras, toured Latin America
and the Caribbean for the U.S. Department of State as a Musical
Ambassador in 1997, and twice presented recitals for the International
Clarinet Congress in France and Belgium. He owns and performs on
historical instruments, and his performance on 19™century clarinets was
seen in the 2000 PBS miniseries A House Divided. He is a noted specialist
in the music of composer Paul Jeanjean, recording the latter’s virtuoso 18
etudes de perfectionnement, and Karl Baermann, whose concertino The
Hour of Ghosts he premiered with the BCO in 2003. He is researching the
technical development of the Alto Clarinet and preparing works on a
recentlyacquired set of Oehlersystem clarinets.
M ARGARET REITZ, piano, received her Bachelor and Master of Music
degrees in piano performance with accom panying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied with Jean Casadesus, Victor Rosenbaum, Seymour Fink and
Walter Ponce and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America and at the
American Institute of Musical Studies in G raz, Austria. Reitz has been on
the faculty at Binghamton University since 1991 and the Ithaca College
School of Music since 1999.
�HAKAN TAYGAHRO MEK, cello, has attendedIt haca College,
SUNY Purchase and SUNY Binghamton.’ Teachers have included
Fritz Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and
Stephen Stalker. Hromek has attended Round Top International Music
Festival in Round Top Texas, Music Mountain Chamber Program;
Falls Village CT, Spoleto Music Festival in C harleston, NC, and the
International Congress of Strings; Cincinnati, OH. Hromek is
principal cellist with the Binghamton Philharmonic and Orchestra of
the Southern F inger Lakes. He also performs with TriCities Opera
and the Cayuga Chamber Orchestra, and a piano and cello duo with
Margaret Reitz.
y
APRIL LUCA S graduated with both a Bachelor of Arts and a Master
of Music degrees from Binghamton University where she studied with
Al Hamme and did extended studies with Steve Mauk at Ithaca
College. She is currently on the Faculty at Binghamton University as
Saxophone Instructor. Lucas also has served on the faculties of
Broome Community College a nd Hartwick College. As a founding
member of the Empire Saxophone Quartet, she has presented concerts
and clinics throughout the United States and Canada. Lucas is a
member of the Binghamton Philharmonic Orchestra, the TriCities
Opera Orchestra and the Southern Tier Concert Band. Since 1989,
Lucas has been a member of the New Sousa Band under the direction
of Keith Brion and has presented concerts and clinics with the
ensemble internationally. She has been a soloist with the band for the
past four years. Lucas is a past Regional Director for the North
American Saxophone Alliance. She has recorded with the Empire
Saxophone Quartet, the New Hudson Saxophone Quartet, the
Saxophone Sinfonia and the New Sousa Band. She maintains a small
private studio in her home.
TIMOTHY ROLLS, a Lecturer in Music (technology) at
Binghamton University since 1 999, holds an associate’s degree from
Broome Community College, a Bachelor of Arts degree from the
State University of New York at New Paltz, a Master of Music d egree
from the State University of N ew York at Binghamton and a DMA
degree from the University of H ouston. He studied com position with
Gundaris Poné, David Brackett, Reynaldo Ochoa and Michael Horvit
and theory with Timothy Koozin and John Snyder. Rolls’
compositions have been performed throughout North and South
America, Japan and Korea.
w
L
l
�Coming Event s _
Sunday, October 3 – A Celebration of W omen Gigi Mi tchellVelasco,
mezzosoprano a n d F ra n k Corliss, piano – 3 :00 p.m. – Casadesus Recital
Hall – $15 general public; $13 faculty/staff/seniors; $7 students
Th ursday, October 7 – MidDay Con cert with faculty a nd student perform ers
– 1 :20 p.m. – Casadesus Recital Hall – free
Saturday, Octob er 9 – A n Evening of Ja zz : Houston Person Quart et –
Houston Person, t enor saxophone; Stan Hope, piano; Perola Gadd, bass; and
Chip White, d rums – 8:00 p.m. Anderson Center Osterhout Conce rt Theater
– $20 general public; $15 faculty/staff/alumni/seniors; $8 students
Sunday, October 1 0 – G uest Organist An toni us Bitt mann – 4 :00 p.m. – First
Presbyterian Church, Binghamton $15 general public; $13
faculty/staff/seniors; $7 students
Th ursday, October 14 – MidDay Concert with faculty and student
performers ~ 1 :20 p.m. – Casadesus Recital Hall – free
:
F riday, October 1 5 – Child ren ’s Concert – Carnival of t he A nimals –
University Symp hony Orchest ra – an introduction to the orchestra, Saint
Saens ’ Carnival of the Animals with piano soloists, art and poetry – 9:30 a.m.
Anderson Cente r Osterhout Conce rt Theater – all tickets $4 (Cosponsored
by Press and SunBulletin). This performanc e is for school gro ups.
Saturday, Octob er 1 6 – Child ren ’s Concert : Carnival of the Animals –
University Symp hony Orchest ra – an introduction to the orchestra, Saint
Saens ’ Carnival of the Animals with piano soloists, art and poetry and a visit
from the Ross Pa rk Zoo mobile 3 :00 p.m. – Anderson Center Osterhout
Concert Theater – all tickets $5 (Cosponsored by the Press and Sun Bul letin)
Th ursday, October 2 1 MidDay Con cert with faculty a nd student perform ers
– 1 :20 p.m. – Casadesus Recital Hall – free
Th ursday, October 2 1 – Czech Mates Chamber music by Czech composers
Martinu, Dvorak, Hus and Janacek p erformed by music faculty, in association with
the exhibit “The Prague Project” – 8:00 p.m. – Roberson Museum and Science
Center $15 general public; $13 faculty/staff/seniors; $ 7 students
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio discs
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35:52
54:14
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Voices from home and distant lands, September 10, 2004
Alternative Title
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Recital Tape 2004-9-10
Description
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Works of Bozza, Piazzolla, Mayer, Osman, Muczynski, Hidas, Rolls, Gershwin, Barber, Bernstein. Held at 8:00 p.m., September 10, 2004, Anderson Center Chamber Hall.
Creator
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Perry, Timothy
Reitz, Margaret
Tayga-Hromek, Hakan
Lucas, April
Publisher
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Binghamton University Libraries
Date
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9/10/2004
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/59711fc5b19d841d5490a7de3f9365ca.pdf
217e7a59249a59ee8ea63fb8fd51fa90
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F NEW Y O R K
D E P A R
W
0
T M E N T
LIEDE RABE ND
Thomas G ood heart, ba ri tone
Stephen Zank, p ian o
w i t h s p ec ia l g u es t a rt i s t
Jean Mi ller Goodheart, soprano
Saturday, September 1 3 , 2 0 1 4
7:30 p.m.
[4
Anderson Cen ter Chamber Hall
�ac) ABOUT THE PERFORMERS 06
20 P ROG RAM (93
lrn Fnihling
Franz Schubert
(17971828)
Flflrenreiclier Ebro
. Robert Schumann
(18101856)
Franz Schubert
Die Post
(17971828)
Thomas Goodheart, baritone
Stephen Zank, piano
An eine Aeolsharfe..
MausfaUenSpnichlein
Kennst du das Land
.Hugo Wolf
(18601903)
Jea n Miller Good heart, soprano
Stephen Zanlt, piano
89 INTE RMISS ION 08
Dichterliebe, Op. 48
1. 1m wunderschonen Monat Mai
2. Aus meinen Tranen sprieBen
3. Die Rose, die Lilie
4. Wenn ich in deine Augen seh’
5. Ich will meine Seele tauchen
6. lm Rhein, im heiligen Srrome
7. lch grolle nicht
8. Und wfilSten‘s die Blumen
9. Das ist ein Floten und Geigen
10. Hor’ ich das Liedchen klingen
11. Ein Jungling liebt ein Madchen
12. Am leuchtenden Sommermorgen
13. Ich hab’ im Traum geweinet
14. Allnéchtlich im Traume
1 5. Aus alten Marchen winkt es
16. Die alten, bosen Lieder
. Robert Schumann
(18101856)
THOMAS GOODHEAR T, baritone, Associate Professor of Voice at
Binghamton University BM, MM Manhattan School of Music, Voice faculty at
Purchase College Conservatory ofMusic 19992010. Baritone Thomas
Goodheart has performed over 40 leading roles in opera and oratorio with
companies throughout the United States including The Opera Theatre of St.
Louis, Chautauqua Opera, New York City Opera National Company,
Connecticut Opera, Opera Theatre of Pittsburgh, Des Moines Metro Opera,
Artpark Opera and TriCities Opera. Recent performances include the American
stage premiere of the role of Bruno in James MacMillan’s opera Panhenogenesis.
Leading roles include Marcello in La Baliéme, Escamillo in Carmen, Germont in
l a Traviam,
Sharpless in M adama Butterfly, Michele in ll Tabarro and Enrico in
Lucia di Lammermoor. Mr. Goodheart has appeared as a guest soloist in recital and
with symphony orchestras in the U nited States, Europe and South America. In
New York City. he has been a soloist at Avery Fisher Hall, Merkin Concert Hall,
Kaye Playhouse and the Cathedral of St. John the Divine. Concert credits
include Orff’s Carmina Buruna, Handel’s Messiah, Beethoven’s Ninth Symphony @
Missa Solemnis, Haydn’s Creation and Mendelssohn’s Elijah. He has received
awards from the Metropolitan Opera National Council, the New York State
Council on the Arts, the Joy in Singing Competition, Bel Canto Opera
Foundation, the Ezio Pinza Council for American Singers, the Lincoln Center
Institute and the TriCities Opera. Mr. Goodheart is the Vocal Coordinator for
the “Songe d’été en musique” Festival in Quebec, Canada. He is on the voice
faculty of The Westchester Summer Vocal Institute a nd the Metropolitan
International Music Festival, New York City. He has been a performer/teaching
artist with the education departments of the New York Philharmonic, Lincoln
Center institute and the New York Festival of Song. Mr. Goodheart maintains a
private voice studio in NYC. His students have gone on to graduate study at the
Juilliard School, Eastman School of Music, Mannes College of Music, Indiana
University, Manhattan School of Music, Guild Hall (London, England) and the
Opera Institute of Boston University among others. They have won prestigious
voice competitions and are singing professionally throughout the United States
and Europe.
STEPHEN Z AN K Stephen Zank is a broadly trained musician, with degrees in
performance, history and literature, and musicology. He began studying piano,
composition and counterpoint in Binghamton at the age of five, and has held
fulltime teaching posts at several major universities in the Mid“ . r, Southwest
and Northeast, including SL‘NYBinghammn and the University of Rochester.
�Soprano JEAN MILLE R GOODHFJKRT has performed lead ing roles in opera,
concert and recital throughout the United States. She received her BM and MM
degree from Manhattan School of Music and has worked as a teaching artist for
Carnegie Hall and the Lincoln Center Institute. Ms. Goodheart was the
Education Director for The New York Festival of Song and was on the voice
faculty at Purchase College Conservatory of Music from 19992009. She is
currently on the faculty of the Songe d’été en Musique Festival in Quebec and is
an adjunct lecturer for the Binghamton U niversity Music Department, teaching
diction to undergraduate voice majors. She has a private voice studio in
Binghamton, NY. She has served on the grant review panel for The NYS Council
on the Arts and is an adjudicator for NYSSMA. She has performed with
Chautauqua Opera, Des Moines Metro Opera, TriCities Opera, Greater Buffalo
Opera and Encompass New Opera Theatre. Her leading roles include Juliette in
Romeo and Juliette, Mim i and Musetta in La Boheme, Micaela in Carmen, Lauretta
in Gianni Schicchi, Rosalinda in Die Fledermaus, Sandrina in La Finta Giardiniera
and Sonia in The Merry Widow. Concert credits include Handel’s Messiah,
Mozart’s Requiem and c minor Mass, Beethoven’s Missa Solemnis and Poulenc’s
Gloria. Other performances include the role of Kristel in James MacMillan’s
Opera Parthenogenesis and Mary in Dave Brubeck’s La Fiesta de la Posada with the
Dave Brubeck quartet at the University of Buffalo Performing Arts Center. Her
most recent awards were several NYSCA grants to bring “Arts Partner”
residencies into schools. Previous awards include a career grant from the
Shoshana Foundation and awards and scholarships from the Metropolitan
Opera National Council Auditions, Bel Canto Foundation, Chautauqua
Institute, New York Singing Teachers Association, Music Academy of the West,
TriCities Opera Guild and Manhattan School of Music.
80 PROGRAM NOTES 05
When Schumann attempted a work on the scale of Schubert’s Winterreise, it
was indeed during his single year, 1840, of extraordinary productivity and long
delayed marriage to Clara Wieck. The Dichterliebe (“Poet’s Love”) sets 16 works
from the larger collection of Heinrich Heine (1 7971 856) entitled Lyrisches
Intermezzo (“Lyrical Intermezzo”), poems in which Heine muses upon love and
rejection.
The cycle opens with a feint to Springtime, but its harmonic ambiguity betrays
the course to come: Romantic longing gives way to rejection about midway (in
the famous “Ich grolle nicht”), and then to greater and greater bitterness and
disillusion. By evening’s end, Schumann’s protagonist has jettisoned all of his
hopes and dreams in a great coffin, and perhaps to heal some of the
accumulated suffering in the great cycle, final “word” is given to the pianist, in
an extended and lyrical postlude
Stephen Zank
80 TRANSLA TIONS
I m Frihling
ln Spring
Poetry by
Ernst Konrad Friedrich Schulze
Quietly I sit on the hill’s slope,
The sky i s so clear;
a breeze plays in the green valley
where I was at Spring’s first sunbeam
once ah, I was so happy;
Where I walked at her side,
So intimate and so close,
and deep in the dark rocky spring
was the beautiful sky, blue and bright;
and I saw her in the sky.
Look how colorful Spring already
looks out from bud and blossom!
Not every blossom is the same for me:
I like best to pick from the branch
from which she picked hers.
For all is as it was back then:
the flowers, the field;
the sun does not shine less brightly,
nor does the stream reflect any less
charmingly
the blue image of the sky.
The only things that change are will and
illusion:
Joys and quarrels alternate,
the happiness of love flies past
and only the love remains
The love and, ah, the sorrow.
Oh, if only I were a little bird,
there on the meadow’s slope ~
then I would remain here on these
branches
and sing a sweet song about her
the whole summer long.
Flittenreicher Ebro
Surging River Ebro,
Blossoming banks,
All you green pastures
And forest shadows
Ask my beloved
Who dwells among you
lf in her happiness
She thinks of me.
And you dewy pearls,
Who in the rosy dawn
Adorn the green grass
With many bright colours
Ask my beloved,
When she breathes the cool air,
I f in her happiness
She thinks of me.
You leafy poplars.
Shimmering paths,
Where with light tread
My girl roams »
When she meets you,
Ask her, ask her
I f in her happiness
She thinks of me.
You swarming birds,
Who greet the sunrise
With flutelike Songs
Ask my beloved,
The flower of this shore,
I f in her happiness
She thinks of me.
Die Post
The MailCoach
Poetry by Wilhelm Muller
A posthorn sounds from the street.
What is it that makes you leap so,
7
My heart?
The post brings no letter for you.
Why do you surge, then, so wonderfully,
My heart?
And now the post comes from the town
Where once I had a true beloved,
My heart!
Do you want to look out
And ask how things are back there,
7
My heart?
�An eine Aeolsharfe
To an Aeolian Harp
Poetry by Eduard Morilte
Leaning up against the ivyooveted wall
Of this old terrace,
You, an airborne muse,
A lutemelody full of mystery,
Begin,
Begin again,
Your melodious lament!
You come, winds, from far away,
Ah! from the boy
Who was so dear to me,
From his hill so freshly green.
On your way, streaking over spring
blossoms
Saturated with sweet scents,
How sweetly, how sweetly you besiege my
heart!
You rustle the strings here.
Drawn by harmonious melancholy,
Growing louder in the pull of my longing,
And then dying down again.
But all at once.
The wind blows violently
And a lovely cry of the harp
Echoes, to my sweet terror.
The sudden stirring of my soul,
And here, the ample rose shakes and
strews
All its pemls at my feet!
MausfallenSpruehlein
Mousetrap Incantation
poetry by Eduard Mérike
(The child goes three times around the
trap, and says:)
Little guests, little house,
Dear Miss or Mister Mouse,
just boldly present yourself
tonight in the moonlight!
But shut the door right behind you,
7
do you hear?
And be careful of your tail!
After supper we will sing,
After supper we will jump
and do a little dance;
Witt win!
My old cat will probably dance with us.
Kennst du das Land
DlCHTE RLlEBE
Poetry by Heinrich Heine
6. I m Rhein, im heiligen Strome
in the Rhine. in the holy stream,
poetry by
l . I m wunderschonen Mount Mai
with its great cathedral,
Mignon: Do you know the Land?
Johann Wolfgang wn Goethe
Do you know the land where lemon trees
blossom;
where golden oranges glow amid dark
leaves?
A gentle wind blows from the blue sky,
the myrtle stands silent, the laurel tall:
Do you know it? There, O there
1 would go with you, my beloved!
7 Its roof rests on
Do you know the house?
pillars, the hall gleams, the chamber
shimmers, and marble statues stand and
gaze at me: what have they done to you,
poor child?
7
Do you know it?
There. O there,
I would go with you. my protector!
Do you know the mountain and its
clouded path.’
The mule seeks its way through the mist,
in caves lives the ancient brood of dragons,
The rock falls steeply, and over it the
torrent.
Do you know it? There. There leads our
way!
O father, let us go!
In the wonderquy fair month of May,
as all the flowerbuds burst,
then in my heart love arose.
In the wonderfully fair month of May,
as all the birds were singing,
then [ confessed to her
my yearning and longing.
2. Aus meinen Trinen sprieflen
From my tears spring
many blooming flowers forth,
and my sighs become
a nightingale choir,
and if you have love for me, child.
I ’ll give you all the flowers,
and before your window shall sound
the song of the nightingale.
34 Die Rose. die Lilie
The rose, the lily, the dove, the sun,
I once loved them all in love’s bliss.
I love them no more, I love only
the small, the fine, the pure, the one;
she herself. source of all love,
is rose and lily and dove and sun.
4. Wenn ich indeine Augen seh’
When I look into your eyes.
then vanish all my sorrow and pain!
Ah, but when I kiss your mouth,
then I will be wholly and completely
healthy.
When I lean on your breast,
I am overcome with heavenly delight,
ah. but when you say, “I love you!“
then I must weep bitterly.
5. Ich will meine Seele tauchen
I want to plunge my soul
into the chalice of the lily;
the lily shall resoundingly exhale
a song of my beloved.
The song shall quiver and tremble,
like the kiss from her mouth,
that she once gave me
in a wonderfully sweet hour!
there is mirrored in the waves,
the great holy city of Cologne.
In the cathedral, there hangs a pa inting
painted on guilded leather;
in the confusion of my life
it has shown kindly down upon me.
Flowers and cherubs float
about our dear Lady,
the eyes, the lips, the little cheeks,
they match my beloved’s exactly.
7. Ich grolle nicht
I bear no grudge, even as my hea rt is
breaking.
eternally lost love! I bear no grudge.
Even though you shine in diamond
splendor.
there falls no light into your heart’s night,
that I’ve known for a long time.
I bear no grudge, even as my hea rt is
breaking.
I saw you, truly, in my dreams,
and saw the night in your heart’s cavity,
and saw the serpent that feeds on your
heart,
I saw, my love, how very miserable you are.
I bear no grudge.
8. Und wuBten’s die Blumen
And if they knew it, the blooms, the little
ones,
how deeply wounded my heart is,
they would weep with me
to heal my pain.
And if they knew it, the nightingales,
how I am so sad and sick,
they would merrily unleash
refreshing song.
And if they knew my pain,
the golden little stars,
they would descend from their heights
and would comfort me.
All of them cannot know it,
only one knows my pain,
she herself has indeed torn,
torn up my heart.
�13. Ich hab’ im Trau m geweinet
I have in my dreams wept,
l dreamed you lay in your grave.
I woke up and the tears
still flowed down from my cheeks.
15. Aus alten e r che nwi n kt es
From old fairytales it beckons
to me with a white hand,
There is a ringing and roaring
of drums and pipes
amidst it sobbing and moaning
are dear little angels.
I have in my dreams wept,
1 dreamed you forsook me.
I woke up and l wept
where colorful flowers bloom
in the golden twilight,
10. Hor’ ich das Liedchen klingen
I hear the little song sounding
that my beloved once sang,
I have in my dreams wept,
9. Das ist ein Flbten u nd Geigen
There is a fluting and fiddling,
and trumpets blasting in.
Surely, there dancing the wedding dance
is my dearest beloved.
and my heart wants to shatter
from savage pain’s pressure.
I am driven by a dar k longing
up to the wooded heights,
there is dissolved in tears
my supremely great pain.
I I. Ein Ringling liebt ein Madchen
A young man loves a girl,
who has chosen another man,
the other loves yet a nother
and has gotten married to her.
The girl takes out of resentment
the first, best man
who crosses her path;
the young man is badly off.
It is an old story
but remains eternally new.
and for him to whom i t has just happened
it breaks his heart in two.
1 2. Am leuchtenden So m mermorgen
On a shining summer morning
I go about in the garden.
The flowers are whispering and speaking,
I however wander silently.
The flowers are whispering and speaking,
and look sympathetically at me:
“Do not be angry wi th our sister,
you sad, pale man.”
for a long time and bitterly.
there it sings and there it resounds
of a magic land,
and sweetly, fragrantly glow
with a bridelike face.
And green trees sing
I dreamed you still were good to me.
I woke up, and still now
streams my flood of tears.
primeval melodies,
I4. Allnichtlich int Traume
Every night in my dreams l see you,
and see your friendly greeting,
and loudly crying out, I throw myself
at your sweet feet.
And misty images rise
indeed forth from the earth,
and dance airy reels
in fantastic chorus.
And blue sparks burn
on every leaf and twig,
and red lights run
in crazy, hazy rings.
You look at me wistfully
and shake your blond little head;
from your eyes steal forth
little pearly teardrops.
You say to me secre tly a soft word,
and give me a garland of cypress.
I wake up, and the garland is gone,
and the word I have forgotten.
the breezes secretly sound
and birds warble in them.
And loud springs burst
out of wild marble stone,
and oddly in the brooks
shine forth the reflections.
Ah! If I could enter there
and there gladden my heart,
and have all anguish taken away,
and be free and blessed!
Oh, that land of bliss,
I see it often in drea ms,
but come the morning sun,
and it melts away lik e mere froth.
16. Die alten, bosen Lieder
The old. angry songs,
the dreams angry and nasty,
let us now bury them,
fetch a great coffin.
In it [ will lay very many things,
though I shall not yet say what.
The coffin must be even larger
than the Heidelberg Tun.
And fetch a deathbier,
of boards firm and thick,
they also must be even longer
than Mainz’s great bridge.
And fetch me also twelve giants,
who m ust be yet mightier
than mighty St. Christopher
in the Cathedral of Cologne on the Rhine.
They shall carry the coffin away,
and sink it down into the sea,
for such a great coffin
deserves a great grave.
How could the coffin
be so large and heavy!
I also sank my love
with my pain in it.
�_
A S E A S O N o r
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REVENGE.. lQiV ELlQ’. . . REDEWFTION!
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�Binghamton U niversity Music Department’s
Coming Events
fi a n M e fi é é é o é é é é é é w fi M fi w r b
Sunday, September 14 An Extraordinary Indian Operatic Ballet: Méghandootam, The Cloud
M essen ger – 4:30 p.m. – Osterhout Concert Theater $20 general public, $ 1 5
faculty/staff/seniors/alumni; $ 1 0 students; free for BU students with ID
Saturday, September 20 Incurable Romantics: Timothy Perry & Friends 7:30 p.m. – Watters
Theater – $ 1 0 general public, $ 7 faculty/smff/seniors/alumni; $5 students
Friday, September 26 Piano Master Class: Binghamton Philharmonic Orchestra 3:00 4:30
p.m. – Casadesus Recital Hall – free
Thursday, OctoberZ MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Thursday, October 9 MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Saturday, October 11 Family Weekend Concert (Wind Symphony, Harpur Chorale and
Women ’s Chorus) 3 p.m. Osterhout Concert Theater free
Thursday, October 16 MidDay Concert – 1:20 p.m. Casadesus Recital Hall free
Saturday, October 18 University Symphony Orchestra: We L ike to Move I t ! – 3 p.m. –
Osierhout Concert Theater $ 1 0 general public, $7 faculty/smff/seniors/alumni; $5 for students
Thursday, October 2 3 MidDay Concert– 1:20 p.m. – Casadesus Recital Hall free
Friday, October 24 T’r’iCitieo~ Opera presents Verdi ’s Rigolctto 8 p.m. The Forum Theatre
call (607) 7720400 for tickets
Saturday, October 25 Early On : Music from Now and Then 7:30 p.m. Fine Arts Building,
Room 2 1 – $ 5 general public, free for students
Sunday, October 26 TriCities Opera presents Verdi ’s Rigoletto 3 p.m. The Forum Theatre –
call (607) 7720400 for tickets
T hursday, OctoberJO MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Sunday, November 2 English and A merican Art Songs 3 p.m. Phelps Mansion, 191 Court
Street, Binghamton – $ 1 0 general public; BU students free with 1D For reservations call the Phelps
Mansion at (607) 7224873. This concert is cosponsored by the Binghamton University Music Department
and Phelps Mansion Museum.
Thursday, November 6 MidDay Concert 1:20 p.m. Anderson Center Chamber Hall free
e é é b fi é b c h fl fi M fi fl M O é fi fi é é fl é M M fi fl é fi fl é é fl
For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777
AR TS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or
become a fan on Fatchock.
If you were inspired by this performance, consider supporting the Department of Music with a
financial gift. Your support helps to continue the work of students, faculty, and guest artists and
their contributions to our community. Please make your donation payable to the Binghamton
University Music Department, and send your check to BU Music Department. P.O. Box 6000,
Binghamton, NY 13902.
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
Duration
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56:47:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74928">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74928</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
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Liederabend
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Schubert, Schumann. Held at 7:30 p.m., September 13, 2014, Anderson Center Chamber Hall.
Creator
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Goodheart, Thomas
Zank, Stephen
Goodheart, Jean
Publisher
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Binghamton University Libraries
Contributor
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Schubert, Franz, 1797-1828
Schumann, Robert, 1810-1856
Date
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9/13/14
Rights
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In copyright
Type
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sound