<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://omeka.binghamton.edu/omeka/items?output=omeka-xml&amp;page=164&amp;sort_field=Dublin+Core%2CDate" accessDate="2026-05-17T13:18:16-04:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>164</pageNumber>
      <perPage>10</perPage>
      <totalResults>1775</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="1234" public="1" featured="0">
    <fileContainer>
      <file fileId="5933" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/d1eb842ea99c4ee5ac96f35d04667b7e.jpg</src>
        <authentication>42154d4ef792ddbc8f4013acba43ecbf</authentication>
      </file>
      <file fileId="3322" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/1af3a49383c69edca75990b94228125e.mp3</src>
        <authentication>5e18c007cc882e568ba1fb81658b0120</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17654">
              <text>ND</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17655">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17656">
              <text>Mildred (Mit) Joyner</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="17657">
              <text>93:12</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17658">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17659">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17660">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17661">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17662">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17663">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19588">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Mildred (Mit) Joyner is a pioneer in teaching, research, writing, and community activism. Joyner has served leadership positions in social work professional organization, including the National Association of Social Workers (NASW), the Council on Social Work Education (CSWE) and the International Association of Schools of Social Work (IASSW). She is Emerita Director and Professor of Social Work at West Chester University in Pennsylvania. She received her Bachelor's degree in Social Work from Central State University in Wilberforce and her Master's degree in Social Work from Howard University. &amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:5039,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:1},&amp;quot;4&amp;quot;:[null,2,5099745],&amp;quot;5&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;6&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;8&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;}"&gt;Mildred (Mit) Joyner is a pioneer in teaching, research, writing, and community activism. Joyner has served leadership positions in social work professional organization, including the National Association of Social Workers (NASW), the Council on Social Work Education (CSWE) and the International Association of Schools of Social Work (IASSW). She is Emerita Director and Professor of Social Work at West Chester University in Pennsylvania. She received her Bachelor's degree in Social Work from Central State University in Wilberforce and her Master's degree in Social Work from Howard University. &lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19589">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Civil rights movement; voting; social worker; Baby boom generation; retirement; activism; African-Americans; Black Panther; Freedom Summer; \r\nMillion Man March\r\n&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:4993,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;10&amp;quot;:0,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;}"&gt;Civil Rights Movement; Voting; social worker; Baby boom generation; Retirement; Activism; African-Americans; Black Panther; Freedom Summer; Million Man March; Senator Edmund Muskie; Civil War Generation; Confederate Flag; Generation Gap; WWII; Joseph L. Galloway; Trust.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20239">
              <text>Social service;  College teachers; Community activists; West Chester University of Pennsylvania; Joyner, Mildred (Mit)--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44633">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50919">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="51313">
              <text>McKiernan Interviews&#13;
Interview with: Mit Joyner &#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: Not dated&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
MJ (00:00:00):&#13;
[inaudible].&#13;
&#13;
SM (00:00:07):&#13;
First, I want to take this opportunity and thank you very much for taking time out of your busy schedule to answer some questions. As a reminder, the reason why I am doing this project is to do oral history interviews of approximately, hopefully, between two and 300 different people. Some people are very well known in history. Some people are not known. But the goal is to try to combine two things with each of these interviews. Number one, the personal experiences of these individuals that I am interviewing, and also as they reflect on the history of this year and the impact of the boomer generation on AmeriCorps in the last 30 years. And I guess the first question I really want to go into is recently, probably the last couple years, we have heard a lot of commentary, a lot of criticism of attacks on the boomer generation, the generation of the (19)60s and early (19)70s, the generation that a lot of people historically linked to the ending of the Vietnam War, the involvement in civil rights, the women's movement, the gay and lesbian movement, the Native American movement, Latino movement, as many movements as possible. But the criticism is pretty central on the whole generation as to the reasons that the breakdown of America is being blamed on them. So what I am trying to get from each of the interviewees, and that is the first question I want to ask you, what are your thoughts when you hear people who will generalize about the boomer generation as the reason why we have problems in America today, like the breakup of the family, the increase of drugs, a lot of the issues, and they all seem to go right back to the time when boomers were in their youth? And of course, these boomers are categorized as people born between 1946 and 1964. So your thoughts on these generalizations that are oftentimes leveled at a whole generation?&#13;
&#13;
MJ (00:01:51):&#13;
Well, basically, generalizations to me are just that, generalizations. I thought that the (19)60s and the (19)70s brought with it its own empowerment and empowerment to do different things. And some of those things were things that people in our society now would classify as negative things. But on the whole, it really was a positive time because it brought about the empowerment of each group feeling good about their own particular culture. And so for the very first time, we were dealing with more of a strength perspective. And I know at that particular time, I was in high school... started school in the (19)50s and then going all the way through college. And it was not until I went to Central State University that I really saw the empowerment of that movement. And sure, we were going through our own, which White says, our own conversion experience. And by that, what White says is that you go through five stages, and there was a negro to black conversion experience where it was a pre-encounter stage where you just did things because people told you how to do them. And then it kind of moved into an encounter stage where you realized that there was no... The equity in our society only existed for a few. And the immersion stage, which I think our race went through collectively from the (19)60s to the (19)70s, was to immerse yourself about and learn about your race. And that was at the exclusion of everything else. And then came out your immersion stage where people were really stronger in our society. And the fourth stage is the internalization stage, where you internalize those good values and throw away those bad values that you learned. And then obviously, the fifth stage is your internalization commitment stage. Well, as a race of people went through this, there were a lot of negative things that occurred during the immersion stage. There was burning of bras, the burning of draft things, drugs, free life and all that. But I think what emerged was a much stronger group of people. So when people say that to me about, "Look what your generation brought," it brought some negative things, but that was necessary in order to move to a stronger group of people. And so everything has a yin and a yang. And so the yin and the yang of that was, yes, it brought about a freer society, but I would rather have freedom than to have the rigid society that we were experiencing before World War II.&#13;
&#13;
SM (00:04:28):&#13;
Let me just... [inaudible] the next question. If you were to look at again from your own personal perspective, your own metaphor... A lot of the reasons why we are doing this is everybody has their own metaphor, and not to be pre-judgmental of any person's beliefs. How would you categorize this generation right now in 1997 in terms of its overall impact on America?&#13;
&#13;
MJ (00:04:57):&#13;
It is a generation that is trying to find its people, trying to find out what are the values that are collectively right for our nation. I think they are a generation of triers. And with people who have... probably the first group of people who have major obstacles that are outside race, gender, and class, but technology and access to power through money. And so I think they are trying to build a nation that is equal for all people, but there is just so many obstacles that are in young people's ways.&#13;
&#13;
SM (00:05:41):&#13;
... thing is when you look at today's boomers, they are the parents of today's college students, the person who works with college student’s day in and day out, and of course you teach students. Do you think, from your own personal experiences, that the boomer parents have really shared the experiences of their youth with today's college students? Because what we see is only 18 percent of today's college students, according to a Chronicle of Higher Education poll who have an interest in politics, we see a low numbers of young people voting. Their parents do not vote. And here it was during that generation that the fight was for the right to vote. What impact are boomers having on today's college students, not just college students because half the people do not go to college, but on today's youth?&#13;
&#13;
MJ (00:06:26):&#13;
Again, I can only speak about this from my perspective, but because I am a believer of what people fought in the civil rights movement for us, we are voters in our family, and my kids vote. When it is voting day, my husband and I just say, "It is voting day, and all of you go to the booths and vote. We do not care what you vote." But we ask them a little bit about, the night before, what about the candidates and why they are making the choices that they do. We are a very political family with my husband's job in terms of being on the federal bench. And the only way he was able to get there was through people voting him on the ballot when he was getting on the county bench. So I think in our family system, we have a very political family. And again, I believe that apples do not fall far from the tree. And so I do not know if it is today's boomers who are not teaching kids to go to the ballot box, but I can say in my family, it was very important for my father that I go, and I do not miss a chance, even when it is awful years, and there is really not that much as people say to vote for. And I think I am giving that value to my children, and I would hope that they would carry it on. I think they understand that one vote does count, and we often show them and analyze the next day in the paper of how many people lost the school race just based on the fact that such very few people voted. And we are also trying to teach them the power of the vote, that if they really wanted to run for something, and they were able to get their contemporaries to vote for them, most likely because of the apathy that is in our country right now, that they could probably win the ballot. So we preach that.&#13;
&#13;
SM (00:08:10):&#13;
Would you say though, that within your personal experience then, this has been a very important part of your life? You share the experiences to transfer this importance of the vote, being involved as a citizen in this country. But as you look at the students that you teach, your everyday dealings with today's college students, and even your peers who are boomers, are they failing in this area? Not you personally, but are they failing?&#13;
&#13;
MJ (00:08:34):&#13;
I think so. I think a lot of people in our society find it too easy to switch about something and not really bring change. Even here in the social work department, we try to teach the value of voting. That is because that is a philosophy that we hold here. So I will say to my students, "Bring back your little voting ticket and show us that you voted, and we will give you a test for that," to encourage people to... And we talk about the platform because social work is made up of those individuals who we have a responsibility to speak for who are powerless. So it is real hard for me to talk about my colleagues because most of my colleagues that are involved... Let me turn this off. Most of my colleagues that are involved with that decision... In social work, we teach voting. And so most of my colleagues are social workers. So most of the time... And it would be interesting to do a study of how many social workers really do vote, but because our job is to, and part of our code of ethics is to, speak out on people who are not able to speak out from themselves due to lack of wealth or what their life circumstance is, the whole profession teaches a commitment of the ballot box. And so being social workers have to be involved because we speak for the poor. I mean, that is part of our code of ethics.&#13;
&#13;
SM (00:09:59):&#13;
If you were to describe the youth of the (19)60s and early (19)70s, and I say that we know that within the boomers, which is from (19)46 to (19)64, there is intergenerational differences. Like boomers who were born towards 64 have a hard time, I believe, personally, in terms of relating with those born (19)46, say, to (19)56. Could you give us some characteristics, some adjectives to describe the boomers, the positive qualities of the boomers and some of the negative qualities?&#13;
&#13;
MJ (00:10:29):&#13;
Some of the positive ones, qualities of a boomer, is commitment, the ability to move up the system. Most people are doing better than their parents. Materialistic. That can be an asset and a liability. Caring. Instant need for gratification. Again, an asset or a liability. And I guess the one that I really like is that they are transcendent. They have the ability to go beyond what is expected. And so the negatives of that are sometimes they are workaholics or they have some kind of addictive part of their personality due to the needs of to show out and be the best. And I think their transcending character sometimes has caused health problems, really not able to enjoy family the way they wanted to.&#13;
&#13;
SM (00:11:37):&#13;
If you look at some of the ideas that young people had in that time... Say for example, picture yourself on a college campus, whether it be a predominantly African American campus or a white campus of the mid to late (19)60s and early (19)70s. There seemed to be a sense of empowerment among young people that we are going to be the change agents for the betterment of society. We are the most unique generation in American history. We are not going to stand for the status quo. There is something wrong in this nation, and we are going to right it. And then as these boomers got older, Vietnam War ended, civil rights is still an ongoing issue, but you did not see the Dr. Kings out there like we used to have. As boomers went into their (19)70s and then into the (19)80s and now into the mid to late (19)90s here, have they kept those ideals or how would you rate this generation?&#13;
&#13;
MJ (00:12:45):&#13;
Well, I would give it about a 95. I think most people are successful. They are doing better than they ever thought so. Now, what does better mean? Does better mean they are doing better economically? Yes. Has that caused them to work more and be more self-centered? Yes. Have they changed their vision? Yes. Have they given in to establishment? Yes. I think that the boomers have learned that there are certain things that are status quo and that the way to change the system, what we thought before was just to change that system through not participating or just demanding a change, we now realize that you have to work within the system to get change. So I think their vision has changed. They have become more proactive rather than reactive. And I do not really write a lot of them off because I know a lot of people that I went to Howard University with and Central State University that are tops in their field. And they would have never been able to have that prior to the (19)60s or the (19)70s. But their love for politics is not which we thought it was, but back then, a lot of people did not participate in politics anyway. I mean now they are at least voting. But I mean, I just look at where they have come, and I worry about that for my own children because I do not really think that they will ever have a level of success, this generation, that our generation was privileged to have. And so I feel this generation is going to have to learn how to settle for less. We all have our own homes, two and three cars, several people have summer homes. What happens to this generation? Because I think they kind of bottomed out. I mean, I think that they go back to wanting less. The charge card is starting to own them. And so I worry about that, but I think I would give them a 95.&#13;
&#13;
SM (00:14:46):&#13;
When you say 95, though, certainly you are thinking about your metaphor, the people that you know, but it is also a known fact that when Tim Penny was on our campus, he said one of the biggest failures of the boomers was the fact that they do not know how to save, that the average savings account for a 50-year-old is less than $10,000. They may have a home, but they see marriages were late. Kids were raised late. They are putting kids through college up to 60. So we are talking about people that are doing well, but they actually have nothing in the bank. They are like three payments away from being in bankruptcy almost. So we are dealing with a lot of concerns. Now, that is just from a political standpoint, but it is-&#13;
&#13;
MJ (00:15:31):&#13;
Again, but that is two cultures that I think clash. That is the culture of my parents who believe that you have to have money in the bank to save. And then there is the culture of the boomers who spend what they get, acquire assets, and can download those assets. So a lot of times savings, because you watch banks just kind of eat up your money and play games with your money... And there is also the need. I said instant gratification is something that I think boomers have. There is a need to go on a vacation rather than to save every penny you have for the next 20 years because a lot of us have watched our parents die at a young age without ever getting the things that they worked for. And so I think you see two cultures that clash a lot, the clash of our parents' culture, who you save things, and you do not have anything until you can pay for it. And then it is this that has learned how to use the market of credit. And it is probably this generation's living longer than our parents' generation because we do not work as hard, or at least at times we work very hard, but we give ourselves the rewards for it. And so that may mean debt for some people, but our generations learned the system of how to pay off a debt, bankruptcy. And that is why you have more debt.&#13;
&#13;
SM (00:16:51):&#13;
Would you say that some boomers, like some parents live toward retirement, the World War II generation, they look forward to retirement, that boomers oftentimes may not believe they will even survive to retirement? Do you think there is some perception there?&#13;
&#13;
MJ (00:17:04):&#13;
Or they choose not to retire. I think we realize that retirement... A lot of us are workaholics and retirement brings with it some kind of settlement of having to realize that. It also does not give us the dollars to live the lifestyle that you want. And it sure does say that you are not worthy. I mean, in American society, unless you are working, you are really not a worthy person. And there is too much stats to read that Alzheimer's and people forgetfulness and all that occurs once one person retires. So I think there is a fear of retirement, not just because of the economics, but because of the vitality that the boomers always see themselves as.&#13;
&#13;
SM (00:17:45):&#13;
Two basic issues are central to the lives of boomers. We know statistically that only about 15 percent of the young people, when they were young in the (19)60s and early (19)70s, were involved in any kind of activism. But I have always been of the perception that even the 85 percent who were not involved were subconsciously affected by that period and may have been late bloomers in terms of getting involved with these kinds of issues in their everyday lives. These two issues, of course, being the Vietnam War and civil rights. Certainly the women's movement and a lot of the movements took place. But when you think of this period, you think of the activism in those two areas. In your own opinion, do you believe that the students on college campuses... Why did the Vietnam War end, in your opinion? Was it because of the protests on college campuses, or was it something else?&#13;
&#13;
MJ (00:18:38):&#13;
I think it is because the America was losing, and there was a shame because we were losing. And I think that we felt that for a long period of time that we would have the ability to win that war. And when we realized that there was no way that we could win that war, we pulled out and brought our boys back home. I think the idea of finally coming to terms with the fact that we were losing was brought on by a lot of the protests on college campuses because we realized we were just sending people over there and they were dying for what? And if we were winning, we would have probably had a different feeling about it. But just looking at the many people that I knew that went to Vietnam, for what? It was a country that had had its own way of fighting a war through underground, of which our men had no knowledge about. And we really did not have an understanding of why we were there. So I think that college campuses brought out that, and the citizen who had never sent their child or daughter to the walls of college began to buy into what college students were saying. It is like, show me the money, so to speak. If we are winning, we will stay there. If we are not, then let us pull out. And basically, I think to the existence today, that is how we participate in all of these wars that are throughout the United States. If we can go in and show that we have force and get people to listen to us, we go. If we do not, we will not.&#13;
&#13;
SM (00:20:08):&#13;
...you respond to people who will say that... I have interviewed so many people on this project so far that there is diverse opinions. But that we all know who went to war. We all know that the college students were basically getting pardoned out of the war because their parents were rich and they had ways of getting out, whereas the inner city kids, people who were from poor backgrounds, both white and black and all colors could not do that. As one person told me, they were afraid to die. And that is the bottom line. And of course, they were involved in issues like the draft. And when that battle was won, then the whole movement ended. And then another person would say, "Well, really, when body bags kept coming home and middle America saw their sons and daughters dying, when middle America decided it should end, that is when the war really came to an end." So let us not give a lot of credit to these young college students who are basically naive. What are your thoughts on those kinds of diverse opinions?&#13;
&#13;
MJ (00:21:08):&#13;
I think the system was set up, and until this day is still set up, for people to go into the armed forces who do not have money. That happens to be people of color or whites who are poor. I mean, the Army, Navy, that is the catch-all for all the people that are poor, a way to get away from your high school. And so it was not a surprise that most people who went to Vietnam were those people who could not afford to go to college. I think, however, that America seeing the body bags come home is sure one of the reasons why the war stopped, but they were body bags of poor people. I do not think, however, that wealthy people were trying to do anything but protect their sons and daughters, and poor people tried to do the same thing. No matter what, you would try. I mean, there were times when mothers were sending their kids to Canada, where parents were trying to get their kids in school. So everybody. I know my brother... You get that number that people got, and you are going to school whether you want to go or not. So everybody. And that to me is just, whether you have money or you do not, you try to protect your own because nobody wants to see their child going off to war. Whereas before, going off to the armed services as an officer was a great thing, and most wealthy people did that. They would go off into Quantico and go to these various little military bases and become an officer. But at that particular time, no matter what you were, and there were a lot of officers who were wealthy, that went off in body bags as well. So I do not think we were as sophisticated to say it was these against those. It just so happened that the bottom got trapped because the system was set up that way.&#13;
&#13;
SM (00:22:59):&#13;
How was it when you were a student at Central State as an undergrad, now? Were the students of Central State protesting against the Vietnam War, or was Central State more into the civil rights issues? How was that?&#13;
&#13;
MJ (00:23:13):&#13;
It was more the civil rights issues because although a lot of people say politically, a lot of people were not involved in the politics at that time because the church was the backbone of the politics, the African American church. I think what African Americans went through was the violent versus the nonviolent movement. There was the Martin Luther King followers, and then there was the Malcolm X followers. And I mean, had we been sophisticated as we are now, we would have probably known both men contributed a lot, and we did not have to make those choices. But one, the choice that you were in is that if you were a Martin Luther King follower, then you were church-going and you believed in God. But if you were a Malcolm X follower, you were an atheist or you did not believe in God. And really that is where African Americans got more caught up on. Had- Really, that is where African Americans got more caught up on. Had nothing to do with war. It was whether you believed in the violent or the non-violent movement, which I look back on today as a lot of regret. Because I probably would have learned a lot more about the philosophies of Malcolm X, and probably would have backed a lot of them. But because, from your family system, that was seen as something that was way outside, you just did not look at it as seriously. You tried to get into the Martin Luther King. And it was not until Martin Luther King was assassinated that I think African Americans totally went with the philosophy of Malcolm X and the Black Panther Party. And Muslims began to be the thing that everybody saw a little bit more positiveness of, because they really were helping in the community.&#13;
&#13;
SM (00:24:53):&#13;
The other issue, of course, is again, you gets right into the issue of civil rights, and the Boomers involvement. Keep in mind, in the summer of (19)64, which was within the Freedom Summer, Boomers, that is the end group of the Boomer generation of (19)60, so 46. We are talking about the oldest person would have been 18.&#13;
&#13;
MJ (00:25:13):&#13;
Mm-hmm.&#13;
&#13;
SM (00:25:14):&#13;
And of course, most of the people that went down there were already in college, were 19, 20, 21', 22, or in their mid-20s, late-20s.&#13;
&#13;
(00:25:20):&#13;
The question I am trying to ask all Boomers, or people involved in this project is, how important were the boomers with respect to the Civil Rights Movement?&#13;
&#13;
MJ (00:25:29):&#13;
They were the Civil Rights Movement. If you look at any of the, Eye on the Prize series, you see those young people. NAACP at that particular time was doing a lot of recruiting. And a lot of people were involved in the Mississippi Summer Project, March on Washington, and the Church was giving the backbone of that. And there was a lot of things going on, what group you really wanted to follow. But basically the NAACP, Adam Clayton Powell, all of those individuals, were pulling a lot of people in. And they were young people. They were people in your high schools. NAACP had branches within the high school. And they had these youth organizations where you would participate in the NAACP from a youth perspective. So, it was the young people.&#13;
&#13;
SM (00:26:24):&#13;
Critics, who will say that, "Well, wait a minute. The Boomers just latched onto this. They were followers. They were not early leaders." Because in [inaudible] Freedom Summer had already happened. Now the march in Washington was (19)63. The oldest Boomer would have been 17 years old.&#13;
&#13;
MJ (00:26:37):&#13;
Mm-hmm.&#13;
&#13;
SM (00:26:38):&#13;
You do not buy that argument, then-&#13;
&#13;
MJ (00:26:40):&#13;
No.&#13;
&#13;
SM (00:26:40):&#13;
...that they were not-&#13;
&#13;
MJ (00:26:44):&#13;
No. I think they really were the backbone. And still to this day, I think the Boomers still, I think that is why the Million Man March was so successful, because it was the Boomers reclaiming that time, again, going back. I still see that need to organize, the need to speak out as a collective group that really came out of the March on Washington. That was such an empowering thing to watch, or to listen to, and how to recreate that. And I think that is why the Million Man March was successful. We will see if the March for the Women is just as successful. But if you notice, it is generally, who attended the Million Man March were basically people of color, coming together to speak as a force. I do think it was successful. And again, I have to state that most of these experiences that I am speaking from are from an African American perspective.&#13;
&#13;
SM (00:27:37):&#13;
Mm-hmm.&#13;
&#13;
MJ (00:27:37):&#13;
And it is very hard for me to look at it from a female perspective, or very hard for me to look at it from a White perspective, which may be different. My experience was not that. I was quite active, even in my own college. And at that particular time, I was not in college, I was in high school. But my father and mother were very active in the movement, and very active in Civil Rights people. We had the coffee klatches in our house. And people would come and talk. And many, many times there were White people that would come to the house. They were friends, and people like that. And voting was talked about in our house. So, I can only talk about it from that perspective. Now, if I was Mit Joyner, and I was a White woman, I do not know how I would be talking about it, or whether it would have been a topic of conversation. I lived in an integrated neighborhood. My father owned his own electrical contracting company and had a lot of problems because he was African American, and owned his own company. And the union did not really want him at first. And then, they wanted him because they wanted to contain him. So, those things were talked about a lot, which brought my transcendence out.&#13;
&#13;
SM (00:28:43):&#13;
That is good. Thank you. It is just about the end of this side. Have you changed your opinion at all over the last 25 years, towards the Boomers. When you were young, looked at the Boomer generation, and now you are looking at them in 1997, have you been consistent in your opinions toward them? Or have you changed somewhat?&#13;
&#13;
MJ (00:29:05):&#13;
Well, I have changed in terms of some of the workaholic part of a Boomer, the need for work, the need to have more money. I do not think that is as important. I think people that were poor can be very happy. Somewhere, we believe that poor people cannot be happy, but they can be. I believe that the healthcare is more important than what you can give your kids. If you can give your kids yourself versus all of these things that you leave them in a will, probably leaving them yourself is a better asset. So yeah, I have changed. I have changed into not having to worry about everybody, and worrying about myself.&#13;
&#13;
SM (00:29:52):&#13;
Yeah. That is a very important commentary.&#13;
&#13;
MJ (00:29:58):&#13;
[inaudible] Yeah. Well, just worrying about everybody, to worrying about myself. I think, at that time, the Civil Rights, we worried about our entire race, and moving them along, and making sure that everybody had. African Americans are still member people, that we worry about every member within our family system, and everybody within our extended family, and everybody within our community or on a street. And that can kill you. You have to learn how to worry about yourself, and to acknowledge other people, but people have the right to make choices. And some people are on this path of self-destructiveness, and there is not too much you can do to stop it.&#13;
&#13;
SM (00:30:43):&#13;
I want you to respond to this that I mentioned earlier, about a quality that Boomers looked at themselves as, and that is they are the most unique generation in America history.&#13;
&#13;
MJ (00:30:51):&#13;
Mm-hmm.&#13;
&#13;
SM (00:30:52):&#13;
Now, that is quite a statement.&#13;
&#13;
MJ (00:30:52):&#13;
Mm-hmm.&#13;
&#13;
SM (00:30:54):&#13;
But a lot of them believe that. Do you think, in your own opinion, that the Boomer generation is the most unique generation in American history?&#13;
&#13;
MJ (00:31:01):&#13;
No. No. If I look at it in terms of African Americans, I often look at the slaves that came over from another country, and started us all over again. The strength that it had to take to learn a different language, to learn how to eat different food, to be free, and then be enslaved for no other reason, just because of the color your skin, and to fight to get out of that. I think that, for African Americans, is probably the strongest generation that we have. Because they were people with nothing. And they fought for freedom. When you read the life of Frederick Douglass, and you look at, he was a slave, was not allowed to read, and became a candidate for Vice President of the United States. That just is remarkable to me. Remarkable.&#13;
&#13;
SM (00:31:58):&#13;
Okay. I am going to go into another section here. One of the things that I am trying to be involved with this project is the concept of healing. I made many visits to the Vietnam Memorial in Washington. I tried to get a grasp and an ambience and a feel for what happened with the wall, which was supposed to be geared toward healing the Vietnam veterans, their families, their loved ones, and certainly trying to help the nation to heal because of those times. But every time I go down there, I see probably a lot of healing, but I see still a lot of tremendous division still, over those who were against the war, the way they were treated when they came home, middle America and how they treated us, and the perception of being baby killers, and all those kinds of things that the media had portrayed against the Vietnam veteran, which was really 3 million people who served in Vietnam. But do you feel, in 1997, irrespective of the wall, which was very important for our generation, for America, that we have healed, that we have healed from those tremendous divisions of that time, those who were for and against the war, the Civil Rights Movement in terms of being out in the streets. A lot of people will say that, part of the problems of the Civil Rights Movement was the riots that developed because of it. No one was ever satisfied with anything. The divisions in America continue today. Again, going right back there, could you concept on how important you feel dealing with the issue of healing is in America, today, on these issues that divided the nation back in the (19)60s and (19)70s?&#13;
&#13;
MJ (00:33:40):&#13;
I believe that we heal every time there is a crisis. I think, when you look at America as a family, and we fight amongst ourselves, and there is division amongst ourselves, but I think when you come up against larger issues, I think, America has healed. And I think, in healing, it gives people the right to speak out about the differences. Some are stuck in a phase where they cannot move to the next phase. And what I mean by that is that some will always be upset and always be into a militant stance. But part of healing is accepting that person, and accepting their position, and respecting that. Healing is not wanting everybody to think like me and be like me and not to be upset with me. Healing is being able to accept the difference that is here in our society. And over the war, there are a lot of different opinions about that. There are those that went, those that stayed, those that tried to get out of it. And they all have strong reasons about why they made those choices, back then. And the healing part of that is just accepting that. And I think, the only time when that comes up is, again, for political reasons. And so therefore, I throw that out. But I think, on a whole, we know that there were draft dodgers. And I do not have any problems with them. And I also know I have friends that went over there and fought, and I have no problems with that. It was a time for people to make choices and to live up to whatever those consequences brought. And so, I think we have lived up to that. And every time I see a natural catastrophe, when we had the Gulf War, I saw a more cohesive group, that I have seen before.&#13;
&#13;
SM (00:35:46):&#13;
I am going to give you a scenario, and experience the follow-up to this question.&#13;
&#13;
MJ (00:35:47):&#13;
Mm-hmm.&#13;
&#13;
SM (00:35:47):&#13;
And that is, about five years ago, we took students to Washington, a small group of our Westchester students. And we had a chance to meet Senator Muskie. And I did not realize he had just gotten out of the hospital, and he was not feeling that great. But halfway through our two-hour conversation with him, we started talking about 1968 and the convention, and so forth. And as a Boomer, I had to reveal something that I did not really want to reveal, but I wanted to. And that is that a lot of Boomers, including myself, have a problem with authority. Wherever I have worked, it is not that you do not respect the people you work for, but there is a lack of trust in anybody in positions of power and responsibility. And I know many other Boomers that have gone on to be very successful in life, but still have that quality within them, no matter where they have gone, because of what was transpiring during that timeframe. And what I was trying to get at was, to have him respond to our students about his feelings about the division of American in 1968. And when I asked him the question and gave him the description of some of the lack of trust that I still had, he did not respond immediately. Tears came to his eyes. He reflected. And then, he said, "We have not healed as a nation since the Civil War."&#13;
&#13;
MJ (00:37:05):&#13;
Mm-hmm.&#13;
&#13;
SM (00:37:07):&#13;
And I thought he was going to talk about Vietnam, and what he ended up doing here. That made me think. This is one of the main reasons why I am working on this project is, he said, "The Civil War generation went to their graves with bitterness toward the other side, despite all the Civil War ceremonies toward healing, between north and south. The hundreds of thousands who died, the families, the generations of families who were never to be raised, almost an entire generation of men wiped out. For what?" And the thing is, what he was saying was that, I thought he was referring, and of course, I never really was able to go back to ask because he had died. But the question is, was he referring to the fact that this generation, the Boomers, are facing the same trauma that the Civil War generation, that they are going to be going to their graves with still these inner, whether it be subconscious or conscious, bitterness toward people who were different than them, who had different ideas, no efforts being made to bring people together to try to understand each other more, because the times were tough times. Your thoughts on Senator Muskie's thoughts there, about the Civil War, and the generation of the Vietnam War, and should we, as a generation, we cannot heal everyone within a generation of 60 plus million, but should efforts be made to try to bring people together toward a better understanding of those times, so that what Senator Muskie was saying about the Civil War people going to their grave with this bitterness and hatred, and then transferring that to their sons and daughters, just your thoughts on that.&#13;
&#13;
MJ (00:38:39):&#13;
Well, first of all, when I say America has healed, I meant it in terms of looking at it from a war perspective. I think America is really divided around race and culture. And I think and feel that, again, being African American, a lot of it is because people want you to forget your history. And whether or not retribution bills need to be paid or whatever, perhaps maybe that same public apology to African Americans for bringing them over here as slaves and keeping them enslaved for so long, is something that our nation needs to do, or at least to look at, to address. Because I do believe that most African Americans feel as though the system is really against them, or that there is some unknown thing holding them back. Had we been brought over here, even as indentured slaves, and allowed to work that off, as some of our ancestors were, we would have the old money. And we would be far along where we are today. We would be able to help our own kids in our own cities. And I think there is a lot of anger about that. And it is because America is so inconsistent. And it is still inconsistent in the way it punishes people. There are more African Americans every day placed in jails. And it is so blatant. And so, there is a lot of anger as it relates to race. Because no matter how wealthy I become, I will still be African American, and my kids may be driving a car, and the police officers pull them off because they think they do not have the right to drive the car because they are a person of color. I still have to teach my kids, in 1997, survival techniques of being an African American. And it should not be that way. And when you say that to White America, they feel as though it is untrue. People have dismissed that. "Oh, that is not true," or, "You do not really need to do that." And they think that, "Oh. We do not treat people like that." So, that anger is still there. And as it relates to the Civil War, the only thing that I feel about that is that White America often states in history classes that there has been no war fought in America. And so you ask, "What is the Civil War?" But I have problems with individuals who feel as though the south is all bad, but it is not. There are many, many good people. But I think the Confederate flag issue, and a lot of other issues, that to me, poke fun at people of color. We have not yet really talked about why a Confederate flag sends chills up and down my spot. And yet, I know often people feel as though that was their first flag, and they should fly it for other reasons. It should not always invoke the issues. But there is a little isms in it. And we have to come to understand that. And still, when you read in 1997 that there are places in the South, that just recently I read about, that has two principals, a White principal and a Black principal. There is still a lot of stuff divided on race. And it may make people uncomfortable. It may make people have to look at themselves. But until we start talking about the real race issues in America, I do not ever think we can move forward in that. And that is kind of a doom-er. But teaching race relations, that is the one beautiful thing I love about my course, is just to go over history again, and get people to see this history in a template, almost like when you look at the body, you put the blood on top. And [inaudible] you put the four cultures on top, and look at where they were, I understand why White Anglo-Saxon Protestants did what they did. Because they came from England and they wanted to create a system for themselves where they were not placed in a class system. They wanted to be able to have entrance into every level. And if you worked hard, you should move up. And the more money you have, you moved up. I understand that. But they did that at the expense of other people. And they exclude other people out. They have to also recognize that.&#13;
&#13;
SM (00:42:50):&#13;
Could you talk about the generation gap? One of the things that was very common, one of the terms of that period, was that there was a generation gap between the Boomers and World War II generation.&#13;
&#13;
MJ (00:43:02):&#13;
Mm-hmm.&#13;
&#13;
SM (00:43:03):&#13;
And of course, I am certain there is generation gaps in every generation, in between Boomers and Generation Xers, today. Can you reflect on your own metaphor, your life back then, the differences between the generations, the generation gap? And then comment today on boomers and their kids.&#13;
&#13;
MJ (00:43:21):&#13;
Yeah. I think my parents' generation was more of the depreciated character. You just did things because that is the way it was. And they did not question as much. Not to say that was wrong. That was their own survival technique. And they were all coming over. And the (19)50s were the first generation after Brown versus Board of Education, that was allowing integration. that was a win-win for them. We questioned that. "Why cannot we go into every store? Why cannot we sit in every movie seat?" They were in the movies. I am not saying that that was wrong, but I think our generation just tended to question more, and to push the system, and to try to get the system into a little bit more social consistency, and throw out a lot of the injustices that you could see. Why is it that we all have to wash the floors? "I do not want to wash floors. Why cannot I go to college?" All of those questions. I think we just questioned on top of it, and the gap really was a generation of people that, even when they were ill, they kept it to themselves. And that was my father and mother's generation. No matter whatever happened, or how dismayed they were with anybody, they kept it to themselves. Whereas our generation was one who would tell everybody. And that was, to me, the gap. Where I see kids today is, they tell everyone, but it is probably, and again, this is a Boomer quote, this is probably my kids would kill, with a lack of respect, or at least what I see as a lack of respect. I see this generation having no problems telling anybody anything that is on their mind, even at the expense of that other person not being heard. Now, history will obviously play that out, and I will not be here to be able to read it. But I just think the scary part about this group that is graduating right now is, it is reverence sometimes for tradition. Now, that may be good. But...&#13;
&#13;
SM (00:45:48):&#13;
Is that what a lot of the Boomers were doing, though?&#13;
&#13;
MJ (00:45:52):&#13;
Yeah. Well, yeah, that is why I say-&#13;
&#13;
SM (00:45:53):&#13;
They were against the IBM mentality, the lookalike.&#13;
&#13;
MJ (00:45:57):&#13;
It may well be good. No. That is not what the Boomers were doing. Because, yeah, we had a no reverence, but we realized that you had to get within that system. This group really feels as though they can do anything independent of a system. Now, perhaps they can. But I also see this group as one that financially has a lot to lose. We raised our kids in a way that they have their own rooms. A lot of them drive their own cars. A lot of them have no idea how to survive without anything. And that is the scary thing. We had less. We came from poor families. We knew how to cook bean soup, and eat that all week. Some people knew how to, you do not have any money to pay the rent, so this is what you pay first. We had all of that. You learned something from being poor. This generation does not have that experience. They are maxing themselves out on credit cards, whereas we have credit cards, but we also know you can only go up to this debt. Whereas this group, I look at the college students and my own kids, that max out on credit cards before they had their first job. We never had a credit card.&#13;
&#13;
SM (00:47:20):&#13;
[inaudible] have a credit card, then.&#13;
&#13;
MJ (00:47:20):&#13;
Yeah. Now, you have Visa, Master Charge. These kids go to Cancun for spring breaks, and all these places. What is going to happen when the Dow Jones hits bottom? Are they going to be able to survive? These kids want, not Hondas, they want BMWs at an early age. That is where I see the irreverence of the institution, so to speak. They do not really realize, and I do not know if it is going to have negative ramifications, but they do not know how to do without less. And I think that is why a lot of people are delaying marriage. I think our kids are coming back- That is why a lot of people are delaying marriage. I think our kids are coming back home because it is more safe with mom and dad than it is to go into a relationship with someone else. A lot of these kids have big homes with their own bedrooms and every kind of contraption known demand. Why give that up and start over?&#13;
&#13;
SM (00:48:25):&#13;
I want to get into this whole... Since you are really talking about today's young people, hopefully this project is also going to be read by a lot of young people because I want them to understand the parents and the people and the era where their parents came from. The passion. I have a passion for certain issues, and I will go to my grave for this passion. A lot of it was because of the era that I came from, my life experiences. I know you are the same way then. You have passions for certain things. I do not see the passion amongst the young people. I cannot generalize amongst all because there are some that have passion for things. But when they see something wrong, I get a sense that I am not sure how many people want to right it in today's young generation, and I am really concerned about that. I want your thoughts in terms of-of that era and why maybe the parents did not somehow instill this in their young kids that there are certain things that are still wrong with America and this is a generational, after generation, and we have got to get it right. We have got to do better. How people approach it might be different, but still we got a long way to go. And I am not sure if I see that. I am almost seeing, what is the term I want to use, not flashback. What is the term... I do not know if they are really listening and I do not know if they want to listen.&#13;
&#13;
MJ (00:49:47):&#13;
I think this generation's passion is money. I think this generation wants to be in that 2 percent of the population that controls 90 percent of the wealth, and that is by any means necessary. I see this generation as having a passion, but they do not share it with one another because if I share it with somebody else they may get the wealth and I do not. I think everyone is driven in that area. Does the boomer generation try to talk about that? No, because the boomer generation was caught up in that too, with gaining assets. Maybe not to the degree that this generation has that, but the boomer generation, we were all wanting to have our own house, our own car. And we have that now, but now when you look at houses that are being built, they are being built with $425,000 price tags on them. Something is wrong there. When a house that may have cost 20 years ago, 100 to 200,000 is now moving up to four and $600,000. And these young people, and again, I cannot look at this as wrong because when I ride around these neighborhoods, I see young people moving into these homes. And maybe I just have not figured out how they got there, but I think that it is by any means necessary. And I honestly think that there are a lot more people in organized crime from the white-collar perspective than there ever has been in before. When you talk about mafia and things like that, I think there is more of that now than there was earlier years. I just think we have a lot of young people who go to med school who realize, ah, to be a doctor you got to work real hard to make a lot of money, but I do have access to a few dollars and I can get some illegal drugs and sell them to a group of people. And so I think you have a lack of values in that upper class of people than you have ever had before. And that is scary to me because people got into drugs before because they were depressed, cannot have this, cannot have that. But now people are getting into drugs to make a whole lot of money. I think drugs will perhaps ultimately kill this society.&#13;
&#13;
SM (00:52:16):&#13;
What is the lasting legacy of the boomer generation? I know it might be a little bit early, but as you see it right now, is there a lasting legacy?&#13;
&#13;
MJ (00:52:25):&#13;
Drugs. Drugs is probably one of them. I always watch that movie Panther. We really should have worked harder to keep drugs out of this society. It is killing everyone. In a positive way, however I think it is our drive and our ability to see our wrongs, to go back and say... Everybody was so into drugs at that particular time but people are not into them like that now to that degree, because they realized how much it really killed off a group of people. I think there is not a boomer around that does not know somebody that just has not died of an overdose. And yet we are also driven people and we can right some of those wrongs. I think we have a time to right those wrongs.&#13;
&#13;
SM (00:53:17):&#13;
I think it is too early still to be talking about the boomers and their legacy?&#13;
&#13;
MJ (00:53:20):&#13;
Yeah.&#13;
&#13;
SM (00:53:20):&#13;
Because President Clinton obviously is 50. Joe Galloway said, again, I interviewed him back in November. He is a Vietnam veteran. And he said that... I asked the same thing. Oh, 50, we still got from 50 to 65, you still got plenty of time. He said, "No, when you hit 50 you know you are on your, not your downward trend, but you know that your time is not going to last a whole lot longer. And that is hard for boomers to realize that they are getting older.&#13;
&#13;
MJ (00:53:52):&#13;
Oh, I think there is nothing truer been written. I think boomers have... When we go to 50 year old parties, people try to legitimize that 50 is not old. Yet, I remember looking at my parents when they turned 50, and my God, they are old. I think boomers fear dying. And maybe that is probably one of the things that has made our group so risqué because we never really realized the fact that we can die. And we are not a very religious group of people if you look at us collectively, because most people went against their philosophies of their church because it was part of the establishment.&#13;
&#13;
SM (00:54:30):&#13;
Right.&#13;
&#13;
MJ (00:54:30):&#13;
And I think there is a scare of that, of trying to go out and get that right. More boomers are returning back to church and trying to get their kids involved in church. And when you look at some of the dresses and clothes that we wear, I do think that we are afraid to come to that old thing that we are not going to be here forever. I think a lot of people try to feel that they are just in the middle phase of their life, but in reality, they are at the end of their life when you are watching your friends die. And you watch people come down with illnesses that you never thought could happen to your friends. And it brings a fear, I think, of the boomer. I think that is why spirituality is returning to be in fashion in the United States is because we were such a great group to say, we do not need that. We can survive on our own. And realizing that we have not paid attention to that. Our generation is almost running back to church in droves. And that is why the churches are becoming so economically solvent and they are building so many churches nowadays is because these people who had wealth, who worked real hard every day are now sick or getting sick and realize they had not paid that much attention to their spiritual side of themselves.&#13;
&#13;
SM (00:55:52):&#13;
What I am going to do here is... This is a question dealing with the concept of activism. A lot of the people in the boomer generation were activists in their lives. And do you see any activism at all within today's young people or generation X-ers?&#13;
&#13;
MJ (00:56:16):&#13;
Yeah. Again, you have to take the activism and say what it is. I see the volunteer rate here in America is higher than it has ever been. Activism on school boards, activism on women's healthcare issues there. There is so much activism in the United States, but everybody does it within whatever areas that they are experiencing needs to be corrected. If you put those things together collectively, you would probably be a powerful unit. But I do see a lot of activism. The reason why I think we do not see it in a collective way is because most women and men are working today. You do not have that much time to do it and get the fanfare for it, but you are being active within your company or your workplace and your school, and that is about it. Or active within your church. Before, when mothers could stay home and involve themselves into some particular project that is completely different. But with the workforce now, with almost most women working it has changed to be activism in a different way. I think right now women are trying to learn how, or at least a woman's issue, how to be like men, when far too often we want men to be like us. But women are dying now of heart attacks and that is because they are coming to work and they have a great big job to do with all the pressures and they go home and have a family to run with all the pressures and we just do not know how to relax, and we are not used to anybody taking care of us. And so women are trying to actively learn how to be different and go home and have a dirtier house or go home and have somebody take care of their house. Some women find it very difficult to hire a housekeeper, because this is my house and I should be doing that, yet they are not there.&#13;
&#13;
SM (00:58:24):&#13;
I got a lot of questions. We will go over this one toward the very end. I want to get back to this issue of trust because I think it is really a major issue in America today. I think it is one of the central issues about not only this current generation, but the generation of boomers, is we know because the media has told us, and we live the fact that we do not trust elected leaders because of the experiences of Watergate, the Vietnam War, the McNamara's of the world and Johnson, and how we originally got into the war in Vietnam. Elected officials not being honest with the American public. We are even seeing some semblance of it today in Washington DC because the media is portraying all these money issues dealing with campaign funds, so forth. Everybody is trying to protect their own back. And these are elected leaders. And really nobody in a position of power responsibility, whether it be a minister, a CEO of a corporation, a university president, a politician, congressman, senator, anybody in a position of power and authority is looked about with a lot of trust. And this came about from the (19)60s and the (19)70s and I think it is a lasting quality that is inherent in many boomers. And it is not just something I feel myself, but then I also know that if you cannot trust how can you succeed in life? I would like your thoughts on the issue of trust today, because you even mentioned in your conversation that many African Americans, young people, and boomers do not trust because of the way they were treated since slavery.&#13;
&#13;
MJ (01:00:11):&#13;
Well, again, it goes back to one of my little pet peeves or theories is that with social injustice and social inconsistency causes personal impotence. And by that what I mean is that malls are so inconsistent, we treat people differently and it makes us not be able to react one way or the other. Well, I firmly believe that Americans need to know about one's whole self is unrealistic. There are people in our government that have made mistakes. Now, if we could just apply that and treat everybody the same. I think we are into the business of being into people's personal lives, and we have not learned how to separate out one's personal self and one's professional self. The standards of the professional self is what is important to me and the values of one's professional self. I could care less what you do within your own household. And as we struggled with civil rights and equality of all people, we took that not only regarding the professional self but also the personal self. And I think America is very unrealistic of what we ask for our leaders. I think we do not have enough respect for our own president. And I think we forget to place things on a timeline. I do not believe in sexual harassment, but I realize it was something that happened years ago. I am not going to hold people accountable 20 years ago for some mistakes that they may have made in that area. We are at a different place and we are starting to let politics dictate our common sense. And it is not so much politics or what is right for the country it is just to win a race. And I find both parties as guilty of it, Democrats as well as Republicans, but this mudslinging that we have started to participate as a nation is beginning to destroy us. And I also think that Americans need to know everything about everyone or we are in trouble. And so when you look at things like Watergate, it happened, it is over and we need to move on. Now was Watergate, right? No, because I think it was somebody was trying to manipulate something, so, no, it was not right. In business it is not right. But we as a nation need to move on and we have to put our trust back. How do you gain trust again? Well, you gain trust by looking at a person's public record, not their private record. And I think a lot of decisions are being made over people's private records, not their public ones.&#13;
&#13;
SM (01:03:19):&#13;
I am going to list some names of some individuals that were well known during the (19)60s. And if you could just give a few adjectives or just some thoughts on these individuals from your own personal perspective and secondly how you might feel the boomer generation as a whole, both Black and White might feel toward these people then and now. Jane Fonda and Tom Hayden.&#13;
&#13;
MJ (01:03:41):&#13;
Revolutionaries. And I am not going to say revolutionaries that sold out. Just revolutionaries and they were made icons because of their celebrity status.&#13;
&#13;
SM (01:03:56):&#13;
How about Abbie Hoffman and Jerry Rubin?&#13;
&#13;
MJ (01:03:59):&#13;
Risk takers. One who really wanted the establishment to listen to another perspective.&#13;
&#13;
SM (01:04:10):&#13;
How about Dr. Benjamin Spock?&#13;
&#13;
MJ (01:04:17):&#13;
White values. I think he wanted all of us to be raised the same way and came out with an epistle of how to raise a family. If you did not fit in that box you were abnormal.&#13;
&#13;
SM (01:04:28):&#13;
How about the Berrigan Brothers, Catholic priests?&#13;
&#13;
MJ (01:04:33):&#13;
The same thing. Catholicism, a box.&#13;
&#13;
SM (01:04:40):&#13;
Some of the elected leaders of that period. And then we will start with some of the presidents, John Kennedy.&#13;
&#13;
MJ (01:04:49):&#13;
Person who had vision. Had a lot of, as far as a man was seen as a man with a personal side to himself that came from his family system, but I think was there for the good of the nation.&#13;
&#13;
SM (01:05:05):&#13;
Lyndon Johnson.&#13;
&#13;
MJ (01:05:07):&#13;
Good of the nation. Texan, southern person. Good of the nation from the old boys’ network, but the good of the nation.&#13;
&#13;
SM (01:05:16):&#13;
Richard Nixon.&#13;
&#13;
MJ (01:05:18):&#13;
Good of the nation. A man who saw it from a very conservative vantage point. Probably would not be a person that I would ever thought about voting for or voting for now, but I think he had a vision for the nation that he thought was important.&#13;
&#13;
SM (01:05:40):&#13;
Now, when you were young, did you dislike Richard Nixon and Lyndon Johnson because of the Vietnam War?&#13;
&#13;
MJ (01:05:48):&#13;
No. My parents were democratic, so I usually did the old parochial thing. And you followed the Democrats and not the Republicans. No. I saw Lyndon Johnson as actually someone who probably would not have done it, but actually actualized what Kennedy wanted to do. He was the one that finished off a lot of things. Did he do it for politics? I do not know. But he is the one that made the civil rights movement where it is. It was not JFK. JFK talked about it, but due to his assassination was not able to complete a lot of his tasks. And Lyndon Johnson did do that.&#13;
&#13;
SM (01:06:29):&#13;
I guess, Gerald Ford.&#13;
&#13;
MJ (01:06:31):&#13;
I saw Gerald Ford as probably the common man coming to office, which I thought was positive.&#13;
&#13;
SM (01:06:38):&#13;
George Wallace.&#13;
&#13;
MJ (01:06:39):&#13;
Could not stand him. Only because of how history painted him as just being so anti-African American. And yes, he did change and he did contribute and people view him different. Just a southerner who I would never trust.&#13;
&#13;
SM (01:06:59):&#13;
How about Ralph Nader?&#13;
&#13;
MJ (01:07:02):&#13;
Good person who challenges even those that are in power. Probably can only do that from a White man perspective. If he was a person of color I do not know if Ralph Nader would have lived to be as old as he is today.&#13;
&#13;
SM (01:07:16):&#13;
He is still doing it too.&#13;
&#13;
MJ (01:07:17):&#13;
Yeah.&#13;
&#13;
SM (01:07:18):&#13;
Still lives in an apartment in Washington. He has only two shirts, washes them, and I cannot figure out how the guy lives. Getting into some of the African American leaders at the time, of course, Dr. Martin Luther King Jr.&#13;
&#13;
MJ (01:07:31):&#13;
Religious man who fell into becoming a leader of the Civil Rights movement. Really, when you read the history of Vernon Johns, the person that was at the church before Martin Luther King, he was really the one that was really outlandish. It was just that Martin Luther King was one that people thought that they could work with and he was more the middle of the road person and then moved out. And yes, did bring a lot of people into the movement, but Vernon Johns was actually the civil rights leader, but it was not palatable to people.&#13;
&#13;
SM (01:08:06):&#13;
How about Malcolm X.&#13;
&#13;
MJ (01:08:08):&#13;
I saw Malcolm X now as probably one of the greatest leaders of all time. It was unfortunate that that movement did not, or Jewish people had such a negative connotation of him. But I also look at his family system and what happened to him in terms of how he was raised and see him as... Really, if we had followed the philosophies of Dr. Martin Luther King, perhaps African Americans would not be as dependent on the government as it is today.&#13;
&#13;
SM (01:08:41):&#13;
How about some of the Black Panthers of that period. Huey Long and...&#13;
&#13;
MJ (01:08:46):&#13;
You mean Newton?&#13;
&#13;
SM (01:08:47):&#13;
Not Huey Long, Huey Newton, Bobby Seale, Eldridge Cleaver.&#13;
&#13;
MJ (01:08:53):&#13;
These were, again, young people who fell into a movement. Actually, the Black Panthers had a nice thing going in terms of they were running schools for children. They were doing a lot of things for African Americans, and they were giving African Americans a pride within themselves and it was unfortunate that it all got swept away in a battle with police officers. I do not even think that they were Black Panthers, the way people look at them, they were just another extension of the Muslim movement to me, but they did not want to be Muslims who were going to fight for, by any means necessary, the rights of their people.&#13;
&#13;
SM (01:09:38):&#13;
Timothy Leary.&#13;
&#13;
MJ (01:09:41):&#13;
I really cannot speak of him.&#13;
&#13;
SM (01:09:44):&#13;
He was a drug guru. A couple of names, Barry Goldwater.&#13;
&#13;
MJ (01:09:48):&#13;
Well, that is the reason why I cannot speak of him because drugs, I just have such a thing.&#13;
&#13;
SM (01:09:52):&#13;
Right.&#13;
&#13;
MJ (01:09:55):&#13;
Barry Goldwater, establishment, keep the power even at the expense of others. And I get that mostly because of how he has settled or went after the lands that Native Americans have lived on. There is just a need to have the wealth.&#13;
&#13;
SM (01:10:11):&#13;
Muhammad Ali.&#13;
&#13;
MJ (01:10:13):&#13;
Oh, wow. A man that changed America, who made you laugh. When I think of Muhammad Ali, I think of his, not so much of his religious belief or his not going into war, but his ability to poke fun at himself and others and to gain acceptance to almost everything. Having his own beliefs and still to this day fighting Parkinson's disease. You see this man who is fighting it in such a way that no other person has ever done that. He takes every strength to walk, and yet he is walking. I see him as just a very strong and powerful leader.&#13;
&#13;
SM (01:10:57):&#13;
I think he just turned 50, did not he?&#13;
&#13;
MJ (01:10:58):&#13;
I do not know how old he is.&#13;
&#13;
SM (01:11:00):&#13;
He might be 50. He has got be a little over 50 because... Well, anyways. And Spiro Agnew.&#13;
&#13;
MJ (01:11:05):&#13;
Oh. Nolo contendere. That is what I think of him. When I explain nolo contendere, I do not know, but if I was, I did not know. And that is how I see him. I often equate the office of Vice President as a nolo contendere job because we really do not use that office the way I think it could be used.&#13;
&#13;
SM (01:11:34):&#13;
Well, he certainly brought the campus up to a rage, sure had that ability. Gloria Steinem and some of the women of the Women's Movement.&#13;
&#13;
MJ (01:11:44):&#13;
As a woman of color, I just have not really had that much time to be involved in the Women's Movement because you can only have one movement that you are involved in. But Gloria Steinem I think is one that has brought White women to caring about others, as well as looking at White women and how... as well as looking at white women and how oppressed they really were. So she has helped release those shackles.&#13;
&#13;
SM (01:12:09):&#13;
It falls under the same category as Betty Friedan and Bella Abzug and even Shirley Chisholm. They were all of that era.&#13;
&#13;
MJ (01:12:17):&#13;
And Barbara Jordan, all of them. Yeah.&#13;
&#13;
SM (01:12:18):&#13;
Right.&#13;
&#13;
MJ (01:12:19):&#13;
Yeah. They were all women who went up against the odds. And so for that, she has got an acolyte in my land.&#13;
&#13;
SM (01:12:28):&#13;
Richard Daley, mayor of Chicago?&#13;
&#13;
MJ (01:12:31):&#13;
I found he was very racist, I mean, beyond the political machine. I think covert racism is just as, and perhaps more mind-boggling than overt racism. And I feel as though that is how that political machine worked, and it caused a lot of people who... That was the beginning of Cabrini-Greens and all of these blasted welfare apartments that they made, which they called projects, and they put people in there and could care less about them. And that probably is one of the downfalls of our nation because if we had integrated and infused all of these different people, we probably would not have the biggest welfare problem we have today. But we just put all of them in there and let them live on top of each other, kill each other, do whatever as long as it did not bother anybody else. And so Chicago, it has been one of the main places for that.&#13;
&#13;
SM (01:13:24):&#13;
How about Robert McNamara?&#13;
&#13;
MJ (01:13:27):&#13;
Do not have much to say.&#13;
&#13;
SM (01:13:31):&#13;
The musicians of the era, Jimi Hendrix, Janice Joplin, the Beatles, Elvis Presley, all those musicians, it is the Motown sound, all the music of that period.&#13;
&#13;
MJ (01:13:43):&#13;
All right. Collectively, when I hear of Jimi Hendrix, I think of drugs. Or I think of Janice Joplin, I think of drugs. So I see it as a lot of drugs involved there. When I think of Motown, however, I think of it completely different. I think of it as exploitation. When I think of Billie Holiday, I think of her as involved in drugs only because she could sing at any place in Harlem and yet could not walk in the front door if she was not singing. So I see a lot of their downfall, the taking drugs, for just trying to deal with the entertainment field. I see it as exploitation because most of those Motown people who have survived, really acquired their wealth in the late (19)70s and (19)80s, really (19)80s and (19)90s. But when you look at way back then, all of them were being used by someone. And they were all involved in a meat-shop-type thing where the people who owned the laborers made the money. I think the music was great. I guess, of the drug person that I loved the music of the most, and think it fits the time, was Marvin Gaye. I think he had such a great political instinct on so many things. When you listen to his records, they are just... You can play him today, and he-&#13;
&#13;
SM (01:15:11):&#13;
Yeah. What is Going On is a classic.&#13;
&#13;
MJ (01:15:13):&#13;
And Mother... I mean, all of them. He really talked about this... He took the moment of the time, and I really think he was a genius, and really talked about them and the pain that lots of groups of people were coming from.&#13;
&#13;
SM (01:15:27):&#13;
And he was criticized for doing that too.&#13;
&#13;
MJ (01:15:28):&#13;
Yeah. Oh yeah.&#13;
&#13;
SM (01:15:29):&#13;
"You are not going to sell any records doing that."&#13;
&#13;
MJ (01:15:31):&#13;
Yeah. Oh yeah. I mean, his What is... And I remember going to sleep on Marvin Gaye records, just listening to What is Going On. He dealt with the sexual revolution through Sexual Healing, and that is why we were all into sex. I mean, it is just all of those things. And he was probably the one... Elvis Presley, I could not stand, and a lot because I do not know if it was a rumor or whatever, but I remembered he always said, "Only colored folks could do for him was buy his records." And so there was a lot of division.&#13;
&#13;
SM (01:15:59):&#13;
He said that?&#13;
&#13;
MJ (01:15:59):&#13;
Yeah.&#13;
&#13;
SM (01:15:59):&#13;
Oh wow.&#13;
&#13;
MJ (01:16:02):&#13;
I do not know if it was true. I do not know if it was true. It was a rumor that spread throughout the African American community.&#13;
&#13;
SM (01:16:07):&#13;
Okay, wow.&#13;
&#13;
MJ (01:16:07):&#13;
I also know that he ripped off a lot of African Americans in terms of their music. I mean, and that had nothing to do with him. It had a lot to do with that white America would not listen to Black music. And so Elvis Presley would go and listen to that music and then make money off of it.&#13;
&#13;
SM (01:16:23):&#13;
The last one I have here is Dwight Eisenhower because he was when a lot of boomers were a little younger.&#13;
&#13;
MJ (01:16:29):&#13;
Dwight Eisenhower? Only because I know the Eisenhowers... I think he came out of the war, and we made him a hero. I do not know if he was primed to be president. And so I think he fell into this great political power based on the fact that he was a good general. And I do not think he made such a great president.&#13;
&#13;
SM (01:16:53):&#13;
Woodward and Bernstein, the two reporters that...&#13;
&#13;
MJ (01:16:56):&#13;
Courageous. I do not think they realized... Because I lived in Washington around that time. I do not think they realized what they stumbled on to. I always just look at them almost like the OJ Simpson trial. If that had happened now, would they maximize their potential? I would hope not. I hope they would still do the same thing, just write the story as it was told and not worry about who they could sell it to.&#13;
&#13;
SM (01:17:24):&#13;
How did the youth of the (19)60s and early (19)70s change your life?&#13;
&#13;
MJ (01:17:27):&#13;
The youth of (19)60s and early...&#13;
&#13;
SM (01:17:30):&#13;
In attitudes that you have?&#13;
&#13;
MJ (01:17:31):&#13;
First off, I grew up in Westchester, Kennett Square, Westchester. So I went to school in Catholic school and public school. And there were not that many African-Americans here. So I grew up in a white environment, probably knew a lot more about Italian and Irish culture than I did my own. My parents gave us, as a gift in our junior year, a trip. And because I was the youngest one, I decided to do the furthest thing. My sister went to Canada. My brother went to New Mexico, and I chose to travel Europe for the summer when I was 16. I turned 16 in Venice, which was really great because I got to come back on the ship that brought over all the student exchanges. And they picked me to be on a lot of panels because it was the ugly American at that time. And most people, most Europeans did not like Americans, which was new to me because here in America, most African Americans wanted to be a white American. Well, white Americans were not accepted, and I was placed in power on that ship because they wanted to know, Europeans wanted to know about my experience of being an African American here in this country, which now thinking back, might have probably been some of my first stance on race relations. And so I remember getting on that ship and being asked to participate in this panel about being an African American, being colored in the United States, and what did it have? And the reason why it had a lot of problems for me was because before I left to go on that trip, I wanted to go academic course. And at Bishop Shanahan High School, the ninth grade was a generic grade, and then you could go academic, commercial, or scientific. One was for the math and science, which was scientific. Academic was for those and wanted to go to college but not in the math and science area. And commercial was those who wanted to be a secretary. And the nun would not approve my schedule for academic. Now, I had been involved in cheerleading, and I just really had power at Bishop Shanahan High School. But when it came time to pick my courses, the nun stated, because my father owned a course, I mean a company, that the best course for me to track would be commercial because it is best for me to get a job and go work for my father in a secretarial slot. Now the nun did not know my father fired me when I was 12 years old because I did not come to work appropriately. So I had thought in my head I never would be able to work for him and never did. I was also a candy striper and had enjoyed seeing the social worker at Chester County Hospital and kind of said, "Oh, that is what I might want to do when I get big or grow old." So when I was denied the academic course, I was going to accept that because, after all, sister Mary Corona said that is what I was supposed to do. And I was a good Catholic. But my mother stated, "No," that I had to... If I wanted to go to college, then that is where I was going, and if she had to pull me out of that school, she would. Now you have to understand, that was devastating to me because I was a cheerleader, that ninth grade, that is the year you make whoever you are going to be. And I had made it to the cheerleading squad. And so I was now quote, "a popular person," unquote, and I did not want to have to start over into... And I had been involved in Catholic school since the fourth grade, fourth grade to the ninth grade. So most of my friends were Catholic. And my mother talked about sending me off to public school. Well, that summer, while I was away, my family moved from Kennett Square to Westchester, and my mother enrolled me into Henderson High School in the academic course. And I have to thank her to this day because I would have been a horrible secretary because I hated that. And I went on and did well, went on to college. But it was during that summer of my 16th birthday that my whole life kind of changed. And in the area of race relations was why it changed because the nun who was very racist, but I did not want to believe that because nuns cannot be racist, denied me access to education of which I wanted.&#13;
&#13;
SM (01:21:39):&#13;
Oh wow.&#13;
&#13;
MJ (01:21:41):&#13;
And to find out years later, the same thing happened to my husband where he was told the best he could do would be to work with his hands. And he just decided to go on to public school. And he was also raised a Catholic and challenged that system. I do not know if he was told that in public school or whether he was told that in Catholic school but went on to school. And I think that that is where the biggest mistrust comes for African Americans, is in that school system because we do not... And we still do not have enough people of color or enough white people who know about the colleges, of HBCs and know about how to nurture our kids and how to push our kids on. And so we think that, "I do not trust my child's guidance counselor because I know what was done to me. And far too often do I know what was done to other African Americans."&#13;
&#13;
SM (01:22:39):&#13;
That is a very revealing story. And that will be in the book.&#13;
&#13;
MJ (01:22:45):&#13;
Okay.&#13;
&#13;
SM (01:22:45):&#13;
Because of what we have tried to find here, and this leads right into this very important question. If you were to pick the experience that had the greatest impact on your life, is that the one from that period?&#13;
&#13;
MJ (01:22:53):&#13;
It was that, yeah. It was that, and it was being raised part of the Black middle class. Being part of the Black middle class, whites did not accept you, as well as African Americans did not accept you. I had a nice life. I did not really want for anything. I rode horses, had a nice life, and many times people would refer to us as silver spoon or all those kind of things. It was not until I came to terms with that my father did what he needed to do for his family, and he wanted to uplift his family. And so I started reading about the Black middle class and really started enjoying it.&#13;
&#13;
SM (01:23:36):&#13;
If there was a particular event from that period in American history that had the greatest impact on you, what was that?&#13;
&#13;
MJ (01:23:42):&#13;
Assassination of Dr. Martin Luther King.&#13;
&#13;
SM (01:23:44):&#13;
Okay. You remember where you were when that happened?&#13;
&#13;
MJ (01:23:47):&#13;
Mm-hmm. When Dr. Martin Luther King was killed, I was in the first year of college, and actually there was two assassinations. The first one was assassination of JFK. And I was in Catholic school at that time, and we were in mass, and we were dismissed. And then when we got home, we found out that the president had been shot. And that was really, really scary. And then it was the assassination of Medgar Evers.&#13;
&#13;
SM (01:24:16):&#13;
Oh yeah.&#13;
&#13;
MJ (01:24:16):&#13;
And then it was the assassination of Dr. Martin Luther King. And at that point, I realized that doing things through the establishment could not happen. And that is where my militant stance took itself because Martin Luther King had talked so much about nonviolence. And then you looked at what did that really bring you? And that is when you really... I think my own conversion experience from that time was moving to, I cannot stand whitey-type philosophy. And I was at Central State when that was occurring, which was a historically Black institution, and also National Guards people, the year before I was there, had marched on our campus and hosed everybody down. So there was this... And that is when I really kind of got involved, had the Afro, wore the dashiki.&#13;
&#13;
SM (01:25:06):&#13;
Yeah, those were unbelievable times.&#13;
&#13;
MJ (01:25:09):&#13;
But when you see three assassinations, and then right after that it was-&#13;
&#13;
SM (01:25:12):&#13;
Bobby Kennedy-&#13;
&#13;
MJ (01:25:12):&#13;
Bobby Kennedy.&#13;
&#13;
SM (01:25:13):&#13;
...was killed two months later.&#13;
&#13;
MJ (01:25:14):&#13;
And so you realized how crazy America could be. Plus, you had television that would show you what was happening in the South, and you were watching people being hosed down. And so it was almost like today when people sit and watch, that is why I hate them, those crazy talk shows. You could turn on television and see things unfolding. I remember sitting home watching Jack Ruby shoot... Yeah.&#13;
&#13;
SM (01:25:41):&#13;
So you are another one that saw it live, like I did.&#13;
&#13;
MJ (01:25:42):&#13;
Yeah, yeah. I saw it live watching television because I was mesmerized by that whole thing. You just sit, and I mean, you watched television, and I watched the whole JFK funeral unfold. And when I happened to see that, you are just like, "Oh my God." It is almost as you watch that, you get immune to that. You are starting to look at everywhere you can go, you can be wiped out if you do not believe in certain things.&#13;
&#13;
SM (01:26:04):&#13;
Yeah, [inaudible]. You were describing the event that had the greatest impact, those series of events. But if you were to try to, and it is tough to do this, but if you were to speak for the entire boomer generation from all ethnic backgrounds, what do you think the most important event has been in their lives, had the greatest impact on them?&#13;
&#13;
MJ (01:26:33):&#13;
I think the assassinations and the war, and I say assassinations collectively. I just never thought that we would... I do not think people in America believe that they could see a president assassinated. You see Lincoln assassinated, and you realize, "Ah. Yeah, you can see all that," but never before. And I think the boomer generation watched those assassinations as it associated to politics, and I think that is where our mistrust of the system... Because we still do not really know what happened. And cover-ups started coming into play.&#13;
&#13;
SM (01:27:10):&#13;
I am going to end with a question here. Actually, I am going to read this because I want to try to explain this. "The youth of the (19)60s and the (19)70s believed that they could have impact on society as a whole because of the influence on government policy or influence over the draft, issues like voting rights, civil rights legislation, abortion laws, workers' rights, civil rights, multiple movements representing both genders and all ethnic groups because there was a sense of empowerment. This whole issue, we have talked about it earlier, a feeling of empowerment. We can make a difference, not only individually but as a group." How do you feel the boomers feel today about this concept of empowerment? We know they have the power of the dollar because 60 million, they have always been appealed to in the markets for dollars through advertising. But what concerns me is, that you have raised it already earlier, about that they have gone on and raised families, getting a lot of dollars like any other previous generation. But it was always the hope that this generation was different, that this generation saw wrongs and wanted to write them. It is not afraid to speak up, even if it meant the possibility of losing one's job. When you see something wrong, you hope that what happened during that period in terms of what was happening in American civil rights, the war in Vietnam and government policy, how women were being treated, how other ethnic groups came to empowerment, the Native American movement, the Hispanic movement, and the gay and lesbian movement, they all came because they all realized... They used the civil rights as a model, that if nobody is going to change thing for us, unless we change it ourselves. Nothing comes easy. We have to fight to make something happen for the better. My question I am asking you to close out is, are the boomers still feeling that way? And if they are not, is not this a sign that this generation is no different than any generation that preceded them? And as some people used to say, "Well, as you get older, you will see that you are no different." I live my life as I lived it back then. And sometimes I feel isolated when I fight for certain things, not that I am better than anyone, not out of arrogance but that somehow that era caught me for my entire life. And I know there are people like yourself. I think you have fallen in that category, but I am worried that there are few and far between when there is so many issues.&#13;
&#13;
MJ (01:29:42):&#13;
Well, yeah. First off, I do not think there are few and far between. I think that a lot of people are doing a lot of things. It is just that our media does not tell us about it all the time. I mean, media really controls your opinion about our nation. And for whatever reason, the media really does not like... When you take a person like Ennis Cosby, who was assassinated, but here is a young... His life was cut away from him early. But he was a young man that could have done anything he wanted to do. But through the values of his mother, Camille, and his father, Bill, who were all part of the boomer generation, was working with kids who had learning disabilities. He was taking all of his wealth that he did not gain, and he had no problems about that. I mean, I think it is okay. It is okay to be wealthy, and I do not want people to think that it is not okay to give your wealth. But he was using his wealth in a way that was going to really take care of others. You take this young man whose life was just cut away, whose father owned the major company up in New York. And when you go around this world, you hear a lot of stories like that. You hear about the post office man who goes to church every Sunday and reads to kids. You hear about people who rock crack-addicted kids. I think there is such a contribution of people giving back, but our media will never ever tell you those stories. And so I think we have been robbed in America, and we have blinders on, and we do not really realize how many people give back and to what degree people give back because everybody is not the person who needs to have their story told in the papers. And so I am a believer that we have contributed, and I am a believer that we have lived up to what we thought we were going to do. I believe all of us have helped bring somebody along that would not have been brought along had we not had this spirit of giving.&#13;
&#13;
SM (01:31:41):&#13;
So you are not going to buy into that, my very first question from the beginning of the interview, when people will give a broad sweep, a pen stroke of an entire generation-&#13;
&#13;
MJ (01:31:49):&#13;
No.&#13;
&#13;
SM (01:31:50):&#13;
...that the reason why we have problems in America, the divorce rate, the break-up of the American family, the drug situation is because of those boomers.&#13;
&#13;
MJ (01:31:58):&#13;
No-no. I think the reason we have a high divorce rate is people are living longer. And divorced, we were only married before for about 20 years. You now see people celebrating 50, 60, 70 years of marriage. And that is kind of hard. I think the divorce rate is high because women are working. They are independent, and they no longer are dependent on men. But I have seen too many people in, like I say, the postal office-type jobs that help people, and they will never be written about. They will never receive an outcome like that or receive anything, but they help people.&#13;
&#13;
SM (01:32:30):&#13;
I am going to end by saying thank you very much for taking time. An hour and a half out of your schedule is a lot, I know.&#13;
&#13;
MJ (01:32:35):&#13;
Oh, thank you.&#13;
&#13;
SM (01:32:38):&#13;
And is there any final thoughts that you would like to state to conclude?&#13;
&#13;
MJ (01:32:43):&#13;
I would just like to say that these thoughts are my own. They come from an African American perspective of a female, and there is some predictions about the next generation. And I do not believe I am writing that generation off either. I think that they will look out at history 50 years from now, and we will see the strength within themselves because I think everybody contributes in our society, or it would be doomed to fail.&#13;
&#13;
SM (01:33:09):&#13;
Very good. Thank you very much.&#13;
&#13;
MJ (01:33:09):&#13;
Yes, thank you.&#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17653">
                <text>Interview with Mit Joyner</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49831">
                <text>Joyner, Mildred (Mit) ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49832">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49833">
                <text>Social service;  College teachers; Community activists; West Chester University of Pennsylvania; Joyner, Mildred (Mit)--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49834">
                <text>Mildred (Mit) Joyner is a pioneer in teaching, research, writing, and community activism. Joyner has served leadership positions in social work professional organization, including the National Association of Social Workers (NASW), the Council on Social Work Education (CSWE) and the International Association of Schools of Social Work (IASSW). She is Emerita Director and Professor of Social Work at West Chester University in Pennsylvania. She received her Bachelor of Social Work from Central State University in Wilberforce and her Master of Social Work from Howard University.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49835">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49836">
                <text>ND</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49837">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49838">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49839">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49840">
                <text>McKiernan.Oral.10.2016.178a ; McKiernan.Oral.10.2016.178b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49841">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49842">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49843">
                <text>93:12</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1237" public="1" featured="0">
    <fileContainer>
      <file fileId="5730" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/3e73f47f731f8b10ed18115ab9103629.jpg</src>
        <authentication>fc7b95e159c814a0cbf2f1cd8fbd1ba1</authentication>
      </file>
      <file fileId="3365" order="3">
        <src>https://omeka.binghamton.edu/omeka/files/original/c1398cd6b96e5c333e0aca3ad3ec64be.mp3</src>
        <authentication>01e191ed824b14b49955ef664dc4f766</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17673">
              <text>Curt Weldon</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17747">
              <text>ND</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17748">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="17749">
              <text>72:42</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17750">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17751">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17752">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17753">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17754">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17755">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19713">
              <text>Curt Weldon is a politician who served as a Republican member of the United States House of Representatives. He was vice-chair of the Armed Services Committee and the House Homeland Security Committee, as well as the co-chair of the Duma-Congress Study Group. Weldon received his Bachelor's degree in Russian Studies from the West Chester University of Pennsylvania.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19714">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Vietnam War; Kent State; Nineteen sixties; Vietnam Memorial; Civil Rights Movement; Lynden Johnson; John F. Kennedy; Richard Nixon; Watergate.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:513,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;12&amp;quot;:0}"&gt;Baby boom generation; Vietnam War; Kent State; Nineteen sixties; Vietnam Memorial; Civil Rights Movement; Lyndon Johnson; John F. Kennedy; Richard Nixon; Watergate.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20242">
              <text>Legislators—United States;  United States.--Congress.--House; Weldon, Curt--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44636">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50922">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17672">
                <text>Interview with Curtis Weldon</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49738">
                <text>Weldon, Curt ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49739">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49740">
                <text>Legislators—United States;  United States.--Congress.--House; Weldon, Curt--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49741">
                <text>Curt Weldon is a politician who served as a Republican member of the United States House of Representatives. He was vice-chair of the Armed Services Committee and the House Homeland Security Committee, as well as the co-chair of the Duma-Congress Study Group. Weldon received his Bachelor's degree in Russian Studies from the West Chester University of Pennsylvania.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49742">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49743">
                <text>ND</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49744">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49745">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49746">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49747">
                <text>McKiernan.Oral.10.2016.170a ; McKiernan.Oral.10.2016.170b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49748">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49749">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49750">
                <text>72:42</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1239" public="1" featured="0">
    <fileContainer>
      <file fileId="5698" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/8178f30327f1bee3bb3893797385f2ac.jpg</src>
        <authentication>a009d01f6fc7e9733fd170d8769a31bb</authentication>
      </file>
      <file fileId="3367" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/5f50109da7138cc1a71e499f1373e063.mp3</src>
        <authentication>7378990c05340a0e3cafdea541cd0e43</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17677">
              <text>Michael Zuckerman</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17766">
              <text>ND</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17767">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="17768">
              <text>150:21</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17769">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17770">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17771">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17772">
              <text>3 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17773">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17774">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19884">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dr. Michael Zuckerman is a historian, scholar and author.  He is a Professor of History Emeritus at the University of Pennsylvania.  Dr. Zuckerman He taught courses in popular culture, national character, human nature, and religion. He recevied his Bachelor's degree from the University of Pennsylvania and his Ph.D. at Harvard University in American Studies.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:13059,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,16777215],&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;Dr. Michael Zuckerman is a historian, scholar, and author. He is a Professor of History Emeritus at the University of Pennsylvania. Dr. Zuckerman taught courses in popular culture, national character, human nature, and religion. He received his Bachelor's degree from the University of Pennsylvania and his Ph.D. at Harvard University in American Studies.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19885">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Vietnam Veterans; Vietnam Memorial; Nineteen sixties; Counterculture; Baby boom generation; Tom Hayden; Jane Fonda; anti-war movement; Black Panther Movement; Dr. Martin Luther King Jr.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:513,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;12&amp;quot;:0}"&gt;Vietnam Veterans; Vietnam Memorial; Nineteen sixties; Counterculture; Baby boom generation; Tom Hayden; Jane Fonda; anti-war movement; Black Panther Movement; Dr. Martin Luther King Jr.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20244">
              <text>Historians;  College teachers; Authors, American--20th century; University of Pennsylvania; Popular culture; Zuckerman, Michael--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44638">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50924">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17676">
                <text>Interview with Dr. Michael Zuckerman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49764">
                <text>Zuckerman, Michael ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49765">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49766">
                <text>Historians;  College teachers; Authors, American--20th century; University of Pennsylvania; Popular culture; Zuckerman, Michael--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49767">
                <text>Dr. Michael Zuckerman is a historian, scholar, and author. He is a Professor of History Emeritus at the University of Pennsylvania. Dr. Zuckerman taught courses in popular culture, national character, human nature, and religion. He received his Bachelor's degree from the University of Pennsylvania and his Ph.D. at Harvard University in American Studies.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49768">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49769">
                <text>ND</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49770">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49771">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49772">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49773">
                <text>McKiernan.Oral.10.2016.172a ; McKiernan.Oral.10.2016.172b; McKiernan.Oral.10.2016.172c</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49774">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49775">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49776">
                <text>150:21</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1240" public="1" featured="0">
    <fileContainer>
      <file fileId="5756" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/a9f7c48eebed926d0aefd8ef8d6ad97e.jpg</src>
        <authentication>9f6aaa00641f2286df920bb1b7407e43</authentication>
      </file>
      <file fileId="3368" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/c837a6a1c48109543f09e069a35145c0.mp3</src>
        <authentication>84d1f87db34c4262fe02a965ed786822</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17679">
              <text>Marilyn Blatt Young</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17776">
              <text>ND</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17777">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="17778">
              <text>62:58</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17779">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17780">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17781">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17782">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17783">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17784">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19949">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dr. Marilyn Young (1937-2017) was a leftist, feminist, anti-war historian, and professor of history at New York University. She was a founding member of the Committee of Concerned Asian Scholars. She received her Bahelor's degree form Vassar College and got her Ph.D. from Harvard University. Dr. Young's Ph.D. dissertation became her first book. \n&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:13311,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:1},&amp;quot;4&amp;quot;:[null,2,4884200],&amp;quot;5&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;6&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;7&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;8&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;9&amp;quot;:0,&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;Dr. Marilyn Young (1937-2017) was a leftist, feminist, anti-war historian, and professor of history at New York University. She was a founding member of the Committee of Concerned Asian Scholars. She received her Bachelor's degree from Vassar College and got her Ph.D. from Harvard University. Dr. Young's Ph.D. dissertation became her first book. &lt;br /&gt;&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19950">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Civil Rights Movement; Vietnam War; Anti-War Movement; Nineteen sixties; Baby boom generation; Generation gap; Jane Fonda; John Kennedy; Richard Nixon; Kent State; Jackson State.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:513,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;12&amp;quot;:0}"&gt;Civil Rights Movement; Vietnam War; Anti-War Movement; Nineteen sixties; Baby boom generation; Generation gap; Jane Fonda; John Kennedy; Richard Nixon; Kent State; Jackson State.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20245">
              <text>Peace movements;  Feminists; College teachers; New York University; Historians; Young, Marilyn Blatt--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44639">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50925">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17678">
                <text>Interview with Dr. Marilyn Young</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49777">
                <text>Young, Marilyn Blatt ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49778">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49779">
                <text>Peace movements;  Feminists; College teachers; New York University; Historians; Young, Marilyn Blatt--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49780">
                <text>Dr. Marilyn Young (1937-2017) was a leftist, feminist, anti-war historian, and professor of history at New York University. She was a founding member of the Committee of Concerned Asian Scholars. She received her Bachelor's degree from Vassar College and got her Ph.D. from Harvard University. Dr. Young's Ph.D. dissertation became her first book.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49781">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49782">
                <text>ND</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49783">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49784">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49785">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49786">
                <text>McKiernan.Oral.10.2016.173a ; McKiernan.Oral.10.2016.173b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49787">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49788">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="124">
            <name>Requires</name>
            <description>A related resource that is required by the described resource to support its function, delivery, or coherence.</description>
            <elementTextContainer>
              <elementText elementTextId="49789">
                <text>62:58</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1243" public="1" featured="0">
    <fileContainer>
      <file fileId="3463">
        <src>https://omeka.binghamton.edu/omeka/files/original/f30fd3407cba93fdbb53d2ab44069e31.jpg</src>
        <authentication>7e2b3901d0d47a77a4f29c9f664b2b3e</authentication>
      </file>
      <file fileId="3464">
        <src>https://omeka.binghamton.edu/omeka/files/original/29eadd8cc1dd7a1509dd2f251414d16b.mp3</src>
        <authentication>c728b2fa451b3a176a1912fba800423b</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17857">
              <text>ND</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="17858">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="17859">
              <text>Peggy Seeger, 1935-</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17860">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17861">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17862">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17863">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17864">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="17865">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19931">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Peggy Seeger is an American folk singer. She founded the Critics Group and also sang and wrote about women's rights and other controversial topics with her husband. Seeger has published a collection of 150 of her songs from before 1998.  She lived in the UK until 1994, then returned to the US and continued to sing about women's issues, teach, and produce music videos. Seeger went back to the UK and published her memoir, First Time Ever: A Memoir.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:13311,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:1},&amp;quot;4&amp;quot;:[null,2,4884200],&amp;quot;5&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;6&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;7&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;8&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;9&amp;quot;:0,&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;Peggy Seeger is an American folk singer. She founded the Critics Group and also sang and wrote about women's rights and other controversial topics with her husband. Seeger has published a collection of 150 of her songs from before 1998. She lived in the UK until 1994, then returned to the US and continued to sing about women's issues, teach, and produce music videos. Seeger went back to the UK and published her memoir, &lt;em&gt;First Time Ever: A Memoir&lt;/em&gt;.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19932">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Vietnam War; Hiroshima; Feminism; Activism; University; Black Death; Newt Gingrich; Thalidomide; England; Pete Seeger; WWII.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:1,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0}}"&gt;Vietnam War; Hiroshima; Feminism; Activism; University; Black Death; Newt Gingrich; Thalidomide; England; Pete Seeger; WWII.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20248">
              <text>Folk singers;  Women's rights;  Seeger, Peggy, 1935--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="42892">
              <text>105:58</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44642">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50928">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="17856">
                <text>Interview with Peggy Seeger</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49553">
                <text>Seeger, Peggy, 1935- ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49554">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49555">
                <text>Folk singers;  Women's rights;  Seeger, Peggy, 1935--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49556">
                <text>Peggy Seeger is an American folk singer. She founded the Critics Group and also sang and wrote about women's rights and other controversial topics with her husband. Seeger has published a collection of 150 of her songs from before 1998. She lived in the UK until 1994, then returned to the US and continued to sing about women's issues, teach, and produce music videos. Seeger went back to the UK and published her memoir, &lt;em&gt;First Time Ever: A Memoir&lt;/em&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="49557">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49558">
                <text>ND</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49559">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49560">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="49561">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="49562">
                <text>McKiernan.Oral.10.2016.152a; McKiernan.Oral.10.2016.152b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="49563">
                <text>2018-03-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="49564">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="49565">
                <text>105:58</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1288" public="1" featured="0">
    <collection collectionId="25">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="16520">
                  <text>1960's - present</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16521">
                  <text>Binghamton University Music Department Tape Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16533">
                  <text>Concerts ; Instrumental music ; Live sound recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16748">
                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39037">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Template: Universal Viewer / Rosetta</name>
      <description>Rosetta audio media</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="18565">
              <text>1 sound tape reel</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="18566">
              <text>40:18:00</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="19353">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54204"&gt;Recital Harpur Trio&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44685">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18555">
                <text>Recital Harpur Trio</text>
              </elementText>
              <elementText elementTextId="18556">
                <text>Recital Tape 1965 spring</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18557">
                <text>Concerts </text>
              </elementText>
              <elementText elementTextId="18558">
                <text> Instrumental music </text>
              </elementText>
              <elementText elementTextId="18559">
                <text> Live sound recordings&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="18560">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18561">
                <text>Spring 1965</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18562">
                <text>In copyright&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18563">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="18564">
                <text>39091019619398</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="517" public="1" featured="0">
    <fileContainer>
      <file fileId="13469">
        <src>https://omeka.binghamton.edu/omeka/files/original/1aeb294c91bee71a0ca670da812d0913.mp3</src>
        <authentication>afae3c031339f9f4a3ca708a4be26075</authentication>
      </file>
    </fileContainer>
    <collection collectionId="9">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9107">
                  <text>Broome County Oral History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9108">
                  <text>Broome County -- History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="9109">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10385">
                  <text>The Broome County Oral History Project was conceived and administered by the Senior Services Unit of the &lt;a href="http://www.gobroomecounty.com/senior"&gt;Office for the Aging&lt;/a&gt;. Funding for this project was provided by the Broome County Office of Employment and Training (C.E.T.A.), with additional funding from the Senior Service Unit of the National Council on Aging and Broome County government. The aim of this project was two-fold – to obtain historical information about life in Broome County, which would be useful for researchers and teachers, and to provide employment for older persons of a limited income. The oral history interviews were obtained between November 1977 and September 1978 and were conducted by five interviewers under the supervision of the Action for Older Persons Program. The collection contains 75 interviews and transcriptions, 77 cassette tapes, and a subject index containing names of individuals associated with specific subject terms. One transcribed interview does not have an accompanying audio recording. &lt;br /&gt;&lt;br /&gt;In 2005 Binghamton University Libraries’ Special Collections Department participated in the New York State Audiotape Project which undertook preservation reformatting of the audiotapes, and the creation of compact discs for patron use. Several interviews do not have release forms and cannot be reviewed.&lt;br /&gt;&lt;br /&gt;See the &lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;finding aid &lt;/a&gt;for additional information.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Acknowledgment of sensitive content&lt;/strong&gt;&lt;br /&gt;Binghamton University Libraries provide digital access to select materials held within the Special Collections department. &lt;span&gt;Oral histories provide a vibrant window into life in the community.&lt;/span&gt; However, they also expose insensitive, and at times offensive, racial and gender terminology that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these oral histories available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. &lt;a href="https://www.binghamton.edu/libraries/about/collections/digital/"&gt;Digital Collections&lt;/a&gt; are created for educational and historical purposes only. It is our intention to present the content as it originally appeared.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="10934">
                  <text>2</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39038">
                  <text>In copyright&amp;nbsp;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50578">
                  <text>Ben Coury, Digital Web Designer&#13;
Yvonne Deligato, Former University Archivist &#13;
Shandi Ezraseneh, Student Employee&#13;
Laura Evans, Former Metadata Librarian&#13;
Caitlin Holton, Digital Initiatives Assistant&#13;
Jamey McDermott, Student Employee&#13;
Erin Rushton, Head of Digital Initiatives&#13;
David Schuster, Senior Director for Library Technology and Digital Strategies&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="50579">
                  <text>1977-1978</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="50612">
                  <text>&lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;Binghamton University Libraries Special Collections, Broome County Oral History project&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="9882">
              <text>Hladik, Elizabeth</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="9883">
              <text>Caganek, Anna</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9884">
              <text>1978-02-27</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="58">
          <name>Collection</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9885">
              <text>Broome County Oral History Project</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Date of Digitization</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="9886">
              <text>2016-03-27</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="9887">
              <text>25:59 Minutes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="9888">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE55944"&gt;Interview with Elizabeth Hladik&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="32275">
              <text>Hladik, Elizabeth -- Interviews; Broome County (N.Y.) -- History; Children of immigrants -- Interviews; Household employees -- Interviews;  Endicott Johnson Corporation -- Employees -- Interviews; Cigar industry</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44010">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="50581">
              <text>&lt;p&gt;&lt;b&gt;Broome County Oral History Project&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interview with: Elizabeth Hladik&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interviewed by: Anna Caganek&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Date of interview: 27 February 1978&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: I am Anna Caganek: the interviewer. I am talking to Betty Hladik. 24 Isabel Street, Binghamton, New York. The date is February 27, 1978.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Take your boots off.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Tell me, tell me about your experiences.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Yes.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Uh, Betty…in the community.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Okay, is it here? Is it started? I don’t know. I’m Elizabeth Hladik. Eh, born in 1910 of immigrant parents, Frank and Mary Konecny. They came here from Gbely, Czechoslovakia, in 1904 to Ellis Island in America, bought a home on Berlin Street in the First Ward and lived, uh…let’s see, lived there all their lives. They bought it for $2400 in 1912. And I lived there most of my life…ah, ha-married, had two children and two grandchildren. My father at 15 [years] was an apprentice to a shoe cobbler, and lived in Vienna two years. So he naturally went to Endicott-Johnson area here to find work after trying out in the coal mines in Lansford, Pennsylvania, he decided he wouldn't spend his life underground even if the pay was higher. He was content with making shoes and raising a family of six children. Yeah. He inspired me to do domestic work for good families, which he claimed would be more rewarding than to take a homemaking course in high school. I never went to school higher than the 8th grade, and I was quite content, but at times frustrated. The pay wasn't ideal at the time. At least I got around and got an insight of how people of worth live. Why did you have that around? Oh, I see. So at least I got around.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;At 15 and a half, I started as a domestic with Mrs. Murray, 206 Main Street in Binghamton. She was the widow of an Admiral, and she entertained elegantly, having a Swedish cook, and I learned a lot early in life. Also worked for the Chamberlains of Lathrop Avenue—he was an editor of &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Binghamton Press&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;—and the Gails—butter and egg people, and meat. Then a Mr. Clement Bowers, dad who was an inventor, lived on Main Street—I worked for them. Mrs. Daniel Dickinson of South Mountain—her husband was an ambassador of United States to Turkey. Then for a while I worked for a Mrs Frank Harris, he was in the extract business and also the 5-cent doughnut shop on Court Street. And the Edwin Link family, the inventor. And also for a time did restaurant work: the G &amp;amp; H Diner, helping with many chores: the dishes, counter work, and also the diet kitchen in the old Broome County Infirmary on Front Street, and Vail-Ballou book bindery. Then I worked in E.J.’s in the very early years in the Jigger Factory on Willow Street making tennis shoes. And also in Dunn McCarthy Factory as [chuckles] fancy stitcher.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Then for a time I went to New York, worked on 5th Avenue and Park Avenue. I didn’t like the cockroaches. Even in wealthy homes, the bugs appeared now and then in old buildings. I had $75.00 a month pay and room and board. That was in 1939, about. I always liked Binghamton—I think it’s nice to travel around, but here is where I like to hang my coat. Especially [laughing] I’ll always remember our great neighbors. Minnie and John Murphy of 3 Berlin Street, who helped mold my childhood. Actually, Mrs. Murphy, who had no children, was a great help to my mother. She taught my mother the American way of life and came over to show her how to make pumpkin pie, custard puddings, and beef vegetable style, and corned beef and cabbage, and doughnuts. She had been a cook in the Waterfleet New York Hotel in her days, and she was quite a cook. And of course my mother exchanged apple strudel and kolachky for some of her cooking. She used to bring over, to us kids when we came home at lunchtime, some hot meals. Not many people do that today to help out. She was a great neighbor. My mother worked in the cigar factory, couldn't be home to get our lunches. Mrs. Murphy brought over many times, how I remember. Baked potatoes, especially, and creamed cod fish—I loved that.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: What did your mother do in the cigar factory?&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: She was a bunch maker, and she rolled cigars—that’s what she did, and sometimes she made more than my father did in the shoe factory [laughs]. And Mrs. Murphy made real molasses cookies, and mince pie with beef in it, and she inspired my parents to go to night school, and both my parents learned to read. Mrs. Murphy was not a habitual churchgoer, but she was a respected individual and will always live in the hearts of all who knew her, because to live in hearts we leave behind is not to die, and God will always bless America as long as there are people like the Murphys and the Konecnys that can help each other and set a good example for generations to come. And in the face of the high cost of living today, a good word and a helping hand will create the necessary boost we need to encourage us to go on, no matter what life holds.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Did you ever, what did you do for amusement?&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Oh, well. When I was very young I used to go out to pick berries up in Ely Park, that was our favorite pastime—when we were kids, that is. And, ah, after I grew up to be a teenager, I did a little dancing in the Pavilion, and met—and saw some of the great band leaders and all.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: What were some of the—could you remember some of the band leaders?&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Well, of course Benny Goodman, and all those. I didn’t I go too much but I saw some of the greats: Johnny, Johnny Greene, and his band, and—oh dear, who is it? Now that I can’t think.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Did you ever go to the Woodrow Wilson alumni—&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Yes, I went to the Woodrow Wilson School here in Binghamton, up to the 8th grade, and we had wonderful teachers there as I remember. Miss, ah—Miss, ah…she taught us English—oh dear, she’s dead now. Mrs., Miss Stone was the principal, of course.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Miss Berzel?&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: No, Miss Merzel was in Jarvis Street School. I went part-time to Jarvis Street School too. And Woodrow was very nice but we had to come home from school every lunchtime. It took us an hour, I mean, to get back home and eat and do the dishes up and then go back to school. We had an hour to walk all that distance and then go back again. Snow, raining, or shine, no buses, no cafeterias, but we made out [laughs] because as I say, Mrs. Murphy always gave us a lift there—she had no children. Her husband was a blacksmith here on Hawley Street where the old police station used to be—yes. He was one of the last of the, ah, last of the blacksmiths in town, and he died in 1930. So he was a great man. He also bought an old Ford, old Tin Lizzie [laughs]. He never had electricity in his house, he didn't believe in it—they used kerosene oil.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Although we had electricity in our house next door to him. And, ah, our childhood was much different than today, yes it was, and we did more chores around the house than kids think of today. We had all the chores to do because our parents worked—we had to scrub clothes on a washboard, and I remember standing on a little stool just so I could reach the washboard and do my stuff, because my older sister did housework outside. And I had to carry on and do the cooking at 12—I was quite a cook—so I learned, because our parents were both working. That’s how it is today too, both parents are working, but the children, I guess, do not do much cooking. aside from (laughs) hamburgers they can get around the corner, and potato chips and Coca-Cola. I was raised up on different type of food and I'm glad I have that to remember, and I try to keep up as much as I can. Maybe that’s what keeps people young in their outlook on life, and what they've had in the past makes up for a good life.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;You have to eat good, sensible food in order to live a long life and be healthy—and do your share of work. It’s all fun in the long run. But it can’t be all play in life, you can’t expect to be loafing around and playing games or cards—I wasn't much for card games, it’s a waste of time, or bingo [laughs]. I suppose that’s all amusement, but I have a simple way of life, and I like to walk an awful lot and see nature. That’s my amusement–and my grandchildren now.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Do you like to do anything by hand?&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Oh, I used to do a little crocheting and patchwork and embroidery, and some painting pictures on the side. That was my hobby. Oh, but I have not been so interested in it lately, it’s too much hard work. I don’t like the idea of being gummed up with paint and get my house all plastered up, I just don’t care for it anymore. But it’s a great hobby; they told me I did well. I have a few pictures I did, but I don’t expect to sell them for a great deal, so I [laughs] keep them. And don’t have them hanging on the walls, either. But someday, I’ll get back to it and enjoy painting once again. Because—maybe when I get older [laughs]—I’m too young—I’m too young to get old.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: You’re retired now?&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Elizabeth: Now I’m retired, I’m 67, yes. And I expect I’ll like to live to be 85, at least. And if I keep going the way I have and no setbacks, no real ill health, why, then I’ll probably make it and try to help other people that are in worse condition than I am, or—here in the building where I live, there’s some that need help and don’t have too much money to pay for a nurse. Why, you could give a little of your time, but don’t be taken advantage of to the full length. Just a little here and a little there, it’s good to help people along the way, and that’ll make your day. So I am glad to have had this opportunity to talk and tell a little about my life. But at any rate—well, I think I missed out on saying all of the places I worked at. I worked in E.J. Jigger factory and in Dunn McCarthy, I said that before, and the Links—oh—Broome County Infirmary, did I mention that? And Vail Ballou in the book bindery, and—I think I mentioned that, yes. But anyhow, it pays—my father gave me a good example in life, always not to be money mad but to do a job where your heart is in it and to like your work, no matter how much you got paid. Of course, my trouble was I never got much money, but I think I was happy in life, and that’s the main thing. Thank you.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Anna: Oh, thank you, Betty. Thank you.&lt;/span&gt;&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50582">
              <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9873">
                <text>Interview with Elizabeth Hladik&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9874">
                <text>Hladik, Elizabeth -- Interviews; Broome County (N.Y.) -- History; Children of immigrants -- Interviews; Household employees -- Interviews;  Endicott Johnson Corporation -- Employees -- Interviews; Cigar industry&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9875">
                <text>Elizabeth Hladik talks about her parents' emigration from Czechoslovakia and being the only one of six siblings to attend school, up until the 8th grade, after which point she was employed as a domestic. She worked at Vale Ballou, Dunn McCarthy, Endicott Johnson, and in New York City. She speaks of a Mrs. Murphy who was very helpful to her mother in adapting to the American lifestyle. She also discusses how her parents attended night school to learn the language, her mother's employment at the Cigar Factory, and her father's employment at the Endicott Johnson Corporation. &#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="9876">
                <text>Binghamton University Libraries&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9877">
                <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9878">
                <text>audio/mp3&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9879">
                <text>English&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9880">
                <text>Sound&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="9881">
                <text>Recording 33&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="540" public="1" featured="0">
    <fileContainer>
      <file fileId="13431">
        <src>https://omeka.binghamton.edu/omeka/files/original/a026c848f6e3bd2213ebc627be84019c.mp3</src>
        <authentication>8beb37ece1ef40e96c92d26f61034fd2</authentication>
      </file>
    </fileContainer>
    <collection collectionId="9">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9107">
                  <text>Broome County Oral History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9108">
                  <text>Broome County -- History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="9109">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10385">
                  <text>The Broome County Oral History Project was conceived and administered by the Senior Services Unit of the &lt;a href="http://www.gobroomecounty.com/senior"&gt;Office for the Aging&lt;/a&gt;. Funding for this project was provided by the Broome County Office of Employment and Training (C.E.T.A.), with additional funding from the Senior Service Unit of the National Council on Aging and Broome County government. The aim of this project was two-fold – to obtain historical information about life in Broome County, which would be useful for researchers and teachers, and to provide employment for older persons of a limited income. The oral history interviews were obtained between November 1977 and September 1978 and were conducted by five interviewers under the supervision of the Action for Older Persons Program. The collection contains 75 interviews and transcriptions, 77 cassette tapes, and a subject index containing names of individuals associated with specific subject terms. One transcribed interview does not have an accompanying audio recording. &lt;br /&gt;&lt;br /&gt;In 2005 Binghamton University Libraries’ Special Collections Department participated in the New York State Audiotape Project which undertook preservation reformatting of the audiotapes, and the creation of compact discs for patron use. Several interviews do not have release forms and cannot be reviewed.&lt;br /&gt;&lt;br /&gt;See the &lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;finding aid &lt;/a&gt;for additional information.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Acknowledgment of sensitive content&lt;/strong&gt;&lt;br /&gt;Binghamton University Libraries provide digital access to select materials held within the Special Collections department. &lt;span&gt;Oral histories provide a vibrant window into life in the community.&lt;/span&gt; However, they also expose insensitive, and at times offensive, racial and gender terminology that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these oral histories available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. &lt;a href="https://www.binghamton.edu/libraries/about/collections/digital/"&gt;Digital Collections&lt;/a&gt; are created for educational and historical purposes only. It is our intention to present the content as it originally appeared.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="10934">
                  <text>2</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39038">
                  <text>In copyright&amp;nbsp;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50578">
                  <text>Ben Coury, Digital Web Designer&#13;
Yvonne Deligato, Former University Archivist &#13;
Shandi Ezraseneh, Student Employee&#13;
Laura Evans, Former Metadata Librarian&#13;
Caitlin Holton, Digital Initiatives Assistant&#13;
Jamey McDermott, Student Employee&#13;
Erin Rushton, Head of Digital Initiatives&#13;
David Schuster, Senior Director for Library Technology and Digital Strategies&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="50579">
                  <text>1977-1978</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="50612">
                  <text>&lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;Binghamton University Libraries Special Collections, Broome County Oral History project&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="10260">
              <text>Sovik, Mary&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="10261">
              <text>Caganek, Anna&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10262">
              <text>1978-04-10</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="58">
          <name>Collection</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10263">
              <text>Broome County Oral History Project&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Date of Digitization</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10264">
              <text>2016-03-27&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="10265">
              <text>35:00 Minutes </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="10266">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE56026"&gt;Interview with Mary Sovik&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="32269">
              <text>Sovik, Mary -- Interviews; Broome County (N.Y.) -- History; Children of immigrants -- Interviews; Binghamton (N.Y.); Endicott Johnson Corporation -- Employees -- Interviews; Babysitters -- Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44033">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="50363">
              <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Broome County Oral History Project&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interview with: Mary Sovik&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interviewed by: Anna Caganek&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Date of interview: 10 April 1978&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mary: My father was born in Austria-Hungary and he came to America in 1891, and my mother didn’t hear from him for quite a while, so she packed up, just with the clothes she had on left my two brothers over there, came to Jamaica, Long Island in 1894, because he wasn’t sending her, any money, and she wondered, if he was dead or alive. So then she said, “I’m not going back no more.” It took her too long to come here, thirteen days on the boat, no clothes only just, what, she had on so in 1895, I was born. My father had been in the bread line that’s why he didn’t hear, that’s why she didn’t hear from, him. Cleveland was president at that time and there was a depression, and my father worked in Jamaica, Queens, Long Island, on a farm, where they were raising vegetables, to take to New York. They called it a Truck Farm. So then a year later, so then my brothers came from Austria-Hungary, one was 20 years older than me, and the other was 19 years old. The reason they were so much older than I because two children died, in Europe, while my father was in America, they had the cholera. That’s what they died from and then my brothers came and they heard someone crying, my mother was giving me something to eat, they heard a baby crying. They said, “Who is that?” My mother said, “You got a little sister, we forget to tell you.” So that was me.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Well then we lived in Queens, my brothers worked on the farm, too, carrots, cabbage and all that, it was [illegible] farming, so then we, moved to Rockland Lake, and my brothers worked as dynamiters, making that route one from Florida to Boston route, and they worked, there as dynamiters, then we moved from there to Johnston, NY, when I was 8 years old, and I went to school in Johnstown, I went there ‘til 1909 and I quit at the age of 14 years and went to work. In the glove factory, I worked at 10 cents an hour for 8 hours a day, so putting thumbs in and tying them with the other part of the glove. And I could hardly wait ‘til I would be 16 years old so I could work 10 hours a day, dollar a day.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;So then I went on piecework and I worked on a machine. First I pulled ends, you call it end pulling, it’s that silk, in the back of the glove 3 cents a dozen. Then I went there three years later, and I thought well I’m going, to go to that factory, where I used to work, and I went, to look for the employers and I asked, “How much do you get a dozen?” It was about 5 years later, they were getting 40 cents a dozen for the same work the same work that I was getting 3 cents a dozen. And I was making 25 dollars a month.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;So then I went to Europe in 1913 and I went to, on a boar the name was the &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Kaiser Wilhelm&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, it was called the &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Kaiser Wilhelm&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, with a cousin, that lived in Gloversville, I went to her parents with her and our boat costs us 58 dollars one way, just on the boat. She came up to the factory, she just came to say goodbye, to me. She says, “Mary I’m going to Europe, my mother wants me to come home. Why don’t you come with me?”&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;“Wait, I’ll go home and ask my mother if I can go,” and I went home, and my mother said, “What are you coming home so early?” I said, “Netty’s going to Europe. Can I go with her?” She says, “Are you crazy? Going over all that water.”&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;So we went to Cloversville, we got the tickets it costs us 58 dollars on the boat one way, and we went to Bremen, and we rode, on the train to Pressburg, and then I went to Malacky, where my aunt lived and we went to visit different aunts. I went to St., Svatý Mikuláš, St. Nicholas, and I was in Marie, Tal, Sastin, and I went, to Prague, my aunt took me there to see the Sokol’s drill and we were there until November.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;I came back to Johnstown, NY, just in time for Dance for Thanksgiving, for Lent, before Lent. I was in Vienna also. When I was in Johnstown after I got married, in 1915, July 3, 1915 and lived in Johnstown and then we finally moved, to Saratoga, we were there for 2 years in Saratoga, moved back to, Johnstown again then in 1919 we moved to Binghamton and I’ve been here since. I go to Johnstown every year, I drive. I’ve been going to Johnstown every year, and I’ve traveled, quite, a bit, I’ve been to Panama City, Florida from Binghamton. My daughter was married there, her husband was a flyer, Paul Vanek. He was Lieutenant, and Paul Vanek was a flyer, I went to Queens, Long Island, when I was single yet, in 1914 to visit my godmother in Jamaica, and Queens, Long Island, was a regular farm.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;I went to Sunny Side Long Island, and I went to the World’s Fair, in Yonkers and my godmother, did lived in Queens, but it was just a farm, and I’ve been to Miami, Florida six times, I have two cousins there, Miami Beach, six times. I have a niece and a nephew there, Hollywood Florida, Pompano Beach, Fort Lauderdale my niece’s husband’s son lived there. New York City 15 times. I went to Fort Lauderdale with the Senior Citizens, we went to Disney World and they took us all over, on that, boat that goes along the canal there we went to dinner and to outside dinner, and to vaudeville, show, and we also went to Key West.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Also to Miami Beach on a trip, they took us by bus. Clearwater, we went to Kobak Tree for dinner and I’ve been to Auriesville, I used to go to Auriesville in 1904, it was only 7 miles from Johnstown. I went there on a horse and wagon (ah) I saw a priest out there, he was, from England, and I got talking to him, “I used to come here in 1904-1907. To the old church, in a wagon with the fringe on top.” (Oh) And he said he was from Ireland, oh with the Surrey with the fringe on top, so I seen him there, several times, when I go to Auriesville, and I’ve been there ten times, since I live in Binghamton. When I go to Johnson I always go to Auriesville and I went to Poughkeepsie, to friends to a wedding, and San Diego in California went, to visit my grandson and wife, and my little great-granddaughter was born, she was two months old when I went there, they took me to, Mexico.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;I went to Tijuana, Mexico, Joya, and I went to Chicago 13 times, my daughter lived at Mt. Prospect, Illinois, now she lives in, Guilford, Connecticut, and I’ve been there 8 times, Guilford. My grandson lived there now he lives at East Hartford, now I have to go, to East Hartford, troy, NY. Bowlers with the E.J.A.A. Bowlers. I was a bowler, Buffalo, NY with the Bowlers we went Niagara Falls with the Bowling Team with the E.J.A.A. used to go to Schenectady, then in. My brother lived in Schenectady, then in second, Secondaga, Lake 1975, but I used to go there in 1912, when it was Secondaga Park roller skating, and swimming, when we used to wear, stockings and bloomers for bathing.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;I’ve been to Rochester 4 times, my grandson graduated, from University, of Rochester then he graduated from Strong Memorial, he’s a doctor, there now he got married and I was there Christmas visiting them, then some in Auburn the one that used to live in San Diego so now I, have two great-grandchildren. I’ve been there several times, then, went to Nashville, Tennessee, with the Senior Citizens in 1976. Montreal, Canada, in 1975 with the Senior Citizens. Now I’m, retired when I was 63 years old that was in 1958, retired from E.J.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And I started to babysit, I lived in Hillcrest in a trailer, trailer park for 9 years, Tingley’s. I babysay for 50 cents an hour, by the hour, afternoon and evenings. So then Mrs. Kresge asked me Martha Kresge, if I would, babysit a week or two days and night while they went to Germany, to sell Volkswagens. So I said sure, they lived at Chenango Forks. So I started babysitting, people heard about me, so then I, started babysit move right in and took care of the children, while, people went on vacations. I sat for doctors, lawyers, dentists, and IBM workers all kinds of businessmen, I even sat for Charlie Johnson’s, grandson, and I also sat for Charlie Johnson when they went to down south South Carolina, someplace the daughter lived there someplace, they went to soo, some Dupont (they went to visit Dupont) and I sat for several doctors, the Horowitzes all the Dr. Demtrak and Dr. Ansell, Dr. Goodman, eye doctor also pediatrician, Dr. Bronstein, Dr. Kondrad Stearns. I couldn’t mention how many, I could be, must be a hundred, Dr. Baron, must be 250 families that I have sat for, so now at 82 I am going to relax now.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And I’m going to enjoy myself with the Senior Citizens, I go to Senior Citizens for dinner, I belong to Greenman’s Center, I belong to, the Johnson City Nutrition Center at the High School, I belong, to the, First Ward Senior Citizens, I go there for [illegible], to the meetings, and we enjoy ourselves very much.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anna: Could you think of anything else?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mary: I have two daughters, one lives in Binghamton then I, have another daughter lives in Guilford, Connecticut. I have six grandsons the oldest one is 33 and the youngest one is, will be one Sweet Sixteen in March and the other one will be 16 in, June. Two wonderful grandsons, they are very good to me and I have, one niece in Johnson City, and that’s my son in law is General Manager, in, Dunn McCarthy, he started there when he was a young boy, pushing boxes, around, pushing racks around and finally worked on heels, worked at heels, and then he went in the service, Waco, Texas, he was a flyer, he went, to Panama City, and the great-grandson was born there. And he came back, he came back and went, back on heels again at, Dunn McCarthy, and they finally asked him, “Would you like to be a foreman?” so he was a foreman. Then they sent him back to Auburn Superintendent.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Then they sent him back to Binghamton to be General Manager. Now he’s up in Auburn back and forth working. My other son in law the one that lived in Connecticut, he was working for Charlie Bloomer in Mt. Prospect. As a research chemist. Then they transferred him to Guilford, Connecticut, been there now in research they had 3 sons, each one one of my, daughters had 3 songs, I finally di get a granddaughter, a great-granddaughter which I was waiting for because I had two girls, and I wanted some granddaughters, and they closed Dunn McCarthy, yes he is, working in Auburn now. He worked in Dunn McCarthy for 37 years. He came back he goes there on Monday and comes back on Friday. She works in a bank. I go with every week with the Senior Citizens. I go to Johnson City play Bingo, we play for pennies 25 games 2 cents a, game and sometimes I’m lucky and sometimes I’m not, lately I’m lucky and I’ve had so many pennies to carry my pocketbook drags, on the floor it is fun.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And the girls are very nice. They also play Bingo, but we like to, play for the pennies. I belong to St. Stan’s. St. Stanislav on Prospect, Street. I used to belong to St. James when my girls were little and then I, we did go to St. Cyril’s and then when I moved to Hillcrest, I went to, St. Katherine’s about 9 years I lived in Hillcrest then I was, when I came home to live, my daughter’s mother in law they went to St. Stan’s. So my daughter said, “Mother why don’t you go to St. Stan’s? You can take Mom and Dad to church,” they used to ride with me to church. And I’ve been going to St. Stan’s for 17 years. Eddie’s the daughter, from Connecticut. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;They go to St. Cyril’s. The Vaneks do.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anna: Thank you Mrs. Sovik.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mary: Some of the people I babysat. Dr. Marvin, Dr. Sivers, Dr. Horney, Dr. Nortons, Epstein, Dr. Bronsky, Dr. Klima Grandel, Dr. Gould, Dr. Goodman eye and baby doctor, Dr. Koslawsky, Dr. Amtrak, Margolas, Kurst, Bateglino, Hogopian, Norman Rudin, The Parrish Sanford, Olums, Dr. Natala, Dr. Baron. Dr. Shute, Dr. Sife, Dr. Stevens, Dr. Weiss, Dr. Kenneth Smith, Conrad Stemis, Koffmans, the Monks, the Emmas, Dr. Posture, Dr. R.E. Nell, Dr. Stevens, the Andersons Norwich, Hestor, lawyer, Dr. Graff and Dr. Roff, the Levenes, Dr. Steinbough, Dr. Brown, Dr. Monserette, Dr. Cleary, Dr. Davidge, Dr. Doyle, Dr. Vreede, Dr. Moriarty, Dr. Pemberton, Dr. Hayden, Dr. Cox, Dr. Divovan. Dr. Donovan, the Hotchkiss and Dave Lewis.&lt;/span&gt;&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50364">
              <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10251">
                <text>Interview with Mary Sovik&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10252">
                <text>Sovik, Mary -- Interviews; Broome County (N.Y.) -- History; Children of immigrants -- Interviews; Binghamton (N.Y.);  Endicott Johnson Corporation -- Employees -- Interviews; Babysitters -- Interviews&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10253">
                <text>Mary Sovik was born in Jamaica, Queens Long Island, NY. She discusses working in a glove factory,  the many places she travelled to, and her work in Endicott Johnson up until her retirement. After retirement she states she became a babysitter for doctors, lawyers, and businessmen in Binghamton, NY.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10254">
                <text>Binghamton University Libraries&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10255">
                <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10256">
                <text>audio/mp3&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10257">
                <text>English&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10258">
                <text>Sound&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10259">
                <text>Recording 56&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="541" public="1" featured="0">
    <fileContainer>
      <file fileId="13429">
        <src>https://omeka.binghamton.edu/omeka/files/original/bb23ca81afa10bb7a1b6446c9b314cca.mp3</src>
        <authentication>272787c7f8f1b38f911d872c767b87e6</authentication>
      </file>
      <file fileId="13430">
        <src>https://omeka.binghamton.edu/omeka/files/original/0a93bdd4d97af5cafc7cf92e9f290d3b.mp3</src>
        <authentication>59806ddda069b14f000d579f35f45e03</authentication>
      </file>
    </fileContainer>
    <collection collectionId="9">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9107">
                  <text>Broome County Oral History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9108">
                  <text>Broome County -- History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="9109">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10385">
                  <text>The Broome County Oral History Project was conceived and administered by the Senior Services Unit of the &lt;a href="http://www.gobroomecounty.com/senior"&gt;Office for the Aging&lt;/a&gt;. Funding for this project was provided by the Broome County Office of Employment and Training (C.E.T.A.), with additional funding from the Senior Service Unit of the National Council on Aging and Broome County government. The aim of this project was two-fold – to obtain historical information about life in Broome County, which would be useful for researchers and teachers, and to provide employment for older persons of a limited income. The oral history interviews were obtained between November 1977 and September 1978 and were conducted by five interviewers under the supervision of the Action for Older Persons Program. The collection contains 75 interviews and transcriptions, 77 cassette tapes, and a subject index containing names of individuals associated with specific subject terms. One transcribed interview does not have an accompanying audio recording. &lt;br /&gt;&lt;br /&gt;In 2005 Binghamton University Libraries’ Special Collections Department participated in the New York State Audiotape Project which undertook preservation reformatting of the audiotapes, and the creation of compact discs for patron use. Several interviews do not have release forms and cannot be reviewed.&lt;br /&gt;&lt;br /&gt;See the &lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;finding aid &lt;/a&gt;for additional information.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Acknowledgment of sensitive content&lt;/strong&gt;&lt;br /&gt;Binghamton University Libraries provide digital access to select materials held within the Special Collections department. &lt;span&gt;Oral histories provide a vibrant window into life in the community.&lt;/span&gt; However, they also expose insensitive, and at times offensive, racial and gender terminology that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these oral histories available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. &lt;a href="https://www.binghamton.edu/libraries/about/collections/digital/"&gt;Digital Collections&lt;/a&gt; are created for educational and historical purposes only. It is our intention to present the content as it originally appeared.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="10934">
                  <text>2</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39038">
                  <text>In copyright&amp;nbsp;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50578">
                  <text>Ben Coury, Digital Web Designer&#13;
Yvonne Deligato, Former University Archivist &#13;
Shandi Ezraseneh, Student Employee&#13;
Laura Evans, Former Metadata Librarian&#13;
Caitlin Holton, Digital Initiatives Assistant&#13;
Jamey McDermott, Student Employee&#13;
Erin Rushton, Head of Digital Initiatives&#13;
David Schuster, Senior Director for Library Technology and Digital Strategies&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="50579">
                  <text>1977-1978</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="50612">
                  <text>&lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;Binghamton University Libraries Special Collections, Broome County Oral History project&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="10276">
              <text>Spisak, Anne&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="10277">
              <text>Politylo, Nettie&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10278">
              <text>1977-12-29</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="58">
          <name>Collection</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10279">
              <text>Broome County Oral History Project&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Date of Digitization</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10280">
              <text>2016-03-27&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="10281">
              <text>33:37 Minutes; 11:26 Minutes   </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="10282">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE56029"&gt;Interview with Anne Spisak&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10562">
              <text>Spisak, Anne -- Interviews; Broome County (N.Y.) -- History; Endicott (N.Y.); Endicott Johnson Corporation -- Employees -- Interviews; Cigar industry; General Cigar Factory; Perl Bakery</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44034">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="50355">
              <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Broome County Oral History Project&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interview with: Anne Spisak&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interviewed by: Nettie Polityo&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Date of interview: 29 December 1977&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: This is Nettie Politylo talking to Anne Spisak of 43 Bernice St., Johnson City on Dec. 29, 1977. I understand you worked in a cigar factory here in Binghamton some years ago. We are especially interested in this industry because we don’t know much about it. Why don’t we start with the time you started work there—just tell me—how you got the job, what you did, what other people did to prepare the tobacco and make the cigars and just everything you remember about the operation of the factory. OK Anne—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I started working I think about 1929, I think I was around fifteen and I went to the General Cigar Factory—they asked our age, I told them I was eighteen which I was only fifteen. Whether I was supposed to lie or not but I don't know but I did. Then they gave me a job which was examiner. I liked the job. There was four people on the machine to work—one was a feeder, one was a binder and a wrapper and I was an examiner. I had to feel the cigars for their size, for their weight and the cigar. I had a box and there was 500 cigars in a box. I don't know what we got paid by the box but our average pay for the week was $12, so I think that it would be about 30 cents an hour. As for as I would figure it now. And I enjoyed it, I had a nice boss named Mr. Lawrence and once in a while he had his brother which his name was Lorenzo which I couldn't figure that out because they were both brothers. One of them bought a restaurant on Front St., a spaghetti place. The cigar factory, I think closed down for what reason I don' t know.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Excuse me, Anne, do you have any idea when that closed down?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I don't know, it wasn't too long after.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Before you tell me about the closing, how about telling me about the operation what you were actually doing?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I had to feel the cigars, it was on a big machine, feel the cigar for size and I had to put them in the box and if they didn’t match just right you had to take them out and patch them up—if there was a little defect in the tobacco you had to patch them up with little glue, we had our glue to put on, and the machine would operate like a conveyor and had to go to a place fast. If I thought I was a little behind, then I would put them in a big bin then I would take my time and when I had recess or noon, I would patch them up again. And if the big bosses came around they would put their hand in and stop the operation—fill those out, patch them up and start working again. The girls on the machine would help us because we could not operate any further until everything was done. And the big bosses were from Pennsylvania, one of the boss's name was Mr. Joseph, a big fat man with a big cigar in his mouth, is all I can remember. They were pleasant, no one was ever harsh. Then when they came around I had age on my mind all the time because I was afraid they were going to throw me out and I did want work and because I had to work. I figure I had to at that time. We didn't have any coffee breaks as far as I can remember.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You never had any coffee breaks?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Not that I remember.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You just kept on working?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Just kept right on working ’til noon, as far as I remember. The windows had to be closed in the place on account of the tobacco drying up.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: For the humidity?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yeah.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What kind of people worked there—what nationalities?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I think it was all kinds, mostly women. The men had the machine jobs or like repair men.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did you have any familiarity with the machine jobs? Any jobs?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: The first one was a feeder—where they put in a big long tobacco into the machine that would feed it. And the other operation was a wrapper—was a machine that you would wrap it, you know, and the cigar would roll. And the third one—was the top of the process already of the cigar and I already had the finished product.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: How did they pay you—by the hour or by the week?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I think they paid us by the 500 can—cigars—500 cigars. You had to make 500 cigars in the can—to put in a can… You were paid by that—every 500—so it ran about 30¢ hour by the pay I got, so I got $12 a week. That was big money at that time.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: How did you commute back and forth from Endicott?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Street car. I don't know whether it was a nickel or dime for the street car, from Endicott to Binghamton. Once I got off on the Binghamton line and it was an extra and I didn't have the money. I started crying. Then finally a man gave me the dime. Never been without a dime.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Embarrassing.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I didn't realize I had to pay the extra after the arch—in Binghamton.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Certain Zoning.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I didn't realize it was Binghamton—I never traveled before, we never had cars, nobody had a car, so I was never in Binghamton, so I didn't know it was a Binghamton line.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: The men were on the machines and the ladies did the other things?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—and the lady bosses—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What were their names?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: All I could remember was Celia Shawn and then she married a Barnes. I don't know if she is living or not.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Many of these people have passed away?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—but all I know was her name was Shawn, she married a Barnes and lived in Endwell. I saw her a few times, I liked her.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did they make anything else besides cigars—like chewing tobacco, snuff?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: They must’ve. I don't remember because I was on the machine floor. I don't know the bottom floor—I don't know—so I even asked this man today, "Did they pack them in boxes?" He said, "Yeah.”&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Cigars? Yeah.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I didn't even know that—you know you don't pay attention too much when you are working—you were only doing your operation. I don't know what was going on the other section.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You were only working—doing your job?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—right.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did they ever have a union?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, no not that I know of.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did they ever strike for more money?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, we didn't know what a strike was—everybody wanted a job.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What brands did they make?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: William Penn and White Owl—those two I remember.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Those are familiar. Did they make expensive brands?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, not that I know of.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Well, the conditions in the factory—was it smelly, was it dusty from the tobacco?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Well it smells, but I didn't mind it.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That smell didn't bother you—so many of the ladies, it did bother them.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: It didn't bother me at all and I enjoyed working there.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I guess they had to have the windows closed—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes, because of the tobacco—it would dry the tobacco, more.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: How about the facilities for women—did they have couches for women if they became ill in bathrooms?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No—I don’t remember—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Everything was crude—wasn't it?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, I don't remember at all , I don't remember.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did they have more than one shift?&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No I don't remember anything about that, that I don’t remember. And we had to wear aprons, green aprons.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Were they given to you?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, we had to buy them—green wraparound with a pocket—you had to wear a dress and apron or just the apron. Some girls just wore the apron.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That was the standard gear at the time?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Green aprons, yes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did anyone ever snitch some cigars in their pocket?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes, I suppose some did but I never did—I took it if it were a big one—one they didn’t—one out of the ordinary or a little one sometime but that was like a joke—my father smoked cigars but I wouldn't bring them home, he wouldn't want that because that was stealing.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did you say you had to pack them together—was that a mold?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, the machine is—ok—the conveyor ‘til about here the big machine—that lady would have tobacco this long—tobacco comes this long—when it's dry.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Wasn’t there some sort of center that had to be taken out?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: There was a vein, yeah, it is was too hard, I think, out.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Who took that out?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: It must’ve been on the feeding machine because the feeding starts the process.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: They put that tobacco and then they take the vein out in that feeding machine.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I think if it was rough—it would do it itself—I think the machine would do it itself. Then the next process would go—it was big as this—it would have a layer of wrapper already, the tobacco would come from there and go to another process.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Didn’t you have to do this by hand?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, by machine, no this was all by machine.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: After this was cut, and the wrapper was on the bottom—tobacco sort of skimmed on top of that.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: The next process already was a smaller one—this was another layer and then that process would come to this one—and it would roll it automatically and I would get the full cigar.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: How about the wrapper? It’s on the bottom and it would skim to this other machine. What was the third machine?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: She would have to put like a layer—like to make kolachki layer—and then that would wrap around the machine just automatically would roll it. And then through the next process—the cigar would come out a cigar already—and sometimes they were soft or hard—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: —you had to feel them if they were soft or hard—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Then we had this little hole—if you didn't think they were just right you put them through the hole and if it didn't go through the hole you knew it was a reject. Then you had to throw it back to have the right size—because you know if you buy a box you want them to be the right size because you didn't want them to be bigger or smaller—and sometimes if the patches—if sometimes there was a hole on it, the tobacco was not right size—you would put it on that machine and you'd see a hole—see in there—and she would give me a cigar anyway—again—I would have it all—already rolled up then I would see a hole in it and I would take a little tobacco that was a reject and put it on top of reject with glue, and make it look like not a reject and we patch them up. The girls would put it in their mouths, which I never did.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Why did they put it in their mouth?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: They pasted them that way—I don't know how they did it but they pasted them—putting them in their mouth.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I should think if they had the paste they would paste them with their fingers.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right. No, they put it in their mouth.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Do you think they wanted to taste the tobacco?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Maybe. I had the glue just like the white glue, patch it up, cut a piece a little bit and patch so it would be even with the cigar, because cigar is rolled. Then you see that cigar has a big vein that has to go—should have a smooth cigar, you take a little bit of tobacco, cut it up to patch the reject, the way the vein goes—can't go against the grain.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That was interesting. Now after you got the cigar you felt it, after you had to patch it or not, it was hard, it was a good cigar, but if spongy it was a reject—then after a reject you return it to the girl—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: —return it to the grinder and it goes all over—she will have to correct it. Then we have a big can—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Now when you had it wrapped—when do you see the hole—through paper wrapper?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, it was tobacco.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Wait, do you know what I am thinking of—paper wrapper?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, tobacco. Then—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Then they put the bands on.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I don't know what they did. Then I put them in these cans of 500—top of can was open—had sides, back and bottom—you put the cigar in there—there was 500—how we were paid and then the boy come and took the cigars out and then started again. First job—you call it a feeder—long tobacco put into the machine and then it takes the vein of tobacco and chops it off. No. 2—called binder—binds already tobacco for them.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What is rollers?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: That—must be another department—downstairs. No. 3 - wrapper for cigars top of tobacco—I got the finished product.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: In other words yours are machine made.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes, they are all machine made.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Maybe those that were hand made were the expensive ones.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: They used to make the hand made on Water St.—someplace, someplace.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Now at your place they were machine made? I thought they were all hand made.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, I'd go back—if that was there I'd go back there—I loved that job—that’s the only job I liked. EJ—was one piece work—everybody was always fighting for lousy coupons—I was in EJ too, about a year.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: How long did you work there?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I worked there 2 years. You did the same job over and over.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: When did you go to EJ?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I don't know when I went to EJ before or after—I know I didn't work when I got married. I first had a job in EJ and then I went there—I don't know—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did they pay better at EJ?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, I did not like EJ—I liked cigar factory better. I think I liked the work better because I didn't like working on a machine.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: After you left here, you got married?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What did you do after you got married—stay home?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Got a job in EJ again.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Went back to EJ again.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Good ol’ EJ and polished shoes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Where did you work in EJ?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: That was in Endicott.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Where was that located?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: North St.—Fine Welt on 3rd floor with all men—5 women—I polished shoes—how lucky you were.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You polished shoes—were they ladies’ shoes or men's shoes?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Men's shoes. Harry Spry was my boss—I liked that but after I was laid off.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: How about telling about your family?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes, first he worked as a bed laster then he worked in the tannery—Calfskin Tannery—where he ended up.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I think they paid more.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He liked working there—he worked nights—he did his work days and go to church. Yes, he was a religious man—&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What church did he attend?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He attended the church on Hill Ave. Sts. Peter and Paul Russian Orthodox—that's where I was baptized.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did you say you had a brother who was a priest?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes, he went up study to Paris, France—to study to be a Russian priest—Russian Orthodox religion—as they were no seminaries at that time here.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Where is his parish located?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Lakewood, Ohio.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Was he now—very rev—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Archpriest.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: In your immediate family—how many children do you have?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Nine children—5 brothers and 4 sisters.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Are they all living?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: One brother is not, George.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: After you married—how many children did you have?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: 3 girls.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You are a grandma? Ann, could you tell me anything else about the work—or something comical that you can recollect?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: All I know we had no streetlights. We had to walk in the dark—we had to walk to work 2 miles to get a street car—we had no boots, no scarf.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did you ever catch a cold, not having boots?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, never had a cold. The furnace went out at 4 o'clock—we got up and got dressed in the cold. We never knew what luxury was so we took things as they came along, we enjoyed everything, we had a happy home life.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Happy home life and nice parents—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—we always got along. My father used to always say, “I'm wealthy because I got a good family and good health.”&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I think it is very true. If you have money and no health—that's not good.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He always made the sign of the cross before he left the house.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: People from that generation were very religious.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: When he was dying he tried to get oxygen, he tried to bless himself, we didn’t know what he was doing but he was taking oxygen off and he was blessing himself.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: And he was always good to everyone—everybody liked him.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I remember him some—I can 't remember him too much.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Anne, your husband ran a bakery, tell me about it.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: We bought the bakery, it used to be Perl Bakery and we took it over—North Side of Endicott (Squires Ave.) and we built up and got all the Grand Union Stores—the bakery was run down at that time when we got it we built it up. My husband had to go to work to the bakery and stay inside. If the baker did not show up he had to stay inside and bake the bread, rolls and everything was going all over, he had to go help—he had 2 or 3 hours sleep a lot of times. It was pretty tough starting until we got situated but it was hard during the Depression because we couldn't buy anything. It was hard but we still got going. It was hard to get bakers and supplies—but we managed and then after—I worked—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You worked in the bakery?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I iced the cakes—120 cakes a day I iced—I like the back work we got along pretty good until—after a while we [caught] some of them stealing and taking stuff which then after couldn't take any more of the business. I told him, "Let's just give up." And a lady gave me a hard time with a cake and she said, “I don't like the roses, I want them pinkish.” I got so nervous, went in the house and locked the bakery. And my husband came home and asked, "What happened to the bakery?" “Locked it,” because she gave me a hard time—she made me cry—she gave me a hard time so I quit. And I said, "I want to sell it, let's get out of here." And he said, "Don’t let that bother you.” And that's one thing I couldn't take if I saw someone was giving me hard time, and when I saw them stealing—I couldn't take it anymore. I said it's not for us—"Let's get out of here." My husband wasn't feeling too good already. ”I rather have you than the bakery.” So then we sold it to Roma's—now they got it. Even our bakers didn't know we sold it.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Fast job.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: They were all surprised.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Well they probably all liked working for you.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: So, Billie Shelepak worked there—still works there with Roma—he started with Perl and he is still there.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: He is an accomplished baker.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I guess so—he likes the bakery business.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did you do any of the baking?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, my husband was a salesman, not a baker. He used to go on the truck and deliver—come in and help out when a baker did not show up—never gave a notice—just don't come in.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Did he know how to make bread?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: They had to show him and he would do it and I would do etc., bookwork—and whatever the salesman came in—I would either order or tell them George came home. But I saw George was going downhill fast and I couldn't·see it.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You mean he wasn't feeling good?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: No, he was run down and I couldn't see him doing it—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: It doesn't pay to have a business and money when your health is more important to you.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: So, then he got a job with IBM—where he was better off—better off.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What did he do in IBM?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He was putting in the transistors. He started as a maintenance man first and then they put him on transistors.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Like an assembly line job?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He liked it—retired from there.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Better he left the bakery—right? It was a pressure job—wasn't it?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—more of a pressure job. He was 43 when they took him in at IBM—lucky to get in at that age as nowadays it is hard to get in at that age. He didn't know anything—he told them but was willing to learn.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That's what they want—a person willing to learn—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Then when he did get the job—he was rejected for high blood pressure. So he waited a year—finally got in—I always believe—if you wait and you want something real bad—the time will come you will achieve it.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That's your philosophy.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I believe in it strongly—yeah—because we were going into Scranton one Sunday morning—when Vincent Peale was on—he said, “Just believe in something strongly and it will happen to you.” And a year later it did.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I think Vincent Peale—he stresses positive—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—and I strongly believe in that—and believe and hope and things will work out.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Anne, did you have any more recollections? You have a lot of experiences.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: I just can't think—my husband had a lot of experiences on the bakery truck.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Like what?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He delivered bread when he worked at West Side Bakery or Schwab’s—they&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;had the best bread in town.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: They had the best bread—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: He used to deliver bread to Mrs. Rosefsky—her son is the best pediatrician today and he worked his way through selling ice cream.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Who is this Dr. Rosefsky?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Every time my grandchild goes to him today—he always asks about their grandfather. When my granddaughter was ten she had spinal meningitis—we did not know whether she would live or die—it was either death or crippling—but thank God she pulled out and Dr. Rosefsky came to·Perkins—and Dr. Rosefsky told us there that your granddaughter will be ok. That was the best news we ever heard in a long time.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That was a miracle.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: My son in law was sick seven years ago—he had aneurysm—Thank God he is ok—which they didn't give him a chance.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Very few people pull out of it.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: So I strongly believe in something that if you believe in and hope—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: When you have faith—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Yes, you will come of it strong which way it turns. You just have to have faith—that is the only way it gets anyone going.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I believe that too—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: And a man came over about 10 years after we sold the bakery and said, “I have something to tell you.” He came over and I thought maybe our books were wrong—but he said, “I have a new faith and I have to pay my debt in this world.” He said, “I took stuff from your bakery. I wasn't even a worker—I sold it in the tannery,” and he said, “Whatever I owe you—please name your price.” I said to him, “Light a candle—and that is all you owe and God Bless you and God will see the the way.”&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Isn't that amazing.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: To me I think has been that way—because when you have that faith—I think HE will help you materially health wise, not money wise. And I think in a long run you are doing something doesn’t show there—but it shows in that person that you gave it to and I strongly believe in that.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That is amazing.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: That is something I'm telling you. After all these years—we had so many close shaves and every time I think, I thank God—that light is still burning for us.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I think God gives us strength, doesn't he?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: When I see what my son in law went through, what my grandchildren went through so this is the way I see life and when my time comes I think I’ll be ready because when he wants us we have to be ready and if HE puts you to a test, because a lot of these things that we have to go through.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I think it is really a test—don't you think?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Right—it is mostly a test because my husband had so many close shaves down the hill the brakes failed—coming with that truck and he went through Susquehanna, PA, and his brakes failed and if there was anybody in the way it would have killed a lot of people—but lucky no one was there—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Thank GOD he was OK.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: So, a a window fell once on Harry L. Drive, fell off the 2nd floor and it skimmed him by a half inch—he would have killed him right away.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: So when you see and go through these things—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: You know someone upstairs is watching over you and you are so close and yet you are going on. I don’t know—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Gee Ann, you have quite a few things—I know you could squeeze a few more recollections as I know you have a lot to tell me but can't think of them, at that time.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: These are all true facts that happened—how quickly things can happen, that's why I pray. I pray every day that God’s will—that what happens you have to be happy and if you live that way—try to reason—you’ll think of that before you do something.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Anne, do you remember any incidents when you were young—had gone to school—Russian school, etc.?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: When I got my job in EJ I was scared—we were all there in the room—I think about 15 girls or so—all afraid—one day one of the girls said, “Why don’t you go in? Why don't you go in?” Finally I said—my heart is pounding—I said OK—”It’s me, ok, I’m going in.” I had everything I was going to say. So I came in there and Mr. Powell was there—he still lives at Ackley Ave. (I was talking fast) I said to Mr. Powell, "We have 9 children in the family, my father works in the tannery, he cannot afford to feed us so I have to get a job so I don’t know what I am going to do. Mr. Powell said, “You got the job.” So I went to EJ—I went on a stitching machine—I looked on the machine and 5 minutes later—I said, “I'm going home.”&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Oh come on—you could do that.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: Well, I did it, I cut a couple of coupons off—the ladies helped me—they were very nice—they gave me the fancy stitch—where I stitched two pieces together to make a shoe. Well, when you saw two pieces together one side is going to be longer—I didn't know the difference—I just cut the bottom off—I couldn’t imagine what the next operation was—I wasn't working there too long—they didn't want to tell me but that was the reason they let me go. Then I worked in another place and I had to make belts—I had to turn the belt inside out, you know what you were going to have—I poked the hole on the other end—I didn't know about what to do there—so then I didn’t stay too long there—I quit. Them kind of jobs were not for me—they&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;were piecework—and I said, “if I get a job of piecework it's going to be on my own work—what I want do on my own. Finally I got the job at the tag department. I had to do proofreading—I liked it—no pressure—that's where I enjoyed it—that's where I quit from. At my age I think I had it—but EJ was all right—I liked it at the end. And when I was coming home I was crying—as I really enjoyed working there.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: After being at home all these years—raising the children—and get a work outside you enjoy it—figure you fulfilled your job at home and now you are going—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: My husband wanted to quit because he wanted to go to Florida with him so I told him I’d do anything he wanted to—so I quit. And I cried all the way, missed the girls—and left everybody I liked.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: This was when your husband retired and you retired.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Anne: After a month we went to the cafeteria in IBM, the man—asked if you like retirement—no—and he went back to work on his old job and after three months—he said, “No—I'm going to retire.” Nobody ever got that because he got the first check—he was jealous of the job of garbage man because he always worked—he was hardworking—he couldn’t see sitting home when I was working. So I have to quit—because I don’t know what would happen—so he told me to quit—now we both retired and living the life of riley and enjoy everything and everyday cause you don’t know when the last day will be.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Well, Anne, this was interesting—and thank you very much.&lt;/span&gt;&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50356">
              <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10267">
                <text>Interview with Anne Spisak&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10268">
                <text>Spisak, Anne -- Interviews; Broome County (N.Y.) -- History;   Endicott (N.Y.); Endicott Johnson Corporation -- Employees -- Interviews; Cigar industry&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10269">
                <text>Anne Spisak of Endicott, NY talks about working at the General Cigar factory in Binghamton as an examiner. She describes the products they produced and sold at the cigar factory, lack of a labor union, the process of making cigars and the aspects of her job. She mentions getting married and getting a job at Endicott Johnson Corporation  polishing shoes. She discusses  the Perl Bakery, which she and her husband owned, but later sold.  She also discusses how her religion played a big part in her life.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10270">
                <text>Binghamton University Libraries&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10271">
                <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10272">
                <text>audio/mp3&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10273">
                <text>English&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10274">
                <text>Sound&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10275">
                <text>Recording 57&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="543" public="1" featured="0">
    <fileContainer>
      <file fileId="13427">
        <src>https://omeka.binghamton.edu/omeka/files/original/2e518e208d685ab02bf32ae0ed51a5a6.mp3</src>
        <authentication>4ee989a8bf59c3494103a5622d242387</authentication>
      </file>
    </fileContainer>
    <collection collectionId="9">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9107">
                  <text>Broome County Oral History Project</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="9108">
                  <text>Broome County -- History</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="9109">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10385">
                  <text>The Broome County Oral History Project was conceived and administered by the Senior Services Unit of the &lt;a href="http://www.gobroomecounty.com/senior"&gt;Office for the Aging&lt;/a&gt;. Funding for this project was provided by the Broome County Office of Employment and Training (C.E.T.A.), with additional funding from the Senior Service Unit of the National Council on Aging and Broome County government. The aim of this project was two-fold – to obtain historical information about life in Broome County, which would be useful for researchers and teachers, and to provide employment for older persons of a limited income. The oral history interviews were obtained between November 1977 and September 1978 and were conducted by five interviewers under the supervision of the Action for Older Persons Program. The collection contains 75 interviews and transcriptions, 77 cassette tapes, and a subject index containing names of individuals associated with specific subject terms. One transcribed interview does not have an accompanying audio recording. &lt;br /&gt;&lt;br /&gt;In 2005 Binghamton University Libraries’ Special Collections Department participated in the New York State Audiotape Project which undertook preservation reformatting of the audiotapes, and the creation of compact discs for patron use. Several interviews do not have release forms and cannot be reviewed.&lt;br /&gt;&lt;br /&gt;See the &lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;finding aid &lt;/a&gt;for additional information.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Acknowledgment of sensitive content&lt;/strong&gt;&lt;br /&gt;Binghamton University Libraries provide digital access to select materials held within the Special Collections department. &lt;span&gt;Oral histories provide a vibrant window into life in the community.&lt;/span&gt; However, they also expose insensitive, and at times offensive, racial and gender terminology that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these oral histories available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. &lt;a href="https://www.binghamton.edu/libraries/about/collections/digital/"&gt;Digital Collections&lt;/a&gt; are created for educational and historical purposes only. It is our intention to present the content as it originally appeared.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="10934">
                  <text>2</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39038">
                  <text>In copyright&amp;nbsp;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50578">
                  <text>Ben Coury, Digital Web Designer&#13;
Yvonne Deligato, Former University Archivist &#13;
Shandi Ezraseneh, Student Employee&#13;
Laura Evans, Former Metadata Librarian&#13;
Caitlin Holton, Digital Initiatives Assistant&#13;
Jamey McDermott, Student Employee&#13;
Erin Rushton, Head of Digital Initiatives&#13;
David Schuster, Senior Director for Library Technology and Digital Strategies&#13;
</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="50579">
                  <text>1977-1978</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="50612">
                  <text>&lt;a href="https://archivesspace.binghamton.edu/public/repositories/2/resources/44"&gt;Binghamton University Libraries Special Collections, Broome County Oral History project&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="10310">
              <text>Tedeschi, Frank J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="10311">
              <text>Politylo, Nettie&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10312">
              <text>1978-01-31</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="58">
          <name>Collection</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10313">
              <text>Broome County Oral History Project&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Date of Digitization</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10314">
              <text>2016-03-27</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="10315">
              <text>32:52 Minutes </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Streaming Audio</name>
          <description>Streaming URL</description>
          <elementTextContainer>
            <elementText elementTextId="10316">
              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE56036"&gt;Interview with Frank J. Tedeschi&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="10563">
              <text>Tedeschi, Frank J. -- Interviews; Broome County (N.Y.) -- History; Endicott (N.Y.); Grocers -- Interviews; Italians;  Politics</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44036">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="50335">
              <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Broome County Oral History Project&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interview with: Frank J. Tedeschi&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Interviewed by: Nettie Politylo&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Date of interview: 31 January 1978&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: This is Nettie Politylo, interviewer, talking to Frank J. Tedeschi of 327 Hill Ave., Endicott, NY on Jan. 31, 1978. Well, Frank, will you start with some of the recollections when your mother and dad came from Italy and reasons for coming for coming here?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Ok, my dad, Joseph, came from Albrobello which is the province of body Italy back in 1908—back to New York City, of course, and went to a small community called West Winfield, near Utica, New York. And there upon hearing about the Endicott Johnson factories there, they came to Endicott where he got a job in Endicott Johnson in the early 1900s. Prior to that, he married my mother who had come from Italy about one year after he did and they had their first child in West Winfield near Utica, my sister, Florence. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;She was approximately year old when they moved to Endicott. After being in EJ for number of years they opened up their first business on front of Oak Hill Ave. and at that time was called Green St. which is now known as Watson Blvd in 1907 er—1917. From there they moved to Odell Ave, 215 Odell Ave., had a store there and then they bought the property where it stands now—corner of Odell Ave. and Watson Blvd. 101 Odell Ave, that was back in 1919, has been there ever since. My dad had his trial and tribulations same as any immigrant at that time—not knowing the language—and few miss and miss—some of them stories being kind of in the rough—awful time can't get started in this country. The family grew, they grew with the business, of course. In 1946 he retired. At that time I took over with my sister, Florence as a partner. He was a partner, also, but he was an inactive partner, he is what you call today a silent partner in the business. Now I can stop there—you want something else—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Now, tell us what you said about trial and tribulations—some of trials he had when he first came to Endicott Johnson, here in Endicott.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Of course, not knowing the language they were picked on by some of the colleagues called the big Irish people at that time. They picked on the Italians, Poles, Russians, Slavs and they used them as a kicking stick, you might say, for doing all the dirty jobs and got credit for them. He had three or four different jobs and finally decided he'd go into business for himself. One particular instance, he said he was going to bite one of the fellow's nose off, because he bugged him so much, he wasn't going to get violent to the degree where he was going to hurt &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;him physically just to bite his nose. One particular instance. Just that time were many instances but I can't remember all of them, of course, it's hard to say. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Meanwhile, he started a business, kind of hard for him he didn't know the language very sparingly at that time. Most of the people on the North Side were either from the Italian extraction, Slavish [Slavic], Polish or Greek. He got so he could speak a little of each language &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;he picked up as he went along—having got by. He raised a family of ten kids—5 boys and 5 girls. I'm the oldest of the boys and the other brother of mine is in business also, in Vestal Center, my brother Marty. The time he retired he wasn't feeling too well, that's the reason why he got out of the business. He liked the business, he enjoyed meeting the people, talking to the people. And it's a pity that sometimes people don't appreciate what you do for them especially when they're in business because many many people took advantage of them. The details, of course, are too long and complicated to go into now, something like that. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;[to wife] —want to talk? (laughing).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: You are doing well—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Now since my sister and I took over the business in 1946, of course, the old time type of business we changed to a degree because my dad opened the store 7 o'clock every morning—closed at 9 o'clock at night—closed Friday night at midnight—closed Saturday at midnight—Sunday up to 1 or 2 o'clock in the afternoon. When we took over we closed early—we closed Sundays and holidays. We don't have that type of business. We feel it's not worthwhile sacrificing life. They had the business, they enjoyed it they worked, they enjoyed taking care of the people they knew as friends. Now our type of business today is also different what it was years ago, where it was strictly Italian, of course, now we take care of to specialities—to groups of people like Greek, Armenian, Lebanese, all types of people, Chinese, Italian, English—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Frank, can I interrupt right now? I know that's the thing I found interesting when I was in your store—I noticed you had so many different things in your store—I looked all over for a special kind of wheat and I found it in your store? What other things do you have in your store that the Armenians, Greek—specialty kind of things?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: The kind of wheat, I believe you wanted, was cracked wheat—called bulgur—OK—then we have buckwheat groats, also which for the Russian, Polish people, Slavic people, which not many people handling it in the area. Some of the other items that the Lebanese use is—mixture called—falafel which is a mixture of ground fava beans and spices—then there's the—tahini which is ground sesame oil and then there's the Greek shortening—called minerva—funny name for it—Greek shortening—came from Greece—special wild onions called—volvoí packed in oil and vinegar is Greek. For the Lebanese, also, we have the Lebanese spices called—mahaleb and za’atar—two special spices they’re always looking for. And pine nuts, of course, are the Greek and Italian—of course, they are going international now—pignoli nuts come from Spain. Some of the other foods, of course, are Greek cheeses—and and the Lebanese cheeses—are special cheeses in themselves. The Greek cheese is packed in brine—some of them—Lebanese cheese are a basket cheese—Russian cheese used at Easter time—used to put in their baskets to be blessed—yeah—ok—some of the other items I, of course, imported Italian foods that we have—which hard to find—the St. John bread, we used to call—dried bananas at one time, carobs—we call—real name—are from Portugal—3 or 4 varieties of figs—Turkish figs, Greek figs, California figs—dried form or string form—then we have a variety of many other foods such as dried garbanzo lentils, things like that are dried legumes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mrs. Tedeschi: Greek pastries too.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Yeah, of course, the Greek pastry—which are the phyllo leaves from the prepared Greek pastry, which is called tiropita, spanakopita. We have the dessert, the sweet stuff, baklava which is very delicious. We also have a variety of Far Eastern breads—leavened breads which is called ma’arouk—then we have sesame bread which is flat leavened bread which is Lebanese and Armenian type of bread—then we have the folded dough—folded dough used for pizzas. These are some of the items we have. We have some others, of course.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Sounds interesting! I didn’t realize you had that many.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: We have all types of imported kind of candy, spumoni, terrone—we have chocolates. We have imported cherries and brandy, butter cakes which are called qatayef—brandy or rum.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I didn’t realize you had all that.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: We also carry a variety of porcelain goods such as demitasse cups and sets (demitasse) and we have large spaghetti bowls of all sizes, have different type vegetable strainers, meat choppers and sausage makers for home use.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What are some of your recollections of the Italian People? You know, some of the customs—that would be interesting—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: As far as the eating habits are concerned?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Well, eating habits, maybe some of your customs—holidays—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Well your Christmas Eve customs in the Italian line are the fact they have to eat, or not have to—but the custom to eat 21 different types of food. In other words—mostly non-meat items, Christmas Eve. Usually they have 7 or 8 or 9 varieties of fish, cooked different ways, different kinds of vegetables, nuts, cheeses, different kinds of wines, beverages of all kinds, of course, to get loaded—have to have alkaseltzer (Laughing). Of course, the traditional Italian fish which is a dried codfish, baccalà which comes whole, which it comes boneless or skinless which has to be freshened soaked day or two, soaked 3-4 days with the bone in—then there's a Swedish stockfish, also is original Italian dish mostly for people from Calabria—lower Italy—Calabria, town which is on lower end of the boot of Italy, they eat that fish—it is very expensive this time of year—$6.50 a pound—that what they asked for two weeks ago.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Is it a salty fish?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Very strong aroma—some people call disastrous—has a very distinct odor to it. Those all traditional—people fish—that they eat—want. Also, there are English pilchard, called—aringa—which is a smoked dry sardine which is also a traditional type of fish and the dry smoked herring—(put a jug of wine) after you eat a couple fish which you would be thirsty. Something, like the Russian people have their pickled salt herring - the Italian people have their dry smoked herring called aringa. Of course, the Italian spaghetti sauces, numerous different kinds of spaghetti sauces with the Italian seasonings and cheeses from Italy, called romano pecorino—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What was that?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Romano pecorino—which mean—made from sheep's milk—pecorino means sheep's milk—&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;pecora&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; means, means “sheep” in Italian. Now the people in northern Italy which are the Piedmonti's people, citizens of northern Italy they use the parmigiano cheese—parmesano—is strictly from cow's milk. They don't like the sharp violent cheese—that cheese is mostly for white sauces and cream sauces—types of spaghetti—made from piselli—for example use butter, use parmesano cheese, but to make piselli fettuccelle use romano cheese.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Never heard of those—that sounds good—though—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Different types. And of course we have the variety of Italian olives—some consider Italian, some consider Greek, we used to have them in barrels, now they come in plaster tubs, about 30-40 each—they have a flavor of their own, don't compare with the ripe olive different taste to them—there is a Sicilian type, there is a Greek type.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Is that right? I didn't realize that.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: There are varieties of olives—those we specialize in them, also. Now the other strictly Italian food that we find in our place which I don't believe, of course, the English and American people, well I haven't seen the Russian or Slovak person buy, that's cornmeal—used for cornmeal mush, polenta—that's called in Italian.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I think I had that in Spain.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: It is cooked and boiled down in water and you put a sauce over it, with homemade meatballs or homemade sausage—my wife eats the corn and I eat the sausage—but that's also a strictly Italian. In this country they used to make, you know, muffins or fritters, things like that. There's strictly polenta—which is cornmeal mush—made with rich tomato sauce. Others, are of course, you know is pasta and beans and pasta and lenticchie which is lentils, pasta and ceci ceci which is chick peas.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: All kinds of foods, I imagine you are a cook from what you are talking about—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: You know, I give lot of women a lot of recipes—I never cooked any in all of my life.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Is that right?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: I know the ingredients are and how to cook them, because I've seen them cook in our house. Alright, what else should we talk about?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mrs. Tedeschi: About hospitality—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I would say—all these things—all this is interesting.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mrs. Tedeschi: —the way they were.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: The way they are—they are—still are—the foreign people, the people coming from Europe, we also are a nationality, are a lot more hospitable—than the people of this country are.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Yes, yes.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: You walk in a Italian home, or Slavic home or a Greek home and if they are eating dinner they will insist you sit down and eat with them, otherwise they would be insulted. If they don't have anything, middle of the afternoon, they will insist on putting on a pot of coffee, take out some cookies or cake or something.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: It's very true.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Those are things we find that the active people, the Italian people, the Slavic, the Polish people are very, very famous for. They are also, very persistent, asking you to sit and join them.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Yes, very much so.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Mrs. Tedeschi: Yes, they are.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: You know the traditions we had in the past every once in a while, I think about it. They're forgotten. The younger generation don't know anything about it.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That's what I'd like to have—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: OK—back years ago, now we’re having Palm Sunday coming and Easter Sunday with Lent, our parish priest, at that time, would go around on Palm Sunday and bless the homes with his holy water—along and his assistant and a altar boy carrying the holy container to bless the homes. That particular priest that we had here, used to stop, how he did it I don't know to this day, stop and eat everyplace he went. He usually would go around, you know, at meal times, you know at about twelve to one o'clock, everybody—sitting at the table—eat something for about five or ten minutes—then they would question him all over again—you could tell by looking at him he enjoyed it. Those are some of the traditions that are gone—we miss—and back, even days before television, before radio, before restaurants, and beer gardens we have today—it used to be more of a family affair—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: It's true.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Families used to get together and enjoy themselves—sit, talk, chat, eat and drink, play cards—that was really happy occasions to play cards when you bring a bottle of wine—the old fellows, us kids used to watch and we were chased off to bed.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: True.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: But those are missing now, now everybody has got their own new world, they live in. Now I come home, as tonight, watch television for two or three hours and go to bed. That didn't happen before—before you would talk with the family, I'd visit my sister, my brother would visit me—I'd visit my dad—that type of thing—that's missing today.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That's too bad, too.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Then the old feast days are gone—the atmosphere is gone like when they celebrate St. Joseph's or St. Anthony's or St. Cosmo’s one of those things, St. Mary's. They'd have their procession down the street. Saints, bands—5 o'clock in the morning they'd wake you up with their fireworks—ups! it's time to get started you know, then they get end up for the affair, they had at night, food, drink and everything else involved. Those are all gone. Those are what everybody misses. As I say, things have changed, the world is changing, the people changing. I like to keep those traditions—I find, right now, though in our area here especially, we've got quite an influx of immigrants that had stopped for a while—there was a period for anyone to come in—they stopped for a while—they had quotas as they were strict to have anyone come in but the last few years they lifted—ooh—we have about 50 families, have come.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: ls that right?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Between the Italians, Slavic and some of the Russians—not too many of them—not too many Russians—guess they're not letting them out. (Laughing) They're keeping them there. But there's quite a few coming in—so traditions will remain as long as these people keep coming in the European tradition—they'll bring them here. I'm glad to see that.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: I do too—I really like to see that. It's nice to be able to enjoy those things.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Well, are there any other recollections—I do remember the parades collecting and all that—it was very interesting—of course, in those days, too, if you remember—you weren’t old enough—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Gee—thanks—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Back, years ago before refrigeration—remember that?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Oh, yes, I remember.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Before the 30th—the ice boxes? We had to open up the store—my dad had, in those days, anyhow, at 6 o'clock in the morning—for the factory workers who stopped to buy their lunch meat to put between two slices of bread, so that it didn't spoil during the day. They picked their lunch in the morning—that's right—walk down the street—were no such thing as cars in those days—nobody owned cars—very few people own cars—we'd walk—see all the neighbors, talked to the women—they'd have the coffee klatsches at 6 in the morning—got their washing done at 5—everybody greeted each other, everybody knew everybody else. I don't know my next door neighbors are now. Things are entirely different. Things were a lot calmer in those days. Now anybody screams—WHO CARES!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That's right.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Before if you heard somebody yelling, you asked, “What is going on here?” So the comradeship is gone like it used to be. Now, this is what made it more interesting—seeing your neighbors—go out back—talk to them—make it interesting—get together—backyard—then you invite other neighbor—then the neighbors came over—I remember holidays—you got out—pay a visit to everybody and then you get home, you are ¾ loaded. (Laughing). Everybody has to give you a drink—all those relations are gone.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Well, Frank, now we can go into your political life—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Well, my political life started by a fluke—really—I had no intention of ever getting involved in politics until 1956. And then again one of the village board came up with—which I thought very, very asinine idea of making the North Side—one way streets. Part being in business and being the fact we had the Fire Dept. next to the business, and the fact that our streets were narrow, I thought there isn't enough traffic to warrant one way streets. The other solution was to be—widen the streets one at a time—two at a time whenever we could afford it. Then one of the trustees came up to me and told me I was stupid—I didn't know what was going on—they were going to push it—they were going to push the one way streets. So at that time, I was head of a group of North Side Businessmen—there were roughly about 40 involved—40 Businesses. I happen to be President of the group so we went to the board meeting made—enough commotion and fussed—they forgot about the one way streets. But, directly after that, one of the fellows came home and asked me if I wanted to run for trustee—they needed somebody on the board to make a little noise occasionally. I said I was really green in politics, you know what I mean but they said I shouldn't worry about that, “we will take care of you. We'll do things for you." OK—do things.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: If you can have some help.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Right. Then I appreciated my being in the primaries, something of 60-65 votes. The following year I ran again and I was successful in being elected—I was in for 14 years.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Is that right? I didn't realize it was that long—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: In 1968—I asked my party to run for mayor—ran against astute politician Mr. Caldwell—and I was beaten and then I ran the following year again for trustee and was elected two or three times. After that I decided I had enough politics—during the years—my wife was home alone—she missed her dolly—her husband. (Laughing). So that is enough for politics - 14 years is enough for any person to be a service to the community.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That's a long time—of course it takes you away from home too—quite a bit.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Yes, home and away from the business, I didn't mind it—it was interesting work and I was instrumental in some of the changes in Endicott—successful ones—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Like what?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Well, I pioneered originally for the soot control—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: What was that—sud control?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Soot control—air pollution. We were successful in getting that cleaned up. Then the pressures involved in the buying of the airport, the sewage treatment plants and some of the major improvements in the village, village parks—North Side park—swimming pool—those were all under my regime. I'm not satisfied or very happy with my regime—we made some good roads—I think the village is a good place to live. Of course, right now I could find some fault with it—some of the spots not too good—I'm used to that part of it. We've always enjoyed living in the village. In fact, we originally lived next door—next door to the store—when we first got married—my wife and I—like in 1935—we lived on 107—right over top of the EJ shoe store—at that time—we had two bedrooms—after the third child we didn't have enough room so we bought a place in Endwell—home on Hoover Street. We didn't like it up there—we came back down to North Side. After two years we sold it and bought this property right here. We're very happy with the North Side—own type of people—Italian people, Slavic—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: It's right—once you've grown with your own—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: It's hard to get away from. Ever since—we will be married 43 years this year.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Is that right? Oh my goodness—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Yep—five kids—oldest boy will be 40 years old—he's in the Post Office—second boy is out of town in Saratoga, teaching school—third girl—teaching school down here—she's married with 1 ½ kids—other daughter works in Endicott Trust Co.—Binghamton branch—youngest son is in school, yet.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Gee, you have a fine family!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Yes, five very nice children—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Years go by fast.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Well, in a couple of years—if you know anybody who wants to buy a good business—we'll sell it to them—I've been in it for most of my life—that's been quite a few years—will retire—&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Looking forward to retire?&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Take a trip to Rotebella, maybe and see where our folks came from—where our roots began—OK.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: That sounds interesting—Frank, do you have any more recollections that you would like to add to that? It’s very interesting—am really listening with awe.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Frank: Really all I could say.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Nettie: Well, this has been very enjoyable—and I want to thank you very much.&lt;/span&gt;&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50341">
              <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10301">
                <text>Interview with Frank J. Tedeschi&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10302">
                <text>Tedeschi, Frank J. -- Interviews; Broome County (N.Y.) -- History; Endicott (N.Y.); Grocers -- Interviews&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10303">
                <text>Frank Tedeschi speaks about his upbringing in Endicott, NY and later works as a local grocer, inheriting the business from his father. He describes the various types of exotic and imported foods sold at the grocery. He details traditions and recollections from Italian people, as well as, his political experiences on the Village of Endicott Board of Trustees.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="10304">
                <text>Binghamton University Libraries&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10305">
                <text>This audio file and digital image may only be used for educational purposes. Please cite as: Broome County Oral History Project, Special Collections, Binghamton University Libraries, Binghamton University, State University of New York.  For usage beyond fair use please contact the Binghamton University Libraries Special Collections for more information.&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10306">
                <text>audio/mp3&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10307">
                <text>English&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10308">
                <text>Sound&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="10309">
                <text>Recording 59&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
