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                    <text>BINGH

U N I V E R S I T Y

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THU RSDAY M ID­DAY CONCERT

November 30, 2006 – 1:20 p.m. ­ Casadesus Recital Hall

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Binghamton University Department of Music

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State University of New York

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e i i n i e e r e e
Green Sleeves to a G I O U N d . . . . . . . . . . . c c e o i r i i i i i n i n i
(1706)

Alexander Baron, recorde r
And rew Wal kling, cello

C

a Poulenc
(1899­19 63)
“C” is a village built on the islands formed by several branches of Loire River.  There, in 1940, a
ant
French a rmy tried in vain to stop the German invasion.  The poet, Louis A ragon, evokes gall
e

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memories of the “Chateaux de la Loire” while crossing the bridges with the defeated army.

Nye poi, Krasavitsa (Chanson Georgienne), Op. 4, no. 4 ..
0 ,  do not sing to me, fair maiden, those songs of sorrowful Georgia :
They remind me o f another life and distant shores.
Alas!  Your cruel singing stirs up memories
Of the steppes, the night, the moonlight
Shining on a poor, distant girl.
Seeing you, I can forget that sweet and fateful vision ;
But when you sing it rises up again before me.

. Sergei Rachmaninoﬀ
(1 873 – 1943)

LaToya Lewis, so prano
Margare t Reitz, p iano

trreeeee irreeees ssseeee ennnen.
InSearchofLostTime.......................... 
osition Jonathan had
s of comp
 standard
In Search of Lost Time bega n as an attempt to stray from  the strict
ke a feeling of
pt to invo
s an attem
practiced through the years.  It was drawn from  the imagination a
ether it was used
t and wh
d the pas
understan
devotedly searching.  This search is part of the longing to 
wisely.
nue his education
Jonathan Failla is graduating in December of 2006 with a BA in Music.  He intends to conti
se.
to compo
ntinuing 
es and co
an Servic
in Psychology while working in Hum
Danielle Sofer, p iano

 

�Dust of Snow.. 
The way a crow 
Shook down on me 
The dust of snow 
From a hemlock tree 

..............Michael Marchisotto
Has given my heart
A change of mood
And saved some part
d.
 
O f day I had rue

­ Robert Frost

Notes from the composer:

After reading this poem, I was given an impression of someone reminiscing about how simple
their life used to be, and how little things could brighten up their day.  In composing this short song,
I tried to reﬂect the mood of the text through lush harmonies and a simple, yet lyrical vocal melody
for soprano voice.
I am in my senior year, working towards a Bachelor of Arts in Music. Post graduation, I plan on
studying music technology and continuing my studies in composition.
Mary Aimon iotis, sopran o
Danielle Sofer, piano

.. Stefano Pena
Ionian Etude 
r.
n B­ﬂat majo
ple melody i
Composed earlier this semester, Ionian Etude started life as a sim
An antecedent phrase generated a consequent continuation, and then a second line (the bass voice)
was added to ﬁll out the harmony and add contrapuntal activity.
Stefano Peﬁa graduates from Binghamton University this semester with a BA in Music, and looks
forward to composing many more pieces.
Stefano Peﬁa, piano

�</text>
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                    <text>U N I V   Bre

Binghamton University Department of Music

R

  ~~ THURSDAY MID­DAY  CONCER T

November 4, 2004 – 1:20 P.M . – Casadesus Recital Hall

I
\

Sonata for Solo Violin
Tempo di ciaccona

Akira Maezawa, violin

Linden Lea

Jennifer Curiano, soprano
Chai­Kyou Mallinson, piano
G

l Boy 

Amorosi miei glorni
Kate Metzler, soprano
Chai­Kyou Mallinson, piano

Fantasie for Viola and Piano
Melissa Mattern, viola
Margaret Reitz, piano

...............Béla Bartok
(1881­1945)
.....Ralph Vaughan Williams
(1872­1958)

................Fred Weatherly
(1848­1929)
...............Stefano Donaudy
(1879­1925)

Johann Nepomuk Hummel
(1778­1837)

vivssmessorssidy  Kompaneyec

Bashkir Humming­son
Timothy Perry, clarinet
Margaret Reitz, piano
Prelude for Viola and Clarinet
Timothy Perry, clarinet
Roberta Crawford, viola
Trio for Piano, Clarinet and Viola, KV 498
Menuetto

Rebecca Clarke
(1886­1979)

Wolfgang Amadeus Mozart
(1756­91)

Timothy Perry, clarinet
Roberta Crawford, viola
Michael Salmirs, piano
Eight pieces for Clarinet and Viola, Op. 83, no. 2
Allegro con moto
Timothy Perry, clarinet
Roberta Crawford, viola
Michael Salmirs, piano

............Max Bruch
(1838­1920)

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                    <text>BINGHAMTON
U  N  I  V  E  R  3 1 T
   Y
S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K

zedec

B E P  A R T M E N T

THURSDAY
MID­DAY CONCERT

Tbursdsay, November 5 ,  2 0 0 9
£ 2 0 p  .m.  .

Casadesus Recital Hal

�PROGRAM

Pensrero 

r a n k Bridge
 
(1879­1941)

Roberta Crawford, viola
Michael Salmirs, piano

Concertino 

University Symphony Orchestra

C on certo

&amp; A ria

Ferdinand David
(1810­1873)

William Marsiglia, trombone
William Lawson, piano

 ;_ ‘ 
 ­" S18 
t 

Concerto in G Major, K. 216...
Allegro

W. A. Mozart
(1756­1791)

Piano Concerto No. 3 in C minor, Op. 37.................Ludwig van Beethoven
Allegro con brio
(1770­1827)

P

E

—

 

'

i  I e   E
0 ' e r s
l

h

i

e

)

E

Imji Choi, violin
Michael Salmirs, piano

Jieun Jang, piano
Michael Salmirs, orchestra

p

 

E

R
N A5 
    ‘ 

&lt;&lt;­ 

s . 

2

7

  B  e
e

e
e

C omp et it ion
® 

0

Sunday, November 15 from 6:30 – 9:30 p.m.
Casadesus Recital Hall ­ Free
T o a h d n ﬂ l ﬂ ﬂ h h M M Q d ﬂ a l ﬁ ﬂ ­ O J M D W

�Binghamton University Music Department ’s
U P C O M I N G  EVENTS
W

W

W

Satur day, N ovember 7 ”  Master Gass: Bruce Neswick,
guest organist, 10:00 AM – 12:00 NOON, First Presbyterian Church,
Binghamton, FREE
Satur day, N ovember 7°" Air Force Brass Quintet, 8:00 PM, FREE,
Casadesus Recital Ha/l

Sunday, N ovember 8 ” 1 Bruce Neswick, guest organist, 4:00 PM,
First Presbyterian Church, Binghamton, $$

Thursday, November 1 2 ”  Mid­Day Concert, 1:20 PM ­ FREE
Casadesus Recital Hall
1 4 ”  Student Clarinet Recital:
Satur day, N ovember 
Sarah Fenster &amp; Dan Fagen, 7:00 PM, Casadesus Redta/ Hall, FREE
Sunday, N ovember 1 5 ”  Binghamton Philharmonic and the
Binghamton University Chorus: Songs of Destiny by Brahms and
Beethoven, 3:00 PM, Osterhout Concert Theater; (for tickets, call BPO at
607.723.3931)

Sunday, N ovember 1 5% Concerto and Aria Competition, 6:30 PM,
Casadesus Recital Hall, FREE

Thursday, November 1 9 ”  Mid­Day Concert; 1:20 PM ­ FREE

Casadesus Recital Hall

Satur day, N ovember 21% Master Recital: Julie Williams, soprano,
8:00 PM, Casadesus Recital Hall, FREE
Sunday, N ovember 22™ Master Recital: Ashley Maynard, soprano,
3:00 PM, Casadesus Redta/ Hall, FREE

FREE
Thursday, December 3  Jazz Mid­Day Concert, 1:20 PM — 

Casadesus Recital Hall

Ensemble Concert (co­sponsored
 
Thursday, December 3 ° Harpur Jazz 

by the Harpur Jazz Ensemble and the Binghamton University Department of Music),

8:00 PM, Osterhout Concert Theater, $$ (FREE for students)

For ticket information, please call the
Anderson Center Box Oﬀice at 777­ARTS.

�</text>
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                    <text>TON
BINGHAM
E R S I T Y
U N I V

State University of  New York

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DNXV  A R C
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TH UR SD AY

MID­DAY CONCERT

8
Thursday, November X  2007
1:20 p.m.
Casadesus Recital Hall

�–­  wmv  pru gian we present an
 afternoon o f dance­drumming
 from
southern  Ghana.  These  ensem
bles  are  the  collective  work 
the
Beginning  and  Advanced  sectio
ns  of  African  Dance  (THEA
289J/389J;AFST 289J/389J) and
 both sections of the African Mu
sic
Ensemble (M US  143B/MUSP 2
57;AFST 188B).  These courses 
are
oﬀ

Ad vanced  African  Dance /A fric

IV.

ered each semester through the De
partments of Africana Studies,
Music, and Theatre Dance.
Be ginnin g A fri can  Dance /A fric

I.

II.

an Music  Ensem ble  Section I

Gahu.  Gahu  is  a  neo­tradition
al  dan
adopted and adapted by the Ewe p ce  that  has  been
eople of Ghana. It is
an oﬀshoot of the Gome dance, 
a Pan­Atlantic African

dance  form  that emerged in t
he  19™
synthesis of European  hymns  and   century  from  the
  marches  with  West
African  musical sensibilities. T
he  name Gahu suggests
an airplane, and represents local
 ex
technology and culture. The song periences with new
s are  often  humorous
and fun, suggesting themes of co
urtship and celebration.
Kpatsa. This dance comes from 
a neighboring group of
the Ewe, known as the Ga­Adan
gbe. They share many
linguistic and cultural aﬀinities w
ith the Ewe, and these
two groups have historically inte
racted with each other.
The characteristic movement of 
Kpatsa is a limping gait
that im itates the  movements o f d
warfs, a m agical race of
beings  which  inhabit  rural  are
as 
movements were embellished  wit in  Ghana.  These
h dance combinations
and eventually  became a social a
nd recreational dance
known  as  Kpatsa,  whose  nam
e  is  an  onomatopoeic
reference  to  the  mo
vem ent  of  dwarfs. 

III.

’

Sikyi. This dance is another neo–
contemporary dance of
the Akan people of southern and
 central  Ghana. Sikyi,
pronounced see chee, forms the 
rhythmic foundation of
Ghanaian Highlife music,  the pr
imary style of popular
music in Ghana.

V.

an Music  Ensem ble Section I

Ag bekor. Agbekor is a war danc
e o f the Ewe people of
. Ghana.  As  the drummers  and
  dancers  proceed  to  the
stage  in  traditional  fashion,  the
y sing
calls the warriors to battle against t  a  war song that
he European colonial
powers. The second song memori
alizes the great warrior
Kundo who led warriors into bat
tle and has been killed.
This was originally a war dance o
f the Ewe people. The
mo vem ents im itat e m om ents o
f th e battl e, and  follow the
drum language o f the lead drum,
 atsimevu.

Sohoun.  Sohoun  is  an  Ewe­Fon 
sacred dance  used  to
open  a  ceremony  of  the  Yeve 
shrine.  The  original
movements  danced  at  the 
shrine  inspired  the
choreography for  this folkloric 
version,  created by  Dr.
Opoku for the Ghana Dance En
sem ble.

* * * * t * * * * * * *
* * * * * # * * * * * *
* * * * * * * * * *

PERFORMERS
Dances Directed and Choreograph
Pierrette Aboadji, Department of T ed by
heatre Dance
B E G I N N I N G  DANCE­CLASS

Kerleen  Beaubrun, Maryam Belly
, Treval  Blair,  Susan Chen,
Leena Daniel, Lleny De La C ruz
, Lauren Fredericks, Delphine
Hyppolite,  Jacinta  James,  Mo
renike  Jegede,  Angelito  Jusay,
Ghita  Laghrari,  Kayla  Lewis, 
Qing  Lin,  Adrienne  Martian,
Sheena O ’Connor, Katiusca Ortiz
, Tamara Pitter, Rubi Ramirez,
Larissa Reyes, Ebony Richardson
, Sultana Rosario, Ceion Scott,
Lauren Scott, Ashley Titus, Geral
dine Toussant, Diana Trochez,
Krystal Velez, Mariah Watson, 
Maame Wentum, Jessica Wilks,
Tamara Williams

�A D V A N C E D  DANCE­CL ASS

Wales  Cruz,  La­toya
Alexandria  Blackman,  Tristin  Cadle, 
tuska  Im perial,  Laura
Foster,  Lisa  Gil,  Sasha  Gordon,  Ka
t, Marcel March, Anne
Johnson, Tyshema Kindell, Latoya Knigh
rre, Paul Reyes, Pamela
Mulcahy, Angela Perrier, Vanessa  Pie
on, Coralina  Urena,
rch
To
th 
rdi
Ga
s, 
are
Su
ly 
ber
im
 K
na,
Santa
Weeks
Elba Vandunk, Sabina Virgilio, Casandra 

Drumming directed and arranged by and Africana Studies
James Burns, Departments of  Music 

AFRICAN MUSIC ENSEMBLE SECTION I
ler,  Hannah  Wittmer,
Trevor  Ellis,  Brad  Koegel,  Kim  Kreid
Samuel Young, Asuno Udoh.

AFRICAN MUSIC ENSEMBLE SECTION I I
eaton Rood, Theodore
Starleana Holmes, Sung­Hoon Hwang, K
y, Caroline Todman
Trembinski, Amber Rivers, Samuel Yagg

&gt;

GAN

AND  ­
Mixed)

GROUPS/

Ee
'  e m  
e

° 

n u

Sedeed d d )

e M o n ­ w h i n e .

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                    <text>U N I V  l i t  1 .

[Pd  IIZXBA  ()PJ

Keciial 
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State University of  New York

 

Jo  o l
SPEC t

Binghamton University Department of Music

Thursday Mid­ Day Concert
November 9, 2006 ­ 1:20 p.m. – Casadesus Recital Hall

Sonata for Clarinet and Piano
II.  Romanza (in memory of A. Honegger)

.............Francois Poulenc

(1899­1963)

Timothy Per ry, clarinet
Margaret Reitz, piano

Trauermusrk
Sarah Sterling, viola
Margaret Reitz, piano

Sonata a tre, for Recorder, Violin, and Cello........cc.ccccceeeuveeennne
Adagio
Allegro
Largo
Allegro
Alexander Baron, recorder
Micah Bannier­Baine, violin
Emily Creo, cello

Sonata in E Flat, Op. 120
Allegro amabile

Melissa Lee, viola
Margaret Reitz, piano

Paul Hindemith
(1895­1963)

. Georg Philipp Telemann
(1681­1767)

Johannes Brahms
(1833­1867)

(please turn over)

�Si mes vers avaient des ailes.....

.......Reynaldo Hahn
(1874­1947)

My verses would ﬂee sweet and frail,
To your garden so beautiful,
If my verses had wings,
Like a bird!
They would ﬂy, like sparks,
To your smiling hearth,
If my verses had wings,
Like the spirit!

Close to you, pure and faithful,
They would hasten, night and day
If my verses had wings,
Like love!

Aria of Mimi, “Donde lieta,” from La Boheme

. Giacomo Puccini
(1858­1924)
In Act III, the stage is set outside a tavern near the city gate.  It is February in Paris c.
1830, and it is snowing just before dawn.  Rodolfo has left Mimi, and she is very ill.
On a cold winter morning she makes her way to an inn where their mutual friend,
Marcello, is staying.  She seeks Marcello’s company and advice, and is surprised to
ﬁnd Rodolfo at the tavern.  When the lovers meet Mimi sings this touching farewell.

From the place she left, happy 
at your call of love, 
Mimi returns alone 
to her lonely nest. 
She returns once again
to embroider ﬂowers!
Goodbye, without bitterness.
Listen. 
,  , Tisten 
Gather together the few things
that I left scattered around.
Shut in my drawer are

that gold ring
and the prayer book.
Wrap them all in an apron
And I will send the porter...
Mind you. . .under the pillow
there is a pink bonnet.
If you wish, if you wish...
keep it as a remembrance of love!
Goodbye, without bitterness.

Stefanie Sudd uth, soprano
Margaret Reitz, piano

�</text>
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                    <text>UN
NI V
Reci

'

RC

l

tap

BINGHAMTON

20

10-12
SPEC

UNIVERSITY

COL

State University of New York
Binghamton University Department of Music

THURSDAY MID-DAY CONCERT
October 12, 2006 - 1:20 p.m. - Casadesus Recital Hall

Chanson d 'Amour ........................................................................................................ Gabriel Fauré
En Prière
(1845-1924)
Nell
Amy DeLeo, soprano
Chai-Kyou Mallinson, piano

Sonata in D major for 4 hands ..................................................................................... W.A. Mozart
Allegro
(1756-1791)
Andante
Allegro Mo/to
Wendy Lee, piano
Chai-Kyou Mallinson, piano

from Die Schone Müllerin ........................................................................................ Franz Schubert
Danksagung an den Bach
(1798-1827)
Am Feierabend
Der N eugierige
Alexander Blitstein, tenor
Chai-Kyou Mallinson, piano

Non posso vivere ................................................................................................. Giacomo Carissimi
(1605-1674)
Vaga luna ............................................................................................................... Vincenzo Bellini
(1801-1835)
Katrina L. Cox, soprano
Chai-Kyou Mallinson, piano

�</text>
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                    <text>Binghamton University Department of  Music

" 3 ' \ ‘ ‘­ 

C E RT
“ T H U R S D A Y  M I D ­ DAY  CO N
Recital Hall
October 14, 2004 – 1:20 P.M. – Casadesus 

Y

e

Etude, 0p.4, n r 3
  0
Etude, C R s nr1

Ewa Mackiewicz­Wolfe, piano

Tanzlied des Pierrot (from Die Tote Stadt)

Zuezgnung

Timothy LeFebvre, baritone
Duane Skrabalak, piano

Nocturne #6, e p 6 3
Chai­Kyou Mallinson, piano

from Licheslisger (“Love Songs”), BLES

2.  Moderato
4.  Poco sostenuto
7.  Andante

Karol Szymanowski
(1882­193 7)
............Fryderyk C hopin
(1810­184 9)

Erich Korngold
( l  897­ 1 957)
Richard Strauss
(1864­1949)

Gabriel Fauré
(1845­1924)

Antonin Dvorak
(1841­1904)

Mary Burgess, soprano
Duane Skrabalak, piano

Trio in E­ﬂat major for Clarinet, Viola and P1ano
KV 498  “Kegelstatt”

Timothy P erry, clarinet
Roberta Crawford, viola
Michael Salmirs, piano

W.A. Mozart
(1756­179 1)

�Translations
from Liebeslieder (“Love Songs”), op.83 

2.  (Moderato)
In many hearts there is death inside
like a dark wasteland;
the heart is a place for sadness and pain only.
A delusion of hot love enters into the heart
and the heart pines with grief:
This means it loves.
The sweet feeling changes the dead heart
into a paradise;
and it sings the old legend (of love).

4.  (Poco sostenuto)
I know that in a sweet hope I can love you;
still more anviously we want the love to grow.
And yet, when I look into the delightful night of your eyes,
and learn how the heaven of love
from your eyes bestows power on me:
my eyes are ﬁlling with tears,
For brooding o’er our love,
I see a cruel fate looking at us in happiness.
7 . (Andante)

In that sweet power of y our eyes

How gladly I would die for thee;
If laughter of your beautiful lips
did not invite me to live.
I would choose immediately
that sweet death, with no fear;

I know your smiling lips
will awaken me to life again.

Antonin Dvorak

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                    <text>BINGHAMTON
U N I V R R E I T Y
STATE  U N I V E R S I T Y   O F   N E W   Y O R K

vwdee
(4

D E P A R T M E N T

THURSDAY
MID­D AY CONCERT
o  ( § §; §  —
(J

/ i ’

(II/ﬀ,  Y
B

l

e

&amp;
.

­

h

OCT. 14,2010
1:20 P.M.
HALL

�PROGRAM
Aria of Blondchen, “Durch Zart/ichkeit, 
from Abduction from the Seraglio 

W A. Mozart
(1756­1791)

Christina Kompar, soprano
Margaret Reitz, piano
Ora/son funebre, 

Hector Berlioz

from Grande Symphonie Funebre 

(1803­1869)

et Triomphale, Op. 15

(2nd movement)

William Marsiglia, trombone

William James Lawson, piano

Two Impromptus, Op. 90............... .................. Schubert
No. 2 in G­ﬂat 
(1797­1828)
No. 3 in E­ﬂat

Stephen Zank, piano
Impromptu, Op. 35, no. 9............ Reyn’gold Moritsevich Gliere
Humoreske, Op. 35, no. 8

G

l

i

e

(1875­1956)

r

e

Dan Bessel, bassoon
Margaret Reitz, piano
Ondine (from Gaspard de la Nuit)......................Maurice Ravel
David Gaita, piano

(1875­1937)

Tre Sonnetti di Petrarca.......................................... Franz Liszt
Pace non trovo 

Benedetto sia’l giorno
I vidi in terra

Victoria Cannizzo, soprano
Margaret Reitz, piano

(1811­1886)

�Binghamton University Music Department ’s

U P C O M I N G  E V E N T S
a

ﬁ

M

M

M

M

M

M

M

M

Thursday, October 14 – Recital: cellist Mark Rudoﬀ from Ohio State
University – 8:00 p.m. – Casadesus Recital Hall – free
Saturday, October 16 – University Symphony Orchestra’s “All
Creatures” Children’s Concert (general public) – 2 :00 p.m. –
Osterhout Concert Theater – $5adults; $3 students (Sponsored by the
Binghamton University Music Department, the Discovery Center and the
Binghamton Zoo at Ross Park)
Sunday, October 17 – Viola Plus : Roberta Crawford’s “Chamber
Works of the 20'" and 21* Centuries” – 7:30 p.m. – Casadesus Recital
Hall – $10 general public; $5 faculty/staﬀ/seniors; $2 students
Thursday, October 21 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, October 23 – Master Class with guest organist Michael
Bauer – 10 a.m. – 12 noon – FA21 – free

Saturday, October 23 – Family Weekend Concert (Harpur Chorale,
Women’s Chorus and Wind Symphony) – 3:00 p.m. – Osterhout
Concert Theater – free
Sunday, October 24 – Guest organist : Michael Bauer – 4 p.m. – First
Presbyterian Church, Binghamton – $15 general public ; $10
faculty/staﬀ/seniors; $5 for students
Thursday, October 28 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free

Thursday, November 4 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, November 6 – Student Recital: Briana Sakamoto, soprano
(tentative) – 8:00 p.m. – Casadesus Recital Hall – free

For ticket information, please call the
Anderson Center Box Oﬀice at 777­ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Binghamton University Music Department

�</text>
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                    <text>BINGHAMTON
UNI V ER SI T Y
STATE  U N I V E R S I T Y   O F   N E W  Y O R K

, 

o w dee

D E P A R T M E N T

THURSDAY
MID­DAY CONCERT

2

I

{

o

ZEmmﬁy;Ohwer51&amp;%%?
.  ZZUpun.  .

Casadesus  Kecrial  Hal

�TRANSLATIONS

PROGRAM
Concertino for Clarinet, Op. 26

Carl Maria von Weber

Adam Davis, clarinet
Margaret Reitz, piano

(1786­1826)

Three Songs from Shakespeare ....... Ralph Vaughan Williams
(1872­1958)
1.  Take, O Take (from “Measure for Measure")
2. When Icicles Hang by the Wall (from “Love’s Labour’s Lost")
3.  Orpheus with his Lute (from “Henry VIII")

Mark Rossnagel, tenor
Chai­Kyou Mallinson, piano
from Concerto in E ﬂat Major (1934) ....... Alexander Glazunov
(1865­1936)

Nathan Rose, alto saxophone
Margaret Reitz, piano
from L ’elisir d ’amore  .................................Gaetano Donizetti
(1797­1848)
Come paride vezzoso 

Julian Whitley, baritone
William James Lawson, piano
Vaghissima sembianza................................. Stefano Donaudy
(1879­1925)

from Don Giovanni ...................... Wolfgang Amadeus Mozart
(1756­1791)
II mio tesoro 

Michael Fries, tenor
Margaret Reitz, piano

Come paride vezzoso

As gracious Paris oﬀered the apple
to the most beautiful woman,
my delightful peasant girl,

I oﬀer you these ﬂowers.
But I am more proud, more happy than he,
since in reward for my gift
I carry away
your beautiful heart.

I see clearly in that little face
that I’m winding my way into your breast.
That’s nothing surprising;
I’m gallant, and I’m a sergeant.
There is not a beautiful woman who resists
the sight of a military crest;
even the Mother of Love yields to Mars, the god of war.

Vaghissima sembianza
Most charming semblance
of my formerly loved woman,

who, then, has portrayed you with such a likeness
that l gaze, and speak, and believe to have you
before me as in the beautiful days of love?

The cherished memory

which in my heart has been awakened so ardently
has already revived hope there,
so that a kiss, a vow, a cry of love
I no longer ask except of her who is forever silent.

II m io tesoro
Go, meanwhile, to console my beloved;
and try to dry the tears from her beautiful eyes.

Tell her that I am going oﬀ to avenge her wrongs. . .
that I will come back messenger only of ravages and deaths – yes!

�Bingh amton  Univer sity M usic Depart ment’ s

UPC OMI NG EVE NTS

Fr iday, October 16% 3­Penny Opera with the Theatre Department
and University Symphony Orchestra, 8:00 PM, Watters Theater, $$
Saturday, October 1 7 °  3­Penny Opera with the Theatre
Department and University Symphony Orchestra, 8:00 PM, Watters

Theater, $$

Saturday, October 1 7” Paul Taylor Dance Company with the

Binghamton University Symphony Orchestra, 8:00 PM, Osterhout Concert

Theater, $$

Sunday, October 18% 3­Penny Opera with the Theatre Department
and University Symphony Orchestra, 2:00 PM, Watters Theater, $$

 
Thursday, October 22™ Mid­Day Concert, 1:20 PM —FREE
Casadesus Recital Hall
Saturday, October 2 4 ”  Family Weekend Concert
(Harpur Chorale, Women? Chorus and Wind Symphony), 3:00 PM, FREE,
Osterhout Concert Theater

FREE
Thursday, October 29 ”  Mid­Day Concert; 1:20 PM — 
Casadesus Recital Hall
FREE
Thursday, November 5 ”  Mid­Day Concert, 1:20 PM — 
Casadesus Recital Hall
Saturday, N ovember 7”' Master Class: Bruce Neswick,

guest organist, 10:00 AM – 12:00 NOON, First Presbyterian Church,
Binghamton, FREE

Saturday, November 7  Air Force Brass Quintet, 8:00 PM, FREE,
Casadesus Recital Hall
Sunday, November 8 ”  Bruce Neswick, guest organist, 4. 00 PM,
 
First Piesbyterian Church, H A R P , $8

For ticket information, please call the
Anderson Center  Box Oﬀice at 777­ARTS.

�</text>
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U  N  I  V  E  R  S  I  T  Y
S TAT E  U N I V E R S I T Y   O F  N E W   Y O R K

zedec

D E P A R T M E N T

THURSDAY
MID­DAY CONCERT
o  ( ve ; ­ ­ &gt;
O
 ‘
Ne

5,
//

OCT. 21,2010
1:20 P.M.

CASADESUS HALL

�PROGRAM
Sonata, Op. 1 7 . . . i c c a i i i i i n van Beethoven
 

Rondo 

(1770­1827)

Robert Muller, horn
Margaret Reitz, piano

In dem SchattenmeinerLocken................................................HugoWolf
(1860­1903)
Ich wollt ein Stréusslein binden...... 

Das Variassone Magdle/n 
Morgen.. 
E
l
f
e
n

l

i

e

d

Richard Strauss
(1864­1949)
. . . . . . . . Wo l f
verre... Strauss
W
o
l
f

Briana Sakamoto, soprano
William James Lawson, piano
“Me voila seule...Comme autrefois,".................................... Georges Bizet
from “Les Pecheurs des Panes” 
(1838­1875)

Laura MacAvoy, soprano
William James Lawson, piano
Le Baiser de L’enfant Jesus, 
from “Vingt Regards sur L’enfant Jesus” 

Olivier Messaien
(1908­1992)

David Gaita, piano
Romance .. 
Les Cloches 
Paysage Sentimental

.....Claude Debussy
(1862­1918)
Christina Kompar, soprano
William James Lawson, piano

Emily’s Aria, “Take me Back” 
from “Our Town” 
Laura MacAvoy, soprano
Margaret Reitz, piano

.. Ned Rorem
(b.1923)

�Binghamton University Music Department’s

U P C O M I N G  E V E N T S
M M M M M M M M F I
Saturday, October 23 – Master Class with guest organist Michael
Bauer – 10 a.m. – 12 noon – FA21 – free
F

I

Saturday, October 23 – Famil y Weekend Concert (Harpur Chorale,
Women’s Chorus and Wind Symphony) – 3:00 p.m. – Osterhout
Concert Theater – free
Sunday, October 24 – Guest o rganist: Michael Bauer – 4 p.m. – First
Presbyterian Church, Binghamton – $
Thursday, October 28 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, November 4 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, November 6 – Song  o f  Silk – 8:00 p.m. – Osterhout Concert
Theater – $15 general public; $10 faculty/staﬀ/seniors; $5 for students
Sunday, November 7 – Student Recital: Dan Bessel, bassoon – 3:00
p.m. – Casadesus Recital Hall – free
Monday, November 8­ Multi­media music performance o f
“Schlsmism: Natural Law” wi th Lisa Karrer and David Simons,
based on the life of Charles Darwin – 5:00 ­ 6:00 p.m. – Casadesus
Recital Hall – free (co­sponsored by the Department of Music and
Evolutionary Studies)
Thursday, November 11 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Saturday, November 13 – Student Recital: Briana Sakamoto,
soprano – 8:00 p.m. – Casadesus Recital Hall – free
Sunday, November 14 – University Chorus: First Steps and Final
Thoughts – 3 p.m. – Osterhout Concert Theater – $
Thursday, November 18 – Mid­Day Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, November 18 –­ Friedheim Memorial Lecture/Recital
Series: Claudio Monteverdi, II lament d’Arianna – 8 p.m. – Casadesus
Recital Hall – $; free for students

For ticket information, please call the Anderson Center Box Oﬀice
at 777­ARTS. To see a listing of all events, please visit
music.binghamton.edu or become a fan on Facebook.

�</text>
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