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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description "Deutsches Theater zu Berlin" stamp on front cover and inside pages. Extensive markings throughout in black pen, blue pen, blue pencil, and red pencil. Majority of markings consist of short notes around dialogue. Also various staging directions and movement sketches common. Landscape/setting drawings found at beginning of each Aufzug. It is possible the Hamburg production was either not produced by Reinhardt or someone else took notes in his promptbook. Reinhardt seems to never use blue pen (which the Hamburg notes are), and handwriting is noticeably different. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 19.5cm x 14cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.104 Production(s) December 1913, Berlin -Supporting materials: Box 4B Folder 51: Photographs Box 14 Folder 30: Programs; plays March 1914, Hamburg ("Cirkus Ih.") (Note: this production was likely not directed by Reinhardt.) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verlorene Sohn : ein Legendenspiel [promptbook] Subject The topic of the resource Schmidtbonn, Wilhelm August, 1876-1952 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Schmidtbonn, Wilhelm August, 1876-1952 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3196 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kammerspiele Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Stamped “Deutsches Theater zu Berlin.” Stage and scene drawings found throughout first nine pages. Markings in black pencil, black pen, and blue pencil. Markings are almost exclusively in black pencil until page 42, when they switch to black pen. Also on page 42 is the first reference to the Folkestone performance with a marking in black pen. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 17.25cm x 12cm Earlier version Earlier version (dcterms:isVersion Of) Much ado about nothing Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.118 Production(s) November 22, 1909, Berlin January, 1912, Folkestone, England Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viel Lärmen um Nichts : ein Lustspiel [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Much ado about nothing -- Translations into German Promptbooks Stage directions Deutsches Theater zu Berlin -- Germany Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3211 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Book in poor condition with loose binding. Two columns of text per page, with each column labelled as its own page. Markings in purple pen, black pencil, red pencil, and blue pencil. Heavily annotated throughout. Extensive dialogue rewrites/additions common. Also many small remarks, notes on music, notes on settings, etc. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 35cm x 25cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.76 Production(s) January 13, 1926, Vienna March 5, 1926, Berlin -Supporting materials: Box 2 Folder 57 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viktoria : eine Farce in drei Akten [promptbook] Subject The topic of the resource Maugham, W. Somerset (William Somerset), 1874-1965 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Maugham, W. Somerset (William Somerset), 1874-1965 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3171 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (84 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 84 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 10/21/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243932">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243932</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vintage Swat's Big Horror Poetry Series, 1987-1990 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Compilation featuring members of the Binghamton Community Poets and guest poets reading their work at Swat Sullivan's Hotel in Binghamton, New York. Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1987-1990 Format The file format, physical medium, or dimensions of the resource video/mp4 Date A point or period of time associated with an event in the lifecycle of the resource 1992 https://omeka.binghamton.edu/omeka/files/original/7c5f660ea2aa4c3ede3e024a00e639cc.pdf e90737bd19e36af8f1f5c6ceb50d62a8 PDF Text Text THE STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents A VIOLA AND PIANO RECITAL Toby Appel, viola with Walter Ponce, piano Wednesday, December 13, 197 2 Don A. Watters Theater - 8:15 p.m. �PROGRAM Igor Stravinsky Sonata for viola and piano Largo Allegro Largo Allegro Antonio Vivaldi Elegie for unaccompanied viola Lento Premiere Sonate alto et piano Entrée I II Francaise III Air IV Final Darius Milhaud Paul Hindemith Sonate für Bratsche allein Op. 25 Nr. 1 (Sonata for unaccompanied viola) Breit Viertel I II Sehr Frisch und straff III Sehr Langsam IV Rasendes Zeitmas V Langsam mit viel Ausdruck (Pictures from Fairyland) Märchenbilder R. Schumann viola and piano Op. 113 (moderato) Nicht Schnell Lebhaft (vivace) (vivace) Rasch Langsam, mit melancholischem Ausdruck (Lento malinconico) - INTERMISSION - The University Chorus and Orchestra conducted by Alfred Clinton Morris with guest artists Mareda Graves, soprano, Carole O'Hara, mezzo-s oprano, Jack Horton, tenor, and Brannon Hall, Baritone, will present C. P. E. Bach's Magnificat on Monday, Decemb e r 18, 1972 at 8:15 p.m. in the Watters theater. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:31 30:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243545">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243545</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola and Piano Recital, Toby Appel and Walter Ponce, December 13, 1972 Recital tape 1972-12-13 Description An account of the resource Works of Vivaldi, Milhaud, Schumann, Stravinsky and Hindemith. Held at 8:15 pm, December 13, 1972, Watters Theater. Creator An entity primarily responsible for making the resource Appel, Toby Ponce, Walter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c013b9ed3d88b658ac540318b3874129.pdf 1a9ec9db110bb0fa897a3fb004e14ab7 PDF Text Text BINGHAMTON U NAY V E R S ] ) ] 1 S TAT E U N I V E R S I T Y O F N E W Y O R K vdec ’ D E P A R T M E N T V IOLA P LUS ! Roberta Craw ford viola Michael Salmi rs piano Janey Choi violin Stephen Stalker cello Timothy Perry clarinet Mary Burgess soprano Timothy LeFe bvre baritone Sunday, October 17, 2010 7:30 p.m. Casadesus Recital Hall �PROGRAM Sonata for Viola and Piano.............cccoeeueeenn.......Robert Palmer (19152010) Andante con moto e sempre cantabile Allegro risoluto Silenced Voice for Soprano, Baritone,.............Michael Salmirs (b. 1955) Clarinet, and Piano Quartet (premiere) Vanessa’s Lament Never Shall I Forget O You Tender Ones INTERMISSION cx E l e 1 Evocations of Slovakia The Mountain Night Dance g y Elliort Carter (b. 1908) Karel Husa (b. 1921) Heartfelt thanks to my wonderful colleagues who have given so freely of their time and talent to make this program possible. �SILENCED VOICE Dedicated to violist, Roberta Crawford and to the memory of Rachel Corrie and all those who have fought oppression with only the goodness of their hearts. I was inspired to compose Silenced Voice after hearing a radio interview on Democracy Now with host, Amy Goodman and guest, actor/peace activist, Vanessa Redgrave regarding the play, My Name is Rachel Corrie. Rachel Corrie, a 23yearold American peace activist from Olympia, Washington, was crushed to death by a n Israeli bulldozer on March 16, 2003, while standing in front of a Palestinian family’s h ome, attempting to shield it from demolition. The play, based on her diaries, was to be produced in NY City, but due to the ‘sensitive‘ nature of the material and the current political climate (2006) between Israel and Hamas, the theatre canceled the production which the producers claim was an act of censorship. Vanessa Redgrave o n Democracy Now: "...the terrible thing was that it was silencing that girl, and she was killed to be silenced....l don’t know of a single government that actually abides by international human rights law, not one, including my own. In fact, violate these laws in the most despicable and obscene way, I would say. But to cancel a play, and it wasn’t really a play, to cancel a voice, because it was her voice, is an act of such catastrophic cowardice, because we are living in times when people are quite fearful enough about speaking out, for losing their career or, you know, whatever, and I think it‘s—people in the theater, in ﬁlm, radio, television, dance, music, we have to do what we must do.” Listening to the soulful voice of Vanessa Redgrave tell of this tragic event touched me so deeply, that I began composing the ﬁrst movement of Silenced Voice for Viola and Piano—the viola being for me the closest reﬂection of Vanessa’s voice. Elie Wiesel’s horriﬁc witnessing of the holocaust is the point of departure for the second movement, Night. Although I wasn’t consciously trying to evoke Jewish musical pathos, the inﬂuence of klezmer can be heard in the extended clarinet and cello solo. In the wake of all this pain and suﬀering in the world, I have to ask myself, “Where do I stand? How do I go on with my life while these horrors continue every day?” While I believe that one should defend human rights, whether through words or actions, and that one should bear witness and shed light on atrocities whenever possible, there has to be a place inside oneself where fear and anger can be released—hence, O You Tender Ones. My wife, Roberta Crawford gave me a gift of Rilke’s Sonnets to Orpheus many years ago. I was always drawn to this particular sonnet and the lines: Even the trees you planted as children Long since grew too heavy, you could not sustain them. Ah, but the breezes...ah, but the spaces... These words have lived within me for over thirty years. Now they ’re released in music. –Michael Salmirs Night Never shall I forget that night, the ﬁrst night in camp, that turned my life into one long night seven times sealed. Never shall I forget that smoke. Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those ﬂames that consumed my faith forever. Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes. Never shall I forget those things, even were I condemned to live as long as God Himself. Never. —Elie Wiesel, Night translation: Marion Wiesel O Yo u Tender Ones O you tender ones, step now and then into the breath that takes no heed of you; let it part as it touches your cheeks, it will quiver behind you, united again. O you who are blessed, o you who are whole, you who seem the beginning of hearts. Bows for the arrows and targets of arrows, tearstained your smile shines more everlasting. Fear not suﬀering; the heaviness, give it back to the weight of the earth; the mountains are heavy, heavy the oceans. Even the trees you planted as children long since grew too h eavy, you could not sustain them. Ah, but the breezes...ah, but the spaces... —Rainer Maria Rilke Sonnets to Orpheus First Part No. 4 translation: M.D. Herther Norton �ABOUT THE PERFORMERS ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As associate director and a founding member of the Finger Lakes Chamber Ensemble, Ms. Crawford has participated in over one hundred solo, chamber, and lecturerecitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Ms. Crawford has played with the Portland and Syracuse symphonies and has served as principal violist for the Cayuga Chamber Orchestra. An advocate of n ew music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently coordinator of strings at Binghamton Canadian violinist, JANEY CHOI, gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active career performing on chamber and recital series, and with such groups as the New York l l University. MARY BURGESS, soprano, a graduate of the Curtis Institute of Music, has been a member of the Binghamton University voice faculty for over twenty years. Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the Curtis Institute, and subsequently appeared with Santa Fe Opera, Washington Opera, New Orleans Opera, Nevada Opera, and many other regional companies including TriCities Opera in Binghamton. Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and with Dublin Grand Opera. Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. Her repertory of forty roles in ﬁve languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson. Her performances of Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the Omaha Symphony were ﬁlmed for broadcast by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. City Ballet, Harrisburg Symphony, and the Key West Symphony. The recipient of numerous awards including the Ontario Arts Council’s Chalmers Performing Arts Training Grant and First Prize in the Canadian Music Competition, she has participated in such festivals as Mostly Mozart, Norfolk, Taos, the Spoleto Festivals in the U.S. and Italy, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co., most notably at the Kennedy Center in Washington, D.C., and at the New Victory Theater in Times Square. Her other interests have taken her to the visual arts world, developing and presenting an annual “Music + Art” show commissioning paintings based on chamber works. She has recorded and appeared with such mainstream performers as Bono (U2) and Quincy Jones, Enya, Elton John, Adele, Sarah McLachlan, Lisa Loeb, Lenny Kravitz, Kanye West, JayZ and Beyoncé, on the Grammys, MTV, Saturday Night Live, The Today Show, at Live 8, Radio City Music Hall and Royal Albert Hall in London, England. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers University, studying with Arnold Steinhardt as the recipient of the Graduate Fellowship Award. She holds BM and MM degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Smirnoﬀ. In addition to being on faculty at Binghamton University, she is a Teaching Artist for the New York Philharmonic and Chamber Music Society of Lincoln Center. In her free time, she enjoys marathon training, swimming, playing soccer and ice hockey. fl 1 Baritone, TIMOTHY LEFEBVRE, retum’s to Binghamton University for today’s concert from the Oberlin Conservatory of Music, where he was appointed assistant professor of voice. LeFebvre’s diverse operatic repertoire includes leading roles in Amahl and the Night Visitors, The Ballad of Baby Doe, The Barber of Seville, La Boheme, Carmen, The Coronation of Poppea, Cosi fan tutte, The Crucible, L’elisir d’amore, Faust, Die Fledermaus,Hansel and Gretel, Madama Butterﬂy, Le nozze di Figaro, Regina, Rigoletto, La traviata and Turandot. Other operatic roles include those in The Crucible, Dead Man Walking, H.M.S. Pinafore, Pagliacci. and Tosca. He has appeared with Central City Opera, Opera Delaware, Indianapolis Opera, Opera Theater of Pittsburgh, Sarasota Opera, Syracuse Opera, and TriCities Opera, among others. LeFebvre’s concert performances include Fauré’s Requiem (Syracuse Symphony), Handel’s Messiah (Jacksonville Symphony), Brahms’ Requiem �(Binghamton Philharmonic), and, with the New Dominion Chorale in Washington D.C., VaughanWilliams’ Five Mystical Songs and Liszt’s Christus. Other orchestras with which he has appeared are the American Symphony Orchestra and the Minnesota, Pittsburgh, and Williamsport symphonies. He has performed in concert at New York’s Carnegie Hall and Alice Tully Hall; at the Marlboro Music Festival; the Berkshire Choral Festival, where he served on the faculty; and the Rochester Bach Festival. A winner of the New York Liederkranz Vocal Competition, LeFebvre has received a Richard F. Gold Career Grant and an Opera Fellowship at Binghamton University, and he was a regional ﬁnalist in several Metropolitan Opera competitions. TIMOTHY PERRY, conductor and clarinetist, is Professor of Music and currently Chair of the Department of Music for Binghamton University. A graduate of the Manhattan and Yale Schools of Music, Dr. Perry joined the Binghamton University faculty in 1986, becoming Professor of Music in 2002, and receiving the Chancellor’s Award for Creative Activities in 2005. As Music Director, Dr. Perry has directed the University Orchestra (since 1986), directed the University Wind Ensemble 19862005, and led the Binghamton Community Orchestra from 19942004. Widely known as a clarinetist in virtuoso solo and chamber music, he toured Latin America and the Caribbean as a United States Musical Ambassador and has presented recitals at three world conferences of the International Clarinet Association. During 20082009, he appeared as concerto soloist with the Catskill Symphony, as guest conductor with the Binghamton Community Orchestra, and as guest artist with the Finger Lakes Chamber Ensemble. In Summer/Fall 2009 Dr. Perry will serve as Music Director in Binghamton and Santiago, Chile for a new production of the Brecht/Weill ThreePenny Opera and will lead the Binghamton University Orchestra in a gala October 2009 program with the Paul Taylor Dance Company. With longtime collaborator Margaret Reitz, he will present an All English recital program “Sweet Albion” in April 2010. In addition to his duties as Chair, he currently serves as President of the Northeast Division of the College Orchestra Directors’ Association (CODA) and New York representative to the National Association of Music Executives of State Universities (NAMESU). Pianist MICHAEL SALMIRS is well known as a recitalist and chamber musician. As a founding member and artistic director of the Finger Lakes Chamber Ensemble, he maintains a full season of chamber concerts and lecture recitals and recently presented a series on the last three piano sonatas of Beethoven. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres of David Liptak’s and Marek Harris’s Piano Quintets. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. Mr. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University where he teaches piano and coaches chamber music. He also maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. STEPHEN STALKER, cellist, teaches at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College and the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he has presented Meet the Composer concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNYBinghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian International String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City. �pem—– ’ e rsrra ~~ 2 . 7 3 : Y o 0 4 T 0 V I 0 U. * S _ L ‘Iigi~f ; os £ 5 : : – > ga > , s g . ; M S E nglxvc " . p ¢ E E ~ 4 4 : 4 4 A © A d y I F , pre a : § : LE So O, 4 3 v @ w 7 at the FORUM THEATRE Binghamton » Txi & Info: 6077720400 » www triahesopera.com public service media for your community 12'th it sit; o rg HG ( & ) B n p r r �Binghamto n University Music D epartment ’s U PC O M I N G E V E N T S Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE University Symphony Orchestra’s “All Creatures” Children’s Concert: Saturday, October 16, 2010, 2pm, Osterhout Concert Theater, $$$ Viola Plus: Roberta Crawford’s “Chamber Works of the 20” and 2r° Centuries”, Sunday, October 17, 2010, 7:30pm, Casadesus Recital Ha//, $$$ Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony): Saturday, October 23, 2010, 3pm, Osterhout Concert Theater, FREE Guest organist: Michael Bauer, Sunday, October 24, 2010, 4pm, First Presbyterian Church, Binghamton, $$$ Song of Silk: Saturday, November 6, 2010, 8pm, Osterhout Concert Theater, $$$ Student Recital: Dan Bessel, bassoon, Sunday, November 7, 2010, 3pm, Casadesus Recital Hall, FREE University Chorus. First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ For ticket information, please call the Anderson Center Box O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:54:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145708">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145708</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola Plus, October 17 2010 Recital Tape 2010-10-17 Description An account of the resource Works by Palmer, Salmirs, Carter, Husa Creator An entity primarily responsible for making the resource Crawford, Roberta Salmirs, Michael Choi, Janey Stalker, Stephen Perry, Timothy B. Burgess, Mary LeFebvre, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-10-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/51241034fa64fbe7bbd116b81b0ad095.pdf 0eef9b0d526586699fd8b1e57affc49a PDF Text Text BINGHAMTON U N I V E R S I T Y State University of N ew York \ ’ l \ . _ V Yang D E P A R T M E N T V I O L A PLUS! Roberta C rawford, viola with Jan ey Choi, violin Stephen Stalker, cello Michael Salm i rs, piano November 16, 2007 8:00 pm Casadesus Recital Hall �ABOUT T HE PERFORMERS PROGRA M Five for the Flowers Near the River Stephen Paulus (b. 1949) The riverside ﬂowers are driving me crazy A few here where the river is deep and bamboos quiet Flowers engulﬁng the path, thousands weighing the branches Butterﬂies move pause move pause, It ’s a dance You ﬂowers have pity on a whitehaired man Sonata No. 2 in Eﬂat, Op. 120............................... Johannes Brahms (1833–1897) Allegro amabile Allegro appassionato Andante con moto WINTERMISSION®3 Trio for Violin, Viola and Cello.....................Ludw ig van Beeth oven (17701827 ) in Eﬂat, Op. 3 Allegro con brio Andante Menuetto: Allegretto Adagio Menuetto: Moderato Finale: Allegro ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. A s associate director and a founding member of the Finger Lake Chamber Ensemble, Ms. Crawford has participated in over one hundred solo, chamber, and lecturerecital s presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest artist with the Ariadne String Quartet. Ms. Craw ford’s orchestral experience includes performances with the Portland and Syracuse symphonies as well as the Skaneateles Festival Orchestra, and she has served as principal violist for the Cayuga C hamber Orch estra. An adv ocate of new music, Ms. C rawford has premiered numerous works featuring viola and has been the dedicatee o f several works written speci ﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in l ive performance broadcasts for public radio and telev ision. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations, as Director of ViolaFest at Binghamton and is an artist faculty member with NYASTA ’s String Institute at Ithaca College. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and th e Eastman School of Music and is Coordinator o f Strings at Binghamton Uni versity Canadianborn violinist JA NEY C H O I joined the faculty of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers University, studying with Arnold Steinhardt, and holds her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Sm irnoﬀ. She gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active perform ing career as a recitalist, chamber, and orchestral musician throughout the country and abroad. She has participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the Spoleto Festi vals, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. at the Kennedy Center in Washington, D.C. She has recorded and appeared with such mainstream performers as Bono and Quincy Jones, Enya, Elton John, Sarah McLachlan, Lisa Loeb, Kanye West, JayZ and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, Chamber Music Society of Lincoln Center and the Bloomingdale School of Music in New York City. �Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNY Binghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian lntemational String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is a past president of the New York State Chapter o f the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres o f David Liptak ’s and Marek Harris’ Piano Quintets. He has also participated in such contemporary music series as Binghamton University ’s Musica Nova, Cornell University ’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. { n I ’ . : § a new weekly series efaturing art and artiety fohte local regia. stay tuned ty WSKG T17 wrskg.org � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:19:58 7:07 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola Plus! Roberta Crawford, viola. November 16, 2007 Recital Tape 11-16-2007 Description An account of the resource Held at 8:00 p.m., November 16, 2007, Casadesus Recital Hall. Works of Paulus, Brahms, Beethoven. Creator An entity primarily responsible for making the resource Choi, Janey Stalker, Stephen Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-11-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 2bc164be-ce9e-401a-8149-650173079b8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:36 42:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145416">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145416</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vive la France Februaury 26. 2011 Recital Tape 2011-2-26 Description An account of the resource Held at 3:00 p.m., February 26, 2011, First Presbyterian Church. Creator An entity primarily responsible for making the resource Perry, Timothy Worden, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/045f1e920a8c4f456c421a582b6cc5a6.pdf a9acd180ba478f818e461df662cca194 PDF Text Text SUNY Bingham ton Departm ent of Music presen ts A Vocal Recita l by the Studen ts of David Clatwor thy Barbar a Garges , at the piano April 28, 1975 Jean Casadesus 8: 15 PM Re ci tal Hall PART I AN SYLVIA SCHUBERT EN SOURDINE FAURÉ Preston Stockman , tenor SCHUBERT LIED DER MIGNON RASTLOSE LIEBE DEBUSSY LES INGÉNU S (Fêtes Galante s II) Margare t Doneli an, soprano BRAHMS FELDEINSAMKEIT FAURÉ PRISON ADIEU from Poème d'un J our Richard Bartmo n, bariton e SCHUBERT AN DIE MUSIK SELIGKEIT DES MÄDCHENS MENDELSSOHN KLAGE ANDRES MAIENLIED (Hexen lied) Ur sula Raeth, soprano �TCHAIKOVSKY MIGNON'S SONG THE CZAR'S DRINKING HOUSE LONELY AGAIN DON JUAN'S SERENADE (This group will be sung in Russ ian. ) Gary Levine, Bass-barito ne I N T E R MI S S I O N PART II J. S. BACH MEIN VERLANGEN Komm, du süsse Todesstunde from Cantata No. 161: Richard Kasken, tenor SCHUBERT DIE JUN GE NONNE SEI MIR GEGRÜSST DER JUNGLING AN DER QUELLE ERETCHEN AM SPINNRADDE Beverly Penn, soprano CLAIR DE LUNE FAURÉ COUNT'S ARIA AND RECITATIVE MOZART from "The Marriage of Figaro". Michael Quinn, baritone GREEN DEBUSSY LUCY'S ARIA MENOTTI from "The Telephone" Mary Ann Ferraiolo, soprano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 49:22 42:39 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243462">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243462</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voice Recital by the Students of David Clatworthy, April 28, 1975 Recital tape 1975-4-28 Description An account of the resource Works of Schubert, Fauré, Debussy, Brahms, Mendelssohn. Held at 8:15 pm, April 28, 1975, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-4-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/acf5a568dd78eec36b48083bbc61fceb.pdf 725a128c1b6cbf44acd9fc07c1074c10 PDF Text Text B e S t a t e Un i v e r s i t y o f New York a t Binghamton H a r p u r C o l l e g e . D e p a r t m e n t o f Music D i c t i o n D ive r t i ss e m e n t T u e s d ay 8:15 P. M. Casadesus Re c i t a l Hall December 7 , 1 9 7 6 R e v e d’ amour aulcimetiene Chanson d ’ amour. La n o t t e Fa u re Faure Faure Respighi G l o r i a H e r zi g, Soprano Une S a i n t e e n s o n a u i e o l e FF aa uu rr ee Puisque L' a u b e g r a n d i t La L u n e b l a n c h e L u i t dans seL b o i s Faure Faurné J ' a l l a i s par d e s c hemins p e r ﬁ d e s D av i d J e n n i n g s , t e n o r Fauré I l nev iendra “ Pe n él o p e ” P i e J e s u “Requiem” Fauré Nebbie ( M i s t s ) R esp i gh i Fa u r e E np r i e r e Barbara Taggar t, s o p r a n o I n q u e s t a t omba o s c u r a Beethoven Au cimetiene FF aa uu rr ee 7 Las berceaux A p r e s un n e v e E n Soundine 1G r pe ae sn t o r i Fa u re C H R I S Arneson, b a r i t o n e Fau re FAU R É Fa u re Berlioz . o r b e s , Soprano J . G a n m sF L' a b s e n c e Liszt ons O h , quand j e d To s t i L’ a l l o a s e p a r a d a l l a L u c e Kenneth Cohen, t e n o r l a v i e r g e a l a c r e c h e Franck F o r b e s , S o p r a n o . Barbara Ta g g a r t a n d J Garums G l o r i a Herzig, a l t o Ke n n e t h Cohen, t e n o r Chris Anneson, b a r i t o n e Kenneth Cohen, conductor Jan Lannidsen at the piano o o � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:24 27:33 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333563">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333563</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voice Recital, December 7, 1976 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1976 12-7 Description An account of the resource Works of Fauré, Beethoven, Berlioz, Liszt, Tosti. Held at 8:15 pm, December 7, 1976, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-12-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound