169 10 1775 https://omeka.binghamton.edu/omeka/files/original/e013955b63face2cb56d890f643cf483.pdf 02654933be3b0263befc5e9552b6ae21 PDF Text Text UNIV ARC Recit BINGHAMTON al U N I V E R S I t ape 2005 5-4 SPEC COL T Y State University of New York Department of Music Undergraduate Student Conductors' Concert University Chamber Chorus University String Orchestra University Orchestra Wednesday, May 4, 2005 8:00 p.m. Watters Theater �The Binghamton University Department of Music presents the Undergraduate Student Conductors' Concert with the University Chamber Chorus University String Orchestra University Orchestra Program Gloria, selected movements ..........Antonio Vivaldi (1678-1741) I. Gloria in excelsis, conducted by Rob Magee II. Et in terra pax, conducted by Deanna Bunal IV. Gratias agimus tibi, and V. Propter magnam gloriam, conducted by Nicole Kalisz VII. Domine Fili Unigenite, conducted by Cari Begeal XII. Cum Sancto Spiritu, conducted by Ryan Bagg University Chamber Chorus, accompanied by Jody Schum Capriol Suite .......................Peter Warlock (1894-1930) Movements 1 and 6, conducted by Alex Wiesendanger Film Music from Henry V ..........William Walton (1902-1983) Movement 1, Passacaglia: Death of Falstaff Movement 2, Touch Her Soft Lips and Part, conducted by Emily Creo University String Orchestra Four Waltzes, op.39 (arr. Stone) .... .Johannes Brahms (1833-1897) Movements 1 and 2, conducted by Juliana Maslen Movements 3 and 4, conducted by Matt Cosnett Purcell Suite (arr. Siennecki) ... . ...... Henry Purcell (1659-1695) Movements 1 and 3, conducted by Matt Green Movement 2, conducted by Remington A. Gregg University Orchestra �About the Conductors Rob Magee is a Junior Music major studying piano with Jody Schum. He hopes to focus on conducting and vocal accompaniment and one -day work as a music director on Broadway (or something equally prestigious). He would like to thank Dr.'s Borton, Perry, Rolls, Goldstaub, and Reardon for fostering his passion for the divine art of music. Deanna Bunal, originally from Lee Center NY, is a Senior at Binghamton University. Her specialization is voice, under the tutelage of Mary Burgess. She will be graduating this spring with a B.A. in Music and plans to continue on to Syracuse University where she will pursue an MST in Music Education. Nicole Kalisz is a Senior Music (B.A.) and Biology (B.S.) major. She plays the flute and piano and is a member of the University Wind Ensemble. Originally from Buffalo, she will be teaching math next year in New York City under the NYC Teaching Fellows program. Cari Begeal, a native of Bath, NY, is a Junior at Binghamton. She is double majoring in Political Science and Music, with a minor in Spanish. She currently studies voice with Mary Burgess, and is a member of the University Chorus. After graduation she plans on pursuing a career in choral conducting. Cari would like to dedicate this performance to her mother. Ryan Bagg is a Senior Music major from Vestal. He plays guitar and is the musical director of the Binghamton Crosbys. Ryan is currently applying to graduate school to pursue a degree in Music Education. Alex Wiesendanger is a Senior Music and Political Science double major. He would like to thank Professors Borton and Perry for their �hard work, as well as Professors Stalker, Sunwoo, Goldstaub, Loy and Reardon for all their support, and his parents for forcing music on him when he was three. Finally he would like to thank the orchestra for putting up with him. Emily Creo, a native of Vestal, is a Junior Music major studying both cello and voice. Emily is a member of the University Orchestra and Harpur Chorale. She credits her enthusiasm and success in music to exceptional teachers Denise Heckel and Dennis Powell. She would like to thank her parents for all their love and support. Juliana Maslen is a Senior at Binghamton University. She is graduating with a degree in Music and Psychology. She studies piano with Chai-Kyou Mallinson and is a member of the University Chorus. After graduating she will be doing research and working as a teacher's aid for children with autism. Juliana plans on getting her Ph.D. in Clinical Psychology. Matt Cosnett is a Senior majoring in Music at Binghamton University. He has studied percussion for twelve years and is currently studying under Dan Fabricius. Matt is from Vestal, New York. Matthew Green is a Senior percussionist finishing up his B.A. in Music. After undergraduate studies, Matt will be pursuing a Masters degree in Music Education. Remington A. Gregg is a Junior majoring in Philosophy, Politics, and Law. He is director of Classical Music at the campus radio station, WHRW, and a member of the University Chorus. He presently studies piano under Jody Schum. Remington is an assistant to the Organist-in-Residence at St. Mary's Episcopal Church in his hometown of Staten Island, New York, and Assistant Organist at Calvary United Methodist Church, Vestal. �String Orchestra Violin 1 Christina Wan Tiffany Chang James Leddy Karen Krause Rosa Nam Elizabeth Mansdorf Violin 2 Claire Bryne Micah Banner-Baine Dana Kerker Marie Mizuno Jennifer Hsu Rachel Jacobs Cello Matthew Woolever Justin Wong Yi-Eun Park Kathleen Bradley Bass Elizabeth Bartlett Donald Trusdail Viola Melissa Mattern Melissa Lee Beth Vayshenker Cassandra Aikman Janet Ievins Full Orchestra Violin 1 Akira Maezawa Reme Doh Alisa Selman Samuel Wang Tamara Potapova Karen Tang Jennifer Liebman Violin 2 Corinne Paull Jungsun Oh Jennifer Paull Stephanie Mawhirt Richard Goldman Mark Liu Viola HyunjungOk Kerry Conway Christopher Trow Christopher Fiore Cello Heajung Kim Katy Walker Nicholas Capone Mackenzie Wen Bass Christopher Hui Andrew Eiche Serena Murray Flute Kelsey Bauer Kris Gilbert Kira Slocum Oboe Rebecca Rodbart Clarinet Bethany Bonhof Caroline Bravo Bassoon Kimberly Meeker David Weinberg Trumpet Garrett Clark Steve Pan Horn Diana Amari Ernie Epelman Al Jacobsen Patrick Lokken Trombone Harris Brenner David Hennan Percussion Matthew Chedister �University Chamber Chorus Soprano Emily Burr MayBelle Golis Margaret Hays Barbara Herne Connie Lamando Kerry Nienstedt Mary Joan Ragard Susan Sarzynski Barbara Alhart Simon Barbara Thamasett Bass Eric Bare Anthony Biconish Garret Clark J. Scott Husted Conrad Krebs Phil Millspaugh Joseph E. Nelson Edward Orosz Christian Ritter David L. Schriber Alto Lois Bare Barbara Barno Maria Luisa Cook Jeanne Fenzel Grace Houghton Cheryl Labban Nancy McGee Judie Meador Ethel F. Molessa Anna Nicholas Joyce Printz Jane Shear Susan Szczotka lnyoungYu Tenor H.B. King Dennis Leipold Sherry Williamson Floyd R. West The Conducting II class is under the direction of Professors Bruce Borton and Timothy Perry. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:57:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243742&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243742&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243742&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Undergraduate student conductors' concert, May 4, 2005 Description An account of the resource Works of Vivaldi, Warlock, Walton, Brahms, Purcell. Held at 8:00 p.m., May 5, 2005, Watters Theater. Creator An entity primarily responsible for making the resource Magee, Rob Bunal, Deanna Kalisz, Nicole Begeal, Cari Bagg, Ryan Creo, Emily Maslen, Juliana Cosnett, Matt Green, Matthew Gregg, Remington A Wiesendanger, Alex Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-4 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/08d3739543edd640076e0bed9d3d66d4.pdf 91c8d88ad7c5995ad04c35ae4efe69d0 PDF Text Text requiem SATURDAY APRIL 16 ER WATTERSTHEAT1977 AT SUNYBINGHAMTON & SUNDAY APRIL17 8:15PM UNION HUNT ATBALLR 8:00pm SUNY OOM ONEONTA �Brian Seidman, President Sylvia Horowitz, Secretary Norma Yohai, Librarian Carl Dashman, Stage Manager Carole Townsley, Vice-President Laurie Goodheim, Treasurer Janet Slechta, Publicity —P E R S O N N E L — The University Chorus of SUNY Binghamton David Buttolph, Director Chai-Kyou Mallinson, Accompanist Sopranos : Patricia Cashwell, Lizabeth D ’Angio, Judy Elkin, Lois Fischthal, Lisa Goldberg, Laurie Goodheim, Terry Hogan, Connie Horn, Harriet Johnson, Cathy Klotz, Sue Kovacic, Karen Lovejoy, April Lucas, Mary Ellen Monahan, Susan Riale, Jeane Shipman, Janet Slechta, Susan Smith, Noreen Spota, Susan Petty, Barbara Taggart, Jill Trinka, Lori Vitaliano ; Contraltos : Kinga Armer, Linda Barucco, Robin Bilinkoﬀ, Clara Budin, Phyllis Burr, Joanne Cronin, Mary Eleanor Edwards, Ruth Foley, Stacey Foodim, Theresa Gallagher, Judy Goldman, Gloria Herzig, Sylvia Horowitz, Grace Houghton, Rhonda Klein, Lisa Miller, Astrid Petterson, Irene Rosenberg, Doris Schmidt, Jane Shear, Margaret Starke, Joanne Taggart, Carole Townsley, Jill Weston, Norma Yohai ; Tenors : Brad Bennett, Russell Cashwell, Lee Gartenberg, Ken Gorden, Frank Holby, Edward Houghton, Eugene Napolitano, Thomas Nytch, Vincent Pinque, Edward Schappert, Stephen Straight, Donald Weiskopﬀ, Floyd West ; Basses : Lynn Aylesworth, Thomas Baynes, Peter Bolan, Lawrence Brooks, Richard Carmody, Robert Clark, Carl Dashman, Richard Davis, Michael DiFonzo, Richard Gelber, David Hanson, Lawrence Hayes, Fenwick Horn, James Landy, Jaesung Lee, Bryan Matheson, Patrick M cGrady, Roger Norton, Larry Orinstein, Mit chell Schonfeld, Brian Seidman, Jack Simmons, Douglas Trezza. The Harpur Chorale of SUNY Binghamton Peter Horvath, President David Buttolph, Director Emily Parker, Treasurer Emily Parker, Accompanist Nancy Roper, Home Area Manager Stuart Silverman, Richard Wiebe, Tour Managers Richard Briggs, Beth Schoonmaker, Men ’s & Women ’s Wardrobe Cynthia Carter, Secretary Sue Lawson, Librarian Meg Sperber, Publicity Sopranos : Michel Dom ser, Teresa Green, Lisa Griﬀin, Marcia Hausner, Lori Knapp, Wendy Osborn, Nancy Roper, Louise Ulrich ; Contraltos : Jill Benjamin, Ellen Bernstein, Cindy Carter, Jean Cataldo, Susan Glass, Emily Hathorn, Sue Lawson, Dolly Murphy, Emily Parker, Beth Schoonmaker, Meg Sperber, Liz Sussman ; Tenors : Michael Duggan, Joshua Farrell, Steven Lutvak, Matthew Pass, Robert Sarachan, Stuart Silverman ; Basses : Richard Briggs, Mark Freeman, Thomas Gutherz, Peter Horvath, Daniel Lotto, John Parry, Michael Pierce, Jason Surow, Richard Wiebe. Nancy Newkerk, President Billie Miller, Secretary Keith Andre, Vice President Jerry Lutkenhouse, Treasurer The Community Chorale of Oneonta Charles C. Burnsworth, Musical Director Jenifer Whitehill, Accompanist Sopranos : Dorothy Caswell, Margaret Conant, Donna Dox, Elizabeth Eggleston, Sue Fisher, Muriel Hammond, Dorothy Heyler, Margaret Laurier, Billie Miller, Alda Peinkofer, Antha Robbins, Helena Roman, Gail Rubin, Karen Schmitt, Alane Starko, Debbie Van Slyke ; Altos : Kathy Burnsworth, Kathy Diakoﬀ, Rita Dibert, Betsy Diver, Sandy Fitz-Henry, Dorothy Foell, Jane Frisch, Ruth Hartley, Beth Hebert, Susan Mayer, Jean Miller, Nancy Newkerk , Elizabeth O ’Donnell, Mary Schutt, Tricia Shedlock, Margaret Sluiter, Linda Zeek ; Tenors : Dwayne Croft, Gary Doupe, Kay Gallup, Gordon Hammond, Gwen Johnson, Peter Macris, Doug Parsons, Richard Schneider, George Silvernell, John Willis ; Basses : Dave Baldwin, Clarence Carlson, Bill Dietz, Charles Eddins, Don Embling, Bill Frisch, Howson Hartley, Bill Hause, Mike Jones, Jim Lawrence, Jerry Lutkenhouse, Paul Scheele, Jim Schmitt, Bob Starko, Laverne Thomas. �—ORCHESTRA — First Violins *George Myers, Concertmaster *Joan Weitzman *Ross Levinson Andrea Andros *Paul Turco Mary Jane Wojtowitz *Eileen Pasternak Donna Bjorkman Second Violins *Olev Viro, Principal *Neil Blachman *Andy Stack John Wojtowitz *Eric Sadowitz, President Byron Green Cheryl Schneider Ray Zeckler Violas *Barbara Thompson, Principal Vice President Russell Colton *Laura Stein Reynolds Johnson *Geoﬀrey Brooks, Manager Henry Kicinski Celli *Holly Wilson, Principal David Mordoﬀ *Claire Liva Jennifer Allen *Dan Politi Walter Chaikowski Basses *Neil Conaty, Principal Donal O’Buckley *David Weinsoﬀ Tom Ives Clarinets *Chris Kielb *Debbie Neu Bassoons *Lois Chantry Frank Holden Trumpets *David Bespalko Scott Kelley Graphic design - m a n l ey , g r ave n associates Trombones Michael Williams *Eric Schwartz *Richard Gower Timpani Peter Buttolph *Harpur Symphony Orchestra �—PROGRAM — . . . . .Zoltan Kodaly Jesusand the Traders. . . . . . . . . . . . . . . . . The University Chorus and the Harpur Chorale of SUNY Binghamton . . . . . .W. A. Mozart R e q u i e m ia n i n o r (K. 62 6) The Combined Choirs and Orchestra Soloists Lynne Engstrom Janet Parker Gerald Grahame Richard Jaynes I. II. III. IV. V. VI. VII. VIII. IX. X. XI. XII. Requiem Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Lacrymosa Domine Jesu Hostias Sanctus Benedictus Agnus Dei . . . . .Soprano . . . . . Contralto . . . . .Tenor . . . . .Bass . . Soprano and Chorus . . . . . Cho r us . . . . . Quartet . . . . . . C ho r u s . . . . . Quartet . . . . . .Chorus . . . . . . C ho r u s . Quartet and Chorus . . . . . . C ho r u s . . . . . Cho rus . Quartet and Chorus . Soprano and Chorus �—NOTES — Jesus and the Traders - Zoltan Kodaly The story of Jesus entering Jerusalem, ﬁnding the money changers in the temple and driving them out, is strongly portrayed in this setting of verses from St. John, St. Mark, and St. Luke, with English words adapted from the Hungarian by Edward Dent. The music is written in motet and homophonic style with skillful use of modal harmonies which underline the unfolding drama. Wolfgang A. Mozart (1756-1791) The international concert tours of Mozart as a young prodigy earned him the reputation of genius early in life. He was familiar with all the masters and their styles through his wealth of musical contacts and acquaintances in every important city of Europe. His father provided him with a thorough musical foundation, and by age twenty-one he possessed perhaps the most unique and valuable training that any young musician had ever received. Mozart lived only thirty-ﬁve years, but his music reached a perfection which deﬁes comparison. His melodies are perennially fresh, and his works display an uncanny feeling for form. He was astoundingly productive. At age eight his ﬁrst compositions were published, and early symphonies followed soon after. His ﬁrst oratorio was composed at age eleven, and he conducted his own Solemn Mass at age twelve, the same year that produced his ﬁrst opera. His compositions include: 15 masses (plus numerous other church works), 21 operas and dramatic works, over 100 vocal compositions, over 40 symphonies (plus 74 other orchestral works), 52 concertos, 97 chamber works, more than 50 compositions for piano, and 17 sonatas for organ. The Requiem Mass (K. 626) Much has been written about the sinister and romantic story surrounding the commissioning of the Requiem, Mozart ’s ﬁnal work. The anonymous stranger who approached Mozart was in actuality a steward of Count Franz von Walsegg, who wished to have the work composed in memory of his wife. Mozart worked feverishly on the score despite a progressive illness, and the music shows traces of the agony of his spirit as he composed, undoubtedly believing that he was writing his own requiem. Prophetically, the Requiem was left unﬁnished, and his wife Constanze engaged his favorite student Siissmayer to complete the work. Stissmayer used the voice parts, notes of accompaniment, and rough sketches left by Mozart for the incompleted sections, and followed Mozart ’s style throughout. To provide cyclic unity he ended the work by repeating most of the opening movement, and reset the Kyrie fugue to the text of cum sanctis. The genius of the Requiem lies in its perfect proportions, the disposition of both intricate and simple rhythms, and of varying textures and instrumental colorings. A solo quartet is featured in contrasting ensemble passages against the full choir, but there are no traditional arias. The Mozart Requiem is universally regarded as one of the undisputed pinnacles of devotional music. Jean T. Miller �—SOLOISTS — Lynne Engstrom has been heard in leading soprano roles with the Tri-Cities Opera, most recently as Musetta in the 1976 production of La Boheme. In addition to postgraduate work at Hofstra and the State University colleges at Fredonia and Potsdam, Miss Engstrom studied voice for two summers at the Chautaugua School of Music, winning the Chautauqua Symphony Award and appearing as soprano soloist with that orchestra in August of 1976. Miss Engstrom continues her study with Tri-Cities Opera, is organist and choir director at the First Presbyterian Church in Owego, and teaches music part-time in the Union-Endicott School system. Janet Parker, most recently heard in the role of Suzuki in Madama Butterﬂy with Tri-Cities Opera, appeared in the 1975-76 productions of Die Fledermaus, Il Trovatore, and The Magic Flute. She has a Bachelor of Music degree and a Master of Music in Applied-Voice from Ithaca College. A student of both piano and oboe, she currently studies with Tri-Cities Opera, teaches part-time in the Maine-Endwell school system, and is alto soloist at Tabernacle Methodist Church. Gerald Grahame is a graduate of State University College at Fredonia and has performed with the Fredonia Opera Theater, the Greater Utica Opera Guild, and the Upstate Lyric Theater. In addition to his many appearances with Tri-Cities Opera, Mr. Grahame has been heard as tenor soloist in Mendelsshon’s Elijah, the Mozart Requiem, and Gounod’s St. Cecilia Mass. During the 1977 spring season Mr. Grahame will be soloist with the Corning Symphony in Handel’s Judas Maccabeus. Richard Jaynes trained in both voice and dance at Ithaca College and for six years danced professionally in Montreal. He made his debut with Tri-Cities Opera in 1973 and has since sung several roles annually as well as contributing to the regular training program by giving classes in body movement. Mr. Jaynes has sung with the Syracuse Oratorio Society and has been heard as soloist in Handel’s Messiah and Mendelssohn’s Elijah. �REQUIEM – (Traditional Mass for the Dead) Introit I Requiem a et er nam dona eis, Domine : e t lux pe r pe t ua iuceat eis. Te d e ce t hymnus poenis inferni, et d e profundo lacu : l i b e ra eas de ore leonis, n e absorbeat eas tartarus, ne cadant i n obscurum: sed E t ernal rest give unto them, O Lord : a nd let per pet ual light shine u pon them. A hymn, O God, becometh The e in Sion; and a vow shall be paid to Thee in Jerusalem. O hear my praye all ﬂesh shall co m e to The e . E ternal rest . Deus in Sion, et tibi reddetur votum in Jerusalem : exaudi orationem meam : ad te omnis caro veniet. Requiem. Kyrie eleison Lord, have mercy upon us. Christ, have mercy upon us. Lord, have mercy upon us. Kyrie eleison. Ch rist e eleison. Kyrie eleison. signifer sanctus Michael, repraesentet eas in lucem sanctam: Quam olim Abrahae promisisti, et semini ejus. IX Sequence II VII Dies irae, dies illa, Solvet saeclum in favilla : Teste David cum Sibylla. Through earth ’s sepul chers it ringeth, All before the throne it bringeth. I v Rex tremendae majestatis, Qui salvandos salvas gratis, Salva me, fons pietatis. King of majesty tremendous, W ho dost free salvation send us, Fount of pity, then befriend usl V Recordare, Jesu pie, Quod sum causa tuae viae : Ne me perdas illa die. Think, good Jesu, my salvation Caused Thy wondrous Incarnation. Leave m e n o t t o reprobation. Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis. While the wicked are confounded, Doomed to ﬂames of woe unbounded, Call me with Thy saints surrounded. Lacrimosa dies illa, Qua resurget ex favilla Ah, that day of tears and mourning! From the dust of earth returning VI VII ejus. Day of wrath, O day of mourning, See fulﬁlled the prophets’ warning; Heav’n and earth in ashes burning. Tuba mirum spargens sonum P e r se pul cra region um, C o g e t om nes ant e thronum. ‘Wondrous sound t he t rumpet ﬂingeth, Oﬀertory V I I I Domine Jesu Christe, Rex gloriae, libera animas omnium ﬁdelium defunctorum de O"Lord, Jesus Christ, King of Glory, deliver the souls of all the faithful departed Hostias et pr e ces tibi, Domine, laudis oﬀerimus : tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac ens, Domine, de morte transire a d vitam : Quam olim Aliraliae promisisti, et seinini X from the pains of hell and from the dee p pit : deliver them from t he lion’s mouth, that hell may not swallow them up, and may they not fall into darkness ; but may Thy holy standard-bearer, Michael, lead them into the holy light ; which Thou didst promise to Abraham and to his seed. W e oﬀer to Thee, O Lord, sacriﬁces and prayers: do Thou receive them in behalf of those souls whom we commemorate this day. Grant them, O Lord, to pass from death unto life ; which Thou didst promise to Abraham and to his seed. Sanctus Holy, Holy, Holy Lord God of Sabaoth. Sanctus, Sanctus, Sanctus Dominus Deus Salinoth. Pleni sunt coeli et t e rra glo ria tun. O sa n na in cxcclsis. Heaven and earth are ﬁlled with Thy glory. Hosanna in the highest. Benedictus XI Ben cdict us qui venit in nom in e Domini . O s a n n a i n excelsis. XII A gnus Dei, qui tollis pe ccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata niundi, dona eis requiem. Agnus Dei, qui tollis pe ccata inumli, dona eis req uiem a et e r nam. Blessed is H e who cometh in the name of the Lord. Hosanna in the highest. Agnus Dei Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, grant them rest. Lamb of God, who takest away the sins of the world, gra n t t he m e t e r nal rest . Communion L u x aeterna luceat eis, Domine: cum Ma y light eternal shine on them, O Lord. sanctis tuis i n aeternum, q u i a pius es. Re q u i e m aeternnm dona eis, D o m i n e , et lux p e r p e t u a lu ce a t eis. C u m sa n ct is t uis in a e t e r n u m , q u ia pi us e s. W i t h Th y saints forever, for Thou a rt merciful. E ternal rest give to them, O Lord: and let perpetual light shine upon them. Wit h Thy saints forever, for Thou art merciful. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 08:03 27:13 25:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333645">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333645</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Chorus, Harpur Chorale, Concert, April 16, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 4-16 Description An account of the resource Works of Kodaly and Mozart. Held at 8:15 pm, April 16, 1977, Watters Theater. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-04-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/492b3fef0d0b049c075e33a326750941.pdf c7f268eba5149322ee38bb0a2199712e PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York UNIV RQ R a s t 3}, A 0 0 0 ' D E P A R T M E N T UNIVERSITY FLUTE ENSEMBLE Georgetta Maiolo, Director lJ 1 1J 1 I I ; l J J i J JI I Saturday, December 2, 2006 12 noon Casadesus Recital Hall �PROGRAM Topgallant Gordon W. Bowie Suscepit Israel from Magniﬁcat. . . . . . . . . . . . . . .Johann Sebastian Bach (16851750) Arranged by William Schmidt Variations on Crusaders’Hy mn ...................Arranged by Percy Hall Tam bou rin..................ceeeevnenenn......... F rancois Joseph Gossec ( 1 7 3 4 1829) Arranged by Michael Axtell Wiegenlied...................................... .. German Folk Tu ne Arranged by Jim Engenbretson New Orleans 1. Jackson Square 2. Bayou Blues HAWard Edelson (b.1929) —3=Cajun Gumbo p p a n is hL ove Song Y Arranged by Ann Cameron Pearce , C h i t — C h a t P o l K a . . . . . . c o o u e v e e e i e e e e e e e e e i e e e e i e e s e s e s n e e s e n a Je eo n h n as en n n . S t r a u s s (18251899) arranged by Bill Holcom be and Joe Parenic Trilogy of Carols... .. The Herald Angles Sing O, Little Town O f Bethlehem O Come, All YeFaithful Arranged by Ricky Lombardo �Men ibers of the Binghamton U niversity Flute E nsem ble Laury Demsey Juliette Guarino Sarah Ha rper Amanda J aret Nicole Lean Julie Liao Angela Perrier Valerie Spiller Melissa Vold an Almut Wiedenmann Jason Zwick �Satu rday, Decem ber 2 – Eliza bethan Mad rigal Recital – 6:30 p.m. Old Union Hall Tickets: $38 general public ; $20 students with ID Sunday, Decem ber 3 ~ University Sym phony Orchest ra – 3 :00 p.m. – Osterhout Concert Theater $9 general public ; $7 faculty/staﬀ/seniors; free for students Thu rsday, Decem ber 7 – Jazz Mid Day Concert with guest artist, Bruce Johnstone – 1:20 p.m. – Osterhout Concert Theater – free Th u rsday, Decem ber 7 Jazz Ense m ble with guest a rtist, Bru ce Johnstone – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/seniors; free for students , Satu rday, Decem ber 9 – M aster ’s Recita l : Katrina Cox, so prano – 8:00 p.m. – Casadesus Recital Hall free Sunday, Janua ry 28 – Bach Again : Jonathan Biggers, organist 4:00 p.m. – First Presbyterian Church, Bingham ton $15 general public; $13 faculty/staﬀ/seniors; $7 for students Friday, February 9 – Viola Plus! – 8:00 p.m. – Casadesus Recital Hall $9 general public; $7 faculty/staﬀ/seniors; free for students Satu rday, Fe bruary 1 1 – Musica Nova – 3:00 p.m. – Casadesus Recital Hall $9 general public; $7 faculty/staﬀ/seniors; free for students Satu rday, Fe bruary 1 7 – La Saxophone and Friends – 8 :00 p.m. – Anderson Center Chamber Hall $15 general public; $13 faculty/staﬀlseniors; $7 for students Th u rsday, February 22 – MidDay Co ncert – 1 :20 p.m. Casadesus Recital Hall free Satu rday, Fe brua ry 24 – O rchest ra Convention – TBA – Osterhout Concert Theater Satu rday, Fe brua ry 24 – Faculty Recital : Janey C hoi, violin, and Michael Salm irs, piano – 8:00 p.m. Casadesus Recital Hall $9.00 general public; $7 faculty/staﬀ/seniors; free for students. Sunday, February 2 5 – University Win d Ensem ble: A W orld tou r – 3 :00 p.m. Anderson Center Chamber Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:28:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203947">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203947</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Flute Ensemble, December 2, 2006 Recital Tape 2006-12-2 Description An account of the resource Works of Bowie, Bach, Hall, Gossec, German folk tune, Edelson, Pearce, Strauss, Lombardo. Held at 12:00 p.m., Dec. 2, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Demsey, Laura Guarino, Juliette Harper, Sarah Jaret, Amanda Lean, Nicole Liao, Julie Perrier, Angela Spiller, Valerie Voldan, Melissa Wiedenmann, Almut Zwick, Jason Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-12-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID b36c2e19-97ca-4dce-a377-ec24d1038364 https://omeka.binghamton.edu/omeka/files/original/3b547dab7e7f7c3e8994ec9717126ab5.pdf cc90e9056334cba5abada98b4e58c78e PDF Text Text BINGHAMTON UNIV ERSIT Y usi D E P A R T M E N T UNIV ERSI TY PERC USSI ON ENSEMBLE CON CERT Joel Stnales, Direc tor Tuesday, May 6, 2014 8:00 PM Anderson Center Chamber Hall �PROG RAM African Welcome Piece ................................................... Michael Udow (b. 1949) Danza de Samba ............................................................... Jeffrey Payton (b. 1966) La Spagnola .................. ................................. Arranged by Ru th Jeanne (1910-2004) Three Brothers ............................................................ Michael Colgrass (b. 1932) Carousel ................................................................... Samuels/Fr iedman (b. 1948/1944) TI1e Black and White Rag ........................................... George Botsford (187 4-1949) Alex Strong, xylophone You're Looking a Little Pail .............................................. Michael Ross (B. 1970) Concerto for Drumset and Percussion Ensemble ................ John Beck (B. 1933) Andrew Willia1nson, drumset The Bingham ton University Percussion Ensemble Joey Glowienka Bobby Hopkins David Indictor Daniel Kim Alex Rava Alex Strong Carly VanOpdor p Andrew Williamson Dillon Eggleston �ABOUT THE DIRECTOR Joel Smales is Adjunct Professor of Percussion at Binghamton University and Director of Bands at Binghamton High School's Rod Serling School of Fine Arts, in Binghamton, NY. He holds music degrees from the Crane School of Music (BM) and Binghamton University (MM). His school ensembles have performed for Bands of America in Indianapolis, New York State School Music Association Winter Conference, New York State Band Directors Association Winter Conference, Music Educators N ational Conference National Conference in Minneapolis, Percussive Arts Society International Convention in Nashville, First Night Virginia, First Night International, the World Physics .Conference an, numerous Steel Drum Festivals and a concert tour throughout Oklahoma. As a performer, Mr. Smales performs as Principal Percussionist with the Tri-Cities Opera Orchestra, with the Binghamton Philharmonic Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA. He has performed on over thirty professional CD recordings and runs an annual Summer Percussion Camp in Binghamton for area school students. His published works include solos, ensembles, books and method books published by Kendor, HoneyRock, Drop6, House Panther Press and Phantom Music Publishing. Mr. Smales has presented clinics for MENC, NYSSMA, NYSBDA and the NJMEA and his articles on music and percussion have appeared in Percussive Notes, School Band and Orchestra, School Music News, The Instrumentalist, Vermont Music Educator and Band World magazmes. Smales served as the Percussion Chair for the New York State School Music Association from 2004-2011 and V.P. for the NYS Percussive Joel and his wife Athena live in Arts Society from 2005-2010. Kirkwood, NY with their four children. �Bingha mton Univer sity Depar tment of Music Comin g Events Wednesday, May 7 - Nukporle African Drummin g and Dance Ensemble 7:00 plm. - Watters Theater - $5 general admission at the door Thursday, May 8 - Student Recognition Mid-Day Concert - 1:20 - Casadesus Recital - free Thursday - May 8 - Harpur Chorale and Women's Chorus Spring Concert8:00 p.m. - Anderson Center Chamber Hall - $7 general Friday, May 9 - String Orchestra Concert - 4:00 p.m. - Grand Corridor - free Friday, May 9 - Brass Ensemble Concert - 5:00 p.m. - Casadesus Recital Hall free Sunday, May 11 - Grammy Award Winning vocal guest artist Jacqueline Horner-Kwiatek - 3:00 p.m. - Casadesus Recital Hall - $5 general public; free for students Wednesday, May 14 - German Diction Class Recital - 8:00 p.m. - Casadesus Recital Hall - free For tickets or to be added to our email list, visit anderson .binghamton.edu or call (607) 777-ARTS . For a complete list of our concerts call (607) 777-2592, visit music.binghamton.edu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a financial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 54:20:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74943">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74943</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Payton, Friedman, Botsford, Ross, Beck. Held at 8:00 p.m., May 6, 2014, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Smales, Joel Glowienka, Joey Hopkins, Bobby Indictor, David Kim, Daniel Rava, Alex Strong, Alex VanOpdorp, Carly Williamson, Andrew Eggleston, Dillon Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 5/6/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/24788ed76c81f50902999cbae0d2713d.pdf cfbb767190a5ce7167fa907ff77c3737 PDF Text Text BINGHAMTON U N I V E R S I T Y ] State University of New York e d e [4 D E P A R T M E N T UNIVERSITY PER CUSSION ENSEMBLE CON CERT H Daniel Fabricius, Conductor Marc Silvagni, Assistant Conductor and Drum Set Soloist Lee Vilinsky, Student Conductor Tuesday, April 27, 2010 8:00 P M Anderson Center Chamber Hall �PROGRAM You’re So Cool. UNIVERSITY PERCUSSION ENSEMBL E PERSONNEL .. Hans Zimmer Arranged by Lee Vilinsky Lee Vilinsky, Conductor Forrest Rain (1974) . Niel DePonte Blue Rondo A La Turk (1960) . Dave Brubeck Arranged by Steve Yeager BO INTERMISSION cu Ogoun Badagris (1981) .. .Christopher Rouse Rush Arranged by Marc Silvagni Marc Silvagni, Conductor Suite for Solo Drum Set & Percussion Ensemble (1982). . Dave Mancini Marc Silvagni, Drum Set Samuel Bae Adam Goldenberg Amanda Jacobs Mike McManamon Marc Silvagni Devan Tracy Lee Vilinsky Andrew Williamson DANIEL FABRICIUS has been a member of the Binghamton University faculty as percussion instructor since 1992 and has also served as Director of Bands at Owego Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982 and is also comfortable performing in popular, rock, jazz, and other styles. He has played as a freelance percussionist accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothers, and Ella Fitzgerald. He is highly regarded in the region as a percussion soloist and ensemble player. He has served the New York State School Music Association as an AllState Percussion adjudicator for many years. In addition he is the Instrumental Jazz Reviews editor of The School Music News and was the Jazz editor for the recently published NYSSMA Manual, Edition XXIX. Dan serves on the faculty of the Binghamton High School Percussion Camp each summer and over the years has presented many percussion clinics at several state conventions and conferences. He also oﬂen serves as a guest conductor for honor band festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals throughout New York. �L E E VILINSKY is a senior Psychology and Music double major from Long Island, New York. At Binghamton University, he distributes his time between doing research involving human and animal cognition under the supervision of Dr. Ralph Miller, acting as a recording engineer for the music department, participating in the Evolutionary Studies (EvoS) program, carrying out activities with MOE and Psi Chi, and performing in various musical groups, including the BU orchestra, BU percussion ensemble, and Lady Skaga. Lee has been actively involved in percussion since fourth grade, but discovered his passion in pop and rock music when ﬁrst learning drumset in ninth grade. Since then, Lee has become interested in music theory and composing and arranging music of various styles and for various groups. After graduation, he plans to attend graduate school for experimental psychology to continue doing research involved in music cognition and auditory perception. He also plans to become a rock star. MARC SILVAGNI is a senior at Binghamton University. He is currently double majoring in Percussion Performance and Psychology. He plans on attending graduate school after Binghamton to earn a MSEd degree in Social Studies. Marc started his m usic career relatively late in 7” grade under band director and amazing jazz drummer Marc Copell. During the summers following 7” and 8 grade, Marc attended the Manhattan School of Music Summer Camp and studied under percussionist Jeﬀ Kraus who taught him about the entire world of percussion. He then attended St. Francis Preparatory High School in Fresh Meadows, Queens, and studied under percussionist Mark Teoﬁlo. In the summer of his sophomore year, Marc and other students, under teacher David Kobayashi (Binghamton Alum), traveled to Australia and played with the Tallahassee Winds in the Sydney Opera House for the Eric Whitacre Festival. Marc began college at Binghamton University under percussionist Dan Fabricius. Here he has had featured solos with the Percussion Ensemble and has played with the Harpur Jazz Ensemble, University Orchestra, Harpur Chorale, Women’s Chorus, and the Commencement Wind Ensemble. He has also played at the Musica Nova concert and at Stephanie Lehman’s Masters Recital. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:18:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145271">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145271</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, April 27, 2010 Recital Tape 2010-4-27 Description An account of the resource Works by University Percussion Ensemble, Bae, Goldenberg, Jacobs, McManamon, Silvagni, Tracy, Vilinsky, Williamson, Fabricius. Held at 8:00 p.m., April 27, 2010, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Silvagni, Marc Vilinsky, Lee Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/66bbb33bdd4c3ea9d1e7a3a455759024.pdf e9ccd8f027a9f92cdf2b9f8b60881895 PDF Text Text BING HAMTON U N I V E R S I T Y S T A T E U NIVERSITY O F N E W YORK m m Ld D E P A R T M E N T UNIVERSITY PERCUSSION E NSEMBLE CONCERT Joel S m al es, D irector Tuesday, Ap ril 2 8, 2 01 5 7:30 PM And erson Cente r Cham ber Hall �o» PROGRAM «6 Fanfare for Tambourines 80 ABOUT THE DIRECTOR (93 .. John Alﬁeri (b. 1953) Mercury Rising. Nathan Daughtrey (b. 1975) Connecticut Groove . Joel Smales (b. 1967) Farmer’s Trust .. . Pat Metheny, arr. Steve Houghton Minuet . Boccherini (17431805) Stubernic... .. Mark Ford Emily Goetz, marimba soloist Sarah .. (b. 1958) .. Len “Boogsie” Sharpe (h.1953) Don’t Worry, Be Happy .. Bobby McFerrin Quartet for Paper Bags . Larry Spivack (b. 1950) (b.1954) Cross Currents... m a n e s m o .Lynn Olassock (b.1946) The Binghamton University Percussion Ense mble Emily Goetz* Emily Brill David lndictor Alex Rava* Alex Strong Carly VanOpdorp Nick C ioﬀi Annabel Fair Joe Glowinka Adam Luftig e y senior Joel Smales is Adjunct Professor of Percussion at Binghamton University and Director of Bands at Binghamton High School’s Rod Serling School of Fine Arts, in Binghamton, NY. He holds music degrees from the Crane School ofMusic (BM) and Binghamton University (MM ). His school ensembles have performed for Bands of America in Indianapolis, New York State School Music Association Winter Conference, New York State Band Directors Association Winter Conference, Music Educators National Conference National Conference in Minneapolis, Percussive Arts Society lntemational Convention in Nashville, First Night Virginia, First Night International, the World Physics Conference an, numerous Steel Dmm Festivals and a concert tour throughout Oklahoma. As a performer. Mr. Smales performs as Principal Percussionist with the TriCities Opera Orchestra, with the Binghamton Philharmonic Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA. He has performed on over thirty professional C D recordings and runs an annual Summer Percussion Camp in Binghamton for area school students. His published works include solos, ensembles, books and method books published by Kendor, HoneyRock, Drop6, House Panther Press and Phantom Music Publishing. Mr. Smales has presented clinics for MENC, NYSSMA, NYSBDA and the NJMEA and his articles on music and percussion have appeared in Percussive Notes, School Band and Orchestra, School Music News, The lnstrumentalist, Vermont Music Educator and Band World magazines. Smales served as the Percussion Chair for the New York State School Music Association from 2004201 1 and V.P. for the NYS Percussive Arts Society from 20052010. Joel and his wife Athena live in Kirkwood, NY with their four children. �Binghamton University Department of Music Com ing Even ts é w w w a m m m m m m é e o é e o Thursday, April 30 MidDay Concert 1:20 p.m. Casadesus Recital Hall free Th u rsday, Ap ril 30 – P ia no Ensemble 7:30 p.m. Casadesus Recital Hall free F riday, May 1 – Flute Studio and Flute Chamber Concert 10: 1 5 a.m. – Casadesus Recital Hall free Friday, May 1 Brass Recital 4 p.m. Casadesus Recital Hall free Saturday, May 2 Senior Recital : Daniel Malinovsky, piano 12 noon Casadesus Recital Hall free Saturday, May 2 Master’s Recital : Jenny Gac, soprano 3 p.m. Casadesus Recital Hall – free Sunday, May 3 University Chorus and Symphony Orchestra: Mendelssohn’s “Lobgesang” 3:00 p.m. Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumnni ; free for students Sunday, May 3 Joint Recital : J unior Max Rydqvist, baritone and Senior Ricky Nan, tenor 7:30 p.m. Casadesus Recital Hall free Thursday, May 7 Student Recognition MidDay Concert 1:20 p.m. Casadesus Recital hall free Th u rsday, May 7 Har pu r Chorale and Women’s Chorus Sp ring Concert 7:30 p.m. Anderson Center Chamber Hall $7 general public; $5 faculty/ stat‘f/seniors/ alumni ; free for students éwwwbwwﬂﬁiamﬁéﬂébaﬁwb — [ u ] . = [ w m ] For tickets or to be added to our email list, visit undersonlringhamtonedu or call (607) 777ARTS. For a complete list of our concerts call (607) 7772592, visit miuicbinglmmtonedu or become a fan on Facelrook. If you were inspired by this performance. consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the umk of students, faculty. and guest artists and their contributions to our community Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, N Y 1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 58:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74825">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74825</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, April 28, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Alfieri, Daughtrey, Smales, Metheny, Boccherini, Ford, Sharpe, McFerrin, Spivack, Glassock. Held at 3:00 p.m., April 28, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource University Percussion Ensemble Smales, Joel Goetz, Emily Brill, Emily Indictor, David Rava, Alex Strong, Alex VanOpdorp, Carly Cioffi, Nick Fair, Annable Glowinka, Joe Luftig, Adam. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Alfieri, John Daughtrey, Nathan Smales, Joel Metheny, Pat Boccherini Ford, Mark Sharpe, Len "Boogsie" McFerrin, Bobby Spivack, Larry Glassock, Lynn Date A point or period of time associated with an event in the lifecycle of the resource 4/28/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0df8cc559a7cf5645eec4a8fee7d1d7c.pdf a20c701560be3ead27985f4bee32da4b PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K [4 wdee D E P A R T M E N T UNIVERSITY PERCUSSION ENSEMBLE CONCERT Julie Licata, Conductor Featuring Emily Goetz, Vibraphone Benjamin Ramos, Marimba Tuesday, April 30, 2013 8:00 PM Anderson Center Chamber Hall �PROGRAM PROGRAM NOTES Children’s Songs #9, #2, #14 (1973/1979) .. .Chick Corea (b. 1941) arr. David Steinquest Threads (2006) . . I. Prelude (Aria I) VI. Chorus ll . . . Paul Lansky (b. 1944) Broken Silence (2002) . Mark Glentw orth (b. 1960) Emily Goetz, vibraphone Bloom ( 2011) .. ....Ivan Trev ino (b. 19 8 3) October Night (1986). .. Michael Burritt Benjamin Ramos. marimba The Shape o f Things to C ome (2012) .. (b.1962) .. Nick Zammuto (b. 1975) Arr. SP201 3 Percussion Ensemble Chick Corea’s Children’s Songs No. 9, 2 and I 4 (1973 and 1979) were originally written for piano, violin and cello. Tonight. we are performing only three of twenty short tunes in this collection. Each song is relatively short, containing just a simple theme with little to no development. In the preface of the annot ated version, Corea states that he aimed to “convey simplicity as beauty. as represented in the Spirit of a child.“ Threads (2006). written for So Percussion Ensemble by Princeton composition professor Paul Lansky, is a halfhour long cantata for percussion quartet in ten short movements. There are three threads interwoven throughout the piece; arias and preludes that focus on the metallic pitched sounds of the vibraphones, glockenspiel and metallic pipes; choruses in which drumming predominates; and recitatives made largely from John Cagelike noise instruments, bottles, ﬂowerpots, crotales, etc. The aims of the diﬀerent threads are to highlight the wide range of qualities that percussion instruments are capable of, from lyrical and tender to forceful and aggressive, and weave them into one continuous texture, Tonight we w ill perform tw o of the ten movements the ﬁrst metallic thread and a drumming chorus from the middle of the cantata. Broken Silence, by Mark Glentworth, is one of three movements from Vibraphone Suite No. 1 the others being limo and Sunbell. Each movement has been written in such a way that it can be performed as a solo, or as forming a part of the suite. Although Broken Silence was the ﬁrst movement to be composed for the suite, the performer may change the order of the movements when performing the whole suite. Mark Glentworth is a composer living and working in London(UK), mostly known for his solo tuned percussion pieces and his work with Actor/Director Steven Berkoﬀ. �The Shape of Things to Come is the penultimate track on Nick lvan Trevino is a musician who wears many hats. He’s a rock drummer at heart, and brings that spirit into other avenues of his life, including classical percussion, composing and teaching. Trevino has drummed. recorded and composed extensively with Break of Reality. a national touring cello rock band. Bloom. scored for four marimbas, weaves between minimalism and postrock, reﬂecting the composer’s interest in bands like Radiohead and Explosions in the Sky. Much like minimalism. postrock compositions feature motivic ideas that develop organically over time. Rather than utilizing the versechorus form of standard rock music, postrockers tend to create an atmosphere of textures, utilizing thick orchestrations and a wide range of dynamic. With Bloom. the Zammuto‘s selftitled album. Zammuto, released on April 3, 2012. Prior to the release of this album, Nick Zammuto was a member of a band called The Books. Zammuto is his ﬁrst release after ending The Books project in early 2012. The arrangement you will hear tonight was put together by all the current members of the percussion ensemble. Each member contributed to the tasks of transcribing and notating the melody. rhythm and harmonies of the recorded song on an open internet program called Noteﬂight. Once all the notes were transcribed. speciﬁc notes were assigned t o various percussion instruments. and parts were assigned. the ensemble played through the piece. Upon hearing how the piece ﬁt together at each rehearsal. all ensemble members contributed to composer created the same idea of texture and motivic development. decisions about how to add t o the piece. how to compensate for the while maintaining the energy and accessibility of the bands that inspired the work. Bloom was awarded 1“ Prize in the 2011 Percussive Arts diﬀerences between the original instrumentations and the chosen percussion instruments and how to make our interpretation of the piece unique. Society Composition Contest. Trevino is currently on faculty at the Hochstein School of Music & Dance in Rochester. NY, where he teaches percussion, composition, and chamber music. He is also on faculty at the Eastman School of Music. where he teaches a course in music business. October Night was written in the fall of 1986 and was Michael Burritt‘s ﬁrst serious attempt at composition. The piece is dedicated to famous marimbist Gordon Stout, a former teacher and good friend of Burritt. The work was inspired by the Dylan Thomas poem. Do Not Go Gentle Into That Good Night. The poem conveys two very powerful and very diﬀerent moods: one of sorrow and deep remorse and the other of aggression and anger. Thus a piece in two movements evolved depicting these contrasting emotions. The ﬁrst movement is a chorale painting the sadness expressed in the poem of Thomas’ father’s impending death. It is written in a romantic style and moves between the keys of C and Bﬂat major. Movement Two is an energetic allegro depicting the intensity of the poet’s emotions as he begs his father to ﬁght against death. It develops motivically through the use of perfect 5ths and major 6ths separated by minor 2nds and augmented 4ths. it is in sonata form and concludes the work with the coda from the ﬁrst movement. �UNIVERSITY PERCUSSION ENSEMBLE percussion from the University of North Texas (D.M.A.). University of Andres Castillo Emily Goetz Steve Olson Benjamin Ramos Alexander Rava Devan Tracy Andrew Williamson As an active performer and advocate of new music. Julie has developed relationships with many great composers. premiering and commissioning PERSONNEL About the Performers EMILY GOETZ is a sophomore at Binghamton University. majoring in computer science. She has been playing percussion for seven years. At BU, Emily has played in the University percussion ensemble and wind symphony for two years. Currently. she also plays in the Binghamton Community Orchestra and the Southern Tier concert band and formerly played in SUNY Ulster’s Community Band and SUNY New Paltz’s CollegeYouth Symphony. BENJAMIN RAMOS is a senior at Binghamton University majoring in computer science and minoring in music. Benjamin has participated in the percussion ensemble for 3.5 years and was previously featured as a soloist for the spring 2011 concert. After graduating, Benjamin would like to pursue a software engineering job around the Broome County area while also continuing his percussion studies. JULIE LICATA has been teaching percussion lessons and percussion ensemble at Binghamton University since Fall 2012. Julie also serves as Assistant Professor of Music at State University of New York, College at Oneonta. At Binghamton University and SUNY College at Oneonta, Julie teaches ensembles and private lessons that span a wide range of percussion instruments and styles. and teaches a seminar course Music Cultures of the World. Julie has received performance degrees in South Carolina (M.M.) and Capital University (B.M.). numerous works over the last ten years by composers such as Thomas Licata. Greg Dixon, Chapman Welch. Scott Comanzo. Jude Vaclavik. Steve Winstead and Brett Masteller. Signiﬁcant recent accomplishments include performances at the Society for EIectroAcoustic Music in the United States (SEAMUS). the International Computer Music Conference (ICMC). New Music Focus Week at SUNY Oneonta, New Genre Festival in Tulsa. Oklahoma. NOW Music Festival at Capital University and numerous performances at the Center for Experimental Music and lntermedia at the University of North Texas. In addition, Julie completed her D.M.A. from the University o f North Texas in December 2009. Her dissertation, entitled “Physical Gesture. Spatialization, Form and Transformation in Watershed I/IV. for Solo Percussion and RealTime Computer Span’a/Izaf/‘on by Roger Reynolds” includes several analytical approaches demonstrated through embedded video excerpts of her performances of Watershed IV. In addition to contemporary music performance and research. Julie is also active in the ﬁeld of ethnomusicology. Julie spent the summer of 2008 performing, recording and transcribing traditional drumming of the Ewe people in the Volta Region of Ghana. She is currently planning a trip to Indonesia to study Balinese and Javanese gamelan. and a return to Ghana to continue her study of various regional music and dance styles. and speciﬁcally to study Ewe master drumming. �Binghamton University Music Department ’s Coming Events Wednesday, May I – Percussion Recital: Devan Tracy and Andres Castillo – 8:00 p.m. – Casadesus Recital Hall – free Thursday, May 2 MidDay Concert – 1:20 p.m. – Anderson Center Chamber Hall – free Thursday, May 2 – Opera Scenes – 8:00 p. m. – Anderson Center Chamber Hall $6 general public: $3 faculty/staft/seniors; free for students Friday, May 3 – Music from the Seminar (Christopher Lay’s Class) – 8:00 p.m. Casadesus Recital Hall – free Saturday. May 4 – Master’s Recital: Molly AdamsToomey, mezzosoprano (tentative) – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 5 University Symphony Orchestra and Chorus – 3:00 p.m. Osterhout Concert Theater – $ 6 general public: $3 faculty/staft/seniors; free for students Wednesday. May 8 – Nukporfe African Drumming and Dance Ensemble – 7:00 p.m. – Watter'; Theater – $3 general admission at the door Thursday, May 9 – Student Recognition MidDay Concert 1:20 p.m. – Casadesus Recital – free Thursday, May 9 – Recital/Masterclass: Guest Artist Victor Chavez Jr., clarinet – 4:30 – 6:00 p.m. – Casadesus Recital Hall free Thursday, May 9 – Harpur Chorale and Women ' ; Chorus 8: 0 0 p.m. Anderson Center Chamber Hall $6 general public: $3 faculty/staﬀ/seniors; free for students Friday, May 10 – Junior Recital: Kerianna Krebushevski, soprano – 8: 0 0 p.m. Casadesus Recital Hall free Saturday, May 11 – Sophomore Recital: Daniel Rosenau, organ – 4: 0 0 p.m. Trinity Memorial Church– free M M M M M / B ’ M ﬁ r b ’ For tickets or to be added to our email list, visit anderson.binghamtan.edu or call (607) 777 ARTS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or become a fan on Facebook. [ = ] = [mu] If you were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, f aculty, and guest artists and their contributions to E E our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:54 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128568">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128568</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, April 30, 2013 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Lansky, Glentworth, Trevino, Zammuto. Held at 8:00 p.m., April 30, 2013, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Smales, Joel Licata, Julie Goetz, Emily Ramos, Benjamin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2013-4-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a4f0bc27fbd95a6be4be2fb2b77b3e15.pdf c2d8a7135bdddb617aef846ad65c07d6 PDF Text Text BINGHAMTON UNIVE RSITY STATE UNIVERSITY OF NEW YORK UNIVERSITY PERCU SSION ENSEMBLE CONC ERT Joel Smales, Directo r Tuesday, December 2, 2014 7:30 PM Anderson Center Concert Theater �&e PROGRAM The General ..........................................................................Joel Smales (b. 1967) Sharpened Stick ······························,····························· .. ••• ..... Brad Dietz (b. 1972) Slap Happy ............................................................................Joel Smales (1967) O' Sacred Head ............................ ............... ............................. J.S. Bach (1685-1750) Marianne ...............................................................................Traditional Three Little Birds ................. :............................................... Bob Marley (1945-1981) One Love ..................................................... . ........................ Bob Marley (1945-1981) Extremes ......................................................................... David Mancini (b. 1952) Galloping Comedians ........................................................... Kabalevsky (1904-1987) The Binghamton University Percussion Ensemble Emily Goetz Bobby Hopkins David Indictor Alex Rava Alex Strong Carly VanOpdorp Nick Cioffi Kasha Pazdar �ABOUT THE DIRECTOR Joel Smales is Adjunct Professor of Percussion at Binghamton University and Director of Bands at Binghamton High School's Rod Serling School of Fine Arts, in Binghamton, NY. He holds music degrees from the Crane School of Music (BM) and Binghamton University (MM). His school ensembles have performed for Bands of America in Indianapolis, New York State School Music Association Winter Con(erence, New York State Band Directors Association Winter Conference, Music Educators National Conference National Conference in Minneapolis, Percussive Arts Society International Co9vention in Nashville, First Night Virginia, First Night International, ' the World Physics Conference an, numerous Steel Drum Festivals and a concert tour throughout Oklahoma. I As a performer, Mr. Smales performs as Principal Percussionist with the Tri-Cities Opera Orchestra, with the Binghamton Philharmonic Orchestra, eNeRJee Jazz Trio and Caribbean steel band PANIGMA. He has performed on over thirty professional CD recordings and runs an annual Summer Percussion Camp in Binghamton for area school students. His published works include solos, ensembles, books and method books published by Kendor, HoneyRock, Drop6, House Panther Press and Phantom Music Publishing. Mr. Smales has presented clinics for MENC, NYSSMA, NYSBDA and the NJMEA and his articles on music and percussion have appeared in Percussive Notes, School Band and Orchestra, School Music News, The Instrumentalist, Vermont Music Educator and Band World magazmes. Smales served as the Percussion Chair for the New York State School Music Association from 2004-2011 and V.P. for the NYS Percussive Arts Society from 2005-2010. Joel and his wife Athena live in Kirkwood, NY with their four children. �Binghamto n University Departmen t of Music Coming Events Thursday, Decemher4 -Mid-Day Concert-.1:20 p.m. - Fine Arts Building, Room 21 - free Friday, Decemher 5 - Flute Studio and Flute Chamber Concert- 10:45 a.m. - Casadesus Recital Hall- free Friday, December 5 - Holiday Organ Concert featuring Jonathan Biggers - 7:30 p.m. - United Presbyterian Church, 42 Cheango Street, Binghamton • $5 general public; free for students Saturday, December 6 - Italian Diction Class Recital- 7:30 p.m. - Casadesus Recital Hall - free Sunday, Decemher 7 - First Act of Verdi's ''Falstaff"- 1 p.m & 4 p.m. -Anderson Center Chamber HaU - $10 general public; $ 7 faculty/ staff/ seniors/alumni; $5 for students Tuesday, December 9-Piano Ensemble Concert- 7:30 p.m. - Casadesus Recital Hall -free Wednesday, December 10 - Nukporfe African Drumming and Dance Ensemhle - 7:30 p.m. Watters Theater - $5 general admission at the door Thursday, December 11-HolidayMid-D ay Concert- 1:20 p.m. - Casadesus Recital Hall - free Thursday, December 11 - Harpur Chorale and Women's Chorus Holiday Concert - 7:30 p.m. - Trinity Memorial Church, Binghamton - a free donation will be collected at the door Friday, December 12 - Chinese Singing Class Recital- 7:30 p.m. - Casadesus Recital Hall- free Saturday, January 31 - MusicaNova: A tribute concert in memory of Paul R. Goldstaub 7:30 p.m. - Anderson Center Chamber Hall - TBA Friday, February 6- Tri-Cities Opera presents Rossini's The Italian Girl in Algiers - 8:00 p.m. - The Forum Theater - call (607)772-0400 for tickets For tickets or to be added to our email list, visit anderson.binghamton.edu or call (607) 777-ARTS. For a complete list of our concerts call (607) 777-2592, visit music.binghamton.edu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a financial gift. Your support helps to continue the work of students, faculty), and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45m 18s Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, December 2, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Smales, Dietz, Bach, Marley, Mancini, Kabalevsky. Held at 7:30 p.m., December 2, 2014, Anderson Center Concert Theater. Creator An entity primarily responsible for making the resource Smales, Joel Goetz, Emily Hopkins, Bobby Indictor, David Rava, Alex Strong, Alex VanOpdorp, Carly Cioffi, Nick Pazdar, Kasha Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Dietz, Brad Bach, Johann Sebastian, 1685-1750 Marley, Bob Mancini, David Lee Kabalevsky, Dmitry Borisovich, 1904-1987 Date A point or period of time associated with an event in the lifecycle of the resource 12/2/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7fe24fe1f9dcef1ab7ceeb7649bdb267.pdf b235e02f62dd2958f27518af43b77418 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York d e c [4 D E P A R T M E N T UNIVERSITY PERCUSSION ENSEMBLE CONCERT Daniel F abricius, Conductor Tuesday evening, December 4, 2007 8:00 PM Anderson Center Chamber Hall �University Perc ussion Ensemble Personnel PROGRAM 1 Cumbanchero R o T I E x ..+........Raphael Hernandez Arranged by Phi Faini N I T I E S P E N S light Of The Bumble Bee. . . . . . . . .........Nicholai RimskyKorsakov Arranged and adapted by Max Leth Marc Silvagni & Subin Lim, Marimba farch To The Scaﬀold, “Symphony F antastique ” ...Hector Berlioz Arranged by Harold Farberman WINTERMISSIO N rescendo............... ......................... ........Alexander Lepak Amanda Jacobs Stephanie Lehman Subin Lim Jacob McNally Paul Payabyab Richard Postelnik Marc Silvagni Courtney Sullivan Kelly Tufo Lee Vilinsky DANIEL FABRICIUS, Lecturer of Music in Percussion, has been a member of the Binghamton University faculty since 1992. He holds degrees from Mansﬁeld University (BS) and Ithaca College (MM) where he studied percussion with Richard Talbot and Gordon Stout. In addition to his work at BU, he has served as Director of Bands at Owego Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982 but is also comfortable performing in popular, rock, jazz, and other styles. He plays regularly on drums as a member of several musical organizations in the Southern Tier, including the Mason Warrington Orchestra and his own band, Prism. He has also played often as a freelance percussionist, accom panying national tou ring artists such BERR Nathan Daught rey mdo, “Eine Kleine Nachtmusik”. . . . . . ..Wofgang Amadeus Mozart Arranged by Richard Janicki bre D a n i e l l ...........Aram Khachaturian Arranged by James L. Moore as Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothers, and Ella Fitzgerald. He is highly regarded in the region as a percussion soloist and ensemble player and has played collaborated often with organist Jonathan Biggers and the Ithaca Brass. For many years Professor Fabricius has served the New York State School Music Association as an All State Percussion adjudicator. He also serves on the faculty of the Binghamton High School Percussion Cam p each summer and over the years has present ed many percussion c linics at state conventions and conferences. In addition he often serves as a guest conductor for honor band festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals throughout New York. �Coming “Crents Thu rsday, December 6 – MidDa y Concert – 1 :20 p.m. – Casadesus Recital Hall free Thu rsday, December 6 – Harpu r Chorale and Women’s Chorus – 8:00 p.m. – Trinity Memorial Church, Binghamton ~ free Friday, December 7 – Singing Chinese – 7:00 p.m. – Casadesus Recital Hall – free Sunday, December 9 – Wind Sym phony – 7:30 – Anderson Center Chamber Hall free t t t t t t t t t t t t t t t t t t t t t Spring 2008 Sunday, February 1 0 – Romance, Fantasy, Tragedy – 3:00 p.m. – Anderson Center Chamber Hall $15 general public; $13 faculty/staﬀ/seniors; $7 students Sunday, Fe bruary 1 7 – A Tango for Two : Guest Organists Annette Ri chards and David Yearsley – 4 :00 p.m. – First Presbyterian Church, Binghamton. $15 general public; $ l 3 faculty/staﬀ/seniors; $7 students Friday, February 22 – Maste r’s Recital : LaToya Lewis, soprano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, February 24 – Musica Nova – 3:00 p.m. – Anderson Center Chamber Hall $9 general public; $7 faculty/staﬀ/seniors; free for students Satu rday, March 1 – University O rchest ra : Top Talent (Concerto Competition Winners) – 8:00 p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staﬀ/seniors ; free for students Thu rsday, March 6 – MidDay C oncert – 1 :20 p.m. – Casadesus Recital Hall – free Satu rday, March 8 – Hommage a Casadesus – 8:00 p.m. – Casadesus Recital Hall $9 general public; $7 faculty/staﬀ/seniors; $1 students Sunday, March 9 – Wind Sym phony – 3:00 p.m. – Anderson Center Chamber Hall – free Thu rsday, March 1 3 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall free — � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:34:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196904">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196904</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, December 4, 2007. Recital Tape 12-4-2007 Description An account of the resource Held at 8:00 p.m., December 4, 2007, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-12-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 6384ec31-c5bd-47a0-ae2f-8275dc604697 https://omeka.binghamton.edu/omeka/files/original/e165aa0171ea95d87392858cb9adb5b4.pdf 1fefbc8f52a2a7e36e56422d3b0dd8d4 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York d ee [4 R E P A R T M E N T UNIVERSITY PE RCUSSION ENSEMBLE CON CERT Daniel Fabricius, Conductor Marc Silvagni, Assistant Conductor Adam Goldenberg, Xylophone Soloist Tuesday evening, December 8, 2009 8:00 P M Anderson Center Chamber Hall �PROGRAM Yobel ’ (1978)... University Percussion Ensemble Personnel ... ...Jesse Ayers Yobel ’ is a p r a i a wordfor a silver trumpet that announces i h e Y ear of Jubilee. Samuel Bae Adam Goldenberg Amanda Jacobs Mike Longo Overture for Percussion (1997)... . ...Mario Gaetano Dance Barbaro ( ...Phillip Lambro 1 8 5 ) . . . . . Benjamin Ramos Keaton Rood Marc Silvagni Lee Vilinsky Andrew Williamson DANIEL FABRICIUS has been a member of the Binghamton aoINTERMISSIONoa The Doomsday Machine (2000). . . . . . . ...Michael Burritt Ceremomium CIOBT). c o i i i s i s i a i o i i i c i i i i i i i n S pears Marc Silvagni, Conductor Bit O QRiothas ( 1 9 3 2 ) H a r r y Breuer Adam Goldenberg, Xylophone We Three Kings ( 2 0 0 9 ) ...John Henry Hopkins Arranged by Daniel Fabricius University faculty as percussion instructor since 1992 and has also served as Director of Bands at Owego Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982 and is also comfortable performing in popular, rock, jazz, and other styles. He has played as a freelance percussionist accompanying national touring artists such as Michael W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothers, and Ella Fitzgerald. He is highly regarded in the region as a percussion soloist and ensemble player. He has served the New York State School Music Association as an AllState Percussion adjudicator for many years. In addition he is the Instrumental Jazz Reviews ed itor of The School Music News and was the Jazz editor for the recently publ ished NYSSMA Manual, Edition XXIX. Dan serves on the faculty of the Binghamton High School Percussion Camp each summer and over the years h as presented many percussion clin ics at several state conventions and conferences. He also often serves as a guest conductor for honor band festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals th roughout New York. �MARC SILVAGNI is a senior at Binghamton University. He is currently double majoring in Percussion Performance and Psychology. He plans on attending graduate school after Binghamton to earn a MSEd degree in Social Studies. Marc started his music career relatively late in 7” grade under band director and amazing JAZZ drummer Marc Copell. During the summers following 7” and 8 grade, Marc attended the Manhattan School of Music Summer Camp and studied under percussionist Jeﬀ Kraus who taught him about the entire world of percussion. He then attended St. Francis Preparatory High School in Fresh Meadows, Queens, and studied under percussionist Mark Teoﬁlo. In the summer of his sophomore year, Marc and other students, under teacher David Kobayashi (Binghamton Alum), traveled to Australia and played with the Tallahassee Winds in the Sydney Opera House for the Eric Whitacre Festival. Marc began college at Binghamton University under percussionist Dan Fabricius. Here he has had featured solos with the Percussion Ensemble and has played with the Harpur Jazz Ensemble, University Orchestra, Harpur Chorale, Women’s Chorus, and the Commencement Wind Ensemble. He has also played at the Musica Nova concert and at Stephanie Lehman’s Masters Recital. ADAM GOLDENBERG is a graduate of Vestal High School where he held the positions of Center Snare with the Vestal Marching Band, Principle Percussionist with the Vestal Concert Band, and was the lead kit player with the Vestal Jazz Ensemble. During the summer of 2009, Adam was selected to attend the Leigh Howard Stevens Summer Seminar; an intensive three week seminar devoted solely to the study of mallet percussion where he had the chance to attend master classes with several world renowned percussionists including Gordon Stout, Marta Klimasara, Thomas Burritt, Michael Burritt, and Percussive Arts Hall of Fame inductee Leigh Howard Stevens. In his spare time, Adam enjoys skiing, scuba diving, and pursuing a dual degree in Biochemistry and Integrated Neural Systems at Binghamton University. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153829">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153829</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble concert, December 8, 2009 Recital Tape 2009-12-8 Description An account of the resource Held at 8:00 p.m., December 8, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Silvagni, Marc Goldenberg, Adam Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-12-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound