163 10 1775 https://omeka.binghamton.edu/omeka/files/original/9315fa6274c945d065d89741227c89cb.pdf 8b676690a7de8169c9c3317b80e10b39 PDF Text Text BINGH AM S 1TON U N I V E R T Y STATE UNIV ERSI TY O F N E W Y O R K i h 0 D E P A R T M E N T THURSDAY MIDDAY Concept oo \ \ V S ~ & . . 4 NA 4 : apY u.E of — MAY 5, 2011 1:20 P.M. CASADESUS R EC ITA L HIALL �PROGRA M Der Schwanendreher... ... ...Paul Hindemith Zwischen Berg und tiefem Ta1 (lst Movement) (1895–1963) Benjamin Pochily (viola) Pej Reitz (piano) Déjeuner du Matin... .................................Jacques Prévert Jamie Catal famo (recitation) (1900–1977) Jose Rodriguez, Aaisha Fatima (actors) RoyalFestival................,.............................................Gus Guentzel (1868–1950) Carrie Buck (horn) Matt Gukowsky (tuba) Daniel Romberger (trombone) Olivia Santoro (trumpet) Professor Robert Smith (euphonium) Chacun le sait (La Fille du Régimeni).................Gaetano Donizetti Christina Kompar (soprano) (1797–1848) Bill Lawson (piano) Lydia... Gary Leonberger (tenor) Bill Lawson (piano) p i i t s r o v ess Fauré (1845–1924) Le Message... .....................................Jacques Prévert Wenyan Gu (recitation) (1900–1977) Jasmine Carrig (actor) Clair de Lune... .. Samantha Banton (soprano) Bill Lawson (piano) Sérénade FIOTenting........v Brister Hay (tenor) Bill Lawson (piano) Gabr1el Fauré (1845–1924) .. .. The Message The door that someone opened The door that someone closed The chair where someone sat down The cat that someone ca ressed The fruit that someone bit into The letter that someone read The chair that someone tipped over The road where someone is still running The woods that someone is running across The river where someone throws himself The hospital where someone is dead. ...Henri Duparc (1848–1933) Sonata 4 in CMinor........... .. .. .. .. ..Francesco Barsanti Adagio and Con Spirito (1690–1755) Alexander Baron (recorder) Pej Reitz (harpsichord) Poison Aria... ...................................Charles LINO G (Amour ranime mon courage) (1818–1893) Meghan Ca kalli (soprano) Bill Lawson (piano) Fantasie de CONCETL...........iooorressessarecsssseressanesssnnnesssnss Guentzel (1868–1950) Imogene Reverie..... TRANSLATION Clay Smith (arr. G. E. H olmes) (b. 1953) Breakfast He poured the coﬀee Into the cup He poured the milk Into the coﬀee He put the sugar Into the coﬀee with milk With a little spoon He stirred it He drank the coﬀee He put down the cup Without speaking to me He lighted a cigarette He made circles With the smoke He put the ashes Into the ash tray Without a word Without looking at me He got up He put his hat on his head He put on his raincoat As it was ra ining And he left Into the rain Without speaking to me Without looking at me And I put My head into my hands And I wept. �Bing hamt on U niver sity M usic D epar tmen t’s U P C O M I N G EV EN TS ﬁtBMditb'ﬁtbﬁMtVﬁtb'ﬁtbﬂuﬁtb Thursd ay, May 5 – Afr ican M usic En semble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Comp osition I Class Recital (Goldstaub) – 1:10 – 2:10 p. m. – Casadesus Recital Hall – free Friday, May 6 – Facu lty Rec ital: Jin ah Lee, pianis t – 8:00 p. m. – Casadesus Recital Hall – $5 general public Saturd ay, May 7 – Afr ican Dr um Ensem ble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturd ay, May 7 – Ma ster’s Recital : Rober t Mulle r, French horn – 3:00 p. m. – Casadesus Recital Hall – free Saturd ay, May 7 – Stu dent Re cital: B riana S akamo to, sop rano – 8:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Seni or Voic e Recital: Samantha B anton a nd Mol ly A d a m s To o m ey 1:00 p. m. – Casadesus Recital Hall – free Sunday, May 8 – Univ ersity C horus with th e Univer sity Sy mphon y Orches tra: Ma ss Mas terwork s – 3:00 p.m. – Osterhout Concert T h e a t e r $10 general public; $5 faculty/staﬀ/seniors; free for students Sunday, May 8 – Seni or Hon ors Rec ital: Jie un Jan g, pian o – 7.30 p. m. – Casadesus Recital Hall – free Tuesday, May 10 – Percus sion En semble – 8 p. m. – Anderson Center Chamber Hall – free Wedne sday, M ay 1 1 Comp osition Semin ar Con cert (Loy) – 7 p. m. – Casadesus Recital Hall – free Thursd ay, May 12 – S tudent Recogn ition M idDay Concer t – 1:20 p. m. – Casadesus Recital Hall – free For ticket information, please call the Ander son Ce nter B ox O ﬀice at 777 ARTS To see all events, please visit m usic. binghamton. e du Become a fan on Facebook by visiting Bingh amton Unive rsity Music Depar tment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154626">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154626</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, May 5, 2011 Recital Tape 2011-5-5 Description An account of the resource Held at 1:20 p.m., May 5, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Pochily, Benjamin Reitz, Margaret A. Catalfamo, Jamie Rodriguez, José Fatima, Aaisha Kompar, Christina Lawson, William James Leonberger, Gary Banton, Samantha Hay, Brister Baron, Alexander Cakalli, Meghan Buck, Carrie Gukowsky, Matthew Romberger, Daniel Santoro, Olivia Smith, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196862">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196862</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 1, 2007 Recital Tape 11-1-2007 Description An account of the resource Held at 1:20 p.m., November 1, 2007, Casadesus Recital Hall.At head of title: Binghamton University Music Department.Works of Chaminade, Browne, Rosauro, Chopin. Creator An entity primarily responsible for making the resource Leo, Erica Reitz, Margaret Browne, Peter Lehman, Stephanie Hsu, Nicole Mackiewicz-Wolfe, Ewa Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-11-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID c0864c75-36e9-4329-9244-a5665004446a https://omeka.binghamton.edu/omeka/files/original/3ef0afc7d7c415cc33da82c2b6cb3df0.pdf 7b873a8ac2acd2c8a0b0842a8d6f1b66 PDF Text Text ' RRC l“?! y 3 ;j _ Binghamton University Department of Music Re {Ye 2004 THURSDAY MIDDAY CONCERT November 11, 2004 – 1:20 P.M. – Casadesus Recital Hall 1"wn Sec Lon Fanfare, Aria, and Echo . ...........Daniel Pinkham (b. 1923) Matt Cosnett, timpani Patrick Lokken, horn Greg Cecere, horn P. Hindemith (18951963) Sonate............... . Leicht bewegtLangsamMarschPastorale Robin Kindig, bassoon Margaret Reitz, piano .....G1oacchino Rossini Selections fromSoiréesMusicales.................. .............................. (17921868) 1. La pastorella delle Alpi 2. La promessa 3. L’invito 4. L’orgia (translations on back) Leslie Hochman, soprano Margaret Reitz, piano h .............Fritz an CL B (18751962) arr. by George Hamilton Greene Tambourin Chinois Matt Cosnett, marimba Margaret Reitz, piano .. Among Friends (1989) Timothy Perry, clarinet Stephen Stalker, violoncello Margaret Reitz, piano Ka Nin Chan (b. 1949) �The Alpine Shepherd ess I’m the pretty shepherdess Coming down every morning. I oﬀer a little basket With fresh fruit and ﬂowers. Whoever comes at dawn Will have some pretty roses And dew sprinkled apples. Come all to my garden! Ahu, ahu. .. Whoever in frightfulness of night loses his way At my little hut Will ﬁnd his path again. Come o traveler, The shepherdess is here, But her most tender thoughts Are given to one alone! Ahu, ahu. .. The Promise That I will ever be able to stop loving you No, don’t believe it, dear eyes! Not even to joke would I deceive you about this. You alone are my sparks, and you will be, dear eyes, my beautiful ﬁre as long as I live, ah! The Invitation Come Ruggiero, your Eloisa Cannot stay separated from you: You’ve already responded to my tears, Come and grant my request. Come beautiful angel, come, my delight, Here on my bosom come to rest! Feel my throbbing heart, When love invites you, Come, my life, come, make me die! The Orgy Let’s love and sing of woman and wine, Life is a joy between Bacchus and Amor! I ’ve got love in my hea rt And wine in my head. What a pleasure, what a feast, What a lovely passion. Loving and joking, Drinking some wine animates me and calms my sorrow and pain. Let’s dance and sing, Life is a joy between Bacchus and Amor Let’s dance and sing, Let’s raise the glass, Let’s laugh and forget Our sorrow and pain. O divine queen, mother of love, With joy renew every heart! Leaping, sparkling, Foaming over life Is the wine divine, Ruler of the world. Already I dance, I stagger, What smell, what steam! So drink, over and over again In a holy frenzy. Let’s dance and sing Life is a joy between Bacchus and Amor! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:01:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252025&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252025&change_lng=en&select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 11, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-11 Description An account of the resource Works of Pinkham, Hindemith, Rossini, Kreisler, Chan. Accompanying program includes translation of text from Rossini's work. Held at 1:20 p.m., November 11, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cosnett, Matt Lokken, Patrick Cecere, Greg Kindig, Robin Reitz, Margaret Hochman, Leslie Perry, Timothy Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/11/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/f1f2634b2d6e932e2eb6bab15e6075e3.pdf e885c58f32cb585bb884d311eb0bde2f PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T THURSDAY MIDDAY CONCERT Thursday; November 12, 2009 . 1:20pm. ! Chsadesus Kecigal Hal �PROGRAM University Symphony Orchestra C oncer to & A r i a (ete Fantasie for Viola and Orchestra ............... Johann N. Hummel Maxim Pekarskiy, viola Michael Salmirs, piano * = i g : } é 2 T "Ie.l , I " ‘ I m E sr “1 5 / Concerto No. 1 in Eﬂat Major Allegro maestoso Quasi Adagio Franz Liszt (18111886) I _» : b = Stephen Kong, piano Ewa MackiewiczWolfe, piano “ 3 a ; R Te) E 32 I a l , 5 ﬁ : : ' v UARF ' RE : i T s i z > KE 2 1 1 g 1 EF 8 J i e ; x a a ~ : V2 5 % { r . s oo ~F . _ 4 A. A L L ~. . > C omp e t it i o n 4 0 Sunday, November 15 from 6:30 – 9:30 p.m. Casadesus Recital Hall Free T ommm n u h u i g ﬂ y w w mm a z m o w �Binghamton University Musci Department’s UPCOMING EVENTS W W W s i m m Saturday, November 1 4 ” Student Clarinet Recital: Sarah Fenster & Dan Fagen, 7:00 PM, Casadesus Recital Hall, FREE Sunday, N ov ember1 5 ” Binghamton Philharmonic and the Binghamton University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM, Osterhout Concert Theater, (for tickets, call BPO at 607.723.3931) Sunday, November 15% Concerto and Aria Competition, 6:30 PM, Casadesus Recital Hall, FREE Thursday, November 1 9 ” MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Satur day, November 2 1 Master Recital: Julie Williams, soprano, 8:00 PM, Casadesus Recital Hall, FREE Sunday, N ovember 22™ Master Recital: Ashley Maynard, soprano, 3:00 PM, Casadesus Recital Hall, FREE Thur sday, December 3 ” Jazz MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Thur sday, December 3 ” H arpur Jazz Ensemble Concert (cosponsored by the Harpur Jazz Ensemble and the Binghamton University Department of Music), 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) Friday, December 4 Flute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE Friday, December 4 Elizabethan Madrigal Feaste (Harpur Chorale and Women’s Chorus), 6:30 PM, Old Union Hall, $$ Friday, December 4 ” Master Recital: Susan Amisano, soprano, 8:00 PM, Casadesus Recital Hall, FREE Satur day, December 5 Elizabethan Madrigal Feaste (Harpur Chorale and Women’s Chorus), 6:30 PM, Old Union Hall, $$ For ticket information, please call the . Ander son Center Box O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:55 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153181">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153181</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 12, 2009 Recital Tape 2009-11-12 Description An account of the resource Held at 1:20 p.m., November 12, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189708">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189708</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 13, 2008 Recital Tape 2008-11-13 Description An account of the resource Works of Sparke, Poulenc, Se√å¬Åjarne√å¬Å, Bach.Held at 1:20 p.m., November 13, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bartishevich, Jay Reitz, Margaret Freeman, Abigail Malinson, Chai-Kyou Lehman, Stephanie Jill Jang, Jieung Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-11-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID c809f30a-06a4-4e50-89a5-ec7501014ef5 https://omeka.binghamton.edu/omeka/files/original/80a33c3101b8b6e0fdd96d85f68c3b26.pdf 3fa8ebdafd9ab599f91449f4993a6817 PDF Text Text N i v Re BINGHAMTON U N I V E R S I T Y State University of New York Binghamton University Department of Music THURSDAY MIDDAY CONCERT November 16, 2006 – 1:20 p.m. Casadesus Recital Hall C O L Aria of Donna Elvira, “In quali eccessi...Mi tradi,” ........cccceceveevrnnnrenennssneenennnenn.. Wolfgang Amadeus Mozart from D o n Giovanni (17561791) Donna Elvira vents her feelings of pity, betrayal, and love for Don Giovanni: In what excesses, o gods! In what horrible and tremendous misdeeds The wretch is entangled. Ah! No! Heaven’s justice and anger cannot be delayed. I already sense the fatal lightning bolt falling on his head! I see the deadly abyss (of hell) opening up... Wretched Elvira, what contrasting feelings in your bosom are born! Why these sighs and these suﬀerings? That ingrate betrayed me, made me so unhappy! When I feel torment, my heart speaks of vengeance. But when I see the danger he is in, my heart starts to throb... And I still have pity for him. Katrina Cox, soprano ChaiKyou Mallinson, piano L a S C A N A A I N A V E . . . . c v e i i i i i i i e i i e i e i e s e r Swedish Folk Song Vermelandsvisa Melodie Danoise P e r c y GTAINGET (18821961) Hakan Tayga Hromek, cello Margaret Reitz, piano Suite for Cello and Jazz Piano Trio . Ballade Cello Fan SCATA M I OUCKE o II. Ir 1. Allegro Pocket Sonata. 1. Improvisation 2. Modal Blues 3. In Rhythm Stephen Stalker, cello Margaret Reitz, piano u Modéré Brazileira Concerto No. 1 in f .Claude Bolling (b. 1930) v i r Milhaud (18921974) Gregg Ackerman, clarinet Margaret Reitz, piano m i n o r C Heather Boland, clarinet Margaret Reitz, piano a r l Maria von Weber (17861826) Alec Templeton (19091963) Bethany Bonhof, clarinet Margaret Reitz, piano Concertino for two cellos and piano, op. 72 ......cccccevevceerieriiniienienieeieneneeeeseseeseseseeseeeeneeneene. BeImhard Romberg Andante Grazioso Rondo con Allegrezza (17671841) Stephen Stalker, cello Hakan Tayga Hromek, cello Ma rga ret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:13:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204936">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204936</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 16, 2006 Recital Tape 2006-11-16 Description An account of the resource Translation of one work included in accompanying program. Works of Mozart, Grainger, Bolling, Milhaud, von Weber, Templeton, Romberg. Held at 1:20 p.m., Nov. 16, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cox, Katrina Mallinson, Chai-Kyou Tayga-Hromek, Hakan Reitz, Margaret Stalker, Stephen Ackerman, Gregg Boland, Heather Bonhof, Bethany Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 577ad096-023f-4f8b-a5d6-eed4d082b464 https://omeka.binghamton.edu/omeka/files/original/de1ac8eb5602e2316879c2b114fde6f2.pdf 3c6a1a85322a05b7a1906e024c505946 PDF Text Text BINGHAMTON U N I V E R S 1 T Y S T A T E U N I V E R S I T Y O F N E W Y O R K zedec D E R A R T M E N T THURSDAY MID DAY CONCERT U“ y SS S A M”? " , a h N‘\ « 5, S e THURS DAY, NOVEMBER 18, 2010 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM In this program we present an afternoon of dancedrumming from southern Ghana. These ensembles are the collective work the Beginning and Advanced sections of African Dance (THEA 2891/3891; AFST Beginning African Dance Class/ N u kporfe African Music Ensemble IV. Gahu. Gahu is a neotraditional dance that h as been adopted and adapted by the Ewe people of Ghana. It is an oﬀshoot of the Gome dance, a PanAtlantic African dance form that emerged in the 19th century from the synthesis of European hymns and marches with West African musical sensibilities. The name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and cele bration. V. Kpatsa. This dance comes from a neighbori ng group of the Ewe, known as the GaAdangbe. They share many linguistic and cultural aﬀinities with the Ewe, and these two groups have historically interacted with each other. The characteristic 289J/389J) and the African Music Ensemble (MUS 143B/MUSP 257; AFST 188B). These courses are oﬀered each semester through the Departments of Africana Studies, Music, and Theatre Dance. Advanced African Dance Class / N u kporfe African Music Ensemble Processional from the dance Agbekor. These ﬁrst three pieces present the dance Agbekor, a war dance of the Ewe people of Ghana. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed. The movements imitate moments of the battle, and follow the drum language of the lead drum, atsimevu. L II. III. Preludes from the dance Agbekor. These short dance interludes introduce the solo dance section that follows. Both of these pieces are among the most technically demanding works in traditional African music. The accompanying music is played in a sharp presto tempo between 190–200 beats per minute, and the musicians must maintain their highly syncopated musical lines that tend to fall between the beats. The communication between the lead drummer and dancers is absolute every note cues a movement or gesture. Solo dance ﬂights from the dance Agbekor. The following ten solo dance movements feature a combination of the dance class and Nukporfe. Each sequence is introduced by the lead drum, and is completed with a turning movement. \ IJ — V E . b Re di B e AP S — v— oi n o N 2 \ movement of K patsa is a limping gait that imitates the movements of dwarfs, a magical race of beings which inhabit rural areas in Ghana. These movements were embellished with dance combinations and eventually became a social and recreational dance known as Kpatsa, whose name is an onomatopoeic reference to the movement of dwarfs. N u kporfe African Music E nsemble VI. Togo Atsia. This dance piece is made up of a series of choreographed dance sequences known as atsia. These sequences are cued by drum language phrases [vugbe ] played by the lead drummer on atsimevu — the tall drum leaning on the stand — which are answered by the response drum kidi — the medium– sized drum. In the 1960s, expert choreographers and drummers in the Ghana Dance Ensemble arranged this series of atisa movements into a performance piece, whic h they dubbed Togo Atsia, in recognition of their origin within E we groups in Togo. VII. Sohoun. Sohoun is an EweFon sacred dance used to open a ceremony of the Yeve shrine. The original m ovements danced at the shrine inspired the choreography for t his folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. �PERFORMERS Dances Directed and Choreographed by Pierrette Aboadji, Department of Theatre Dance B E G I N N I N G DANCECLASS Caroline Castro, John Charitable, Luella Cheng, Comeisha Clarke, Jasmine Davis, Nikita Felix, Cristhian Gonzalez, Akilia G reen, Katherine Hall, KaDeva Higgs, Farina Jaw, Jianell Jimenez, Aman da Kan, Ryan Kardian, Rachel Kreutzer, Young Min Lee, Mei Li, Wan Hua Li, Htet Lin, Saul Nadel, Kaitlyn Orr, Bianca Parris, Macarry Pobanz, Jenna Salner, Simone Scott, Racquel Stephenson, Regina Thomas, Symone Wilkinson, SinWoong Yun. A D V A N C E D D ANCECLASS Seth Awotwi, Vanessa Ayivi, Marjhana Blaise, Derreck Boateng, Britney Brandon, Shykina Brown, Alexis Bullard, Keara Caughman, HyeRa Choi, Taisha Destin, Maria Gil, Katherine Green, Starleana Holmes, Sangyun Kim, Ton ia Kurian, Madelyn Lantigua, Jehoon Lee, Darwin Martinez, Sakia Miller, Miranda Nortey, Laila Octave, Abosede Ogunbiyi, Alandra Price, Mamadou Sanogo, Keneka Soares, Monique Thompson, C h uyi Wang, Paa Kwesi Yanful . NUKPORFE DANCERS Vera Adutwumwaah, Alexandria Blackman, Shantae Blount, Samantha Bolan, Megan Buah, Lydia G yampoh, Nickesha Kelly, Jul iana Kuﬀour, Mildred Ngminebayihi, Ferrian Palmer, Cherub Ruiz, Amber Rivers, Kristen Donaphin, Kpoti Kitissou, Sarah Kuras. Drumming directed and arranged by James Burns, Departments of Music and Africana Studies N UKPORFE MUSICIANS Alex Craver, David Donaphin, Da Ham, Daniel Miller, Seongeun Gu, Wayne Papke, Lisbeth Pereyra, Michaela Pinnock, Stefano Quarta, Kyeong Min Shin, Keaton Rood, Adrian Soto Lopez, Jasmi ne Walker. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146593">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146593</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, November 18, 2010 Recital Tape 2010-11-18 Description An account of the resource Works by Agbekor, Gahu, Kpatsa, Sohoun Creator An entity primarily responsible for making the resource Aboadji, Pierrette Burns, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/633e60c13929e625c04e3c87981a6a5e.pdf 8c5f7deddeea1c8f47684fddea5d5f00 PDF Text Text U_.) n. _ RR C REC \ i . (ft ‘ U N I V E R S I T Y T 0 \ LP) State University of New York 1 OO ,) 6G Binghamton University Department of Music THURSDAY MIDDAY CONCERT \\2 S¥ CE COL November 2, 2006 – 1:20 p.m. Casadesus Recital Hall Margaret Bonds (19131972) (Poems by Langston Hughes) Three Dream Portraits (1959) Minstrel Man Dream Variations I, Too Miriam Wright, soprano Margaret Reitz, piano Richard Strauss (18691949) Traum durch die Dammerung, Op. 29, no. 1 “Meadows vast in the twilight; the sun has set, the stars appear, and now I go to the most beautiful of women, far across the ﬁelds at twilight, deep in the jasmine bower. Through the twilight, to the land of love I go, hastening not, but led, as by a soft velvet ribbon, through the twilight to love’s land in a tender blue light.” Allerseelen, Op. 10, no. 8 . . . . . . c o c c v i e i i e i i i e c i i i c i e c i e e Strauss “Put the ﬂowers on the table, bring the last red asters, and let us talk of love as we did in May. Give me your hand–I do not care who watches if you look at me as you did in May. While every grave is fragrant with ﬂowers on All Souls’ Day, let me hold you near me as I did in May.” .. Richard Strauss Zueignung, op. 10, no. 1. “You know, sweetheart, that I languish away from you, that love brings heartache ; for this, thanks. Once I was free and drank wine to my heart’s content and you blessed the cup; for this, thanks. You expelled my evil spirits till I became what I had never been before : holy, loving you; for this, thanks!” Katrina L. Cox, soprano ChaiKyou Mallinson, piano Wunsch “Wish” was written by the poet August Kopish and dedicated to Bettina vonArnim. This poem is about a lady who wishes that she could take her love and steal away on a ship to a deserted island. There she would be able to freely kiss her love, he would be able to make her jewelry from ﬂowers, and they could ﬁsh together for food. Johanna Kinkel (18101858) .Clara Schumann (18191896) Warum willst du and’re fragen .. “Why will you question others” was written b y the poet Friedrich Rueckert. This poem is about a lady asking her love why he chooses to ask other people to tell him if she loves him. She says that all he has to do is look in her eyes and without words they will show him how much she loves him. Aria of the Mother, “All that gold!”, from Amahl and the Night Visitors (1 951) (please turn over) GianCarlo Menotti (b. 1911) �The setting is the mother ’s home. She is a poor widow with a disabled child. Earlier that evening three kings came to their home in search for shelter for the evening. They are following a star that will bring them to a child born to be King of Kings. When everybody has fallen asleep she sings this aria. Maria Aimoniotis, soprano Margaret Reitz, piano Se Florindo e fedele Alessandro Scarlatti (16701725) If Florindo is faithful, I ’ll surely fall in love. I can defend my heart from any smiles, sighing, weeping and imploring, but if he should be faithful, I shall fall in love! Aria of YumYum, “The sun, whose rays are all ablaze,” from The Mikado... Sir William Gilbert (words) and Sir Arthur Sullivan (music) (18421 900) Written in the late 18 00’s, the fourteen ﬂamboyant satirical musicals of Gilbert & Sullivan made fun of high society, the government, the military, and British culture in general. The Mikado is set in Japan and decries the ruthless and ridiculous decrees of the Mikado, the Japanese emperor. In this song, the blithe and blissfully selfcentered heroine YumYum compares herself to nothing less than the sun and moon. Jana Kucera, soprano ChaiKyou Mallinson, piano Fantasia #16 in F Major Alexander Baron, alto recorder Friihlingsglaube, Op. 20, no. 2.. George Philip Telemann (168 l 1 767) .. Franz Schubert (17681827) Mild spring breezes blow again, carrying fresh fragrance with them. Troubled heart, be hopeful, everything will change! With every passing day, the world becomes more beautiful. The valleys are full o f ﬂowers; troubled heart, forget thy grief! Everything will change. Du bist die Ruh, Op. 59, no. 3. ..Franz Schubert You are tranquillity, and gentle peace ; you are longing, and what stills it. I consecrate to you my eyes and heart for your dwelling. Enter, and quietly close the door behind you. Your brightness alone lights up this dwelling–o ﬁll it completely! Aria of Laetitia, “Steal me, sweet thief,” from The Old Maid and the Thief (1 939).......cccccccevvvvvincevencnneeneevenneen... Glan—Carlo Menotti (b. 191 1) A beggar comes to th e back door of Miss Todd’s house. Her maid, Laetitia, lets him in. Desperate for male company, the women persuade him to stay indeﬁnitely and they lavish food and comforts on him. Later Miss Todd learns of an escaped thief whose description ﬁts Bob, but she continues to shelter him, even robbing a liquor store in order to bring him gin. In this aria Laetitia voices her own hopes and frustration with Bob ’s lack of interest. LaToya Lewis, soprano Margaret Reitz, piano A Set for C l a r i n e t . . . . . . c c c . e v v e e r i i i i i e r i e s i e e i c e r i e e s e e M artino Allegro – cantabile – allegro (19312005) Allegro Timothy Perry, clarinet � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:12:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204927">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204927</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 2, 2006 Recital Tape 2006-11-2 Description An account of the resource Works of Bonds, Strauss, Kinkel, Schumann, Menotti, Scarlatti, Gilbert & Sullivan, Telemann, Schubert, Martino. Held at 1:20 p.m., Nov. 2, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Wright, Miriam Reitz, Margaret Cox, Katrina Mallinson, Chai-Kyou Aimoniotis, Mary Baron, Alexander Lewis, LaToya Perry, Timothy B Kucera, Jana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID cd3cebae-a26d-4eea-879e-772c25f561f3 https://omeka.binghamton.edu/omeka/files/original/91d8955b893c821a222467fcd23e2d5a.pdf f950d994d09c397c75b5c2036a3b482a PDF Text Text UNIV ARC Recital tape 2005 11-3 SPEC COL Binghamton University Department of Music THUR SDAY MID-DAY CONCERT November 3, 2005 -1:20 P.M. - Casadesus Recital Hall featuring Agustus Arnone, piano 3 Etudes (2003) ....................................... ......................................................... ... .... David Rakowski (b. 1958) Zipper Tango Eight Misbehavin Cell Division Monoliths and Interludes (2003) ........................................ .... ......... ......... .......... .. Michael Klingbeil (b. 1974) Palais De Mari (1986) ........................................................................................ ..... Morton Feldman (1926-1987) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Transcription Any written text transcribed from a sound, or alternative text from a visual medium 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 54:51:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243796&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243796&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243796&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 3, 2005 Description An account of the resource Works of Rakowski, Klingbeil, Feldman. Held at 1:20 p.m., November 3, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Arnone, Augustus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-11-3 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/8c8214b699bfc2a4e8605d554125cad3.pdf 887a165a91346fe60efd3072d71bdbcb PDF Text Text BINGHAMTON U N 1 V E R S I T Y T A T E U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T THURSDAY MIDDAY CONCERT Ss X L ( r rK “ –_— (9 «4 ROVEMBER 2, 2011 1 :20 P.M. FA 21 �PROGRAM Golden Helmet of Mambrino from Man of La Mancha Mitch Leigh (b. 1928) Luke Yerpe, Piano Evening prayer duet from H ansel and Gretel “When at night I go to sleep” Engelbert Humperdinck (18541921) (1756–1791) Kerianna Krebushevski, Soprano Molly AdamsToomey, Mezzo Soprano John Isenberg, Piano John Isenberg, Piano Variations on “Freu dich sehr, o meine Seele” (17561791) Georg Bohm (16611733) Mark Rossnagel, Organ Marcellina / Susanna duet........... . Wolfgang Amadeus Mozart “Via resti servita” Hee Pyoung Oh, Baritone Eun Hwan Bae, Tenor Alexander Bacon, Recorder Christina Santa Maria, Soprano Kathleen Jasinskas, Soprano John Isenberg, Piano from Le No zze di Figaro (18581924) (b. 1 936) Susanna / Countess duet ..............\Wolfgang Amadeus Mozart “SuII’ aria” from La Boheme “O Mimi, tu piu non torni...” Pan O v e r N I B a N . . . . Christopher Ball Kaitlyn Mulligan, Soprano Michelle Goldrich, Mezzo Soprano John Isenberg, Piano from Le Nozze di Figaro Marcello / Rodolfo duet ................................. Giacomo Puccini �Binghamton University Music Department’s U P C O M I N G E V E N T S ﬁ M W M é ﬁ é o w ﬁ w r a v Tuesday, November 8 — Friedheim Memorial Lecture / Recital Series : Debussy’s “Rhapsodies for saxophone and clarinet ” (Stephen Zank, speaker; April Lucas, saxophone; Timothy Perry, clarinet; Margaret Reitz, piano) — 8 PM — Casadesus Recital Hall — $6 general public; $3 faculty/staﬀ/seniors; free for students Thursday, November 1 0 — MidDay Concert (African ) — 1 :20 PM — Anderson Center Chamber Hall — FREE Universi ty Chorus and the Sunday, November 1 3 — Symphony Orchestra present Felix Mendelssohn’s “Elijah ” — 3 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors ; $3 students Thursday, November 1 7 — Jazz MidDay Con cert with guest artist — 1 :20 PM — Osterhout Concert Theater – free (Co sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, November 1 7 — Harpur Jazz Ensemble Concert with guest artist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, November 1 8 — Universi ty String Orchestra — 4 :00 PM — Grand Corridor — FREE Masterclass with organist Wilma Monday, November 2 1 — Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — MidDay Concert (B urgess) — 1 :20 PM — Casadesus Recital Hall – FREE Friday, December 2 — Flute Studio and Flute Chamber Concert — 10 : 15 AM — Casadesus Recital Hall — FREE If you enjoyed and were inspired by this performance, please consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation pa yab/e to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the A nderson Center B ox O ﬀice at 7 77ART S � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:17:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, November 3, 2011 Recital Tape 2011-11-3 Description An account of the resource Works by Leigh, Humperdinck, Figaro, Mozart, Rodolfo, Puccini, Ball Creator An entity primarily responsible for making the resource Yerpe, Luke Mulligan, Kaitlyn Goldrich, Michelle Isenberg, John Santa Maria, Christina Jasinskas, Kathleen Oh, Hee-Pyoung Bacon, Alexander Rossnagel, Mark Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound