17 10 1775 https://omeka.binghamton.edu/omeka/files/original/83bc57e04fe3b99146de41a58640d751.pdf edca317cca6ac9cda8c8612918228c63 PDF Text Text BINGHA MTON U N I V E R S I T Y State University of  N e w  York is  UNIV  RRC Yap 2506  s‘  .<  ‘ 1 C zed e D E P A R T M E N T D C LAR INET  S TUD IO R ECIT AL Students of Timot hy Perry Assisted by Margaret Reitz, piano and Nicole Hsu, piano Sunday, November 19, 2006 7:30 p.m. Casadesus Recital Hall �The Binghamton University Department of Music presents a Trio No. 1 in C major I.  Allegro Cla rine t Studio Recital ­ Fall’2006 Suite for T hree Clari nets. .. Overture Andante allegro Minuet G F  Handel Trio MaDaLi Lisa Carpinane, Dang Yoon Shin, and Maggie Venti The clarinet was ‘i nvented’ in Nuremberg about the year 1700 fr om an existing single­reed instrument, the chalumeau.  Handel inclu ded it in a few of his operas and in this larger m ulti­movement suite. The part writing  for early clarinets  . was more like that for horns and trumpets than it is like other w oodwinds, as the name ‘clarinetto’ m eant ‘small t rumpet’. Concerto No.1 in G minor, Op. 73. . . . . . . . . . . .Car1 Maria von Webe Allegro r Heather Boland & Margaret Reitz Weber (1786­1826) wrote most if his seven major clarinet solo s for his own use as accompanist to the great virtuoso Heinrich Baermann, with wh om he toured throughout Europe in the period 1812­16. This F minor concert o was the first written in the new ‘Romantic’ style, with extremes of range, d ynamics and timbre used to heighten the tragic emotional theme of the work. Invention CEENRENSED.S. Bach Rondeau.. ...... ...... ...... ...... ...... ...... . J.P. Rameau Klarinightmare Kyle Doyle, Mark Norman & Richard Silvagni ....... ...Jacques Bouffil Sine Nomine Trio Dan Zaccharini, Brenna Daugherty and Christa Heschke Jacques Bouffil created the first sets of original clarinet trios for  use of players in early 19"®­century Paris.  Each of the eight trios has three  movements, highly virtuosic writing for all three parts, and a decidedly clas sical character reminiscent of Mozart and Haydn. Scaramouche Allegro Moderato Braziliera ...... ....Darius Milhaud Gregg Ackerman & Margaret Reitz Milhaud contributed several important solo works for clarinet  which draw on French, Brazilian and American models, as all  were places i n which he resided and taught during his long career. Scaramouche, (the name is fro m a historical novel by Rafael Sa batini published in 1921) was originally composed  for saxophone, but was immediately transcri bed by the compose r and published for  clarinet and piano. Ceux de Village La Garde Champetre (Village policemen) Le Curé (Parish priest) La Chatelaine (Lady of the manor) Le Chatelaine (Lord of the manor) ...... ....Yvonnes Desportes Ouatuor Ananvme Melissa Klepper, Heather O ’Gara, Jillian Stark, Kristin Weis s The pure tone of the clarinet lends itself wonderfully to the cou nterpoint of Baroque music. Eugene Gay, former Professor of Clarinet at the  Conservatoire de Musique in Paris, released several volumes of Baroque transcripti ons such as these. All have become beloved staples of clarinet ensem bles througho ut the world. Yvonne Desportes (1907­1993) was one of the most respected  and prolific composers of clarinet chamber music in the latter 20” century. Thi s set on ‘characters of the village ’ is the first of three.  Desportes delights  in witty and colorf ul character depictions, spiced with occasionally piquant  dissonances. Fantasia on Rossini ’s  ‘Una voce poco fa’ . ...... ...... ..Ivan Mi ller Alex Vincenzi & Nicole Hsu Pocket Sonata No.1. Ivan Muller, a native of Estonia, was not only a virtuoso player a nd composer but also a designer who developed one of the two primary systems of  keywork used in modern clarinets. T he ‘Muller’ system evolv ed into modern ‘Ge rman’ system clarinets and the ‘Albert’ system common until 1950 in the U.S.  His operatic fantasies we re popular with players and public alike, with Ros sini the favorite donor of thematic material. Improvisation Blues In Rhythm ...... ...Alec Templeton Bethany Bonhof and Margaret Reitz Alec Templeton, a respected British jazz pianist who was blind  from birth, created two ‘pocket’ (for their brevity) sonatas for clarinet. Composed i n the early 1950’s they helped usher in an age of jazz­influenced works for clari net and piano. �Tuesday, N ovem ber 28 – U niversity P ercussion E nsem ble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday,  Novem ber 30 – Mid­Day Co ncert – 1:20 p.m. – Casadesus Recital Hall – free F riday, Decem ber 1 – Fl ute Studio Recital – 10:15 a.m. – Casadesus Recital Hall – free F riday, Decem ber 1 – Eli zabethan Mad rigal Feaste – 6:30 p.m. – Old Union Hall – Tickets:  $38 general public; $20 students with ID Saturday, Decem ber 2 – Flute Ensem ble Recital ­ 12 noon – Casadesus Recital Hall ­ free Saturday, Decem ber 2 – El izabethan Mad rigal Recital – 6:30 p.m. ­ Old Union Hall – Tickets:  $38 general public; $20 students with ID Sunday, D ecem ber 3 – Un iversity Sy mphony O rchestra – 3:00 p.m. – Osterhout Concert Theater ­ $9 general public ; $7 faculty/staff/seniors; free for students Thursday, Decem ber 7 –  Jazz Mid  Day Concert with g uest artist, Bruce Joh nstone – 1:20 p.m. – Osterhout Concert Theater – free Thursday,  Decem ber  7  ­  Jazz  Ensem ble  with  guest  artist, Bru ce Johnstone – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public; $7 faculty/staff/seniors ; free for st udents Saturday, Decem ber 9 – Master ’s Recital : Katrina  Cox, sopra no – 8:00 p.m. – Casadesus Recital Hall – free Sunday, Jan uary 28 – Bach Again : Jonathan  Biggers, o rganist – 4 :00 p.m. ­­ First Presbyterian Church, Binghamton ­ $15 general public; $13 faculty/staff/seniors; free for students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 59:53:00 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio recital, students of Timothy Perry, November 19, 2006 Recital Tape 2006-11-19b Description An account of the resource Held at 7:30 p.m., Nov. 19, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Carpinone, LIsa Shin, Dong Yoon Venti, Maggie Boland, Heather Doyle, Kyle Norman, Mark Silvagni, Richard Vincenzi, Alex Zaccharini, Dan Dougherty, Brenna Heschke, Christa Ackerman, Gregg Klepper, Melissa O'Gara, Heather Stark, Jillian Weiss, Kristin Bonhof, Bethany Reitz, Margaret A Hsu, Nicole Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-11-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID de839bef-6af8-4cb7-9ddb-5a7ad6f6b10d https://omeka.binghamton.edu/omeka/files/original/dfa056918fb1cc07cea8ca0c3ddfa694.pdf d9ce4db75cfba859a179406f2f876f86 PDF Text Text UNI V ARC Recita l tape The Binghamton University Department of Music presents a Studio Recital 2006 4-9 Clarinet Students of Professor Timothy Perry COL SPEC Assisted by Margaret Reitz, Piano 7:30 p.m. Binghamton University Sunday, April 9th Casadesus Hall Program Fantasie-caprice ......... Charles Edouard Lefebvre (1843 - 1917) Alex Vincenzi Arabesque (1973) .................. Germaine Tailleferre (1892-1983) Andrei Lee Arabesques .................................. Paul Jeanjean (1872-1928) Bethany Bonhof Canzonetta ................................. Gabriel Pierné (1863-1937) Dorian Dodd Sonata for Clarinette ............... Camille Saint-Saens (1835-1921) I. Mvt. Michelle Grexer Fantasie pour Clarinette ................. Georges Marty (1863-1937) Gregg Ackerman ••••••••••••••••••••••••••••••••••••••••••••• •••••••••••• Please join us for our second studio recital to hear student soloists Heather Boland, Joanne Brice, Christa Heschke, Danielle Quick, Richard Silvagni and Professor Timothy Perry. The concert is here on May 12th at 4:00 p.m Thank you for attending this recital and supporting live music and student musicians at Binghamton University! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:01:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203966">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203966</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio recital, April 9, 2006 Recital Tape 2006-4-9 Description An account of the resource Works of Lefebvre, Tailleferre, Jeanjean, Pierné, Saint-Saëns, and Marty. Held at 7:30 p.m., April, 9, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Reitz, Margaret Vincenzi, Alex Lee, Andrei Bonhof, Bethany Dodd, Dorian Grexer, Michelle Ackerman, Gregg Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-4-9 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID b84d103b-7cac-4a48-a87f-98460b3b1031 https://omeka.binghamton.edu/omeka/files/original/8f81ea44306e698f12576d6371530f35.pdf 84ce2e1f05c4a9113a78e7a4eed39cf1 PDF Text Text BINGHAMTON U  N  1  V  E  R,­S 1_,—T .,  Y_ S TAT E  U N I V E R S I T Y   O F   N E W  Y O R K o d e [4 D E P A R T M E N T C L ARINET S TU D I O S PRING R EC I TA L S 77  y s  P  ,  N E  i from the studio of Sarah Chandler with Margaret Reitz, Piano Saturday, April 17, 2010 3:00 p.m. Casadesus Recital Hall �PROGRAM Five Bagatelles, Opus 23..................cccecuuennnn............Gerald Finzi (1901­1956) I. Prelude  Il. Romance Sonata (1939) for Clarinet and Piano......................Paul Hindemith (1895­1963) II Lebhaft  Ill Sehr Iangsam Adam Davis, clarinet Margaret Reitz, piano James Wu, clarinet Margaret Reitz, piano ..Gerald Finzi (1901­1956) Five Bagatelles, Opus 23  III. Carol  Reinhold Gliére Chanson  (1875­1956) Abby Cohen, clarinet Margaret Reitz, piano (Paul M. Stouffer, arr.) Andante  Allegro vivace Mark DelloStritto, clarinet Stephen Collins, clarinet Pastorale and Boumée...........i coocvivicicii Edward German (1862­1936) Himie Voxman, trans. Zach Stanco, bass clarinet Margaret Reitz, piano Five Russian Duets  In Waltz Style  Round Dance Elegiac Mood Hunter’s Call In Old­Fashioned Style (b. 1918) Anthony Kwon, clarinet Margaret Reitz, piano Sonata I in Eb Major, BWV 525................. Johann Sebastian Bach (1685­1750) I. Allegro  II. Adagio  Richard Wagner Adagio for Clarinet  (1813­1883) A.H.C., piano reduction Kerry Goodacre, clarinet Margaret Reitz, piano ....Nikolai Miaskovsy, Vasyl Barvinksy (1881­1950, 1888­1963) Anthony Kwon, clarinet Zach Stanco, bass clarinet ..............Paul Koepke Scherzo in C Minor ..... Felix Mendelssohn (1809­1847) Fun for Two with Mendelssohn..  Allegro  Ill. Allegro Howard Klug, arr. and ed. Sarah Fenster, clarinet Kyle Doyle, clarinet Brianna Palisi, bass clarinet �PEJ REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and M a s t e r  Musicdegreesin piand performarice w ith accompanying emphasis.  She attended Boston University, New England Conservatory and Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain  and at the American Institute of Musical Studies in Graz, Austria.  She was a  winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York Disu’ict MTNA organization.  She is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. Bingham ton Univers ity Music D epartme nt’s UPCOMING E VEN T S e w w w w w m w b é e o S a t u r d ay,  A p r i l 1  7*" University Chorus: Honegger’s KING DAVID, 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) S u n d ay,  A p r i l 1  8 ” J  unior Recital: Laura MacAvoy, soprano, 3:00 PM, Casadesus Recital Hall, FREE S u n d ay,  A p r i l 1  8 ”  Senior Honors Recital: Stephen Kong, piano, 7:30 PM, Casadesus Recital Hall, FREE Tu e s d ay,  A p r i l  2 0 ”  String Fever: String Studio & Chamber Recital, 8:30 PM, Casadesus Recital Hall, FREE cert, 1:20 PM ­ FREE   Thursday,  A p ri l  2 2 Mid­Day Con Casadesus Recital Hall Fr i d ay,  A p r i l  23™ Junior Recital: Mengru Zeng, piano, 8:00 PM, Casadesus Recital Hall, FREE For ticket information, please call the Anderson Center Box O ffice at 7 77­ARTS To see all events, please visit music.b inghamton .edu Become a fan on Facebook by visiting Binghamto n University  Music D epartment � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145322">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145322</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio spring recital, April 17, 2010 Recital Tape 2010-4-17 Description An account of the resource Works by Finzi, Gliére, German, Koepke, Wagner, Hindemith, Mendelssohn, Mussorgsky, Myaskovsky, Bach. Held at 3:00 p.m., April 17, 2010, Casdesus Recital Hall. Creator An entity primarily responsible for making the resource Chandler, Sarah Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-04-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/5d15880ece312474a9b984cdcc5e2d6e.pdf 22d6a4d9cd614c09214525febae4e2e2 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York d e c [4 E P C L A R I N E T  STUDIO S P R I N G  RECITAL with Margaret Reitz, pia no Saturday, April 18, 2009 3:00 p.m. Casadesus Recital Hall A �PROGRAM Divertimento  “Don Giovanni,”  Wolfgang Amade us Mozart KV 527..  .....................................(1756­1791) Aria “Madamina, il catalogo e questo Duettino “La ci darem la mano” Sarah Fenster, clarinet Kyle Doyle, clarinet Brianna Palisi, bass clarinet II. Vivo e giocoso  7 M 1 k l ..  Wolfgang Amade us Mozart from Serenade for Wind Instruments, K. 361  (1756­1791) Roy Douglas, arr. Mark DelloStritto, clari net Margaret Reitz, piano Quartett “Ri posate vezzose ragazze” Sonatina, Op. 2 Minuet and Trio  Concerto No. 1  II. Adagio ma non troppo  o s Rozsa   (1907­1995) cessseenennsens  Carl Maria von Weber (1786­1826) James Wu, clarinet Margaret Reitz, piano Gregg Ackerman, clarinet Menuett... .. Friedrich Kuhlau (1786­1832) Forrest L. Buchtel, arr. Stephen Collins, clarinet Margaret Reitz, piano Andante  .. Charles Bochsa from Quartet No. 1 for clarinet and string trio  (1789­1856) Jin Kim, clarinet Margaret Reitz, piano Variations on “Ah, Vous  ..  .. Wolfgang Amadeus Mozart “Dirai­je, Maman, ” KV 265 (300e)  (1756­1791) Roger Garrett, arr. Sarah Fenster, clarinet Kyle Doyle, clarinet Abby Cohen, clarinet Brianna Palisi, bass clarinet Concert Piece No. 2 in D Minor, Op. 114  I.  Presto  II.  Andante III. Allegretto grazioso Gregg Ackerman, clarinet James Wu, clarinet Margaret Reitz, piano Felix Mendelssohn (1809­1847) �ABOUT THE PERFORMERS Sarah  Fenster,  Kyle  Doyle,  Brianna  Palisi,  Jin  Kim,  James  Wu, Gregg  Ackerman,  Stephen  Collins,  Mark  DelloStritto,  and  Abby Cohen  are  clarinet  students  under  current  study  with  SARAH CHANDLER,  clarinetist,  with  the  Department  of  Music  at Binghamton University. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano  performance  with  accompanying  emphasis.  She  attended Boston  University,  New  England  Conservatory  and  Binghamton University.  Pej  has  studied  piano  with  Jean  Casadesus,  Victor Rosenbaum,  Seymour  Fink  and  Walter  Ponce  and accompanying with  Allen  Rogers.  She  has accompanied  throughout  the  United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria.  She and Binghamton University faculty  mem ber  Timothy  Perry  were  winners  of  the  Artistic Ambassadors Program by the United States Information Agency in partnership  with  the  John  F.  Kennedy  Center  for the  performing arts. Pej has been on the  faculty at Binghamton University since  1991 and Ithaca College  School of Music since  1999.  She maintains a private piano studio in Vestal, New York.  She is on the Executive Board  of the  New  York  District  MTNA organization, and  she  is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151159">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151159</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio spring recital: with Margaret Reitz, April 18, 2009 Recital Tape 2009-4-18 Description An account of the resource Works of Mozart, Rózsa, Kuhlau, von Weber, Mendelssohn. Held at 3:00 p.m., April 18, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Fenster, Sarah Doyle, Kyle Palisi, Brianna Ackerman, Gregg Collins, Stephen DelloStritto, Mark Wu, James Cohen, Abby Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2ec468d443571c39f99d07179e8d4fb5.pdf 5c9346507473ce796b9de8f0a7d1e222 PDF Text Text BINGHAMTON U N I N E R S L State University of New York Department of Music CLARINETS IN CONCERT STU DE NTS F R O M T H E ST U D I O S O F TIMOTHY P E R R Y A N D V I N C E S M I T H M A R G A R E T REITZ, PIANO Saturday, February 26, 2005 3 :00 p.m. Casadesus Recital Hall �The Binghamton University Department of Music presents CLARINETS I N C O N C E R T S T U D E N T S F R O M T H E S T U D I O S O F T I M O T H Y P E R RY A N D V I N C E S M I T H 3:00 P.M. Saturday February 26, 2005 Casadesus Hall Binghamton University PROGRAM Allegro from Concerto No. 3.. Andrei i vereee.. Karl Stamitz Romanze from Concerto no. 3.. Simon Hawk Concertino, Op. 26.. vee... .Ka rl Stamitz .. Carl Maria von Weber «Bethany Bonhoff Alleluia, from Exsultate, Jubilate... Colin Edmunds ...W.A. Mozart Adagio, from Concerto No. I.. .....................Ludwig Spohr Michelle Grexer Allegretto P h i l i Alice Choi p p e Gaubert Moderato from Sonate pour Clarinette . .. . ..Camille Saint-Saens Caroline Bravo Carol and Forlana, from Five Bagatelles... Heather Boland ....Gerald Finzi Blues and Rhythm from Pocket Sonata No. I . . ...Eric Templeton Andrew Hsu Allegro from Concerto No. 2. ..Carl Maria von Weber Theresa Perrone �Coming Events Saturday February 26 – Timothy LeFebvre, baritone and Duane Skrabalak, piano - 8:00 p.m. – Anderson Center Chamber Hall - $15 general public; $13 faculty/staff/alumni/seniors; $7 students Sunday, February 27 – University Wind Ensemble – Cinematic Signatures III : Great White Way to the Silver Screen – 3:00 p.m. Anderson Center Chamber Hall - free Thursday, March 3 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Saturday, March 5 – Master’s Recital – Leslie Hochman, Soprano – 3:00 p.m. – Casadesus Recital Hall – free Saturday, March 5 -- University Symphony Orchestra – Around the Hor n – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staff/seniors; free for students Sunday, March 6 -- Musica Nova with Patricia Sunwoo, violin and Ewa Mackiewicz-Wolfe, piano - 3:00 p.m. – Casadesus Recital Hall - $10 general public; $7 faculty/staff/seniors; free for students Thursday, March 10 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Saturday, March 12 - Master’s Recital – Timothy Fallon, tenor – 3:00 p.m. - Casadesus Recital Hall – free Saturday, March 12 - Master’s Recital – Jody Schum, piano – 8:00 p.m. - Casadesus Recital Hall – free Sunday, March – 13 – Harpu r Chorale and Women’s Chorus – 3:00 p.m. – Anderson Center Chamber Hall – free Thursday, March 17 – Mid-day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Thu rsday, March 31 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Sunday, April 3 - Organist Jonathan Biggers – Music for Organ and Strings – 4:00 p.m. First Presbyterian Church, Binghamton - $15 general public; $13 faculty/staff/seniors; $7 students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243819&amp;change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243819&amp;change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243819&amp;change_lng=en</a> Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:18:00 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinets in concert: students of Timothy Perry and Vince Smith, February 26, 2005 Creator An entity primarily responsible for making the resource Perry, Timothy Smith, Vincent Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-2-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/aff759f1b0234f89aa6e4b4e16cc2b2b.jpg dea10c0b8718afd5bfc2c06657f61da4 https://omeka.binghamton.edu/omeka/files/original/751194ecadf03922b8816c3e5048973c.jpg 31602b393ab266f8a150ba81c8246986 https://omeka.binghamton.edu/omeka/files/original/9d36d80efe13928a027eb597c3a0b4d9.jpg d26e4559abeae5d629cc2b56513de41d https://omeka.binghamton.edu/omeka/files/original/fc8db27bfeb71fb4695c9f968a695997.jpg c18a96b1bf5b46ec0d4f7c386f0eaae3 https://omeka.binghamton.edu/omeka/files/original/330f5062f01a9c2cee7bd7ec4a1a65cf.jpg 9fea9af5ab970bd23fdc681418a48213 https://omeka.binghamton.edu/omeka/files/original/6f444c7bc4af032c00d39b6f98cc7734.jpg 3b8f8d48a049ca0d806f78cb638f41d8 https://omeka.binghamton.edu/omeka/files/original/809d6d632f28726a2442577c03243e6a.jpg ecacfa25c933841a9f14317253a22611 https://omeka.binghamton.edu/omeka/files/original/20b05e132b954ca6bb3bf94ef324ac54.jpg 372915ce9ce0cbe3f22f125c8a015f98 https://omeka.binghamton.edu/omeka/files/original/b69ffbfb463a7418473192edb97be04c.jpg 4501b9b8b61716102f0af64cb446f394 https://omeka.binghamton.edu/omeka/files/original/6ef11d336370cafb57f02a7827eb8e9b.jpg 6a225bcb1f7f7ff3751fd571730c2bf8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description NOTE: This is not annotated by Max Reinhardt. Direction, markings by Adolphe L’Arronge, previous owner of Deutsches Theater. Markings in purple pencil, black pencil, and blue pencil. Abundance of notes throughout in-depth staging sketches, arrangements and directions, character notes, comments, etc. Never particularly extensive throughout but nonetheless consistent. Collection Miscellaneous Promptbooks Dimensions Physical dimensions of item 21.5cm x 18cm Earlier version Earlier version (dcterms:isVersion Of) Clavigo Notes Located in Binghamton University Libraries Special Collections PT2635.E548P752 v.10 Production(s) February 2, 1887, Berlin, Deutsches Theater zu Berlin (dir. Adolphe L’Arronge). Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clavigo : ein Trauerspiel [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Clavigo : ein Trauerspiel Promptbooks Stage directions Deutsches Theater zu Berlin -- Germany Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3122 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/a4f1d8a6b03ba05b0abbfff1175d7d2a.pdf e42c1c8437445400b7201b872872d387 PDF Text Text JT i} LJ ' § \   ( x ' h    COLLEGN I 3  A    AUS ICU A = ~ 8 D ,  mm E l t iy, oR (5 2i   7 l recital i o december  11 , 1974  at  8:15  p.m. �1— P  R  0  G R  A  M CONCERTO  GROSSO  I N  D  MAJOR,  Opus  6 ,   No .  1  Lar go  –  A l le g r o Lar go  –  A l le g r o Largo  –  Al le g r o Al le g r o ARCANGELO  CORELLI 1653 ­  17 13 Robert  Seletsky, violin Dinah  Voorhies, violin Howard  Cohen,  violoncello The  Baroque  Chamber  Orchestra, Mitchell  Mendelson,  Conductor DUE  ROSE  FRESCHE  LUCA  MARENZIO 1 5 5 3 –  1 599 DA  LE  BELLE  CONTRADE  CIPRIANO  DE  RORE 1516 –  1565 CONTRAPPUNTO  BESTIALE  ALLA  MENTE  ADRTANO  BANCHIERI 156 7  –  16 34 The  Collegium  Choir,  Richard  Berent,  Assistant  Conductor MICHAEL  PRAETORIUS VILLAGE  DANCE  157 1 –  1 621 PACING  DANCE FIRE  DANCE  AND  PROCESSION OVERTURE  ( 1668)  DIETRICH  BECKER ALLEMANDE  JOHN  JENKINS 159 2  ~  16 78 SARABANDE COURANTE AIR The Renaissance  Consort �+ T  E  X T  S  A  N  D T  R  A  N  S  L A  T  I 0  N  S DUE  ROSE  FRESCHE Two  fresh  roses,  gathered  the  other  day in  paradise, bloomed  the  firs t of  May, a  fair  gift  from  a  lover  old  and  wise between  two  younger  lovers  equally  divided With  words  so  sweet  and  a  smile that  would  enamor  even  a  man  wild––– this  gift  through  brigh t  and  amorous  rays caused  the  two  lovers  to  change  their  faces. " “Such  a  pair  of  lovers  the  sun  will  never  see, he  said, laughing  while  he  sighed; and  holding  both, he  turned  to  look  at  one and  then  the  other. Thus  he  divided  the  roses  and  the  words, so  that  even  now  my  heart  is  glad  and  fears. O happy  eloquence,  O joyful  day! CONTRAPPUNTO  BESTIALE Malcolm  Ottaway,  Bass, sings : “Nulla  fi d es  gobbis Similiter  est  zoppis, Si squerzus  bonus  est, Super  annalia  scribe.” The  other  soloists  are : Constance  Stirling,  cuckoo Rachel  Gardner,  owl Susan  Lawson,  cat Ann  Baer,  dog MEI NS TRAURENS  IST DA  L E   BELLE  CONTRADE From  the  beautiful  villages  of  the  East, clear  and  happy rises  Ciprigna (the  dawn) And  I received  in  the  arms  of  my  divine idol That  pleasure  which  does  not  exist  humanly When  I heard  twofold  an  ardent  sigh “Hope  of  my  heart, sweet  desire, Are  you  leaving?  Alas! Do  you  leave  me  alone?  Oh,  God! What  will  become  of  me  here,  dark  and dolorous? Ah,  my  cruel  love! Well  I  court  your  sweetness Yet  I  doubt  your  caresses  are  well  intended Since  it  still  gives  you  pleasure That  my  extreme joy  terminates  in  tears.” I was  unable  to  say  more,  so  closely  were we joined , Repeating  the  embraces  in  so  many  knots That  the  ivy  and  the  acanthus  were  never more  entwined. \ My  sadness , the  cause  of  my  brokenness, which  I  can  tell  no–one  but  you, my  radiant  sun, is  that  I  bear  pain  because  of  you. I  would  rather  ––  believe  me  –– accept  death than  part  from  you  like  this. DIE  BRUNNLIN From  those  flowing fountains one  should  drink; wink  at  your  dear  companion, if  you  have  one. Yes, a wink  with  your  eyes and  a kick  with  your  foot  –– Tough  luck  if  you  have  to  avoid  your companion! �4 C  0  L  L  E G I U M      I  C  U  M  S U M s  .  U  .  N  .  Y .'——  B  1  N  G  H  A  M  T  0  N = PERSONNEL  FOR  CONCERT  OF DECEMBER  11, 1974 COLLEGIUM  CHOIR *+Rachel  Gardner Sheryl  Kaye +Deborah  Lemon Nancy  Roper Constance  Stirling +Denise  Trautmann +Louise  Ulrich BASSES TENORS  ALTOS SOPRANOS Carolyn  Brooks Marilyn  Bryan +Karen  Clute Richard  Berent Malcolm  Ottaway Neil  Rouda William  Sherfey Paul  Sweeny +Larry  Zukof Ann  Baer Alan  Hymowitz Mitchell Mendelson Mary  Deegan Carol  Delton *Susan  Lawson Helen  Ottaway +Deborah  Rogers Linda  Shaw Caron  Swift +Stacie  Williams RENAISSANCE  CONSORT RECORDER OBOE LUTE GUITAR Bonnie  Bauman Vicki  Berger Deborah  Cohen Susan  Lawson William  Sherfey (Assistant  Director) Gerda  van  de  Vegte Judy  Zuckerman Stewart  Small Constance  Stirling  Paul  Sweeny +Soloists  in  the  Buxtehude  Cantata 3 [ i T  E  X T  S  A  N  D T  R  A  N  S  L  A  T  I  0  N  S (continued) GOD’S  WORLD (by  EDNA ST.  VINCENT  MILLAY) 0 world, I  cannot  hold thee  close  enough! Thy  winds,  thy  wide grey  skies! Thy  mists  that  roll and  rise! Thy  woods,  this  autumn day,  that  ache  and  sag And  all  but  cry  with  colour! Th a t  g a un t  c ra g To  crush!  To lift  the lean  of  that  black  bluff! World,  World,  I  cannot get  thee  close  enough! Long  have  I known  a  glory  in  it  all, But  never  knew  I  this : Here  such  a  passion i s As  stretcheth  me  apart,–––  Lord ,  I  do  fear Thou ’st  made  the  world too  beautiful  this  year ; My  soul  is  all  but  out of  me,–––  let  fall No  burning  leaf ; prithee, let  no  bird  call. HERZLICH  L I E B   HAB’  I C H DICH, 0 HERR Versus  I With  all  my  heart  I love  Thee, Lord ; I  pray  Thee  ne ’er  to  forsake  me With  Thy  precious  aid  and  grace. Worldly  pleasures  I  abandon, Ask  naught  on  earth  nor  in  heaven, But  Thine  own  secure  Presence. And  were  my  heart  itself  to  break, In  Thee  could  I  fi n d  solace, Thou art  goal  of  all  my  longing, By  Thine  own  blood  am  I redeemed. Lord Jesus  Christ, my  God  and  Lord , Save  me  from  all  tribulation! VERSUS These  are,  Lord, received  as  gift  from  Thee. Body  and  Soul,  and  all  I  own In  this  poor  life  on earth, To  be  used  to  sing  Thy  praises, To  help  and  serve  my  neighbor ; So  give  me  Grace  to  do  this. Protect  me, Lord , from  false  doctrine, From  Satanic  death  and  lies  shield  me, Preserve  me  in  all  suffering , Let  me  bear  the  Cross  in  patience. Lord  Jesus  Christ, my  Lord  and  God, Comfort  my  soul  in  deathly  need! Versus ITT Lord , let  at  last  Thine  angels  come, To  Abraham ’s  bosom  bear  me  home; My  body  in  its  resting  place, So  soft, and  free  of  suffering , Let  sleep,  till  the  Day  of Judgement––– And  then, from  death  awaken  me, To behold  Thee with  mine  own  eyes, In  fullest joy, 0 Son  of  God , My  Saviour  and  my  fount  of Grace. Lord  Jesus  Christ,  give  ear  to  me, I shall  praise  Thee  eternally. Amen. �5 PERSONNEL  FOR  CONCERT  OF  DECEMBER  11,  1974 (continued) B A R O Q U E C  H  A  M  B  E  R  0  R  C  H  E  S  T  R  A VIOLIN  I VIOLIN  II VIOLA VIOLONCELLO Robert  Seletskv,  principal Denise  Savas Joyce  Capani John  Hagopian Dinah  Voorhies,  principal  Schyler  Smith Carol  Hutter,  principal Joyce  Capani Carol  Isaacson Barbara  Gorin Howard  Cohen Stanley  Ostrom, Jr. Tina  Opie Donald  Thaler DOUBLE  BASS Michael  Graven, Jr. TRUMPET +William  Lockwood BASSOON ORGAN  HARPSICHORD Lois  Chantry Richard  Berent  Sharon  Frachtenberg Paul  Jordan Steve  Winans CONDUCTOR Mitchell  Mendelson (Karen  Adler,  Assistant) +Guest  Artist �(i MEINS  TRAURENS  I S T   PAUL  HOFHAIMER 1459  –  15 37? D I E   BRUNNLIN  DIE  DA  FLIESSEN  ("Gassenhawerlin”  from  C.  Egenolf ’s  collection,  1535) BALTHASAR  ARTHOPIUS Constance  Stirling, Soprano Paul Jordan, Counter–tenor SONATA  GIOVANNI  GABRIELI 1557  –  1612 The  Renaissance  Consort CONCERTO  GROSSO  IN  F MINOR  ("Winter”  from  ”The  Seasons")  Allegro  non  molto Largo Allegro Guest  Artist ANTONIO  VIVALDI 1675?  –  1741 Delmar  Pettys, violin The  Baroque  Chamber  Orchestra, Mitchell  Mendelson, Conductor I  N  T  E  R  M  I  S  S  I  O  N GOD’S  WORLD  THOMAS  COLVILLE 1941  — The  Collegium  Choir, Richard  Berent,  Assistant  Conductor CHORALE  –  CANTATA,  “HERZLICH  L I E B  HAB  ICH  DICH,  0  HERR”  for  S–part  Chorus, 5–part  String  Orchestra,  two  Trumpets  and  Basso  Continuo DIETRICH  BUXTEHUDE 1637 –  1707 Versus  I Versus  II Versus  III The  Collegium  Choir  and  Orchestra,  Paul Jordan,  Conductor � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:06 37:28 33:42 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collegium Musicum, December 11, 1974 Recital tape 1974 12-11 Description An account of the resource Works of Corelli, Marenzio, Praetorius, Becker, Vivaldi. Held at 8:15 pm, December 11, 1974, Recital Hall. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-12-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2046df69bab1a4397ddd372c15bf6639.pdf 67aa1e9fb75c418f0466caf62cb51083 PDF Text Text STATEljnnmmsnv'orIQEw'Yonx.srthGnAunox Harpur  College   Music f o Department  collegium musicum paul Jordan € d I t h  BORROSf OIRECTORS December  4,  1975 8:15  pm Don  A.  Watters  Theater �Collegium Musicum ***********&********************************&******* I.  PRAISE  THE  LORD,  O JERUSALEM  _ Anthem  fo r   5­part  chorus,  strings,  and  basso  continuo SINFONIA  IN  D MINOR  for  two  flutes  and  string  orchestra .  Adagio  Fugue  HEAR  MY  PRAYER,  O LORD,  AND LET  MY  CRYING  COME  UNTO  THEE  Motet for  8 voices  I  N T  E R  M I S S I  O  N HENRY  PURCELL (1658­1695) WILHELM  F.  BACH (1710­1784) HENRY  PURCELL (arr.  P.Jordan) III.  MISSA  BREVIS  NO.  1 IN  F MAJOR  for  4­part chorus,  soprano,  alto  and  bass  s o l o i s t s ,   two  oboes and  bassoon,  two  brass instru­ ments,  strings,  and  basso continuo J.S.  BACH (1685–1750) Kyrie  Eleison,  Christe  Eleison,  Kyrie  Eleison ­chorus Gloria i n  E x cel s i s   Deo ­chorus Domine  Deus,  Rex  C o e l e s t i s ­aria  for  bass  and  solo  violin II.  Entry  NOVA,  Caro  NOVA  le :  Motets: GLORIOSAE  VIRGINIS  MARIAE  HODIE  CHRISTUS  NATUS  EST  Carole: FROM  THE  SHEEP–SHEARER’S  GUILD CHRISTMAS  PLAY  (COVENTRY)  ANONYMOUS  (ec.  1850)  LEONEL  POWER (ce.  1400) CLAUDIO  MONTEVERDI (1567­1643)  ANONYMOUS (ec.  1500) Qufaiiizfifiigifiomafiilboe Quoniam  Tu  Solus  Sanctus ­aria fo r  alto and  vi o l i n Cum  Sancto  Spiritu ­chorus SANCTUS  IN  C MAJOR  for  4­part chorus,  trumpet, o oboes,  horm,  strings,  tym­ pani,  and  basso  continuo EE EL  EEX] Motets: O  DOMINE  JESUS  ADRTAN  WILLAERT (ec.  1490­1562) VIDENTES  STELLAM  MAGI  Exeunt  Carole: NOWELL  SING  WE  ROLAND  DE  LASSUS (15632–1594) ANONYMOUS (ec.  1400) This  concert  is  financed  by  your Student  Activity Fees. J.S.  BACH �Parts  I  and  III  are  offered by  the  Collegium  Choir, Orchestra, and  Soloists Soloists : Rachel  Gardener, soprano Jacquelyne  Garms, alto Eugene  Sawc zyn ,  bass Karen  Tax,  flute Sharon  Kossakoff, fl ut e George Myers, violin Geoffrey Barron, oboe Howard  Cohen,  ‘ cello Orchestra: Violin  I Violin  II Viola George  Myers Rosa  Campa Paul  Goodman Kimberley  Slater Dinah  Voorhies Olev  Viro Joe  Zoeckler Donald  Thaler Carol  Isaacson Joyce  Capani Jeanne  Woodruff Ellen  Weil ‘Cello Oboe Trumpet Howard  Cohen Myra  Greenstein Donna Page Tracy  Slack Geoffrey Barron Janet Ziebur Alfred  Szymaniak Double  Bass Lois  Chantry Dominique  Hyatt Harpsichord French  Horn Bassoon Rebecca  Miller Tympani Geoffrey Brooks Deborah  Lemon Choir : Alto Soprano Jill  Benjamin Karen  Adler Margaret  Donelian Carolyn Brooks Karen  Clute Carolyn  Dow Susan  Cohen Ann  Ehrlich Carol  Delton Marcia  Hausner Sue  Lawson Sheryl  Kay Kate  Sudekum Donna  Merriam Karen  Tax Louise  Ulrich Barbara Hager Ellen  Weil Tenor Richard  Kaskan Ross  Levinson Bass Dan  Lotto Neil  Rouda Paul Sweeny Larry  Zukof Conductor : Paul Jordan Part  I I   i s   o ff e r e d  by  the Renaissance  Consort : John  Doscow Lorraine  Forman Thomas  Kolpakas Jan  Lauridsen Di rector : Sue  Lawson Esther  St erl ing Larry  Zukof Edi th  Bor roff Kate  Sudekum Paul  Sweeny Karen  Tax � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:16 35:58 47:48 35:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244734">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244734</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collegium Musicum, December 4, 1975 Recital tape 1975-12-04 Description An account of the resource Works of Purcell, W.F. Bach, Power, J.S. Bach. Held at 8:15 pm, December 4, 1975, Watters Theater. Creator An entity primarily responsible for making the resource Collegium Musicum Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-12-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1512e260aecfcfbc5942fa2665c3dbfe.pdf 2c286cdf6a13e1af105d40c781cdcad8 PDF Text Text STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON HARPUR  COLLEGE DEPARTMENT  OF  MUSIC SUNY  Binghamton  Collegium  Musicum Paul  Jordan  and  Edith  Borroff, directors col leg ium mu sic um THURSDAY,  DECEMBER  9,  1976 8 : 1 6   P .  M. UNIVERSITY  UNION = X �Program. “Meine  Freundin,  Du  b i s t  sch8n” Johann Chwistoph  Bach (1645­1693) Wedding  Cantata  fon Soprano,  A l to,   Te n o r,   and Baritone S o l o i s t s ,   Chorus,  So l o  Vi o l i n ,   Str i ng Onchestra,  and Basso  Continuo Loretta Merlo,  soprano  (Bride) Christopher  Arneson,  baritone  (Bridegroom) L a v y  Zukof,  counter­tenor David  Jennings,  Zenon 0Lev  Vino,  v i o l i n Collegium Choir and Orchestra INTERMISSION Den  116.  Psalm  Collegium Choir Johann Hermann S ch e i n (1586­1630) Jubik ate   Jean­Joseph Cassariea de Mondonville (1711­1772) Motet  for Soprano,  Tenor,  and  Baritone S o L o i sts, Chorus,  Two  Recorders,  Violoncello, String Orchestra,  and  Basso Continuo L o re t t a  M e r l o,   soprano David  Jennings,  t e n o r Chvuistopher  Arneson,  baritone L a r y  Zuko and Sue  Lawson,  re co rd e rs Julian Shepherd,  violoncello Edith  Bornrnodh,  harpsichord Collegium  Choir  and  Orchestra �TEXT  TRANSLATIONS Kkkkkkkkkkhhkkhkk Meine  Freundin,  Du  bist  schon (sung  in  German) I.  Duet for  Soprano  and  Baritone Groom :  My  beloved, you  are  beautiful.  But  turn your  eyes  away  from  me, for  they  arouse  my  passions! Bride:  0,  if  I  could  only  meet  you,  and  kiss  you, far  away  from  here,  so  that  no  one  could  scorn me! Come  friend,  let  us  go  to  your  garden! Groom:  I  hasten, my  sister,  lovely  bride,  to  my garden. IT.  Soprano  Aria  in  the  form  of  a  Ciacona My  friend  is  mine,  and  I  am  his.  I  belong  to  him who  awaits  me  among  the  roses;  for  he  is  faithful to  me.  His  left  arm  will  lie  beneath  me,  holding my  head, while  his  right  hand  caresses  me ;  he  v . delights me with,  flowers, and  pleases  me with  apples. / fy” f riend is  mine, and  I  am  his. III.  Little  Melodrama Two  acquaintances  passing  by :  Where  has  your  friend gone, O  most  beautiful  of  women, whereto, whereto? Bride :  My  friend  has  gone  to  his  garden  to  savor herbs  and  pick  roses. Acquaintances:  Then  let  us  help  you  fi n d  him! The  search :  orchestral Groom :  I have  been  gathering  myrrh  and  other  spices, have  eaten  from  my  honey,  and  have  enjoyed  both  wine and  milk. IV.  Celebration Soloists  and  Chorus :  Eat, my  beloved, and  drink, my  friends!  For  it is  right  and  good  to  eat  and drink,  and  to  be  of  good  cheer ;  for  these  are  gifts of  God.  And  to  get  drunk  –  that  too  is  a  gift  of  ‘ God ’s. Concluding  chorale:  Thanks  to  God  –  this  we  sing. Lord  God,  Father, for  this we  thank  you,  that  you  have given  us  richly  to  eat,  and  have  demonstrated  your love  and  loyalty  to  us.  Let  us henceforth  flourish, give  health  and  peace  to  our  bodies.  All who  desire this: say  Amen! Psalm 116  (sung  in German) I  love  the Lord, because he hath  heard  my voice  and  my  supplication. Because  he  hath  inclined  his  ear  unto  me, therefore  will  I  call  upon  him  as  long  as  I  live. The  sorrows  of  death  compassed  me,  and  the pains  of  sheol  got  hold  of  me;  I found  trouble and  sorrow. Then  I  called  upon  the  name  of  the  Lord :  0 Lord,  I beseech  thee, deliver  my  soul. Gracious  is  the Lord, and  righteous;  yea, our  God  is  merciful. The Lord  preserveth  the  simple;  I was  brought low, and  he helped  me. Return  unto  thy  rest, 0 my  soul ;  for  the  Lord hath  dealt  bountifully  with  thee. For  thou  hast  delivered  my  soul from  death,  mine eyes  from  tears,  and  my feet from  failing. I will  walk  before  the  Lord  in  the  land  of  the living. I  believed,  therefore  have  I  spoken.  I was greatly  afflicted ; I said  in my  haste,  All  men  are  liars. What  shall  I render  unto  the  Lord  for  all  his benefits  toward  me? I will  take  the  cup  of  salvation  and  call  upon the  name  of  the  Lord. I will  pay  my  vows  unto  the  Lord  now  in  the presence  of  all  his  people. Precious  in  the  sight  of  the  Lord  is  the  death of  his  saints. 0 Lord,  truly  I  am  thy  servant ;  I  am  thy  servant and  the  son  of  thy  handmaid ;  thou  hast  loosed  my  bonds I will  o ff er  to  thee  the  sacrifice  of thanksgiving,  and  will  call  upon  the  name  of  the  Lord. I will  pay  my  vows  unto  the  Lord  now  in  the presence  of  all  his  people. In  the  courts  of  the  Lord ’s  house,  in  the  midst of  thee, 0 Jerusalem.  Praise  ye  the  Lord. �COMING  EVENTS ********&**** Friday,  December  10,  1976 8:15  2  id Olev  Viro,  vi o l i n Saturday,  December  11,  1976 8:15  P.M. Holly  Skinner,  piano Sunday,  December  12,  1976 3:00  P.  M. Lydia  Werbizky,  violin Sunday,  December  12,  1976 8:15  P.  MR CONCERT  SERIES­Laredo, Robinson, Ponce Monday,  December  13,  1976 SHS  P.  M L Wind  Ensemble Tuesday,  December  14,  1976 8 : 1 5   P .  M. Karen  Tax,  fl u t e Saturday,  December  18,  1976 8:15  P.  M. Debbie  Neu,  clarinet � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:54 28:33 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333563">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333563</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collegium Musicum, December 9, 1976 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1976 12-9 Description An account of the resource Works of J.C. Bach, Schein, de Mondonville. Held at 8:15 pm, December 9, 1976, University Union. Creator An entity primarily responsible for making the resource Collegium Musicum Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-12-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0193c2ee7207ce237619e7e98e2ce2ef.pdf c4150d4f363288e76db015d073ada00e PDF Text Text “ lS77 �TRANSLATIONS  and  TEXTS PROGRAM DIE  MIT  TRANEN  SAEN  HEINRICH  SCHUTZ They  who  sow  with  tears  shall reap  in joy. I UNSER  WANDEL  IST  IM  HIMMEL SIEGFRIED  REDA Our  true  commonwealth  is  in  Heaven, and from  it  we  await  the  Saviour. SINFONIA  IN  G MAJOR ANTONIO  VIVALDI (Allegro  molto  –  Andante  –  Allegro) FOUR­PART  FANTASIA  IN  F  MAJOR (June  1b, 1680) HENRY  PURCELL THE  BAROQUE  CHAMBER  ORCHESTRA, Mitch  Mendelson,  conductor II KYRIE  ELEISON–CHRISTE  ELEISON–KYRIE  ELEISON AGNUS  DEI (third  setting) from  “Missa  de  Beata  Virgine”  JOSQUIN  DESPREZ III from  “CARMINA  GERMANICA  ET  GALLICA” Ein  Beurisch  Tanz Heth  Sold  Ein  Meisken  Garn  om  Win THE  RENAISSANCE  CONSORTIUM, Larry  Zukof,  director IV MISERERE  MEI O  GOD,  WONDERFUL  ART  THOU WILLIAM  BYRD THOMAS  TOMKINS V SONATA  NO.XIIT  for  TWO  INSTRUMENTAL  ENSEMBLES (1615)  GIOVANNI  GABRIELI THE  RENAISSANCE  CONSORTIUM  AND THE  BAROQUE  CHAMBER  ORCHESTRA INTERMISSION TWO  CANONS HELMUT  BORNEFELD Bittet, Dass  Eure  Flucht Pray, that  your  flight  shall  not  take  place in  winter. Ich  Hab  Die  Nacht  Getrdumet  : I  dreamed  of  a  tree  in  a  garden– which  was  a church (or  grave?)–yard–  of  a  golden  pitcher , filled  with  the  tree ’s  blossoms, which  fell and  broke  into  a thousand  pieces–  of  rolling pearls  and  rose–red  drops ; dearest  one, are you  dead? GOD’S  WORLD THOMAS  COLVILLE (poem  by  Edna  St.Vincent  Millay) 0 World , I cannot  hold  thee  close  enough! Thy  winds, thy  wide  grey  skies! Thy  mists, that  roll  and  rise! Thy  woods, this  autumn  day, that  ache  and  sag and  all  but  cry  with  colour! To 1ift  the  lean  of  that  black  bluff! 0 World , I cannot  get  thee  close  enough! Long  have  I known  a  glory  in  it  all, but  never knew  I  this ; Here  such  a  passion  is  as  stretcheth  me  apart, Lord, I  do  fear, thou ’st  made  the  world too  beautiful  this  year ; My  soul is  all  but  out  of  me, let  fall  no  burning  leaf ; prithee, let  no  bird  call. �VI ANTONIO  VIVALDI SINFONIA  in  B MINOR  (Adagio  molto  – Allegro  ma  poco) THE  BAROQUE  CHAMBER  ORCHESTRA VALL HEINRICH  SCHUTZ DIE  MIT  TRANEN  SAEN  VIII from  “CARMINA  GERMANICA  ET  GALLICA” Weinickhen  Auserlesner  Frantzhosen Tant  Que  Vivrai IX UNSER  WANDEL  IST  IM  HIMMEL  SIEGFRIED  REDA HELMUT  BORNEFELD TWO  CANONS  Bittet, Das  Eure  Flucht Ich  Hab  Die  Nacht  Getraumet GOD’s  WORLD  THOMAS  COLVILLE (see  insert  for  text) MOONDOG’s  THE  ONE  FOUR  CANONIC  MADRIGALS  You, the  Vandal  Nero’s  Expedition Sparrows Maybe PAUL  JORDAN MOONDOG (Louis  Hardin) �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:24 42:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243280">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243280</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collegium Musicum, February 27, 1974 Recital Tape 1974-2-27 Description An account of the resource Works of Vivaldi, Purcell, Byrd, Tomkins, Colville, Jordon. Held at 8:15 pm, February 27, 1974, Recital Hall. Creator An entity primarily responsible for making the resource Collegium Musicum Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-02-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound