161
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: Universal Viewer / Rosetta
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1 audio disc
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51:21:00
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145440">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145440</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday mid-day concert, April 7, 2011
Recital Tape 2011-4-7
Description
An account of the resource
Held at 1:20 p.m., April 7, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Teneriello, Lauren
Pittarelli, Zeno
Gaita, David
MacAvoy, Laura
Lawson, William James
Jiang, Jieun
Hsia, James
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-04-07
Rights
Information about rights held in and over the resource
In copyright
Type
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sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Rosetta audio media
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1 audio disc
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0:39:53
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253366&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253366&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
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Title
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Thursday mid-day concert, December 2, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004 12-2
Description
An account of the resource
No program. Performer listing from 2004-2005 academic year performances.
Held at 1:20 p.m., December 2, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lisi, Michaela
Mallinson, Chai-Kyou
Mattern, Melissa
Reitz, Margaret
Hochman, Leslie
Kratz, Mark
Alarcon, Amber
Maiolo, Georgetta
Grossman, Michelle
Hays, Leah
Holleran, Stephanie
Lai, Maneesha
Lean, Nicole
Lin, Subin
McMullen, Caitlyn
Nichols, Dawn
Silinonte, Lauren
Spiller, Valerie
Tate, Meghan
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
12/2/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/dfff34b3cd0fbfcd65047b625774d0d8.pdf
89314649581d799b67bd65581a1ba504
PDF Text
Text
BINGHAMTON
B E R S I T XY
Y
H N 1
STATE U N IVE R S I T Y OF N EW YO R K
ede
D E P A R T M E N T
THURSDAY
MIDDAY CONCERT
a
;
o (14
YS
RW b
K ;4
K ;4
b Y
\7’<
€/
THURSDAY
DECEMBER 2, 2010
1:20 P.M.
CASADESUS RECITAL HALL
�PROGRAM
Sonata for Trombone and Piano . . . . . . . . . . . . . . . . John Dangan
(1930–1999)
III. Rondo and Chorale
William Marsiglia, trombone
Pej Reitz, piano
J i n g l e B e l l s . . . . . . . . . . . . . . . . . . . . . . . . . . . J a m e s L o r d P i e rp o n t
arr. T. Blumenthal
erry Christmas. . . . . . . . . . . . . . 00 vi English
We Wisk Y o u M
arr. Alec Wilder
BU Low Brass Ensemble
Kerianna Krebushevski, soprano
ChaiKyou Mallinson, piano
Donald Robertson, director
Bill Marsiglia, Rob Menard, Drew Perotti, Mogana Jayakumar,
Trombone
Jay Bartishevich, Bass Trombone
Matt Gukowsky, Tuba
O Thou That Tellest Good Tidings to Zion . . . . . . . . . G. F. Handel
Rudolphus Rubrinasus . . . . . . . . . . . . . . . . . . . . . . J o h nn y Marks
Ve l v e tSh oes............................Ra n da11T h o mpson
(1899–1984)
Molly AdamsToomey, soprano
ChaiKyou Mallinson, piano
Christmas Candle. . . . . . . . . . . . . . . . . . . . .Eliner Remick Warren
Mary Burgess, soprano
William James Lawson, piano
)
(19001991)
Hannukah Prayer for Children . . . . . . . . . . . . . Ryan Brechmacher
and lan Pomerantz
. . . . . . . . . . . . . . . . Frederick Silver
The Twelve Days o f Christmas .
Members of the Harpur Chorale
Peter Brown, director
e
J o y T o T h e W o r l d . . . . . . . . . . . . . . . . . . . . . . . . . . . r e H
arr. T. Blumenthal
D e c k T h e H a l l s . . . . . . . . . . . . . . . . . . . . . . . . . . e . . . . . 0 l d Welsh
arr. T. Blumenthal
T h e F i r s t N o e l . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franz Gruber
arr. Alec Wilder
(19091985)
arr. Philip Brunelle
The Canterbury Choir
Willam James Lawson, piano
Peter Bush, Claude Cornwall, Benjamin Elling, Russell Feinstein
Kent Lo, David Pastor, Edward Shephard, Daniel Romberger
Wm. Clark Snyder, Shane Thorn, Joshua Thorpe, Phil Westcott
OHolyNight............................AdolpheAdam
Victoria Cannizzo, soprano
Jonathan Biggers, piano
teri Irin. «
i
n
t
Jonathan Biggers, piano
Pej Reitz, piano
ANGSSON
i RETO (1908–1975)
�Bingha mton Univers ity Music D epartme nt’s
U PCO M I N G E V E N T S
Thursday, December 2 — Harpur Chorale & Women’s Chorus — 8 p.m. —
Trinity Memorial Church, Binghamton — free
Friday, December 3 — Flu te Studio an d Flute Chamber Concert — 10:30
a.m. — Casadesus Recital Hall — free
Friday, December 3 — Compose r’s Concert ( students o f C hristopher L oy)
— 8 p.m. — Casadesus Recital Hall — free
Sunday, Dec ember 5 — W ind Sympho ny: American Variations, h onoring
veterans and serving mili tary — 3 p.m. — Anderson Center Chamber Hall —
free
Sunday, Dec ember 5 — V iolin Recital: Janey Choi, violin, Michael Salmirs,
piano and gu est artist Rebecca Ansel, violin — 7:30 p.m. — Casadesus
Recital Hall — $10 general public; $5 faculty/staff/seniors; $2 students
Thursday, December 9 — Jazz MidDay Concert wi th guest arti st — 1:20
p.m. — Osterhout Concert Theater — free (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
Thursday, December 9 — Harpur Jazz Ensemble Concert with g uest artist
— 8 p.m. — Osterhout Concert Theater — $10 general public; $5
faculty/staff/seniors; free for students (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
Friday, December 10 — Singing Chinese Class Recital jo ined by the
Beginning C hinese Flute Class — 7 p.m. — Casadesus Recital Hall — free
Saturday, December 11 — Amahl an d the Night V isitors — 3 p.m. & 5 p.m. —
Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for
families with 2 adults and 4 children)
Sunday, Dec ember 12 — Amahl and t he Night Vis itors — 3 p.m. & 5 p.m. —
Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for
families with 2 adults and 4 children)
Monday, Dec ember 13 — “Italian Nigh t” Class Rec ital (Maria Co ok,
Instructor) — 8:00 p.m. — Casadesus Recital Hall — free
For ticket information, p/ease cai/ the
Anderson Center Box Office at 777ARTS
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:50:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146414">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146414</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday Mid-day Concert, December 2, 2010
Recital Tape 2010-12-2
Description
An account of the resource
Works by Dangan, Thompson, Handel, Waren. Silver
Creator
An entity primarily responsible for making the resource
Marsiglia, William
Reitz, Margaret A
Krebushevski, Kerianna
Mallinson, Chai-Kyou
Adams-Toomey, Molly
Burgess, Mary
Lawson, William-Jacobs
Menard, Robert
Perotti, Drew
Jayakumar, Mogana
Bartishevich, Jay
Gukowsky, Matthew
Bush, Peter
Cornwall, Claude
Elling, Benjamin
Feinstein, Russel
Kent, Lo
Pastor, David
Shephard, Edward
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-02
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/7cf956a38de6d2c50846f06b94c0936b.pdf
08bfa56bc7a15f1b9455782b92a0b408
PDF Text
Text
BINGHAMTON
U N IV E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
wdee
[4
D E P A R T M E N T
a}
T H U R S D AY
M I D D AY C O N C E R T
L
\ \ \
Fhnemrsday., F e b r u a r y 2 0 , 2 0 0 9
F220 p . m .
Casad esus D e c i ta l F a l l
�PROGRAM
Romance and Rondo
Stephen Brooks, bass
Margaret Reitz, piano
Suite No. 1 for Solo Cello, Op. 72 (1965) .
Canto : Sostenuto e largamente
Fuga: Andante moderato
Lamento : Lento rubato
Turn round, keep turning, good wooden horses,
Turn a hundred times, turn a thousand times,
. Benjamin Britten
(1913–1976)
Just as the rain on the city,
Sonata for Viola and Piano in D Minor..........
Mikhail Glinka
Allegro moderate
(1804–1857)
Larghetto ma non troppo
compl. V. Borisovsky
Sarah Sterling, viola
Margaret Reitz, piano
Ariettes oublICes o
i
II. IL pleure dans mon coeur
IV. Paysages belges – Chevaux de bois
i Claude Debussy
(1 8621 91 8)
What is this languor
That pierces my heart?
O soft sound of the rain
On the ground and on the roofs!
For a heart that is weary,
O the sound of the rain!
There is weeping without reason
In the heart that is dejected
What ! No treason?
This sorrow is without reason.
Truly the worst pain
Is not to know why,
Without love and without hatred
My heart has so much pain.
Elizabeth Sterling, soprano
ChaiKyou Mallinson, piano
La Fille aux Cheveux de Lin
arr. Arthur Hartmann
Children ’s Corner: VI. Golliwogg ’s CakeWalk
arr. Jascha Heifetz
Ariettes oubliées: II.
IL pleure dans mon Coeur
(There is weeping in my heart)
There is weeping in my heart
Stephen Stalker, cello
.Claude Debussy
Claude Debussy
Elizabeth Sterling, violin
Margaret Reitz, piano
Sonata for Viola and Pigne & . . . . c . . . . . . i i i v i i Rebecca Clarke
Impetuoso
(1886–1979)
Roberta Crawford, viola
Michael Salmirs, piano
Ariettes oubliées: IV.
Paysages belges – Chevaux de bois
(Wooden Horses)
F ranz Joseph Keyper
(17561815)
James R. Briscoe
Turn often and do not stop,
Turn round, turn to the tune of the oboes.
The child quite red and the mother white,
The boy in black and the girl in rose,
Each one doing as he pleases,
Each one spending his Sunday penny.
Turn round, turn, horses of their choice,
While at all your turning
The sly rogue casts a surreptitious glance.
Keep turning t o t he tune o f t he victorious trumpet !
It is ast ounding h o w it intoxic ates you,
To move thus in this foolish circus,
With empty stomachs and dizzy heads,
Feeling altogether badly, yet happy
in the crowd;
Turn, hobby horses, without needing
Ever the aid of spurs
To make you gallop on.
Turn round, turn, without any hope of hay,
And hurry, horses of their fancy,
Here, alreaay the supper bell is sounded
By Night, which falls and disperses the crowd
Of gay drinkers, whose thirst has made them
Jamished.
Turn, turn round! The velvet sky
Arrays itself slowly with golden stars.
The church tolls a mournful knell
Turn to the gay tune of the drums, keep turning.
Edith Braun, Waldo Lyman, and Kay Maunsbach
�Comnig CCuenst
Thursday, February 2 6 ” G
uest Artist: Dr. Hal Reynolds, trombone,
Casadesus Rectal Hall, 8:00 PM, FREE
Friday, F ebruary 2 7 ” Organist
Jonathan Biggers A Bach
Celebration!!! Series, Fine Arts Room 21, 8:00 PM, $$
Thursday, March 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, March 5 % Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 8:15 PM, $$
Saturday, March ” University Symphony Orchestra: Echoes of the
East – Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$
S u n d a y, March 8 ” University Wind Symphony, 3:00 PM, FREE
Anderson Center Chamber Hall
Thursday, March 1 2 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Saturday, March 1 4°" Student Recital: Gregg Ackerman, clarinet.
Casadesus Recital Hall, 3:00 PM, FREE
Saturday, March 1 4 ” Master’s Recital: Heather Montana, soprano,
Casadesus Recital Hall, 8:00 PM, FREE
S u n d a y, March 1 5% Guest Fortepiano Concert: Stefania Neonato,
Casadesus Recital Hall, 3:00 PM, $$
S u n d a y, M arch 1 5 ” Master’s Recital: Sibongile Boyd, soprano,
Casadesus Recital Hall, 6:30 PM, FREE
For ticket information, please call the
Anderson Center B ox O ffice
at 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
58:35
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday Mid-day Concert, February 26, 2009
Recital Tape 2009-2-26
Description
An account of the resource
Works of Keyper, Britten, Glinka, Debussy, Debussy, Clarke. Held at 1:20 p.m., February 26, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Brooks, Stephen
Reitz, Margaret
Stalker, Stephen
Sterling, Sarah
Sterling, Elizabeth
Mallinson, Chai-Kyou
Crawford, Roberta
Salmirs, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-02-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/d968924e9bf404c5a42877761e9ac462.pdf
71186227d9e048effa14f5fb2988b3e2
PDF Text
Text
U N I V i at ; i ,
X E ff : 1 \
BU INNI GV HE
V "
1
0257: 2
R S I T Y
State University of New York
.\
$ . .
.
Binghamton University Department of Music
TH U RS DAY MID DAY CO NC E RT
\
id
March 1, 2007 – 1 :20 p.m. Casadesus Recital Hall
Icibas!a dc sare.
B
.............Gabriel Faure
(18451924)
Les berceau x
Jessica Bar kley, soprano
Jod y Schum, piano
Gabriel Faure was an influential french composer, organist, pianist and teacher. Often considered to be the master of
the French a rt song, Faure’s graceful melodic lines, simple strophic forms and masterful accompaniments influenced
many composers. His style embodied the French style of music. His text painting ability and affinity for choosing
meaningful poetry was second to none. These three early Faure pieces include poetry from Nobel Prize winner Sully
Prudhomme, a French poet and essayist.
leihas! H e re Below
Here below all the lilacs die,
All the songs of the birds are short,
l dream of summers that remain
Forever!
Here below lips touch lightly
Without leaving any o f their velvet behind,
I dream of kisses that remain
Forever!
A u Bord de I’eau At the water ’s edge
To sit together beside the passing stream
and watch it pass ;
i f cloud glides by in the sky,
together to watch it glide;
but, having no deep passion
except adoration for one another,
without concern for the world’s quarrels,
to ignore them; and alone together, in the face
of all wearying things,
unwearyingly, to feel love (unlike all things
that pass away) not passing away
Les berceau x The C radles
Along the quay, the great ships,
that ride the swell in silence,
take no notice of the cradles.
that the hands o f the women rock.
But the day of farewells will come,
if a thatched house sends up smoke on the horizon,
to watch it smoke;
i f flower spreads fragrance nearby,
when the women must weep,
and curious men are tempted
towards the horizons that lure them!
under the willow where the water murmurs,
And that day the great ships,
sailing away from the diminishing port,
feel their bulk held back
by the spirits of the distant cradles.
to ta ke o n its fragra nce ;
to listen to it m u rm u ri ng ;
for the time that this d ream endures,
not to fee l its d urat ion ;
�Chanson d’Avril
Apres I’hiver
Ouvre ton coeur
..Georges Bizet
(18381875)
Ma ry Aimoniotis, soprano
Margaret Reitz, piano
George Bizet, best known for his opera Carmen, also wrote many wonderful French art songs. These three mélodies
represent my admiration for springtime. “Chanson d‘Avril” sets the mood of this set with its wonderful, clear and
bright accompaniment, which represents the buzz of the earth before all the flowers and animals awaken. The
second piece, “Apres I’hiver” describes how all the earth’s creatures awaken, and with them, love. The set ends with
“Ouvre ton coeur", a rhythmical explosive piece describing the chase of love.
Chanson d’Avril
(Song of April)
Wake up! Wake up! Spring has just been bo rn!
Over those valleys a rosy mist is floating!
Everything in the garden trembles and sings ; your
window is full of sunshine, like a joyful gaze.
Around the bunches of purpleflowering lilac
butterflies and bees flutter and hum togethe r,
and the little shaking bells of lilyoftheval ley
have woken up Eros who was sleeping in the woods.
Now that April has scattered its white daisies,
go without your heavy cloak and coldweather muff!
The birds are already calling you, and the periwinkles
(your sisters) will smile in the grass when they see your
blue eyes.
Let’s get going! The stream is clearer in early mo rning.
Get up! Let’s not wait for the day’s burning heat.
I want to wet m y feet in the moist de w and talk to you
of love under the blossoming peartrees.
Apres L ’hiver
(After winter)
All awaken, my dear friends, The grey sky is
loosing her paleness.
When the earth gives o ff her fragrance the hear of
men is best.
Come, come an invisible flute sighs its song in the
groves.
The most tranquil song is the song of the shepherds
The air intoxicates me, it wraps its arms aro und my neck
victorious!
It blows through the blooming rose trees, that awaken the
sighs in our hearts
Come, come the wind rides the somber mirror of the water
under the oak tree.
The song the most joyous is the song of the birds.
With clarity and perfume we happily bathe out hearts. In
the supreme emanations. Elements in love.
Come, come we love always there is not torment.
The song the most charming is the song of love.
Come, come we love always!
Ouvre ton coeur
(Open yo u r hea rt )
The daisy has closed its petals,
The shadow has closed its eyes for the day.
Beauty, will you speak with me?
Open your heart to my love.
Open your heart,
oh young angel, to my flame
So that a dream may enchant your sleep.
I wish to reclaim my soul,
As a flower t urns to the sun!
�Sonata in E flat, Op. 120, No. 2 » cere ssssnmsrsesinnicrsinonnssssessonisemmnssnnissd Brahms
(18331897)
Andante Con Moto
Melissa Lee, viola
Michael Salmirs, piano
The Sonata in E flat is one of the last pieces by Brahms. It was a time of despair in which Brahms had decided to
stop composing entirely, noting in his will that all his music be “left behind in manuscript [and] burnt”. Through the
support of clarinetist Richard Mfihlfeld, Brahms began composing again, dedicating to him the E flat Sonata.
Although this piece was originally written for the clarinet, the viola sonata is not a transcription but an actual piece
that Brahms himself adapted for the viola. The viola sonata may also have been inspired by another friend of his,
violinist Joseph Joachim, who Brahms confessed to, saying that “. . .both pieces are perhaps still a litle awkward and
unsatisfactory as viola sonatas”. This third movement, a theme and variation form, is the last movement of the
sonata.
°
Selections from Wesendonk Lieder ........
Im Treibhaus
Traume
Elizabeth Du hr, mezzosoprano
Margaret Reitz, piano
Richard Wagner
(18131883)
These two songs from Wagner’s set of five “Wesendonk Lieder” were written between 1857 and 1858. The poetry is
that of Mathilde Wesendonk, said to be Wagner’s lover at the time. Both “1m Treibhaus” and “Traume” were written
as studies for Wagner’s later operatic composition, “Tristan und Isolde.” Wagner initially wrote the songs for female
voice and piano alone, but produced a fully orchestrated version of “Tridume", to be performed by chamber orchestra
under Mathilde’s window on the occasion of her birthday on December 23, 1857. The cycle was first performed in
public near Mainz on July 30, 1862 under the title “Five Songs for a Female Voice.”
Im Treibha us (In the Hothouse)
Highvaulted crowns of leaves,
Canopies of emerald,
You children of distant zones,
Tell me, why do you lament?
Tra ume (Dreams)
Tell me, what kind of wondrous dreams
are embracing my senses,
that have not, like seafoam,
vanished into desolate Nothingness?
Silently you bend your branches,
Draw signs in the air,
And the mute witness to your anguish
A sweet fragrance rises.
Dreams, that with each passing hour,
each passing day, bloom fairer,
and with their heavenly tidings
roam blissfully through my heart!
In desirous longing, wide
You open your arms,
And embrace through insane predilection
The desolate, empty, horrible void.
Dreams which, like holy rays of light
sink into the soul,
there to paint an eternal image:
forgiving all, thinking of only One.
A
I know well, poor plants,
A fate that we share,
Though we bathe in light and radiance,
Our homeland is not here!
Dreams which, when the Spring sun
kisses the blossoms from the snow,
so that into unsuspected bliss
they greet the new day,
And how gladly the sun departs
From the empty gleam of the day,
He veils himself, he who suffers truly,
In the darkness of silence.
so that they grow, so that they bloom,
and dreaming, bestow their fragrance,
these dreams gently glow and fade on your breast,
and then sink into the grave.
It becomes quiet, a whispered stirring
Fills uneasily the dark room:
Heavy drops I see hovering
On the green edge of the leaves.
�
Dublin Core
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:39:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196769">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196769</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday mid-day concert, March 1, 2007
Recital Tape 3-1-2007
Description
An account of the resource
Held at 1:20 p.m., March 1, 2007, Casadesus Recital Hall. Program includes translations for songs. Works of Fauré, Bizet, Brahms, Wagner.
Creator
An entity primarily responsible for making the resource
Barkley, Jessica
Schum, Jody
Aimoniotis, Mary
Reitz, Margaret
Lee, Melissa
Salmirs, Michael
Duhr, Elizabeth
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-01
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In copyright
Type
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sound
IIIF Item Metadata
UUID
92d4c40c-bf94-42ed-9d35-13a92bc7e425
-
https://omeka.binghamton.edu/omeka/files/original/7631c43b41952ad097f8f44f9ad354f7.pdf
cdc97c69ec74ad6efff33dedb9077381
PDF Text
Text
lU
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State University of New York
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Binghamton University Department of Music
C
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THURSDAY MIDDAY CONCERT
March 10, 2005 – Casadesus Recital Hall
Lucia di L
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a
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Nachtgang
Zueignung,
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Richard Strauss
(18641949)
Leslie Hochman soprano
Margaret Reitz, piano
a
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m
m
m
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o
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Scene and Aria: Regnava nel silenzio...
Gaetano Donizetti
(1797 1848)
Lucia – Nili Riemer soprano
Alisa – Ivy Gaibel mezzosoprano
The Magic Fl ute W
f
l
o
g
a
n
Quintet: Hm,Hm,Hm...
g Amadeus Mozart
(1756 1791)
Papageno – Andrew Sudduth baritone
Tamino – Mark Kratz tenor
1* Lady – Julia Ebner soprano
ady – Stefanie Sudduth soprano
2”L
3” Lady – Ivy Gaibel mezzosoprano
R
R
Les Roses D ’Ispahan
Notre Amour
Fleur Jetée
R
Timothy Fallon – tenor
Carol Wong piano
The M e rry Wives of Windsor .....................
Opening Duet
Gabriel Fauré
(18451924)
Mistress Ford – Julia Ebner soprano
Mistress Page – Melisse Weber mezzosoprano
..Otto Nicolai
(1810 1849)
�Translations Faure
Mandoline
The givers of serenades
And the lovely women who listen
Exchange insipid words
Under the singing branches.
There is Thyrsis and Amyntas
And there’s th e eternal Clytander,
And there’s Damis who, for many a
Heartless wom an, wrote man y a tender
verse.
Their short silk coats,
Their long dresses with trains,
Their elegance, their joy
And their soft blue shadows,
Whirl around in the ecstasy
O fa pink and grey moon,
And the mandolin prattles
Among the sh ivers from the breeze.
Paul Verlaine
Les Roses D ’Ispahan
(The roses of lspa han)
The roses of Ispahan in their sheath of
moss,
the jasmines o f Mosul, the orange
blossoms,
have a fragran ce less fresh, an aroma
d ess sweet,
O pale Leila, than your light breath!
“ Your lips a re coral and your light
laughter
has a softer and lovelier sou nd than
rippling wate r,
lovelier than the joyous breeze that
rocks the orangetree,
lovelier than the bird that sings near its
nest of moss.
O Leila, ever since in their airy flight
all the kisses have fled from your lips
so sweet,
there is no longer any fragrance from
the pale orangetree,
no heavenly aroma from the roses in
the moss.
Oh, if only your youthful love, that
light butterfly,
would return to my heart on swift and
gentle wings,
and perfume once more the orange
blossom
and the roses of Ispahan in their sheath
of moss.
CharlesMarieRené Leconte de Lisle
Notre A mour
(Our love)
Our love is something light
like the perfum es which the breeze
brings from th e tips of ferns
for us to inhale as we dream.
Our love is something light.
Our love is something enchanting
like the morning’s songs
in which regrets are not heard
but uncertain hopes vibrate.
Our love is something charming.
Our love is something sacred
like the forests’ mysteries
in which an unknown soul quivers
and silences have voices.
Our love is something sacred!
Our love is something infinite
like the paths of the evening,
where the ocean, joined with the sky,
falls asleep under slanting suns.
Our love is something eternal
like all that has been touched
by the fiery wing of a victorious god,
like all that comes from the heart.
Our love is something etern al!
Armand Silvestre
Fleur Jetée
(Discarded flower)
Carry off my folly
at the whim o f the wind,
oh flower which I picked while I sang
and threw away as I dreamed.
Carry off my folly
at the whim of the wind!
Like flowers scythed down,
love dies.
The hand that once touched you
now shuns my hand forever.
Like flowers scythed down,
love dies.
May the wind that withers you,
oh poor flowe r,
a moment ago so fresh
and tomorrow all faded.
May the wind that withers you
wither my heart!
Armand Silvestre
Translations Strauss
Standchen
(Serenade)
Open up, open up, but softly my dear,
So as to wake no one from sleep.
The brook hardly murmers, the wind
hardly shakes
A leaf on bush or hedge.
So, softly, my maiden, so that nothing
stirs,
Just lay your hand softly on the door
latch.
With steps as soft as the footsteps of
elves,
Soft enough to hop over the flowers,
Fly lightly out into the moonlit night,
To steal to me in the garden .
The flowers are sleeping along the
rippling brook,
Fragrant in sleep, only love is awake.
Sit, here it darkens mysteriously
Beneath the lindens,
The nightingale over our heads
Shall dream of our kisses,
And the rose, when it wakes in the
morning,
Shall glow from the wondrous passions
of the night.
Nachtgang
(Night Walk )
We walked through the silent, mild
night,
Your arm in mine, your eyes in mine.
The moon poured silver light upon
your face,
As though gold rested on your
beautiful head.
And you appeared to me an angel,
Mild, mild and great and overflowing
with soul,
Holy and pure like the dear sun.
And in my eyes swelled urgent
warmth,
As of threatening tears.
I held you tighter and kissed you,
kissed you ve ry softly.
My soul wept.
Zueignung
(Blessing)
Yes, you know it, dearest soul,
How I suffer far from you,
Love makes the heart sick,
Have thanks.
Once I, drinker of freedom,
Held high the amethyst beaker,
And you blessed the drink,
Have thanks.
And you exorcised the evils in it,
Until I, as I had never been before,
Blessed, blessed sank upon your heart,
Have thanks.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:22:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243855&change_lng=en</a>
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Title
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Thursday mid-day concert, March 10, 2005
Description
An account of the resource
Works of Strauss, Donizetti, Mozart, Fauré, Nicolai. Held at 1:20 p.m., March 10, 2005, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Hochman, Leslie
Reitz, Margaret
Riemer, Nili
Gaibel, Ivy
Sudduth, Andrew
Kratz, Mark
Ebner, Julia
Sudduth, Stefanie
Fallon, Timothy
Wong, Carol
Weber, Melisse
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-3-10
Rights
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/108e8865e51ce951de73adaeab49569d.pdf
e40435174e852164abf912ca53fad1bc
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N E W Y O R K
I
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[4
D E P A R T M E N T
T HURSDAY
M I D D AY C
ONCERT
S
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T h u r s d a y, M
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Casadesus D e c i t a l r a n
�PROGRAM
TRANSLATIONS
FanlaS/e
FANIDDR CRUDE
(18791941)
Sarah Fenster, clarinet
Margaret Reitz, piano
Sonata 1963...........
I. Slow and Peaceful
II. Moderate 4Swing
III. Molto Adagio
.. Frank Proto
(b. 1941)
IV. Allegro energico
Stephen Brooks, double bass
Margaret Reitz, piano
(16851750)
......... Frederic Chopin
(18101849)
Mengru Zeng, piano
. Johannes Brahms
(18331897)
Stephen Kong, piano
An die MUS/k
Auf dem Wasserzu singen
Friihlingsglaube
Franz Schubert
(17971828)
Franz Schubert
(17971828)
MONINBERAL
R O D E S c h u m a n n
(18101856)
N AV Y ccc n i n e s o r s s s s s i n m n s s s o p p m m n p Kapralove
(19151940)
Nocs Byla Kra’sna’. . ..
Josef Suk
(18741935)
Sibongile Boyd, soprano
Margaret Reitz, piano
Nacht und Traume
(Night and Dreams)
by David Gordon
Holy night, you sink down;
Dreams, too, drift down
Like moonlight through space,
Through the quiet hearts of men;
Often has a sigh. flowing from your harp,
A sweet, holy chord from you
Unlocked to me the heaven of better times,
You dear art, I thank you for that!
They listen with delight
Calling out when day awakens:
Return, holy night!
Fair dreams, return!
Auf d em Wasser z u s ingen
(To be sung on the water)
Mondnacht
(Moonlight Night)
Glides, as swans do, the wobbling little boat;
Ah. on the softshimmering waves of joy,
Glides the soul there like the boat;
Then from the heavens down on the waves
Dances the evening’s red glow around the
boat,
Over the treetops of the westerly wood
The red glow winks to us friendily,
Under the boughs of the easterly wood rustle
the reeds in the reddish shine;
Joy of the heavens and peace of the woods
Breathes the soul, in the reddening shine.
Ah, with dewy wings, time vanishes
From me, on the rocking waves.
Tomorrow, time flies on shimmering wings,
Again, like yesterday and today,
Until I, on higher sparkling wings
Myself will vanish in the changing time.
Frtihlingsglaube
(Springfaith)
Briana Sakamoto, soprano
William James Lawson, piano
NACHE ITE Traume
Have you kindled warm love in my heart,
Have you moved me to a better world!
Text: Graf zu Stollberg
Amid the shimmer of the mirroring waves
Prelude and Fugue in Cminor (WTC I)....... ...........uuue...... Bach
Rhapsodie (Op. 79 No. 1 )
Text: Franz von Schober
You dear art, in how many gray hours,
Where I was ensnared in life’s wild circle,
SR
Etude (Op. 1 0 No. 5)
An die Musik
(To Music)
by Edith Braun and Waldo Lyman
It seemed as if the sky
Had silently kissed the earth,
That she in the shimmer of blossoms
Could only dream of him.
The breeze blew over the fields,
The grain stalks gently surged,
The forests rustled softly,
So starbright was the night.
And my soul unfolded its pinions so wide,
Flew over the silent lands,
As if it were flying home.
Navdzy
(Forever)
by Timothy Cheek
Wild geese fly south
Some will leave and will return again
Some will leave and will never return.
I don’t know if somewhere sky is more
Beautiful than with us.
But you would not count more stars anywhere
When the night is clear.
Text: Ludwig Uhland
The gentle breezes are awake,
They rustle and waft day and night,
They are at work everywhere.
Nocs Byla Krasna
(The Night Was Beautiful)
Now, poor heart, be not afraid!
Transparent as if to see the heavens.
That song, that fragrance, and that humming
Charmed the heart in a magical way.
O pity that you are not present,
You would have heard with me
O fresh scent, o new sound!
Now must everything, everything change.
The world grows Iovelier with every day,
One does not know what yet may come to be,
The flowering will not end;
The farthest. deepest valley blooms,
Now, poor heart, forget your pain!
Now must everything, everything change.
by Timothy Cheek
The night was beautiful,
How everything, everything around
Narrates such gentle speech.
How the whole universe in one song
Which streams from the breast
How weak is the voice that flows
Only from the human heart.
�Saturday, M arc h 1 4 ” Student Recital: Gregg Ackerman, clarinet,
Casadesus Recital Hall, 3:00 PM, FREE
S a t u r d ay, M a r c h 1 4 ” Master’s Recital: Heather Montana, soprano,
Casadesus Recital Hall, 8:00 PM, FREE
Sunday, Marc h 1 5% Guest Fortepiano Concert: Stefania Neonato,
Casadesus Recital Hall, 3:00 PM, $$
Sunday, Marc h 1 5 ” Master’s Recital: Sibongi/e Boyd; soprano,
Casadesus Recital Hall, 7:30 PM, FREE
M o n d ay, M a r c h 1 6 ” Master Class with Guest Fortepiano Artist
Stefania Neonato, 7:30 – 8:45 PM, Casadesus Recital Hall, FREE
Wednesday, M a rc h 1 8 ” Master Class with Jazz saxophonist
Maceo Parker, 4:00 PM, Osterhout Concert Theater (Cosponsored by the
Music Department and the Harpur Jazz Project)
Wednesday, March 1 8 ” Jazz saxophonist: Maceo Parker
Osterhout Concert Theater, 8:00 PM, $$, (Cosponsored the Music
Department and the Harpur Jazz Project)
Thursday, March 1 9 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, M a rc h 1 9 ” Harpur Chorale and Women is Chorus: A
Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM,
FREE
Fr i d ay, M a r c h 2 0 ” Percussion Duo: Mike Correa and Gene
Koshiniski, Casadesus Recital Hall, 8:00 PM, FREE (cosponsored by the United
States Air Force Band and the Binghamton University Department o f Music)
S a t u r d ay, M a r c h 2 1 ° Master’s Recital: Stephen Brooks, bass,
Casadesus Recital Hall, 8:00 PM, FREE
For ticket information, please call the
Anderson Center Box Ofl‘ice
at 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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1 audio disc
Duration
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39:43
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149060">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149060</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Thursday Mid-day Concert, March 12, 2009
Recital Tape 2009-3-12
Description
An account of the resource
Works of Gaubert, Proto, Bach, Chopin, Brahms, Schubert, Shumann, Kapràlovà, Suk. Held at 1:20 p.m., March 12, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Fenster, Sarah
Reitz, Margaret
Zeng, Mengru
Kong, Stephen
Sakamoto, Briana
Lawson, James, William
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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43:22:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190123">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE190123</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday mid-day concert, March 13, 2008
Recital Tape 2008-3-13
Description
An account of the resource
Program has incorrect date, March 20, 2008.At head of title: Works of Strauss, Donizetti, Rossini, Mozart.Held at 1:20 p.m., March 13, 2008, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Boyd, Sibongile
Zbrzezny, Ariana
Kucera, jana
Zito, Jacqlyn
Callas, Michael
Moots, Jonathan
McCormick-Knox, Danielle
Lavonier, Stephen
Isenberg, John
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2008-03-13
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
6aebc077-ea58-4946-846f-6f72cf0fda66
-
https://omeka.binghamton.edu/omeka/files/original/f1bd7ad0e11dbeb6447baf98a5713791.pdf
10037eeb9b8e23ce5378e7beb9f6f88e
PDF Text
Text
or .
D N I V R
A
Recor al
Ya
1
L
C
C
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o O Ny)
y
As
\ ©
J
“
K
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State University of New York
x
Ln
AMT(
Binghamton University Department of Music
'
THURSDAY MID–DAY CONCERT
5X <C COL
March 1 5, 2007 – 1 :20 p.m. Casadesus Recital Hall
Bel piacere
O bellissimi c
a
p
e
l
l
i
A
n
Vaghe stelle.....
.....George Frideric T R
(1685 1 759)
d
r
e
aT E
(1 585 1 656)
..Francesco Cavalli
(1602 1 676)
Miria m A. Wright, sopra no; Ma rga ret Reitz, pia no
Bel piacere
‘Tis great pleasure to enjoy,
to enjoy a faithful love!
This makes the heart content.
The splendor of beauty has no value if
it does not come from a faithful heart.
Vaghe stelle
Lovely stars, beautiful eyes, do not sleep.
Open the serenity of your beautiful eyes.
Let the god of love fling his arrows into my bosom.
Eyes, oh open your beautiful bright glances.
O bellissimi capelli
Oh most beatiful hair,
My sweetest delights!
Lovely little serpents curling into little rings,
you fall upon rosy cheeks.
Dark tresses where hides the winged archer in ambush:
blond locks must yield to your black tresses which playing around your face
are night, and your eyes are the day.
In Alto Mare (from Sei Melodie)..
Latoya Lewis, soprano; Ma rga ret Reitz, pia no
ln alto ma re
The sail is torn,
the anger of the waves gives no mercy.
Now the clouds have broken the last antenna,
Lord have mercy!
For the arrows of heaven resound,
splittin here and there;
«eee. Ottorino Respighi
(1879 1936)
His roaring throat opens the abyss;
Lord have mercy!
Hope flees from the choruses; Death is here!
Not even a shadow of a soul in in the distance;
Lord have mercy!
Che faro senza Euridice...(Orfeo)
Christoph Willibald von Gluck
(1714 1787)
Aria na Zb rzezny, mezzosopra no; Ma rga ret Reitz, piano
Orfeo is despondent and desparate, having lost his wife for the second (and final) time. When Euridice first died,
Orfeo used his famed power of music to soflen the heart of Pluto, lord of the underworld, and succeeded in freeing
her from Hades, on the condition that he not look back at his wife until they reach the outer world once again.
Euridice, however, not understanding this c ondition pleads and berates her love to look at her, and Orfeo, distracted,
turns to her only to watch her dissolve slow ly into the realms o f death. In this lament he calls out to her pleadingly
but to no avail, for she is lost forever and there is no help or counsel from either heaven or earth.
(please turn over)
�Two Shakespeare Songs
O Mistress m ine
Blow, blow, thou winter wind
IDGET O i l e r
(1 877 1 953 )
Soon Young Pa rk, baritone ; ChaiKyou Mallinson, piano
Malinconia, N infa gentile....
Per pieta, bel l’idol mio
.. Vincenzo Bellini
(1801 1835 )
Ma ry Aimoniot is, soprano; Ma rga ret Reitz, pia no
Malinconia, N infa gentile
Melancholy, gentle nymph,
l devote my life to you.
One who despises your pleasures
is not born to true pleasures.
l asked the gods for fountains and hills;
They heard me at last ;
I will live satisfied
Even though with my desires, I never
G o beyond that fountain or that mountain
Per pieta, bell’ idol mio
For pity‘s sake, my beautiful idol
do not tell me that I am ungrate ful;
unhappy and un fortunate enough
has heaven made me.
That I am faithful to you,
that l languish under your bright gaze,
Love knows, the gods know,
my heart knows, and yours knows.
By such faithful affection
that makes me languish for you?
But pitiless, you do not realize that
You scorn a lov ing soul,
whom you wish to betray.
It doesn’t ma tter
Damaged
Richard Pearson Thomas
(b. 1957)
Eliza beth Duhr, m ezzosopran o; Ma rga ret Reitz, pia no
La c i darem la mano...(Don Giovanni)...
saasea ries A. Moza rt
(1756 1791 )
Soon Young Pa rk Don Gio vanni; Latoya Lewis – Zerlina ; Dua ne Skra balak pian o
In full seductive overdrive, the rake Don Giovanni “proposes” to the young peasant girl, Zerlina, and invites her to
accompany him to his mansion. Zerlina at first rejects him, saying that she feels sorry for her husbandtobe,
Masetto. ( I t is their wedding day after all!) Worn down by the Don‘s skillful seductive powers, Zerlina finally gives
in, and they sing of the joys to come.
Card Trio and Aria: “En vain pour eviter...” (Carmen)
G Bizet
(1838 1875 )
Ma ry Aimoniot is – Frasq uita ; Ariana Zbrzezny – Mer cedes; Eliza beth Du h r Ca rmen
Dua ne Skra balak pia no
Carmen and her companions are on a smuggling mission in the mountains near Seville. To pass the time, she and her
two friends amuse themselves by reading their fortunes in the cards. Frasquita is destined to find a great love – a
handsome soldier who will carry her away. Mercedes is overjoyed to see a very rich and very old man who marries
her and dies, leaving her wealth beyond imagining. When Carmen turns her cards she sees only one message –
death. For her and for her current love, Don José. in her aria she states that it is futile to avoid the future the cards
predict, and every succeeding turn of the cards spells the same message, again and again, always death, inexorable
and unavoidable.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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1 audio disc
Duration
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38:40:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196776">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196776</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Thursday mid-day concert, March 15, 2007
Recital Tape 3-15-2007
Description
An account of the resource
Held at 1:20 p.m., March 15, 2007, Casadesus Recital Hall. Works of Handel, Falconieri, Cavalli, Respighi, von Gluck, Quilter, Bellini, Thomas, Mozart, Bizet.
Creator
An entity primarily responsible for making the resource
Wright, Miriam
Reitz, Margaret
Lewis, LaToya
Zbrzenzy, Ariana
Park, Soon Young
Mallinson, Chai-Kyou
Aimoniotis, Mary
Duhr, Elizabeth
Skrabalak, Duane
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-03-15
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
330d773e-669c-460c-b411-1e9c822fe108
-
https://omeka.binghamton.edu/omeka/files/original/c7d4f9e89a06f6049ede79a1a536b2eb.pdf
d1ad11e52546758113748bf3c408578c
PDF Text
Text
BINGHAMTON
UNIVERSITY
State University of New York
Binghamton University Department of Music
THURSDAY MID-DAY CONCERT
March 17, 2005 - Casadesus Recital Hall
Concerto No. 2, Mvmt. 1 .............................................................................. Carl Maria Von Weber
(1786-1826)
Theresa Perrone, clarinet
Margaret Reitz, piano
Premier Quator, Op. 53 (1857) ..................................................................... Jean Baptiste Singelée
(1812-1875)
Andante
Reconstitution: Jean Marie Londeix
Allegro
Quatour (1956) .................................................................................................... Pierre-Max Dubois
(b. 1930)
Spirituoso
III.
Cascades (1904) ............................................................................................................. Scott Joplin
(1868-1917)
The Binghamton University Saxophone Quartet
Amy Natiella, Emily Alkiewicz, Michael Marchisotto, Sam Reed
"Tre arietta" ........................................................................................................... Vincenzo Bellini
(1801-1835)
Il fervido desiderio
Dolente imagine di Fille mia
Vaga luna, che inargenti
Michaela Lisi, soprano
Chai-Kyou Mallinson, piano
Concerto in C minor ...................................................................................... Johann Christian Bach
( 1735-1782)
Allegro molto ma maestoso
Arr. Henri Casadesus
Melissa Lee, viola
Margaret Reitz, piano
Concerto, Op. 85 ......................................................................................................... Edward Elgar
(1857-1934)
Adagio
Alex Wiesendanger, cello
Margaret Reitz, piano
Kol Nidre ........................................................................................................................ Max Bruch
(1838-1920)
Heajung Kim, cello
Margaret Reitz, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 audio disc
Duration
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42:42:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243864&change_lng=en</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, March 17, 2005
Description
An account of the resource
Works of Von Weber, Singelée, Dubois, Joplin, Bellini, Bach, Elgar, Bruch. Held on March 10, 2005, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Perrone, Theresa
Reitz, Margaret
Lisi, Michaela
Mallinson, Chai-Kyou
Lee, Melissa
Wiesendanger, Alex
Kim, Heajung
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-3-17
Rights
Information about rights held in and over the resource
In copyright