173
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
22:23
19:19
35:51
15:22
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59405
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59405"> Voice Studio Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, May 8, 1968, Music Recital Hall. Works of Dowland, Purcell, Mozart, Handel, Vaugn-Williams.
Creator
An entity primarily responsible for making the resource
State University of New York at Binghamton
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-05-08
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Dowland, John, 1563?-1626
Purcell, Henry, 1658 or 9-1695
Mozart, Wolfgang Amadeus, 1756-1791
Handel, George Frideric, 1685-1759
Vaughan Williams, Ralph, 1872-1958
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020093518
39091020093567
39091020094250
39091020094300
-
https://omeka.binghamton.edu/omeka/files/original/10f04cdbf980f779ab4644869c49d65f.pdf
d32ddd3700d21779da002b916ed52f12
PDF Text
Text
AT BINGHAMTON
YORK
ST ATE UNIVERS
CO LLEGE
THE
A VOICE
OF
MUSIC
NT OF NT
DEPARTMEME
STUDIO RECITAL
and
OPERA
SCENES
12, 1971
y,
Ja nuary
Tuesda
8:15
p.m.
Music Recital Hall
�VOICE STUDIO RECIT
by the students of '
L
Roberta Schlosser
1 i
PROGRAM
Tu
morte
( Orfeo)
Monteverdi
Charles Seltzer
Chacun le sait
(La Fille du Régiment)
Ricky Stern
0 mio babbino caro
(Gianni Schicchi)
Norma Schlesinger
Sola perduta abbandonata
(Manon Lescaut)
Susan Ball
Donizetti
Puccini
Puccini
Caro nomé (Rigoletto)
Margaret
0 Image, angel like and fair
Kotylo
(Magic Flute)
Tony Brienza
Mozart
Dehi vieni non tardar (Le Nozze di Figaro)
Phyllis Kristal
Stephan Kotrch, accompanist
Non più andrai (in "ll'nrlish - Marriage of Figaro)
Mozart
LarryZukof
Depuis le jour
(Louise)
Charpentier
Grace Martin
Paladilhe
Claire Witlin
Les temps des Lilas
Chausson
James Osborne
My dear, Marquis
(Die Fledermaus)
Kvitka Cisyk
BARBARA GARGES, Accompanist
- - -n-t i rn
mi s
i o n----
�OPERA
SC
EN
ES
BY STUDENTS FROM THE OPERA WORKSBOP
LA
Traviata
Giuseppe Verdi
Scene from Act II
Characters
Violetta Valery
Giorgio Germont
Soprano
Donna Ribble
Baritone
Terrance Howell
- - - - -- -- - - - - -
The Fair of Sorotchinsk
-Solo-scene The Song
11
Khivria
Modeste Moussorgsky
of Khivria"
Mezzo-soprano
Kathleen Tyrrell
George Gershwin
Characters
Serena
Bass
Porgy
Alfred Wilson
Musical Numbers
Summertime
I Got Plenty o' Nuttin'
I Wants To Stay Here
- - - - - .. -- - - - - - - Bess,
-
Musical Preparation
Dramatic Director
Coach and Accompanist
You Is My Woman Now
Roberta Schlosser
William Lewis
Barbara Garges
Explanatory Note:
The drama
t ic direction of both the Traviata and Porgy scenes was, in the ear
ly
rehearsals, • the responsibility of the students performing, as another
aspect
of
their experience in the Opera Workshop.
�PROGRAM
NOTES
La Traviata
Verdi's La Traviata is the most popular and well known of his early works
together with Trovatore and Rigoletto. It was first produced in Venice in 1853.
i
and Al
by
Younger
Dumas theCamel
Camelias
aux
by Alexandre
aux
aux Camelias
Dame
Dame
The libretto was based on La
written for Verdi by Francesco Piave. Compared to the brutality and agony of the
operas preceding this work, Traviata is a drawing room tragedy in a more restrained.
intimate musical style. Perhaps it is this expressive melodic abundance which
makes this opera so universally appealing and enjoyable.
The action takes place in and near Paris in 1850 and centers around Violetta
Valery, a courtesan and woman of pleasure. The first act is in Violetta's house.
A party is in progress as Violetta meets and falls in love with a young nobleman,
Alfredo Germont.
In the second act Alfredo and Violetta are living tog ther in a country house.
The scene performed this evening begins with the entrance of Giorgio Germont,
Alfredo's father. He has come to dissolve the alliance between his son and this
infamous woman. Upon their meeting, he accuses her of squandering his eon's
fortune, but she reveals that her own fortune is paying for everything. Then
Germont (as he is called in the opera) explainshis real reason for coming in his
aria 11 Pura sicomme un angelo". His other child, a daughter, is to be married, but
the bond cannot be made as long as Alfredo continues to live with her. Violetta
agrees that she will leave Alfredo until the marriage is done. Germont insists
that they must separate forever. Violetta, realizing the finality of his demands,
tel.ls him that she loves only Alfredo and cannot leave him as she is dying slowly
with a mortal disease. She begs that she would rather die than leave him now
(Non sapete, quale affetto"). Germont argues that her youth and beauty will fade
and so will their love and pleads with her to agree to his demands. In the most
famous part of this scene ("Dite alla giovine") , Violetta at lastconsents to the
relentless demands of Germontwhile he consolesher and blesses her for her
sacrifice. Violetta secretly decides to make Alfredo think her faithless so he
will not pursue her. Germont begins to leave and she begs only that someday be
reveal to his son the true story. Germontnow realizesthe depth of her love
and the great sacrifice he asks and promises this lastwish. They part, Violetta
in tears and Germont remorseful over what he had to do.
In the final scenes of the opera, Violetta accomplishesher deed and Alfredo,
embittered and heartbroken,leaves her. The lastact finds Violetta on her death
bed. Alfredo, having learnedthe truth, returns only to have her die in his arms.
It is interesting to note that Traviata at its premierein 1853 wasa colossal failure due to the fact that it took place in the present and the singers
wore contemporarydress. The opera-goers of the timewere not prepared to accept
s.
real life emotions which could take place in their own li
Howell
----Terrance
Fair of Sorotchinsk
-The
from the like-named
t
Fair of Sorotchinsk (1877) wasadapted
stepmother of
the
Khivria,
Dikanka.
at at
his novels Evenings
far fromaverse to
ill
t
matron,
buxom
a
is
Parasha (the heroineof Gogol's story)
of her husband,
absence
the
during
an occasional flirtation. She sings this song
Afanasius
lover
her
of
Tcherevik, while she is awaiting the arrival
the peasant
repast.
pa d a delicious
she has
Ivanovitch, the pope's son, for
The textof
tale by Gogol in
The
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:39:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63376
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63376"> Voice Studio Recital and Opera Scenes State University of New York at Binghamton, Department of Music</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital and Opera Scenes, State University of New York at Binghamton, Department of Music, January 12, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Monteverdi, Donizetti, Mussorgsky, Gershwin, Puccini, Verdi. Held at 8:15 pm, January 12, 1971, Music Recital Tape.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-1-12
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Monteverdi, Claudio, 1567-1643
Donizetti, Gaetano, 1797-1848
Puccini, Giacomo, 1858-1924
Verdi, Giuseppe 1813-1901
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020065003
39091020065052
39091020065102
-
https://omeka.binghamton.edu/omeka/files/original/83b7520b36f9dca7b3fb13cca26c4241.pdf
393a8e7fb35fd72d54bfac9efd4eef64
PDF Text
Text
eL
m … m œ n r m a m œ
HARPUR COLLFUF
THE DEPARTMFNT @ MUSIC
V O I C E
S T U D I O
R F C I T A L
by the students of Roberta Schlosser and William Lw
e is
Barbara Garges, escampanigt
May 13, 1971
E:15 p . me
Masie Ree ltal Hall
PROGRAM
Fat man nicht (Fidelio)
lary Zukef, bags~bari 2]
V
tocho saçoto L(e NosDiane
SAFiKrasinski,
gare)
Beethoven
Mozart
eoprane
Ach, ieh fuhl’s (Die Zguberflote)
Mosart
Phyllis Kristal, soprano
Porgi amor (Le Nonge di Fizarg):
Mozart
:
Michele Milligan, soprano
If wthi all your hearts (F3ijah)
Mondelssolm
Anthony Briensa, tensr
Elgn®s Trew (Lehenerin)
Wagner
Linda Folgers, soprano
Mugetta’s Waits (Le Boheme)
Pucoini
Susan Fall, soprano
Printemps qui comrence (Sampson ot Dalils)
Claire Witlin, recaso-sopranc
Saint-Saens
�4
a
Amour, viens sider (Samagn at Dalila)
Kathleen Tyrrell, messc-eoprano
Je voux vivre (Romee gt Juliette)
Evitka Cisyk, soprano
Avant de quitter c s lieux (Faust)
Padlip Wu, baritone
Saint-Saens
Gounod
Gounod
The Lullaby (The Consul)
Me notti
Beverly Penn, soprano
‘Papers’ Scene (The Consul)
Toby Jean Manker, soprano
Me notti
A“ Spaniard Konws D
(uet - la Parishole)
Kvitka Cisyk, soprano
James QŒborne, baritone
+
Offenbach
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:03:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63485
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63485"> Voice Studio Recital by the Students of Roberta Schlosser and William Lewis</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital by the Students of Roberta Schlosser and William Lewis, May 13, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven, Mozart, Wagner, Puccini and Saint-Saëns. Held at 8:15 pm, May 13, 1971, Music Recital Hall
Creator
An entity primarily responsible for making the resource
Schlosser, Roberta
Lewis, William
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-13
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Mozart, Wolfgang Amadeus, 1756-1791
Wagner, Richard, 1813-1883
Puccini, Giacomo, 1858-1924
Saint-Saëns, Camille, 1835-1921
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069658
-
https://omeka.binghamton.edu/omeka/files/original/6fc99d5dae9c00a47a97c2079cdebe89.pdf
58345968f3ea0ec69fcb22054f6d0250
PDF Text
Text
STATE UNIVE RSITY OF NEW YORK AT BIN GH AMTON
HARPUR COLLEGE
TH E DEPA RTMEN T OF M USIC
VOICE STUDIO RECITAL
by students of William Lewis and Roberta Schlosser
Barbara Garges, accompanist
January 1 5, 1969
8 :15 p.m.
Music Recital Hall
PR OGRA M
VOI, CHE SAPETE (LE NOZZE DI FIGARO)
Joy Edwa rdsen
SENTO NEL CORE
Linda Dri ver
SI TRA I CEPPI (BERENIC E)
Jayne Kaplan
VAGHISSI MA SE M BIAN ZA
COME L ’ALLODOLETTA
Kathy Tyrell
Linda Uhl y
SPIRAT E, PUR SPIRAT E
Elizabeth Lee
Mozart
Scarlatti
Handel
Donaudy
Donaudy
Donaudy
P ERDUTO HO LA SP E RAN ZA
Donna Ribble
Donaudy
FRESCHI LUOGHI
Donaudy
LOVELIEST OF TREES
A LLERSE ELEN
DU BIST DIE RUH
DIE A LLMACH T
Regina Sa blauskas
Audrey A dler
Linda Holgers
Thomas St rain
Carolyn K imble Hil l
Intermission
John Duke
Strauss
Schubert
Schubert
�SI, MI CHIAMANO MIMI (LA BOHEM E)
Phyllis Costanzo
Puccini
DOND E LIETA (LA BOH E M E)
Alida Stahl
Puccini
UNA FURTI VA LAG RI MA (L ’E LISIR D’AMO RE)
Vartkes Baboghlian
AVE MARIA (OTEL LO)
Linda Trave r
THE NUN TAKES THE VEIL
SURE ON THIS SHININ G NIGHT
Nancy Carlson
ME VOICI DANS SON BOUDOIR (MIGNON)
Marcia Bernhardt
AVANT DE
QUITTER
CES LIEUX (FAUST)
Terry Howell
Donlzetti
Verdi
Samuel Barber
Thomas
Gounod
DEPUIS LE JOUR (LOUISE)
Grace Martin
Charpentier
HEAR YE, ISRAE L (ELIJA H)
Betty H artman
Mendelssohn
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:26
00:15
38:53
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59285
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59285"> Voice Studio Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital, January 15, 1968
Description
An account of the resource
Held at 8:15 pm, January 15, 1969, Music Recital Hall. Works of Mozart, Scarlatti, Handel, Donaudy, Duke, Schubert.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-01-15
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Scarlatti, Domenico, 1685-1757
Handel, George Frideric, 1685-1759
Donaudy, Stefano, 1879-1925
Schubert, Franz, 1797-1828
Duke, John
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095489
39091020095539
-
https://omeka.binghamton.edu/omeka/files/original/23b1206e80eaefbd5dac00a0a6cb80e5.pdf
efdf97306cd1f9f9215ceed246d1e1f3
PDF Text
Text
S TA T E U N IVE RS IT Y O F N E W YO R K A T BIN GH AMTON
HA RP U R CO LLE GE
T H E DE PA RT M E NT O F MU SIC
VOICE
STUDIO
R EC ITAL
3
We dnesday , Ja nu a ry 17 . 19 68
JAPE 1
8 :15 p . m .
M us ic Re c ita l Ha ll
P RO G R A M
ARM, ARM, Y E BR AV E (Juda s Mac ca ba eu s )
Ke ith W i llc ox , ba ss
Ha nd e l
PANIS ANG EL ICUS
F ra nc k
Jo y E dw a rdse n, sopr an o
IN QUESTA TOMHA OSCURA
Be et ho ve n
O ISIS UND OSIRIS (Die Za ube rfloete )
Freder ick Rich a rds. ba ss
Mo za rt
V E RGIN , TU T TO A M OR
Du ra nte
DANZ A, DANZ A, FANC IU LL A GE NTILE
Lin da Uh ly, sopr an o
Du ra nte
IN TH E MI DS T OF THE BAL L
Pa ul Robb ins , tenor
Tc ha iko vs ky
ete r Gronac ha n, ba rit one
Ma rc ia Be rnha rdt , mezz osoprano
DEL MIO CORE (Orfeo)
Lin da Ho lge rs, sopr an o
.
—
(a pe 2
Hay dn
PE R LA GLORIA D ’ADOR AR VI
Ja m es Va n Har t, ten or
Bo no nc ini
UN C ER TO N ON SO C HE
Gr ac e Martin , soprano
Viv a ld i
LUNGI DAL C ARO BE NE
G. Mi chae l Rau che r, tenor
Se cc hi
RO LL IN G IN F OA MING BI L LOWS ( C rea t ion )
Pa ul Da rnell , ba ss
Ha y dn
SI, MI C HIA MANO MIMI ( La Bohem e)
Lin da T ra ve r, sopr ano
Pu cc ini
int er miss ion
�P R O G R A M ( Cont in ue d)
TM: J
TOTA L EC LI PS E (Sa m son)
Alan A . Ka tz , te no r
V I O L A Q U E B R A D A
Ja yne Ka pla n, m ez zo s op ra no
Ha ndel
V i llaLobos
NONE BU T TH E LONE LY H E AR T
Do m in ic De fa zi o, ba rit one
Tc ha iko vs ky
O MIST RE SS M IN E
Ro ge r Qu i lte r
Thom as Strain, ba rit one
‘ NE BBIE
Na nzy Ca rls on , me zz osopr ano
VE RBORGE NH EI T
Anne Gra nt , m ezzos op ra no
AU F EIN A LT ES BILD
DE R GA ERTNER
Ca ro lyn K im ble, sopr ano
CH ANSON EPIQUE (Don Quichotte a Du lc ine e)
IM R H EIN (D ic ht e rli ebe)
Russel l Fu lle r, ba rit one
AU F DE M SE E
DORT IN D EN W EIDEN
J
u
d
i
t
Wolf
W o lf
Te rr y Howe ll, ba rit one
BOTS CH AF T
Resp igh i
h Elte rm an , m ez zo s op ra no
Wolf
Brah m s
Ra ve l
Sc hu m ann
Br ah m s
Brah m s
DANS LES R UINES D’ UN A BB AY E
[ A = 7
Ja net Pete rson, soprano
Fa ure
LES BE RC EA UX
Fa ure
CHANSON TRISTE
TES YE UX
‘
Ma rga re t Jac ks on , m ez zosop ra no
Alida Sta hl, soprano
AU F OND DU T EM PLE SAIN T ( Le s Pe cheu rs de Pe rles )
Al a n A . Ka tz , te no r
Te rr y Howe ll, ba rit one
Donna Ha lle n, pia no
Ba rbar a Ga rges , ac co mpan ist fo r M iss S ch losse r ’s st ud en ts .
Cha ikyou Kim , ac co m pa nist f or M r. W ill iam ’s st udents .
Dupa rc
Ra bey
Bize t
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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4 sound tape reels
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17:41
26:11
37:10
16:03
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Title
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Voice Studio Recital, January 17, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, January 17, 1968, Music Recital Hall. Works of Handel, Franck, Beethoven, Mozart, Tchaikovsky, Vivaldi.
Creator
An entity primarily responsible for making the resource
Dept. of Music, State University of New York at Binghamton
Publisher
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Binghamton University Libraries
Date
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1968-01-17
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Beethoven, Ludwig van, 1770-1827
Handel, George Frideric, 1685-1759
Mozart, Wolfgang Amadeus, 1756-1791
Tchaikovsky, Peter Ilich, 1840-1893
Vivaldi, Antonio, 1678-1741
Franck, César, 1822-1890
State University of New York at Binghamton. Department of Music.
Type
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sound
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Voice Studio Recital 1-17.pdf
-
https://omeka.binghamton.edu/omeka/files/original/e770706969cc2a731f9f2ba6c4b37dea.pdf
3e91b147f4fefb6bf8e90b4da87cae07
PDF Text
Text
STATE UNI VERSITY OF NEW YORK AT BINGHA MTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
VOICE STUDIO RECITAL
by students of Roberta Schlosser and William Lewis
8 :15 p.m.
May 14, 1969
Music Recital Hall
PR OGRAM
ALMA DEL CORE
Marilyn Barringer
SE TU M’AMI, SE SOSPIRI
SPIRATE, PUR SPIRATE
NUITS D’ETOILES
LES PAPILLONS
Elizabeth Lee
Ricky Stern
Audrey Adler
I
L’EST L’EXTASE
Jayne Kaplan
IL PLEURE DANS MONS COEUR
Donna Ribble
CHACUN LE SAIT
(La Fille du Regiment)
LES ROSES D’ISPAHAN
Pergolesi
Donaudy
Debussy
Chausson
Debussy
Debussy
Donizetti
Linda Uhl y
Linda Driver
ZIG EUN ERLIEDER, OP, 55
Rings ist der Wald
Ei, wie mein Tr iangel
Marcia Bernhardt
WIE M ELODIEN ZIEHT ES
WOHIN 7
Caldara
James Osborne
Faure
Dvorak
Brahms
Schubert
�DIT E A L LA GIOVIN E (LA T RA VIATA)
Verdi
Alida Stahl
James Osborne
Intermission
PORGI A MOR (LE NOZ ZE DI FIGARO)
Kathy Tyrrell
Mozart
O DON FATALE (DON CARLO)
Nancy Carlson
Verdi
PRES DES RA MPARTS DE SEVILLES (CARM EN)
Joy Edwardsen
Bizet
JE DIS QUE RIEN NE M’ EPOUVANTE (CARMEN)
Bizet
Grace Martin
O MA LYRE IMMORTELLE (SAPHO)
Linda Holgers
CHERE NUIT
I HEAR AN ARMY
Phylis Costanzo
Thomas Strain
KHIVRIA’S SONG (THE FAIR OF SOROTCHINSK)
Linda Traver
Gounod
Bachelet
Samuel Barber
Moussorgsky
PORGY AND BESS
George Gershwin
Summertime . . . . . . . . . . . . . . . . . Regina Sablauskas
My man’s gone now . . . .
. . . .CarolynKimbleHill
Bess, you is mywoman now. .Carol yn Kimble–Hill, Thomas Strain
Barbara Garges, Donna Hallen, ChaiKyou Kim, accompanists
A RECEPTION will be held immediately following the concertin the Green
Room. The audience is cordially invited to attend.
�
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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3 sound tape reels
Duration
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39:06
19:27
31:43
OHMS Object
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59453"> Voice Studio Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Voice Studio Recital, May 14, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Caldara, Pergolesi, Donaudy, Debussy, Donizetti. Held at 8:15 pm, May 14, 1969, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Dept. of Music, State University of New York at Binghamton
Publisher
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Binghamton University Libraries
Date
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1969-05-14
Rights
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In copyright
Contributor
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Caldara, Antonio, 1670-1736
Pergolesi, Giovanni Battista, 1710-1736
Donaudy, Stefano, 1879-1925
Debussy, Claude, 1862-1918
Donizetti, Gaetano, 1797-1848
State University of New York at Binghamton. Department of Music
Type
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sound
Identifier
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39091020095869
39091020095976
39091020095919
-
https://omeka.binghamton.edu/omeka/files/original/34a51c9ffece39b7eecd519d12ff2cc1.pdf
8c5aa189fc18a3bdd57458b8ae644521
PDF Text
Text
S t a te Un ive rs i t y of New York a t Bin ghamt on
Harpur Co l le ge
The Depar tmen t of Mus i c
VOICE STUDIO RECITAL
by the s t uden ts of Rober ta Schlosser and W i l l i am Lewis
May 19, 1970
8 : 1 5 p . m.
Music Re c i t a l Ha l l
PROGRAM
O CESSATE D I P IAGARMI
0 M10 BABBINO CARO (G i ann i S ch ic ch i )
Gaye But le r
IL MIO BEL FOCO
S ca r la t t i
P uc c in i
Mar c e l lo
Kathryn Bas s in
AMINTE
JEUNE FILLETTE
Wecker lin
Norma Schlesinger
AT THE WELL
Hageman
Judy Coye
PACE, PACE MIO DIO (La Forza de l des t ino)
AVE MARIA (O te l lo )
Joy Edwardsen
BUT WHY, WHY MAKE ME SUFFER
(The Marr iage of Fi garo)
Z
t
TCHEN AM SP INNRADE
I N Q U E L L E T R I N E M O R B I D E
A l id a S t ah l
Terrance Howe l l “
8
Moz a r t
1
(Manon Lescaut)
Susan Ba l l
DER VERLASSENE MAGDELEIN
ER IST ’ S
Grace Mar t in
=fld=d==§=afiefi ___
\
AH FORS ’ E LU I (La Travia ta)
AH! MON F I LS! (Le Pr ophEt e)
Verdi
Donna R ibb le
Ka t h leen Ty r re l l
CANDIDE
YOU WERE DEAD , YOU KNOW
OH, HAPPY WE
Schuber t
P ucc in i
Wolf
‘5==5!!.usg~
Ve rd i
Meyerbeer
Be rns t e in
A l i d a S t ah l
James Osborne
Barbara Gar ges and Cha i kyou K im , accomp an is ts
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
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29:14:00
OHMS Object
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63268
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63268">Voice Studio Recitals by the Students of Roberta Schlosser and William Lewis</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recitals by the Students of Roberta Schlosser and William Lewis
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Scarlatti, Puccini, Marcello, Verdi, Mozart. Held at 8:15 pm, May 19, 1970, Music Recital Hall
Creator
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Schlosser, Roberta.
Lewis, William.
Publisher
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Binghamton University Libraries
Date
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1970-5-19
Rights
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In copyright
Contributor
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Scarlatti, Domenico, 1685-1757
Puccini, Giacomo, 1858-1924
Marcello, Benedetto, 1686-1739
Verdi, Giuseppe 1813-1901
Mozart, Wolfgang Amadeus, 1756-1791
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607062
-
https://omeka.binghamton.edu/omeka/files/original/44e7171d77e7bd26eb478ba5ac679e28.pdf
59e17525866d418901944150c06cf0e9
PDF Text
Text
BINGHAMTON
U
N
G
E
N
State University of New York
De pa rt ment of Music
“VOICES F R O M H O M E A N D
DISTANT LANDS”
T imot h y Pe rry, clarinet
Margaret Reitz, pia n o
W it h
Guest Ar tists
H a k a n TaygaHromek, violoncello
A pril Lucas, saxophone
'
F riday, September 10, 2004
8:00 p . m .
Anderson Center C ha m be r Hall
�The Binghamton University Depart ment of Music 20045 Chamber Series
Timothy Perry, clarinet
Margaret Reitz, piano
with guest artists
Hakan TaygaHromek, violoncello
April Lucas, alto saxophone
Program
Eyatusiome
Bucolique (1949)
Café 1930 .................................................AstorPiazzolla
from Histor y o f the Tango
(19211992)
J
J o h n Mayer
Raga Music for Clarinet Alone (1952)
1.
2.
3.
4.
(19302004)
5. Shri (Afternoon)
Vilasakhani
Megha (Rainy season) 6. Pilu (Evening)
7. Puravi (End of Day)
Vibhasa (Sunrise)
Gunakali (Morning) 8. Kanada (In the Deep of Night)
9. Vasanta (Spring Raga)
o
Egyplian MaWal ( T M o
Fantasy Trio (1969, rev. 1989). . . . . .
for Clarinet, Violoncello and Piano
1. Allegro energico
2. Andante con espressione
(b. 1958)
. . .Robert Muczynski
(b. 1929)
3. Allegro deciso
4. Introduction and Finale
Hakan TaygaHromek, violoncello
�About the Music
The increasing reach of globalization has also facilitated an
Intermission
almost instantaneous int erchange of ideas, accelerating the
¥
Fantasie for Clarinet and Piano
: d a h e h
Unity (2003)
R
e
Three American “Songs Without Words”
i ining Night
Ngi
Sure O n This Shining
r from Candide
Gay, f
y,aom
G
i
Glitter and Be
borrowed material from the next town. That twoway traffic is
reflected in much of tonight ’s program. To balance t he interest in a
new and unfamiliar sound, genre, form or instrument and yet
remain grounded in one’s sense of place and time presents the
composer with a subtle balancing act. Too little crosscultural input
may result in ethnic veracity that can prove unintelligible to the
listener, while too much input may create music that lacks roots,
afflicted with a kind of sonic homelessness. We hope that tonight’s
musical selections reflect the more successful atte mpts to embrace
and share – locally and globally the world’s musical riches.
April Lucas, saxophone
r from Porgy Pogry and Bess
y li So, f
in’ Necessarily
S o,om
It Ain’t
opportunity for composers both here and abroad to assimilate
influences from across the globe as easily as they formerly
. George Gershwin
P v E
.. Samuel Barber
h
s
a
. Leonard Bernstein
A r i e
Eugene Bozza (19051991), longtime professor of
composition at the Paris Conservatoire de Musique, was a
musician of rare ability who won the Paris Conservatory’s coveted
Premier Prix in Violin, Conducting and Composition. One of a
string of virtuosic wind solos, his Bucolique (1949) is d edicated to
the Conservatory’s thenprofessor of Clarinet Ulysse Delécluse
and was used as that yea r’s competition piece. Its mixture of rural
impressionism reminiscent of Honegger’s Pastorale d’Ete with
Bozza’s personal interest in oriental and Indian scaleforms suffuse
one of the most technically difficult short works ever written for
the clarinet.
As a composer who divided his time between Argentina
and New York, Astor Piazzolla worked throughout a long career to
blend the unique timbres and sensuous rhythms of the traditional
tango with formal and harmonic aspects of modern jazz. As an
accomplished bandoneon player, Piazzolla worked to bring his
instrument into acceptance in classical orchestral and chamber
music circles, and its special tone color and figurations are
discernible just below the surface of most of his works. Café 1930
forms the second movem ent of his suite Hie History of the Tango
originally published for G uitar and Flute. The work is highly
�evocative, reminiscent of the smoky rooms and smoldering
passions in which the doomed romances of the fi lm noir era played
out as much in life as in the cinema.
g
The relatively recent entrance of classical Western music
into the cultural life of the Arab world is matched by the paucity of
works by Arab composers available in the West. At present, Cairo
probably has the most active center of musical interchange
between European and Arabic musical cultures. Sudanese by
birth, Ali Osman trained in Cairo as a student of Gamal Abdel–
Rahim and Awatif AbdelKarim. In the composer’s words, “The
Mawal is a free song part normally sung before the main song by
Arab singers and it has love lyrics, and sometimes folkloric
wisdoms.” The form makes use of complex meters (10/8 and 7/8
time) and a sinuous melodic line which includes use of sikha,
expressive quartertones outside Western scaleforms, and finally,
{ .
C
music is earnest and unpretentious in character. His pieces tend to
be short because his music is pure substance nothing but the
aesthetic basics: distinctive motifs wo ven into clear, transparent
textures, developed logically but imaginatively into concise,
satisfying, compelling formal entities. The result is a friendly
modernismtonal but not reactionary.” For music with such taut
construction, Muczynski manages to evoke a surprising amount of
expression, intensity and (in the “bluesy” third movement) fun.
cadenzaimprovisation sections (faqgasim) of a quasi
Hungarian composer Frigyes Hidas completed his musical
education at the Franz Liszt Academy in Budapest. Hidas enjoyed
a distinguished career as music director of the National Theatre
(1951 1966) and between 1974 and 1979 at the municipal
Operetta Theatre, at which time he retired to devote himself full
time to composition. Hidas has a large body of works spanning
almost every genre of music but is known primarily in the U.S. for
his excellent wind chamber music. A selfprofessed “Post–
Romantic,” Hidas’ music shows the strong residual influences of
Kodaly and Bartok while incorporating elements of modernist and
jazz rhythms. The small Fantasie fro m 1965 is built from its
opening motive of a melodic fourth and a second, moving through
improvisational nature.
Born in Calcutta to an AngloIndian father and Indian
mother, John Mayer became the first composer to merge Indian
music with Western forms in this evening’s Raga Music of 1952.
Mayer was trained in both Indian and Western violin by teachers
including Melhi Mehta, the father of conductor Zubin Mehta prior
to joining London’s Royal Philharmonic Orchestra in 1958. Eight
years later, he formed one of the earliest “worldmusic” crossover
ensembles, IndoJazz Fusions, and as Professor of Composition at
the Birmingham Conservatory wrote music for musicians as varied
as flutist James Galway, jazz saxophonist Carlos LopezReal and
the rock group Emerson, Lake and Palmer. A pioneering piece of
“world music,” Raga Music uses approximated Indian scaleforms
a series o f variations and transformations into a central recitative
and recapitulation.
(ragas) in short pieces appropriate to the varying seasons and times
of day.
Robert Muczynski steadily built a reputation as one of America’s
leading composers as Professor of Composition at the University
of Arizona in Tucson. A formidable pianist, Muczynski composed
most of his early works for piano, but garnered critical acclaim
with his 1961 Sonata for Flute and Piano. Tonight ’s Fantasy Trio
was premiered in 1969 and revised in 1989. Its style is well
summed up by his publisher, Theodore Presser: “Muczynski’s
“Unity was written in response t o a commission from the
4
o)
University of Houston’s Aura Contem porary Music Ensemble. The
original instrumentation was for Alto Sax, Viola, and Piano. This
version is reworked for Alto Sax, Clarinet, and Piano. The title is a
reflection on an observation that the main themes from the middle
section rely not on simply one instrument playing a theme and the
others accompanying, but rather that all three instruments together
make up the theme. Compare this to the first movement of
�Mozart’s Piano Sonata in Cmajor (K. 333), which has a melody
that is recognizable whether the accompaniment is played or not.
In Unity, there is a sense of something missing when the other
instruments are not playing. This is emphasized by the passages in
which the viola is playing alone, or later where the sax plays a
“cadenza” before the return of the first theme of the B section.”
Timothy Michael Rolls
We conclude the evening’s program with instrumental
About the Performers
I
°
transformations from three favorite Ame rican songs. The first
draws on Jascha Heifetz’s setting of It Ain ‘t Necessarily So from
the 1935 score to Porgy and Bess. My memories of popsconcert
performances backing the immortal Cab Calloway inform my
arrangement, an homage to the morethanslightly naughty tongue
incheek interpretation of the role of Sportin’ Life.
We follow with the young Samuel Barber’s simply
celestial 1938 setting of James Agee’s Sure On This Shining Night.
Barber’s light touch in mixing modern formal and harmonic
elements with a gift for ravishing melody makes him one of the
20thcentury’s most emotionally satisfying composers.
To close, we offer my own transcription of Bernstein’s
coloratura aria for Cunegonde from Candide. A smiling yet satiric
take on Gounod’s Flower Song from Faust, Bernstein’s “good
news, badnews” life of a courtesan echoes the composer’s own
career an ceaseless, indefatigable revel for love of music and
life.
Timothy Perry
August 2004
T
l
L
Clarinetist, Conductor and Professor of Music, TIMOTHY PERRY joined
the Binghamton University faculty in 1986 as Director of the Orchestral and
Wind Ensemble programs and Instructor of Studio Conducting and Clarinet.
Perry holds D.M.A., M.M.A. and M.M. degrees in Clarinet from the Yale
School of Music (as a pupil of Keith Wilson) and a Bachelor of Music
degree from the Manhattan School of Music (as a student of Leon
Russianoft). He has served as Principal Clarinet in numerous orchestras
including the Wisconsin Chamber Orchestra, New England Chamber
Orchestra, the Catskill Symphony, Glimmerglass Opera and was Assistant
Principal Clarinet of the New Haven Symp hony and Northeast Pennsylvania
Philharmonic. A devoted chamber music player, Perry has performed
frequently as a member of the Catskill Woodwind Quintet, Catskill
Chamber Players and Finger Lakes Chamber Ensemble and has been
selected for festivals in Vinalhaven, Maine and Thy, Denmark. As a soloist,
he has been featured with the Binghamton Philharmonic, Catskill
Symphony and Binghamton Community Orchestras, toured Latin America
and the Caribbean for the U.S. Department of State as a Musical
Ambassador in 1997, and twice presented recitals for the International
Clarinet Congress in France and Belgium. He owns and performs on
historical instruments, and his performance on 19™century clarinets was
seen in the 2000 PBS miniseries A House Divided. He is a noted specialist
in the music of composer Paul Jeanjean, recording the latter’s virtuoso 18
etudes de perfectionnement, and Karl Baermann, whose concertino The
Hour of Ghosts he premiered with the BCO in 2003. He is researching the
technical development of the Alto Clarinet and preparing works on a
recentlyacquired set of Oehlersystem clarinets.
M ARGARET REITZ, piano, received her Bachelor and Master of Music
degrees in piano performance with accom panying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied with Jean Casadesus, Victor Rosenbaum, Seymour Fink and
Walter Ponce and accompanying with Allen Rogers. She has accompanied
throughout the United States, in England, South America and at the
American Institute of Musical Studies in G raz, Austria. Reitz has been on
the faculty at Binghamton University since 1991 and the Ithaca College
School of Music since 1999.
�HAKAN TAYGAHRO MEK, cello, has attendedIt haca College,
SUNY Purchase and SUNY Binghamton.’ Teachers have included
Fritz Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and
Stephen Stalker. Hromek has attended Round Top International Music
Festival in Round Top Texas, Music Mountain Chamber Program;
Falls Village CT, Spoleto Music Festival in C harleston, NC, and the
International Congress of Strings; Cincinnati, OH. Hromek is
principal cellist with the Binghamton Philharmonic and Orchestra of
the Southern F inger Lakes. He also performs with TriCities Opera
and the Cayuga Chamber Orchestra, and a piano and cello duo with
Margaret Reitz.
y
APRIL LUCA S graduated with both a Bachelor of Arts and a Master
of Music degrees from Binghamton University where she studied with
Al Hamme and did extended studies with Steve Mauk at Ithaca
College. She is currently on the Faculty at Binghamton University as
Saxophone Instructor. Lucas also has served on the faculties of
Broome Community College a nd Hartwick College. As a founding
member of the Empire Saxophone Quartet, she has presented concerts
and clinics throughout the United States and Canada. Lucas is a
member of the Binghamton Philharmonic Orchestra, the TriCities
Opera Orchestra and the Southern Tier Concert Band. Since 1989,
Lucas has been a member of the New Sousa Band under the direction
of Keith Brion and has presented concerts and clinics with the
ensemble internationally. She has been a soloist with the band for the
past four years. Lucas is a past Regional Director for the North
American Saxophone Alliance. She has recorded with the Empire
Saxophone Quartet, the New Hudson Saxophone Quartet, the
Saxophone Sinfonia and the New Sousa Band. She maintains a small
private studio in her home.
TIMOTHY ROLLS, a Lecturer in Music (technology) at
Binghamton University since 1 999, holds an associate’s degree from
Broome Community College, a Bachelor of Arts degree from the
State University of New York at New Paltz, a Master of Music d egree
from the State University of N ew York at Binghamton and a DMA
degree from the University of H ouston. He studied com position with
Gundaris Poné, David Brackett, Reynaldo Ochoa and Michael Horvit
and theory with Timothy Koozin and John Snyder. Rolls’
compositions have been performed throughout North and South
America, Japan and Korea.
w
L
l
�Coming Event s _
Sunday, October 3 – A Celebration of W omen Gigi Mi tchellVelasco,
mezzosoprano a n d F ra n k Corliss, piano – 3 :00 p.m. – Casadesus Recital
Hall – $15 general public; $13 faculty/staff/seniors; $7 students
Th ursday, October 7 – MidDay Con cert with faculty a nd student perform ers
– 1 :20 p.m. – Casadesus Recital Hall – free
Saturday, Octob er 9 – A n Evening of Ja zz : Houston Person Quart et –
Houston Person, t enor saxophone; Stan Hope, piano; Perola Gadd, bass; and
Chip White, d rums – 8:00 p.m. Anderson Center Osterhout Conce rt Theater
– $20 general public; $15 faculty/staff/alumni/seniors; $8 students
Sunday, October 1 0 – G uest Organist An toni us Bitt mann – 4 :00 p.m. – First
Presbyterian Church, Binghamton $15 general public; $13
faculty/staff/seniors; $7 students
Th ursday, October 14 – MidDay Concert with faculty and student
performers ~ 1 :20 p.m. – Casadesus Recital Hall – free
:
F riday, October 1 5 – Child ren ’s Concert – Carnival of t he A nimals –
University Symp hony Orchest ra – an introduction to the orchestra, Saint
Saens ’ Carnival of the Animals with piano soloists, art and poetry – 9:30 a.m.
Anderson Cente r Osterhout Conce rt Theater – all tickets $4 (Cosponsored
by Press and SunBulletin). This performanc e is for school gro ups.
Saturday, Octob er 1 6 – Child ren ’s Concert : Carnival of the Animals –
University Symp hony Orchest ra – an introduction to the orchestra, Saint
Saens ’ Carnival of the Animals with piano soloists, art and poetry and a visit
from the Ross Pa rk Zoo mobile 3 :00 p.m. – Anderson Center Osterhout
Concert Theater – all tickets $5 (Cosponsored by the Press and Sun Bul letin)
Th ursday, October 2 1 MidDay Con cert with faculty a nd student perform ers
– 1 :20 p.m. – Casadesus Recital Hall – free
Th ursday, October 2 1 – Czech Mates Chamber music by Czech composers
Martinu, Dvorak, Hus and Janacek p erformed by music faculty, in association with
the exhibit “The Prague Project” – 8:00 p.m. – Roberson Museum and Science
Center $15 general public; $13 faculty/staff/seniors; $ 7 students
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:52
54:14
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251999&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE251999&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voices from home and distant lands, September 10, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-9-10
Description
An account of the resource
Works of Bozza, Piazzolla, Mayer, Osman, Muczynski, Hidas, Rolls, Gershwin, Barber, Bernstein. Held at 8:00 p.m., September 10, 2004, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Reitz, Margaret
Tayga-Hromek, Hakan
Lucas, April
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
9/10/2004
Rights
Information about rights held in and over the resource
In copyright
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
All text in German. Markings in black pen, purple pen, red pencil, black pencil, blue pencil, and pink pencil. Includes cast list, extensive dialogue rewrites, notes pertaining to music, stage directions, sketches, movements.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
18.5cm x 13.5cm
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.35
Production(s)
January 1914, Berlin
February 26, 1914, Berlin
September 1927, Berlin
October 1929 (city unspecified, likely Berlin)
November 11, 1929 (city unspecified)
-Supporting materials (for all): Box 2 Folder 50: Photographs
Box 14 Folder 13: Programs; plays
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vom Teufel geholt : [Schauspiel in vier Akten] [promptbook]
Subject
The topic of the resource
Hamsun, Knut, 1859-1952
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Hamsun, Knut, 1859-1952
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3140
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Kammerspiele; Komödie
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
All text in German. Markings in purple pen, black pencil, and blue pencil. Almost all notes are simple, only a word or two in the margins. Very little notes in First Act; more afterwards, but still very few. No extensive rewrites, notes, paragraphs, etc. Includes partial cast list, three stage sketches.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
30.5cm x 20.5cm
Earlier version
Earlier version (dcterms:isVersion Of)
Vor Sonnenuntergang
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.44
Production(s)
"Arosa Jan. 32." As indicated by notes within promptbook.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Vor Sonnenuntergang [promptbook]
Subject
The topic of the resource
Hauptmann, Gerhart, 1862-1946. Vor Sonnenuntergang
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Hauptmann, Gerhart, 1862-1946
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
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German
Identifier
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R 3149
Rights
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Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.