16 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 18:10 37:19 40:30 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59365 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59365"> Choral Institute '68 Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choral Institute '68 Concert Subject The topic of the resource Concerts Description An account of the resource Held 8:15 pm, August 10, 1968, Harpur College Theater. L'Enfance du Christ by Berlioz. Creator An entity primarily responsible for making the resource Choral Institute '68 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-08-10 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Berlioz, Hector, 1803-1869 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020094284 39091020094490 39091020094334 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20:31 12:56 25:01 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59355 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59355"> Choral Institute '68 Rehearsal</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choral Institute '68 Rehearsal Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm. August 24, 1968, Harpur College Theater. Works of Stravinsky, Hindemith and Webern. Creator An entity primarily responsible for making the resource Choral Institute '68 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-08-24 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Stravinsky, Igor, 1882-1971 Hindemith, Paul, 1895-1963 Webern, Anton, 1883-1945 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020094532 39091020094581 39091020094631 https://omeka.binghamton.edu/omeka/files/original/a25571b00c0f2d947d912a355d9ea26a.pdf cc8174347c130aa8a0026fb62503f108 PDF Text Text BINGHAMTON U N I V E R S L E Y STATE U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T CHORAL TREASURES OF THE BRITISH ISLES THE WOMEN’S CHORUS Bruce Borton, conductor Assisted by William J. Lawson, piano and organ THE HARPUR CHORALE Peter Browne, conductor Assisted by Natasha Talukdar, piano Saturday, March 7, 2015 7:30 p.m. Anderson Center Chamber Hall �PROG RAM On the Morrow . Yorkshire Folk Song Arranged by Samuel Gaines I . T H E WOMEN’S Cnonus Sound the Trumpet. (18691945) Henry Purcell [16591695] Three Elizabethan Madrigals Tan Ta Ra Ran Tan Tant Ballad of Green Broome, op.4 7, No.5 Thomas Weelk es 1 Go Before my Darling . Thomas Morley (15531603) Missa Brevis Kyrie Benjamin Britten (19131976) Gloria Blow the Wind Southerly. Traditional English Arr. John Clements Sigh No More Ladies Ralph Vaughan Williams (From S ir John in Love) (18721958) (19131976) WOME N’S C h o r us (15751623) john Dowland (15571603) Flow Not so Fast Ye Fountains.. Benjamin Britten [from Five Flower Songs) Bruce Barton, conductor Willia m ]. Lawson, accom pan i st Soprano l Caroline Brickley Kailyn Giaccone Alto Tamar Ashdot Lauren Bass Rachel Zielinsk i Erica Levy Kimberly Torres Julie G regg Kalie Fioranza Soprano IT Abby Arnold Kaitlin Biagion i Courtney Densmore Jamila Gordon Shaniee Hodge Georgia Kasow l l . T HE HA RPUR CHO RALE Fire, Fire! My Heart. Ave Verum Corpus William Byrd (15431623) Praise Ye the Lord lohn Rutter Alex Castonguay, baritone (b.194 5) Set Me as a Seal Upon thine Heart. William Walton (19021983) Colin Roth, ten or and Carina Kahane, soprano Just as the Tide was Turning . HARPUR CHORALE Peter Browne, conductor Natasha Talukdar, accompanist Thomas Morley (15571603) .Ralph Vaughan Williams (18721958) Sopranos Janine Alto Deanna Feuerbach Rachel Graham Carina Kahane Audrey Russo Christina Santa Maria Altos Alexa D icken Inez Nelson Kate Sherwood Joanna Wallace Tenors Dallas Marsh Tho m “ Parker Matthew Pedersen Colin Roth Jonah Steue Basses Alex Castonguay E van Flury TenYoung Guh Jibron Harris John Rosser �M Bing hamton U niversity Depa rtme nt of Music Com ing Events M M M M ﬁ M M M M M ﬁ M S u n ¢ 1 w March 8 Universi ty Wind Symphony: Just Like a Concert in the Park 3 p.m. Osterhout Concer t Theater $7 general public; $5 faculty/staﬀ/seniors/alumn i; Free for students Sunday, March 8 Sophomore Recital: Han nah Watrobski, viola 5 p.m. Casadesus Recital H all free Thursday. March 12 Opera Scenes MidDay Concert 1:20 p.m . – Anderson Center Chamber Hall free Thursday. March 12 Opera Scenes 7:30 p.m. Anderson Center Chamber Hall $10 general public; $7 faculty/s talf/seniors/alumn $5 for students Satu rday. March 14 Master’s Recital: Meroé Khalia Adeeb, soprano – 4 p.m. – ( l sadesus R ecital Hall free Saturday, March 14 Universi ty Symphony Orchestra: Dark Passions 7:30 p.m. Ostcrliout Concer t Theater $7 general public; $5 faculty/staﬀ/seniors/alumn i; Free for students Sunday, March 15 Opera Scenes an d Arias 3 p.m. Phelps Mansion. 191 Court Street. Binghamton – $10 general public; B U students (tee with I D – For reservations call the Phelps Mansion at (607) 72248 73. This concert is co—sponsored by the Binghamton Universi ty Music Department and Phelps Mansion Museum. Thursday, March 19 – MidDay Concert– 1: 20 p.m. ( ' sadesus Recital Ha ll free Thursday , March 19 Lontano Ensemle : Music Now! 7:30 p.m . Casadesus Recital Hall $7 general public; $5 faculty/ staﬀ/sen iors/alumni; Free for students Th u rsday, March 19 Mast er Class BU Al u m n us Lee M usike r. piano 6 7:30 p.m. Fine Arts 24 free M M M M M ﬁ w w w é ﬂ é w w b For tickets or to be added to our email list, visit anderson.bingha mton.edu or call ( 60 7 ) 7 7 7AR TS. For a complete list of our conc erts call ( 60 7 ) 7 7 7 2 5 9 2 , visit music.binghamton.ed u or become a fan on Facebook. — [ = ] M — E If you were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department. P.O. Box 6000sss. Bltlgllllmwtl, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:06:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74856">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74856</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Choral Treasures of the British Isles, March 7, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Purcell, Weelkes, Dowland, Morley, Britten, William, Byrd, Rutter, Walton Held at 7:30 p.m., March 7, 2015, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Harpur Chorale Castonguay, Alex Colin Roth Carina Kahane Lawson, William J. Browne, Peter Talukdar, Natasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Purcell, Henry, 1659-1695 Weelkes, Thomas, approximately 1575-1623 Dowland, John, 1563?-1626 Morley, Thomas, 1557-1603 Britten, Benjamin, 1913-1976 Vaughan Williams, Ralph, 1872-1958 Byrd, William, 1539 or 1540-1623 Rutter, John, 1945- Walton, William, 1902-1983 Date A point or period of time associated with an event in the lifecycle of the resource 3/7/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/4cf52b29a4fe57185fbe44e31389c82e.pdf e92fcb7fcd4b1af2f71a9d4b56e39a46 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K zed ec D E P A R T M E N T SEN IOR HONOR S REC I T AL CHRISTINA S ANTA M ARIA , SOPRANO M I C HA E L LEWIS, PIANo HANNAH WATROBSKI, VIOLA Sa turday, Apr i l 18, 2015 7:30 p.m. Casadesus Rec i tal Ha l l �iaoPROGRAMéo I. Amor dormiglione Barbara Strozzi (16191677) Sposa son disprezzata from Bajazet............................Antonio Vivaldi (16781741) II. Liebeszauber..............................................................Clara Schumann (18191896) Warum sind den die Rosen so blaB Die Liebende schreibt Fanny Mendelssohn (18051847) .....Felix Mendelssohn (18091847) Widmung Robert Schumann (18101856) wINTFRMISSIOMz III. A m I in Your Light? From Doctor Atomic....... Hannah Watrobski, viola Montparnasse IV. Hyde Park Hotel Les Chemins de l’amour ....John Adams (b.1947) Francis Poulenc (18991963) Cuatro Madrigales Amatorios.......................................Joaquin Rodrigo LCon qué la lavaré? Vos me matasteis [JDe donde venis, amore? De los alamos vengo, madre �TRANSLATIONS & PROGRAM NOTES 1 A m or dormlglione (Cupid the sleepyhead) Cupid, sleep no longer! Arise now, wake up, for wh ile you are asleep My pleasures sleep, too, and my troubles are awake! Don’t be a goodfornothing, Cupid! Arrows, arrows, ﬁre, ﬁre! Arise, sleep no longer! Wake up now, Cupid, arise! Ah, you lazy creature, you slowpoke, You have no common sense. Stupid Cupid! Cowardly Cupid! Ah, while I remain ﬁlled with ardor, You sleep on, Cupid. That I really don’t need! Barbara Strozzi (16191677) was an Italian Baroque singer and composer. She studied with opera composer Francesco Cavalli and was an active performer of vocal and instrumental m usic. However, her talent in composition was what distinguished he r as “the most proliﬁc composer~man or woman~of printed secular vocal music in Venice in the middle of the 1 7* century,” according to Beth Glixon. Amor dormiglione is a playful da capo aria that was originally composed for soprano and harpsichord or lute (in this performance transcribed for piano by Pietro Floridia). The singer’s impatience for Cupid to wake up is realized through wonderful word painting and the repetitions of words such as “su” and “svegliati”, which translate to “get up! awake now!”. Sposa son disprezzata (I a m wife and I a m scorned) from Bajazet I am wife and I am scorned, I am faithful and I’m outraged. Heavens, what have I done? And yet he is my heart. my husband, my love, my hope. �I love him, but he is unfaithful, I hope, but he is cruel, will he let me die? O God, valor is missing, valor and constancy. , Antonio Vivaldi (16781741) was an Italian Baroque composer and violinist. He is known as one of the greatest and most inﬂuential composers of the Baroque period and recognized for his instrumental concertos and many operas. S posa son disprezzata is from his operatic pasticcio, Bajazet. However, the music for this aria was actually composed by another composer, Geminiano Giacomelli (16921740) and was originally called Sposa, non mi conosci. Vivaldi changed the poetry to ﬁt the character of Irene, a villain personality who has been betrayed by her betrothed. This da capo aria exhibits the complexity of love and the contradicting emotions that accompany the revelation of unfaithfulness. II. ' Liebeszauber (Love’s Magic) Now Love once like a nightingale in rosebush perched and sang; with sweetest wonder ﬂew the sound along the woodland green. I And as it rang, there rose a scent from ring of thousand buds, and all the treetops rustled soft, and softer blew the air; i the brooklets’ silences, scarcely come by splashing from the heights, the fawns stood as if in dream and listened to the tone. And bright and ever brighter ﬂowed the sunbeams down inside, �‘round blossoms, wood and gorge it gushed with golden red su nshine. I walked along that path tha t day and also heard that sound. Alas! What ever since I’ve su ng was just its echo faint. Warum sind denn die Rose n so blass (Why are the roses so pale) Why are the roses so pale? o speak, my love, why? Why in the green grass are the blue violets so silent? Why with such a lamenting voice does the lark sing in the sky? Why from the balsam weed does there rise the scent of wilting blossoms? Why does the sun shine down on the meadow, so coldly and morosely? Why is the earth so gray and desolate like a grave? 7 Why am I myself so ill and d ull. My lovely darling speak, O speak, my heart’s most beloved love, why have you abandoned me? Die Liebende schreibt (The loving woman writes) One look from your eyes into mine, One kiss from your lips on my lips, Can one who has certain knowledge of these, as I, Take pleasure in anything else? �Far from you, separated from my loved ones, ' I let my thoughts roam constantly, And always they alight upon that one Single hour: and I begin to weep. Suddenly my tears are dried: He loves indeed, I reﬂect, here in this stillness, Oh, should you not reach out to me in the far distance? Hear these whispered words of love My sole happiness on earth is your goodwill to me; Give me a sign! Widmung You my soul, you my heart, you my bliss, o you my pain, you the world in which I live; you my heaven, in which I ﬂoat, 0 you my grave, into which I eternally cast my grief. You are rest, you are peace, you are bestowed upon me from heaven. That you love me makes me worthy of you; your gaze transﬁgures me; you raise me lovingly above myself, my good spirit, my better selﬂ The four songs in this set are composed by four of the most inﬂuential musicians of German Romanticism: husband and wife, Robert and Clara Schumann and siblings, Felix and Fa nny Mendelssohn. I like to think of this set as a single narrative of a woman experiencing the diﬀerent stages of love. The ﬁrst two songs represent love found and love lost. Liebeszauber embodies the allencompassing nature of love. In the song, the “tune” of love makes everything in nature stop and pay attention to its sound. In the following song, Wamm sind den die Rosen so blaﬂ, the lack of love has made nature sad and pale from abandonment. The �last two songs represent longing and celebration of love, respectively. In Die Liebende schreibt, a woman writes to her lover who is far away (whether this is far in location or emotionally is u nclear). She waits for the hour that he will return and gaze upon her lovingly. Robert Schumann composed Widmung as a wedding presen t to Clara. It is a celebration of their love and recounts all the things that Clara embodies to him (she is his “soul, heart, bliss and pa in”). It is a deeply emotional peace and one of Schumann’s most beloved songs in the repertoire. I L A m I I n You r Light? from D oc tor A tom ic Am I in your light? No, go on reading (the hackneyed light of evening quarrelling with the bulbs; the book’s rent rectangle, solid on your knees) only my ﬁngers in your ha ir, only my eyes splitting the skull to tickle your brain with love in a slow caress blurring the mind, kissing your mouth awake, op’ning the body’s mouth, stopping the words. This light is thick with birds, and evening warns us, Warns us beautif’lly of death. Slowly I bend over you, Slowly your breath runs r hythms through my blood As if I said I love you and you should raise your head, I love you. Listening, speaking into t he covert night: Did someone say somethi ng? Love, am I in your light? See how love alters the living face, Go spin the immortal coi n through time, Watch the thing ﬂip through space, Tick tick, tick tick... �Doctor Atomic is a contemporary opera by John Adams (b. 1947) tha t premiered in 2005 at the San Francisco Opera. The opera focuses on the lives of the scientists involved in the Manhattan Project~the historical experimentation of the atomic bomb in the early 1940’s lead by physicist J. Robert Oppenheimer. Am I In Your Light? is Robert’s wife, Kitty Oppenheimer’s aria from Act I scene two. In this scene, Kitty is trying to distract Robert from reading in bed and to initiate romance. In the opera, Kitty represents love/peace and oﬀers sanctuary from the evils of destruction and war that are overcoming Robert’s being. The poetry is partially based on a Muriel Rukeyser poem “Three Sides of a Coin” published in 1935. The text seems more conversational than lyrical and, when superimposed above the suspended quality of the accompaniment, can feel rhythmically uneasy. It seems as if Kitty is in a daydream, saying whatever comes to mind, in order to steal the attention of her husband. Iv. Montparnasse Oh hotel door, with your two green plants which will never bear any ﬂowers, 7 Where am I planting myself? say: Where are my fruits’ Hotel door, an angel stands outside you handing out leaﬂets (virtue has never been so well defendedl). Give me in perpetuity a room at the weekly rate. Oh bearded angel, you are really a lyric poet from Germany who wants to get acquainted with Paris. You know that between its pavingstones there are lines which one must not step on. And you dream of spending Sunday at a mansion out of town. The weather is a bit oppressive and your hair is long; oh good little poet, you’re rather stupid and too blond. Your eyes look so much like those two big balloons ﬂoating oﬀ in the pure air wherever chance takes them... �Hyde Park The makers of religion preached in the fog The shadows we passed by Played blind man’s bluﬀ At seventy years of age Fresh cheeks of little children Come, come Eleonor And what else do I know Watch the cyclops come The pipes ﬂew away But ﬂy away unrepentant gazes and Europe Europe Sacred gazes Enamoured hands And the lovers loved each other For as long as preachers preached. Hotel My room has the form of a cage. The sun reaches its arm in through the window. But I want to smoke and make shapes in the air, and so I light my cigarette on the sun’s ﬁre. I don’t want to work, I wan t to smoke. Les Chemins de l’amour ( The path of love) The paths that go to the ocean protect our crossing, ﬂowers losing their leaves and the echo under the trees, Our two bright laughs. Alas, from days of happiness radiant joys take ﬂight, I journey without recovering your traces In my heart. �Paths of my love I try to ﬁnd you always lost paths, you don’t exist anymore, And your echoes have been muﬀled. Paths of despair, Paths of memory, Paths of ﬁrst love, Divine pathways of love. This I am dutybound to forget one day the way that life obliterates all things. I want in my heart that a memory will rest More strongly than another love. The memory of paths Where trembling and completely passionate, a day l have felt above myself to burn and be consumed by your hands. Francis Poulenc (18991963) was a French composer and pianist known for his beautiful melodies, operas and solo piano works. His compositions are in the neoclassical style, which stays in the sphere of diatonicism but also employs many of the newer d issonances of the 20™ century to create a lush and elegant tonal atmosphe re. Poulenc’s art songs are often thought to more appropriate for the music hall than the concert hall, but yet they remain in the recital repertory and are considered as some of the greatest treasures in French mélodie. Montparnasse and Hyde Park are two melodies on Guillaume Apollinaire poems that recall the poets’ ﬁrst impressions of these two locations in Paris and London, respectively. It took Poulenc four years to complete Montparnasse (194 11945) and he regarded it as “probably one of [his] best songs”. The “bearded angel” represents a young and naive Apollinaire taking in the sights of Paris. This colorful, pensive piece shows Poulenc’s lyricism and his penchant for tasteful dissonances. Hyde Park is a quirky little piece that describes the crazy little things that Apollinaire saw while walking through Hyde Park in the early 2 0” century (i.e., the lit butts of cigarettes in the fog that made people look like cyclops). The quick grace notes and staccato accompaniment add momentum and humor to the speechlike vocal melody. �Hotel d raws in the listener from the ﬁrst chord. The lush chromatic harmonies create a lethargic atmosphere, lending perfectly to the laments of the poet who just wants to be lazy and smoke her cigarettes instead of work. Les C be m i ns d e I ’amourwas composed for French nightclub singer, Yvonne Printemps. The verses recall memories of a past love in a nostalgic waltz. The chorus is also in the waltz rhythm, but it evokes a diﬀerent mood. Instead of reminiscing on lost love, the chorus is about accepting the past and moving forward. V. Cuatro Madrigales Amatorios (Four Love Madrigals) ;Con qué la lavaré? (With What Shall I Wash?) With what shall I wash the skin of my face? With what shall I wash That I live badly punished? They wash the married women with water from lemons. I wash myself, anguished, with grief and sorrow. Vos me matasteis (You Killed Me) You killed me, girl with your hair, you have killed me. At the river’s edge, I saw a virgin, girl wi th the hair, you have killed me. zDe donde venis, amore? (From where do you come, love?) From where do you come, love? I know well from where. From where do you come, friend? Ah! I have been a witness. De los alamos vengo, madre (From the poplars I come, mother) From the poplars I come, mother, to see how they move in the air. From the poplars of Seville, to see my pretty girlfriend. �Joaquin Rodrigo (19021999) was a Spanish composer and virtuoso pianist, best known for his guitar concerto compositions. Rodrigo lost his sight at the age of three but was able to study music through his youth and wrote his compositions in Braille. His Cuatro Madrigales Amatorios was composed in 1947 and was based on chant melodies and texts from Juan Vasquez’s sixteenth century poetry collection titled Recopilacion de sonetos y sonetos y villancios a quarto y a cinco. The Baroque inﬂuence is clear, especially in the ﬁrst three songs, as evident in the stepwise motion of the melodies, parallel ﬁfth motion and the kinds of cadences used. However, it is hard to ignore the traditional Spanish ﬂair, especially in the piano accompaniment, which adds a unique ﬂavor to the set. Each song represents diﬀerent components of love: despair, lust, passion and delight. k h k k h k k k h h k h k h h k h k h k h k d d ix h k r h h h k h d h d d i i k ix x k x �ABOUT THE PE RFORME R S Soprano Christina Santa Maria is originally from Brooklyn, NY and will be receiving her Bachelors of Music in Voice Performance this upcoming May. While at Binghamton University she has performed as the soprano soloist in Mozart’s Coronation Mass (2012), in the roles of both Gretel (201 2) and Hansel (2013) in Humperdinck’s Hansel and Gretel, and as the soprano soloist in Bach’s Christimas Oratorio (201 3). As a part of the Binghamton Opera Scenes program she has sung the pa rtial roles of Rose in Lakme. Meg Page in Falstaﬀ, Zerlina in Don Giovanni, and Susanna in Le Nozze di Figaro. She has performed with TriCities Opera as a member of the opera chorus (201114) and as ‘Billie’ in the oneact comic opera Speed Dating Tonight (2015). She placed 3™ for Senior Women at the 2015 Eastern Conference of NATS (National Association of Teachers of Singing) at Westminster Choir College and is a recipient of the John and Marcella Keeler Scholarship of the Arts, as well as the Harry and Betty Lincoln Scholarship for Achievement in Music History. She is a student of Professor Mary Burgess. Michael Lewis, Adjunct Lecturer at BU and Assistant Music Director at Tri Cities Opera, earned his undergraduate degree in Vocal Performance from Ithaca College in May 2013. He has had coaching experience with the International Vocal Arts Institute, Mill City Summer Opera, CoOPE RAtive program and Ithaca College School of Music. While at Ithaca College, Michael was involved with the inaugural season of the ﬁrst studentrun opera company at IC, Ithaca College Light Opera, in which he served as Assistant Music Director and Vocal Coach. He went on to lead the group in their second season as Music Director. The opera company continues to perform one oneact opera each semester. As a vocalist, he has performed a variety of roles in Ithaca College’s mainstage productions. In his ﬁnal year at Ithaca, he had the opportunity to play the title role in Gianni Schicchi. This production was paired with Suor Angelica, for which Michael served as opera chorus master. In the past decade, Michael has been actively developing his style as a composer. His current works which focus on the voice a nd piano have been performed throughout the United States and Australia. �Hannah Watrobski is a sophomore at Binghamton University double majoring in Human Development and music. She has been a part of Binghamton’s music department for two years studying viola with Professor Roberta Crawford with whom she studied in high school for two years in Ithaca, NY. Hannah is originally from Penﬁeld, NY where she started playing violin at the age of three with the addition of viola in third grade. She also sings and composes music. Hannah has had the opportunity to travel to various countries to attend music camps and perform beneﬁt concerts for their communities. She has been a member in both MCSMA and NYSSMA Area All State orchestras elementary school through high school. Hannah was also selected to attend Conference AllState both her junior and senior years of high school. Outside of school and music she enjoys reading, cooking, photography, working with animals, and hiking. She hopes to one day be a practicing nurse or work in social service and ﬁnd a way to incorporate her love of music. Dedica tion: I would like to thank my family and friends for supporting me and attending my recital, whether it meant traveling 5 hours or 5 minutes. Thank you to all the professors who have helped me on this journey and inspired a love of learning. Thank you, Richard Hugunine, for arranging the viola part for the Adams aria. Thank you to all the coaches (Maestro Willie Waters, Diane Richardson, William Lawson) that have worked to help me perfect my diction and style over these last four years. Thank you to my pianist, Michael Lewis, for your beautiful playing. I hope we can collaborate again in the future. Most importantly, I would like to thank my voice teacher Mary Burgess for believing in me and teaching me how to sing freely and in a healthy fashion. I am excited to start the next stage of my life and no matter where I am, I know that music will keep be grounded. �B i n ghamton Univers i ty M usic Depar tment’s Com i ng E vents 6 M 6 M M M M M M ¢ V Sunday, A pril 19 – TriC ities Opera presents Gounod’s Faust – 3 p.m. – The Forum Theater call (607) 7720400 for tickets Sunday, April 19 Guest Artist: Organist Craig Philips 4 p.m. United Presbyterian Church – $10 general public; 57 faculty/staﬀ/seniors/alumni; $5 for students Tuesday, April 21 String Fever (String Classes and Studio String Recital) 7:30 p.m. Casadesus Recital Hall Free Thursday, April 23 Jazz MidDay Concert with saxophonist Camille Th urma n 1:20 p.m. Osterhout Concert Theater free Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7 :30 p.m. – Osterhout Concert Theater $7 general public; $5 Faculty/staﬀ/scniors/alumni; Free for students Friday, April 24 – Master’s Recital: J ake Stamatis, baritone 7:30 p.m. Casadesus Recital Hall free Saturday, April 2 5 – Master’s Recital : Kevi n T ra ux, tenor 3 p.m. – Casadesus Recital Hall free Saturday, April 25 – J unior Recital : Rachel You ng – 7 :30 p.m. Casadesus Recital Hall – free Sunday, April 26 University Wind Symphony: Once Upon a Time 3 p.m. Anderson Center Chamber Hall $7 general public; 5 5 faculty/staﬀ/seniors/alumni; Free for students Tuesday, A pril 28 Percussion Ensemble 7 :30 p.m. Anderson Center Chamber Hall 57 general public; $5 faculty/staﬀ/seniors/alumni; Free for students M M M M M G ﬁ M M M é é w w é ﬂ For tickets or to be added to our email list, visit andersonbingluimtonfdu or call (607) 7 7 7 ARTS. For a complete list of our concerts call (607 ) 7 7 72 59 2, visit musicbingftamtonedu or become a fan on Facebook. lfyou were inspired by this performance, consider supporting the Department ofMusic with a ﬁnancial gift. Your support helps to M — [ = ] continue the work of students, faculty, and guest artists and their [ = ] contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P.O. B ox 6000sss, Binghamton, NY 13902*** � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45m 18s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74991">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74991</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christina Santa Maria, senior honors recital, April 18, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Strozzi, Vivaldi, Schumann, Mendelssohen, Mendelssohn-Bartholdy, Schumann, Adams, Poulenc, Rodrigo. Held at 7:30 p.m., April 18, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Santa Maria, Christina Lewis, Micahel Watrobski, Hannah Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Strozzi, Barbara, 1619-1677 Vivaldi, Antonio, 1678-1741 Schumann, Clara, 1819-1896 Mendelssohn, Fanny, 1805-1847 Mendelssohn-Bartholdy, Felix Schumann, Robert, 1810-1856 Adams, John Poulenc, Francis, 1899-1963 Rodrigo, Joaquín Date A point or period of time associated with an event in the lifecycle of the resource 4/18/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:35 32:12 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59337 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59337"> Christine Lindsay Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christine Lindsay Recital Description An account of the resource Held at 8:15 pm, October 20, 1968, Harpur College Theater. Works of Quantz, Piston, Francaix, Milhaud, and Telemann. Creator An entity primarily responsible for making the resource Lindsay, Christine Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-10-20 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Quantz, Johann Joachim, 1697-1773 Piston, Walter, 1894-1976 Françaix, Jean, 1912-1997 Milhaud, Darius, 1892-1974 Telemann, Georg Philipp, 1681-1767 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020094573 39091020094623 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels: Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:49 15:28 29:00 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852">Christmas Choral Concert with the Harpur Chorale & Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Choral Concert with the Harpur Chorale & Orchestra Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Korte, Kodaly, Buttolph, Praetorius, Bach. Held at 8:15 pm, December 17, 1969, Don A. Watters. Creator An entity primarily responsible for making the resource Harpur Chorale & Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-17 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Korte, Karl, 1928- Kodály, Zoltán, 1882-1967 Buttolph, David L., 1924 -2013 Praetorius, Michael, 1571-1621 Bach, Johann Sebastian, 1685-1750 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058008 39091020057950 39091020057901 https://omeka.binghamton.edu/omeka/files/original/f283f81cf1ba3a8895c1468618eeaf56.pdf b29e3d92e1a22d6e4b1238c36817ec14 PDF Text Text C C HO RN I C S E T R MT A s December 10, 1965 8:15 P.M. �PROGRAM 0 CO ME EMMA UEL Arrang III nl by D 11/D B TTOLPH GO TELL IT ON THE MO U 1TA I . rrang m nl by JOI! 1 W. WOR MICHAEL T RCEOt , T eno r olo AVE MA RIA TOM TORIA OCE T LAMB Arrangem ent b I R HALL B RT/I l OMEW HARP R OLLE E 1E ' L EE L B Magnificat Alan Hovhaness FFE R, op rano RR, ontrallo KE, T nor RD MYER. , Ba CELESTIAL FA FARE AG IFI CAT ( horu ) ET EXSULTAVIT ( T enor) QUIA RE SPEX IT (Soprano) OMN ES GE ERAT I O S (Women' horu ) QUIA FECI T MIHI MAG A ( Ba and horu) ET I SERI CO RDIA ( oprano) FECIT POT E T I AM ( ontralto) ESU RI E TES I PLE IT BO I S ( T nor and M n' SUSEPIT I SRAEL (W om n' horu ) and horu ) SI CUT LOCUT US EST ( Ba GLORI A PATR I (Choru ) HAR PU R COLLEGE CHO IR and membe rs o f the R EPE RTO IR E Dir cted b D I horu ) RCH STRA L. B TT LP !/ INTERMISSION (Ten Minut es) I mme di atl following in termi ssion r. Ho han ss will address th_e audience brief! speaking abo ut th 1agnifi ai. and epl ai ni ng hi s int enti ons. We hope ou wi II enjoy e en mo re th rep at p rformance which follows. Magnificat ( Rep eat ed) Alan Hovhaness Virail Thomson offered an extremely perceptive estimate of the talents of Alan Hovhaness when he wrolc in the New York Herald Tribune on February 8, 1947 : " He writes in the early Christian, the medieval and the mod • ern Armenian techniques, possibly even a little in 1hc pre-Chris1ian manner of that ancient and cultivated people. He observes the ancient rules and imitates wi1h m o dviolins e r na sizeable selection of near-Eastern stringed instruments. He even extends the orienta l grammar or composition to include, as it may well have done in Greek times, held notes against which florid melodics expand al ease and even quintal counterpoin1 "It remains oriental and classical, nevcr1hcless, in structure. The music is at times strophic in phraseology and emo tionally con1inuous, never climactic . Each piece is like a long roll of hand-made wall paper. hs mo1ionless quality is a lillle hypnotic. There is resemblance here , too , 10 the early urcmonial pieces of Erik Sa1ie - 1he 'Mass For The Poor', the ' Prelude To The Heroic Gate o f Heaven ·, and 1he Rosicrucian Fanfares. Its expressive function is predominantly religious, ceremonial, incantory, its spiritual co n1cn1 of the purcsl . 11 is oriental fro m 1hc right side o f the railway track." The music of Alan Hovhaness has developed richly in lhe eleven years since Mr. Thomson penned this tribute and yet it is still essentially serviceable in pin -pointing the strangely beautiful, individu :11 gift of this composer. One or two points no longer seem accurate - as, for example, the estimate 1ha t Mr. Hovhancss' music is "never climactic''. Mr . Hovhaness has moved o n from there, hut 1hc overall approach noted hy Mr. Thomson remains 1hc same. The composer's "orientalism " ( in no way to be confused with the term so often appl ie d to the techniques o r ma ny Russian mu,icians from Glinka o n ) has no qua lity of faddism about i1. T o begin wi1h , it is part o f his heritage through his Armenian father . ( He was born in Somerville, Massachusetts, where his father was a chem is1ry professo r. His mother was of Sco11ish extraction.) Although he wasraised in a 1horo ughly American background and even resisted, as a child, whatever a11emp1s h is father made 10 help him iden1i(y with his cullural legacy, Mr. Hovhanen eventually came 10 ii as his love of old music, art , and a rchitecture developed antiquari a n tastes. H is stud ies o f ancienl Armenian (and later 0 1hcr near-Eastern and 1hen Easle rn ) c uhure were given impetus when he became organist in Boston's Armen fan church and was exposed 10 the occasio nall y ageless modes and monody of traditional liturgical Armenian music. The " orientalism" was a hard-won, carefully -tho ught-out expres1ion, 100. Mr. Hovhaness was trained in music in Boston in the usual s1rict , academic fashion. He s1 udied piano wilh Adelaide Proctor and Heinrich Gebhard , composition at the Conservatory under Frederick Converse. By the early " Thirties (when he wa.5 in his early twenties), he had already composed an impressive body of music which had drawn not a little admiration in Boston music circles. His spiritual mentor seemed to be Sibelius and his mu.sic supposedly was marked by "a pronou nced Finnish accent ". He traveled off to Finland at one point and af1er his return seemed even mo re destined to become some1hing of "the America n Sibelius" . And , then he took serious stock of himself, undoub1edl y aided in his dec ision by his growing interest in Eastern c ul1urc . He decided to destroy all o f his music up to that time - a diffic ult decision, one imagines, since this material included no less than two ambitious symphonies and several full-length operas, over a thousand wo rks in all. The destruction was ruthless and complete : little trace o r this music exists now. Then began the serious study of Oriental styles and techniques, the experimentation wilhin these styles and techniques, and 1hc attempt to fuse them with certain traditional forms or our own music. There was necessary, 100, a period of "digestion", in which the materia of oriental music could be bsorbcd and blended so that, say, a mode (rom Armenian so urces might be blended with a rhythmical structure from Ind ia n sources for working within a classicalwestern canonic form. Mr. Hovhaness' success at his task is exemplified impressively by 1he music which has resulted (rom hi• work . Few composers today seem so capable so consistently of making music of such real beauty, such intense personal expressiveness, such profc;>und spiritual effect. �THE HARPUR COLLEGE CHOIR First T enors: Paul Dieke, Zane Kalter, R y Go rdon. eco nd T eno r: J ohn Bennethum, Harvey Bo rnfield , Ben Erlitz, Al a n Ha rdy pre id ent, Terry Ho well Baritones: James Baldwin, Davi d Crowe, Russel I Fuller, Micha el Pawlicki . Jack Sp e rling, Bob Whitney, Keith Wilcox. Bass e s: Da nny Du s hman , Stephen Foulk, Seth Kasten, Steve Walker, Pete r Wenz sec retary. Fi rs t oprano: Virginia Baker, Marcia Burnett, Malita Frogate, Rosemary Gruss, Sydel! Horowitz, Eli zabet h Robbins, J essica Roth, Alida Sta hl, Kathle en Zaslovsky. Seco nd So prano: Carol Anth o ny, Millicent Conklin, J oanne Grizzanto, Su e Jurkowski , Mary Mo rr iso n, Chrystyna Prytula, Alice Stitelman,, Cynthia Stone vi ce pres id ent and acco mpaini l . Fir t A lto s : Elaine Bolton, Michelle Gibson, Cynthia Gilchrist, ancy Kliban, Linda Lewis, Christine Livingston. Carol McAvoy. Se cond Altos: Emoke B e recz, Linda Fishkin, Margaret Jackson librarian, J ay ne Kaplan, Ellen Leinwand li brari an, Mel a nie o rd en, Pam el a Starr. HARPUR COLLEGE MEN 'S GLEE CLUB First T enor: Roy Gordon, Zane Kalter pres iden t, Mike Sturgeon. econd T enor: J ohn Benneth um, David Crowe, Al an Hardy treasure, Andy Willinger. B ari tone : Ma rc B ainer, Davi d Colman, Demnis Fenichel, Fred F orman, Bill Grossman , Alan Metri c k, J ack Sperling, Bob Whitney, J effrey Gimprick . B asses : Bob Cancro, Chri s C ancro, Danny Dushman v ice pres id ent, B urt E delstein , J o hn Harris o n, Alan Sturd eva nt, Buzz Waterston. THE HARP UR RE PERTOIRE ORCHESTRA Vio lin· : David Einfeldt con certmas te r, Patrici a Isham, Francin e adeau, Dav id Rajn s , Kathy Co x, Ire ne Wetzelbe rg prin cipal, Alida St ahl, Ru th Ril ey, Sall y Sh a fe r, Ruth Rili , Kay ·c. R obe rts. Violas: Edward Pettergill princip le, Ke nneth Holliste r, L a ur a Erin ger. Val e ry Ga rabedian . Ce ll os: Odile Nade au principal, Christ in e Li vingston , Becky O 'Conn o r, Kath y Gruber. Basses : Bill Wills, Philip Sh a rpst een. Harp: L i se adeau . Oboe : Kenneth Anderson, Elle n Schwarz. French Homs: J o hn E vanso hn, Da le Whitman . Trump et : David Hurd, Cra ig Jacobson. Trombone: J ohn Baldon . Percus ion : Lanny Levine , Vi cki \V ol . Librarian:Can dace Duncan . This program s ponsored by the Convocati ons Committee and t he Depa rtm e nt o f Music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:10 41:12 17:18 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54351">Christmas Concert Harpur College Choir Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Concert Harpur College Choir Recital Tape 1965-12-10 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource O Come Emmanuel, Go tell it on the mountain, Ave Maria, Little Innocent Lamb, Magnificat / Alan Hovhaness Creator An entity primarily responsible for making the resource Harpur College Choir Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Hovhaness, Alan, 1911-2000 Date A point or period of time associated with an event in the lifecycle of the resource 1965-12-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Christmas Concert Harpur College Choir Recital Tape 1965-12-10.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 5 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:01 22:20 15:21 27:50 31:15 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54674">Christmas Concert Harpur College Choir Rectial</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Concert Harpur College Choir Recital Tape 1966-12-4 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Antonio Vivaldi, Andrea Gabrieli, David L. Buttolph, Randall Thompson, Richard Kountz, Johann Sebastian Bach, Alan Hovhaness. Held Dec. 4, 1966, Harpur College Theater. Creator An entity primarily responsible for making the resource Harpur College Choir Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1966-12-4 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058990 39091020059048 39091019619679 39091019619729 39091019619778 https://omeka.binghamton.edu/omeka/files/original/57ad13f8329371f802fd5e4298e22960.pdf 72506a8d56673d489954fa92b4f82329 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T C HRISTOPHER M ORGAN L O Y COMPOSER/ PIANIST S a t ur d a y , A p ri l 2.7, 2.016 8 : 00 pm. ( a sa des us R ec i t a l H a l l �FROGKAM Sonatina #3 in g minor D408 . . Allegro guisto Andante Menuetto Allegro moderato Selected Songs F. Schubert Two Songs on Poems of Walt Whitman How sweet the silent backward tracings . . . . . C .M. Loy Af ter the Dazzle of Day William Hurley, vi olin Christopher Morgan Loy, piano W.A. Mozart Three Songs.. . Das Veilchen Als Luise die Brief e Ridente la calma Selected Piano Works Voices of the Woods, Op. 13, no. 5 ln Memorium : Jamie Cannon, O p. 56, no. 6 Kerianna Krebushevski, soprano C.M. Loy, piano C.M. Loy Homage to Steven Stucky, Op. 56, no. 7 Inner Lights (Sona ta for Violin and Piano)", Op. 58 ......C M. Loy C.M. Loy, piano Lento reﬂective, Allegro assai, Allegro Flowingly Allegro G. Faure Selected Songs Chanson d ’amore Apres un réve Kerianna Krebushevski, soprano C.M. Loy, piano ®INTERMISSIONe3 William Hurley, vi olin C.M. Loy, piano *Premiere performance �NOTES ON THE MUSIC Sonatina in G Minor Franz Schubert composed three violin works commonly called the “sonatinas” during the spring of 1816 when he was 19 years of age. Schubert called these works sonatas, and they remained in manuscript form during his lifetime. When Anton Diabelli published them in 1836, he named them sonatinas in order t o a cquire the amateur market. These works are straightforward, beautiful and elegant and have remained a favorite with violinists and pianists since Schubert and his friends ﬁrst performed them. The Sonatina in G Minor is dramatic and lyrical and the dialogue between the violin and piano is fun. Voices of the Woods Felix FernandezMadrid, a friend and colleague who has a great love for usic, commissioned Seven Piano Pieces in 1984. He wanted a set of piano pieces for his musical interests and enjoyment. “Voices of the Woods”, the ﬁfth piece of the set, conveys the restlessness and sometimes forbidding nature of a mysterious forest. Homages and Fantasies is a set of eight piano pieces premiered in Ithaca on November 19, 2011. The following two works are extracted from this set. In Memoriam: Jamie Cannon Jamie Cannon was a great friend. We were roommates when I lived in downtown Detroit. He was an exceptional artist and craftsman, and with my compositional work and Jamie’s artwork, producti vity in the apartment was signiﬁcant. When I received the news of his passing, I sa t down i n sorrow to remember him and to pay homage to him. This piece came forth. Throughout the composition there are moments of reﬂection and remembrance interrupted by sudden bursts of anguish. In Memoriam. ends with the main theme modulated up a step and continuing upward to an enigmatic resolution. Homage to Steven Stucky In this homage to one of the foremost American composers, I set out to honor his vibrant palette of harmonic coloration, while main taining my own musical energy. The piec e is i n a standard ternary form. The ﬁ rs t part exhibits extended triadic harmony, which is one of Stucky’s hallmarks, and the middle sec tion displays a musical portrai t of Steven Stucky’s name. I have had the pleasure of working with Steven Stucky and felt this set of Homages and Fantasies wouldn’t be complete without honoring him. Inner Lights l composed Inner Lights (Sonata for Violin and Piano) in 2012. It portrays the act of revealing the Light within us. The following quote served as inspiration: “The Light that is begotten of the Life which has been begotten of Love, is a radiance: i t is the radiance within with a soul. Light is the eﬀect of magnetic action; i t is a manifestation of magnetic power.” Life ’s Mysteries Unveiled by John Todd Ferrier Lento reﬂectivo, Allegro assai, Allegro The opening theme stated by the violin, represents the dual motion (ascending and descending) of Light from the Divine, as well as a call to the Light within each of us. When the piano joins the call, harmony ensues. The fast, jagged rhythms signal a transition t o daytoday activities that interrupt harmony. The contra sting music that follows in 5/4 time is lyrical and hopeful, encouraging continued eﬀort on the path of spiritual initiation. After a return to the theme of ra pid music, the movement ends with a quote of the original opening theme. Flowing This movement begins with an intricate passage by the piano, which provides the sound palette for the high ﬂoating melody of the violin. The melodic stream i s contemplative and serene. An agitated middle section suspends the medita tive a ttributes of this movement, but the music soon returns to the ﬂowing lines of the beginning. Allegro The ﬁnal movement is a celebration of joy and grati tude. The violin ’s ﬁrs t theme has the feeling of exuberance, and the highspirited energy is maintained throughout the movement ’s several connected thema tic sections. ABOUT THE PERFORMERS KERIANNA KREBUSHEVSKI is a Junior at Binghamton University pursuing a Bachelor of Music Degree in Voice. During her time here in Binghamton, Kerianna has performed the role of the ﬁrs t spirit in Tri Cities Opera Company’s production of Mozart ’s Die Zaubeﬂcite, and in the chorus for their productions of Puccini’s La Boheme and Verdi’s Il Trovatore. She is currently in the chorus for Cavalleria Rusticana and Pagliacci (Mascagni/Leoncavallo). Last semester, Kerianna also performed the role of Gretel in Humperdinck’s Hansel and Gretel, performed by the University’s Opera Workshop class. Currently she is preparing for her Junior Recital, which will take place on May 10, 2013 a t Casadesus Recital Hall in the Fine Arts building a t Binghamton University. This summer Kerianna will be traveling to ltaly for the month of June to study voice and the Italia n language with the “Si parla, si Canta” program, organized by Benton Hess. She is very excited to see Italy for the ﬁrs t time and to further her studies. �ABOUT THE PERFORMERS (CONT.) Violinist WILLIAM HURLEY is an Ithacaba sed performer and teacher. In tha t capacity, he frequently ﬁnds himself a t the Community Sc hool of Music and Arts, Cornell University, The Binghamton Philharmonic, The TriCities Opera Orchestra, and somewha t less frequently with the Cayuga Chamber Orchestra, and The Orchestra o f the Southern Finger Lakes. He has found himself, in the pas t, wi th orches tras and chamber ensembles in GA, SC , WV, MD, PA, and AK. Serendipity has landed him with a ﬁne group of students and a lovely and talented crowd of colleagues with whom to collaborate. In the chamber arena, he is a member of DO (violin duo), Three (piano trio), The Amity String Quartet, various New Violin Family incarnations, Music ’s Recrea tion, partners guitarist Matthew Ocone, and fondly remembers the DeVere String Quartet, The Archus S tring Trio, and various and sundry other collabora tions. New things are always i n the works, and ideas are welcome. Otherwise, he is an apprentice with Luthier Robert Spear, serves on the board of Music ’s Recrea tion, plays Irish ﬁddle, gardens voracious ly, and a lternately helps, confuses, a nd frightens the local string community in his capacity as “the string guy” a t Hickey’s Music, where he has worked for some considerable time. He lives and meanders in the Danby area. CHRISTOPHER MORGAN LOY has presented annual recita ls in Ithaca featuring his new works since 1989. His compositions include works for piano, chamber ensembles, chamber orchestra , full orchestra, and chorus. He has received more than 25 commissions from individuals and organizations since the 1980’s. Loy’s music has been premiered in Cleveland, Detroit, Houston, New York, San Francisco, San Antonio and Ithaca. He earned the Doctorate of Musical Arts degree from Cornell University in 1993. He has received grants from New York State’s M eet the Composer fund, the Gund Foundation, and the Cornell Council on the Creative Arts. In 1998, 2001 and 2008, he received the New York State Council on the Arts Decentraliza tion Program Grant to compose his Serenade, a work for soprano, violin, bassoon and harpsichord, his String Qu artet #1 and Poet ic Rejuvenations, a largescale work for ﬁve players and poet/narrator. Loy serves as Professor of Theory and Compositi on a t Binghamton University and teaches piano and compositi on a t the Community Sc hool of Music and Arts (CSMA). He is organist/ pianist a t the First Baptist Church in Ithaca. TRANSLATIONS Fauré Chanson d ’nmore I love your eyes, I love your face, 0 my rebellious, o my ﬁerce one, I love your eyes, I love your lips Where my kisses will exhaust themselves. I love your voice, I love the strange Gracefulness of everything that you say, 0 my rebellious one, o my dear angel, My inferno and my paradise! I love your eyes, I love your face, I love everything that makes you beautiful, From your feet to your hair, 0 you, to whom ascend a ll my desires! Aprés un réve In a slumber charmed by your image I dreamed of happiness, ardent mirage; Your eyes were more tender, your voice pure and clear. You were radiant like a sky brightened by sunrise ; You were c alling me, and I left the earth To ﬂee wit h you towards the light ; The skies opened their clouds for us, Splendors unknown, glimpses of divine ligh t. . . Alas! Alas sad awakening from dreams! I call to you, oh night, give me back your illusions; Return, return with your radiance, Return, oh mysterious night! Loy Two Songs on poetry of Walt Whitman is the ﬁrst set of songs I composed. Iwas moved by the simplicity of the poems and set them accor dingly. How Sweet the Silent Backward Tracings How sweet the silent backward tracings! The wanderings as in dreams the meditation of old times resumed ~ Their loves, joys, persons, voyages. Af ter the Da zzle of Day After the dazzle of day is gone Only the dark, dark night shows to my eyes the stars After the clangor of organ majestic, or chorus, or perfect band Silent athwart my soul, moves the symphony true. Mozart Das Veilchen A violet grew in the meadow, bent over and unrecognized, It was a lovable violet . A young shepherdess came by with a light step and cheerful mood, through the meadow, and she sang. The violet thought, “Ah, i f only I were the prettiest ﬂower in all of Nature, just for a li ttle while, until that darling would pick me and press me ﬂa t on her bosom, ah, just for a quarter hour. ” But a h, the girl came and did not notice the violet. She trampled the poor violet! It sank down and died, and yet it was happy : “If I must die, at least I am killed by her feet . ” The poor violet! It was a lovable violet. �But alas, the man who wrote you, Als Luise die Briefe may perhaps burn for a long time yet Born of a ﬁery imagination, brought into the world in an hour in my heart. o f r apture, go t o destruction, you children of melancholy! You owe your existence to ﬂames ; Ridente Ia calma Calmness is smiling in my soul; no trace of anger or fear remains. now I give you back to ﬂames along with all of the adoring songs, because, alas he did not sing only You will arrive at any moment, my dear, to tie the bonds of marriage tha t are so welcome to my heart. to me. You catch ﬁre, and soon, you dear ones, there will be no trace of you. Binghamton University Music Department ’s Coming Events M M M M M M t b M é é Sunday, April 28 – Senior Recital : David Gaita, piano – 7:30 p.m. – Casadesus Recital Hall – free Sunday, April 28 – TriCities Opera presents Mascagni ’s “CAVALLERIA RUSTICANA” and Leoncavallo’s “PAGLIACCI™ 3:00 p.m. – The Forum Theatre – call (607) 7720400 for tickets Tuesday, A pril 30 – Per cussion Ensemble Concert – 8:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Wednesday, May 1 – Percussion Recital : Devan Tracy and Andres Castillo – 8:00 p.m. – Casadesus Recital Hall – free Thursday, May 2 – MidDay Concert – 1:20 p.m. – Anderson Center Chamber Hall – free Thursday, May 2 – Opera Scenes – 8:00 p.m. – Anderson Center Chamber Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Friday, May 3 – Music from the Seminar (Christopher Loy ’s Class) – 7 p.m. – Casadesus Recital Hall – free Saturday, May 4 – Master’s Recital : Molly AdamsToomey, mezzosoprano – 8 p.m. – Casadesus Recital Hall – free M M M ﬁ M M b M ﬁ n r b ‘ For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or become a fan on Facebook. if you were inspired by this performance, consider supporting _ . ' E the Department of Music with a ﬁnancial gilt. Your support helps E to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music E : Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:06:05 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130163">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE130163</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christopher Morgan Loy, recital, April 27, 2013 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Schubert, Loy, Faure, Mozart. Held at 8:00 p.m., April 27, 2013, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Loy, Christopher Morgan Hurley, William Krebushevski, Kerianna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2013-4-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/564d5155bc1a62c54262ffe13c705a93.pdf 3da855c49968aa0388f4cb29df87f072 PDF Text Text LINLVN J y '“ — t e c U N I V E R S I T Y ~ ) o BINGHAMTON h H w I A State University of New York Depart ment of Music UNIVERSITY WIND ENSEMB LE Timothy Perry, Conductor Stephen Boel, Associate Conductor Cinematic Signatures III : G rea t W hite Wa y to the Silver Screen Sunday, Feb ruary 27, 2005 3:00 p.m. Anderson Center Cham ber Hall �The Binghamton University Department of Music presents the University Wind Ensemble Dr. Timothy Perry, Director Stephen Boel, Associate Conductor Cinematic Signatures lll: Musical Movies Sunday 3:00 p.m. Chamber Hall Febniary 27, 2005 Program Anderson Center for the Arts Overture to Guys and Dolls (1955).................... Frank Loessing Arr. Philip Lang Three–cornered Tune – I’ve Never Been in Love Before A Bushel and a Peck – Guys and Dolls An American in Paris (1951)........... George Gershwin Arr. Jerry Brubaker South Paciﬁc ( 1 9 csv c 5siv8rsase)seis. «ee.......Richard Rodgers Arr. Philip Lang Some Enchanted Evening – A Wonderful Guy Bali Ha’i There is Nothin’ Like A Dame The Music Man (1962).................... Meredith Willson Arr. Alfred Reed The Wells Fargo Wagon.– ‘Till There Was You SeventySix Trombones My Fair Lady (1964) Frederick Loewe Arr. C . Paul Herfunh On the Street Where You Live – With a Little Bit of Luck l’ve Grown Accustomed to her Face – I Could Have Danced All Night Fiddler on the Roof(1971). . .. . .. .. Sheldon Harnick and Jerry Bock Arr. Bob Lowden Tradition – Matchmaker – Do You Love Me? – Miracle of Miracles Sunrise, Sunset – I f Were a Rich Man –To Life Les Miserables (1987) . .. . .. . .. . .. . .. . ClaudeMichel Schonberg Arr. Warren Barker At the End of the Day I Dreamed a Dream Master of the House On My Own – Do You Hear the People Sing? Phantom of the Opera (2004) .................Andrew Lloyd Webber Think of Me – Angel of Music The Phantom of the Opera Arr. Warren Barker All I As k of You – The Point of N o Return – The Music of the Night University Wind Ensemble Timothy Perry, Director Stephen Boel, Associate Director Piccolo Amy Forgacs Flute Joanna Hunt Nicole Kalisz Subin Lim Elise Martingale Lauren Silinonte Valerie Spiller Clarinet Heather Boland Alice Choi Shanika Cooper Colin Edmunds Michelle Grexer Simon Hawk Andrew Hsu Andrei Lee Bass Clarinet Joshua Schaier Christopher Strub Alto Saxophone Emily Alkiewicz Amy Natiella Tenor Saxophone Kevin Kneifel Trumpet Mark Alfes Garret Clark Philip Deitz Derek Ersbak Thomas Osa Steven Pan Andrew Sanfratello French Horn Megan Caruso Greg Cecere Patrick Lokken Alfred Jacobsen Trombone Jamie Cepler David Hennan David Ricotta Baritone/Euphonium John Testa Richard Mokan Tuba Erik Appleyard Dan Gallagher Percussion Christopher Jacobson Baritone Saxophone Joe Sobel A i Karasawa Spencer Lo Christine Jackson Mark Turley String Bass Chris Zavala Keyboard Robert Magee �Coming Events Thu rsday, March 3 – MidDay Concert with faculty and student performers – 1:20 p.m. Casadesus Recital Hall free Satu rday, March 5 – Master’s Recital – Leslie Hochman, Sop rano – 3:00 p.m. – Casadesus Recital Hall – free Satu rday, March 5 – University Sym phony Orchestra – Around the Horn – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, March 6 – Musica Nova with Patricia Sunwoo, violin and Ewa MackiewiczWolfe, piano 3:00 p.m. – Casadesus Recital Hall $10 general public; $7 faculty/staﬀ/seniors; free for students Th u rsday, March 1 0 – MidDay Concert with faculty and student performers 1:20 p.m. – Casadesus Recital Hall free Satu rday, March 1 2 Master’s Recital – Timothy Fallon, tenor – 3:00 p.m. Casadesus Recital Hall – free Satu rday, March 1 2 – Master’s Recital – Jo d y Schum, piano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, March 1 3 – Harpu r Chorale and Women ’s Chorus Concert – 3:00 p.m. – Anderson Center Chamber Hall free Th u rsday, March 1 7 – MidDay Concert with faculty and student performers –l :20 p.m. ~ Casadesus Recital Hall – free Thursday, March 31 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Sunday, April 3 O rganist Jon a than Bi ggers – Music for O rgan and Strings – 4:00 p.m. First Presbyterian Church, Binghamton $15 general public; $13 faculty/staﬀ/seniors; $7students Sunday, A p ril 3 – Ha rpu r Tru m pet Ensem ble an d Studio Concert – 7:30 p.m. – Casadesus Recital Hall – free Thu rsday, April 7 – MidDay Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:01:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243836&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cinematic Signatures III: great white way to the silver screen, February 27, 2005 Description An account of the resource Works of Loessing, Gershwin, Rodgers, Willson, Loewe, Harnick and Bock, Schönberg, Webber. Held at 3:00 p.m., February 27, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Boel, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-2-27 Rights Information about rights held in and over the resource In copyright