166
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/2046df69bab1a4397ddd372c15bf6639.pdf
67aa1e9fb75c418f0466caf62cb51083
PDF Text
Text
STATEljnnmmsnv'orIQEw'Yonx.srthGnAunox
Harpur College
Music
f
o
Department
collegium
musicum
paul Jordan
€ d I t h BORROSf
OIRECTORS
December 4, 1975
8:15 pm
Don A. Watters Theater
�Collegium Musicum
***********&********************************&*******
I. PRAISE THE LORD, O JERUSALEM
_ Anthem fo r 5part chorus,
strings, and basso continuo
SINFONIA IN D MINOR
for two flutes and string
orchestra
.
Adagio
Fugue
HEAR MY PRAYER, O LORD, AND
LET MY CRYING COME UNTO THEE
Motet for 8 voices
I N T E R M I S S I O N
HENRY PURCELL
(16581695)
WILHELM F. BACH
(17101784)
HENRY PURCELL
(arr. P.Jordan)
III. MISSA BREVIS NO. 1 IN F MAJOR
for 4part chorus, soprano, alto
and bass s o l o i s t s , two oboes
and bassoon, two brass instru
ments, strings, and basso
continuo
J.S. BACH
(1685–1750)
Kyrie Eleison, Christe Eleison, Kyrie Eleison
chorus
Gloria i n E x cel s i s Deo
chorus
Domine Deus, Rex C o e l e s t i s
aria for bass and solo violin
II. Entry
NOVA,
Caro
NOVA
le :
Motets:
GLORIOSAE VIRGINIS MARIAE
HODIE CHRISTUS NATUS EST
Carole:
FROM THE SHEEP–SHEARER’S GUILD
CHRISTMAS PLAY (COVENTRY)
ANONYMOUS
(ec. 1850)
LEONEL POWER
(ce. 1400)
CLAUDIO MONTEVERDI
(15671643)
ANONYMOUS
(ec. 1500)
Qufaiiizfifiigifiomafiilboe
Quoniam Tu Solus Sanctus
aria fo r alto and vi o l i n
Cum Sancto Spiritu
chorus
SANCTUS IN C MAJOR
for 4part chorus, trumpet,
o oboes, horm, strings, tym
pani, and basso continuo
EE EL
EEX]
Motets:
O DOMINE JESUS
ADRTAN WILLAERT
(ec. 14901562)
VIDENTES STELLAM MAGI
Exeunt Carole:
NOWELL SING WE
ROLAND DE LASSUS
(15632–1594)
ANONYMOUS
(ec. 1400)
This concert is financed by your
Student Activity Fees.
J.S. BACH
�Parts I and III are offered by the Collegium Choir,
Orchestra, and Soloists
Soloists :
Rachel Gardener, soprano
Jacquelyne Garms, alto
Eugene Sawc zyn , bass
Karen Tax, flute
Sharon Kossakoff, fl ut e
George Myers, violin
Geoffrey Barron, oboe
Howard Cohen, ‘ cello
Orchestra:
Violin I
Violin II
Viola
George Myers
Rosa Campa
Paul Goodman
Kimberley Slater
Dinah Voorhies
Olev Viro
Joe Zoeckler
Donald Thaler
Carol Isaacson
Joyce Capani
Jeanne Woodruff
Ellen Weil
‘Cello
Oboe
Trumpet
Howard Cohen
Myra Greenstein
Donna Page
Tracy Slack
Geoffrey Barron
Janet Ziebur
Alfred Szymaniak
Double Bass
Lois Chantry
Dominique Hyatt
Harpsichord
French Horn
Bassoon
Rebecca Miller
Tympani
Geoffrey Brooks
Deborah Lemon
Choir :
Alto
Soprano
Jill Benjamin
Karen Adler
Margaret Donelian Carolyn Brooks
Karen Clute
Carolyn Dow
Susan Cohen
Ann Ehrlich
Carol Delton
Marcia Hausner
Sue Lawson
Sheryl Kay
Kate Sudekum
Donna Merriam
Karen Tax
Louise Ulrich
Barbara Hager
Ellen Weil
Tenor
Richard Kaskan
Ross Levinson
Bass
Dan Lotto
Neil Rouda
Paul Sweeny
Larry Zukof
Conductor : Paul Jordan
Part I I i s o ff e r e d by the Renaissance Consort :
John Doscow
Lorraine Forman
Thomas Kolpakas
Jan Lauridsen
Di rector :
Sue Lawson
Esther St erl ing
Larry Zukof
Edi th Bor roff
Kate Sudekum
Paul Sweeny
Karen Tax
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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4 sound tape reels
Duration
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48:16
35:58
47:48
35:26
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244734">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244734</a>
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Title
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Collegium Musicum, December 4, 1975
Recital tape 1975-12-04
Description
An account of the resource
Works of Purcell, W.F. Bach, Power, J.S. Bach. Held at 8:15 pm, December 4, 1975, Watters Theater.
Creator
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Collegium Musicum
Publisher
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Binghamton University Libraries
Date
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1975-12-04
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sound
-
https://omeka.binghamton.edu/omeka/files/original/6c0acdade58ab2022390ee071e56e92e.pdf
886835e2f3bb34a5e0068b6ef77e6bf1
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Text
STATEljnnmnsn1’or.Nzwrlknu:ATIBn«nnuu10N
Harpur College
t
sic
n
oeMu
m
Depart f
Martin Hass, piano
Saturday, December 6, 1976
3:00 pm
Casadesus Recital Hall
�Martin Kass, piano
413656>(**************>fi*******>fltdXiX’XiJkiafiiJGX’JGXXXi’afixXahhf
J.S. BACH
PRELUDE AND FUGUE IN C–SHARP MINOR
from Book I of the Well Tempered
Clavier
SYMPHONIC ETUDES
op. 13
R. SCHUMANN
I N T E R M I S S I 0 N
SONATA IN BFLAT
F. SCHUBERT
op. post,
Molto moderato
Andante sostenuto
Scherzo: Allegro vivace con delicatezza
Allegro ma non troppo
For Mr. Kass, t h i s r e c i t a l i s
given in partial fulfillment of
the requirements for the degree
Master of Music.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:15
37:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244740">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244740</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Martin Kass, December 6, 1975
Recital tape 1975-12-06
Description
An account of the resource
Works of Bach, Schumann and Schubert. Held at 3:00 pm, December 6, 1975, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Kass, Martin
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-12-06
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/32d099013dcfa53b585963bf86604ee3.pdf
ca9d51f2d6efa6ade71128c5d54ff9f8
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
UNIVERSITY CHORUS
David L . B uttolph, conduc tor
Sunday, December 7 , 1975
7 : 3 0 pm
Don A. Watters Theater
�University Chorus
*************&*******é
******&****&***#*&**************
EDWARD ELGAR
THE MUSIC MAKERS
Stephanie Sundine, mezzo–soprano
I N T E R M I S S I O N
CHRISTMAS CANTATA
About our Solo ists
l
l
nors
Stephanie Sundine, a graduate wit h hi ghes t ho
im
an
has
1,
197
n
from the Univ ersit y o f I l l i n o i s i
f
i
year s i s tha t o f fi n a l i s t i n the San Fran
Regi onal Aud ition s f o r 197 5.
Allegro
ee from
Cora Couch holds the Bachelor of Music degr
cal activi
Oberlin Conservatory. Her program of musi
Bezazian
the
o
t i e s i n r e c i t a l and chamber music led t
BRASS C H O I R
David Bes palko, t rump e t
Robert Hayes, trumpet
Al Szymaniak, trumpet
Dan Benscer, trumpet
Richard Gower, trombone Eric Schwartz, trombone
Mitch Geisner, trombone James Magacs, trombone
Kirk Jackson, baritone
Tom Wood, tuba
ope rati c
Music Scholarship Award i n 1969. She has held
rlin,
Obe
f
o
yers
lead s wi th th e Gilb ert and Sull ivan Pla
., and
the Collge Light Opera Company of Falmouth, Mass
i
[ .
SERGE RACHMANINOFF
:
1]
l
[
JOHANN SEBASTIAN BACH
Glor ia i n e x c el s i s Deo
Glor ia Patri
Cora Gamelin Couch, soprano
Donald Weiskopff, tenor
Steu t e r a t i n p r i n c i p i o
oral
she made solo appearances with the Pent ucket Ch
Society of West Newbury, Mass.
born
Donald Weiskopff, a native TriCity resident, ctiv
i
choral a
in Endicott, has long been a member of
e
th
with
s
t i e s i n t h i é are a. He has sung teno r r o l e
s appeared
Chenango and Montrose Choral Societies and ha
frequently over the years as soloist in the choral
l
CANTATA 191
a,
Chicago Lyric Opera, New York’s After Dinner Oper
Gold
s
Bori
The
The Chautauqua Opera Asso ciati on, and
d
orme
perf
s
a
h
she
ovsky Opera Theater National Tours,
s leading
solo s i n sev eral major choral works as w ell a o l o i st
s
a
was
ro l es i n musical comedy. This year she
he pa
Productions. Amoung several awards over tcisco
Opera
Adagio
MAGNI FI CAT
o rat o r i o . Besi des appearan ces as s o l o i
Tour
with Gil bert and Sull ivan A La Cart e Nati onal st
DANIEL PINKHAM
Maestoso, Allegro
T
BRASS CHOIR I
f opera and
posing record of experience in the world s to with
th e
1
l
l
l
l
l
l
1i
i
l
Society.
masterworks presented by the Binghamton Choral St.
He is a member of the Bach Oratorio Society, the
Ambrose Choir and the Vacano Music Society.
AX AX XX
sent
The Univ ersit y Chorus and Orch estra w i l l pre
with
Carmine Burana by Carl Orff on April 5th, 1976
and
Louise Wohlafka, soprano, Alan Crabb, t e n o r,
Jake Gardener, baritone.
�Program Notes
The Music Makers, set to Arthur O’Shaughnessy’s
poem, was wr i t te n i n 1912 and, unlike some o f i t s
earlier predecessors Dream of Gerontius (1900),
Enigma Variations (1899), The Apostles (1903), and
the Symphonies uses referential themes from many of
th es e works. The at t ra c t i o n f o r Elgar was th e t e x –
tural quality o f dream fantasy and the p o ss i b i l i t i es
o f harmonic allusion and dream symbolization.
This “Magnificat", by Serge Rachmaninoff (1873
1943) is the eleventh of fifteen choral selections
written in 1916 for the “ALL Night Vigil,” Opus 37.
I t i s formed o f fundamental melody l i n es i n the lower
vo i c es which are interspersed with repeated choral
exaltations in th e higher vo i c e s . The theme o f spir–
i t u a l devotion i s stated simply i n the beginning,
gaining fulness and grandeur and gradually growing
i n t o a complete expression o f the humility o f the
Virgin, and an affirmation of belief in the power of
the Lord
Daniel Pinkham (b. 1923) is a contemporary Amer–
iean composer now on the faculty of the New England
Conservatory o f Music. His “Christmas Cantata,”
wr i t t e n i n 1957, i s a good re p res e n tati o n o f modern
choral composition. The work i s i n three movements,
opening with an invocation t o the shepards t o t e l l
t h e s t o r y o f t h e Na t ivi t y. This i s done wi th sim
plicity and freshness, and in programmatic style.
The second movement describes the mystery of the
Virgin and the Nativity, and leads t o an ebullient
third movement, where the f u l l chorus sings “Gloria
i n e x c el s i s Deo,” a motive repeated between several
sections o f praise and adoration, i n which more and
more voices are heard. The work culminates drama
tically in a final Alleluia.
Bach was a great borrower not only from such great
masters as Vivaldi and Corelli but from his own pro–
digious output
From h i s Mass i n B minor composed i n 1733, Bach
drew Cantata 191. Dated 1740, i t i s an arrangement
o f the Gloria f o r Festo Nat ivi tat i s C h r i st i . The
work i s i n three movements: the fi r s t based on the
Gloria, No. 4 o f the Mass; the second on th e Domine
Deus, No. 7 of the Mass; and the closing chorus on the
Cum Sancto S p i r i tu , No. 11 o f the Mass.
The main d i ff e re n ces l i e i n Bach’s textual changes
which substitute the Doxology i n the second and third
movements.
What makes No. 191 an e x ce pti o n a l ‘borrowing c a s e ’
however i s the f a c t th at i t i s th e only cantata n o t
in the vernacular (German). According to Whittaker,
“No year of the Christmas Day for which it was pre–
pared i s ascertainable, and (there i s ) no reason f o r
th i s departure from the normal.”
E
E
E
During intermission, you are cordially invited
t o attend the opening o f the exhibition, “Canvas
Fantasy” in the University Art Gallery.
�THE UNIVERSITY CHORUS
SOPRANO
Elizabeth Dixon
Judith Elkin,
secretary
Michalene George
Laurie Goodheim,
treasurer
Kathleen Groves
Marcia Hausner
Janet Hawkins
Cindy Hibbard
Grace Houghton
Harriet Johnson
Stephanie Klein
Cheryl Klingensmith
Danette Lipten
Judy Lou
Marcie Lustgarten
Nancy McCann
Juliette Mellow
Harriet Penensick
Martha Powell
Jodi Silbiger
Noreen Spota
Barbara Taggert
Sharon Wilcox
Amy Williams
ALTO
Clara Budin
Phyliss Burr
Molly Cargile
Susan Cohen
Joanne Cronin
Nancy Drucker
Dawn Dweir
Ann Ehrlich
Ruth Foley
Miriam Gilbert
Rosemary Goetz
Sylvia Horowitz
Rhonda Klein
BASS cont’d
Richard Davis
Jon Floriano
John Florio
Michael Gaworecki
Leon Glow,
vice president
Robert Gordan
Kenneth Hollister
Michael Klein
Michael Lamberta
Sue Lawson
Judy Levine
Michelle Milligan
Carrie Nichols
Emily Parker
Janet Peretz
Lori Salomon
Amy Schmertz
Judith Schoolman
Beth Ann Schoonmaker
Jane Shear
Judith Solheim
Margaret Starke
Thomas Lamphere
Richard Mallinson
Andrew McKim
David Mose
Michael Pierce,
president
Adam Pollak
William Snyder
Marshall St. Clair
ACCOMPANIST
ChaiKyu Mallinson
Carol Townsley
Michelle Tuman
Jill Weston
TENOR
John Davidge
Richard Ervin
Robert Frankel,
librarian
Lee Gartenberg
Frank Holby
Ben Holroyd
Mark Lanze
Kevin McDermott
Thomas Nytch
Stuart Silverman,
publicity
Jud Wallis
Donald Weiskopf
Floyd West
BASS
Christopher Arneson
Lynn Aylesworth
Thomas Baynes
Peter Bolan
Ian Cain
Carl Dashman
THE ORCHESTRA
l
\
VIOLIN I
Evelina Choa,
concertmaster
Mary Barton
Bruce Berg
Ronald Copes
Karen Fliegler
Elmar Oliveira
Robert Seletsky
Michael Smith
Lydia Werbizky
VIOLA
VIOLIN II
Armen Boyagjian,
principal
Nigel Allen
Janet Brady
Kevin Byrnes
Lee Ann Harbatuck
Ross Levinson
Marcia Miller
Evan Paris
Cordula Rosow
CELLO
Larry Bradford,
principal
Geoffrey Brooks
John Dexter
Judy Geist
Barbara Gorin
Carol Isaacson
Julie Kramer
Sandra Robbins
Ellen Weil
David Heiss,
principal
Howard Cohen
Michael Finckel
David Hoppe
Seth Jacobs
Tom Shaw
Steve Stalker
Holly Wilson
�BASSES
Debbie Neu,
principal
Richard Thomas
Dominique Hyatt
Michael Sanders
FLUTE
Susan Passanante
Liann Helfer
PICCOLO
Nancy Becker
OBOE
E l l i o t Friedman
Janet Zeibur
ENGLISH HORN
Matthew Kuhn
CLARINET
Wendy Osteyée
Paul Ketchoyian
BASS CLARINET
Laurie Nash
BASSOON
Lois Chantry
Michele Stein
HORN
Bob Taylor
Ken Steiger
Rod Thomas
Jay Hilfiger
TRUMPET
Alfred Szymaniak
Bob Hayes
Dave Bespalko
TROMBONE
Eric Schwartz
Richard Gower
Steve Shear
TUBA
Tom Wood
PERCUSSION
Diane Dino
Joseph Pazienza
TYMPANI
Geoffrey Brooks
HARP
Linda Warren
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:53
37:06
Streaming Audio
Streaming URL
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Dublin Core
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Title
A name given to the resource
Concert, University Chorus, December 7, 1975
Recital tape 1975-12-07
Description
An account of the resource
Works of Elgar, Pinkham, Rachmaninoff, Bach. Held at 7:30 pm, December 7, 1975, Watters Theater.
Creator
An entity primarily responsible for making the resource
University Chorus
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-12-07
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/5e708757c0e1d216e6258d20e6adfc1a.pdf
9dcc4214e871584ea47c3f4edc57e467
PDF Text
Text
STATE UNIVERSITY
OF NEW York AT BINGHAMTON
Harpur College
Department of Music
Walter Ponce, piano
Saturday, January 24, 1976
8:15 pm
Watters Theater
�Walter Ponce, piano
WORKS BY FREDERIC FRANGOIS CHOPIN (18101849)
’(*>(>(****************************************&**XXXtht
BALLADE
in A–flat major, op. 47
(184041)
TWO NOCTURNES
in Csharp minor, op. 27, no. 1
In G major, op. 37, no. 2
(183435)
(1839)
SCHERZO
in Bflat minor, op. 31
(1837)
Intermission
SCHERZO
in B minor, op. 20
(183132)
TWO NOCTURNES
in F major, op. 15, no. 1
in Fsharp major, op. 15, no. 2
(183031)
(183031)
BALLADE
in G minor, op. 23
(183135)
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
34:08
34:36
14:07
Streaming Audio
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Dublin Core
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Title
A name given to the resource
Recital, Walter Ponce, January 24, 1976
Recital tape 1976 1-24
Description
An account of the resource
Works of Chopin. Held at 8:15 pm, January 24, 1976, Watters Theater.
Creator
An entity primarily responsible for making the resource
Ponce, Walter
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-01-24
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/0e89408b201dfce19667e6a1d5d42539.pdf
dcb886fc6aa6930a9bd03eca7e17df07
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMI‘ON
Harpur College
Department of Music
LENOX QUARTET
S a t u rd a y, February 7 , 1976
8:15 pm
Casadesus Recital Hall
�The Lenox Quartet
FORTHCOMING EVENTS
Feb 10
Feb 14
Feb 17
Feb 21
Catskill Quintet
.
Margie Graber, piano recital.
Margaret Donelian, voice recital
Seymour Fink and Delmar Pettys:
ptano and v i o l i n
Feb 2 7 Orchestra Concert
:
Feb 28 Dennis Berg, piano recital
Feb 29 Chamber Series: Toby Appel
Al Hamme
Paul Jordan
*************************************************&***
QUARTET IN E MAJOR
op. 125, no. 2
F. SCHUBERT
Allegro con fuoco
didamie
Menuetto: Allegro vivace
Rondeau: Allegro vivace
STRING QUARTET (1953)
I. FINE
Allegro risoluto
Lento
¥¥¥¥¥¥
–I NTERMI SSI ON –
Any cars parked by fire hydrants, yellow curbs,
or i n 24 hour disabled spaces are subject to being
towed away at the owners’ expense. If your vehicle
is in any of these areas, please mov e it immediately.
Your cooperation is appreciated.
QUARTET IN Eflat MAJOR
op. 127
L. van BEETHOVEN
Maestoso: Allegro
Adagio, ma non troppo e molto cantabile
Scheraando vivace
Finale
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
41:36
41:16
Streaming Audio
Streaming URL
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Recital, Lenox String Quartet, February 7, 1976
Recital tape 1976 2-07
Description
An account of the resource
Works of Schubert, Fine and Beethoven. Held at 8:15 pm, February 7, 1976, Watters Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-02-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/b5fe8307db7a762f4a39980542991488.pdf
d686bc401b18bd323dd7cce16f55de6d
PDF Text
Text
STAT E Un t ve m s i r y O F N
E W Y o
r k AT B I N G H A M T O N
Harpur College
Department of Music
Delmar Pettys, violin
Seymour Fink, piano
S at u rd a y, Februar y 21, 1976
8 : 1 6 pm
Casadesus Reeital Hall
�Delmar Pettys, violin
Seymour Fink, piano
FORTHCOMING EVENTS
Feb 27 Orchestra concert
28 Dennis Burge, piano r e c i t a l
29 Margaret Donelian, v o i c e r e c i t a l
29 Concert Series: Toby Appel, viola
Al Hamme, saxophone
Paul Jordan, piano
Mar 2 Judy G e i st , v i o l a r e c i t a l
5 Miriam Brickman, piano drama
6
12
13
Apr 27
29
May 1
Geoffrey Barron, oboe recital
Balkan concert
Lenox Quartet
Marriage of Figaro
Marriage of Figaro
Marriage of Figaro
abutmentu“HunMaeaemu:umt*uumuumusxsmumtuu
MOZART
SONATE IN E MINOR
KV 304
Allegro
Tempo di Menuetto
BEETHOVEN
SONATE IN 0 MINOR
Op. 30, No. 2
Allegro con brio
Adagio cantabile
Scherzo
Finale: Allegro
–INTERMISSION–
SONATE IN A MAJOR
BRAHMS
Op. 100
Any cars parked by fire hydrants, yellow
curbs, or i n 24 hour disabled spaces are subject
t o being towed away a t the owner’s expense. I f
your vehicle ig in any of these areas, please move
Allegro amabile
Andante tranquillo
Allegretto grazioso (quasi Andante)
i t immediately. Your cooperation i s appreciated.
RONDEAU BRILLANT IN B MINOR
Op. 70
SCHUBERT
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:09
46:01
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244757">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244757</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Delmar Pettys and Seymour Fink, February 21, 1976
Recital tape 1976 02-21
Description
An account of the resource
Works of Mozart, Beethoven, Brahms, and Schubert. Held at 8:15 pm, February 21, 1976, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Pettys, Delmar
Fink, Seymour
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-02-21
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f463c769a396c17e0c89dbea7ba0566c.pdf
95672fdbdc413c3bd5032638d501291d
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
Harpur Symphony Orchesta
Judith Somogi, conductor
guest a r t i s t ;
Judith Anthony, soprano
Friday, February 27, 1976
8:15 pm
Soetal Room
�FORTHCOMING EVENTS
Dennis Burge, piano recital
Concert Series : Toby A ppel , vio la
A l Hamme, saxophone
Paul Jordan, piano
2 9 Margaret Donelian, voice recital
Mar 2 Judy Geist, viola recital
Feb 28
29
5
12
l
W A G N E R : W E S E N D O N K L I E D E R
Miriam Brickman, piano drama
Balkan concert
13 Concert Series : The Lenox Quartet
1 4 Wind Ensemble concert
2 0 Diane Pendleton, piano r ecita l
27 Sandra Robbins, viola recital
Apr 4 Jazz Ensemble concert
5 Chorus and Orchestra concert
2 4 Concert Series : The Lenox Quartet
2 5 Wendy Simpson, piano recital
27 Marriage of Figaro
2 8 Co llegium Musicum concert
2 9 Marriage of Figaro
May 1 Marriage of Figaro
2 Seymour Fink, piano r ecita l
I. Der Eng el
In der Kindheit frithen Tagen
hort’ ich oft von Engeln sagen,
die des Himmels hehre Wonne
tauschen mit der Erdensonne,
dass, wo bang ein Herz in Sorgen
schmachtet vor der Welt verborgen,
dass, wo still es will verbluten,
und vergehn in Tranenfluten,
dass. wo briinstig sein Gebet
einzig um Erlosung fleht,
da der Engel nieder schwebt,
und es sanft gen Himmel hebt.
Ja, es stieg duch mir ein Engel nieder,
und auf leuchtendem Gefieder
fithrt er, ferne jedem Schmerz,
meinen Geist n un himmelwa rts.
II. Stehe Still!
Sausendes, brausendes Rad der Zeit,
Messer du der Ewigkeit;
leuchtende Sphéren im weiten All,
die ihr umringt den Weltenball ;
urewige Schépfung, halte doch ein,
Genug des Werdens, lass mich sein!
Halte an dich, zeugende Kraft,
Urgedanke, der ewig schafft!
Hemmet den Atem, stillet den Drang,
schweiget nur eine Sekunde lang!
Schwellende Pulse, fesselt den Schlag ;
Ende, des Wollens ew’ger Tag!
Dass in selig siissem Vergessen
ich mog’ alle Wonnen ermessen!
Wenn Aug’ in Auge wonnig trinken,
Seele ganz in Seele versinken ;
Wesen in Wesen sich wieder findet,
und alles Hoffen’s Ende sich kiindet ;
die Lippe verstummt in staunendem
Any cars parked by fi r e hydrants, yel
low curbs, or in 24 hour disabled spaces are
sub ject to being towed away a t the owner’s
expense. If your vehicle i s in any of these
areas, please move i t immediately . Your co
operation i s appreciated.
Schweigen,
keinen Wunsch mehr will das Inn’re
zeugen :
erkennt der Mensch des Ew’gen Spur,
und los’t dein Rfitsel, heil’ge Natur!
i
I . The Angel
In the early days of childhood
I often heard tales of angels
who exchange the higher joys
of Heaven for the sunshine of earth,
so that whoever with sorrowing heart
languishes hidden from the world,
whoever bleeds to silent death,
passing away in floods of tears,
whoever with fervor prays
only for release from l i f e
to him the angel descends
and gently raises him to Heaven.
Yes, an angel came also to me
and with his shining golden wings
carried, far from every pain,
my spirit up towards Heaven!
II. Stand Still!
Rushing, roaring wheel of time,
knifeblade of eternity,
glowing sphere in distant space
closed about the globe of earth ;
first creation, stop your turning,
enough of existence, let me be!
Hold back, power of begetting,
grimal thought, etern creator!
top this breathing, still this desire,
silence it only a few seconds’ time!
Swelling impulse, restrain your blow,
end the unending day of wanting!
So that in sweet and happy forgetting
I might measure the worth of joy!
When eye drinks in the joy of eye,
when soul is sunk in another’s soul,
when being finds itself
in another’s being,
and we reach the end of all hoping ;
when lips are dumb
in wondering silence,
the inner soul will beget no more desire
then man will know the eternal sign
and solve thy riddle, holy Nature!
�III. Im Treibhaus
Hochgewdlbte Blatterkronen,
. Baldachine von Sma ragd,
Kinder ihr aus fernen Zonen,
saget mir, warum ih r klagt?
Schweigend neiget ih r die Zweige,
malet Zeichen in die Luf t,
und, der Leiden stummer Zeuge,
steiget aufwarts siisser Duf t.
Weit in sehnendem Verlangen
breitet ihr die A rme aus,
und umschlinget wahnbefangen
6der Leere nicht’gen G raus.
‘Wohl, ich weiss es, a rme Pflanze:
ein Geschicke teilen wir,
ob umstrahlt von Lic ht und Glanze,
unsre Heimat ist nic ht hier !
Und wie f roh die Sonne scheidet
von des Tages leerem Schein,
hiillet der, der wahrhaf t leidet
sich in Schweigens Dunkel ein.
Stille wird’s, ein sduselnd Weben
fiillet bang den dunkeln Raum :
schwere Tropfen seh ’ ich schweben
an der Blatter grilnem Saum.
IV. Schmerzen
Sonne, weinest jeden Abend
dir die schénen Augen rot,
wenn im Meeresspiegel badend
dich erreicht der frithe Tod ;
doch ersteh’st in alter Pracht,
Glorie der diistren Welt,
du am Morgen neu e rwacht,
wie ein stolzer Siegesheld!
Ach, wie sollte ich da klagen,
wie, mein Herz, so schwer dich sehn,
muss die Sonne selbst verzagen,
muss die Sonne unte rgehn?
und g e b i e rTeod nur Leben,
t
geben Schmerzen Wonnen nu r :
o \\'ie dank’ ich dass gegeben
solche Schmerzen mi r Natur !
V. Trdawme
Sag; welch wunderba re Traume
halten meinen Sinn u mfangen,
dass sie nicht wie lee re Schaume
sind in 6des Nichts vergangen?
Traume, die in jeder Stunde,
jedem Tage schooner blith’n,
und mit ihrer Himmelskunde
selig durch’s Gemiite ziehn!
Traume, die wie hehre Strahlen
in die Seele sich versenken,
dort ein ewig Bild zu malen :
Allvergessen, E ingedenken!
Traume, wie wenn Fr ithlingssonne
aus dem Schnee die Bliiten k iisst,
dass zu nie geahnter Wonne
sie der neue Tag begr iisst,
dass sie wachsen, dass sie bliihen,
traumend spenden ih ren Duf t,
sanft an deiner Brust vergliihen,
und dann sinken in d ie G ruft.
III. In the Greenhouse
Higharched leaf y crowns,
canopies of emerald,
children of a distant clime,
tell me, why do you mourn ?
Noiselessly your branches bend,
shaping gestures in the air,
and as silent witness of sorrow
there rises upwards a sweet scent.
Wide in yearning desire
you spread out your arms
and embrace the maddening
void horror of empty space.
Well do I know, poor plants,
that we share one destiny,
even with light and lass above us
our homeland is not ere!
How gladly does the sun withdraw
f rom the empty light of day
to veil him who truly sorrows
in the dark of silence.
All grows still, a rustling motion
fills the darkened space with grief:
I see heavy drops suspended
on the green edges of the leaves.
IV Pain
Sun, you weep every evening
until your fair eyes a re red
when bathing in the sea’s mirror
you reach your early death ;
yet you rise with accustomed splendor,
glory of the gloomy world,
newly awakened at morning
as a proud, victorious hero!
Ah, why should I complain,
why, my heart, pity you so
when the sun himsel f must despair,
when the sun must sink in min ?
Death always gives b irth to l ife.
pains always bring f orth joys :
oh, how thank f ul a m I t ha t Nature
has given me such pa ins!
V. Dreams
Shall I sa y what wond rous d reams
hold m y mind in thrall,
so that it has not like empty bubbles
passed in to oblivion?
Dreams, that in ever y hour,
every day grow fairer,
and with their heavenly message
Bass th ro u gh m y s oul w i t h b lessings!
reams, that like celestial rays
penetrate my very soul
and paint an un fading picture there
of forgetting and remembering!
Dreams that, like the sun of spring,
d raw flowers f rom snow with a k iss ;
they are born to unsu spected joy
and greet the new da y ;
then they grow, and they bloom,
and d reaming give forth t hei r scen t ;
gently they cool upo n your breast
and then sink into th e grave.
The Harpur Symphony Orchestra
Jt ’l’étdJt ’h t ’l'a ta ta td’hh tJiilsh ta hh ta lJl'JithbtJhi'ihh t ’ta hhhhhh téhbbhhh t ’td'i t
ACADEMIC FESTIVAL OVERTURE
WESENDONCK LIEDER
BRAHMS
' WAGNER
Der Engel
Stehe s t i l l
Im Treibhaus
Sehmerzen
Trdume
J u d i th Anthony, soprano
«IN TE’RMI SSI 01V
SYMPHONY NO. 88
HAYDN
L’ARLESIENNE SUITES
BIZET
I
Prelude
Minuetto
Adagietto
Carillion
IT
Farandole
�ORCHESTRA PERSONNEL
FIRST VIOLINS
BASSES
HORNS
Evelina Chao, Concertmaster
Bruce Berg
Ronald Copes
Karen Fliegler
David Harrington
Elmar Oliveira
Michael Smith
Paul Turco
Lydia Werbizky
Debbie Neu, principal
Dominique Hyatt.
Michael Sanders
Richard Thomas
Ed Deskur
Jay Hilfiger
Ken Steiger
Rodney Thomas
FLUTES
TRUMPETS
Susan Passanante
Liann Helfer
Scott Kelley
J e ff Lake
Glenn Morrell
SECOND VIOLINS
PICCOLO
Armen Boyajian, principal
Nigel Allen
Janet Brady
Kevin Byrnes
Lee Ann Harbatuck
Ross Levinson
Roy Lewis
Marcia Miller
Evan Paris
Cordula Rosow
TROMBONES
Nancy Becker
Eric Schwartz
Richard Terrano
OBOES
Elliot Friedman
Janet Zeibur
TUBA
Thomas Wood
ENGLISH HUKN
TYMPANT
VIOLAS
Matthew Kuhn
Geoffrey Brooks
Larry Bradford, principal
Geoffrey Brooks
John Dexter
Kathy Elias
Barbara Gorin
Judy Geist
Tim Killian
Sandra Robbins
Ellen Weil
CLARINETS
PERCUSSION
Wendy Osteyée
Joyce Rose
BASSOONS
Lois Chantry
Valerie Durham
CELLOS
David Heiss, principal
Howard Cohen
Michael Finckel
CONTRABASSOON
Cindy Baldwin
Walter Gray
David Hoppe
Tom Shaw
Steve Stalker
Holly Wilson
ALTO SAXOPHONE
Earl Gregory
Diane Dino
Steve Press
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:21
48:19
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244771">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244771</a>
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Harpur Symphony Orchestra, February 27, 1976
Recital tape 1976 02-27
Description
An account of the resource
Work of Brahms, Wagner, Haydn and Bizet. Held at 8:15 pm, February 27, 1976, Social Room.
Creator
An entity primarily responsible for making the resource
Harpur Symphony Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-02-27
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c0600080a9f16a70993046504182c9a5.pdf
757c3a83c6cde4e41f64e2e364327f80
PDF Text
Text
STATE UNIVERSITY OF NEW York AT BINGHAMTON
‘Harpur College
Departmentof Music
T H E L E N OX Q UA RT E T
Saturday, March 13, 1976
8:15 pm
Don A. Watters Theater
�Toby Appel, viola
Peter Marsh, violin
Delmar Pettys, violin Donald McCall, ‘cello
* * # * * * * ’ * * * * * x ~ * % * * > ( 3 ( J h ( * 3 9 h“ ? af ’ b l X * * * * * * J ¥ * * * * * * * * x ~ * * * * * *
FORTHCOMING EVENTS
Mar 14
19
20
27
28
28
28
Apr
2
3
4
5
23
24
26
27
29
May
1
2
5
8
Wind Ensemble concert
Margie Graber, piano recital
Diane Pendleton, piano r e c i t a l
Paul Jordan, organ/harpsichord
First Presbyterian Church, Endicott
Eugene Sawezyn, voice recital
Larry Bradford, viola recital
Oberlin Conservatory Percussion
Ensemble concert
Geoffrey Barron, oboe recital
Paul Ketchoyian, clarinet recital
Jazz Ensemble concert
University Chorus and Orchestra:
Carmina Burana
David Hoppe, cello recital
Opus 50, no. 6 “The Frog”
Allegro
Poco Adagio
Menuetto (A l legretto)
Finale (Allegro con spirito)
Collegium Musicum concert
Jan Lauridsen, piano r e c i t a l
SCHUMANN
QUARTET IN A MAJOR
Opus 41, no. 3
Andante espressivo Allegro molto moderato
Assai agitato
Adagio molto
Finale (Allegro molto vivace)
Concert S e r i e s : The Lenox Quartet
Wendy Simpson, piano recital
The Marriage of Figaro
The Marriage of Figaro
The Marriage of Figaro
Carolyn Berdall, cello recital
Concert Series: Seymour Fink, piano
HAYDN
QUARTET IN D MAJOR
–INTERMISSION–
QUARTET IN C MAJOR
Opus 69, n o . 3
Andante con moto Allegro vivace
Andante con moto quasi Allegretto
Menuetto (Grazioso)
Allegro molto
BEETHOVEN
�NOTICE
At th e re qu est o f Campus Security we make t h e
following announcement:
Any cars parked by fi r e hydrants, yellow curbs,
o r i n 24 hour disabled spaces are subject t o being
towed away a t th e owner’s expense. I f your v e h i c l e
i s i n any o f these areas, please move i t immediately.
Your cooperation i s appreciated.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
56:46
31:34
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244767">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244767</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Lenox String Quartet, March 13, 1976
Recital tape 1976 03-13
Description
An account of the resource
Works of Haydn, Schumann and Beethoven.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-03-13
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c06defcd2d1e208351c556ea8ff62a1b.pdf
829c4d29c66089b16e6547a4d94e324c
PDF Text
Text
STATE UNIVERSITY OF N
E W Y o r k AT BINGHAMTON
Harpur College
Department of Music
The Ha rpur W ind Ensemble
Albert Hamme, Director
Jay Hilfiger, Graduate Conductor
Asher Raboy, Undergraduate Conductor
Presents
A Bicente nnial C elebrat ion
2 0 0 Years of America n Music
Sunday, March 14, 1976
8:15 pm
Don A. Watters Theater
�¥
The Harpur Wind Ensemble
********************44396shhhhbhhhhi>§***********>§**ahhhf
AMERICAN OVERTURE FOR BAND (1955)
Joseph W. JENKINS
FORTHCOMING EVENTS
Mar 19 Margie Graber, piano recital
20
27
Richard WAGNER
AMERICAN CENTENNIAL MARCH (1876)
BATTLE OF TRENTON (1792)
at
James HEWITT
John Philip SOUSA
CIVIL WAR FANTASY (1961)
Jerry BILIK
TERMI SSI ON
I N
COMMANDO MARCH (1 94 3)
AN AMERICAN IN PARIS (1928)
VARIATIONS ON A SHAKER MELODY (1944)
AMERICAN SALUTE (1943)
First Presbyterian Church, Endicott
28 Eugene Sawczyn, voice recital
28 Oberlin Conservatory Percussion Ensemble
28 Larry Bradford, viola recital
Apr 2 Geoffrey Barron, oboe recital
3 Paul Ketchoyian, clarinet recital
PRESIDENT GARFIELD’S INAUGURAL MARCH (1881) .
AN ELLINGTON PORTRAIT ( 196 5)
Diane Pendleton, piano r e c i t a l
Paul Jordan, organ/harpsichord recital
Samuel BARBER
4 Jazz Ensemble concert
5 University Chorus and Orchestra:
Carmina Burana
23 David Hoppe, c e l l o r e c i t a l
24 Concert S e r i e s : The Lenox Quartet
25 Wendy Simpson, piano r e c i t a l
27 The Marriage of Figaro
29 The Marriage of Figaro
May 1 The Marriage of Figaro
2 Carolyn Berdall, cello recital
2 Concert Series: Seymour Fink. piano
5 Collegium Musicum concert
8 Jan Lauridsen, piano r e c i t a l
George GERSHWIN
Aaron COPLAND
Floyd E. WERLE
Morton GOULD
* Music made available, free of charge, by the J.C
Penny Co.
�PERSONNEL
PICCOLO
BASS CLARINETS
CORNETS
Debbie Sucho ff
Laurie Nash
Linda Levine
Alfred Szymaniak
David Bespalko
Robert Hayes
David Cistola
FLUTES
ALTO SAXOPHONES
Karen Tax
Bethia Margoshes
Kathy S i t zer
Amy Lipton
Andy Weiss
Michael Kolodny
Carl Gutterman
OBOES
TENOR SAXOPHONE
Matthew Kuhn
R i chard St e iner
Stuart Small
Beth Schoonmaker
TRUMPETS
Mario Cerrino
Fred Bartman
TUBAS
Mark McAdon
Carmelo Comberiati
BARITONE SAXOPHONE
ENGLISH HORN
Richard Inch
Matthew Kuhn
FRENCH HORNS
BASSOONS
Lo i s Chant ry
Ingri d Tomsons
Jay Hilfiger
Rod Thomas
Robert Taylor
Jim Berriman
CLARINETS
TROMBONES
Mark Zavatto
Donna Booth
Paul Ketchoyian
Cindy Baldwin
Carol Schneider
Frank Bucek
Lori Miller
Joanne Oventhal
Ian Cain
Richard Gower
Stephen Shear
Richard Terrano
PERCUSSION
Roy Weinberger
Geoffrey Brooks
Keith Martens
Joe Pazienza
Diane Dino
Robert Bradley
OFFICERS
E fl at CLARINET
Robert Sarachan
BARITONES
Asher Raboy
Kirk Jackson
Evan Altman
Geoffrey Brooks,
pres i dent
Matthew Kuhn,
vice president
Cindy Baldwin,
treasurer
Ingrid Tomsons,
librarian
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:13
35:56
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244775">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244775</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Harpur Wind Ensemble, March 14, 1976
Recital tape 1976 03-14
Description
An account of the resource
Works of Jenkins, Wagner, Sousa, Barber, Gershwin and Gould. Held at 8:15 pm, March 14, 1976, Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur Wind Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-03-14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/bcd41d53875076b0094bbda1cc567a9d.pdf
841133e34e6bd00f39ba5fcdb69a0bf1
PDF Text
Text
The
HARPUR
JAZZ ENSEMBLE
Albert Hamme, director
conductor
David Hibbard,
Sunday , flprl 4 , 1976
Don fl. Waters Theaetr
p
30:0 m
�Program
*************************&*************%*fi***********
RAY’S IDEA
arr. by Mitch GEISNER
WHISPER NOT
Benny GOLSON
CHICAGO
D. RADER
ONCE I LOVED
arr. by Phil WOODS
LOW DOWN
MINOR BOOZE
W i l l i e MAIDEN
JUMP FOR JOE
Gene ROLAND
TALK OF THE TOWN
arr. by Manny ALBAM
DIRTY OLD MAN
Frank WESS
Thad JONES
kkk kk
TAKE OUT THE GARBAGE
Mitch GEISNER
ANGEL EYES
arr. by Al HAMME
COMES THE RESOLUTION
Manny ALBAM
–INTERMISSION–
This Ensemble was established as a performance
medium i n 1968 and has appeared i n co n ce r t with The
BLUES FOR POLAND
I REMEMBER CLIFFORD
Tony KLATKA
Benny GOLSON
arr. by Mitch Geisner
Buffalo Philharmonic Orchestra, Clark Terry, Marvin
Stamm, Lew Soloff, Urbie Green, Frank Wess, Edie
Daniels, Slam Stewart, Manny Albam, Jimmy Owens and
has recorded for Crest and Mark Records.
�PERSONNEL
ALTO SAX
Warren Sacks
Robert Sarachan
PTANO
TENOR SAX
BASS
Howard Brown
Richard Inch
Lee Mustiker
Ira Antelis
Mel Comberiati
Randy Rockwell
BARITONE SAX
Robert Trachtenberg
GUITAR
David Helefant
TRUMPETS
David Hibbard
Mike Kinney
Daniel Bencher
DRUMS
Mike Ward
John Lamarka
TROMBONES
Miteh Geisner
Tony Piazza
Steve Shear
BASS TROMBONE
Jim Magacs
Steve Press
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:39
39:40
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244779">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244779</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
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'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
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'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital, Harpur Jazz Ensemble, April 4, 1976
Recital tape 1976 4-4
Description
An account of the resource
Works of Golson, Rader, Woods, Hamme, Klatka, and Roland. Held at 3:00 pm, April 4, 1976, Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur Jazz Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-04-04
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound