170 10 1775 https://omeka.binghamton.edu/omeka/files/original/63c1084c682e1f9862d616a339169fe0.pdf f11578c08aab2cd8973f6799f07b0d5a PDF Text Text U N I V   Bre Binghamton University Department of Music R   ~~ THURSDAY MID­DAY  CONCER T November 4, 2004 – 1:20 P.M . – Casadesus Recital Hall I \ Sonata for Solo Violin Tempo di ciaccona Akira Maezawa, violin Linden Lea Jennifer Curiano, soprano Chai­Kyou Mallinson, piano G l Boy  Amorosi miei glorni Kate Metzler, soprano Chai­Kyou Mallinson, piano Fantasie for Viola and Piano Melissa Mattern, viola Margaret Reitz, piano ...............Béla Bartok (1881­1945) .....Ralph Vaughan Williams (1872­1958) ................Fred Weatherly (1848­1929) ...............Stefano Donaudy (1879­1925) Johann Nepomuk Hummel (1778­1837) vivssmessorssidy  Kompaneyec Bashkir Humming­son Timothy Perry, clarinet Margaret Reitz, piano Prelude for Viola and Clarinet Timothy Perry, clarinet Roberta Crawford, viola Trio for Piano, Clarinet and Viola, KV 498 Menuetto Rebecca Clarke (1886­1979) Wolfgang Amadeus Mozart (1756­91) Timothy Perry, clarinet Roberta Crawford, viola Michael Salmirs, piano Eight pieces for Clarinet and Viola, Op. 83, no. 2 Allegro con moto Timothy Perry, clarinet Roberta Crawford, viola Michael Salmirs, piano ............Max Bruch (1838­1920) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:41:11 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252018&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252018&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 4, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-4 Description An account of the resource Works of Bartók, Williams, Weatherly, Donaudy, Hummel, Kompaneyec, Clarke, Mozart, Bruch. Held at 1:20 p.m., November 4, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maezawa, Akira Curiano, Jennifer Mallinson, Chai-Kyou Metzler, Kate Mattern, Melissa Reitz, Margaret Perry, Timothy Crawford, Roberta Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/4/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/cf8efa67d3b6063b13400cb70e15669a.pdf b271ccbc7f807c187835b6c1f0a74474 PDF Text Text BINGHAMTON VG U N I V E R S I T Y State University of  New York De part men t of Mus ic G uest Artist Ma rin a L om azo v, p ian o Satu rday, Novem ber 6, 2004 8:00 p .m. Anderson C enter Cham ber Ha ll �Program About t h e Performer Praised  by  critics  as  “a  diva  of  the  piano”  (The  Salt  Lake  City  Tribune),  “a mesmerizing risk­taker” (The Plain  Dealer, Cleveland), and  “simply spectacular” (International Music Foundation Website, Chicago), dynam ic Ukrainian­American pianist Marina Lomazov has established herself as one of the most passionate and charismatic performers on the concert scene today. Her performances in North and South Americas, Europe, Japan, and Russia have prompted several reviewers to call her “one of the best young pianists in America today.” Lomazov  has  been  awarded  top  prizes  in  several  of  the  world’s  major  piano competitions  including  Cleveland  (Silver  Medal),  Gina  Bachauer  (Outstanding Female Performer), William Kapell (Carmen Sasmore Prize) and Hilton Head (First Prize).  She  has  appeared  with  the  Boston  Pops, Rochester  Philharmonic, Graz Hochschulorchester, Ohio Chamber Orchestra, Missouri Chamber Orchestra, South Carolina Philharmonic, and Spokane Symphony Orchestra, to name a few. She has performed in Weill Hall, Merkin Hall, Steinway Hall, and Rockefeller University (New  York  City),  Symphony  Hall  and  Steinert  Hall  (Boston),  Abravenel  Hall (Utah), Lyon de Opera (France), Theatro Sao Pedro (Brazil). Before  immigrating t o  the  United  States  in  1990,  Marina  studied  at  the  Kiev Conservatory, where she became the youngest First Prize winner of the All­Kiev Piano  Competition.  Lomazov  holds  degrees  from  the  Juilliard  School  and  the Eastman  School  of  Music,  the  latter  granting  her  the  highly  coveted  Artist’s Certificate – an honor the inst itution has not bestowed upon  a pianist for nearly two decades.  Her  principal  teachers  include  Natalya  Antonova,  Barry  Snyder,  and Jerome Lowenthal. Lomazov is a frequent guest artist at music festivals across the United States and abroad including Moulin d’Andé Arts Festival in  France, the Chautauqua Music Festival (NY), the Northwest Piano Festival (OR), the Wassermann Piano festival (UT), and the Grand Teton  Music Festival (WY). She has been featured on the “Bravo” Canada cable channel, and her live performances are broadcast regularly on public radio stations including such programs as NPR’s “Performance Today”, “Young Artist  Showcase” on New York’s  WQXR, “Morning Pro Musica” and “Classics in the Morning " on Boston’s WGBH, Dame Myra Hess concert series on Chicago’s WFMT. Lomazov is an Assistant Professor of Piano of the faculty at the University of South Carolina School of Music, where she is also the Artistic Director of the Southeastern Piano Festival. In summer of 2003, Lomazov joined the artist Faculty of the Brevard Music Center. Modest Moussorgsky Pictures at an Exhibition . (1839­1881) p Promenade  l. Gnome 2. The Old Castle 3. Tuileries (Children’s Quarrel After Playing) 4. Oxen (The Oxcart) 5. Ballet of the Unhatched Chicks 6. Two Jews, One Rich and the Other Poor Promenade 7. Limoges.  The Market (The Big News) 8. Catacombs.  Roman Sepulchre (Con mortuis in lingua mortus) 9. The Hut on Chicken Legs (Baba Yaga) 10. The Great Gate (in the Capital, Kiev) ­­Intermission­­ Variations (2003).. Image, Book I .. 1. Reflets dans l’eau 2. Hommage a Rameau 3. Mouvement Andante spianato and Grande........................ Polonaise brillante, Op. 2 2 ...John Fitz Rogers (b. 1963) Claude Debussy (1862­1918) Frédéric Chopin (1810­1849) �Com ing Events Sunday, N ovember  7 –  University Wind  Ensemble : Amer­A rcana – 3 :00 p.m. – Anderson Center Chamber Hall – free Friday, N ovember  12  –  T rio  Amici  –  Stephen  Stalker  and  Hakan  Tayga­ Hromek, cellists and Margaret  Reitz, piano – 8:00 p.m. – Casadesus Recital Hall ­ $10 general public; $7 faculty/staff/seniors; free for students Satu rday, November 13 – ViolaFest ’2004 – All­day workshop for violists of all  levels  featuring  afternoon  concerts,  guest  artist  performan ces  TBA  – Concerts are free; information about the workshop will be announced at a later : date.  Sunday,  Novembe r  14  –  University  Chorus  –  “How  Can  I  Keep  from Singing” – 3:00 p.m. –  Anderson  Center Osterhout Concert Theater ­ $10 general public; $7 faculty/staff/seniors; free for students Thu rsday, November 18  —Jazz Mid ­Day Con cert with guest artist – 1:20 p.m. – Anderson Center Osterhout Concert Theater – free Thu rsday, November 1 8  – An Eve ning of La tin Jazz w ith the Ha r pu r Jazz Ensemble  and  guest  artists  –  8:00  p.m.  –  Anderson  Center  Osterhout Concert Theater ­ $1 0 general public; $7 faculty/staff/seniors; free for students Sunday, N ovember 2 1 – Charl es Ives Re membered – An afternoon of song and  chamber  music  –  3:00  p.m. –  Anderson  Center  Chamber  Hall  ­  $15 general public; $13 faculty/staff/seniors; $7 students  ' J l J } Thursday,  December  2  –  Mid­Day  Concert  with  faculty  and  student performers – 1:20 p.m. – Casadesus Recital Hall – free for students Thursday, December 2  – Studen t Perform ance of  Elizabethan Mad rigal Dinner – 6 :30 p.m. – Mandela Room of University Union – $16 Friday, December 3 – Elizabethan Mad rigal Dinn er – 6:30 p.m. – Mandela Room of the University Union ­ $35 Satu rday, December 4 ­ Elizabethan Mad rigal Dinn er – 6:30 p.m. – Mandela Room of the University Union ­ $35 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:41 36:29 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252021&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252021&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest artist, Marina Lomazov, piano, November 6, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-6 Description An account of the resource Works of Moussorgsky, Rogers, Debussy, Chopin. Held at 8:00 p.m., November 6, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Lomazov, Marina Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/6/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/3ef0afc7d7c415cc33da82c2b6cb3df0.pdf 7b873a8ac2acd2c8a0b0842a8d6f1b66 PDF Text Text '  RRC l“?! y 3 ;j  _  Binghamton University Department of Music Re  {Ye 2004 THURSDAY MID­DAY CONCERT November 11, 2004 – 1:20 P.M. – Casadesus Recital Hall 1"w­n Sec Lon Fanfare, Aria, and Echo  . ...........Daniel Pinkham (b. 1923) Matt Cosnett, timpani Patrick Lokken, horn Greg Cecere, horn P. Hindemith (1895­1963) Sonate...............  . Leicht bewegt­­Langsam­­Marsch­­Pastorale Robin Kindig, bassoon Margaret Reitz, piano .....G1oacchino Rossini Selections fromSoiréesMusicales.................. .............................. (1792­1868) 1.  La pastorella delle Alpi 2.  La promessa 3.  L’invito 4.  L’orgia (translations on back) Leslie Hochman, soprano Margaret Reitz, piano h .............Fritz an CL  B (1875­1962) arr. by George Hamilton Greene Tambourin Chinois Matt Cosnett, marimba Margaret Reitz, piano .. Among Friends (1989)  Timothy Perry, clarinet Stephen Stalker, violoncello Margaret Reitz, piano Ka Nin Chan (b. 1949) �The Alpine Shepherd ess I’m the pretty shepherdess Coming down every morning. I offer a little basket With fresh fruit and flowers. Whoever comes at dawn Will have some pretty roses And dew sprinkled apples. Come all to my garden! Ahu, ahu. .. Whoever in frightfulness of night loses his way At my little hut Will find his path again. Come o traveler, The shepherdess is here, But her most tender thoughts Are given to one alone! Ahu, ahu. .. The Promise That I will ever be able to stop loving you No, don’t believe it, dear eyes! Not even to joke would I deceive you about this. You alone are my sparks, and you will be, dear eyes, my beautiful fire as long as I live, ah! The Invitation Come Ruggiero, your Eloisa Cannot stay separated from you: You’ve already responded to my tears, Come and grant my request. Come beautiful angel, come, my delight, Here on my bosom come to rest! Feel my throbbing heart, When love invites you, Come, my life, come, make me die! The Orgy Let’s love and sing of woman and wine, Life is a joy between Bacchus and Amor! I ’ve got love in my hea rt And wine in my head. What a pleasure, what a feast, What a lovely passion. Loving and joking, Drinking some wine animates me and calms my sorrow and pain. Let’s dance and sing, Life is a joy between Bacchus and Amor Let’s dance and sing, Let’s raise the glass, Let’s laugh and forget Our sorrow and pain. O divine queen, mother of love, With joy renew every heart! Leaping, sparkling, Foaming over life Is the wine divine, Ruler of the world. Already I dance, I stagger, What smell, what steam! So drink, over and over again In a holy frenzy. Let’s dance and sing Life is a joy between Bacchus and Amor! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:01:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252025&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252025&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 11, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-11 Description An account of the resource Works of Pinkham, Hindemith, Rossini, Kreisler, Chan. Accompanying program includes translation of text from Rossini's work. Held at 1:20 p.m., November 11, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cosnett, Matt Lokken, Patrick Cecere, Greg Kindig, Robin Reitz, Margaret Hochman, Leslie Perry, Timothy Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/11/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/95d1c542bed15f97dcde49cb1a459e42.pdf f54501aac1df4fe7b6b693e7ccfe582b PDF Text Text UNI AR C State University of New York Depa rtmen t of Musi c TRIO AMI CI Haka n Tayg a-Hro mek, cello Steph en Stalk er, cello Marg aret Reitz , piano with Vero nica Frany utti, sopra no Timo thy Perry , clarin et Friday, Novem ber 12, 2004 8:00 p.m. Casades us Recital Hall �Program Concerto in g minor RV531 .................................... Antonio Vivaldi Allegro (1675-1741) Adagio Allegro Stephen Stalker, cello Hakan Tayga-Hromek, cello Margaret Reitz, piano Four Duets for Two Cellos ...................................... Reinhold Gliere Commodo (1875-1956) Leggiero Flowing Vivace Stephen Stalker, cello Hakan Tayga-Hromek, cello Estrellita ...................................................................... Ponce-Heifetz Hakan Tayga-Hromek, cello Margaret Reitz, piano Among Friends ............................................................. Chan Ka Nin (written 1989) Timothy Perry, clarinet Stephen Stalker, cello Margaret Reitz, piano --Intermission-- �Bachianas Brasileiras, No. 5 ............................. Heitor Villa-Lobos (1887-1959) Veronica Franyutti, soprano Stephen Stalker, bass Hakan Tayga-Hromek, cello Margaret Reitz, piano Pezzo Capriccioso, Op. 62 ......................... Peter Ilich Tchaikovsky (1840-1893) Stephen Stalker, cello Margaret Reitz, piano Kaddisch .................................................................. Maurice Ravel (1875-1937) Hakan Tayga-Hromek, cello Margaret Reitz, piano Original Composition......................................... written by the Trio When In Our Music ........................................... Stephen Stalker Homage to Mahler .................................. Hakan Tayga-Hromek Amici Rag ........................................................... Margaret Reitz ******** ******** ******** * About the Performers HAKAN TAYGA-HROMEK, cello, has attended Ithaca College, SUNY Purchase and SUNY Binghamton. Teachers have included Fritz Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and Stephen Stalker. Hromek has attended Round Top International Music Festival in Round Top Texas, Music Mountain Chamber Program; Falls Village CT, Spoleto Music Festival in Charleston NC, and the International Congress of Strings; Cincinnati, OH. Hromek is principal cellist with the Binghamton Philharmonic and Orchestra of the Southern Finger Lakes. He also performs with Tri-Cities Opera and the Cayuga Chamber Orchestra, and in a piano and cello duo with Margaret Reitz. �STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a finalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-inResidence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, "Four Score," at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. MARGARET REITZ, piano, received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria. Reitz has been on the faculty at Binghamton University since 1991 and The Ithaca College School of Music since 1999. VERONICA FRANYUTTI, soprano, has participated in master classes with Nico and Ca r olv Castel of t he Metropolitan Opera and with directors from the Syracuse 1 .ll Opera. She has performed in several academic events and sings for local operatic groups. Last summer, she was a guest in the Cornell University summer music series. Franyutti received a BA in French Literature from SUNY Binghamton and has studied voice for four years with Mary Lou Muratori. 1 Clarinetist, Conductor and Professor of Music, TIMOTHY PERRY, joined the Binghamton University faculty in 1986 as Director of the Orchestral and Wind Ensemble programs and Instructor of Studio Conducting and Clarinet. Perry holds D.M.A., M.M.A. and M.M. degrees in Clarinet from the Yale School of Music (as a pupil of Keith Wilson) and a Bachelor of Music degree from the Manhattan School of Music (as a student of Leon Russianoff). He has served as Principal Clarinet in numerous orchestras including the Wisconsin Chamber Orchestra, New England Chamber Orchestra, the Catskill Symphony, Glimmerglass Opera and was Assistant Principal Clarinet of the New Haven Symphony and Northeast Pennsylvania Philharmonic. A devoted chamber music player, Perry has performed frequently as a member of the Catskill Woodwind Quintet, Catskill Chamber Players and Finger Lakes Chamber Ensemble and has been selected for festivals in Vinalhaven, Maine and Thy, Denmark. As a soloist, he has been featured with the Binghamton Philharmonic, Catskill Symphony and Binghamton Community Orchestra, toured Latin America and the Caribbean for the U.S. Department of State as a Musical Ambassador in 1997. �HEITOR VILLA-LOBOS Bachianas Brasileiras No. 5 Text: Ruth Valadares Correa (Aria); Translation: J.D.B Griffin Aria (Cantilena) In the evening, a rosy, translucent cloud slowly crosses the drowsy and beautiful firmament! The mood gently rises into infinity, Adoring the evening like a gentle maiden who dreamily primps herself, yearning in her soul to become beautiful. All nature cries to heaven and earth! The birds are silent in their sorrowful lamenting, and the sea reveals all its richness. The soft moonlight now awakens the cruel longing that laughs and cries! In the evening, a rosy, translucent cloud • slowly crosses the drowsy and beautiful firmament! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:54 42:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252028&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252028&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trio Amici, November 12, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 11-12 Description An account of the resource Works of Vivaldi, Gliere, Ponce-Heifetz, Nin, Villa-Lobos, Tchaikovsky, Ravel, and original compositions written by the trio. Accompanying program includes translation of work of Villa-Lobos. Held at 8:00 p.m., November 12, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Tayga-Hromek, Hakan Stalker, Stephen Reitz, Margaret Franyutti, Veronica Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/12/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/b63bb07e575f9a3bb43d8fb48efc5b3b.pdf 6e853336cf1a4a5d81668dae453621e5 PDF Text Text L} ii) £ 3 ;   R R c BINGHAMTON Q  U  N  1  v  E  R  S I T  Y J ” 3‘1  ape   HS 3  r”­  3 State University of  New York Depart ment of Musi c presen t An Evening of #oft Latin  Jazz with the H ar pur J azz E nsem ble Micha el Car bone,  direc tor and guest artists J e ff  Leder er, saxop hone Chris  Wash burne , trom bone E ric Velez, conga Th ursday, N ovember 18, 2004 8 :00 p.m. Anderso n Center  Oster hout The ater �FIRST HALF Program selected  from the following: Woodchopper’s Ball ...................... Woody Herman, arr. Joe Bishop { Soul Vaccination......................Emilio Castillio and Stephen Kupka arr. Paul Lavender 1 i l ]1 l ­­Intermission­­ SECOND HALF   with  Chris Washburne, Jeff Lederer and Eric Velez Program selected from the following: Caravan............................... Duke Ellington, I rving Mills, Juan Tizol Manteca... Dizzy Gillespie, Walter Gil Fuller, Luciano P. Gonzalez M a u r l c i o   o .  s e T  R I E d  e t e r ............Tito Puente verre... Tito Puente veeeeeeeenn..  Wayne  Shorter, arr. Jeff  Lederer HARPUR JA ZZ ENSEMB LE Chick Corea, arr. Paul Jennings Caught A Touch of Your Love...........C. Bikhardt, J. Keller, J. Best Oye Como Va Speak No Evil Charles Mingus, arr. Sy Johnson Please Send Me Someone to Love............................ P ercy Mayfield Spain  vevreeennn...Chris  Washburne Ran Kan Kan Everyday (I Have the Blues).......................................Peter Chatman Goodbye Pork Pie Hat  Nuyorican Sun Saxophones Mike Casey, 1%  alto David Faranda, 2™  alto Ben Wood, 1* tenor Mike Marchisotto, 2™  tenor Michael Irani, baritone sax Bass Talitha Phillips T rumpets Paul Persichette Alex Rubic Garret Clark Glen Widjeskog Chris Magee Percussion Matt Green Aaron Fumarola T rom bones Sean Kassof Reese Taylor Jamie Cepler Samuel Boyer Cara Rohrer  bass trombone Clarinet Karen Zimmer Piano David Katcher Guitar Darren Klein Jamie Harris Flute Suzanne K ivel Vocalists Emily Resniek Rhonda Plunkett Carbone Angel Reynoso �About the Performe rs MICHAEL J .  CARBONE, conductor, is  a  native of Utica, New York.   He moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he is Director of Concert Band and Jazz Ensemble  at the middle school.  He  joined the Binghamton University music faculty  in  1997 and serves as  the  Director of the Jazz Studies Program and Director of the Harpur Jazz Ensemble.  He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University.  Carbone has performed with many well­known artists including Al Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio ’s Big Band, Bloviation, the Central New York Jazz Orchestra, and The Temptations. JEFF LEDERER, born in 1 962, is a saxophonist and composer who has been living in New York City for 15 years, pursuing activities as a performer, teacher and  arranger/composer.  Born  in  Los  Angeles,  he  attended  Oberlin  College, studying comparative religion, and earned the Master of Music degree from Western  Michigan  University,  where  he  studied  composition  with  Ramon Zupko.  As  a  saxophonist,  he  tours  internationally  and  records  with  Matt Wilson’s jazz quartet, which again won this year’s Downbeat Poll for one of the best Acoustic Jazz Groups of the Year. He also tours with Salsa artist Jimmy Bosch. As a freelance musician, Lederer also has performed with the Mingus Big Band and  Latin music legend Tito Puente. Together with vocalist  Mary LaRose, he  has produced  four recordings for various  record label, including Gunther Schuller’s GM Records.  In 2003, his re­imagining of Vivaldi’s Four Seasons,  Los  Sazones­scored  for  chamber  orchestra  and  Salsa  band,  was premiered  by the Chicago Symphony  Orchestra at the  Ravinia  Festival. The concert was repeated in  2004 at Ravinia’s 100th anniversary celebration and performances with major American orchestras are scheduled for next season. Reviewing the premiere, The Chicago Tribune wrote, “Lederer has created a forum in which both the classical and jazz units could collaborate and exchange ideas­yet  without  compromising  or  demeaning  either  musical  language.” Lederer continues to work in areas that cross stylistic boundaries and artistic traditions.  In the fall of 2004, a new work for chorus, winds and percussion by the group VocalEssence in  Minneapolis will  be  premiered. Lederer also will launch his own new group, Shakers n’ Bakers. The group will perform his music inspired by the ecstatic musical practices of the Shaker religious sect. He is also transcribing Central African vocal music for use in school music programs. 1 l CHRIS WASHBURNE  is  a  musician  whose  musical  activities  cross many styles and cultural borders. F rom early in his career, he refused to be pigeon­ holed as just a jazz or classical player, but instead has  continually pursued a diverse path. Washbume  is freelancing as a studio musician and performing trombone, bass trombone, tuba, didjeridu, and percussion with various classical, jazz, rock, and Latin groups in New York City. He also tours extensively with various  groups and  has  concertized  throughout  the  North  America,  Europe, Asian, Africa, South America, Central America, and the Caribbean.  Washburne has performed with Tito Puen te, Eddie Palmieri, Mark Ant hony, Gloria Estefan, 1 1 Celine  Dion,  Celia  Cruz,  Muhal  Richard  Abrams,  Ruben  Blades,  Roscoe Mitchell, Grady Tate, Jaki Byard, Duke Ellington Orchestra, Danilo Caymmi, Daniel  Ponce, Ran Blake, Arturo Sandoval, Hilton  Ruiz,  Lawrence  “Butch” Morris, Anthony Braxton, John Cale, Baba Olatunje, Candido, Freddie Cole, Leslie  Uggams,  Maria  Schneider  Big  Band,  Chico  O’Farrill  Dicapo  Opera Company, Bang on a Can  All­stars, American Microtonal  Festival Chamber Orchestra, RMM Allstar Salsa Band, Regis Philbin, and the Dinosaur Annex, under the direction of Gunther Schuller. He is a regular performing member with the Boston Art Quartet, Manhattan Chamber Orchestra, SEM Ensemble, Sun Spits Cherries, Walter Thompson Big Band, Marie McAuliffe’s Ark Sextet, Dadadah, The Last of the International Playboys, and leader of S.Y.O.T.O.S., a Latin jazz group that features his original compositions.  He can be heard on the S.Y.O.T.O.S. releases, Bobby Sanabria’s Grammy nominated Big Band record “Live and in Clave,” the BAQ’s debut CD “The Fax” and Ray Vega’s self­titled CD, all of which feature his original compositions. He also can be heard on the recordings of David Byrne, Tito Puente, Eddie Palmieri, The Barrio Boyz, Oscar D’Leon,  Louie  Ramirez,  Manhattan  Chamber  Orchestra,  Bang  on  A  Can Allstars, Brian Lynch, Orlando Watusi y su cartel de la salsa, Nerissa, Raulin Rosendo, Danny Rojo, Yorman D’Leon, among many others. He received his Bachelor  of  Music  degree  in  classical  trombone  performance  from  the University of Wisconsin, where he studied with William Richardson, Richard Davis, and Les Thimmeg. In 1988, he completed a Master of Music degree from the New England Conservatory in Third Stream Studies, where he studied with John Swallow, Ran Blake, and Bob Moses. He was the winner of the 1988 New England Conservatory Graduation Concerto Competition. In 1985, he spent two months living in Zambia studying the traditional music of that region. In 1993, he  received  a  Mellon  Fellowship  to  travel  to  and  explore  the  rich  musical traditions of Cuba. In 1996, he received a Sinfonia Foundation grant to assist in the  research  for  his  dissertation.  In  1999,  he  received  his  Ph.D.  in Ethnomusicology  from  Columbia  University.  He  has  commissioned  and premiered more than 20 contemporary compositions for trombone. He holds a teaching position in the Jazz Department at the New School for Social Research and is an assistant professor at Columbia University. �ERIC  VELEZ  is  a  Nuyorican  who  was  born  and  raised  in  the  Bronx. He learned how to play at the age of three with the help of his brother Jose Jusino  and  watching  the  “Rumberito  All  Stars,”  which  include  his  brother, Bobby Allende, Tito Allende and Marc Quinones. His first gig was performing with  Groupo  Fascinacion  at the  age  of  15.  During the  next  two years,  he performed with  Pete  “El Conde”  Rodriquez, Ismael  Mirande, Cheo Felicano, Johnny Rivera. At  17, Velez played  with  Eddie Palmieri, which featured the singing of La India. In  1993, Velez joined the Mark  Anthony band and also made  his  first  recording  with  Anthony  for  the  music sound  track  “Carlito’s Way.”  He  played  with  Willie  Colon  for  three  years.  In  1996, Velez joined Isidiro Infante and La Elite, where he recorded with Oscar Deleon, Jose Alberto, Isidiro Infante, Eddie Palmieri with Nuyorican Soul. He also traveled with the RMM band, which featured Celia Cruz and Tito Puente. In 1997, Velez rejoined Mark Anthony and joined DLG, with whom he traveled throughout the U.S. Europe, South and Central America, and Japan. He also worked with producer Serjio  George  and  recorded  with  Charlie  Cruz,  Charlie  Cardona,  and  Luis Damon with Olga  Tannon.  In  1999, Velez  recorded  with  Celia Cruz on  the Grammy nominated album “Mi Vida Es Cantar.” Also in 1998, Velez performed for President Bill Clinton with Mark Anthony. Since 2000, Velez has performed with Anthony on two tours and in the 2000 Grammy, Mad TV Latin Grammy, Jay Leno Show, HBO special with Mark Anthony, 2001 VHI Divas Show and Rockefeller Christmas Tree Special. Velez works with La  India, Jimmy Bosch and is finishing a project with his brother. rl l . o = �Coming Eve nts F riday,  November  1 9  –  Charles  Ives  Remem bered  Preview  – Documentary and comments by Paul Goldstaub  8:00 p.m. – Casadesus Recital Hall – free Sunday, Nove mber 2 1 – Charles Ives Remembere d – An afternoon of song and cham ber music – 3:00 p.m. – Anderson Center Chamber Hall ­ $15 general public; $13 faculty/staff/seniors; $7 students Th ursday,  December  2  –  Mid­Day  Concert  with  faculty  and  student performers – 1 :20 p.m. – Casadesus Recital Hall – free for students Th ursday, Decem ber 2 – Studen t Performance  of Elizabethan  Mad rigal Dinner ~ 6:30 p.m. – Mandela Room of University Union – $16 F riday, Decemb er 3  –  Flute Studio R ecital –  10:30  a.m.  –  Fine  Arts Room 1 1 1 – free F riday,  December  3  –  Elizabethan  Mad rigal  Dinner  ~  6:30  p.m.  – Mandela Room of the University Union ­ $35 Saturd ay, December  4  ­  Elizabethan  Mad rigal Dinner – 6:30  p.m.  – Mandela Room of the University Union ­ $35 Sunday, Decem ber 5 – Ho­Ho Holidays!  University Wind Ensemble – 1:00 p.m. – Oakdale Mall – free Tuesday, Dece mber 7 ­­ Univ ersity Percussi on Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday,  December  9  –  Holiday  Mid­Day  Concert  –  1:20  p.m.  – Casadesus Recital Hall – free Th ursday,  December  9  –  University  Symphony  Orchestra  –  Field, Forest and  Fiacre – 8:00  p.m. – Anderson Center Osterhout Concert Theater ­ $10 general public; $ 7 faculty/staff/seniors; free for students Sunday, Dece mber  1 2 ­­  Maste r ’s Recital  –  Am ber Alarcon,  mezzo­ soprano – 7 :30 p.m. – Casadesus Recital Hall ­ free i i � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:39 56:48 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252032&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252032&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of hot Latin jazz, November 18, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-18 Description An account of the resource Works of Herman, Chatman, Mingus, Mayfield, Corea, Bickhardt, Castillio, Ellington, Gillespie, Lederer, Washburne, Puente, Shorter. Held at 8:00 p.m., November 18, 2004, Anderson Center Osterhout Theater. Creator An entity primarily responsible for making the resource Carbone, Michael Lederer, Jeff Washburne, Chris Velez, Eric Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/2004 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:49:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253356&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253356&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur jazz midday program, November 18, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 11-18b Description An account of the resource Works of Lederer, Puente, Hubbard, Shorter, Coltrane. Held at 1:20 p.m., November 18, 2004, Anderson Center Osterhout Theater. Creator An entity primarily responsible for making the resource Washburne, Chris Lederer, Jeff Velez, Eric Carbone, Michael MacMillan, Molly Phillips, Talitha Chaluisant, Carlos Ludovico, Vinny Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/2004 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:24:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253359&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253359&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz improv class, November 18, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 11-18c Description An account of the resource Jazz improv class November 18, 2004 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/1eb3a0ccd18fb17b2bed5120d93a6b3e.pdf 40b6a5f3bf940f9a5afa19ba52f3fdd2 PDF Text Text U n i v  hfe © APD 2004 Y Z JrELC  BINGHAMTON EEN  E V E R  S   4 0 State University of  New York D e pa rtm e n t  of M usi c I . Charles Ives Remem bered A n  Af ternoon of Song and Chamber Music Timothy LeFebvre, baritone Michael Salmirs, piano Margaret Reitz, piano Timothy Perry, clarinet a n d  conductor Patricia Sunwoo, violin Ste phen Stalker, cello Ben Aldridge, trumpet and The Rod Serling Dance Compan y at Binghamton High School Karen Koyanagi, director with commentary by Paul Goldstaub, composer Sunday, November 21, 2004 3:00 p.m. Anderson Center Chamber Hall i �Program The Alcotts from Sonata #2, “Concord, Massachusetts, 1840­60”  , (composed 1902­1919) Michael Salmirs, piano In The Alley (text by Ives, composed 1896) Memories (text by Ives, composed 1897) The Greatest Man (text by Anne Collins, composed 1921) The Housatonic a t  Stockbridge (text by Robert Underwood Johnson, composed 1908) They Are There! (text by Ives, composed 1917) Timothy LeFebvre, baritione Margaret Reitz, piano In The Barn from Sonata #2 for Violin and Piano (composed 1908) Timothy Perry, clarinet Margaret Reitz, piano ­­Intermission–– from The All­Enduring Timothy LeFebvre, baritone Margaret Reitz, piano �Trio (composed 1904­07, revised 1914­15) Movement III:  moderato con moto Patricia Sunwoo, violin Stephen Stalker, cello Michael Salmirs, piano Four Songs for Brass Qu intet (arranged by Kenneth Singleton) On The Counter (text by Ives, composed 1920) The Slide Show (text by Pat Rooney, Sr., composed 1886) Slow March (text by L. Brewster, with additions by Ives family members) Tarrant Moss (text by Rudyard Kipling, composed 1902­03) 1 1i Timothy LeFebvre, baritone Margaret Reitz, piano Erinn Hibbard, Stephen Boel, trumpets Patrick Lokken, horn David Henann, trombone Daniel Gallagher, tuba The Unanswered Question (composed 1908) Binghamton University Orchestra Timothy Perry, conductor Stephen Boel, assistant con ductor Ben Aldridge, trumpet Rod Serling Dancers at Binghamton High School Cornelia Horne, Lisa Bettencourt, Karen Koyanagi Choreography by Karen Koyanagi Visit our Charles Ives Website, designed by graduate stud ent Christian Ritter, at. bingweb.binghamton.edu/~musinova/ �About the Performers Baritone TIMOTHY LEFEB VRE recently made his debut with Syracuse Opera singing the  role  of Germont  in  La  Traviata  to  rave  reviews.  LeFebvre’s other operatic  experience  includes  leading  roles  with  San  Francisco Opera, Tri­Cities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Indianapolis Opera, and Opera  Theater  of Pittsburgh.  Also  a  frequent  concert  singer,  he  recently  sang performances of the Beethoven  9th  Symphony with  Chattanooga Symphony and Opera, Magnificat and the Easter Oratorio with the Rochester Bach Festival, the Brahms Requiem with the Susquehanna Valley Choral Society and The Bells by Rachmaninoff with the Binghamton Philharmonic.  LeFebvre has also appeared in concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American  Symphony  Orchestra,  Pittsburgh  Symphony,  Spokane  Symphony, Berkshire  Choral  Festival,  Williamsport  Symphony,  Syracuse  Chamber  Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has appeared in concert at New York ’s Carnegie Hall and Alice Tully Hall. LeFebvre is a winner of the N ew York Liederkranz Vocal Competition, and other awards  include  the  Richard  F.  Gold  Career  Grant,  an  Opera  Fellowship  at Binghamton  University  and  Regional  Finalist  in  several  Metropolitan  Opera Competitions.  LeFebvre  is  a  graduate  of  Carnegie  Mellon  University  and Binghamton University and is currently an adjunct lecturer in voice at Binghamton University and  is also on  the  faculty of the  Berkshire  Choral  Festival.  Future engagements  include  a  solo  recital  at  Binghamton  University  in  February, Beethoven 9th Symphony with Syracuse Symphony in April, Sharpless in Madama Butterfly with Syracuse Opera in late­April, and the Count in Le Nozze di Figaro with Waco Opera in May. Pianist  MICHAEL SALMIRS, a  founding member  and  artistic director of the Finger  Lakes  Chamber  Ensemble,  is  well  known  as  a  recitalist  and  chamber musician performing extensively throughout the region. He has appeared as soloist with  the  Corning  Philharmonic,  Binghamton  University  Orchestra,  Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As  a  performer  of  contemporary  music,  he  has  participated  in  such  series  as Binghamton University’s Musica Nova, Cornell University ’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New  England  Conservatory  and  Eastman  School  of  Music;  his  teachers  have included pianists Leonard Sh ure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at  the  Syracuse  University School  of Music and  Hobart and William  Smith  Colleges.  He  is  a  faculty member at  Binghamton  University and Affiliate Artist at Cornell University. He maintains a private piano studio in  Ithaca and enjoys teaching students o f all ages and levels. 1 l " r �] 1 MARGARET  A.  REITZ,  pianist,  is  a  native  of  the  Binghamton  area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying  emphasis.  She  attended  Boston  University,  New  England Conservatory  and  Binghamton  University.  She  has  studied  piano  with  Jean Casadesus,  Victor  Rosenbaum,  Seymour  Fink  and  Walter  Ponce  and accompanying with Allen  Rogers. She has accompanied throughout the United States,  in  England,  South  America,  and  at  the  American  Institute  of  Musical Studies in Graz, Austria. She and Binghamton University faculty member Timothy Perry were winners  of the  1997  Artistic  Ambassadors Program  by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. They bot h were invited to present a  recital at the International Clarinet Conference in Paris summer 1996 and were invited back to perform in Belgium  in  1999.  She  recently  was  a  guest  soloist  with  the  Binghamton Community Orchestra performing “Africa” by C. Saint­Saens.  She was an official accompanist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001. This past summer (2003) she was a guest chamber music artist in Morges, Switzerland. She has been on the faculty at Binghamton University since 1991  and Ithaca College School of Music since  1999. She  maintains a private piano studio in Vestal, New York. She is on the Executive Board of the New York District  MTNA  organization.  She  is  past  President  of the  local  Southern  Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. TIMOTHY PERRY is a  Professor of Music at Binghamton University, where since 1986 he has served as Director of the University Orchestra, Conductor of the University Wind Ensemble, and Professor of Studio Clarinet and Conducting.  He recently stepped down after his tenth season as Music Director of the Binghamton Community Orchestra. Perry holds degrees from the Manhattan and Yale Schools of Music, where he earned numerous honors as a double­major student of Otto­ Werner  Mueller,  John  Mauceri,  Arthur  Weisbergand,  Szymon  Goldberg  (in conducting) and Leon Russianoff and Keith Wilson (in clarinet).  Perry is widely known  as a virtuoso solo and  chamber music  clarinetist  with  pianist  Margaret Reitz, twice appearing as a featured artist at the International Clarinet Conferences ll in  Belgium  and  France, and  touring  Latin  America and  the Caribbean  for  the Department of State as a United States Musical Ambassador.  He appeared as solo clarinetist at festivals in Thy, Denmark (1998) and Vinalhaven, Maine (1999) and with  the  Binghamton  Philharmonic  in  2001.  He  has  recorded  the complete  18 Etudes de Perfectionnemen t of Paul Jeanjean and prem iered his reconstruction of The Hour of Hosts by the Romantic Munich virtuoso Karl Baermann in 2003. �Canadian­born  violinist  PATRICIA SUNWOO made  her  New  York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States.  She  has  won  prizes  from  the  Canadian  Music  Competitions,  Montreal Symphony Orchestra Competition, and CIBC Festival of Music.  As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded  works  of  Artur  Schnabel  and  Michael  Whalen  for  labels  CP2  and Arabesque  Recordings,  and  was  aired  by  NPR  and  Japan’s  NHK.  Recent engagements  include  appearances  at  the  Carnegie  Hall’s  Weill  Recital  Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris.  She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles.  Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall.  In 2001, she joined  the  faculty at Binghamton  University.  Her  major  teachers include  John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. v¥ 1 STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe.  As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a  finalist  in  the Evian International  String Quartet Competition and the Naumburg Chamber Music Competition, and was an Artist­in­ Residence  at  Colgate  University.  Since  1980,  he  has  played  in  the  Catskill Chamber  Players,  performing  and  premiering  many  compositions  by  prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City.  He has performed  the  complete  Beethoven  Trio  cycle  with  colleagues  at  Binghamton University.  He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic.  He teaches cello and double bass at Binghamton University. BEN  ALDRIDGE  holds  both  Bachelor’s  and  Master’s  degrees  from  Yale University,  and  began  teaching  trumpet  at  Binghamton  University  in  1976. Aldridge  has  directed  both  trumpet  and  mixed  brass  ensembles  throughout  his tenure at  BU,  has  performed  both  solo  and  chamber  repertoire, and  has  taught theory as well.  Aldridge  is  a member of the  Binghamton  Philharmonic and  the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra.  He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the International Trumpet Guild, and has been recorded on Columbia and Redwood records. [4 ‘ �PAUL GOLDSTAUB is associate professor of music theory and composition at Binghamton University.  His works have been performed by the Guthrie Theater, the Minnesota Opera and the Cincinnati Opera; at Lincoln Center and Carnegie ­ Hall; and in Canada, Great Britain, Japan, Germany and Italy.  His comic opera, The  Marriage  Proposal, based on Chekhov, was produced off­off­Broadway. Binghamton  University  faculty, including Bruce Borton, the  late  Janet Brady, Mary  Burgess,  Mike  Carbone,  Dan  Fabricius,  Al  Hamme, April  Lucas,  Ewa Mackiewicz­Wolfe,  Georgetta  Maiolo,  Chai­Kyou  Mallinson,  Timothy  Perry, Margaret  Reitz, Stephen  Stalker and Brian Sternberg, have given many of his works their local or world premieres.  A national finalist in the St. Paul Chamber Orchestra’s American Composer Competition, he has been awarded grants by the National Endowment for the Arts, the National Endowment for the Humanities, Meet the Composer and the Minnesota State Arts Board.  He is also an annual ASCAP  award  recipient.  A  compact  disc  of  instrumental  compositions  was released in  1998. He is a frequent guest lecturer at the Chautauqua Institution, and has presented papers and conducted workshops at the Oberlin Conservatory, Syracuse  University,  St.  Olaf College,  the  Crane  School  of Music  at  SUNY Potsdam, and national and regional meetings of the College Music Society and the National Association of Schools of Music. KAREN KOYANAGI was trained in Canada. Koyanagi has a BFA (Honors) in Dance from York University (Toronto) and a BSC in Marine Biology from the University of British Columbia. Before moving to Binghamton, she danced in Toronto,  Vancouver  and  San  Francisco.  While  primarily  working  in  modern dance, she has choreographed musicals, been involved in music and performance videos and collaborated with innovative high tech performance artists. She has taught  for organizations such as  Binghamton  University, Whitney Center  for Dance,  171  Cedar Arts, Inc., the Southern Tier Institute, and the Imagination Celebration. Koyanagi is a frequent performer with the American Dance Asylum and a member of the B.F. Harridans Women’s Morris. Presently, Koyanagi is Task Force Chair working with the New York State Department of Education to develop a statewide Regents exam  for dance. She teaches at the Rod Serling School  of Fine  Arts  at  Binghamton  City  Schools, New  York  and  is  artistic director of the Rod Serling Dance Company. Special thanks to Timothy Rolls, Audio Production , Steve Machlin, Technical Director, Anderson Center, and Dan Sonnen, Assistant Technical Director, Anderson Center �[las University Orchestra Violin Akira Maezawa Micah Banner­Baine Corinne Paull Tamara Potapova Jennifer Paull Emily Peterson Jungsun Oh James Leddy Tiffany Chang Karen A. Krause Richard Goldman Mark Liu Christina Wan Samuel Wang Sarah Baird Viola  _ Melissa Mattern Leah Robinowitz Kerry Conway Christopher Fiore Janet Ievins Cello Alex Wiesendanger Nicholas Capone Emily Creo Yi­Eun Park Heajung Kim Katy Walker Bass Andrew Eiche Chris Zavala Flute Megan Pulver Joanna Hunt Caitlynn MacMullin Erin Lahm * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Coming Events Thursday,  December  2  –  Mid­Day  Concert  with  faculty  and  student performers – 1 :20 p.m. – Casadesus Recital Hall – free for students Thursday, December 2  – Student Performance of  Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of University Union – $16 Friday, December 3 – Flute Studio Recital ­­  10:30 a.m. – Fine Arts Room 1 1 l – free Friday, December 3 – Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of the University Union ­ $35 Saturday, December 4 ­ Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of the University Union ­ $35 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:32 46:17 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles Ives remembered: an afternoon of song and chamber music, November 21, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-21 Description An account of the resource Works of Ives. Held at 3:00 p.m., November 21, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, TImothy Salmirs, Michael Reitz, Margaret Perry, Timothy Sunwoo, Patricia Stalker, Stephen Aldridge, Benjamin Goldstaub, Paul Koyanagi, Karen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/21/2004 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:39:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253366&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253366&amp;change_lng=en&amp;select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, December 2, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 12-2 Description An account of the resource No program. Performer listing from 2004-2005 academic year performances. Held at 1:20 p.m., December 2, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lisi, Michaela Mallinson, Chai-Kyou Mattern, Melissa Reitz, Margaret Hochman, Leslie Kratz, Mark Alarcon, Amber Maiolo, Georgetta Grossman, Michelle Hays, Leah Holleran, Stephanie Lai, Maneesha Lean, Nicole Lin, Subin McMullen, Caitlyn Nichols, Dawn Silinonte, Lauren Spiller, Valerie Tate, Meghan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 12/2/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/806eeed23f8179da5380d05c99dd6d85.pdf c85e709a00d301fdeea9775eebaf536d PDF Text Text L4 i i  i o >   i 131  A h BINGHAMTON U N I V E R S I T Y a 1 i d   oo 1  ‘   tR a 1, L I   . State University of  New York Department of Music Master ’s Recital Robin Kindig, bassoon with Alex Wiesendanger, cello Margaret Reitz, piano Kira Slocum, flute Theresa Perrone, clarinet Judy Zhu, piano Sunday, Decem ber 5, 2004 7:00 P M Casadesus Rec ital Hall \ �About the  Performe rs ROBIN KINDIG is from Endwell, New York. She attended the Maine­Endwell Central Schools and was involved in musical activities. Her passion for music led her to Houghton College, where she studied bassoon with Ed Wadin. Kindig graduated from Houghton  in May 2003 with a Bachelor of Music in Music Education. She is a Master of Music student in bassoon performance and studies with  Lynn  Hileman.  Upon  completion  of  her  degree,  she  hopes  to  teach elementary or middle school band. ALEX WIESENDANGER is a senior Music and Political Science major at Binghamton University. He studies composition with Paul Goldstaub and cello with Stephen Stalker.  Next year, Wiesendanger hopes to work with the Jesuit Volunteer Core. MARGARET  REITZ, piano,  received  her  Bachelor  and  Master  of Music degrees  in  piano  performance  with  accompanying  emphasis.  She  attended Boston  University, New England  Conservatory and Binghamton  University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at Binghamton University since 1991 and The Ithaca College School  of Music since 1999. KIRA SLOCUM is a senior Music and Comparative Literature major. She is a student of Georgetta Maiolo and is  a member of the University Symphony Orchestra and Flute Ensemble. She has also played in the Harpur Jazz Band and participated in the 2003 Concerto and Aria Competition. THERESA PERRONE earned her undergraduate degree in Music Education at Ithaca  College,  studying  the  clarinet  with  Richard  Faria.  She  teaches kindergarten, first, and second grade vocal music and directs a fourth and fifth grade chorus in the Greene Central School District in Greene, NY. In addition, Theresa has a private studio of woodwind students. She is also pursuing her Masters  in  Clarinet  Performance  at  Binghamton  University,  studying  with Timothy Perry. JUDY (YAN) ZHU, a native from Beijing, China, is a Master of Music student major  in  Piano  Performance  at  Binghamton  University.  She  received  her Bachelor of Arts in Music in May 2002 from Binghamton University. She won Honorable Mention in the New York State Music Teacher’s Association Piano Competition  ­  Collegiate  in  October  2000.  She  also  won  Samuel  Reiser Scholarship from Department of Music at Binghamton University in Spring 2002. She studies with  Ewa Mackiewicz­wolfe. �P rogram Sonata for Bassoon and Cello......................Wolfgang Amadeus Mozart I.  Allegro  (1756­1791) II.  Andante III.  Rondo Robin Kindig, bassoon; Alex Wiesendanger, cello S o n a t e P I.  Leicht bewegt  II. Langsam, Marsch, Pastorale a u l Hindemith   (1895­1963) Robin Kindig, bassoon; Margaret Reitz, piano F r a g m e I.  Waltz  II.  Solitude III.  Holiday IV. Reverie n t s R o b e r t Muczynski   (b. 1929) V . Exit Kira Slocum, flute; Theresa Perrone, clarinet; Robin Kindig, bassoon ­­Intermission­­ Trio Pathétique.................................................................Mikhail Glinka I.  Allegro Moderato (1804­1857) II.  Scherzo, Trio III.  Largo IV.  Allegro con spirito Theresa Perrone, clarinet; Robin Kindig, bassoon; Judy Zhu, piano Please remember to turn ojf or silence all cell phones and pagers during the performance.  Thank you. �Coming Events Tuesday,  December  7  –  University  Percussion  Ensemble  –  8:00  p.m.  – Anderson Center Chamber Hall ­ free Thursday, December 9 – Holiday Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall ­ free I Thursday, December 9 – University Symphony Orchestra – Field, Forest and Fiacre – 8:00 p.m. – Anderson Center Osterhout Concert Theater ­ $10 general public; $7 faculty/staff/seniors; free for students i i � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:45:54 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253369&amp;change_lng=en&amp;select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253369&amp;change_lng=en&amp;select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Robin Kindig, bassoon, December 5, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-12-5 Description An account of the resource Works of Mozart, Hindemith, Muczynski, Glinka. Held at 7:00 p.m., December 5, 2004, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kindig, Robin Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 12/5/2004 Rights Information about rights held in and over the resource In copyright