168 10 1775 https://omeka.binghamton.edu/omeka/files/original/53b851800cc7b21872e731d9343594b6.jpg d9fd4af52d0e3f1f003b2193ac3cf4fe https://omeka.binghamton.edu/omeka/files/original/9715ddba222973732f2c4fabb9893f5a.jpg 38a5a7eba5dce4095153ac91238376fb https://omeka.binghamton.edu/omeka/files/original/cae15dadb816ea3c1a8487faaf5e4426.jpg 662a5a9173b9414e8f88825f3484137e https://omeka.binghamton.edu/omeka/files/original/648ac4ac496eddd196fc9a53406bf39f.jpg a2b13c7b005bdd313f1adeb071abbcee https://omeka.binghamton.edu/omeka/files/original/ab27b47387b0f6f47c427328ce0efcf7.jpg 9f470dc816ef9e66ed059180b1dc444b https://omeka.binghamton.edu/omeka/files/original/7d1ce714594a062732331353853f3c05.jpg cfe2f1b3dc78d686d2b6e968602d925e https://omeka.binghamton.edu/omeka/files/original/fd94d0759fdd2639cc558711102bb296.jpg de8c9ab9c3bf8133fedf8f389fe3ad22 https://omeka.binghamton.edu/omeka/files/original/e4c58d6a22692ed010a538d315017b4d.jpg e8dd6fe8db3b036b2319cbc5350ddfb1 https://omeka.binghamton.edu/omeka/files/original/c465916d46a7bd89c79b466ef86c5091.jpg c7b1b74ee189ff87aa4da786a9bc65ad https://omeka.binghamton.edu/omeka/files/original/981c23ff9f16aa5ef45ddb4254a54e79.jpg a4f5e7c41ee29179783737cc9311f73f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Markings in purple pen, black pencil, red pencil, black pen, and pink pen. Extensive written notes throughout, with some pages more heavily marked than others. Various stage sketches found throughout entire promptbook. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 22cm x 14.5cm Earlier version Earlier version (dcterms:isVersion Of) Ett drömspel Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.132 Production(s) July 1921, Salzburg October 1921, Stockholm November 1921, Berlin November 22, 1921, Berlin December 13, 1921, Berlin -Supporting materials (for all Berlin productions): Box 7 Folder 49-50: Photographs; scenes Oversized mounted 9 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traumspiel [promptbook] Subject The topic of the resource Strindberg, August, 1849-1912. Ett drömspel -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Strindberg, August, 1849-1912 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3227 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin; Kammerspiele Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/95d1c542bed15f97dcde49cb1a459e42.pdf f54501aac1df4fe7b6b693e7ccfe582b PDF Text Text UNI AR C State University of New York Depa rtmen t of Musi c TRIO AMI CI Haka n Tayg a-Hro mek, cello Steph en Stalk er, cello Marg aret Reitz , piano with Vero nica Frany utti, sopra no Timo thy Perry , clarin et Friday, Novem ber 12, 2004 8:00 p.m. Casades us Recital Hall �Program Concerto in g minor RV531 .................................... Antonio Vivaldi Allegro (1675-1741) Adagio Allegro Stephen Stalker, cello Hakan Tayga-Hromek, cello Margaret Reitz, piano Four Duets for Two Cellos ...................................... Reinhold Gliere Commodo (1875-1956) Leggiero Flowing Vivace Stephen Stalker, cello Hakan Tayga-Hromek, cello Estrellita ...................................................................... Ponce-Heifetz Hakan Tayga-Hromek, cello Margaret Reitz, piano Among Friends ............................................................. Chan Ka Nin (written 1989) Timothy Perry, clarinet Stephen Stalker, cello Margaret Reitz, piano --Intermission-- �Bachianas Brasileiras, No. 5 ............................. Heitor Villa-Lobos (1887-1959) Veronica Franyutti, soprano Stephen Stalker, bass Hakan Tayga-Hromek, cello Margaret Reitz, piano Pezzo Capriccioso, Op. 62 ......................... Peter Ilich Tchaikovsky (1840-1893) Stephen Stalker, cello Margaret Reitz, piano Kaddisch .................................................................. Maurice Ravel (1875-1937) Hakan Tayga-Hromek, cello Margaret Reitz, piano Original Composition......................................... written by the Trio When In Our Music ........................................... Stephen Stalker Homage to Mahler .................................. Hakan Tayga-Hromek Amici Rag ........................................................... Margaret Reitz ******** ******** ******** * About the Performers HAKAN TAYGA-HROMEK, cello, has attended Ithaca College, SUNY Purchase and SUNY Binghamton. Teachers have included Fritz Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and Stephen Stalker. Hromek has attended Round Top International Music Festival in Round Top Texas, Music Mountain Chamber Program; Falls Village CT, Spoleto Music Festival in Charleston NC, and the International Congress of Strings; Cincinnati, OH. Hromek is principal cellist with the Binghamton Philharmonic and Orchestra of the Southern Finger Lakes. He also performs with Tri-Cities Opera and the Cayuga Chamber Orchestra, and in a piano and cello duo with Margaret Reitz. �STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a finalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-inResidence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, "Four Score," at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. MARGARET REITZ, piano, received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria. Reitz has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. VERONICA FRANYUTTI, soprano, has participated in master classes with Nico and Ca r olv Castel of t he Metropolitan Opera and with directors from the Syracuse 1 .ll Opera. She has performed in several academic events and sings for local operatic groups. Last summer, she was a guest in the Cornell University summer music series. Franyutti received a BA in French Literature from SUNY Binghamton and has studied voice for four years with Mary Lou Muratori. 1 Clarinetist, Conductor and Professor of Music, TIMOTHY PERRY, joined the Binghamton University faculty in 1986 as Director of the Orchestral and Wind Ensemble programs and Instructor of Studio Conducting and Clarinet. Perry holds D.M.A., M.M.A. and M.M. degrees in Clarinet from the Yale School of Music (as a pupil of Keith Wilson) and a Bachelor of Music degree from the Manhattan School of Music (as a student of Leon Russianoff). He has served as Principal Clarinet in numerous orchestras including the Wisconsin Chamber Orchestra, New England Chamber Orchestra, the Catskill Symphony, Glimmerglass Opera and was Assistant Principal Clarinet of the New Haven Symphony and Northeast Pennsylvania Philharmonic. A devoted chamber music player, Perry has performed frequently as a member of the Catskill Woodwind Quintet, Catskill Chamber Players and Finger Lakes Chamber Ensemble and has been selected for festivals in Vinalhaven, Maine and Thy, Denmark. As a soloist, he has been featured with the Binghamton Philharmonic, Catskill Symphony and Binghamton Community Orchestra, toured Latin America and the Caribbean for the U.S. Department of State as a Musical Ambassador in 1997. �HEITOR VILLA-LOBOS Bachianas Brasileiras No. 5 Text: Ruth Valadares Correa (Aria); Translation: J.D.B Griffin Aria (Cantilena) In the evening, a rosy, translucent cloud slowly crosses the drowsy and beautiful firmament! The mood gently rises into infinity, Adoring the evening like a gentle maiden who dreamily primps herself, yearning in her soul to become beautiful. All nature cries to heaven and earth! The birds are silent in their sorrowful lamenting, and the sea reveals all its richness. The soft moonlight now awakens the cruel longing that laughs and cries! In the evening, a rosy, translucent cloud • slowly crosses the drowsy and beautiful firmament! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:54 42:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252028&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252028&change_lng=en&select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trio Amici, November 12, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 11-12 Description An account of the resource Works of Vivaldi, Gliere, Ponce-Heifetz, Nin, Villa-Lobos, Tchaikovsky, Ravel, and original compositions written by the trio. Accompanying program includes translation of work of Villa-Lobos. Held at 8:00 p.m., November 12, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Tayga-Hromek, Hakan Stalker, Stephen Reitz, Margaret Franyutti, Veronica Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/12/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/4864710b4ddd717b0ae1770277eb91eb.pdf 7bf3697b863617474353e93639bf0249 PDF Text Text BINGHA MTON U N L V E F E R S E T Y State University of New York UNIV R R C R Rc len \ tope A s a l wde c ’ D E P A R T M E N T SPEC COL T R I O A M I C I Margaret Reitz, p iano Steph en Sta lker, cello Haka n TaygaHromek, cello Andr ew Stalker, string bass Donna Wood, ﬂ ute Robe rt Sm ith, d rums Friday, November 17, 2006 8:00 p. m. Casadesus Recital Hall �PROGRAM I. Trio Amici Original Composition... Allegro by Hakan R y arbivomieck Elegy by Margaret Reitz Source of Light by Stephen Stalker II. Jean Barriere (1 705 1 747) Sonata in G Major for Two cellos Andante Adagio Allegro Prestissimo Stephen Stalker, cello Hakan Tayga Hromek, cello [ 111. l La Scandinavie Swedish Folk Song Vermelandsvisa h i : ....Percy Grainger Melodie Danoise Hakan TaygaHromek, cello Margaret Reitz, piano IV. l Il \ Suite for Cello and Jazz Piano Trio ............ Baroque in Rhythm Ballade Cello Fan Stephen Stalker, cello Margaret Reitz, piano Andrew Stalker, string bass Robert Smith, drums ..Claude Bolling �ABOUT T H E PERFO RM ERS WINTE RMISSI ON8 V. Improvisation Hakan TaygaHromek, singing bowl Stephen Stalker, cello Margaret Reitz, prepared piano Andrew Stalker, string bass Donna Wood, ﬂute Sonata in g minor, Op. 19 Andante VI. Cu§ ¥ )I .. Sergei Rachman inoﬀ (18731943) Stephen Stalker, cello Margaret Reitz, piano Fratres VII. .............Avro Part Hakan TaygaHromek, cello Margaret Reitz, piano VIII. Op. 72 ......Bernhard Romberg d piano, cellos an Concertino for two (176718 41) Andante Grazios Rondo con Allegrezza Stephen Stalker, cello Hakan TaygaHromek, cello Margaret Reitz, piano N Ai .,l J MARGA RET R E I T Z , pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, A ustria. Ms. Reitz was an oﬀicial accompan ist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001 and again 2006. She has been a guest chamber m usic artist in Morges, Switzerland and she also was selected to attend the Accom panying Workshop for Singers and Pianists held at Northwestern University with Chicago Lyric Opera Faculty and Coaches. She was recently invited to the International Clarinet Conference to play a recital with Timothy Perry, clarinetist and Stephen Stalker, cellist in Tokyo, Japan. She was a guest artist on the Cornell Summer Series in A ugust 2006. Ms. Reitz has been invited to perform the magniﬁcent Beethoven Triple Concerto with Binghamton Community Orchestra next season with Hakan Hromek, cellist and Pattie Sunwoo, violinist. This coming June, she will be an oﬀicial pianist at the International Double Reed Competition and Convention. Ms. Reitz has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She maintains a private piano studio in Vestal, New York. She is on the Executive Board of the New York District M TNA Organization. She is past President of the local Southern Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. STEPHE N STALKE R, cellist, teaches cello and double bass at Binghamton University. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is an oﬀicer and a founder of the Binghamton Cello Festival and the Southern Tier Music Teachers Association in Binghamton, N.Y. He has taught at Colgate University, Mansﬁeld University, Ithaca College and in the Binghamton City Schools. As a member of the Madison String Quartet, he was a ﬁnalist in the Naum berg Chamber Music Competition in New York City and the Evian International String Quartet Competition in Evian, France. He is past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School of Music Association. He is a graduate of the Manhattan School of Music. �the Southern Tier Music Teacher’s Association. She has performed on HAKAN TAYGAHROM EK, cello, has attended Ithaca College, SUNY Purchase and SUNY Binghamton. His teachers have included Fritz Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and Stephen Stalker. Hromek has attended Round Top International Music Festival in Round Top Texas, Music Mountain Chamber Program; Falls Village CT, Spoleto Music Festival in Charleston NC, and the International Congress of Strings; Cincinnati, OH. Hromek is principal cellist with the Binghamton Philharmonic, the TriCities Opera and the Orchestra of the Southern Finger Lakes. He also performs with the Cayuga Chamber Orchestra, and in a piano and cello duo with Margaret Reitz. many concerts given or hosted by the Community Music Center. She is a past member of the Binghamton Symphony, Cider Mill Playhouse and TiAhwaga Players Pit Orchestras. In Big Band Concerts, she has appeared with Gary Smulyan, Dick Oatts, Jon Mosca, Anat Cohan, Gary Dial, Sherrie Maricle, Peter Appleyard, Bob Mintzner and others. She has produced her ﬁrst solo CD Just As I think of You as a vocalist/ﬂutist. & AN DREW STALKER, string bass, a native of the Binghamton area, recently completed his third summer as a fellowship recipient at the Tanglewood Music Center in Lenox, MA. Andrew studied for four years at Rice University with the Houston Symphony’s principal bassist, Tim Pitts and for two years with his current teacher, Edwin Barker, principal bassist of the Boston Symphony. While living in Boston, Andrew made regular appearances with the Kalistos Chamber Orchestra and since returning to Binghamton, works parttime at Tom’s Coﬀee, Cards and Gifts. Andrew is a graduate of Rice University, a former mem ber of the Binghamton Philharmonic, and has made solo appearances with the Catskill Symphony Orchestra in Oneonta. DONNA WOOD, ﬂutist, is a native of Thompson, PA, and was raised in a family of artists and musicians. She holds a B.S. in Music Education and M.A. in Saxophone Perform ance. As a teacher, Ms. Wood has a studio of forty aspiring student musicians throughout the school year, developing their skills on a variety of instruments, presenting concerts and solo recitals. She has done this for more than twenty years. Her com position Eyesmology was used as the title song for a cabaret show at Don’t Tell Mama in New York City. As a performer her long list of credits includes her own quartet at the P.A. Jazz Festival, Montage Mt., P.A. and chamber music at the U.N. Chapel in N.Y.C. presenting both a solo jazz ﬂute and a violin/ﬂute recital with Kelly Howard in Ogunquit, Maine. She has been ﬂutist at Owego’s River Rose Café ‘Teas’. She is the ﬂutist with Trio Barocco of Tunkhannock, P.A., and a group which has played for gallery openings, art auction previews and weddings. Ms. Wood is a past president of and a frequent performer with the Harmony Club of Binghamton and performs at the annual Dessert Musicales sponsored by A J ROBERT G. SMITH, drums, holds a Bachelor of Science in Music Education from Hartwick College, a Master of Music in Conducting from Binghamton University and is a candidate for the Doctor of Musical Arts in Music Education from Boston University. Prof. Smith studied conducting with Frederick Fay Swift, Thurston Dox, Timothy Perry, Robin Linaberry, John Graulty and Mariusz Smolij. He conducts the annual Triple Cities TubaChristmas and is the former conductor of the Maine Community Band, the oldest band of its kind in the United States. He has guest conducted allcounty and community bands throughout central New York as well as the Goshen College (IND) Wind Ensemble and Orchestra. An active performer, he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet. Professor Smith is the immediate past president of the Broome County Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award. �[J Sunday, November 19 – M usic of the W orld : Afrika – Music and Dance 3 :00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/se niors; free for students Sunday, November 19 – Clarinet Studio Recital – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, November 28 – University Percussion Ensemble 8:00 p.m. Anderson Center Chamber Hall – free Thursday, November 30 – MidDay Con cert – 1:20 p.m. – Casadesus Recital Hall – free Friday, Dece mber I Flute Studio Recital – 10:1 5 a.m. – Casadesus Recital Hall – free Friday, Decem ber 1 Eliza bethan Madrigal Feaste – 6 :30 p.m. – Old Union Hall – Tickets: $38 general public; $20 students with ID Saturday, December 2 – Fl ute Ensemble Recital 12 noon – Casadesus Recital : Hall free Saturday, December 2 – Elizabethan Madrigal Recital – 6:30 p.m. Old Union Hall – Tickets: $38 general public; $20 students with ID Sunday, Decem ber 3 – University Symphony Orchestra – 3 :00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staft/seniors; free for students Thursday, December 7 – J azz Mid Day Concert with guest artist, Bruce Johnstone – 1 :20 p.m. – Osterhout Concert Theater – free Thursday, December 7 Jazz Ensemble with guest art ist, Bruce Joh nstone – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/seniors; free for students Saturday, December 9 – Master’s Recital: Katrina Cox, soprano – 8 :00 p.m. – Casadesus Recital Hall – free Sunday, Jan uary 28 – Bac h Again : Jonathan Biggers, organist – 4:00 p.m. – First Presbyterian Church, Binghamton $15 general public; $13 faculty/staﬀ/seniors; free for students 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:26 36:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE202996">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE202996</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trio Amici, November 17, 2006 Recital Tape 2006-11-17 Description An account of the resource Works of Rachmaninoff, Part, Romberg. Held at 8:00 p.m., Nov. 17, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Stalker, Stephen Tayga-Hromek, Hakan Stalker, Andrew Wood, Donna Smith, Robert G. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 157033a9-b932-4429-b3f0-b3d15c7146b1 https://omeka.binghamton.edu/omeka/files/original/f85b600df9aed3ac4225b0625865cfca.pdf 5dad15d190b3aa41a3ca6a565212dd07 PDF Text Text SPRINGCHAMBER MUSIC SERIES A TRIO CONCERT WITH MEMBERS OF THE LENOX STRIN; QUARTET and the NEW YORK WOODWIND QUINTET Wednesday , March 31, 1971 8 :15 PM Watters Theater �PROGRAM Trio in C Minor (from the Musical Offering) Bach Largo Allegro Andante Allegro Thomas Nyfenger, •flute Peter Marsh, violin Christine Lindsay, harpsichord Arthur Weisberg, bassoon Future Events Clarinet Trio in B-flat Major, Opus 11 Thursday, April 1st Music Recital Hall 4:00 PM Student Recital. vocal program. Friday, April 16th Music Recital Hall 8:15 PM Donald McCall, cellist Solo recital by cellist of the Lenox Quartet Saturday, April 17th Music Recital Hall 8:15 PM Steve Zank, pianist Piano recital by visiting student from Boston Conservatory Sunday, April 18th Watters Theater 8:15 PM Spring Choral Concert David Buttolph, conductor All Beethoven Allegro con brio Adagio Theme and variations: Allegretto David Glazer, clarinet Paul Hersh, piano Donald McCall, cello i n t e r mi s s i o n Horn Trio in E-flat Major, Opus 40 Andante Allegro Adagio mesto Finale: Allegro con brio Ralph Froelich, French horn Delmar Pettys, violin Paul Hersh, piano Brahms � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:41:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63410 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63410">Trio Concert with Members of the Lenox String Quartet and the New York Woodwind Quintet. Spring Chamber Music Series</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trio Concert with Members of the Lenox String Quartet and the New York Woodwind Quintet. Spring Chamber Music Series, March 31, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Bach, Beethoven and Brahms. Held at 8:15 pm, March 31, 1971, Watters Theater. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-3-31 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Carl Philipp Emanuel, 1714-1788 Beethoven, Ludwig van, 1770-1827 Brahms, Johannes, 1833-1897 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020070169 39091020069625 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145446</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trumpet studio concert, April 28, 2011 Recital Tape 2011-4-28 Description An account of the resource Held on April 28, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/dc168aebbc6fccd068d25192c9abe095.jpg de73bc37f1a9a00b6679a511993be624 https://omeka.binghamton.edu/omeka/files/original/0a5d39f8ec0ab493d7c5cc75629042f7.jpg 7f66e52225b75de8c8bab54049f3ba07 https://omeka.binghamton.edu/omeka/files/original/e491c5a08b9342b502a67378a848aeb6.jpg 8e4f06ce073a89975a7798500fed1125 https://omeka.binghamton.edu/omeka/files/original/b386133dab3b4c40f95f111e139c4e2e.jpg c95dbd5c3186faa1bf2eb69950863386 https://omeka.binghamton.edu/omeka/files/original/960baa40239be71909c1f80257fee211.jpg 82d561eebd7aac986c8e0685170305a5 https://omeka.binghamton.edu/omeka/files/original/b9fb6bdf8e9f8a1846440587be3710b6.jpg 2281bcc04e8d3df958cdd7737c7a181c https://omeka.binghamton.edu/omeka/files/original/4fd2724e181c9d47ca4cc96e65ed9e38.jpg 91af0e9be67dbb466aa4a1bef4a08ada https://omeka.binghamton.edu/omeka/files/original/269c34d891fb13c1e1999db99165235f.jpg e4570e142a9efb707a6eae5084bf9977 https://omeka.binghamton.edu/omeka/files/original/7284c128cf9e3f46cc045e08207fc5ff.jpg 0523ed74a1b7d76d1d13fc84d37fdbed https://omeka.binghamton.edu/omeka/files/original/c132f04bed3cfa700af6e824763b727f.jpg 22be6dbc1a7774765e91be9830de0850 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description All text in German. Markings in black pencil and black pen, unspecified. Includes cast list, stage directions, sketches, movements. Stamp found throughout: “Spamersche Buchdruckerei, Leipzig,” last number of year illegible. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 19.75cm x 14cm Earlier version Earlier version (dcterms:isVersion Of) Turandot Notes Located in Binghamton University Libraries Special Collections PT2635E.548 P75 v.33 Production(s) As stamped throughout promptbook: "29. Juli 191_" “31. Juli 191_” “1. Aug 191_” “2. Aug 191_” July 29-August 2, 1911, Berlin (Deutsches Theater) -Supporting materials: Box 2 Folder 46: Photographs Box 14 Folder 12: Programs; plays Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Turdandot : chinesisches Märchenspiel [promptbook] Subject The topic of the resource Gozzi, Carlo, 1720-1806.Turandot -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Gozzi, Carlo, 1720-1806 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3138 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/d5fee9a787cd108684ab4b36b3dea37e.jpg af5964b45fbf4eac9dda2e371adab29c https://omeka.binghamton.edu/omeka/files/original/37d479a29495a5d3d415f14f6c8c9ff7.jpg 55b7d03b55cbfb586df6abf1850b7d8f https://omeka.binghamton.edu/omeka/files/original/f3a91d59fee46e2bdcd045927e7be295.jpg 09900dfb6d220782a07d384cfcd2acde https://omeka.binghamton.edu/omeka/files/original/cc1aff2505d523b82bedbd53456aea9d.jpg 7c98cf198f8269c43a726d6bfb8ed3ff https://omeka.binghamton.edu/omeka/files/original/80e4bba5bd997c1148a29c4363a5e71e.jpg 2f1de799e3fd94bd6d446da1afdaf947 https://omeka.binghamton.edu/omeka/files/original/8dd8bab8b162a89796461ad78474cafa.jpg be47a1e3bd673d7ceb3abbacc653875a https://omeka.binghamton.edu/omeka/files/original/b1981c1db4a73fc795ec4ad0765b4fb1.jpg 0e0da197433916e908090282803ada83 https://omeka.binghamton.edu/omeka/files/original/c993d8d343deb9403229e4839d5b7514.jpg cc5e0a6009ad77293c9da5519522c47a https://omeka.binghamton.edu/omeka/files/original/a2d3af866db053b29182650761f64727.jpg 9057f497a0bf9bbcc8ef269462b80a21 https://omeka.binghamton.edu/omeka/files/original/9e33546056205ca678c4560fd07a9412.jpg 5aff94af07e8b651d1f214d70e4ece24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description All text in German. Black pen markings, "Venice, 2 July 1926." Purple pen markings, "Salzburg, 5 August 1926" (note: Palermo -> Naples -> Capri-> Rome -> Salzburg (front cover). Red pencil markings, "Salzburg, 14 August 1926". Markings in black and blue pencil city/date unspecified. Markings of note: Cast list given first few pages. Extensive notes throughout. No stage sketches/directions. Many folded, typed rewrites taped into book found. unspecified. Mainly black pen used for general notes until page 93, only purple pen used thereafter. Supplement folder contains one sheet of handwritten notes. Notes in black pencil and red pencil. Appears to be possible notes for dancing/ballet. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 17cm x 12cm Earlier version Earlier version (dcterms:isVersion Of) Turnadot Notes Located in Binghamton University Libraries Special Collections PT2635.E548 P75 v.32 Production(s) July 2, 1926, Venice August 5, 1926, Salzburg August 14, 1926, Salzburg -Supporting materials: Box 2 Folders 47-49: Photographs; costume and scene designs, characters, characters and cast photos Oversized mounted 9 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Turdandot : chinesisches Märchenspiel [promptbook] Subject The topic of the resource Gozzi, Carlo, 1720-1806. Turnadot -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Gozzi, Carlo, 1720-1806 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3137 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:08:54 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153842">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153842</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource U.S. Air Force Band concert, November 7, 2009 Recital Tape 2009-11-07 Description An account of the resource Held November 7, 2009. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cbca950ae47d1123e0f04c7538c33627.pdf c8884ad5f645441933a27a964b087428 PDF Text Text UNIV ARC — Ke c ﬂ 2\ co 1 LAN 4 p \ L “ < 1 Phe a N N® g y Q U . S . A I R F O R C E BAN D O F L I B E R T Y www.bandoﬂiberty.af.mil America’s Air Force Integrity— Service—Excellence and University of Minnes ota Dul uth present SOU NDIN GS OMXR SrA Michael A. Correa and Prof. Gene Koshinski �Senior Airman Michael A. Correa is a percussionist with The United States Air Force Band of Liberty, Hanscom Air Force Base, MA. He is the principal percussionist for the Concert Band, percussionist for the Colonial Brass and also performs with the Ceremonial Band, and the Show Band. He has been a featured soloist with the Concert Band and Colonial Brass. SrA Correa earned a Bachelor of Music Performance and Music Education from the Ithaca College School of Music in 1998. (MM) and is currently completing a doctoral degree (DMA) at the Hartt School. His debut recording, Klung, is carried by the Equilibrium record label and his method book and compositions are distributed internationally by The Percussion Source. In 2000, he graduated from the Cincinnati CollegeConservatory of Music with a Master of Music degree in Performance. Following post graduate work at the Eastman School of Music SrA Correa held positions as music director for the Tilton School in NH, and Band/Orchestra Director for the St. Stephens & St. Agnes School in Alexandria, VA. SrA Correa also served as the director of Percussion studies and music theory instructor at the Performing Arts Institute in PA from 19982006. He is currently a DMA candidate at the Cincinnati CollegeConservatory of Music as well as being a member of the Air Astor Piazzolla (19211992) Nightclub 1960 from The History of the Tango CaDance 4 2 Andy Pape (b.1955) I’m Your Pal Steve Swallow (b.1940) arr. Gary Burton trans. Errol Rackipov Force Band of Liberty. His teachers include Joel Smales, Gordon Stout, Ted Rounds, Jon Beck, Allen Otte, Rusty Burge and James Culley. Gene Koshlnski has received international acclaim as a percussionist and composer (ASCAP) and is currently director of percussion at the University of Minnesota Duluth. He is in constant demand as a performer and most recently completed tours in Jordan, Germany, Austria, Slovenia, Canada, and the US. In 2002, Mr. Koshinski won the National MTNA Collegiate Artist Percussion Competition in Cincinnati, OH and in August 2004 ﬁnished 3rd in the prestigious Universal Marimba Duo Competition in Belgium. He is active as a performer and freelance percussionist, having worked with organizations and artists including NFL Films, Late Show with David Letterman, Mary Wilson (the Supremes), David Samuels, Wycliﬀe Gordon, Philadelphia Boys Choir, The Lettermen, Lehigh Valley Choral Arts, Minnesota Ballet, and is currently section percussionist for the Duluth Superior Symphony Orchestra and a member a Nebojsa Zivkovic’s Jovan Perkussion Projekt. For his work with NFL Films, he can be heard on the Emmy awardwinning soundtrack A Century of NFL. Performances have also been heard on the CBS, PBS, EPSN television networks as well as NPR (National Public Radio). He has also commissioned and premiered works by renowned composers including Stuart Saunders Smith, David Macbride, Dave Hollinden, and Alejandro Viﬁao. Mr. Koshinski holds degrees from West Chester University (BA), The Ha rtt School And So The Wind Blows... * Kaskada The Hummingbird * World Premiere Gene Koshinski (b.1980) Eckhard Kopetzki (b.1956) George Hamilton Green (18931970) �This con cert is sp onsored by the U SAF Ban d of Libe rty a nd the U niversity of Minneso ta Dulut h. Gene Koshinski is endorsed by Ko rogi Mar imbas, Innovative Percussion, Sa bian Cym bals, and Remo. The Air Force is a valuesbased o rganization guided by ou r core values: Integrity, Service Befo re Self, a nd Excellence In All We D o. As an Expeditionary Aerospace Fo rce, our people stand rea dy to de ploy com bat power around the globe a t a m om e nt ’s notice t o p ro tect America ’s interes ts. U L S :A R F O R C E For information regarding Air Force opportunities, contact the Air Force via your local recruiter, www.airforce.com, or dial 1800423USAF � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:00:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152251">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152251</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource U.S. Air Force Band of Liberty and University of Minnesota Duluth present Soundings, March 20, 2009 Recital Tape 2009-3-20 Description An account of the resource Works of Piazzola, Pape, Swallow, Koshinksi, Kopetzki, Green. Held at 8:00 p.m., March 20, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Correa, Michael A. Koshinski, Gene Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/4b814e5e3f4335ac496ab6f64de2e78e.jpg 3324f7fe9ed3cf6787de242a0f105d74 https://omeka.binghamton.edu/omeka/files/original/5a4ebe6ec137a8d6798fcc295d9790a6.jpg 1d7eeae7834d566302096ee69e29dbca https://omeka.binghamton.edu/omeka/files/original/55f364c12e96fe1a55b899d9ef5ef9bc.jpg c857a81bc58a8f9136fc345a162fa245 https://omeka.binghamton.edu/omeka/files/original/6f8603d19276ef119f7f136ea8cd2fe7.jpg 47212eed117980d42722743bfd9f57f7 https://omeka.binghamton.edu/omeka/files/original/474fbb6233bed3e92994198c7e3bfbe6.jpg a30c2ed69e4b4d077d18459a8dbb15df https://omeka.binghamton.edu/omeka/files/original/90b07ee5861c37c7243361c0a717e3a1.jpg 80e03cf6093f2308e967783bae4fef8d https://omeka.binghamton.edu/omeka/files/original/c376602a1573d465310560cf3751b164.jpg 995609f8ce68a76b87e074ba5c2f0849 https://omeka.binghamton.edu/omeka/files/original/7667bd826cf2936a49d03c4bf9f3b5fe.jpg 61c4385a0c3acfc139dda4abec60aba3 https://omeka.binghamton.edu/omeka/files/original/9f8112ab549d86acb60172777104b63f.jpg b624144baebeccd9c3c0daa93ab516ec https://omeka.binghamton.edu/omeka/files/original/6e918ee78d0ab8db94252c5d4d33dfc2.jpg 865b817eea6f514877eec294073890f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Note page key and various staging notes found inside front cover. Markings in purple pen, red pencil, blue pencil, and black pencil. Extensive written notes throughout in purple pen with many markings in colored pencil. Various stage drawings, prop drawings, stage directions, etc Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 18.75cm x 12.5cm Earlier version Earlier version (dcterms:isVersion Of) I svet vo tʹme svetit И свет во тьме светит Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.139 Production(s) November 24, 1918, Berlin December 13, 1918, Berlin -Supporting materials: Box 14 folder 49: Programs; plays Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Und das Licht scheinet in der Finsternis : Drama [promptbook] Subject The topic of the resource Promptbooks Stage directions Creator An entity primarily responsible for making the resource Tolstoy, Leo, graf, 1828-1910 Scholz, August, 1857-1923 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3234 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Grosses Schauspielhaus Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.