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https://omeka.binghamton.edu/omeka/files/original/7cfd48702676b402c2ae1ece1e070e2a.pdf
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BINGHAM TON
U N I V E R S I E X
S T A T E U
NIVERSITY O
F NEW
YORK
[4
D
E
P
A
R
v odee
T
M
E
N
T
INCURA BLE R OMANT ICS
Timothy P e rry, clarinet
Ma rga ret Reitz, p iano
Jonatha n Biggers, organ
Ma rt ha Weber, bassoon
Sarah Cha ndler, clar inet
Saturday, Se ptember 20, 2 0 1 4
7:30 p.m.
Wattcrs Theater
�8c) PROGRAM NOTES (93
80 PROG RAM (93
Adagio and Tarantella.
. Franz Schubert
(18071874)
Ernesto Cavallini was among the few virtuoso wind players whose artistry rose to
inspire a major composer during an age in which the piano, the voice and the violin
reigned supreme. Cavallini trained in Milan, and such was his command of his (by then
antiquated) sixkeyed clarinet that he was known as the “Paganini” of the instrument. His
entire career seems to have been spent as Principal Clarinet at La Scala as well as in St.
Petersburg, apparently commuting back and forth as his services were required. It was for
Cavallini that t he majority of Verdi’s clarinet parts were written, including the massive
L’Histoire du Tango
. Astor Piazzolla
IL Café 1930
(19211992)
solo and cadenza in La Forza del Denim: the longest instrumental solo line in any of
Verdi’s worlts. He left few extant works of his own, all showing the influence of the
opera. His mostperfu med work is this short Adagio and Tarentella demonstrating the
technical and tonal control he himself doubtless possessed.
JON
DunConcertina (194 78) .
Richard Strauss
(186411949)
Allegro moderato – Andante – Rondo (Allegro ma non troppo)
Piazzolla’s History of the Tango was a fourmovement suite com posed to demonstrate the
evolution of the Argentine danceform from its origins in the Bordellos of Buenos Aires
to the electronic music of today. Piazzolla composed the work for Flute and Guitarthe
duo played the earliest forms of tango around 1900 but the work has been successfully
adapted for many other instruments since its premiere in 1986. Of the second
movement, Piazzolla writes “Cafe, 1 910: This is another age of the tango. People stopped
dancing it as tlrey did in 1900, preferring instead simply to listen to it. It became more musical, and
more roma ntic. This tan go has under gone total trans format i on: the move ments are slower , with new
and often melancholy harmonies. Tango orchestras come to consist of two violins, two concertinas, a
BO INTERMISSION cs
piano, and a bass. The tango is sometimes sung as well.
The movement is one of Piazzolla’s most soulful and evocative tangos, filled with the
suggestion of powerful romantic urges that ru n the gamut from sweet to violent, closing
with an enigmatic, but likely tragic, ending.
vaeen
Fantasia da Concerto su motivi de ‘La Traviara’ .
Donato Lovreglio
Quintet in b minor, Op. 1 15.
II. Adagio
Johannes Brahms
(18331897)
Divertimento, “Il Convegno”
(1 8411 90 7)
Amilcare Ponchielli
(18341886)
F ew com positions display the tenacity of Roma nticism better tha n the difficult,
somewhat problematic, but altogether remarkable DuettCmrcertino the last orchestral
work by Richard Strauss composed in 1947 for the Viennese bassoonist Hugo
Burghauser. In 1917 Strauss had hired the 21year old into the Vienna Philharmonic and
thirty years later, with the world of Romantic Vienna twice removed by the wreckage of
two world wars a nd Burghauser struggling as an exile in N ew York, Strauss presented his
friend with a n everlasting token of their friendship by which ‘you shall dance again’. .
The gift took the form of a d uetconcertino for clarinet a nd bassoon with
accompaniment of both full string orchestra and a solo string sextet. The work is based
loosely upon a fairy tale. in which a princess (clarinet) meets a beat (bassoon) who is (of
course) an enchanted prince, and after some initial difficulties (music superimposed in
both 4/4 and 6/4 time), the prince tells his tale in an eloquent soliloquy (Andante), is
transmogrified (brief cadenzas) and the happy couple, now harmonized, do indeed dance
off in an extended rondo. That the work is a com plex and largely private metaphor for
the persons, places and times shared by Strauss and Burghauser does little to diminish its
unique formal architecture and often rapturous beauty. It is equally an expression of
nostalgic reminiscence for the past, and hope for the furure.
�TP Note: For this performance I have found i t necessary to parse the piano reduction into a new
version for piano and organ, the original published version being both musically unsatisfactory and
unplayable! Thanks to J onathan & Pej!
nu–n nu–n n nu n–u..–n n–n n–n nu n–n...–n––n–n n n n n n n n n n n nu n n n nu n n n n
While the end of the eighteenth century proved to be something of a ‘golden age’ for
solo performers on wind instruments, the collapse of court and Imperial sponsorships
created the equivalent of a ‘food desert’ for woodwinds from 18301880, during which
time the ‘beast with 88 teeth’ consumed the attention of composers and the public alike.
That woodwind virtuosity was continuing to advance in spite of the dearth of sonata and
concerto is shown in the interesting subgenre of the opera fantasia. These were works
that utilized melodies from arias and ensembles of operas while they were then in
rehearsal for their premieres. Performers would cobble together a set of episodes, each
comprising the aria (in its original form) and an accompanying virtuoso variation.
Despite the obvious theft of materials, the widespread popularity of this arrangement
seemed to suit both parties; the composers got free publicity. which heightened interest
in the upcoming premiere among the public, and the performers attached themselves to
their more famous colleagues while making themselves known and solvent through
solo performances. Lovreglio, a Neopolitan flutist arguably even more obscure than
Cavallini, is remembered for this Traviata clarinet fantasia and three more, on Maria
Stuarda, Simon Boccanegm, and Un Ballo in Maschem.
Brahms’ biographer Jan Swafford sums up the mood of Brahms’ 1891 Clarinet Quintet
as “...the evanescent sweetsadness of autumn, beauti ful in its dying.” With this work. for
the only time in his li fe, Brahms brought his compositional powers to bear on exploiting
the timbral and tonal possibilities of an instrument other than the piano. The measured
and nuanced use of the low, middle and high registers came from hours of Brahms’
listening to the artistry of Meiningen clarinetist Richard Muhlfeld. No other work of the
age comes close to capturing so completely the soul of the instrument, from infinite
sweetness to dark melancholy to cries of an anguished spirit. In a period when Brahms
was increasingly losing his dearest friends to Death’s embrace, the incomparable slow
movement of the quintet moves from heaven to earth and heaven again. The
transcendent outer sections slowly spin out the liebeslieder of Brahms’ old age. Within
in the movement’s center the passionate ember of love still burns in a sweeping,
virtuosic Gypsy style that was so often employed for Brahms’ finales. although never
expressed in a more soloistic, personal way than here. While stripped of the embracing
support of the string quartet original, the movement with piano alone lays bare what
Malcolm MacDonald called “every superrefined shade of silvergrey regret,” Brahms in
love, even to the end of days.
No doubt about it Opera, like Academia, is a tough business. Having won a
professorship at the Milan Conservatory just out of school. political ‘considerations’
deprived Amilcare Ponchielli of what might have become his career in teaching. He
struggled with several marginally successful operas unti achieving worldwide fame with
La Gioconda (with its famous ‘dance of the hours’ made immortal by Disney hippos) in
1 876. Ponchielli did finally become a professor at Milan in l 8 8 I , where he served as one
o f the teachers o f the young Mascagni and Puccini. H is gi ft for woodwind writing came
from long years of earning his living as a bandmaster in Cremona and Piacenza, d
which time he composed over 200 works for banda. This was likely the impett
writing l l C
onvegna, usually translated as “ The Meeting. ” This has recently given wa
more romantic translation as “ The Tryst”, which seems more in keeping witl
amorous moods of the almost impossibly intertwined solo parts. And of course, wh
the activities of its protagonists, the opera house is never out of sight.
T. Perry, September
n – – – – – – – – n – n – – n – n n n n n – n – – n . . – – – – – – – – – – – – – – – – – – – – – – – – – – –
8c) ABOUT THE PERFORMERS (98
Dr. Timothy Perry is now in his twentyninth season as Professor of Mu’
Binghamton University. where he is Director of Orchestral Activities, lnstrun
Conducting and Professor of Studio Clarinet. A Wisconsin native, he attende
University of WisconsinMadison as a National Merit Scholar prior to graduating
distinction from the Manhattan and Yale Schools of Music where he studied C l
with Leon Russianoff and Keith Wilson and Conducting with Szymon Goldberg,
Mauceri, Arthur Weisberg and was teaching assistant to his principal teacher,
Werner Mueller. Dr. Perry taught at Bemidji State University system in Mint
directing the Bemidji Symphony Orchestra for five years prior to joining the BU f
in 1986. I n addition to directing BU ’s University Symphony and String Orchestra
Perry also directed the BU Wind Ensemble program from 19862005 and served :
Music Director of the Binghamton Community Orchestra from 19942004; h
returned to the B C O as Music Director in Fall 20 1 4, and continues to perform a
range of orchestral. opera and musical theater repertoire as Guest Conductor with
regional and international ensembles. Since 2005 Dr. Perry has led both the Bingha
Philharmonic and Catskill Symphony orchestras in concert, and with his BU ens<
has twice collaborated with New York’s renowned Paul Taylor Dance Company as v
working as Music Director with faculty and performers of DUOC in Santiago. Chi
binational productions of West Side Story and The ThreePenny Opera. As BU’s Profes
Clarinet he is active throughout the world as soloist, chamber musician and re:
including three appearances at the world conference of the International Cl.
Association and touring for the Department of State as United States M
Ambassador for Latin America and the Caribbean. He is Past President of the Nor
Division of the College Orchestra Directors’ Association and was a featured speal
the National C OD A Conference in Fort Worth Texas in January 20 1 4.
Margaret Reitz, pianist, is a native o f the Binghamton Area. She received her Ba
and Master of Music degrees in piano performance with accompanying emphasi
attended Boston University, New England Conservatory and Binghamton Universi!
has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and '
Ponce and accompanying with Allen Rogers. She has accompanied throughoi
United States, in England, South America, Spain and at the American lnstit
Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Pr
�by the United States Information Agency in partnership with the John F. Kennedy Center
for the performing arts. She was an official accompanist for the MTNA State and Eastern
Division Competition held at Ithaca College. She has been a guest cha mber music artist
in Morges, Switzerland. She also was selected to attend the Accompanying Workshop for
Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty
and Coaches. She was invited to the International Clarinet Conference to play a recital in
Tokyo, Japan. She was an official pianist at the International Double Reed Competition
and Convention in at Ithaca College and was invited to play at the Convention in
Birmingham, England and NYU with the Glickman Ensemble this past summer. She
recorded several CD’s with the Glickman Ensemble in Englewood, NJ. She performed
with the Glick man Ensemble on the Cornell Sum mer Series in J uly. She was selected to
accompanying at the Interpretation o f Spanish Music in conjunction with University of
Madrid in Grenada, Spain coached by Teresa Berganza and at Marines School of Music.
She was a Guest Artist playing two concerts in Granada, Spain and accompanied the
Barcelona Song Festival. She soloed with the Catskill Symphony at the Otesaga in
Cooperstown, NY under the direction of Charles Schneider. She has accompanied at The
International Spanish Music Festival in Madrid, Spain. She was the pianist for Theater
Street Productions on the Newport Music Festival Summer 2014. She is currently on the
faculty at Binghamton University since 1991 and Ithaca College School of Music since
1999 and SUNYBroome since 2014. She is the treasurer of the local District VII Music
Teachers Association and is an active adjudicator for the National Piano Guild
Organization.
Jonathan Biggers, hailed as “one of the most outstanding concert organ ists in the United
States,” maintains an active career as both a professor of organ and harpsichord, and as a
concert organist of the first order. He holds the prestigious Edwin Link Endowed
Professorship in Organ and Harpsichord at Bingham ton University (State University o f
New York), and has presented hundreds of concerts in church and university settings
throughout the United States, Canada, and Europe. Most recently, he presented the
opening concert for the National Convention of the American Guild of Organists held
in July 2010 in Washington D.C., performing for over 1600 organists. He has appeared
as a featured soloist with orchestras in both the United States and Canada, including the
Atlanta Symphony Orchestra and the Calgary Philharmonic Orchestra, and has been
featured frequently on NPR (“Pipedreams”), the Canadian Broadcast Corporation
(CBC), and on Radio and Television Suisse Romande broadcasts in Geneva, Switzerland.
Scott Cantrell, classical music critic of The Dallas News, stated that Biggers’ performances
demonstrate “authority and eloquence". and further stated “were there more performers
like this, the organ would be far less a minority interest".
Dr. Biggers studied with Russell Saunders (Eastman School of Music ; DMA); Lionel
Rogg (Conservatory of Music, Geneva, Switzerland; Fulbright study); J. Warren Hutton
( The University of Alabama; MM and BMus); and with Wallace Zimmerman (Atlanta;
precollege); he has also worked extensively with Harold Vogel (Bremen, Germany), and
with Arthur Poister (former Professor of Organ at Syracuse University). A prizewinner of
dozens o f competitions, he was notably awarded a unanimous first prize in the 1985
Geneva International Competition. one o f the most prestigious music compe titions in
the world; second prize in the 1982 American Guild of Organists National Organ
Playing Competition; and a unanimous first prize in the 1990 Calgary International
Organ Festival Concerto Competition, where he presented, with the Calgary
Philharmonic Orchestra, the world premier performance of Snowwalker: A Concerto for
Organ and Orchestra by Pulitzer prizeowinning composer Michael Colgrass. A champion
of new music for the organ, he has premiered other works by notable 20th and 21st
century composers such as Richard Proulx (Chicago: Concerto for Organ and Orchestra),
Craig Phillips (Los Angeles: Suite for Organ, Brass and Percussion), Persis Vehar (Buffalo:
Soundpiece for Organ), and David Brackett (Montréal: Nightworks for Organ solo).
Two highly acclaimed compact disc recordings of Dr. Biggers’ performances have been
released by Calcante Recordings (Sleepers Wake! A Reger Perspective, featuring five major
organ works by Romantic composer Max Reger; and Bach on the Fritts! , featuring major
organ works by Johann Sebastian Bach). Plans are also underway for the production of
several other CD releases in the future, including a recording of the complete organ
works of ].S. Bach, and a recording of organ music by Craig Phillips.
Martha Weber returned to teach bassoon at Binghamton University in 2006. She has
also taught bassoon at Hartwick College. Currently, she is the Sixth Grade Band
Director at Jennie F Snapp Middle School in the Union‘Endicort School District, where
she is a trained mentor to new teachers. I n 2 0 1 4, Ms. Weber received the Founders Day
Award for Excellence in Teaching. Ms. Weber is a Certified Adjudicator for Woodwinds
for NYSSMA. She received her Bachelor’s Degree of Music in Music Education and her
Master’s Degree in Bassoon Performance from Ithaca College. She has also done post
graduate work at the American Band College. Ms. Weber has studied bassoon with
Edward J. Gobrecht, Jr., David Ross and Julie Gregorian. Ms. Weber teaches bassoon
lessons, bassoon methods, bassoon reedmaking and small ensemble coaching at
Binghamton University. Performing experiences include the Binghamton Philharmonic,
TriCities Opera, Orchestra of the Southern Finger Lakes, Cayuga Chamber Orchestra,
Schenectady Symphony, Utica Symphony, BC Pops, Downtown Singers and various
small ensembles. She maintains membership in the National Association for Music
Educators (NAfME), New York State School Music Association (NYSSMA) and the
International Double Reed Society (IDRS) for which she has been a presenter.
Sarah Chandler is a member of the Binghamton Philharmonic, the TriCities Opera
Orchestra and the Cayuga Chamber Orchestra and has performed as substitute
clarinetist with the Glimmerglass Opera Orchestra. Her past orchestral experience
includes the Milwaukee Ballet Orchestra, the New World Symphony and the Spoleto
(Italy) Festival Orchestra. She was a prize winner at the International Clarinet Society
Competition three times and won the grand prize in 1988. She served as Lecturer of
Clarinet at Binghamton University from 2007 until 2013. She holds a BM from
Northwestern University, an MA from the University o f Iowa and an MLIS from the
University o f WisconsinMilwaukee. Her teachers include Russell Dagon, Robert
Marcellus and Clark Brody. She also has pursued a career as an academic librarian,
having most recently held positions at Binghamton University and Cornell University, in
the School o f Industrial and Labor Relations. She is proud to serve her fellow musicians
as current President of Binghamton Local 380, American Federation of Musicians and as
Delegate to the Regional Orchestra Players’ Association.
�Bi ngha m ton U niversity Music Depart ment’s
Coming Events
M a fi é o u é é o w é é – M é m a é m m é é n é é é é o
Friday, September 26 Piano blaster Class: Binghamton Philharmonic Orchestra 3:00 4:30
p.m. – Casadesus Recital Hall – free
Thursday, October] MidDay Concert 1:20 p.m. Casadesus Recital Hall free
Thursday , October 9 – MidaDay Concert – 1:20 p.m. – Casadesus Recital Hall – free
Saturday, October 11 Family Weekend Concert (Wind Symphony, Harpur Chorale and
Womenfs Chorus) 3 p.m. Osterhout Concert Theater free
Thursday, October 16 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall free
Friday, October 1 7
University Symphony Orchestra School Performance : We Like to Move I t !
l0 a.m. Osterhout Concert Theater Call (60 7) 7773004 for reservations
Saturday, October 18 University Symphony Orchesaa: We L ike to Move I t ! 3 p.m.
Osterhout Concert Theater $10 general public; $ 7 faculty/sta /seniors/alumni; $ 5 for students
Thursday, October 2 3 – AlidDay Concert – 1:20 p.m. – Casadesus Recital Hall free
Friday, October 24 TriCities Opera presents Verdi ’s Rigoletto 8:00 p.m. The Forum Theatre
– call (607) 7720400 for tickets
Saturday, October 25 Early On : Music from Now and Then 7:30 p.m. – Fine Arts Building,
Room 2 1 2 $ 5 general public, free for students
Sunday, October 26 – TniCities Opera p resents Verdi ’s Rigoletto 8:00 p.m. The Forum Theatre
– call (607) 7720400 for tickets
Thursday, October 3 0 MidDay Concert 1:20 p.m. Casadesus Recital Hall
Sunday, No vemberZ English and American Art songs 3 :00 p.m. Phelps Mansion, 191 Court Street,
Binghamton S10 general public; BU students free with lD – for reservations call the Phelps Mansion at
(607) 7224873. This concert is cosponsored by the Binghamton University Music Department and Phelps
Mansion Museum.
M é fi n é é fl a fi é – é m m n fi fi n fi é n é fi c fi b
For tickets or io be added to our email list, visit anderson.binghamton.edu or call (607) 777ARTS.
For a complete list of our concerts call (607) 7772592. visit music.binghamton.edu or become a
fan on Facebook.
If you were inspired by this performance. consider supporting the Department of Music with a
financial gift. Your support helps to continue the work of students. faculty. and guest artists and
their contributions to our community, P lease make your donation payable to the Binghamton
University Music Depanment, and send your check to BU Music Department. P.O. Box 6000.
Binghamton, NY 13902.
�
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1960's - present
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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45:24
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Incurable Romantics
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Works by Schubert, Piazzolla, Strauss, Lovreglio, Brahms. Held at 7:30 p.m., September 20, 2014, Watters Theater.
Creator
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Perry, Timothy
Reitz, Margaret
Biggers, Jonathan
Weber, Martha
Chandler, Sarah
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Binghamton University Libraries
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Schubert, Franz, 1797-1828
Piazzolla, Astor
Strauss, Richard, 1864-1949
Lovreglio, Donato
Brahms, Johannes, 1833-1897
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sound
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PDF Text
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BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
W
[4
D E P A R T M E N T
SOLARIS DUO
J oel Diegert, saxo phon e
Mariam Vardzelashvili, pia no
Sunday, September 7, 20 1 4
3:00 p.m.
Casadesus Recital Hall
�80 ABOUT THE PE RFORME R S 03
82) P ROG RAM 03
Six Metamorphoses after Ovid, Op. 49 .
. Benjamin Britten
1. Pan
(19131976)
11. Phaeton
III. Niobe
IV. Bacchus
V. Narcissus
VI. Arethusa
Sonata for Flute and Piano, Op.94 .
.Sergei Prokofiev
I. Moderato
II. Scherzo
III. Andante
(18911953)
IV. Allegro con brio
8:3 INTE RMISS ION (as
Ondine . 52048
Saa l
«eevee. Maurice Ravel
from Gaspard de la Nuit
Hermit Songs Op.29........
I. A t Sa i n t Pa tr ick ’s P u rga tory
11, Church Bell at Night
III. St. Ita ’s Vision
IV. The Crucifixion
VII. Promiscuity
X. The Desire for Hermitage
Lacrimosa .
(18751937)
.
Samuel Barber
(19101981)
Marilyn Shrude
(b. 1946)
The SOIARIS DUO was formed in 2008, and has since thrilled audiences
throughout Europe with their dynamic style and versatile programming.
Saxophonepiano duos are a rarelyheard chamber music group, but audiences
attending Solaris Duo concerts are always amazed by the instrument’s expressive
quality and versatility. In April 2011, the Duo was a prizewinner of biannual
Gaudeamus Interpreters Competition, where the jury proclaimed them to have a
“unique and lively sense of ensemble playing...” and “an ensemble in the highest
meaning of the word, functioning as a single expressive organism on stage.” The
Solaris Duo has performed concerts in many countries throughout Europe,
including France, Austria, Germany, N etherlands, Greece, Latvia, Lithuania,
Armenia, and Georgia. In upcoming seasons, the Duo continues to broaden its
international presence with performances throughout Europe and Asia.
Pianist MARIAM VARDZELASHVILI was born in Georgia and studied at the
Tbilisi State Conservatory until the age of 20, before moving to the U.S. to
complete her bachelors and masters degrees. She then lived in Paris for two years
before finally moving to Vienna. Mariam gave her first performance with the
Georgian National TV and Radio Broadcasting Orchestra at the age of 10. She
has been an active performer since then both as a soloist and a collaborative artist,
with extensive experience in solo vocal, instrumental, and choral music. Mariam
was a semifinalist in the 2012 Concert Artists Guild competition, and is a prize
winner of several competitions including the 2011 Gaudeamus Interpreters
Competition held in Amsterdam, the 2008 and 2009 Dr. Marjorie Conrad Peatee
Art Song Competition in Bowling Green, Ohio, the 1999 F. Chopin
lntemational Competition for Young Pianists, in Novi Sad, Yugoslavia, and the
1997 P. Konjevich Competition for Young Musicians in Belgrade.
Saxophonist JOEL DIEGE RT comes from New York and holds Bachelor’s and
Master’s degrees from Ithaca College and Bowling Green State University. After
completing his studies in the U.S., Joel moved to Paris for three years, and he is
currently based in Vienna. Joel has been successful in national and international
competitions, having won the 2006 North American Saxophone Alliance solo
competition, as well as prizes in the 2011 JeanMarie Londeix Saxophone
Competition held in Thailand, 2011 Gaudeamus Interpreters Competition held
in Amsterdam, and the 2009 Saxiana Chamber Music Competition held in Paris.
He has performed with the Thailand Philharmonic Orchestra, the Vermont
Philharmonic, Ithaca College Chamber Orchestra, and Ithaca College Wind
Ensemble, and has performed at nearly all the major saxophone conferences since
2004. Joel’s writing can be found in the July/August edition of Saxophone
Journal, and he maintains a saxophoneoriented blog, Hot for Saxophone.
�Binghamton University Music Departme nt’s
Coming Events
a fi é fi é f ’ é fl fi M M é fl é M M é fl fi M M O fi é fl
Saturday, September 6 Master Class with guest artist Joe l Diegert, saxophone and
Mariam Vardeeelashvili, piano 3 p.m. C‘asadesus Recital Hall free
Sunday, September 7 – Guest Artist Recital: Joel Dbgert, saxophone and Mariam
Vardezelashvili, pia no – 3 p.m. – Casadesus Recital Hall free
Saturday, September 13 Liederabend: Thomas Goodheart & Stephen Zank 7:30 p.m.
– Anderson Center Chamber Hall – $ 10 general public, $7 faculty/staff/seniors/abtmni; $5
students
Sunday, September 14 An Extraordinary Indian Operatic Ballet: Méghandootam, The
Cloud Messenger 4 p.m. Osterhout Concert Theater $20 general public; $15
faculty/staff/seniors/abtmni; $10 studen ts; free for B U s tudents with ID
Saturday, September 2 0 Incurable Romantics: Timothy Perry & Friends 7 :3 0 p.m.
Watters Theater – $ 1 0 general public; $7 faculty/staff/ seniors/alumni; $5 students
Friday, September 26 Piano Master Class: Binghamton Philharmonic Orchestra 3:00
– 4 :3 0 p.m. – Casadesus Recital Hall free
Thursday, October2 MidDay Con cert 1:20 p.m. Casadesus Recital Hall free
Thursday, October9 – MidDay G m c r t – 1 :20 p.m. – Casadesus Recital Hall – free
Saturday, October 11 Family Weekend Concert (Wind Symphony, Harpur Chorale
and Women’s Chorus} 3 p.m. Osterhout Concert Theater free
Thur sda y, Octo ber 1 6 – MidDa y Co n cert 1 :20 p.m. – Casadesus Recital Hall free
Friday, October 1 7 University Symphony Orchestra School Performance: We Like to
Move It.’ 10 a.m. Osterhout Concert Theater Call (607) 7773004for resermfimis
Saturday, October 18 – University Symphony Orchestra: We Li k e to Move I t ! – 3 p.m. –
Osterhout Concert Theater – $ 1 0 general public; $ 7 faculty/staff/seniors/alumni; $5 for students
M M M é fl é M M M M é fl Q fi M é fi é b
For tickets or to be added to our email list, v isit anderson.binghamton.edu or call (60 7 ) 777ARTS . For a
complete list ofourconcem call (607) 7 7 72 592, visit music.binghamton.edu or become a fan on Facebook.
[ = ] = [ = ]
[ = ] g
If you were inspired by this performance, consider supporting the Department of Music with a
financial gift. Your support helps to connnut the work of students, faculty, and guest artists
and their contributions to our community. Please make your donation payable to the
Birtghamton University Music Department, and send your check to E U Music Department,
P.O. Box 6000, Binghamton, N Y 1 3902.
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
101:42:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74931">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74931</a>
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Single
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Solaris Duo
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Britten, Prokofiev, Ravel, Barber, Shrude. Held at 3:00 p.m., September 7, 2014, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Dieger, Joel
Vardzelashvili, Mariam
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Britten, Benjamin, 1913-1976
Prokofiev, Sergey, 1891-1953
Ravel, Maurice, 1875-1937
Barber, Samuel, 1910-1981
Shrude, Marilyn
Date
A point or period of time associated with an event in the lifecycle of the resource
9/7/14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
28:53
27:34
26:32
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243667">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243667</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
A name given to the resource
Lenox String Quartet, recital, September 8, 1973
Recital Tape 1973-9-8
Description
An account of the resource
Works of Mozart, Dvorak, and Debussy. Held at 8:15 pm, September 8, 1973, Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
9/8/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f2516555c545edd942c36ed47e742a3f.jpg
2ee0baf4beab198e4fbf0c8defc1c3c5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AWP03
Title
A name given to the resource
Photograph of William S. Pike
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Portraits
Pike, William S..--Portraits
United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B
Description
An account of the resource
Oval portrait of William S. Pike mounted on card. Printed on the back 'F.R. Clench Photographer, New Ground Floor Studio, East Avenue LOCKPORT, N. Y. The negative of this picture will be preserved for 5 Years, Duplicate copies at reduced rates.' Original format: 1 photograph, 5 x 8 cm, mounted on card, 7 x 11 cm.
Creator
An entity primarily responsible for making the resource
Clench, F. R.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1862-1864
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection
Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (1 image)
image/jpg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
-
https://omeka.binghamton.edu/omeka/files/original/c22bcf97195e1cb9c0a16b91d1feaa60.jpg
2f84fcc570fd23a683344f6ff50a8d58
https://omeka.binghamton.edu/omeka/files/original/6b4a8d360da98cda6c3477ae7c9b46d5.jpg
c44f54118759e3e4989a55c8ffea71f5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Identifier
An unambiguous reference to the resource within a given context
AWP04
Title
A name given to the resource
Photograph of Emory Wilcox
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Portraits
Wilcox, Emory.--Portraits
United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B
Description
An account of the resource
Full figure photograph of Emory Wilcox in uniform, left hand resting on table. Backdrop is a painting of an army camp. Printed on the back of the card is 'Cartes de Visite' J.H. YOUNG, No. 231 Balto. St. cor Chas St. BALTIMORE MD. Original format: 1 photograph, 7 x 11 cm.
Creator
An entity primarily responsible for making the resource
Young, J. H.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1862-1864
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection
Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (2 images)
image/jpg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
-
https://omeka.binghamton.edu/omeka/files/original/5060549da8373d7c0f3f2ed5ef6d18ae.jpg
671211b79bff3afff67fbaaa0d22d368
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1f3a8e8d7a366405e5b85305b25214f1
https://omeka.binghamton.edu/omeka/files/original/c0291db49568a2bed4dcdde589f495a7.jpg
600cb5832ec1bbb88ee9aba95a42b7bc
https://omeka.binghamton.edu/omeka/files/original/d027c957155256e6a3905b6d3ac2b422.jpg
8d1379b81e23200946cb282644da2ab6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Envelopes addressed to Annie Wilcox.
Subject
The topic of the resource
Wilcox, Anna E.
Smyrna (N.Y.)
Envelopes (Stationery)
Description
An account of the resource
Four envelopes addressed to Anna Wilcox of Smyrna, NY. Not matched to any letters . Original format: 4 envelopes, 7 x 12 cm, 7 x 13 cm, and 9 x 14 cm.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1862-1868
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection
Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (4 images)
image/jpg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
AWE46
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
-
https://omeka.binghamton.edu/omeka/files/original/63282ca426c45d9ab44064c0ff580081.jpg
e347b6fd9b754103f132f2a79bc2d77f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photograph of Benjamin Leroy Pike
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Portraits
Pike, Benjamin Leroy.--Portraits
United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B
Description
An account of the resource
Portrait of Leroy Pike framed in an oval opening, mounted on card, and surrounded by embossed filigree. Original format: 1 photograph, 5 x 6 cm, mounted on card, 7 x 11 cm.
Creator
An entity primarily responsible for making the resource
Anonymous
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1863-1865
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection ; Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (2 images)
image/jpg
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
AWP05
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
-
https://omeka.binghamton.edu/omeka/files/original/cfb54cd38935251ff3cec25544b01eca.jpg
20057191d7489ad8d85925946dbced83
https://omeka.binghamton.edu/omeka/files/original/fd5ef6d0bce7c1156a5ca68f58c35a73.jpg
46ce68251bbf5bca0ebf47d5f657e895
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AWP06
Title
A name given to the resource
Photograph of Benjamin Leroy Pike
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Portraits
Revenue stamps--United States
Pike, Benjamin Leroy.--Portraits
United States. Army. New York Artillery Regiment, 8th (1862-1865). Company B
Description
An account of the resource
Portrait of Leroy Pike mounted on card. A two cent U.S. Internal Revenue stamp is on the back of the card. Original format: 1 photograph, 6 x 9 cm, mounted on card, 7 x 11 cm.
Creator
An entity primarily responsible for making the resource
Anonymous
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1863-1865
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection
Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (2 images)
image/jpg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
-
https://omeka.binghamton.edu/omeka/files/original/860eb4c98025a26817a48d6f32bca666.jpg
3f74d7daf362be39d7e4f9611df837ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AWP01
Title
A name given to the resource
Photograph of Anna Wilcox (Standing)
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Portraits
Wilcox, Anna E..--Portraits
Description
An account of the resource
Full figure portrait photograph of Anna Wilcox with right hand resting on the back of a chair. Original format: 1 photograph, 8 x 10 cm.
Creator
An entity primarily responsible for making the resource
Anonymous
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1864
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection
Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (1 image)
image/jpg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
-
https://omeka.binghamton.edu/omeka/files/original/4596788e11fc32e0eb5b680142df5f97.jpg
78ea6edb979af88dbe90de7ac5c62420
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anna E. Wilcox Family letters
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Personal narratives ; Soldiers--Correspondence.
Description
An account of the resource
The collection consists of 45 letters on 44 sheets, 8 photographs, 4 unassociated envelopes, and ancillary materials. Most of the letters were written between October 16, 1862 and August 10, 1865. Ancillary materials include the "scope and content" note, the "finding aid", and the "transcription note". Also, the ancillary materials include photocopies from the National Archives and Records Administration of the Military Service Records and Military Pension Records for William Pike, B. Leroy Pike, and Emory Wilcox (Service Record only).
Creator
An entity primarily responsible for making the resource
Wilcox, Anna E.
Pike, William S.
Wilcox, Emory
Pike, Benjamin Leroy
Pike, John
Pike, Ruth
Pike, Corintha
Pike, Mary J.
Stover, Benjamin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1862-1868
Rights
Information about rights held in and over the resource
<span>In copyright.</span>
Relation
A related resource
<a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/106">Binghamton University Libraries Special Collections, Anna E. Wilcox Family letters</a>
Language
A language of the resource
English
Type
The nature or genre of the resource
Text ; image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
AWP07
Title
A name given to the resource
Photograph of John Pike
Subject
The topic of the resource
United States--History--Civil War, 1861-1865--Portraits
Pike, John--Portraits
United States. Army--Pictorial works.
Description
An account of the resource
Portrait photograph of John Pike. Original format: 1 photograph, 6 x 9 cm, mounted on card, 7 x 11 cm.
Creator
An entity primarily responsible for making the resource
Anonymous
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
Approximately 1864
Rights
Information about rights held in and over the resource
http://www.binghamton.edu/libraries/special-collections/servicesandpolicies/docs/duplicationpolicy.pdf
Relation
A related resource
Anna E. Wilcox Civil War Collection
Binghamton University Libraries’ Civil War Collections
Format
The file format, physical medium, or dimensions of the resource
1 digital resource (1 image)
image/jpg
Type
The nature or genre of the resource
Image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1860-1869