177
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/e91f5c48af15378aac655df5aae5f15a.pdf
e7437da07defe2edd8ac08600f4dac75
PDF Text
Text
S t a t e U n iv e r s i t y o f New Y or k a t B ing ham t on
Har pur C o l l e g e
The Dep a r t men t of Mus i c
z
T
H
E
HARPUR
CHORALE
Sunday , Mar ch 2 7 , 19 7 7
8 : 15 P . M .
Don Wa t t e r s Thea t er
- — “mew
o
m
�Verse III (chorus)
Trotz dem alten Drachen, trotz dem Todesrachen, trotz der Furcht dazu!
Tobe, Welt, und springe. ich stch hier und singe, in gar sicher Rul,
Gottes Machs hilt mich in aciity Exd und Abgrund muss verstummen,
O b sie noch so brummen,
PROGRAM
I
JESU MEINE FREUDE
J . S . Bach
T h is work , composed by Bach sho r t ly a f t er he was ins t a l l ed
as Can t or of t he Thomasschule , i s i n t he f orm of an
una cc omp an i ed m o t e t f o r fi v e – p a r t c ho r us .
The t e x t i s
based on s i x ver ses of a hymn wr i t t en by Johann Franck
in t er sp er sed w i t h fi v e verses of t he 8 t h Chap t er of
Romans . The r esu l t i s a f us ion of t he ob j e c t iv e
B i b l i c a l word s of S t . P a u l w i t h t he sub j ec t iv e and
h i g h l y emo t i ona l hymnody pop u la r i n Bach ’s da y . Ther e
a r e no ind ep end en t i ns t r um e n t a l p a r t s f o r t h e m o t e t,
bu t f or t h i s per f ormance t he vo ic es ar e augment ed by
s t r ing s i n keep ing w i t h t he p r a c t ic e i n Bach ’s t im e .
Verse I (chorale)
Jesu meine Freudc, meines Herzens Weide, Jesu meine Zier,
Ach wie lang, ach lange ist dcm Herzen bange und verlangt nach dir!
Gottes Lamm, mein Briutigam, ausscr dir soll mir auf Erden
Nichts sonst Liebers wcrdcn.
Jesus my joy, my heart ’s delight, Jesus my ornament,
Oh how long, how long is my heart afraid and yearning for T hee!
God’s lamb, my bridegroom, except for you nothing else on earth
Shall be dearer.
Chorus: Romans VIII. 1
Es ist nun nichts Verdammliches an dcncn, dic i n Christo Jesu sind,
die nicht nach dem Fleische wandcln, sondern nach dem Geist,
There is now nothing condenmable in those who are part of Christ,
who do not live according to the flesh, but according to the spirit.
Verse II (chorale)
Unter deinem Schirmen bin ich vor den Stiirmen aller Feinde frei,
Lass den Satan wittern, lass den Feind erbittern, mir steht Jesus bei.
.
O b cs itzt gleich kracht und blitzt, ob gleich Siind und Holle schrekken:
Jesus will mich dekken.
Under your protection l am free be f ore ibe storms of all enemies.
Let Satan thunder, let the enemy be angry, Jesus stands by wie.
W hether it is thundering and lightening, whether sin and H ell threaten,
J esus will protect me,
Trio: Romans VIII, 2
Denn dns Gesete des Geistes, der da Iebendig machet in Christe Jesu,
hat mich frci gemacht van dem Geseiz der Stinde und des Todes.
For the law of the spirit, wirich has the power to give life in Jesus Christ
has made mc free from the law of sin and death,
Despite the old dragon, despite the open jaws of death, despite also , cer,
Rage, world, and shake, i stand l er e and sing in complete tranquility,
God‘s might kceps me protected; earth and abyss must become silent,
N a matter how they grumble.
ruguo chorus: Romans VI I. 9
Ihr aber seid nich fieischlich, sondern geistiich,
so anders Gottes Geist in euch wohnet, wer
aber Christi Geist nicht hat, der ist nicht sein,
But you are not mortal, but spivivual,
however differently God lives within y al ,
but he who docs wot have Christ ’s spirit, he is not thine.
Verse IV (chorale)
Weg, mit allen Schiitzen! Du bist mein Lrgirzen, Jesu meine Lust!
Weg, ihr citlen Ihren, ich mag cuch nicht hiren, bleibt mir unbewusst!
Llend, Not, Kreuz, Schmach und Tod soll wich, ob ich viel muss leiden,
Niche von Jesu scheiden.
Away with all treasures! you ave my delight, Jesus my joy!
Away, you vain glories, I do not want to hear of you, remain unknown to me
Misery, need, trouble, humiliation, and deatly shall not separate wie
From Christ, although 1 must suffer much.
Trio: Romans VIII 10
So aber Christus in cuch ist, so ist der Leib zwar tot,
um der Siinde willen;
der Cuist aber ist das Leben um de Gerechrighkeit willen,
But if Christ is in you, then the body is indeed dead,
on account of the mortal sin;
but the spirit is life for the sake of (His) justice,
Verse V (Quartet – chorale)
Gute Nacht, o wesen, das dic Wel t erlesen, mir gefillst du nicht.
Gute Nacht, ihr S’inden, bleibet weit dahinten, komm t nicht mehr ans Licht!
Gute Nacht, du Stolz und Prache, Dir sic gang, du Lasterleben, gute Nacht gegeben,
Good night, oh creature which the world bas chosen, I am not pleased with you.
G ood night, you sins, stay far behind we, come no longer into the light!
Good night, you pride and splendor, to you life of wice, farcwell forever,
Chorus: Romans VIIL 2
So aun der Geist des, der Jesum von den Toten auferwekket hat in euch wolinet,
so wird auch der sclbige, de Christum von den Toten auferwekket hat
cure sterblichen Leiber lebengdig machen
:
um des willen, dass scin Geist in cuch wohnet.
�]
If now the spirit o f him who has raised fesus frome the dead live in you
T hen clso will the sa ne one whe has raised Christ front the dead
put mew life into your mortal bodies,
so that bis spirit live in you.
Verse VI (chorale)
Weichs, thr Trauergeister, dean mein Freuden meister, Jesus, tritt herein,
Denen, dic Gott lichen, muss anch ihr Betriiben latter Freude sein,
Duld ich schon heir Spots und Fob, dennech bieibst du auch im Leide,
Jesu, meine Freunde,
Yield, vou spirits of sorrow. for my lord of joy, Jesus, steps in.
For those who love God, also their sorrow must become nothing but joy.
Although I suffer bere derision and mockery, nevertheless you
Romain also in my suffering, J esus m y joy.
MUSIC FOR A MIDSUMMER NIGHT’S DREAM
FAIR LOVE
FAIRY SONG
L ou ise U l r i c h , soprano
Ron Lynch, t enor
TITANIA
THE HONEYBAGS
Amy W i l l i am s , soprano
R ichar d P easlee
W i l l i a m Esses , gu i t a r
N e i l Cona ty , bass
D iane D ino , p er cuss ion
Joe Pa z ienza , p er cuss ion
\
IT
MADRIGALS
I N PRIDE OF MAY
Thomas Weelkes
I L S’EN VA TARD
C lemen t Jannequ in
(1575-16 23)
(1485-1560)
FAIR PHYLLIS I SAW
John Farmer
(1565-1605)
Ma d r iga l Choir¥*
The Four Quar t er s – Women ’s Barbershop Qua r t e t
. Per cy Wenr ich / Jack Mahoney
WHEN YOU WORE A.TULIP
NEVER THROW A LIGHTED LAMP AT MOTHER
G e offr ey O ’Hara / John Bar t on
Ar t hur F ie ld s / Wa l t er Donovan
THE ABBA DABBA HONEYMOON
VI
INTERMI S S I O N
ITI
MY HEART PROCLAIMS HOW GREAT THE LORD (19 6 2 )
He inz Werner Z immerman (1930– )
The use of t he Ma g n i fi c a t (Luke 1 : 46– 55) i n t he da i l y
Vesper serv ic e of t he Ca t ho l i c l i t u r g y i s w e l l known,
and a number of mus i ca l examp les have surv ived i n Eng l ish
t r ans la t i on i n t he Ang l ican serv ic e . Z immerman ’s ver s ion
d epar ts f r om c omp os i t iona l norms h i s t o r i c a l l y assoc ia t ed
w i t h t h e m u s i c a l s e t t i n g o f t h i s f a m i l i a r t e x t and
in t r od uc es t he ja zz–b lues s t y l e wh ich reached i t s z en i t h
i n the l a t e 1930 ’s and ea r ly 1940 ’s .
D iane D ino , V ibraphone
Deborah Lemon , har ps ichor d
N e i l C ona t y , ba ss
M i c h e l l e Domser
E l i zab e t h Sussman
L isa G r i ff i n
Be th Ann Schoonmaker
The Four B i t s ~ Men ’s Barbershop Qua r t e t
SWING LOW, SWEET CHARIOT
L ’ I L LIZA JANE
YOU’RE THE FLOWER OF MY H E A R T (SWEET A D E L I N E )
THERE’LL BE A HOT TIME I N THE OLD TOWN
THE BAND PLAYED ON
YOU’RE A GRAND OLD FLAG
R ich Wiebe
Tom Gu ther z
Ma t t Pass
P e t e Horva t h
VII
THE SEASONINGS ( S, 1% t sp . )
P . D . Q . Bach
(1847-1742 )
humb ly ed i t ed by Pr of essor P e t er Sch ickele
�The S easonings i s , a s f a r a s we know, t h e on ly o r a t o r i o
wr i t t e n by P . D . Q,Ba ch , and we mus t t hank God f o r sm a l l
f avor s . The l a s t and l e a s t of t h e g r ea t J . S . Ba ch ’s
twen t y odd ch i ld r en was no t on ly t he cd d es t b u t a l s o
t he l e a s t und er s t ood s inc e ther e was so l i t t l e t o
und er s tand . He l iv ed an exc ep t iona l ly p o in t l ess l i f e
wh ich i s m ir r or ed w i t h ama z ing fi d e l i t y i n h i s
c omp os i t ions .
The o r a t o r i o was wr i t t e n d ur ing t he l a s t of t h e composer ’s
c r ea t iv e p er iod s ( C on t r i t i on ) , when he gave up many ,
though no t a l l , o f t he extravagances of t he Soused p er iod
and t h e c ha r a c t e r i s t i c a l l y in c omp e t en t c ha r a c t e r i s t i c s
of t he I n i t i a l P lung e . The work was fi r s t pub l ished
i n L iver p o o l by Jona than “Bo o zy’ Hawkes, who had been
one of P . D . Q . ' s many d r ink ing companions i n Wein–am–
Rhe in d ur ing t he Soused p er iod . S inc e t he o r i g ina l
manus cr ip t (ms . ) has never been f ound , and t he fi r s t
pub l ished ed i t i o n was a lr eady i n Eng l ish w i t h no c r ed i t
f or t he l i b r e t t o , we can on ly sp ecu la t e abou t t he _ 1 .
au thor sh ip of t he t ex t ; or , of course , we can s imp l y
no t t h ink abou t i t a t a l l .
Harpur Chor a le takes p leasur e i n announc ing t ha t t on i g ht ’ s
per f ormance of The S easonings w i l l be d ir ec t ed by Herr
Pr of essor P f oh l D . Roh l , by sp e c ia l ar rangement w i t h
Conduc t or s Un l im i t ed of New York , t he MUnich Ra thaus–
am–see , and t he S . S . S . ( Soc ie t y of Sch ickel e
Symp a t h i zer s ) .
Chorus : “Tarragon of v i r t u e i s f u l l ”
R e c i t a t iv e : “And ther e wer e i n t he same
country”
3 Due t : “B id e t hy thyme”
(Soprano and A l t o , w i t h S l i d e Wh is t l e ,
Windbr eaker , and Tromboon)
4 Fugue : Or ches tra
5 R e c i t a t iv e : “Then asked he”
6 Chora le : '"By the leeks of Babylon/
Ther e we s a t down , yea , we wep t ”
7 R e c i t a t iv e : “Then she gave in ”
8 Ar i a : '"Open sesame sced ”
(Bass , w i t h Kazoos, Windbr eaker , and
S l i d e Wh is t l e )
No . 1
No . 2
No .
No .
No .
No .
No .
No .
N o . 9 R e c i t a t iv e : ‘ S o sa y ing ”
No . 10 D u e t : ”Summer i s a cum in seed ”
(Soprano and A l t o , w i t h S l id e Wh is t l e
and Shower Hose)
No . 11 Chorus w i t h S o l o i s t s : ‘ T o cur r y f avor , .
f avor cur r y ”
SOLOISTS
Kar en H a i g h t, sopr ano
Susan G la ss , c on t r a l t o
N i c ho la s O ’Donohoe , t enor
Thomas Gu t her z , bass
ORCHESTRA PERSONNEL
V i o l i n : O l ev V ir o , Ross L ev inson , Geor ge Myer s ,
P a u l Tur co , Ro b er t Sa l e t s ky , E i l e en Pas t er nak
V i o l a : Barbara Thompson , Ca r o l I saac son , Ca t hy E l i a s
C e l l o : Ho l l y W i lson , Dav id Hoppe
Ba ss : N e i l C ona t y
Tr ump e t : S t eve Winans , Dave Bespa lk o
Ka zoo : Ka t e Sudekum , P a u l Ke t choy ian
S l id e Wh is t l e : N ick O ’Donohoe
Penny Wh i s t l e : Howard Weinber g
Shower Hose : Jay H i l fi g e r
Tr omboon : Sue Lawson
T imp a n i : D iane D in o
Windbr eaker : Dav id Denhard
C on t inuo : Mar k Kr oss – or gan , of s o r t s
H o l l y W i l son
Sp ec ia l thanks t o P h i l l i p Kennedy f or L i g ht ing ,
L i z Roman f or “ c ouns e l ' .
�HARPUR CHORALE
Offic er s
P e t er Horva th , p r es id en t
Em i l y Par ker , t r easur er
Nancy Rop er , home a r e amana g er
S t ua r t S i lverman ,
t o u r manager s
R icha r d Wieb e ,
C yn t h ia Ca r t er , secr e tar y
Sue Lawson , l i b r a r i a n
Meg Sp er b er , p u b l i c i t y
R icha r d Br ig g s ,
wardrobe
Be th Schoonmaker ,
Sopranos : M i ch e l Domser , Ter esa Gr een , L isa
G r i ff i n , Ma r c ia Hausner , L o r i Knapp* Wendy
Osborn , Nancy Roperf L ou ise U l r i c h
C on t r a l t os : J i l l Benj am in ’ E l l en S m n s t e i n ,
C ind y Ca r t er , Jean Ca t a ld o , Susan G l a s s Em i l y
Ha thorn , Sue Lawson , D o l l y Mur phy *
Em i l y Par ker , Be th Schoonmaker” Meg Sp erber ,
E l i za b e t h Sussman
Tenor s : M icha e l Duggan, Joshua F a r r e l l , S t even
Lu tvak® Ma t t h ew P a s s ’ Rob er t Sar achan , S t ua r t
S i lverman
Basses : R ichar d Br ig gs , Mark Fr eeman , Thomas
Gu ther z , P e t er Horva th# Dan i e l L o t t o , John °
Par ry? M icha e l P ier c e , Jason Surow, R ichar d
W ieb e
Harpur Chor a l e w i l l c ombin e w i t h
t he Un iver s i t y Chorus and Or ches tra
and Oneon ta C ommun i t y Chorus i n a
p er f ormanc e o f Mo za r t ’ s Req u iem on
A p r i l 16 a t 8 : 15 p . m . i n Wa t t er s
Thea t er .
�AS YOU MAY OR MAY NOT KNOW, THE HARPUR CHORALE REPRESENTED SUNY BINGHAMTON
ON A CONCERT TOUR OF EASTERN AND WESTERN EUROPE OVER THIS PAST INTERCESSION.
MANY PEOPLE CONTRIBUTED TO HELP US MEET THE EXPENSES WHICH, AS YOU MIGHT
IMAGINE FOR A TOUR OF THIS SCOPE, WERE CONSIDERABLE.
I N A VERY REAL SENSE
WE CONTINUE TO PAY FOR OBLIGATIONS INCURRED .
I T I S WITH THIS I N MIND THAT WE ASK YOUR SUPPORT TONIGHT I N THE FORM OF A
VOLUNTARY CONTRIBUTION.
OUR USHERS WILL STAND WITH RECEPTACLES NEAR THE
EXITS FOR YOUR CONVENIENCE.
WE THANK YOU FOR YOUR THOUGHTFULNESS AND GENEROSITY.
HAVE A PLEASANT EVENING.
ENJOY THE CONCERT AND
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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3 audiotape reels
Duration
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37:42
47:10
21:47
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333628">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333628</a>
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Title
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Concert Harpur Chorale, March 27, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 3-27
Description
An account of the resource
Works of Bach, Zimmerman, Peaslee, and P.D.Q. Bach. Held at 8:15 pm, March 27, 1977, Watters Theater.
Creator
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Harpur Chorale
Publisher
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Binghamton University Libraries
Date
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1977-03-27
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/eecbeb39a9d5f4d1383077ac80034dec.pdf
0ccca2b9e4793913e9ddeb6da177263b
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
DAVID C L A T W O R T H Y
Baritone
E
i
>
t
i
c
h
a
c
d
s
o
n
TUESDAY, MARCH 29, 1977
8:15 P. M.
DON WATTERS THEATER
�PROGRAM
I
Already the sun
I
Gia il sole dal Gange
Dolente immagine di Fille mia
Ma rendi pur contento
Maliconia, Ninfa gentile
A. Scarlatti
Bellini
Bellini
Bellini
II
Der Jungling und der Tod
Gruppe aus dem Tartarus
Abendstern
Rastlose Liebe
Schubert
Schubert
Schubert
Schubert
III
G. Verdi
Per me giunto
from Don Carlo
A. Scarlatti
Already the sun sparkles
more clearly from the Ganges,
and wipes away every tear
from the weeping dawn,
He adorns every stem
with a golden ray,
and paints the stars of the sky
in the field.
Oh love, bring contentment
Bellini
Oh love, bring contentment
to my beloved ’s heart
and I shall forgive you
if my own heart is heavy.
I fear her sufferings
more than my own,
because I live more in her
than in myself.
IV
Chanson gaillarder
La maitresse volage
Chanson a boire
Madrigal
.
Invocation aux parques
Couplets bachiques
L ’offrande
La belle jeunesse
Serenade
V
?H 7?
H
F. Poulenc
Sad likeness of my Phyllis
Bellini
Sad likeness of my Phyllis ,
Why do you sit by me so gloomily?
What more do you desire?
I have been shedding
bitter tears over your ashes.
Do you fear that, my sacred vows forgotten,
another fl ame could set me on fi re?
Ghost of Phyllis, rest in peace,
the old passion of love is inextinguishable ;
ghost of Phyllis.
Melancholy, sweet nymph
Melancholy, sweet nymph,
I consecrate my life to you ;
he who despises your pleasures
is not born of true pleasure.
I asked the gods for fountains and hills ;
they heard me at last, I shall live contented
nor shall I ever wish to pass
beyond that spring or that hill,
nor ever desire to go further,
nor ever go further, no, no, never.
Bellini
�Johann Wolfgang von Goethe
Restless love
Into the snow, into the rain,
Against the wind,
II
Josef von Spaun
The youth and death
Youth:
The sun ’s setting, ah, could I but go with it,
Escape with its last ray!
Ah, avoid these unnamed torments
And move out into fairer worlds!
Oh, come, death, loosen these bonds,
I smile at you, skeleton,
Lightly take me to dreamt–of lands!
0, come, do touch me, now, o, come!
Death:
Rest is cool and gentle in my arms,
You call –– I ’ll take pity on your plight.
Group from Tartarus
Friedrich von Schiller
Hark –– ressembling the murmur of the lashing seas,
And as the river sobbing carves its way through pale and bare rock,
So rises from dark depths an empty, heasy
Tortured groan.
Pain distorts
Their features –– their jaws
A cursing chasm of despair.
They ’re asking in-urgent whispers,
Is fulfilment not yet near?
O’er their heads, eternal circles ––
And the scythe of Saturn breaks.
Why are you so lonely in the sky,
0, fairest star? –– And so mild ;
Why does the array resplendent
Of brother–stars keep away from you?
“I am true love,s obedient star,
They keep from love away.”
Rather through suffering
would I win through,
Than be forced to bear
The pleasures of life!
All that longing
From heart to heart,
Oh, how unique
Is this agony!
How can I fl ee ,
Shall I to the forests?
All is in vain!
Crown of life,
Bliss without peace,
Love this is you!
IV
Anonymous
17th century
Chanson gaillarder
La maitresse volage
My mistress is fickle, my rival is happy.
Hollow are their eyes –– straining to peer
With anguished looks toward Cocytus ’ bridge.
Following tearfully the river ’s mournful course.
Star of eve
Through spray from cliffs,
Through fog and mist,
Keep on, keep on!
No rest, no peace!
\
"
Chanson a boire
The kings of Egypt and Syria had their bodies embalmed
so as to enjoy a life after death. Come, let us drink, drink
“and embalm ourselves before death. How sweet is this balm!
Madrigal
You are beautiful as an angel, sweet as a little lamb.
Johann Mayrhafdr
Invocation aux parques
E swear to love you as long as I live. Fates, who hold
the thread of life in your hands, I pray you to prolong mine
as long as you can.
Couplets bachiques
When I see a bottle without wine I am sad ; if it is full
I am happy. When I am with my wife I am sober –– if the pretty
girls take me on I am jolly.
L ’offrande
A maiden offered a candle to the god of love in order to
gain a lover.
Smiling at the request, the god said,“Beauty,
while waiting, always yourself be the offering.”
�La belle jeunesse
One needs to love but not always to marry. Make love
to many, but if you are wise you ’ll not marry.
Sérénade
With so beautiful a hand and such charms, how well
you use Cupid ’s weapon.
BIOGRAPHICAL BACKGROUND
DAVID CLATWORTHY is enjoying his fifteenth consecutive year as a leading
baritone with the N.Y.C.Opera Company. As a student at the University of
Arizona, he was encouraged by the legandary Metropolitan baritone Richard
Bonelli to study seriously for an operatic career. After completing
undergraduate college studies and two years service as an officer in the
U.S.Army,Mr. Clatworthy enrolled at the Juilliard School of Music and
Columbia University where he received his Master of Arts degree. His
appearances at Lincoln Center have featured him in a variety of roles from
the Count in Mozart ’s The Marriage of Figaro to such contemporary operas
as Janacek ’s The Makropolos A ff air and Gianstera ’s Don Rodrigo. In addition
to his performances with opera companies in San Francisco, Chicago, Houston,
Fort Worth, and Central City, the Michigan born singer has appeared as soloist
with the Boston, Chicago, Detroit, and Dallas Symphonies, as well as the
Philadelphia Orchestra and the New York Philharmonic. He has made recordings
for RCA Victor, Mercury, and Vanguard record companies, and has appeared
periodically on CBS, NBC, and ABC television networks. Next month Mr.
Clatworthy will appear with the Ft. worth Opera Company, and in May he will
be heard at Spoleto West, Charleston, South Carolina, in a new production of
The Consul, staged by its composer Gian–Carlo Menotti, and participate in
its recording on Columbia records.
DIANE RICHARDSON attended the Oberlin Conservatory of Music as a piano
scholarship student and received her Bachelors of Music degree. To pursue
an early interest in the art of accompanying, she traveled to New York to
work with Sergius Kagen, Robert Starer, and Adele Marcus at the Juilliard
School of Music. Later she attended Columbia University and received a
Master of Arts degree. Miss Richardson has toured throughout the United
States and Europe in the past fi v e years. Being equally at home in operatic
and lieder repertoire, she has collaborated in recitals and privately coached
many leading artists from the Metropolitan Opera Company, the N.Y.C.Opera,
Covent Garden, and Sadlers Wells Opera Company. She has been on the faculty
of the Oberlin Conservatory and Juilliard School, and is presently an assistant
conductor and coach with the New York City Opera Company.
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audiotape reels
Duration
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30:00
37:06
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333633">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333633</a>
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David Clatworthy and Diane Richardson, Recital, March 29, 1977
Alternative Title
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Recital tape 1977 3-29
Description
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Works of Scarletti, Bellini, Schubert, Verdi, Poulenc. Held at 8:15 pm, March 29, 1977, Watters Theater.
Creator
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Clatworthy, David
Richardson, Diane
Publisher
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Binghamton University Libraries
Date
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1977-03-29
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/aa300d62f25e0b46223a5e86fa530bc5.pdf
940476b0c3005d11efaa73c2ee08b64e
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
The
Catskill
A
Wo
A o dw i n d
Quintet’
-
t
THURSDAY
APRIL 14, 1977
8:15 P. M,
CASADESUS RECITAL HALL
\
»
B l, J a
�i
sdy
PROGRAI
~~
Kleine Kammermusik §Urn glng BLHser..
Paul Hindemith
Lustig. MUssig schnelle Vierntel
Walzer. Durchweg Sehr Leise
Ruhig und einfach. Achtel
Schnefle Vierntel
Sehr Lebhaft
THE CATSKILL WOODWIND QUINTET
Quintet i n D Major, Opus 91, Number 3 . .
Anton Reicha
Lento: Allegro assai
Adagio
Menuetto
Finale: Allegretto
Julia Hasbrouck Clay, horn
Floyd Hebert, fl u t e
Frank Holden, bassoon
David Niethamer, clarinet
Rene Prins, oboe
(oa
\5
- - - INTERMISSION - - -
“Pour Le Con A n gl a i s " . . . . . . . . . . . . . . A n t o n Reicha
Andante arioso
Adagio
L d
Andante
Q U A R L E E s
5 1 0 0 6
5
3
5
5
5
1
0
s a 0 n i s
J
e
a
n
F
r
Andante Thanquillo: ALLegno a s s a l
Presto
Theme and Variations
Tempo d i marcela grancese
a
n
c
a
i
x
�
Dublin Core
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 audiotape reels
Duration
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43:04
26:18
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333637</a>
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Title
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Catskill Woodwind Quintet, Recital, April 14, 1977
Alternative Title
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Recital tape 1977 4-14
Description
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Works of Hindemith, Reicha and Francaix. Held at 8:15 pm, April 14, 1977, Casadesus Recital Hall.
Creator
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Catskill Woodwind Quintet
Publisher
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Binghamton University Libraries
Date
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1977-04-14
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/28ab3a7ebfe48ccf39400a100920d5c4.pdf
b45dc391e4502f9f39fd6d16ec353b74
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
SAMUEL BARON
flute
CAROL BARpON
iano
AUDUBON
STRING
QUARTET
FRIDAY, APRIL 15, 1977
8:15 P. M.
CASAPESUS RECITAL HALL
�PROGRAM
SAMUEL BARON, flute
CAROL BARON, piano
THE AUDUBON STRING QUARTET
Dennis Cleveland
Janet Brady
Thomas Shaw
Doris Lederer
String Quartet in Ee Major, Opus 12...........
Felix Mendelssohn
Adagio non troppo; Allegro non tardante
Conzonetta
Andante espressivo
Molto Allegro e vivace
Sonata for Flute and Piano (1957).............
Ezra Laderman
Moderato
Allegro Molto
Fugato
Allegro
INTERMISSION
Sonata for Flute and Piano (1957)
Francis Poulenc
Allegro malincolio
Cantilena
Presto giocoso
“Celestial Bodies” (1972).........Ezra Laderman
Concerto for Flute and String Quartet
Andante; Molto Allegro
~ Adagio
Presto
presented by MEET THE CQIPOSER, a project of the
American Music Center and the New York State
Council for the Arts.
�COMING EVENTS
Saturday, April 16 at 8:15
University Chorus
Sunday, April 17 at 3:00
Jazz Ensemble
Sunday, April 17 at 8:15
Concert Series: Ponce
Saturday, April 23 at 8:15
Irene Rosenberg, piano
Sunday, April 24 at 8:15
David Hoppe, cello
Monday, April 25 at 8:15
Jay Hilfiger, conducting
Saturday, April 30 at 8:15
George Myers, violin
Sunday, May 1 at 8:15
Sara Whitmore, organ
Tuesday, May 3 at 8:15
Collegium Musicum
Wednesday, May 4 at 8:15
Paul Ketchoyian, clarinet
Thursday, May 5 at 8:–15
Composers Concert
Saturday, May 7 at 8:15
Miriam Greenberg, piano
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
41:20
37:54
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333641">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333641</a>
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Title
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Audubon String Quartet, Recital, April 15, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 4-15
Description
An account of the resource
Works of Mendelssohn, Laderman and Poulenc. Held at 8:15 pm, April 15, 1977, Casadesus Recital Hall.
Creator
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Audubon String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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1977-04-15
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/08d3739543edd640076e0bed9d3d66d4.pdf
91c8d88ad7c5995ad04c35ae4efe69d0
PDF Text
Text
requiem
SATURDAY APRIL 16
ER
WATTERSTHEAT1977
AT
SUNYBINGHAMTON
&
SUNDAY APRIL17
8:15PM
UNION
HUNT
ATBALLR
8:00pm
SUNY
OOM
ONEONTA
�Brian Seidman, President
Sylvia Horowitz, Secretary
Norma Yohai, Librarian
Carl Dashman, Stage Manager
Carole Townsley, Vice-President
Laurie Goodheim, Treasurer
Janet Slechta, Publicity
—P E R S O N N E L —
The University Chorus of SUNY Binghamton
David Buttolph, Director
Chai-Kyou Mallinson, Accompanist
Sopranos : Patricia Cashwell, Lizabeth D ’Angio, Judy Elkin, Lois Fischthal, Lisa Goldberg, Laurie Goodheim, Terry Hogan, Connie Horn, Harriet Johnson,
Cathy Klotz, Sue Kovacic, Karen Lovejoy, April Lucas, Mary Ellen Monahan, Susan Riale, Jeane Shipman, Janet Slechta, Susan Smith, Noreen Spota, Susan Petty,
Barbara Taggart, Jill Trinka, Lori Vitaliano ; Contraltos : Kinga Armer, Linda Barucco, Robin Bilinkoff, Clara Budin, Phyllis Burr, Joanne Cronin, Mary Eleanor
Edwards, Ruth Foley, Stacey Foodim, Theresa Gallagher, Judy Goldman, Gloria Herzig, Sylvia Horowitz, Grace Houghton, Rhonda Klein, Lisa Miller, Astrid
Petterson, Irene Rosenberg, Doris Schmidt, Jane Shear, Margaret Starke, Joanne Taggart, Carole Townsley, Jill Weston, Norma Yohai ; Tenors : Brad Bennett, Russell
Cashwell, Lee Gartenberg, Ken Gorden, Frank Holby, Edward Houghton, Eugene Napolitano, Thomas Nytch, Vincent Pinque, Edward Schappert, Stephen Straight,
Donald Weiskopff, Floyd West ; Basses : Lynn Aylesworth, Thomas Baynes, Peter Bolan, Lawrence Brooks, Richard Carmody, Robert Clark, Carl Dashman, Richard
Davis, Michael DiFonzo, Richard Gelber, David Hanson, Lawrence Hayes, Fenwick Horn, James Landy, Jaesung Lee, Bryan Matheson, Patrick M cGrady, Roger
Norton, Larry Orinstein, Mit chell Schonfeld, Brian Seidman, Jack Simmons, Douglas Trezza.
The Harpur Chorale of SUNY Binghamton
Peter Horvath, President
David Buttolph, Director
Emily Parker, Treasurer
Emily Parker, Accompanist
Nancy Roper, Home Area Manager
Stuart Silverman, Richard Wiebe, Tour Managers
Richard Briggs, Beth Schoonmaker, Men ’s & Women ’s Wardrobe
Cynthia Carter, Secretary
Sue Lawson, Librarian
Meg Sperber, Publicity
Sopranos : Michel Dom ser, Teresa Green, Lisa Griffin, Marcia Hausner, Lori Knapp, Wendy Osborn, Nancy Roper, Louise Ulrich ; Contraltos : Jill Benjamin, Ellen
Bernstein, Cindy Carter, Jean Cataldo, Susan Glass, Emily Hathorn, Sue Lawson, Dolly Murphy, Emily Parker, Beth Schoonmaker, Meg Sperber, Liz Sussman ;
Tenors : Michael Duggan, Joshua Farrell, Steven Lutvak, Matthew Pass, Robert Sarachan, Stuart Silverman ; Basses : Richard Briggs, Mark Freeman, Thomas Gutherz,
Peter Horvath, Daniel Lotto, John Parry, Michael Pierce, Jason Surow, Richard Wiebe.
Nancy Newkerk, President
Billie Miller, Secretary
Keith Andre, Vice President
Jerry Lutkenhouse, Treasurer
The Community Chorale of Oneonta
Charles C. Burnsworth, Musical Director
Jenifer Whitehill, Accompanist
Sopranos : Dorothy Caswell, Margaret Conant, Donna Dox, Elizabeth Eggleston, Sue Fisher, Muriel Hammond, Dorothy Heyler, Margaret Laurier, Billie Miller,
Alda Peinkofer, Antha Robbins, Helena Roman, Gail Rubin, Karen Schmitt, Alane Starko, Debbie Van Slyke ; Altos : Kathy Burnsworth, Kathy Diakoff, Rita
Dibert, Betsy Diver, Sandy Fitz-Henry, Dorothy Foell, Jane Frisch, Ruth Hartley, Beth Hebert, Susan Mayer, Jean Miller, Nancy Newkerk , Elizabeth O ’Donnell,
Mary Schutt, Tricia Shedlock, Margaret Sluiter, Linda Zeek ; Tenors : Dwayne Croft, Gary Doupe, Kay Gallup, Gordon Hammond, Gwen Johnson, Peter Macris,
Doug Parsons, Richard Schneider, George Silvernell, John Willis ; Basses : Dave Baldwin, Clarence Carlson, Bill Dietz, Charles Eddins, Don Embling, Bill Frisch,
Howson Hartley, Bill Hause, Mike Jones, Jim Lawrence, Jerry Lutkenhouse, Paul Scheele, Jim Schmitt, Bob Starko, Laverne Thomas.
�—ORCHESTRA —
First Violins
*George Myers, Concertmaster
*Joan Weitzman
*Ross Levinson
Andrea Andros
*Paul Turco
Mary Jane Wojtowitz
*Eileen Pasternak
Donna Bjorkman
Second Violins
*Olev Viro, Principal
*Neil Blachman
*Andy Stack
John Wojtowitz
*Eric Sadowitz, President
Byron Green
Cheryl Schneider
Ray Zeckler
Violas
*Barbara Thompson, Principal
Vice President
Russell Colton
*Laura Stein
Reynolds Johnson
*Geoffrey Brooks, Manager
Henry Kicinski
Celli
*Holly Wilson, Principal
David Mordoff
*Claire Liva
Jennifer Allen
*Dan Politi
Walter Chaikowski
Basses
*Neil Conaty, Principal
Donal O’Buckley
*David Weinsoff
Tom Ives
Clarinets
*Chris Kielb
*Debbie Neu
Bassoons
*Lois Chantry
Frank Holden
Trumpets
*David Bespalko
Scott Kelley
Graphic design - m a n l ey , g r ave n associates
Trombones
Michael Williams
*Eric Schwartz
*Richard Gower
Timpani
Peter Buttolph
*Harpur Symphony Orchestra
�—PROGRAM —
. . . . .Zoltan Kodaly
Jesusand the Traders. . . . . . . . . . . . . . . . .
The University Chorus and the Harpur Chorale
of SUNY Binghamton
. . . . . .W. A. Mozart
R e q u i e m ia n i n o r (K. 62 6)
The Combined Choirs and Orchestra
Soloists
Lynne Engstrom
Janet Parker
Gerald Grahame
Richard Jaynes
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
X.
XI.
XII.
Requiem
Dies Irae
Tuba Mirum
Rex Tremendae
Recordare
Confutatis
Lacrymosa
Domine Jesu
Hostias
Sanctus
Benedictus
Agnus Dei
. . . . .Soprano
. . . . . Contralto
. . . . .Tenor
. . . . .Bass
. . Soprano and Chorus
. . . . . Cho r us
. . . . . Quartet
. . . . . . C ho r u s
. . . . . Quartet
. . . . . .Chorus
. . . . . . C ho r u s
. Quartet and Chorus
. . . . . . C ho r u s
. . . . . Cho rus
. Quartet and Chorus
. Soprano and Chorus
�—NOTES —
Jesus and the Traders - Zoltan Kodaly
The story of Jesus entering Jerusalem, finding the money changers in the temple and driving them out, is strongly portrayed in this setting
of verses from St. John, St. Mark, and St. Luke, with English words adapted from the Hungarian by Edward Dent. The music is written in
motet and homophonic style with skillful use of modal harmonies which underline the unfolding drama.
Wolfgang A. Mozart (1756-1791)
The international concert tours of Mozart as a young prodigy earned him the reputation of genius early in life. He was familiar with all the
masters and their styles through his wealth of musical contacts and acquaintances in every important city of Europe. His father provided him
with a thorough musical foundation, and by age twenty-one he possessed perhaps the most unique and valuable training that any young musician had ever received.
Mozart lived only thirty-five years, but his music reached a perfection which defies comparison. His melodies are perennially fresh, and his
works display an uncanny feeling for form. He was astoundingly productive. At age eight his first compositions were published, and early symphonies followed soon after. His first oratorio was composed at age eleven, and he conducted his own Solemn Mass at age twelve, the same year
that produced his first opera. His compositions include: 15 masses (plus numerous other church works), 21 operas and dramatic works, over
100 vocal compositions, over 40 symphonies (plus 74 other orchestral works), 52 concertos, 97 chamber works, more than 50 compositions for
piano, and 17 sonatas for organ.
The Requiem Mass (K. 626)
Much has been written about the sinister and romantic story surrounding the commissioning of the Requiem, Mozart ’s final work. The
anonymous stranger who approached Mozart was in actuality a steward of Count Franz von Walsegg, who wished to have the work composed
in memory of his wife. Mozart worked feverishly on the score despite a progressive illness, and the music shows traces of the agony of his spirit
as he composed, undoubtedly believing that he was writing his own requiem.
Prophetically, the Requiem was left unfinished, and his wife Constanze engaged his favorite student Siissmayer to complete the work.
Stissmayer used the voice parts, notes of accompaniment, and rough sketches left by Mozart for the incompleted sections, and followed
Mozart ’s style throughout. To provide cyclic unity he ended the work by repeating most of the opening movement, and reset the Kyrie fugue
to the text of cum sanctis. The genius of the Requiem lies in its perfect proportions, the disposition of both intricate and simple rhythms, and
of varying textures and instrumental colorings. A solo quartet is featured in contrasting ensemble passages against the full choir, but there are
no traditional arias. The Mozart Requiem is universally regarded as one of the undisputed pinnacles of devotional music.
Jean T. Miller
�—SOLOISTS —
Lynne Engstrom has been heard in leading soprano roles with the Tri-Cities Opera, most recently as Musetta in the 1976 production of La
Boheme. In addition to postgraduate work at Hofstra and the State University colleges at Fredonia and Potsdam, Miss Engstrom studied voice
for two summers at the Chautaugua School of Music, winning the Chautauqua Symphony Award and appearing as soprano soloist with that orchestra in August of 1976. Miss Engstrom continues her study with Tri-Cities Opera, is organist and choir director at the First Presbyterian
Church in Owego, and teaches music part-time in the Union-Endicott School system.
Janet Parker, most recently heard in the role of Suzuki in Madama Butterfly with Tri-Cities Opera, appeared in the 1975-76 productions of
Die Fledermaus, Il Trovatore, and The Magic Flute. She has a Bachelor of Music degree and a Master of Music in Applied-Voice from Ithaca
College. A student of both piano and oboe, she currently studies with Tri-Cities Opera, teaches part-time in the Maine-Endwell school system,
and is alto soloist at Tabernacle Methodist Church.
Gerald Grahame is a graduate of State University College at Fredonia and has performed with the Fredonia Opera Theater, the Greater Utica
Opera Guild, and the Upstate Lyric Theater. In addition to his many appearances with Tri-Cities Opera, Mr. Grahame has been heard as tenor
soloist in Mendelsshon’s Elijah, the Mozart Requiem, and Gounod’s St. Cecilia Mass. During the 1977 spring season Mr. Grahame will be soloist
with the Corning Symphony in Handel’s Judas Maccabeus.
Richard Jaynes trained in both voice and dance at Ithaca College and for six years danced professionally in Montreal. He made his debut
with Tri-Cities Opera in 1973 and has since sung several roles annually as well as contributing to the regular training program by giving classes
in body movement. Mr. Jaynes has sung with the Syracuse Oratorio Society and has been heard as soloist in Handel’s Messiah and Mendelssohn’s Elijah.
�REQUIEM – (Traditional Mass for the Dead)
Introit
I
Requiem a et er nam dona eis, Domine : e t
lux pe r pe t ua iuceat eis. Te d e ce t hymnus
poenis inferni, et d e profundo lacu :
l i b e ra eas de ore leonis, n e absorbeat eas
tartarus, ne cadant i n obscurum: sed
E t ernal rest give unto them, O Lord : a nd
let per pet ual light shine u pon them. A
hymn, O God, becometh The e in Sion;
and a vow shall be paid to Thee in Jerusalem. O hear my praye all flesh shall
co m e to The e . E ternal rest .
Deus in Sion, et tibi reddetur votum in
Jerusalem : exaudi orationem meam : ad
te omnis caro veniet. Requiem.
Kyrie eleison
Lord, have mercy upon us. Christ, have
mercy upon us. Lord, have mercy upon
us.
Kyrie eleison. Ch rist e eleison. Kyrie eleison.
signifer sanctus Michael, repraesentet
eas in lucem sanctam: Quam olim
Abrahae promisisti, et semini ejus.
IX
Sequence
II
VII
Dies irae, dies illa,
Solvet saeclum in favilla :
Teste David cum Sibylla.
Through earth ’s sepul chers it ringeth,
All before the throne it bringeth.
I v
Rex tremendae majestatis,
Qui salvandos salvas gratis,
Salva me, fons pietatis.
King of majesty tremendous,
W ho dost free salvation send us,
Fount of pity, then befriend usl
V
Recordare, Jesu pie,
Quod sum causa tuae viae :
Ne me perdas illa die.
Think, good Jesu, my salvation
Caused Thy wondrous Incarnation.
Leave m e n o t t o reprobation.
Confutatis maledictis,
Flammis acribus addictis,
Voca me cum benedictis.
While the wicked are confounded,
Doomed to flames of woe unbounded,
Call me with Thy saints surrounded.
Lacrimosa dies illa,
Qua resurget ex favilla
Ah, that day of tears and mourning!
From the dust of earth returning
VI
VII
ejus.
Day of wrath, O day of mourning,
See fulfilled the prophets’ warning;
Heav’n and earth in ashes burning.
Tuba mirum spargens sonum
P e r se pul cra region um,
C o g e t om nes ant e thronum.
‘Wondrous sound t he t rumpet flingeth,
Offertory
V I I I Domine Jesu Christe, Rex gloriae, libera
animas omnium fidelium defunctorum de
O"Lord, Jesus Christ, King of Glory, deliver the souls of all the faithful departed
Hostias et pr e ces tibi, Domine, laudis
offerimus : tu suscipe pro animabus illis,
quarum hodie memoriam facimus: fac
ens, Domine, de morte transire a d vitam :
Quam olim Aliraliae promisisti, et seinini
X
from the pains of hell and from the dee p
pit : deliver them from t he lion’s mouth,
that hell may not swallow them up, and
may they not fall into darkness ; but may
Thy holy standard-bearer, Michael, lead
them into the holy light ; which Thou
didst promise to Abraham and to his
seed.
W e offer to Thee, O Lord, sacrifices
and prayers: do Thou receive them in
behalf of those souls whom we commemorate this day. Grant them, O Lord, to
pass from death unto life ; which Thou
didst promise to Abraham and to his
seed.
Sanctus
Holy, Holy, Holy Lord God of Sabaoth.
Sanctus, Sanctus, Sanctus Dominus Deus
Salinoth. Pleni sunt coeli et t e rra glo ria
tun. O sa n na in cxcclsis.
Heaven and earth are filled with Thy
glory. Hosanna in the highest.
Benedictus
XI
Ben cdict us qui venit in nom in e Domini .
O s a n n a i n excelsis.
XII
A gnus Dei, qui tollis pe ccata mundi,
dona eis requiem. Agnus Dei, qui tollis
peccata niundi, dona eis requiem. Agnus
Dei, qui tollis pe ccata inumli, dona eis
req uiem a et e r nam.
Blessed is H e who cometh in the name
of the Lord. Hosanna in the highest.
Agnus Dei
Lamb of God, who takest away the sins
of the world, grant them rest. Lamb of
God, who takest away the sins of the
world, grant them rest. Lamb of God,
who takest away the sins of the world,
gra n t t he m e t e r nal rest .
Communion
L u x aeterna luceat eis, Domine: cum
Ma y light eternal shine on them, O Lord.
sanctis tuis i n aeternum, q u i a pius es.
Re q u i e m aeternnm dona eis, D o m i n e , et
lux p e r p e t u a lu ce a t eis. C u m sa n ct is t uis
in a e t e r n u m , q u ia pi us e s.
W i t h Th y saints forever, for Thou a rt
merciful. E ternal rest give to them, O
Lord: and let perpetual light shine upon
them. Wit h Thy saints forever, for Thou
art merciful.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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3 audiotape reels
Duration
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08:03
27:13
25:22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333645">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333645</a>
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Continuous
Dublin Core
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Title
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University Chorus, Harpur Chorale, Concert, April 16, 1977
Alternative Title
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Recital tape 1977 4-16
Description
An account of the resource
Works of Kodaly and Mozart. Held at 8:15 pm, April 16, 1977, Watters Theater.
Creator
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University Chorus
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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1977-04-16
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/38cd05e380ce0972f0645e21733b8dd0.pdf
5b45f41ae9cb326ca23cb0ee3e9ba365
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
WA LT E R
PONCE
Piano
SUNDAY, APRIL 17, 1977
§:15 P.M.
WATTERS THEATER
�PROGRAM
*kkkkkx
Three Moments Musicaux, Opus 94. - - - . - F.3chubejz/t
C Major
Al Major
§ minor
WALTER PONCE, PIANO
So n ata i n § minor, Opus 5 7 . . . . . L . van Beethoven
Allegro Assad
Andante con moto
Allegro ma non thoppo
¥* * * INTERMISSION * * *
Sonata i n BP M a j o n . . . . . . . . . . . . . . . . . . . F. S c n a b e j u t
Molto moderato
Andante Sostenuto
Scherzo: Allegro vivace con d el i catez z a
Allegro ma non troppo
�COMING EVENTS
RRRRRRRKRRK KK
Satu rday, A p r i l 23 a t §:15
Inene Rosenberg, piano
Sunday, A p r i l 24 a t §:15
David Hoppe, c e l l o
Monday, April 25 a t §:15
J a y H i lg i g e r, conducting
Saturday, A p r i l 30 a t 8:15
George Myers, violin
Sunday, May 1 a t 8:15
Sara Whitmore, organ
Tuesday, May 3 a t §:15
Collegium Musicum
Wednesday, May 4 a t §:15
Paul Ketchoyian , c l a r i n e t
Thursday, May 5 a t 8:15
Composers Concent
Saturday, May 7 a t 8:15
Miriam Greenberg, piano
Sunday, May § a t 3:00
Doug Beardsle y, piano
Sunday, May 8 a t 8:15
E l i o t Friedman, oboe
Tuesday, May 10 a t 8:15
J a n Lawiidsen, paino
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:16
18:14
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333650">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333650</a>
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'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Walter Ponce, Recital, April 17, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 4-17
Description
An account of the resource
Works of Schubert and Beethoven. Held at 8:15 pm, April 17, 1977.
Creator
An entity primarily responsible for making the resource
Ponce, Walter
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1977-04-17
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/3cd7b2d0700e519400728903afc1ee81.pdf
5b45f41ae9cb326ca23cb0ee3e9ba365
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
WA LT E R
PONCE
Piano
SUNDAY, APRIL 17, 1977
§:15 P.M.
WATTERS THEATER
�PROGRAM
*kkkkkx
Three Moments Musicaux, Opus 94. - - - . - F.3chubejz/t
C Major
Al Major
§ minor
WALTER PONCE, PIANO
So n ata i n § minor, Opus 5 7 . . . . . L . van Beethoven
Allegro Assad
Andante con moto
Allegro ma non thoppo
¥* * * INTERMISSION * * *
Sonata i n BP M a j o n . . . . . . . . . . . . . . . . . . . F. S c n a b e j u t
Molto moderato
Andante Sostenuto
Scherzo: Allegro vivace con d el i catez z a
Allegro ma non troppo
�COMING EVENTS
RRRRRRRKRRK KK
Satu rday, A p r i l 23 a t §:15
Inene Rosenberg, piano
Sunday, A p r i l 24 a t §:15
David Hoppe, c e l l o
Monday, April 25 a t §:15
J a y H i lg i g e r, conducting
Saturday, A p r i l 30 a t 8:15
George Myers, violin
Sunday, May 1 a t 8:15
Sara Whitmore, organ
Tuesday, May 3 a t §:15
Collegium Musicum
Wednesday, May 4 a t §:15
Paul Ketchoyian , c l a r i n e t
Thursday, May 5 a t 8:15
Composers Concent
Saturday, May 7 a t 8:15
Miriam Greenberg, piano
Sunday, May § a t 3:00
Doug Beardsle y, piano
Sunday, May 8 a t 8:15
E l i o t Friedman, oboe
Tuesday, May 10 a t 8:15
J a n Lawiidsen, paino
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:20
51:08
56:41
39:31
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333654">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333654</a>
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Continuous
Dublin Core
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Title
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Jazz Recital, April 17, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977-4-17b
Description
An account of the resource
Held April 17, 1977.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1977-04-17
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/ec100896dc2f35b37d566535643387c5.pdf
225373976069ff3c4ed97f2afc171ac8
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
s
COMPOSERS
CONCERT
0
.
THURSDAY, MAY 5, 1977
8:15 P. M.
CASADESUS RECITAL HALL
�PROGRAM
Kyrie: Gloria fram Missa Pro Meo Patri
David McKenas
for 4-part chorus, oboe, and cello
Madrigal group fram Harpur Chorale
Eliot Friedman, oboe
Holly Wilson, cello
Seven Songs
Howard Weinberg
set to poems by Theodore Roethke
Karen Haight, soprano
Vicky Gordon, piano
Fusion
Andante con moto
Perpetual Motion
Allegro Vivace
Amy Lipton, flute
Debbie Neu, clarinet
Ross Levinson, violin
George Myers, viola
David Hoppe, cello
Geoff Brooks, marimba
Amy Mereson
Three Pieces for Chamber OrchestraBob Halliday
Flauntoushe
Myxtypodip
Piece for Violin and Piano
Pat McGrady
Robert Seletsky, violin
Bill Lawson, piano
Dragons Live Forever...
David Denhard
Karen Tax, flute
Jay Hilfiger, horn
George Myers, violin
David Hoppe, cello
Cindy Peterson, piano
Marty Ricciardi, vibraphone
Geoff Brooks and Joseph Pazienza, percussion
INTERMISSION
Brounk
The third movement is dedicated to the memory of
Louis Kennell (1890–1969), a fine young man, a
jolly old fellow ...
_
... s hdbonskie
�ENSEMBLE FOR THREE PIECES FOR CHAMBER ORCHESTRA
First Violins
Olev Viro
George Meyers
Neil Blachman
Joan Weitzman
Flute
Nancy Becker
Second Violins
Bob Seletsky
Andy Stack
Eric Sadowitz
Nigel Allen
Clarinet
Augie Venturini
Violas
Carol Isaacson
Barbara Thomson
Laura Stein
Cellos
Holly Wilson
David Hoppe
Claire Liva
Caleb Davison
Basses
Neil Conaty
David Weinsoff
Oboe
Debbie Vatcher
Trumpet
Steve Winans
Trombone
:
Richard Gower
Percussién
Geoff Brooks
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:11
35:20
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333660">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333660</a>
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'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
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Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Composers Concert, May 5, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 5-5
Description
An account of the resource
Works of student composers: David McKenas, Howard Weinberg, Pat McGrady, David Denhard, Amy Mereson, Bob Halliday. Held at 8:15 pm, May 5, 1977, Casadesus Recital Hall.
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1977-05-05
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/c3f91566dc97ac07bf93fb3abb8d5585.pdf
9da234dd9589ae587b89653e561167f4
PDF Text
Text
b,
S t at e University o f New York a t Binghamton
-
DEPARTMENT OF MUSIC
cC A S A D ES U S R E C I T A L H A L L
'
SEPTEMBER 1 6 , 1 9 7 7
f
4100 F . 0 .
'
- OPEN REHEARSAL
Composers String Quartet
Matthew Raimond, violin
Anahid Ajemian, violin '
Jean Dane, viola
Wark shuman, cello
EZRA LADERNAN : Str ing Quartet No. 5 (1976)
1
I.
“
.
I I . First Themes
Prelude: Allegro
L istless
. minuet: Alleg rett o
Andante
Double: Vivo
Le
Andante c o n moto
Loure and Sarabande: Andante - Andantino
Moderato
Second Themes
Development
Gigue --Toccata: Fresto
_Return
Adagletto .
I I I . Var iations
Theme
Var. 1 - d =60
Var. 2 - Impassioned
Var. aP- Forceful
Var ' ‘ – Waltz
Var. 5 - Frenzied var, 6 - Almost beyond control
Canons:
Var. 8 Tinale
vay,
Yar. 9 - Lpilogue
PLEASE ANNOUNCE THIS EVENT TO ALL STUDENTS
Thanks very much,
ALM
.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:55
34:56
16:46
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333664">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333664</a>
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'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Open Rehearsal, Composers String Quartet, September 16, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 9-16
Description
An account of the resource
Works of Ezra Laderman. Held at 4:00 pm, September 16, 1977, Casadesus Recital Hall.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1977-09-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/74871c6acf3ccedec810a76f1e6f343a.pdf
552042c134a88a71ab2f9af6b7d4b853
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
DEPARTMENT OF MUSIC
PRESENTS
COMPOSERS STRING
QUARTET
SATURDAY, SEPTEMBER 17, 1977
8:15 P.M.
DON WATTERS THEATER
�COMPOSERS STRING QUARTET
JEAN DANE, VIOLA
MATTHEW RAIMONDI, VIOLIN
ANAHID AJEMIAN, VIOLIN
MARK SHUMAN, CELLO
PROGRAM
Haydn : String Quartet in D Minor
Opus 76, No. 2 “Quinten”
I. Allegro
II. Allegro a piu tosto allegretto
ITI. Menuetto – Allegro ma non troppo
IV. Vivace assai
Ezra Laderman : String Quartet No. 5 (1976)
I. Prelude: Allegro
II. First Themes
Listless
(d = 112) ( 4 d
Minuet: Allegretto
( d = 72) ( d =
Andante
Double: Vivo
Second Themes
Andante cO N moto
(d=60) (d=
( d = 52) ( d =
Loure and Sarabande: Andante - Andantino
" Moderato
Development
Gigue – Toccata : Presto
Return
Adagietto
III. Variations
Theme
Var. 1 ~ d = 60
Var. 2
Impassioned
Forceful
Var. 3
Var. 4 Waltz
Var. 5
Frenzied
Var. 6
Almost beyond control
Var. 7 Canons
Var. 8
Finale
Epilogue
Var. 9
kkkkkk
INTERMISSION
Kkkkkk
Mozart: String Quartet in C Major
No. 19, K. 465 “Dissonant”
I. Adagio; Allegro
II. Andante cantabile
ITI. Menuetto
IV. Allegro molto
88)
94)
56)
64)
�kkkkkkhkhkhkkk
*
*
COMING EVENTS
25
Tuesday, October ¥1
MEET THE COMPOSER - LEO KRAFT
Thursday, October 13
GUARNERI STRING QUARTET
Sunday, October 23
PAUL JORDAN, ORGAN
*
*
Kdekk kdkkdedk kk kkk
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
19:58
45:02
30:09
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333669">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333669</a>
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Composers String Quartet, Recital , September 17, 1977
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1977 9-17
Description
An account of the resource
Works of Haydn, Laderman, and Mozart. Held at 8:15 pm, September 17, 1977, Watters Theater.
Creator
An entity primarily responsible for making the resource
Composers String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1977-09-17
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound