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BINGHAMTON
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State University of New York
Department of Music
Mas ter ’s Re cital
[
Maricela Mayo, so pran o
with
ChaiKyou Mallinson, piano
Saturda y, Octobe r 11, 2003
8 :00 p.m .
Casadesus Recital Hal l
�About the Performers
MARICELA MAYO received her Bachelor of Arts in Music
from Texas Wesleyan University in Fort Worth, Texas, in 2002.
At Wesleyan she studied voice with Dr. Noelle Woods and
coached with Binghamton MM/Opera graduate Dale Morehouse.
She performed many roles including Phyllis in Jolanthe, Mary in
The Bald Soprano, Magnolia in Show Boat, as well as various roles
in Wesleyan’s Opera Scenes program. Other shows included
Evita, Pandora’s Box, and Radio Show for a Christmas Carol.
She is pursuing a Master ’s degree in Vocal Performance at
Binghamton University as a s t u d e n t P rofessor Mary Burgess.
She is also a member of the TriCities Opera Chorus. In May,
Mayo received a Student Achievement Award from the
Department of Music for her outstanding progress in vocal
performance. Mayo holds a Clark Fellowship and plans to extend
her career in performance when her degree is completed.
CHAIKYOU MALLINSON, currently on the faculty of the
department of music at Binghamton University, received a
Bachelor of Music degree from Juilliard, Licence d’Enseignement
from Ecole Normale Musique de Paris, France and a Master of
Arts degree from Binghamton University, where she studied with
Jean Casadesus. A prize winner in the Korean National Music
Competition, she was awarded the French Government
Scholarship, Tanglewood Summer Music School Full Scholarship
and the Fontainebleau American Conservatory Full Scholarship.
She gave a debut recital in Carnegie Recital Hall and has been
active as a recitalist, vocal accompanist and coach, and chamber
music performer, as well as an active adjudicator of piano
auditions and competitions. She performed with the Seoul
Philharmonic Orchestra by invitation and other symphony
orchestras. A CD of ChaiKyou Mallinson’s “Live Piano Recitals”
will be issued by the Disk Makers in November 2003.
�Program
Spirate pur, spirate
Amorosi miei giorni
Vaghissima sembianza
Frage und A n
Selige Nacht
Nachtgebet
Standchen
t
Stefano Dohaudy
(18791925)
w
o
r
t
J
o
s
e
p h Marx
(18821964)
Chi sa, chi sa, cual sia, K.582 ...............Wolfgang Amadeus Mozart
(17561791)
Intermission
Si mes vers avaient des ailes..................................... Reynaldo Hahn
A Chloris
(18741947)
L’Enamourée
Paysage
Shelling Peas
Fragment
I carry your heart
I can’t be talkin’ of love
JOR JUKE
(18991984)
�Translations
Spirate pur, spirate
(W a ft, waft)
Waft, waft around my beloved one,
little breezes, and ascertain
if she holds me in her heart.
Waft, waft, little breezes!
If in her heart she holds me, ascertain
it, blessed breezes, breezes gentle and
blessed!
Vaghissima se mbianz a
(Most c harmin g sembla nce)
Most charming semblance
of my formerly loved woman,
who, then, has portrayed you with such
a likeness
that I gaze, and speak, and believe to
have you
before me as in the Beautifil days of
love?
Amorosi miei giorni
(My loving days)
My loving days,
who could ever forget you
now that, beautifled by all the
blessings,
you giv e peace to my heart
and perfume to my thoughts?
To be able thus, as long as
life moves on,
not to fear any longer the anxieties
of a life of deceits,
only with this hope:
that a glance of his be all my splendor
and a smile of his be all my treasure!
Who more blessed than I,
if next to him he has not thus
a sweet and dear beloved object,
a n t L
so that h
e still ca n not sa y
he knows what love is?
Ah, may I thus, as long as life moves
on,
no more fear the anxieties
of a life of deceits,
only with this hope:
that a glance of his be all my splendor
and a smile of his be all my treasure!
The cherished memory
wiiich in my h e a rtnas bee
n awakened
so ardently
has already revived hope there,
so that a kiss, a vow, a cry of love
I no longer ask except of her who is
forever silent.
Frage u nd Antwort
(Question and Answer)
As long as I will ask you, “Do you love
me, oh my love?”
you should say to me, “I love you, oh
my love!”
If I ask with glances, “Do you love me,
oh my love?”
you should answer with kisses, “I love
you, oh my love!”
And if a sigh asks you, “Do yo u love
me, oh my love?”
your smile should reply, “I love you,
oh my love!”
A. Riickert
i
1
i
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l
y!
\
J[ J
Selige N acht
(Blissful Night)
In the arms of love we fell blissfully
asleep.
The summer wind eavesdropped at the
open window
and carried the peace of our breathing
into
the brightly moonlit night.
And from the garden a scent of roses
cautiously found its way to our bed of
love
and gave us wonderful dreams,
dreams of ecstasy, so full of desire.
Otto Erich Hartleben
Nachtgebet
(Night P rayer)
Oh, if you saw me praying now
to your deep, holy eyes
that plead to me as if asking for love, i
you would close your deep eyes
so I would not lose myself in them as
in love.
Oh, if you saw me praying
to your soul, cheerful like a child,
that childlike soul would be silent
so that it would not drown in my love.
Stindch en
(Serenade)
Good night, beloved life.
I call into your little window
and then I will go on my way.
Ah! Think of me in your dreams!
Because you surely know that,
devoted to you, my heart must
quiver in torment.
Good night, beloved life.
Ah! Think of me in your dreams!
Paul Heyse
Chi sa, chi sa, qual sia, K.582
(Who knows, who knows
what it may be)
Who knows, who knows what
it may be that torments my beloved?
Is it anger, jealousy,
fear, suspicion or love?
O gods, ye who know
the purity of my affection,
dispel this bitter doubt
from m y heart.
Si mes vers avai ent des ailes
(If my verses ha d wings)
My verses would flee, sweet and frail,
To your garden so beautiful,
If my verses had wings
Like the bird!
They would fly, glittering,
To your cheery fireside,
If my verses had wings
Like the wind!
To you, pure and faithful,
They would hasten, night and day,
If my verses had wings,
Like love!
Victor Hugo
�A Ch loris
(To Chloris)
If it be true, Chloris, that you
do love me,
And I have heard, you love me well,
Then kings themselves I do believe
Could hardly match my wealth.
Death would be most inopportune
To come and alter my good fortune
Just to please the heaven!
Say what you will about ambrosia—
It can hardly compare to the magic
Of your eyes bestowing their gaze on
me.
Théophile de Viau
L ’Enamourée
(The Beloved)
They say, my dove
That you dream, though still dead,
Beneath the stone of the tomb :
Yet for this soul who adores you,
You awaken, enlivened,
Oh, my pensive beloved!
Through nights whitened by stars,
In the murmuring breeze,
I caress your long veils,
Your long flowing tresses,
And your halfclosed wings
That flutter ab ove t he roses.
Oh, sweet delight, I breathe in
Your divine blond locks :
Your pure voice that lyre
Follows the wave upon the currents,
And softly glides over them,
Glides over them softly
Like a swan that weeps!
Théophile de Banville
Paysage
(A D istant Sho re)
On a shore resounding with the roar of
the sea,
There is a little hidden corner of
Brittany,
Where I would love so much to take
you one day,
When the autumn leaves are falling,
my darling!
You would see oaktrees encircling a
fountain,
A fe w scattercd beeches, and an old,
deserted mill,
And even a well in whose clear water
is reflected
The green of your siren’s eyes...
In the morning, out from under a
yellowed leaf,
The titmouse would come and sing for
us alone...
And the sea itself, at night and during
the day,
Would join each time in our loving
embraces,
From the depths of its bottomless soul!
André Theuriet
�V
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�Coming Events
Thursd ay, Octobe r 16 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall free
Saturd ay, October 18 – Family Wee kend Concert : Harpur Chorale, Women’s
Chorus, University Wind Ensemble – 3 p.m. – Anderson Center Concert
Theaterfree
Saturd ay, October 18 – Musica Exotica : A Solo Piano Recital by Michael
Salmirs – 8p.m. – Casadesus Recital Hall – $8 general public; $6
faculty/staff/seniors; free for students
Thursd ay, October 23 MidDay Concert with faculty and student performers
– 1:22 p.m. – Casadesus Recital Hall – fice
Sunday, Octobe r 26 – U niversity Sym phony O rchestr a : Schumann, Si belius
– a nd Sunwoo – Timothy Perry, conductor with guest soloist Patricia
Sunwoo, violin – 3:00 p.m. – Anderson Center Concert Theater – $8
faculty/staff/seniors; free for students
Thursd ay, October 30 MidDay Concert with faculty and student
performers1:20 p.m. – Casadesus Recital Hall – free
Friday, Octob er 31 – An English L egacy : Work s for Viola with Rob erta
Crawfo rd – 8 :00 p.m. – Casadesus Recital Hall $8 general public; $6
faculty/staff/seniors
Saturd ay, November 2 – Viola Fest 2003 – 2:30 p.m. – Artist Concert; 4:45
Grand Concert – Anderson Center Chamber Hall – free
faculty and student
Thursd ay, November 6 – MidD ay Concert with
£
n
b
I N a
n r
l Hall – free
.m. – Casadesus Recita
1:20 p
performers
Saturd ay, November 8 – Contrasts: An Evening of Chamber Music
Treasures with guest artists from Belgium – 8:00 p.m. ~ Anderson Center
Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students '
Thursd ay, November 13 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Thursd ay, November 13 – Pharaoh ’s Daughter – A sixpiece electric groove
ensemble that blends Jewish music with world beat – 8 p.m. – Anderson
Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6
students (Cosponsored by Hillel at Binghamton)
�
Dublin Core
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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0:41:35
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253406&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253406&change_lng=en&select_viewer=metsViewer</a>
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Master's recital, October 11, 2003
Alternative Title
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Recital Tape 2003-10-11
Description
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Held at 8:00 p.m., October 11, 2003, Casadesus Recital Hall.
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Mayo, Maricela
Mallinson, Chai-Kyou
Date
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10/11/2003
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In copyright
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https://omeka.binghamton.edu/omeka/files/original/121f28bdef5bcda36ac9c0b5bb74583b.pdf
7c3993465621801919838d0f99c92658
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Text
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State University of New York
De partme nt of M usic
nglish Legacy :
AnE
Work s for Viola
with
Robe rta C rawfo rd, viola
assisted by
Ma ry Burgess, soprano
Micha el Salm irs, piano
F riday, October 31, 2003
8 :00 p.m.
Casadesus Recital Hall
�P rogram
Studies in English Folksong .....................Ralph Vaughan Williams
Adagio
(18721958)
Andante sostenuto
Larghetto
Lento
Roberta C rawford, viola
Michael Salm irs, piano
Piling,
.... Frank Bridge
(18791941)
Roberta C rawford, viola
Michael Salm irs, piano
Two Songs ...
lf My Complaints Could Passions Move
Flow, My Tears Lacrimae
. John Dowland
(15631626)
Mary Burgess, soprano
Michael Salm irs, piano
Lachrymae, O p. 48...........
.....Benjamin Britten
(19131976)
Roberta Craw ford, viola '
Michael Salm irs, piano
Sonata for Viola and Piano
Impetuoso
Vivace
Adagio
Roberta Craw ford, viola
Michael Salm irs, piano
.. Rebecca Clarke
(18861979)
�About the Perform ers
ROBERTA CRAWFORD enjoys an active career as a recitalist and chamber
musician. As Associate Director and founding member of the Finger Lakes
Chamber Ensemble, Crawford has participated in more than one hundred solo,
chamber, and lecturerecitals presented by the ensemble since its formation in
1990. She has performed with the Catskill Chamber Players, appeared
frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series
and has been a guest performer with the Ariadne String Quartet. Crawford has
played with the Portland and Syracuse symphonies and has served as principal
violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford
has premiered numerous works featuring viola and has been the dedicatee of
several works written specifically for her. She has participated in music festivals
throughout the United States and in the Caribbean and has appeared in live
performance broadcasts for public radio and television. A dedicated teacher,
Crawford has served as clinician, coach and adjudicator for a numerous music
organizations and is codirector of the NYASTA ViolaFest, hosted by
Binghamton University. She has been a guest faculty member at Phillips
Academy, the Quartet Program, Ithaca College and the Eastman School of
Music and is Coordinator o f Strings at Binghamton Un iversity.
Pianist MICHAEL SALM IRS, a founding member and artistic director of the
Finger Lakes Chamber Ensemble , is well known as a recitalist and chamber
musician performing extensively throughout the region. He has appeared as
soloist with the Corning Philharmonic, Binghamton University Orchestra,
Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday
chamber series. As a performer of contemporary music, he has participated in
Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and
has toured and recorded for the Syracuse Society for New Music. Salmirs
studied at the New England Conservatory and Eastman School of Music; his
teachers have included pianists Leonard Shure and Rebecca Penneys and
composer Karel Husa. Salmirs has taught at the Syracuse University School o f
Music and Hobart and William Smith Colleges He is a faculty member at
Binghamton University and Affiliate Artist at Cornell University. He maintains
a private piano studio in Ithaca and enjoys teaching students of all ages and
levels. In May, Salmirs will perform Poulenc’s Aubade with the Cayuga
Chamber Orchestra.
�MARY BURGESS, associate professor of voice at Binghamton University,
recently celebrated the thirtyfifth anniversary of her New York City Opera
debut, which occurred while she was an undergraduate at the Curtis Institute of
Music in Philadelphia. Her European operatic debut at the Holland Festival, in
the title role of Cavalli’s L’Erismena, brought engagements at the Spoleto
Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several
consecutive seasons in leading roles at Dublin Grand Opera in Ireland. Her
repertoire of thirtyeight roles in five languages includes six, which she has
performed in Binghamton at TriCities Opera: Madama Butterfly, La Traviata,
Tosca, Marguerite in Faust, The Merry Widow, and most recently, Norma. A
frequent soloist with orchestras, Burgess has appeared with more than two dozen
U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland
Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon
Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has
been a frequent guest at such festivals as Ravinia, Aspen, Blossom, Casals,
Chautauqua, and the Cincinnati May Festival. In August 1996, at Monadnock
Music Festival in New Hampshire, Burgess made a critically acclaimed debut in
the role of Susan B. Anthony in Virgil Thomson’s The Mother of Us All,
honoring the centenary of his birth. She returned to Monadnock Festival in
August 1997 as Violetta in a gala concert performance of Verdi ’s La T raviata.
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
Coming Events
Thursday, November 6 – MidDay Concert with faculty and student
performers – 1 :20 p.m. – Casadesus Recital Hall – free
Saturday, November 8 – Contrasts : An Evening of Chamber Music
Treasures with guest artists from Belgium – 8:00 p.m. – Anderson Center
Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, November 13 MidDay Concert with faculty and student
performers – 1 :20 p.m. – Casadesus Recital Hall – free
Thursday, November 13 – Pharaoh ’s Daughter – A sixpiece electric groove
ensemble that blends Jewish music with world beat – 8 p.m. – Anderson
Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6
students (Cosponsored by Hillel at Binghamton)
Saturday, November 1 5 – University Chorus with the Binghamton
Philharmonic – Rachmaninoff’s The Bells – 8 p.m. – Anderson Center
Concert Theater – Contact the Binghamton Philharmonic for tickets
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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0:54:28
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An English Legacy: works for viola, October 31, 2003
Alternative Title
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Recital Tape 2003-10-31
Description
An account of the resource
Works by Vaughan Williams, Bridge, Dowland, Britten, Clarke. Held at 8:00 p.m., October 31, 2003, Casadesus Recital Hall.
Creator
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Crawford, Roberta
Burgess, Mary
Salmirs, Michael
Date
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10/31/2003
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In copyright
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https://omeka.binghamton.edu/omeka/files/original/9b7cdbd3db0cbeda3d0a2cd6c3b1c03c.pdf
c54a83ac125237cc7e75a14fce44b79b
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t\) I V
UN
A RC
Recit al\
t ape
2003
11- 8 b
SPEC COL
State University of New York
Department of Music
CONTRASTS:
An Evening of
Chamber Music Treasures
with
guest artists:
Katie Sebestyen, violin
Ervin Schiffer, viola
Freddy Arteel, clarinet
Dana Protopopescu , piano
Saturday, November 8, 2003
8:00 p.m.
Anderson Center Chamber Hall
�Program
Trio in E-flat, K. 498 (Kcgclstatt) ................. ........ Wolfgang Mozart
Andante
( 1756-1791)
Menuetto
• Allegretto
Trio, Op. 30 ................................................................ Joseph Jongen
Prelude
( 1875-1950)
Variations
.Final
--Inter,nission.--
Lia's Koan ................. .. ........... ......... ............. .. ............ Elias Gistelinck
(b. l 935)
Piano Quartet, Op. 16 ................................... Ludwig van Beethoven
Grave
Allegro con brio
Andante cantabile
Rondo
Allegro ma non troppo
( 1770-1827)
�About the Ensemble
The ensemble CONTRASTS consists of four members of the faculties of
the Royal Conservatories of Belgium who have played together on concert
stages and at universities in nearly every country in Europe. Both separately
and in concert, they have produced a number of recordings as well as live
performances.
Not only has the unusual combination of their four
instruments allowed them to adapt known masterworks, but it has also
encouraged contemporary composers to write for them. Their initial
American connection was with the University of North Carolina's summer
program in Morges, Switzerland, and they have comprised the core of the
chamber music workshop programs both there and in Chapel Hill for more
than ten years. This, their fourth U.S. concert tour, includes Boston and
Washington.
KATIE SEBESTYEN, violin, studied at the Franz Liszt Academy in
Budapest and completed degrees at the Royal Conservatory of Music in
Brussels and Chapelle de la Reine Elisabeth, where she was recently
awarded its highest honor, Professeur Extraordinaire. A founding member
of CONTRASTS and the Haydn Quartet, she is also concertmistress of the
Sebestyen Strings and European Philharmonic Orchestra. She teaches at the
conservatories of Brussels and Brabant (Holland), and is especially proud of
her Laureate from the Friedrich Kuhlau Competition in Germany. Her
travels with these groups have taken her across Europe as well as three tours
of the United States.
ERVIN SCHIFFER, viola, studied under Zoltan Kodaly and Gyorgy Ligeti
at the Franz Liszt Academy before winning prizes in Geneva and Bucharest
and moving to the Low Countries, where he has recently retired from a
lifetime of teaching at the conservatories of Brussels, Amsterdam, and
Utrecht. In addition to serving on juries, he performs regularly around the
world, on his elegant Giovanni Paolo Maggini instrument, both as soloist
and chamber musician. His travels have taken him to Japan, Israel, South
Africa, and the United States. He has recorded extensively with Deutsch
Gramofon, Vox, and Turnabout.
FREDDY ARTEEL'S clarinet has been heard for nearly thirty years since
he completed his studies with Pierre de Leye in Brussels and Guy Peplus in
Paris.
Most of them have been spent as principal clarinet of the
Philharmonic Orchestra of Antwerp while teaching at the Royal
Conservatory of his native Ghent. But this has left him some time to
perform with CONTRASTS and the Antwerp Wind Quartet. Among his
appearances have been the Saskatchewan summer school and the MusicFest
m Aberystwyth, Wales;
his proudest moment was hosting
�700 clarinets from around the world in Ghent in 1993 for an international
festival.
DANA PROTOPOPESCU'S musical career began in her native Bucharest,
Romania, where she made her debut as a soloist with orchestra at the age of
fourteen. Completing her studies in Hanover, Germany, under Eduardo de!
Pleyel and Karl Engel, she migrated to Brussels and joined the Royal
Conservatory. Her career has included soloing with many major European
orchestras as well as an extensive array of solo recordings of the works of
Mendelssohn and Tschaikowsky; receiving numerous awards and honors.
Her teaching and chamber music are closest to her heart. She joined
CONTRASTS shortly after the group's founding.
Program Notes
Trio in £-flat, K. 498
Though the clarinet had been known for nearly a century before Mozart,
he was the first to make significant use of it. Said to have had its origin in
th
the 18 century equivalent of a bowling alley, this delightful trio was
written, together with the quintet with strings (K. 581) to showcase the
extraordinary talent of his good drinking friend (and frequent mooch)
Anton Stadler, who was the outstanding virtuoso around Vienna at the
time.
Trio, Op. 30
The music of this Belgian composer is barely known in this country. His
massive trio, which owes much to his near contemporary César Franck,
was composed in 1909. The ghostly march-like theme of the second
movement and the frantic Walloon kermes of the third are almost
Rubenesque in their florid Late Romantic style.
Lia's Koan
Gistelinck studied at the conservatories of Brussels and Paris, winning the
International Italia Prize for a work for symphony and jazz orchestra. An
early fascination with the colors and rhythms of Far Eastern music led
him to compose "Koan," a Japanese word for the path to equilibrium, the
Japanese foundation of perfection (Lia was evidently the composer's
muse).
Piano Quartet, Op. 16
In 1807, Beethoven wrote a quintet for winds and piano in homage to
Mozart' s earlier master-work for the same instrumentation; at his
publisher's urgent behest, he later rearranged it into a quartet for piano and
strings. CONTRASTS' version of this familiar piece is an inspired
combination of both.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:19:05
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Contrasts: an evening of chamber music treasures, November 8, 2003
Alternative Title
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Recital Tape 2003-11-8b
Description
An account of the resource
Held at 8:00 p.m., November 8, 2003, Anderson Chamber Hall.
Creator
An entity primarily responsible for making the resource
Sebsestyen, Katie
Schiffer, Erwin
Arteel, Freddy
Protopopescu, Dana
Date
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11/8/2003
Rights
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/a6e9eb10b83ff67aa6a06cc9a18d10b2.pdf
4b4e766732c8775945c51ff7f5298907
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ARE
Z a l... l
Recs 1 G
Binghamton University Department of Music
face
O N C E R T
I D D A Y C
T H U R S D A Y M
i
e
April 29, 2004 – 1:20 P.M. – Casadesus Recital Hall
SPC COL
Lungi dal caro E
n
e
g
n
a
Gia il sole dal G
. ass.
. ccaarni
e oon
Freschi luoghi, prati aulenti
Maricela Mayo, soprano
ChaiKyou Mallinson, piano
.........Robert Schumann
(18101856)
Liederkreis, Op. 24
Morgens steh’ ich auf und frage
Es treibt mich hin
Ich wandelte unter den Baumen
Lieb’ Liebchen, Leg’s Handchen
Schone Wiege meiner Leiden
Warte, warte, wilder Schiffmann
Berg’ und Burgen schaun herunter
Anfangs wollt’ ich fast verzagen
Mit Myrten und Rosen
Ian Bentley, tenor
Margaret Reitz, piano
T e h a m a (“Music o
f
M
o
u
r
n
”
g
m
Melissa Mattern, viola
Margaret Reitz, piano
La Regata Veneziana ..
Anzoleta Avanti la Regata
Anzoleta co Passa la Regata
Anzoleta Dopo la Regata
Alessandro Scarlatti
(16591725)
...Giuseppe Sarti
(17291802)
..........Stefano Donaudy
(18791925)
)
Paul Hindemith
(18951963)
Gioacchino Rossini
(17921868)
Lara Longsworth, mezzosoprano
Margaret Reitz, piano
7
Minuetto from Trio, Opus 3
Eugene Walckiers
Ed. By H. Voxman and R.P. Block
.......Caesar Giovannini
(b. 1925)
Cancion Espafiol ..
...... Traditional
Drunken Sailor...
Kira Slocum, Flute
Kelsey Bauer, Flute
Caitlynn McMullen, Flute
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:57:20
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Thursday mid-day concert, April 29, 2004
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Recital Tape 2004-04-29
Description
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Held at 1:20 p.m., April 29, 2004, Casadesus Recital Hall.
Creator
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Mayo, Maricela
Mallinson, Chai-Kyou
Bentley, Ian
Reitz, Margaret
Mattern, Melissa
Longsworth, Lara
Slocum, Kira
Bauer, Kelsey
McMullen, Caitlynn
Date
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4/29/2004
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In copyright
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https://omeka.binghamton.edu/omeka/files/original/11d929be13403ec1dd8cbd102176f157.pdf
177e45e4774426440cb7033efa96382e
PDF Text
Text
U NI V A R C
RECit al\
l ape
2003
3 - 22
SPEC COL
BINGHA!\1TON
U
N
I \' E R S I T Y
State University of New York
Department of Music
Junior Recital
Jody Schum, piano
Samantha LaDue, soprano
with
Chai-Kyou Mallinson, piano
Saturday, March 22, 2003
8:00 p.m.
Casadesus Recital Hall
��Program
I.
..
Sonata in E-flat major, Op. 27, No. l ................................ Ludwig van Beethoven
(Sonata quasi una Fantasia)
(1770-1827)
Andante
Allegro molto e vivace
Adagio con espressione
Allegro vivace
Sonetto 104 del Petrarca .......................................................... Franz Liszt
( 1819-1886)
(from Années de pelerinage: deuxième année, Italie)
Two Preludes ................. :...................................................... Sergei Rachmaninoff
I. E-flat major, Op. 23, No. 6
(1873-1943)
II. G minor, Op. 23, No. 5
L' isle Joyeuse ............................................................................... Claude Debussy
(1862-19 l 8)
Jody Schum, piano
II.
En Prière ........................................................................................... Gabriel Fauré
Mai
(1845-1924)
Notre Amour
From Hermit Songs:
St Ita's Vision, Op. 29, No. 3 ....................................................... Samuel Barber
The Crucifixion, Op. 29, No. 5
(1910-1981)
The Monk and His Cat, Op. 29, No. 8
Malinconia, Ninfa gentile ............................................................ Vincenzo Bellini
Per pieta, bell 'idol mio
( 1801- 1835)
From La Sonnambula
Aria & Rondo: Ah non credea mirati - Ah, non giunge ............. Vincenzo Bellini
(1801-1835)
Samantha LaDue, soprano
Chai-Kyou Mallinson, piano
�Translations
En Prière
(In Prayer)
If the voice of a child can reach You
0 my Father,
Listen to the prayer of Jesus on His
knees before You.
If You have chosen me to teach Your
laws on the earth,
I will know how to serve You, holy
King of Kings.
0 Light!
Place on my lips, o Lord,
The salutary truth,
So that whomever doubts should, with
humility, revere You!
Do not abandon me, give me the
gentleness so necessary to relieve the
suffering, to alleviate pains,
The misery!
Reveal yoursel f to me, Lord, in whom
I have faith and hope,
I want to suffer for you, and to die on
the cross
At Calvary!
Mai
(May)
As May, all in flower, calls us to the
meadows,
Come, do not cease to bring close to
your heart
The countryside, the woods, the
charming shades,
The vast reflections of the moon over
the shores of sleepy rivers,
The path that ends where the road
begins
And the air, the Spring and the
immense horizon The horizon, modest and cheerful,
which the world places as a lip at the
bottom of the gown of the skies.
Come and let the gaze of the chaste
stars,
Falling on earth though so many veils,
The tree, imbued with perfumes and
songs,
The warm wind of the south in the
fields,
And the shadow, and the sun, and the
tide and the greenery,
And the radiance of all nature,
Let them brighten, like a twofold
flower,
The beauty of our face, and the love in
your heart!
Notre Amour
(Our Love)
Our love is a light thing
Like the perfumes which the wind
Lifts from the top of the fem
To be inhaled in dreaming.
Our love is a light thing.
Our love is a thing with charm,
Like the songs of the Mom,
With no expression of regret,
In which vibrates an uncertain hope .. .
Our love is a charming thing!
Our love is a sacred thing
Like the mysteries of a forest,
Where a strange soul is trembling,
Where stillness has a voice;
Our love is an infinite thing,
Like the paths of sunsets,
Where the sea united with the skies,
Slumbers under declining suns;
Our love is an eternal thing
Like all things that Almighty God
Has touched with the fire of his wing,
Like all that comes from the heart;
Our love is an eternal thing!
Malinconia, Ninfa gentile
Melancholy, gentle Nymph,
My life I consecrate to you.
Whoever considers your pleasures
slight
�Is not born to true pleasures.
Rivers and hills I asked of the gods.
They heard me at last, I shall live
satisfied.
Not ever shall I cross that river with
my desires,
Not ever cross that mountain.
Not ever shall I cross, no, no, never.
Per pietà, bell'idol mio
For pity's sake, my beautiful idol,
Do not tell me that I am ungrateful!
Heaven is making me unhappy
And unfortunate enough.
If I am faithful to you
If I am consumed by your beautiful
eyes,
Love knows it, the gods know it,
My heart and yours know it Yes, they know it.
Ah, non credea mirarti
Oh, I never thought to see you
die so soon, sweet flowers!
You faded like love itself,
Which lasted but for a day.
Perhaps my tears will revive you,
But my tears cannot
Revive love, alas!
Ah, non giunge
l
Ah! Beyond all human thought
Is the joy that fills me now.
I can hardly believe my senses:
You trust me, my treasure!
Ah, embrace me, and together for
always,
United in a single hope,
We will make of the world we live in
A paradise of love!
�About the Performers
Jody Schum is in his junior year at Binghamton University pursuing a Bachelor
of Music Degree in piano performance. Schum began studying piano at the age
of seven under the instruction of Lael Bagg. He currently studies with Michael
Salmirs. In May of 2002, Jody was awarded the John M. and Marcella M.
Keeler Scholarship in Music in recognition of his work. Besides solo piano,
Schum also studies/enjoys vocal accompanying, chamber music, and voice.
Since October of 200 I, Schum has served as resident organist and pianist at the
First United Methodist Church of Endicott, N.Y. Schum would like to thank his
professors, his scholarship donors, and his family and friends for their continued
support.
Samantha LaDue is a junior at Binghamton University, pursuing a Bachelor of
Music degree as a student of Professor Mary Burgess. Other teachers in her
seven years of study whom she would like to recognize and thank for their
contributions are Patricia Blankenship-Mortier, Pamela-Jill Gardner, Timothy
Lefebvre, Jake Gardner, Mary Burgess and this past semester, with Judy Berry.
LaDue has achieved several awards; Endwell Community Chorus Scholarship,
Whitney Point Rotary Community Service Scholarship, National Foundation for
Advancement in the Arts merit award, first place in the Ithaca College Young
Artists Vocal Competition; and the Keeler Scholarship at Binghamton. She has
attended the Tanglewood Institute Young Artists Vocal Program, and has been a
member of honor choirs, including the ACDA first All National High School
Honor Choir. A native of Whitney Point, NY, LaDue has been seen on many
area stages. Most recently, she was a member of the Downtown Singers, TriCities Opera chorus, the Narrator in Joseph and the Amazing Technicolor
Dreamcoat, the Soprano in the Cider Mill production of Berlin to Broadway,
Peep-ho in Summer Savoyard's Mikado, Cousin Hebe in the Summer
Savoyard's production of HMS Pinafore, and in the Theatre Department's
mainstage production of The Rocky Horror Show. LaDue would like to thank
her friends and family for their love and support.
Chai-Kyou Mallinson, a faculty member in the Department of Music at
Binghamton University, received a Bachelor of Music degree from Juilliard,
Licence d 'Enseignment from Ecole Normale de Paris, and a Master of Arts
degree from Binghamton University, where she studied with Jean Casadesus. A
prize winner in the Korean National Music Competition, she was awarded the
French Government Scholarship and the Fountainebleau American
Conservatory Full Scholarship. She gave a debut recital at Carnegie Recital
Hall, and has been active as a recitalist, vocal accompanist and coach, and
chamber music performer, -as well as an adjunct adjudicator of piano auditions
and competitions. She has performed with the Seoul Philharmonic Orchestra.
��Coming Events
(Subject to Change)
Thursday, March 27 - Mid-Day Concert with faculty and student performers
- I :20 P.M. - Casadesus Recital Hall - free
Thursday, April 3 - Mid-Day Concert with faculty and student performers I :20 P.M. - Casadesus Recital Hall - free
Thursday, April 3 - Brass Studio and Ensemble Concert by students of Ben
Aldridge and Brian Sternberg- 8:00 p.m. - Casadesus Recital Hall - free
Friday, April 4-An Evening of Piano Music with Ewa Mackiewicz-Wolfe 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12
faculty/staff/seniors; $6 students
Thursday, April 10- Mid-Day Concert with faculty .and student performers 1:20 P.M. - Casadesus Recital Hall - free
Saturday, April 12 - Student Saxophone Quartet Recital - 3 p.m. Casadesus Recital Hall - free
Saturday, April 12 - University Chorus and Orchestra, Timothy Perry
conducting, Timothy LeFebvre and Mary Burgess, soloists - 8:00 p.m. Anderson Center Concert Theater - $8 general public; $6 faculty/staff/seniors;
free for students
Thursday, April 24 - Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall - free
Sunday, April 27 - Guest Organist: Todd Wilson - 4:00 p.m. - First
Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12
faculty/staff/seniors; $6 students
Tuesday, April 29 - Piano Recital by students of Michael Salmirs - 8:00
p.m. - Casadesus Recital Hall - free
Thursday, May 1 - Jazz Mid-Day Concert with guitarist Dave Stryker - l :20
p.m. - Watters Theater - free
Thursday, May 1 - Harpur Jazz Ensemble with guitarist Dave Stryker - 8:00
p.m. - Watters Theater - $8 general public; $6 faculty/staff/seniors; free for
students
Friday, May 2 - Flute Studio Recital by students of Georgetta Maiolo l 0:00 a.m. - Casadesus Recital Hall - free
{
I
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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1:15:32
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Streaming URL
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Title
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Junior Recital, March 22, 2003
Alternative Title
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Recital Tape 2003-3-22b
Description
An account of the resource
Works by Beethoven, Liszt, Rachmaninoff, Debussy, Fauré, Barber, Bellini. Accompanying program contains translations.
Creator
An entity primarily responsible for making the resource
Schum, Jody
LaDue, Samantha
Mallinson, Chai-Kyou
Date
A point or period of time associated with an event in the lifecycle of the resource
3/22/2003
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/57ad0c39f8804e214acc6c140aaf9102.pdf
137c7bfca1663ae73660a5ac220280a6
PDF Text
Text
UNIV ARC
i ci l
t
pe
2003
4-
3
SP C CO L
State University of New York
Department of Music ·
The Harpur Tr11mpet Ensemble
Ben Aldridge, Director
Margaret A. Reitz, Accompanist
Thursday, April 3, 2003
8p . m.
Casadesus llecital Hall
�Program
Fanfare for Europe .................................................. Edmund Rubbra
(1901-1985)
Prayer of St. Gregory .............................................. Alan Hovhaness
(1911-1989)
Todd Paciencia
Nightsongs ............................................................... Richard Peaslee
(b. 1947)
Erinn Hibbard
Chorale ..................................................................... Verne Reynolds
(b. 1936)
Angels ................................................... ..... Carl Ruggles
(1876-1971)
--Intermission -Chorale ........................................................................... G.F. Handel
(1685-1759)
Sonatina .................................................................. Harald Genzmer
Andante Tranquillo
(1918-1984)
Phillip Deitz
Concerto ..................................................................... .Robert Planel
Anime - Lent - Vivace
(b. 1923)
Erinn Hibbard
Canzon ..................................................... ................. Samuel Scheidt
(1587-1684)
Here's That Rainy Day ............................. .............. Jim Van Heusen
�About the Performers
BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale
University, and began teaching trumpet at Binghamton University in 1976.
Aldridge has directed both trumpet and mixed brass ensembles throughout his
tenure at BU, has performed both solo and chamber repertoire, and has taught
theory as well. Aldridge is a member of the Binghamton Philharmonic and the
Utica and Catskill Symphonies, as well as the Utica and Catskill Symphonies, as
well as the Northeast Pennsylvania Philharmonic and the Glimmerglass Opera
Orchestra. He also performs with and arranges for the Catskill Brass Quintet.
Aldridge is a charter member of the international Trumpet Guild, and has been
recorded on Columbia and Redwood records.
MARGARET REITZ, piano, received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink
nied
and Walter Ponce and accompanying with Allen Rogers . She has
has
aaccompa
c
throughout the United States, in England, South America, and at the American
Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at
Binghamton University since 1991 and The Ithaca College School of Music
since 1999.
�The Ensemble
Trumpets
Phillip Deitz
Timothy Haley
Michael McKean
Alex Rubie
Derek Ersbak
Erinn Hibbard
Todd Paciencia
Sarah Streb
Horns
Greg Cecere
Patrick Lokken
*********************** ********
Coming Events
Friday, April 4-An Evening of Piano Music with Ewa Mackiewicz-Wolfe8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12
faculty/staff/seniors; $6 students
Thursday, April 10- Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall -- free
Saturday, April 12 - University Chorus and Orchestra, Timothy Perry,
conducting - 8:00 p.m. - Anderson Center Concert Theater - $8 general
public; $6 faculty/staff/seniors; free for students
Thursday, April 24 - Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall - free
Sunday, April 27 - Guest Organist: Todd Wilson - 4:00 p.m. - First
Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12
faculty/staff/seniors; $6 students
Tuesday, April 29 - Piano Recital by students of Michael Salmirs - 8:00
p.m. - Casadesus Recital Hall - free
Thursday, May 1 - Jazz Mid-Day Concert with guitarist Dave Stryker - 1:20
p.m. - Watters Theater - free
Thursday, May 1 - Harpur Jazz Ensemble with guitarist Dave Stryker- 8:00
p.m. - Watters Theater - $8 general public; $6 faculty/staff/seniors; free for
students
Friday, May 2 - Flute Studio Recital - 10:00 a.m. - Casadesus Recital Hall free
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:47:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253421&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253421&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
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Title
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The Harpur Trumpet Ensemble, April 3, 2003
Alternative Title
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Recital Tape 2003-4-3b
Description
An account of the resource
Works of Edmund Rubbra, Alan Hovhaness, Richard Peaslee, Verne Reynolds, Carl Ruggles, G.F. Handel, Harald Genzmer, Robert Planel, Samuel Scheidt, Jim Van Heusen.
Creator
An entity primarily responsible for making the resource
Aldridge, Benjamin
Reitz, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
4/3/2003
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/6f2c5af34ce9ddc5fe257ddab08cb3fe.pdf
6a74c6e7f56f90a4308eb1a85c1d237f
PDF Text
Text
V A
U
f<<tt.\
al
tape
2003
5-3
c_ COL
SPE
BINGHAMTON
U N I V E R S I T Y
State University of New York
Department of Music
HARPUR CHORALE
Peter Browne, conductor
WOMEN'S CHORUS
Jane True, conductor
Saturday, May 3, 2003
3:00 p.m.
Trinity Memorial Church, Binghamton
�Program
Harpur Chorale
I.
Jubilate Deo .................................................................. Orlando di Lasso
(1530-1594)
Ave Verum Corpus ............. ................................................. W.A. Mozart
(1758-1791)
Sanctus ............. .................................................... Johann Sebastian Bach
(1685-1750)
II.
Rejoice in the Lamb ...................................................... Benjamin Britten
(1913-1976)
Jennifer Lucia, soprano
Deanna Bunal, alto
Josh McMahon, tenor
Christopher Waterstraat, bass
John Novak, organ
III.
0 How Amiable ............................................... Ralph Vaughan Williams
(1872-1958)
Praise Ye the Lord ................................................................. John Rutter
(b. 1945)
John Soto, baritone
�Women's Chorus
IV.
Laudate pueri Dominum ........................... Felix Mendelssohn-Bartholdy
Opus 39, No. 2
(1809-1847)
Messe Basse ......... ............................................................... Gabriel Fauré
Kyrie
(1845-1924)
Sanctus
Benedictus
Agnus Dei
How Can I Keep From Singing ......................................... Arr. Jane True
Jane True, conductor
�About The Performers
PETER BROWNE, conductor of the Harpur Chorale, is a graduate of Bard
College, and received his MM degree from Binghamton University in 1980. He was
an organ performance major at both institutions, serving as chapel organist during
his student years at Bard. While at Binghamton University, he studied organ with
Paul Jordan and Searle Wright, and choral conducting with David Buttolph. He has
done additional coursework at Westminster Choir College and several other schools.
In 1994, he was awarded a fellowship to study choral conducting with Sir David
Willcocks, former music director of King's College Chapel, Cambridge, and the Bach
Choir of London. Browne has served as a church musician in Pennsylvania,
Connecticut, and New York, and has been organist-choir director at Trinity Episcopal
Church in Binghamton since 1981. He was interim choral director at Binghamton
University in 1986-87, and continues as accompanist for the University Chorus. He
has appeared as a conductor, soloist, and accompanist in the eastern U.S.
Harpur Chorale
Soprano
Hila Bezalel
Johanna
Blackstone
Samantha LaDue
Jennifer Lucia
Jane True
Emily Y anisko
Alto
Shannon Ahn
Deanna Bunal
Amali Cowan
Emily Mangino
Pamela Schrage
Rebeccah Socoloff
Megan Westfall
Sarah Williams
Alexis Witek
Amy Wolff
Tenor
William Duffy
Martin Goldman
Seung Lee
Joshua McMahon
Santosh Varghese
Christopher Tartaro
Ozzie Bute
Bass
Michael Boxer
Mark Ceci
Benjamin Darfler
Michael Mondazzi
John Resser
Joseph Salina
Christopher Waterstraat
JANE TRUE, conductor of the Women's Chorus, is a graduate
assistant in the University's Department of Music.
Woman's Chorus
Soprano I
Nicole Casale
Jennifer Curiano
Laura DeCarlo
Jenny Gill
Meaghan Hait
Cheryl Hill
Wendy Schneider
Bonnie Streigold
Regina Zimmers
Alto I
Melissa Balfus
Naomi Boyarsky
Emily Creo
Han-Ni Jang
Michelle Katz
Eva Kiviat
Ramayee
Periakaruppan
Valerie Stepien
Soprano II
Rachel Herman
Aine Mccaughey
Catherine McDonald
Debra Menter
Kate Metzler
Jamie Mittleman
Hilary Parry
Maria Puntillo
Jessica Rios
Segaal Schorr
Kathy Kim, rehearsal pianist
Jesslyn Shafer
Irene Strong
Jennifer Walsh
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:47:58
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Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253424&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253424&change_lng=en&select_viewer=metsViewer</a>
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Harpur Chorale and Women's Chorus, May 3, 2003
Alternative Title
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Recital Tape 2003-5-3
Description
An account of the resource
Women's Chorus, Jane True, conductor
Title on disc surface: Harpur Chorale & Women's Chorus, 5/3/2003
Creator
An entity primarily responsible for making the resource
Browne, Peter
True, Jane
Date
A point or period of time associated with an event in the lifecycle of the resource
5/3/2003
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In copyright
-
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:37:04
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Dublin Core
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Senior recital, February 29, 2004
Alternative Title
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Recital Tape 2004 2-29
Creator
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Lucia, Jennifer
Date
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2/29/2004
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In copyright
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cddd43e692d8f5b46396fa0a3eb6aede
PDF Text
Text
ap
200 4
-5
SPECCOL State Univ ersity of New York
Dep artm ent of Mus ic
A Tri but e to Ez ra La der ma n
with
Geo rget ta Maiolo, flute
Ma rlon Tor res, dan cer
Cha i-K you Mal lins on, pian o
Lar a Lon gsw orth , mez zo-s opra no
B·ru ce Bor ton, spe ake r
Friday , March 5, 2004
8:00 p.m.
Ander son Cente r Cham ber Hall
�Program
Ezra Laderman, composer
(b. 1924)
I.
*June 29th for Solo Flute (1983)
Georgetta Maiolo, flute
II.
Two arias from Opera-Oratorio Galileo Galilei ( 1967)
My friend, you speak too openly
I too am woman
Lara Longsworth, mezzo-soprano
Chai-Kyou Mallinson, piano
Bruce Borton, spoken part
III.
*Sonata for Flute and Piano (1952)
Moderato
Allegro motto
Fugato
Allegro
Georgetta Maiolo, flute
Chai-Kyou Mallinson, piano
--Intermission--
�IV.
*Ten Pieces for Piano (2000)
("The Circus of My Mind")
I.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Mercurial
Driven & impetuous
Andante
Andantino
Gently
Forceful , Brusque
Pesante
Con amorc
Allegro
Tenderly
Chai-Kyou Mallinson, piano
V.
*Duet for Flute and Dancer ( 1966)
Choreographe d by Marlon Torres
Georgetta Maiolo, flute
Marlon Torres, dancer
*Premiere performances in this region
�Program.Notes
June 29th 1983) was written for Carol Wincenc. June 29th is our
mutual birthday. The two-note motif is a heartbeat. That beat is
transformed into a life affirming pulse. The pulse evolves and
develqps, extends and contracts and throbs with verve and
excitement.
(
Galileo was premiered over CBS Television in 1975. Joanna
Simon sang the role of the Friend. This role is the only one in the
opera that is not historically based. It is a composite person made
up of those who befriended Galileo, warned and pleaded with him
during his struggles with the Church. The Tri-Cities Opera
. Company, directed by Carmen Savoca and conducted by Peyton
Hibbitt, gave the first theatrical performance in Binghamton on
March 2, 1979.
The Sonata for Flute and Piano ( 1952) was written for Sam and
Carol Baron. It is the first published piece of mine that I will
happily listen to. The four distinctly different movements are filled
with youthful verve and drive. The lyricism is unabashedly tonal
and the Sonata concise, though it covers a lot of territory.
Ten Pieces for Piano was written in 2000. The pieces interlocked
by a four-note cell are distinctly disparate. The emotional range is
large and the technical challenges demanding. Although these
pieces make up the second movement of the Piano Sonata No. 3,
the pieces can and have been done as an entity unto itself.
Duet for Flute and Dancer ( 1966) was written for Sam Baron and
Jean Erdman. The unique aspect of this work is that the dancer's
part is rhythmically and dynamically written out and incorporated
into the score by the composer. The gestures are created by the
choreographer based on the instructions notated. The spatial
relationships are also created by the artists, should they both be on
stage.
--Ezra Laderman
�About the Performers
EZRA LADERMAN was born in Brooklyn, New York, on June 29, 1924.
He attended the Brooklyn Ethical Culture School, the High School of Music and
Art, and Brooklyn College. He served in the Field Artillery of the 69 th Division
from l 943 to 1946. Laderman studied composition with Stefan Wolpe, and with
Otto Luening and Douglas Moore at Columbia University, where he received his
M.M. in l 952.His compositions range from solo instrumental and vocal works
to dance, large-scale choral and orchestral music. His eleven string quartets and
his concertos for piano, violin, viola, cello, flute, clarinet, oboe, bassoon, bass
clarinet, string quartet, and double winds are notable contributions to the
repertory. His works for orchestra, including eight symphonies, have been
conducted by Lawrence Leighton Smith, Eleazar Decarvalho, Ricardo Muti,
Andre Previn, Alfredo Antonini, Carlo Maria Giulini, Rostropovitch, Eduardo
Mata, Cristof Eschenbach, Sergio Commisiona, Ferrucio Scaglia, Thomas K.
Sherman, Herbert Bloomstedt, Michael Tilson Thomas, Hugh Wolff, Arthur
Weisberg, Andre Kostelanetz, Gunter Herbig, Jose Serebrier, Dennis Russell
Davies, Julius Hegyi, Jesse Levine, Michael Palmer, Peyton Hibbitt, Margaret
Hillis and David Hayes. He has also written music to the Academy Award
winning films The Eleanor Roosevelt Story and Black Fox. He has written seven
operas and six dramatic oratorios with librettos by Ernest Kinoy, Clair Roskam,
Joe Darion, Norman Rosten, and Daniel Hofmann. His music for dance has been
choreographed by Jean Erdman, Anna Sokolov, Jose Limon, John Butler, and
Sophie Maslow.
Laderman incorporates a lyrical style into a contemporary context, using
tonal material in combination with atonal, polytonal or aleatoric elements, and
seeking out unusual formal structures for his music. A compositional process
that has evolved through many of his works deals with the transformation of
musical material. Whether it be enigmatic or declarative at the outset, the initial
musical structure is intrinsic to all that follows.
Commissions have come from the orchestras of Chicago, Philadelphia, New
York, Los Angeles, Minnesota, National, Louisville, American Composers,
Pittsburgh, Dallas, Houston, Fort Worth, Denver, New Jersey, Saint Paul,
Detroit, Columbus, and New Haven. He has written many works for CBS TV,
the Library of Congress, the Kousevitsky and Barlow Foundations, Meet the
Composer, the National Endowment for the Arts, in addition to commissions
from such distinguished artists as David Shifrin, Ransom Wilson, Yo-Yo Ma,
Emmanuel Ax, Aldo Parisot, Jean-Pierre Rampal, Judith Raskin, Elmar Oliveira,
Julius Baker, Robert Bloom, Nathaniel Rosen, Toby Appel, Leonard Amer,
Eugene List, Erica Morini, Samuel Baron, Patrick Jee, and the Juilliard,
Concord, Lenox, Composers, Tokyo, Audubon, Sequoia, Colorado and Alard
Quartets. He has written for the Connecticut Trio, Elm City Ensemble (now
Antares), DaCapo Chamber players, the International Society of Contemporary
Musicians, the New York Woodwind Quintet, and the Yale Cellos. Laderman ' s
opera Marilyn, based on the life of Marilyn Monroe, had its premiere at the New
York City Opera in 1993. The dramatic oratorio Brotherly Love, based on a
�poem by Daniel Hoffm
an , was premiered Mar
ch 4, 2000 by the Ph
singers under David Ha
iladelphia
yes. Th e Concerto fo r
Ba
ss Clarinet an d Orches
premiered January 20,
tra wa s
2003 with Richard Pa
ge. Hsing-ay Hsu prem
Piano Sonata No . 3 De
iered hi s
cember 13 , 2003 at the
Yale School of M us ic 's
Hall.
Sprague
Laderman was Dean of
the Yale School of Mus
ic from 1989-1995 and
currently Professor of
is
Music .
He
ha
s
be
en
ch
airman of the Natio
Endowment for the Ar
nal
ts composer-librettist pr
ogram ( 1973-79), pres
American Music Cent
ident of the
er (1972-75), director
of the music program
National Endowment
of the
for the Arts (1979-82),
president of the Natio
Council (from 1983-87)
na
l
Music
, and chairman of the bo
ard of the American Co
Orchestra (1987-91). He
mposers
is currently Vice Presid
ent of the American Ac
of Arts and Letters.
ademy
He has taught at Sara
h Lawrence College (
1960-61, 1965-66) and
State University of N ew
at the
York at Binghamton (1
97
1-82), where he also he
position of composer-i
ld the
n-residence. He has
also held the position
composer-in-residence
of
visiting
at Yale University ( 19
88-89). He has receiv
separate Quggenheim
ed
three
fellowships (1955 , 19
58, and 1964) the Ro
(1963), and has had
me Prize
residencies at the Be
nnington Composers
(1952), and at the Am
Conference
erican Academy in
Rome (1982-83), and
Rockefeller Foundatio
at the
n at Bellagio (1986)
. He was the directo
Bennington Composers
r
of
the
Conference (1967 and
'6 8) , and was in resid
the Israel Philharmonic
ence with
( 1982).
Recordings of his music
include Concerto fo r Do
uble Orchestra with Hu
W ol ff and the Ne w Jers
gh
ey Symphony (New W
or
ld), Citadel, Sanctuary,
Violin Concerto with th
an
d
the
e Louisville Orchestra
and Lawrence Leighton
(First Editions), Pentim
Smith,
ento with the Albany
Symphony with Hegy
Concerto fo r Orchestra
i (CRI),
, Baltimore Symphony
with Co m m isi on a (Des
Etudes with Elana Vere
to
), Piano
d (Connoisseur) Quartet
No. 6 with the Audubon
Victor), Quartet No. 7
(RCA
with the Colorado (Alb
any), and ov er the last
five CD 's have been
three years
released by Albany Re
cords of his solo and
works. A sixth CD is no
chamber
w in production. Many
of his earlier works publ
Ox fo rd University Pres
ished by
s, are with Theodore Pr
esser. His music is now
exclusively by G. Schirm
published
er.
Dancer MARLON TO
RRES is a member of
Company and a featu
the Se co nd Hand Danc
red dancer with Linc
e
ol
n Amphitheater. He's
television appearances
made
on The Jerry Lewis Te
lethon MDA, Por fin es
Boy, Los Mini Pops an
lunes, Rat
d Agatha. Torres has ap
peared as an actor or
BU in Free Beer, Hot
dancer at
Sex and The Weight of
Gravity and Chicago, an
Lincoln Amphitheater
d with
in The Music Man. He
has studied ja zz with Fr
Rick Atwell, and Denise
ed Weiss,
LaPointe , ballet with Ka
theryn Sullivan and Al
Tresser, tap with Deni
exander
se Butterfly and moder
n dance with Miguel
Milton May ers.
Lopez and
\
�Flutist GEORGETTA MAIOLO is a graduate of Duquesne University,
Pittsburgh, Pennyslvania with a Bachelor of Science Degree in Music
Education.
She attended graduate school at West Virginia University,
Morgantown, West Virginia. She has studied with Bernard Goldberg, principal
flutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music,
and Victor Saudek. At the age of 15, she made her solo debut with the
Pittsburgh Symphony. Maiolo is the recipient of numerous honors. She is the
principal flutist with the Binghamton Philharmonic Orchestra, Tri-Cities Opera
Orchestra, B.C. Pops Orchestra, Southern Tier Concert Band and Downtown
Singers Orchestra. In addition to her playing positions, she concertizes as a
soloist, recitalist, and chamber musician. As a soloist, she has appeared with the
Binghamton Youth Symphony, Oneonta Symphony, Geneseo Community
Orchestra, Hornell Symphony and Symphonette, Elmira Symphony, B.C. Pops
Orchestra, and high school orchestras and wind ensembles. She is a member of
the Binghamton Woodwind Quintet, The Three Winds, Flute and Harp Duo,
Four Flutes for Fun, and the Binghamton University Faculty Woodwind Quintet.
Maiolo is a faculty member at Binghamton University and Broome Community
College, teaching flute and directing flute ensembles.
CHAI-KYOU MALLINSON, on the faculty of the Department of Music
at Binghamton University, received a B.M. degree in Piano from Juilliard,
Licence d 'Enseignement from Ecole Normale de Music de Paris, France and a
M.A. degree from Binghamton University, where she studied with Jean
Casadesus. A prize winner in the Korean National Music Competition, she was
awarded the French Government Scholarship, Tanglewood Summer Music
School Full Scholarship and the Fontainebleau American Conservatory Full
Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been
active as a recitalist, vocal accompanist and coach, and chamber music
performer, as well as an active adjudicator of piano auditions and competitions.
By invitation, she appeared in a performance with the Seoul Philharmonic
Orchestra, which Eumag Choonchu, one of Korea's most respected music
magazines, described as "of rare quality, moving and lyrical----". As a teenager
iin her native Korea, she was invited to perform with the orchestra of the Korean
Broadcasting System after winning a prize in the Korean National Music
Competition in Piano. She made numerous appearances on Korean TV and
radio, and has performed in Europe and in the U.S.
LARA LONGSWORTH (mezzo-soprano) is from Richmond, VA. She is
a member of the Tri-Cities Opera Resident Artist Training Program and a
candidate for a Master of Music in Opera at Binghamton University.
Longsworth is a graduate of Virginia Commonwealth University where she sang
the title role in Rossini's La Cenerentola, Prince Orlofsky in Strauss's Die
Fledermaus, and Fidalma in Cimarosa's fl Matrimonio Segreto. She made her
Tri-Cities Opera debut as the Mother in Menotti's Amahl and the Night Visitors.
�Coming Events
Saturday, March 6 - Duke Ellington Orchestra - 8:00 p.m. - Anderson
Center Concert Theater - $25 general public; $20 faculty/staff/seniors; $10
students (co-sponsored by the Harpur Jazz Project)
Sunday, March 7 - University Wind Ensemble - "Cinematic Signatures II Music by John Williams" - 3 :00 .m. - Anderson Center Concert Theater free
Thursday, March 18 - Mid-Day Concert with Faculty and student performers
- 1:20 p.m. - Casadesus Recital Hall - free
Saturday, March 20 - Harpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall - free
Sunday, March 21 - Mozart Lecture/Recital - Lecture by Alice Mitchell with
faculty artists performing - 3:00 p.m. - Casadesus Recital Hall - $8 general
public; $6 faculty/staff/seniors ; free for students
Thursday, March 25 - Harpur Trumpet Ensemble Concert - 8:00 p.m. Casadesus Recital Hall - free
Saturday, March 27 - Songs My Teachers Taught Mc - Soprano Mary
Burgess and Friends - 8:00 p.m. - Anderson Center Chamber Hall - $14
general public; $12 faculty/staff/seniors; $6 students
l
Thursday·,. April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Thursday, April 15 - Mid-Day Concert with faculty and student performers I :20 p.m. - Casadesus Recital Hall - free
Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem
- Bruce Borton, conductor - 8:00 p.m. - Anderson Center Concert Theater $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artists - I :20 p.m. Anderson Center Concert Theater - free
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
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1:04:35
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253430&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253430&change_lng=en&select_viewer=metsViewer</a>
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Title
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A tribute to Ezra Laderman, March 5, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-3-5
Description
An account of the resource
Works of Laderman
At head of title: Binghamton University Department of Music
Creator
An entity primarily responsible for making the resource
Laderman, Ezra
Maiolo, Georgetta
Torres, Marlon
Mallinson, Chai-Kyou
Longsworth, Lara
Borton, Bruce
Date
A point or period of time associated with an event in the lifecycle of the resource
3/5/2004
Rights
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/320b909fb8f248b6deb09a1dd43a41f5.pdf
c2769d5ce08a636d5ed15a96017c6338
PDF Text
Text
VA
\
C
Recital
C \)
00
4
3 7
SPECC 0
L..§tate University of New York
Department of Music
UNIVERS ITY WIND
ENSEMB LE
Timothy Perry, conductor
Stephen Boel, assistant conductor
"Cinematic Signatures II:
The Film Music of John Williams''
Sunday, March 7, 2004
3:00 p.m.
Anderson Center Concert Theater
�The Binghamton University Department of Music prcs<::n ts the
Wind Ensemble
University
Timothy Perry, Director and Conductor
Stephen Boel, Assistant Conductor
CINEMATIC SIGNATURES II
THE FILM MUSIC OF JOHN WILLIAMS
Program
"Jaws" Suite ( I975) ....................... ......... arr. John Cacavas
Main Title - The First Victim - Out to Sea - Epilogue
"Star Wars: The Empire Strikes Back" (l 980) .. arr. Jack Bullock
Finale - End Credits
"Raiders of the Lost Ark" ( 1981) ................ arr. Jack Bullock
Raiders March - Marion's Theme
"E.T. The Extra-Terrestrial" (l 982) ........... arr. Frank Erickson
Adventure on Earth - E.T. and Elliott - Over the Moon - Main Theme
''The Witches of Eastwick" ( 1987) ............. arr. Paul Lavender
Dance of the Witches
"Schindler' s List" ( 1993)
arr. Calvin Custer
Main Theme
Alicia Fusani, Violin Solo
"Saving Private Ryan" ( 1998) .................. arr. Paul Lavender
Hymn to the Fallen
"Harry Potter and the Sorcerer's Stone"(2001) .. arr. Robert Smith
Hedwig's Theme - Nimbus 2000Hogwarts Forever - Quiddi tch Leaving Hogwarts - Harry's Wondrous World
�UNIVERSI1Y WIND ENSEMBLE
TIMOTHY PERRY, DIRECTOR
STEPHEN BOEL, GRADUATE AsSISTANT
Piccolo
Amy Forgacs
Tenor Saxophone
Stephanie Mack
Flute
Lisa DePaula
Stephanie Holleran
Nicole Lean
Elise Martingale
Jennifer Thomas*
Jennifer Weintraub*
Baritone
Saxophone
Oboe
Nancy Bayewitch
Clarinet
Heather Boland*
Caroline Bravo*
Sandra Czelusniak*
Lloyd Gewuerz
Michelle Grexer
Andrew Hsu
Angela Orlando
Julie Pinsonneault
Bass Clarinet
Sam Jones*
Christopher Strub
Soprano
Saxophone
Philip Belle*
Michael Irani
Keyboard
Judy Zhu
Trumpet
Max Baden
Philip Deitz
Derek Ersbak
Michael Osa*
Thomas Osa
French Horn
Greg Cecere*
Ernie Epelman
Maxwell Guido
Trombone
Ari Atkinson
Jamie Cepler
Ten-Seng Guh
David Henann*
Jonathan Ludwin
Euphonium
Dennis Pettas
Jay Gwak
Tuba
Alto Saxophone
Emily Alkiewicz*
Amy Natiella*
Percussion
Ryan Bagg
Matt Green
Kristine Jackson
Robin Kindig
Pete Tringali*
Dan Gallagher
* Section Leader
�About the Performers
Conductor/Clarinetist TIMOTHY PERRY is Professor of Music
at Binghamton University, where he serves as Director of
Orchestral Activities, Director of the Wind Ensemble Program,
and Professor of Instrumental Conducting and Studio Clarinet.
Off campus, he is completing his tenth season as Music Director
of the Binghamton Community Orchestra and recently guestconducted the Catskill Symphony and Binghamton Philharmonic
orchestras. In addition to directing more than two hundred
concert programs as conductor, Perry maintains a career as solo
clarinetist and chamber musician. He has presented two programs
at world conferences of the International Clarinet Association,
toured Latin America as a United States Musical Ambassador,
and recently premiered his composed reconstruction of Carl
Baermann's concertina, The Hour of Ghosts.
STEPHEN BOEL is a graduate student 1n Instrumental
Conducting at Binghamton University, where he studies with
Timothy Perry. A graduate of Eastern Nazarene College in
Quincy, Massachusetts, Boel double-majored in Music Education
and Music Performance. He also fulfilled the requirements for the
Choral Conducting Certificate of ENC while serving for three
years as the student director of the A Cappella Choir and Chamber
Singers under the mentorship of Timothy SShetler. Conducting
opportunities while ·serving as student director, and later as
assistant director, included appearances at the Pennsylvania State
University, New England Conservatory's Jordan Hall, and St.
Paul's Cathedral in London. Upon receiving his baccalaureate
degree, Boel served as director of music for the Wollaston Church
of the Nazarene on the campus of his alma mater, a position held
for five years before coming to Binghamton. During that time, he
also played trumpet in the brass septet Tribute in Brass and
assisted with the Wind Ensemble of Eastern Nazarene College. He
serves as assistant director of the Binghamton University Wind
Ensemble. He plans to graduate with his M.M. in Instrumental
Conducting in the spring of 2005.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:54:24
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&change_lng=en&select_viewer=metsViewer</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The film music of John Williams, March 7, 2004
Alternative Title
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Recital Tape 2004-3-7
Description
An account of the resource
Title from cassette label
Creator
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Williams, John
Date
A point or period of time associated with an event in the lifecycle of the resource
3/7/2004
Rights
Information about rights held in and over the resource
In copyright