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                    <text>BINGHAMTON
UNIVERSI TY
State University of New York

Binghamton University Department of Music

THURSDA Y MID-DAY RECOGNITION CONCERT
May 5, 2005 -1:20 P.M.
Casadesus Recital Hall

Etude inc-sharp minor, Op. 25, No.7 ..................................................................... Frédéric Chopin
(1810-1849)
Nancy Schneider, piano
Recognized by Michael Salmirs, Professor ofpiano

Andante .................. ............................................................................................ Serge Koussivitzky
(1874-1951)
Talitha Phillips, double bass
Margaret Reitz, piano
Recognized by Stephen Stalker, Professor of cello

Fripperies ..................................................................................................................... Lowell Shaw
(b. 1930)
Ballad
Allegro
Greg Cecere, Ernie Epelman, Al Jacobsen, Pat Lokken, horns
Recognized by Brian Sternberg, Professor of French horn

Nur, wer die Sehnsucht kennt, Op. 6, no. 6 .................... ....................................... P. Tschaikowsky
(1840-1893)
Deanna Bunal, mezzo-soprano
Chai-Kyou Mallinson, piano
Recognized by Mary Burgess, Professor of voice

Romance for Violin and Piano, Op. 3 ............................. ... ...................................... Reinhold Glière
(1875-1956)
Christina Wan, violin
Jody Schum, piano
Recognized by Patricia Sunwoo, Professor of violin

(please tum over)

�Canci6n de cuna para dormir a un negrito ....................................................... Xavier Montsalvatge

(b. 1912)
Amber Alarcon, mezzo-soprano
Chai-Kyou Mallinson
Recognized by Mary Burgess, Professor of voice

Sonata for Two Clarinets ......................................................................................... Francis Poulenc

(1899-1963)

Presto
Theresa Perrone, clarinet
Caroline Bravo, clarinet
Recognized by Timothy Perry, Professor of clarinet

Estampes:
III. "Jardins Sous La Pluie" .............................................................................. Cluade Debussy

(1862-1918)
Jessica Cheng, piano
Recognized by Eva Mackiewicz-Wolfe, Professor ofpiano

The Year's at the Spring .................................................................................... ............. Amy Beach

(1867-1944)
Timothy Fallon, tenor
Chai-Kyou Mallinson, piano
Recognized by Timothy LeFebvre, Professor of voice

• • o cara"............................................................................... Gi1useppe verdi1
Scene an d Duet, "P ar1g1,
(1813-1901)
(from Act III, La Traviata)
Leslie Hochman, soprano (Violetta)
Timothy Fallon, tenor (Alfredo)
Julia Ebner, soprano (Annina)
Duane Skrabalak, piano
Recognized by Duane Skrabalak and Peter Sicilian, Professors of opera

Erinn Hibbard, trumpet- recognized by Benjamin Aldridge, Professor of trumpet
Stephen Boe[, , instrumental conducting and trumpet - recognized by Timothy Perry,
Professor of music and recognized by Benjamin Aldridge, Professor of trumpet
Christian Ritter, composition - recognized by Paul Goldstaub, Professor of composition

**Please join us for a reception in the Green Room following the concert**

�About the Performers
NANCY SCHNEIDER is being recognized for her many accomplishments. Having graduated from the
Decker School of Nursing last Spring, she is completing her BA in Music this semester. Throughout the
intensive nursing program, Nancy has found time to organize, direct, and perform three multimedia
productions in addition to performing her Honors Recital for which she earned High Honors. She is a
member of the Golden Key International Honor's Society and will be leaving for St. Petersburg, Russia
as a Rotary International Cultural Ambassadorial Scholar. Most of all, Nancy is being recognized for her
devotion to music and for her sincere, good heart, evident to all who know her. I will miss her greatly.
Michael Salmirs

TALITHA PHILLIPS
Bravo, Talitha. Congratulations on your four years of exceptional achievement in the Music
Department. You came in as a virtual beginner on the upright bass, starting from scratch, so to speak,
and made remarkable progress. You became a main stay in the jazz program, but also continued to
pursue the bass as a classical, solo instrument. You gave us many colorful performances in the String
Seminars. You were the Music Director for the Dickenson College production of Godspell. Your
Honors Recital was a wonderful demonstration of your many diverse achievements. It has been great
having you with us. Best wishes and good luck to you in your future endeavors. ·
Stephen Stalker

GREG CECERE, EMIE EPELMAN, AL JACOBSEN, PAT LOKKEN
The four members that comprise this horn quartet came together over the last two years to fashion a
close-knit team that has accomplished some lofty deeds. The culmination of their efforts was the
preparation of the extremely difficult Konzertstucke for four horns and orchestra by Robert Schumann.
This piece calls for virtuoso playing from each member. They performed this with the University
Orchestra this spring. Each has been a regular participant in the major performing organizations, as well
as various chamber ensembles. They are performing here as a quartet although each deserves personal
recognition. The music selected today was written by horn player Lowell Shaw specifically for horn
players. Al, Pat, and Greg will be graduating this semester. They will be missed.
Brian Sternberg

�DEANNA BUNAL, mezzo, is from Lee Center, NY, and is completing her B. A. in Music as a voice
major studying with Prof. Mary Burgess. Always the activist, Deanna has been a member of the Harpur
Jazz Project, the Undergraduate Music Advisory Committee (UMAC), the Executive Committee of
Music Organizations, and Students for Music. She has sung with Harpur Chorale for seven semesters,
currently serving as President of that organization. Outside the Music Department Deanna has
continued to support the awareness and appreciation of music through groups such as WHRW, the
campus radio station, and REALM, a group dedicated to the open-minded sharing of music and
viewpoints. Deanna is the recipient of the Nielsen Music/Theatre scholarship, 2003-2005, and the
Arnold G. and Lenora Meyer Scholarship, 2003-2005. Chosen by the Music Dept. faculty to receive the
2005 Stevenson Barrett Memorial Award, given to a senior for highest achievement in vocal
performance, Deanna performed an Honors Recital in Casadesus Hall last Saturday. She plans to pursue
a Masters of Teaching in music education.------Deanna is recognized by her teacher for outstanding
improvement and for her tireless efforts on behalf of the Music Department.
Mary Burgess

CHRISTIAN WAN is the 2004-05 recipient of the Janet Brady Memorial Scholarship, in recognition of
outstanding leadership and dedication to music performance. She has been concertmaster of the
University Orchestra, and contributed her services to the Music Department in innumerable ways. She
will graduate with a BA in Music Performance, and plans to continue her studies in graduate school.
Her presence will be missed.
Patricia Sunwoo

AMBER ALARCON, mezzo, is a native of Los Angeles, CA. She earned a B.Mus. degree in vocal
performance and choral-vocal music education from California State University, Long Beach, and is
now completing her Master's degree in Voice as a student of Prof. Mary Burgess. Amber has been
active in Harpur Chorale and in Tri-Cities Opera Chorus; has appeared as soloist with the University
Chorus and Orchestra under the direction of Prof. Perry; and after graduation will join the Resident
Artists Training Program at Tri-Cities Opera. Amber received a Clark Fellowship here at Binghamton
and has been a most valuable teaching assistant in the Music Department, where her duties included,
among many others, teaching a class in beginning voice and maintaining a large studio of private voice
students. How did Amber come to Binghamton from Los Angeles? Prof. Colleen Reardon heard her in
Los Angeles and urged her to apply for the Voice program here. Colleen and Amber, as it happened,
studied with the same voice teacher in Los Angeles!---Amber is recognized by her teacher for her
outstanding improvement and for exemplary contributions to the Music Department.
Mary Burgess

�THERESA PERONNE a graduate of Ithaca College, teaches elementary vocal music in the Greene
school district. A member of the University Orchestra, she presents her first Master's Clarinet recital this
coming Saturday. In addition to studies at Binghamton and maintaining a full-time teaching position,
Theresa manages to maintain a private studio of woodwind students. She is a delightful example that
those that teach, CAN in fact 'do' !
Timothy Perry

CAROLINE BRAVO graduates next week with a bachelor1s degree in History. She has participated in
the Wind Ensemble and the University Orchestra throughout her career at Binghamton, sometimes
performing in both, and completed her studio studies with her senior recital on April 17th. She is cofounder and e-board member of Binghamton University's culinary club, Taste Buds, and a member of
the honors fraternity Sigma Alpha Lambda. Caroline will take time off to travel next year before moving
onwards towards graduate Law School.
Timothy Perry

JESSICA CHENG has been my student for the last four years. She is very bright, a quick learner and
an excellent musician. I have been very fortunate to have her in my studio for the last four years. In
November, 2001 she was a winner of B.U. Symphony Orchestra Concerto Competition; in 20022003 she performed a piano duo recital as well as Chopin joint recital, both with pianist Lisa Wang; in
October 2004, she performed the Carnival of the Animals by C. Saint-Saens, with fellow pianist Jody
Schum and B.U. Symphony Orchestra; and in April, 2005 she presented a Senior Honors Recital, a
very demanding program including R. Schumann Carnaval which is usually performed on the graduate
level. She received the Highest Honors. On campus, she is an active member and a past President of the
Taiwanese Student Organization. Majoring in music and accounting, Jessica will graduate in May and
will be working full time as an auditor at KPMG, one of the Big 4 accounting firms in the
U.S.
Ewa Mackiewicz-Wolfe
TIMOTHY FALLON, tenor, is a native of Binghamton New York. He is a graduating Master of
Music major in opera student and sings with Tri-Cities Opera. He has performed several roles with the
company including Beppe in Pagliacci and Tonio in La Fille du Regiment and will appear this May as
Alfredo in LaTraviata. This past summer he performed at the Music Academy of the West in Santa
Barbara, CA under the tutelage of Marilyn Horne. This coming summer he will perform public
masterclasses with Marilyn Horne in Villecroze, France and perform with the Merola Program of the
San Francisco Opera in San Francisco, California. In the Fall Mr. Fallon will be a member of Juilliard
Opera Center at the Juilliard School of Music in New York City. Mr. Fallon holds a B.A. degree from
Westminster Choir College, Princeton, NJ.
Timothy LeFebvre

�LESLIE HOCHMAN graduates this year with a Master of Music degree with Opera Specialization. In
addition to her academic successes, Leslie has appeared at Tri-Cities Opera as the Sandman in
Humperdinck's Hansel and Gretel, Sister Genevieve in Puccini's Suor Angelica, Mrs. Gobineaux in
Menotti's The Medium, Belinda in Purcell's Dido and Aeneas, and will appear as Violetta in a special
matinee performance of Verdi's La Traviata on May 9th at 10:00 a.m. We wish her the best ofluck and
continued success in her career.
Duane Skrabalak and Peter Sicilian
ERINN HIBBARD, trumpet, completed her undergraduate studies at Ithaca College where she studied
with Frank Campos. She was a teaching assistant in the Department of Music and was the recipient of
the Music Faculty Award. She has performed with distinction as a member of the Orchestra, the
Trumpet Ensemble and Brass Quintet, and the Jazz Ensemble, in addition to having presented very
successful solo and chamber recitals during her tenure at BU. She performs throughout the Southern
Tier in various performing groups. Erinn's accomplishments are all the more significant in light of the
serious health problems she has had to endure while pursuing her degree here.
Benjamin Aldridge

STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where
he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel doublemajored in Music Education and Music Performance. Stephen Boel, in addition to his excellent large
ensemble conducting work, has given numerous strong performances on trumpet in both solo and
ensemble capacities. Additionally, he also organized, and did most of the rehearsal/preparation for,
what has easily been the best (and most active) brass quintet we've had on campus in many, many years.
He has been an outstanding student conductor, leader and human being. Stephen is a hard worker who
nonetheless always goes beyond what is 'expected' to produce results which are consistently excellent.
He brings to his work an unfailingly positive attitude, a desire for personal improvement, and an abiding
respect not only for the musical tasks before him but for each person with whom he works. He is a
model of a young conductor.
Timothy Perry and Benjamin Aldridge
CHRISTIAN RITTER is completing the Master of Music in Composition, and has been chosen for
special recognition by Dr. Goldstaub. Christian has composed over a dozen pieces and a 38-minute
thesis since last year, writing for organ, brass, orchestra, percussion, solo voice, synthesized sounds,
piano and chorus. His music is high quality, interesting and enjoyable, and, most significantly, he has
earned the respect of the musicians who have devoted their time to performing his music. Christian also
has been an excellent teaching assistant in theory and musicianship classes, where his organizational
skills and personality have been a great asset. His latest contribution is his assistance in the creation of
the new graduate theory web page, which will allow all incoming students to practice dictation online. It
has been a pleasure to work with Christian, and we wish him great success as he moves on to new
opportunities as a composer and music educator.
Paul Goldstaub

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                    <text>BINGHAMTON

U N I  V E R S   I T  Y
STATE  U N I V E R S I T Y   O F  NEW  Y O R K

I E C

BE E P A R I T M  E N T

THURSDAY
S TUDENT R ECOGNITION
M I D ­ D A Y  C ONCERT

yeni
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L a s a d e s u s L  e c i t a l H  a l l

�PROGRAM
Declaration, Song, and  Dance. 
3 ”  Movement: Dance

Kristen Shiner McGuire

The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus

Recital Hall (FREE)

Stephanie Lehman, timpani

Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday,
May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE)

Introduced by Robert Smith

C’est I’ext: 

Claud

(1862­1918)

Elizabeth Sterling, soprano
Chai­Kyou Mallinson, piano
Introduced by Mary Burgess

Jonathan Moots, bass, presents his Master Recital on Sunday, May 10", at 7:00 p.m. in
Fine Arts Rom 21 (FREE)
The Summer Youth Music Theater Workshop will perform “All Shook Up” in the
Watters Theatre on Saturday, 818/09, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m.
both days, $$

Passacag/ia on  a n  Old English Tune (1943) 

Rebecca Clarke
(1886­1979)

Sarah Sterling, viola
Margaret Reitz, piano
Introduced by Roberta Crawford

La Valse (La Plus que Lente) 

M a g m m ­ W f é ’ m u

...........Claude Debussy

arr. Léon Roques (1839­1923)
Elizabeth Sterling, violin
Margaret Reitz, piano
Introduced by Timothy Perry

Christopher Loy

GIEAL D A Y :

(b. 1951)

Sibongile Boyd, soprano”
Christopher Loy, piano
Introduced by Timothy LeFebvre

Sonata No. 2 i n Major, Op. 1
 
00  
Andante tranquillo ­ Vivace 

September:
The Friedheim Memorial Lecture/Recital: Find out what makes great music “tick” and
then enjoy the composition in performance!

Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of
the complete Organ works of J. S. Bach.
BU Alumnus Neil Berg returns to the Osterhout Concert Theater with a spirited tribute to
100+ Years of Broadway.

October:
The 2009­10 Chamber Series opens in the Chamber Hall with a Reunion Recital
featuring Music Department vocal alumni and faculty.
The University Symphony Orchestra opens the Anderson Center’s 2 5 A  nniversary
Season in a gala performance with the world­famous Paul Taylor Dance Company.
The University Wind Symphony, Harpur Chorale, and Women’s Chorus combine for
a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre).

Johannes Brahms
(1833­1897)

Griﬀin Sargent, violin
Michael Salmirs, piano
Introduced by Timothy Perry

November;
The University Chorus is joined by the Binghamton Philharmonic and soloists for a
reading of Beethoven ‘s epic Ninth Symphony.

December:

The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the
heat with the ﬁnest in Big­band literature.

Anne Boleyn, from 7ry Me, Good King (2001)......................Libby Larsen

(b. 1950)

Heather Montana, soprano
Margaret Reitz, piano
Introduced by Timothy LeFebvre

Our 2009­2010 Season ­ Wow ro Insited!

Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of
medieval and renaissance vocal entertainment at the Madrigal Dinner.

For more information, please visit our website a!
www.binghamton.edu/music or call 607.777.2592

�</text>
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                  <text>Bern Mulligan&#13;
Erin Rushton&#13;
Ben Coury&#13;
David Schuster&#13;
Rachel Turner &#13;
David Floyd&#13;
Sasha Frizzell&#13;
Aynur de Rouen&#13;
Nicholas Eggleston&#13;
Alexxa O Bisnar (Student worker)&#13;
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                <text>Features poetry readings from Tino Villanueva at Java Joe's in Binghamton, N.Y. Several local poets read their works during "open mike" sessions before the featured poet. The event was held on October 14, 1995. The readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. </text>
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                  <text>&lt;p&gt;The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the &lt;em&gt;The Big Horror Reading Series&lt;/em&gt; at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.&lt;br /&gt;&lt;br /&gt;Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.&lt;br /&gt;&lt;br /&gt;The collection also &lt;a href="https://omeka.binghamton.edu/omeka/collections/show/31"&gt;includes twelve excerpted poems&lt;/a&gt; that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Digitization and DVD Production&lt;/strong&gt; &lt;br /&gt;After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&amp;nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Preservation and Expanded Access&lt;/strong&gt; &lt;br /&gt;Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. &lt;strong&gt;(N.B.: They are only accessible on campus or via campus VPN.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from &lt;a href="https://www.pinterest.com/pin/548805904585058425/"&gt;Pinterest&lt;/a&gt;. If you are the rights holder, please contact The Libraries.&lt;/p&gt;</text>
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                  <text>Bern Mulligan&#13;
Erin Rushton&#13;
Ben Coury&#13;
David Schuster&#13;
Rachel Turner &#13;
David Floyd&#13;
Sasha Frizzell&#13;
Aynur de Rouen&#13;
Nicholas Eggleston&#13;
Alexxa O Bisnar (Student worker)&#13;
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                <text>Tish Benson with "Open Mike" at the Amsterdam, September  20, 1994 </text>
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                <text>Features poetry readings from Tish Benson at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions before and after the featured poet. The event was held on September 20, 1994 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. </text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
DEPARTMENT OF MUSIC

SATURDAY
JANUARY 15, 1977
8:15 P. M.
CASADESUS RECITAL HALL

�TOBY APPEL, VIOLA

PROGRAMME

* k k k k k k

*****************

Entered t h e Curtis I n st i t u t e of Music a t t h e age
of thirteen. Finst appeared with th e Marlboro
Fe st iv a l four yearns L a t e r. Played chamber music
with Rudofph Serkin, Pablo Casals, and o th e r s .
Appointed a s s i s t a n t p r i n c i p a l v i o l i s t o f t h e S z .
L o u s Symphony. Appeared with t h e Marlboro
Festiv a l and Chamber Music Northwest. Will
p a r t i c i p a t e i n t h e I n te r n at i o n a l Musicians Seminar
An Penzance, England, t h i s s p r i ng. Performs s o l o
v i o l a pieces by Ezra Laderman on an episode of
CBS “Lamp Unto My Feet", ﬁlmed on t h e Appel Music
Farm where he was born and raised.

DAVID NIETHAMER, CLARINET
******************%******

Member of the Catskill Woodwind Quintet. Performed
w i th t h e Lenox Str i ng Quartet and a t t h e Manhatten
Trio Summer Chamber Music Festival of Hartwick
College. Appeared as s0Loist with the Catskill
Symphony Orchestra, -the Bergen Youth Orchestra,
and t h e South Aums Symphony. Faculty member of
SUNY-Binghamton, Hartwick C o l l e ge, and C a t s k i l l
Conservatory. Appears throughout metropolitan New
York with t h e Riverside Chamber PLayers.

BETH LEVIN, PIANO

¥ h k k R R R R R K K K KKK
RK

Student of Maryan Fi l a n , Settlement Music Sch o o l,
and Rudolph S e rk i n , Curtis I n s t i t u t e of Music.
Pa rti c i p ate d i n t h e Ambler, Kneisel Ha l f, Havard,
and Marlboro Fest iv a l s. Appeared as s o l o i s t with
t h e Philadelphia Orchestra, t h e Orchestral Society
04 Philadelphia, the New York Philharmonic Chamber
Players, t h e Boston University Orchestra, and t h e
Boston Pops. Touwred t h e West Coast as a member
of “Music grom Marlboro” i n March 1976, and w i l l
perform this season on Marlboro tours of the East
Coast. Presently a student of Leonard Shure as
an M i s t s Diploma candidate a t t h e New England
Conservatory of Music.

Tr i o An = Major, K . 4 9 8 . . . . . . . . . Wo lgga ng Mozart
piano, c l a r i n e t, v i o l a
Andante
Minuetto
Rondeaux-ALLeghretto
Fair y Ta k e s, Opus 1 3 2 . e v v e e e e. . . R o b e r t Schumann

piano, clarinet, viola
1 . Lebhagt, n i ch t zu s c h n el l
( L iv ely, n o t t o o fast )
11. Lebhagt und sehr markint
(Lively and very marked)
I I I . Ruhijes tempo, mit zarntem Ausdruck
(Quietly, with beautif ul expression)
IV. Lebhagt, sehr marnkint
( L iv ely, very marked)
* * INTERMISSION * *

Eight Pieces, Opus 8 3 . . . . . . . . . . . . M
. .ax. Bruch
plano, clarinet, viola
Andante
Allegro con moto
Andante con moto
Allegro ag i t a t o
Andante (Romanian melody)
Andante con moto (Nachtgesang)
Moderato
Allegro viva ce, ma non thoppo

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                    <text>State  University  of  New  York  at  Binghamton
Harpur  College
Department  of  Music

TOBY APPEL
ALL

BACH

PROGRAM

PAUL JORDAN
Saturday,  October  23, 1976
8:15  P.M.
Watters  Theater

�e y

PROGRAM

* k k k  k k k

Three sonatas  by  Johann  Sebastian  Bach
Toa  FERRER RRRRRRRIRRRRFR RRRRKK
Toa  FERRER RRRRRRRIRRRRFR RRRRKK
“JPN­

x 

Toby  Appel,  viola

F X
Wed

E

*x  Paul  Jordan,  harpsichord
We

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¥*%*

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“ll­"X­
”ll­1t­

WH

*  %
¥%
KR ARK RRRRRRERFERIRRRRER ARRRIRRH e
FRER RRR F R R R R R R R F R R R R R R

Sonata  No.1  i n  G major
Adagio
Allegro, ma  non  tanto
Andante
Allegreo moderato
Sonata  No.  2 i n  D major
Adagio

Allegro
Andante
Allegro

I NTE R M I SS I O N
Sonata  No.  3 i n  g minor

Vivace 
Adagio
Allegro

’

�COMING  EVENTS
KERREXX R R R E  R R

Nov. 6, Sat.  Concert  Series–Seymour  Fink,Delmar  Pettys
Nov. 8, Mon.  Harpur  Symphony
Nov.13, Sat.  Harpur  Chorale
Nov.14, Sun.  Jazz  Ensemble (3:00  p.m.)
Nov.14, Sun.  Concert  Series–Peter  Marsh  and  Friends
Dec. 4, Sat.  University  Chorus&amp;Orchestra  Bicentennial
Dec. 9, Thur.  Collegium  Musicum (University  Union)
Dec.12, Sun.  Concert  Series–Laredo,Robinson,Ponce
Dec.13, Mon.  Wind  Ensemble
All  concerts  will  begin  at 8:15  p.m.
unless  otherwise  indicated.

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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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                    <text>TOBY APPEL
“Q ‘ 9 ’
!
S

Y2   %

A N N

@@@
‘©

Chamber  Music  Series
February  9,  1974
Don  A.  Watters  Theater
8:16  p.m.

�TOBY  APPEL,  viola
SAMUEL  SANDERS,  piano
J E A N “ ? J G * * &gt; l ~ &gt; ( ­ J ( ~ J ( ­ J ( ' &gt; ( ­ i ’ i ’ i ­ * * * * * * * * * * * * * * * * * * * * * * J U Q ’ l ’J l ­ x ’ i ­ X­ x ­ x ­ A ­

SUITE  HEBRAIQUE 

ERNEST  BLOCH

I.  Rapsodie
II.  Processional
III.  Aﬀirmation

SONATE  IN  F MINOR  OPUS  120,  1 
Allegro  appassionata
Andante  un  poco  Adagio
Allegretto  grazioso
Vivace

JOHANNES  BRAHMS

INTERMISSION

SONATE  IN  G MINOR 
Largo
Corrente
Adagio
Allegro  vivace
“ELEGY”  in  memory  of  my  mother 
Andante

HENRY  ECCLES

EZRA  LADERMAN

World  Premiere:  the  composer  requests

there  be  no  applause
SONATE  IN  F MAJOR  OPUS  11,  4 
I.  Fantasie

I I .  Thema  m i t  va r i a t i o n e n
I T I .   Finale  (mit  va r i at i o n e n )

PAUL  HINDEMITH

�</text>
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                  <text>Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings &lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;amp;tab=LibraryCatalog&amp;amp;search_scope=MyInstitution&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;mode=basic&amp;amp;offset=0&amp;amp;conVoc=false"&gt;have been catalogued&lt;/a&gt; and are located in &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/"&gt;Special Collections&lt;/a&gt;. In addition, the collection includes copies of programmes. &lt;br /&gt;&lt;br /&gt;The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.&lt;br /&gt;Email:&amp;nbsp;&lt;a href="mailto:speccoll@binghamton.edu"&gt;speccoll@binghamton.edu&lt;/a&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                  <text>&lt;p&gt;The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the &lt;em&gt;The Big Horror Reading Series&lt;/em&gt; at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.&lt;br /&gt;&lt;br /&gt;Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.&lt;br /&gt;&lt;br /&gt;The collection also &lt;a href="https://omeka.binghamton.edu/omeka/collections/show/31"&gt;includes twelve excerpted poems&lt;/a&gt; that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Digitization and DVD Production&lt;/strong&gt; &lt;br /&gt;After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&amp;nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Preservation and Expanded Access&lt;/strong&gt; &lt;br /&gt;Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. &lt;strong&gt;(N.B.: They are only accessible on campus or via campus VPN.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from &lt;a href="https://www.pinterest.com/pin/548805904585058425/"&gt;Pinterest&lt;/a&gt;. If you are the rights holder, please contact The Libraries.&lt;/p&gt;</text>
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                  <text>Bern Mulligan&#13;
Erin Rushton&#13;
Ben Coury&#13;
David Schuster&#13;
Rachel Turner &#13;
David Floyd&#13;
Sasha Frizzell&#13;
Aynur de Rouen&#13;
Nicholas Eggleston&#13;
Alexxa O Bisnar (Student worker)&#13;
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>1 videodisc (93 min.) sound, color </text>
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              <text>&lt;a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243182"&gt;https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243182&lt;/a&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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                <text>Features poetry readings from Todd Beers and Dorianne Laux at the Amsterdam in Johnson City, N.Y. Several local poets read their works during "open mike" sessions before the featured poets. The event was held on March 23, 1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. </text>
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                <text>Binghamton University Libraries</text>
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