<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://omeka.binghamton.edu/omeka/items?output=omeka-xml&amp;page=20&amp;sort_field=added" accessDate="2026-04-06T21:48:40-04:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>20</pageNumber>
      <perPage>10</perPage>
      <totalResults>1775</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="836" public="1" featured="0">
    <fileContainer>
      <file fileId="6173">
        <src>https://omeka.binghamton.edu/omeka/files/original/4c1d5cc5d92084df980803ebff652780.jpg</src>
        <authentication>2021b16fb5f19d50a5652641d521ad7b</authentication>
      </file>
      <file fileId="13245">
        <src>https://omeka.binghamton.edu/omeka/files/original/a89bfb76433dc4421cefb44fec636591.mp3</src>
        <authentication>5dcc4d932bfa66d4feb66eed88f7479a</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11520">
              <text>2010-10-07</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11521">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11522">
              <text>David Hume Kennerly</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11523">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11524">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;David Hume Kennerly is a Pulitzer Prize-winning photographer and photojournalist. His portfolio includes photographs taken of the Vietnam War, Cambodia, East Pakistani refugees near Calcutta, and the Ali-Frazier fight in Madison Square Garden on March 8, 1971. Kennerly photographed every American president since Richard Nixon.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15105,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;David Hume Kennerly is a Pulitzer Prize-winning photographer and photojournalist. His portfolio includes photographs taken of the Vietnam War, Cambodia, East Pakistani refugees near Calcutta, and the Ali-Frazier fight in Madison Square Garden on March 8, 1971. Kennerly photographed every American president since Richard Nixon.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11525">
              <text>Binghamton University Libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11526">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11527">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11528">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11529">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17810">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Photography; Vietnam War; War photography; Rolling Stones; Supremes; Miles Davis; Ollie F. Atkins; Time Magazine; Dwight D. Eisenhower; Vietnam Memorial; Assassination of John F. Kennedy; Joe Frazier; San Francisco State; Protest; Rock n' Roll; Healing.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Photography; Vietnam War; War photography; Rolling Stones; Supremes; Miles Davis; Ollie F. Atkins; Time Magazine; Dwight D. Eisenhower; Vietnam Memorial; Assassination of John F. Kennedy; Joe Frazier; San Francisco State; Protest; Rock n' Roll; Healing.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19734">
              <text>237:33</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20048">
              <text>Photographers;  Photojournalists;  Kennerly, David Hume, 1947--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44262">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="45986">
              <text>McKiernan Interviews&#13;
Interview with: David Hume Kennerly&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: 7 October 2010&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
SM (00:00:04):&#13;
Testing one, two. Step two. I know some people I have interviewed have been on the cell phone and then their cell phone starts to go and then they go on the landline. So anyway.&#13;
&#13;
DK (00:00:15):&#13;
This works. I hear you fine.&#13;
&#13;
SM (00:00:19):&#13;
Okay. First question I always ask and I really want to ask you is the beginning, how you really became a photographer as a young man or a young kid. Your early years, the influence of your parents and your teachers, your high school years, where your love for photography first began.&#13;
&#13;
DK (00:00:41):&#13;
Well, I am a native of Roseburg, Oregon, which is a really small town. It was called the timber capital of the nation, right in the middle of the forest in Douglas County. And I grew up in a place that I really wanted to get out of. I do not know, I had that feeling from way back when, I do not know exactly when it started. But my dad was a traveling salesman and so I would go around with him every now and then, particularly up to Portland, nothing exotic. But I got to look at the big city after my little town of 10,000 people in the whole area or something like that, I realized that there was a big world out there. And I had taken an early interest in photography, and when I worked on the student newspaper called The Orange 'R, my first photo published was in 1963, and I think I was a sophomore in high school then. And that really made an impact on me, seeing the work I had done. It was not a very good picture, but as I recall, it was a baseball player coming across home place. And on the scale of good photos, it was about a one on a one-to-ten scale. But what it did was it really got me excited about photography, and I learned how to shoot and process. I learned with a Speed Graphic camera. Actually, it was probably a Crown Graphic 4x5, and you only had a holder, it was two frames. And so, I can see why the old-style photographers were so good at getting the moment because they had to get it, you could not just turn the motor drive on and take a lot of pictures. So I learned the business the old-fashioned way, which was one shot at a time and you better get it right. And I started getting better at it. Then we moved from Roseburg up to West Linn, which is a suburb of Portland, in midway my junior year. And a lot of people would have really been terrified, angry, resentful about having their parents uproot them at that point, but I was deliriously happy about leaving this little town. And I convinced the people who were running the newspaper at West Linn High School that I should be on the staff and all that. And I pretty well sold myself as a much better photographer than I was.&#13;
&#13;
SM (00:03:52):&#13;
[Inaudible].&#13;
&#13;
DK (00:03:54):&#13;
But at that point, because I was close to Portland, I had a lot more access to bigger stories and things were happening. And to shorthand it all, my senior year in high school, I was working on two local newspapers, small papers, one on Lake Oswego and the other in Oregon City. And my big score was I had a picture of a fire in Lake Oswego that was on the front page of the Oregon Journal, which was the big afternoon paper in Portland, and that really did it. I was fiercely determined to become a professional photographer probably from the time I was a junior in high school. And certainly by the time I was a senior, I was actually getting paid to take pictures for a local paper. It was not much. And when I graduated, I had a full scholarship to Portland State College, now University, and it was a working scholarship to take pictures for the paper. And that did not last too long. I had my eyes set on right down the street, literally two blocks, on the Oregonian and Journal. After I graduated from high school, I worked in a flower mill to get enough money to buy good cameras, and that had two effects. One, to help me buy the cameras. And the second was I knew I was not cut out for common labor, so I have great respect for those who do it, but it was not for me. And that fall, I started college but I was already trying to get into the Oregon Journal. And so later that year I was, I would have to think about this precisely... I was hired by the journal. I was a part-timer when I was 18 years old and while I was still going to school. I left school. I went to school for about a half hour and if it was dog years, because I had got a staff job on the Oregon's Journal, which was a huge thing. And I think the youngest photographer was probably 50 years old. So I worked and at that point, my career took off. I mean, there was no question about it. And I took a leave in (19)67, to go six months in the active duty as a National Guard. So I went to Fort Leonard Wood, Missouri for basic training, then Fort Benjamin Harrison, Indianapolis after that, and then came back. And when I returned, I got a job on the Oregonian, which remains to this day as a very good newspaper. And then I was offered a job by UPI to work in Los Angeles in November in (19)67. I remember this because I had pulled up stakes and moved down to LA for UPI. And at that point, I was 20 years old and was really, I think probably ahead of almost anybody else my age in terms of working in the newspaper business. But all this is leading up to why I went to Vietnam. I mean, I was in UPI through (19)68 in Los Angeles. I was at the Ambassador Hotel the night Robert Kennedy was shot. And then I was offered a chance to move back to New York early (19)69, and I covered the World Series with the Mets that year and a lot of local news. I mean, working in New York is just the best place on earth for a news photographer. It's just [inaudible] and it was very exciting to me. And plus, it is the big leagues of photography. You had all these local newspaper guys [inaudible]. And it was still getting toward the last of the good old days of photography, certainly being digital by a long shot. And I mean the big innovation of photography was really going from the 4x5 to the 45 millimeter. That was as important a revolution I think, as going from film to digital. I mean, the digital's probably had a much bigger impact overall. But when you think about it, that small little image, which was poo pooed by the old guys. But when you look back at the Erich Salomon's back into the (19)30s, was shooting with that and it gave them much more versatility and discretion in their photography. So, I had already migrated to 35 millimeter as a senior in high school. And so, I went to New York and then I was offered a position at UPI in Washington DC, which was really the prime bureau for the wire service because of the White House, [inaudible]. The center of the power of the Earth was really Washington DC, and it was a very big deal. And I just saw it the other day, a certificate. I had my first ride on Air Force One when I was 23 years old as a member of the White House travel pool.&#13;
&#13;
SM (00:10:42):&#13;
David, I want you to stop right there because I am going to go into some questions on that period in a couple minutes, but I want to go back to a second question. You are a-&#13;
&#13;
DK (00:10:56):&#13;
Let me back up just a touch too.&#13;
&#13;
SM (00:10:57):&#13;
Uh-huh.&#13;
&#13;
DK (00:10:58):&#13;
Part of my job at UPI, because it was 1967, (19)68, there were a lot of anti-war protests going on. And even earlier than that, up in Portland, I was covering that side of things. Not as much as I probably would have liked, just because State College particularly was a high college. That had a lot to do with the anti-war movement. And the student body was very divided in terms of conservative, liberal. But I was right, because it started from the middle of that, so I was seeing a lot of the big protests. And then particularly when I got to Washington DC and that is where you can ask me questions, but I moved there and early (19)70, I believe. That sounds about right, or maybe in late (19)69. It was probably late (19)69, I do not remember precisely. And obviously Richard Nixon had just become president and it was a whole new ball game from the LBJ time, and of course the anti-war protests were building and building. And that was the home front of connection to Vietnam, certainly at that point.&#13;
&#13;
SM (00:12:33):&#13;
You are a frontline Boomer. And when I say that, you were born in (19)47, and the frontline Boomers are really those born between (19)46 and (19)56. Because the Boomer generation's defined as the-&#13;
&#13;
DK (00:12:45):&#13;
It's even more. I would say (19)46 to early (19)50, even (19)51, (19)52, because we were the ones looking down the barrels of this Vietnam War. Having graduated (19)65, which is a key date, (19)64. So, the Clinton, Bush, Gore guys were all born in (19)46, and they all dodged the draft essentially. No, Al Gore did. Strike that comment.&#13;
&#13;
SM (00:13:20):&#13;
Yeah, he went to Vietnam.&#13;
&#13;
DK (00:13:21):&#13;
Bush went in the National Guard and was a pilot, Clinton dodged the draft, and Gore went over to Vietnam, even though just for not a long time, but I always respected him for doing it. His dad definitely could have gotten out of that. And he was not a fighter, but he was like, "So what?" He went over, and I do not think he was there very long. But that group, me and the two years afterwards, I mean the crucible was the ones that graduated (19)64, (19)65, (19)66, (19)67, pretty much those four. Maybe even (19)68, although it was starting to draw back a little bit. But it was a five-year sweet spot, for getting your ass at Vietnam as a soldier. And part of my rationale in going into the National Guard was, I have always had a difficulty with authority and people telling me what to do. And so, I think I got into the National Guard, I was not opposed to war or anything like that. I was not even afraid of going to Vietnam per se, I just did not want to go as an army guy. And as a result of my being in the newspaper business, I had met Tom McCall, who was the Governor of Oregon at the Lime. Very colorful, interesting character. And just as luck would have it, I was over at covering something that he was doing visiting the Portland National Guard headquarters. And I had known McCall just by, he was really friendly with the press. And so I asked him to introduce me to the general who's in charge. And then later I went back over to Steve and said, "I am really interested in going into the National Guard, could I get my name on the list?" And so I had no family input at all. I mean, I looked at the Dan Flails and the other people who manage some family connections they get... And also, I do not even think it was a big waiting list there. It probably could have just happened [inaudible]. But I did, in my own way, I probably pulled strings for myself. And so, I got into the National Guard, went off and did my thing for the six months and then post for two weeks [inaudible]. The bigger problem I had then was getting out of the Army in order to go to the war, and that happened when I was in Washington DC. Do you have some questions? I will tell you what my motivation was. Do you have another question?&#13;
&#13;
SM (00:16:32):&#13;
Yeah. Did you identify yourself as a member of the Boomer generation, and do you like that term?&#13;
&#13;
DK (00:16:39):&#13;
I do not really care about the term one way or the other. No, I do not think any of us did. It's funny, one of my late close friends was Jeff MacNelly, the Cartoonist. And when I did a book, well I have done a few, but one of them was called Photo Op. And Jeff did the introduction to the book, Photo Op and he called it The Adventures of Baby Boomer: a Self-Centered Generation Comes of Age and Usually has the Name for it. To answer your question, no, I never thought of it enough. What was important to me, there were two things that I obviously I knew, I was 1-A in the draft and then I went to school. I think I got a student permit, but I did not want to stay in school. So being 1-A, and then I could be drafted. But my sole focus really was to become a news photographer, and that is what I was doing. And so really getting drafted to me, would have had a serious impact on that and I would not have been guaranteed to get a, although I probably would have become very prominent outside of the Army or whatever. In one way or another, I would have ended up in Vietnam no doubt, which did not bother me. But there was no guarantee I would get what I wanted. And so that is why I went the route of getting in the National Guard. Now the National Guard, it is almost a certain, with all those units being called up though, there is no hedge against going off to several tours in Afghanistan, Iraq, whatever. But back then it was, if you got in the National Guard or the Reserves, the chances are you were not going to go to Vietnam. So I did that. I was always calculated. Everything I have done in my career has been really about the career. Obviously, I was not afraid to go to Vietnam. So when I moved to Washington, what was happening at that point, and I can even go back and give you a single image that changed my life. Well, there is one other thing that happened in (19)66 when I was on the Oregon Journal, Robert Kennedy came to town campaigning for the local Democratic Congressional candidate. In fact, I think Edith Green was a member of Congress then, and one of the few women that had been in Congress. And I met Bill Eppridge and Steve Shapiro, two really great photographers. Bill was a LIFE photographer. And I was subjected to one of the great politicians of all time was Robert Kennedy, and it had not been that long ago that his brother had been killed. I think was in Roseburg then, I must have been. But I so vividly recall that, and I had never seen John F. Kennedy. I never saw him. So there was Robert Kennedy, and I had a really good spot. [inaudible] the LIFE guy showed me where to go, and it was very nice. But it is an image I will never forget. But that whole entourage, all the people and the two photographers and some national guys were with him. And this little makeshift motorcade went out to the airport. And back in those days, just go out onto the ramp, onto the field. So Kennedy went on. But what really struck me was these two photographers got on the plane and the door closed, then the plane backs out. It was like the final scene in Casablanca, where I am standing alone and the plane goes off into the far. And I wanted to be on that plane. I had such a visceral reaction to that. And here I was, I have never really been a small-town guy mentally. I mean, I think I am in terms of how I look at things, but I always wanted a bigger picture. And I think because of that moment, it really then made me to follow the path of covering politics. Of course, politics, was very closely aligned with war because the people, politicians sitting in a room somewhere [inaudible]. That is just how it goes. And that is a fascinating thing to know and to see, and very few people have seen it. When was the decision made to go to war here or to end the war there. But then the year before that, and I am skipping around here but now I am just thinking about, there was a story, a photo essay by Larry Burrows at LIFE magazine, and it was called Yankee Papa 13. And it was the story of a young sergeant Marine. It was really a day in the life, following this guy around. And the first images of them were sitting on the helicopter with his machine gun, and he has a huge smile on his face and all that. And what happened during the course of that day was that they went into rescue another chopper that is been shot down, so one of the crew people was killed. And the cover picture was this guy, the sergeant who a dead Marine laying in the foreground. It is just a very dramatic photo. But the most compelling image from that whole photographs, that still remains one of the great photo essays of war, was a very happy sergeant at the beginning. The last frame in the story was him in a little warehouse or something, crying with his head down, and was just all alone. It was just one image, even more than the cover image, this is considered a great photograph by me and others, but I think the more poignant on it was the one that got me. And between Robert Kennedy and Larry Burrows pictures, those two roads intersected for me.&#13;
&#13;
SM (00:24:07):&#13;
And you were labeled, and I think I read that people call you a political photographer too. And you are proud of that fact, are not you?&#13;
&#13;
DK (00:24:15):&#13;
Well, I do not mind that. I mean, the one term I just do not like really is journalist because it feels like changing janitors to sanitation engineers. It is the same thing to me. I am a photographer, I am a wired guy essentially. I mean, it really means you are the utility outfielder. You can cover anything, anytime, anywhere, whatever. Does not make any difference. "This is a food picture? Okay, I can do that."&#13;
&#13;
SM (00:24:47):&#13;
I interviewed another photographer, a video maker a couple days ago who said she considered her camera a weapon because the pictures taken are an eyewitness account of what really happened on a particular day at a particular time for history's sake. No government can hide the truth. And as she said, "Pictures verify the truth so that nobody can say it did not happen." Do you consider your camera a weapon?&#13;
&#13;
DK (00:25:19):&#13;
No, I do not think so. I mean, there is a great documentary which you must see called An Unlikely Weapon. Which is about Eddie Adams, the guy who took the picture of the General Loan shooting a DC in the head.&#13;
&#13;
SM (00:25:42):&#13;
Oh, yes.&#13;
&#13;
DK (00:25:44):&#13;
That documentary is an essential viewing for you, and it's called An Unlikely Weapon. I mean, maybe Eddie would have agreed to that. I do not look at it that way. I am not an activist. She's more of an activist, obviously. I am old-fashioned news guy, brought up in the business to be an objective observer as much as that is possible by people who really believed in that stuff. Nowadays, the lines have been so horribly blurred by comments like that, this weapon thing. I mean, I get it. And I have always thought that the power of photography is shedding the light and the corners that you would not otherwise see, and I am all for it. I mean, that is what journalism is really, or it should be. But it's not an activist weapon for me. I have never been that, I do not know, [inaudible].&#13;
&#13;
SM (00:26:47):&#13;
Yeah. Well, this person was an activist too.&#13;
&#13;
DK (00:26:52):&#13;
Right. And that is fine. Everybody does it for their own reason. I mean, Jim Nachtwey is an activist, but he is a great photographer and he would be the first to admit that his camera could influence social change. And there have been a lot of great photographers, and that was their mission. Eugene Richard. Unabashedly so, I am just not like that. That is all. I mean, I am criticized for being who I am because I do not take a more political view of things. But I had it drummed into me. In fact, when I am asked if I am a Democrat or Republican, I say I am a photographer.&#13;
&#13;
SM (00:27:34):&#13;
Very good. I love that response.&#13;
&#13;
DK (00:27:39):&#13;
But that is very fouled out. I mean, I am no different now than I was before. And I worked in a Republican administration, but I honestly, I would have that same relationship with a Democrat who became president. I would have worked for him. It did not matter. In fact, let us fast you forward. By the way, the President Ford one. I had been working for him for three or four months. We're alone in the Oval Office talking about how he had been a good Republican all of his career and all he wanted was to be Speaker of the House. And there he was in the Oval Office and he looked at me and said, "I have never asked you. Are you a Republican or a Democrat?" Then he said, "Do not answer that." He did not give a shit. But that was our relationship. It was a human relationship, not a political relationship. And I think one of the problems now is that everything is so political. And even if you declare anything. If you say, "I am for Jerry Brown," or, "Meg Whitman," just say here in California now, it's like, "How can you do that? You're such a dumb shit." Whatever point of view you had, it just would not make any difference. And so I do think pictures speak for themselves, and this idea of the camera as a weapon, I think is contradictory to be honest with you, from my point of view anyway. But that is someone else's point of view. That is what they said, that is fine. We all do our own thing and I am all for it. So back to my path to Vietnam because I can remember, and there's another movie analogy here which is equally old-fashioned. But because I was the Baby-Boomer generation without even thinking of it that way, all I knew was that kids that I had gone to high school with and graduated, now were going to Vietnam and getting killed. And I also saw the photographs, and arching back to Larry Burrows, 1965 was early on in the war, but already these striking images are being made by great photographers. From Robert Capa, who was the first photographer killed in Vietnam 1954, released in that conflict, I guess where you would put a pin in that somehow. But I am seeing Eddie Adams' photographs of General Loan shooting the guy. I am seeing John Olson's pictures of the fighting [inaudible]. Catherine Leroy's photographs, and Sawada's picture of UPI, won a Pulitzer of the woman with her family coming across the river. And Toshio Sakai's picture won a Pulitzer for UPI. [inaudible 00:30:52] won the Pulitzer. Malcolm Browne for Burning Monk. And all these fabulous, probably a bad word, but these fantastic, yes, amazing photographs are being taken off to his war. And I am on the sidelines and the people fighting the war were my age. And basically, the photographers, I think for the most part were a little bit older. Although John Olson and I are the same age. He was with Stars and Stripes at the time. But all of a sudden, I started feeling like, and you will understand this analogy, although no one else does. I gave a lecture at USC the other day, they had no idea what I was talking about. But I was like, "I felt like Mr. Roberts on the supply ship watching the destroyers sail into battle."&#13;
&#13;
SM (00:31:48):&#13;
I know that feeling.&#13;
&#13;
DK (00:31:49):&#13;
"On the supply ship in the backwater and wanted, as a naval officer, to be on a destroyer, to be in the action, to be on the front line of what was happening." And so, I had this rather profound moment where I felt like I am going to miss the biggest story of my life and it is my generation's story. And if I do not go, I will never forgive myself. And I know that is how I felt about it. It was not to go out there for the glory of being a combat photographer. So, I started lobbying the guys in New York. And here I was, I already was doing a job that most people would go to a war in order to try to get something like this, to cover the White House, which I found boring. And it was also restricting [inaudible]. And I quite frankly hated it. And so, I just felt that I had to go to Vietnam, and so I convinced UPI to send me. And now this was late (19)70, and then I was going to be then going over early (19)71. And things were drawing down, the American involvement was being cut back, but there was still a lot of action. So they decided to send me over there. I was being such a pain in the ass about it that it was better for them to send me over than to listen to all my bullshit all the time. And so, the last assignment I had covered before I left for Vietnam was the Ali, Frazier fight at Madison Square Garden in March 8th, 1971. And what is ironic about that fight is that the next day was my birthday, March 9th, and I had the front page of New York...&#13;
&#13;
DK (00:34:03):&#13;
I had the front page of New York Times, New York Daily News, practically every paper in the country. I was the only photographer that got the photo of Ali in mid-air, getting knocked down on the 15th round.&#13;
&#13;
SM (00:34:11):&#13;
Wow.&#13;
&#13;
DK (00:34:12):&#13;
What's funny is that picture is also part of my Pulitzer Prize portfolio, which was for photography. It was not just Vietnam, it was the whole year of 1971. It was coverage from that year. The centerpiece was Vietnam, but I also covered the India-Pakistan war, and I was in Cambodia. Then that fight too, which would be my outgoing thing. What happened before I got over there was that my photo hero, whom I had never met, along with Kent Potter of UPI, whom I was going to be replacing in Vietnam, and Henri Huet of AP and Japanese photographer, Shimamoto, I think his name was, of Newsweek, were on a helicopter that was shot down over Laos in the Lam Son 719 strike invasion, and were all killed. I got to be honest with you, that scared the shit out of me.&#13;
&#13;
SM (00:35:16):&#13;
Yeah.&#13;
&#13;
DK (00:35:18):&#13;
That all of a sudden, even though I did not know Burrows, I was going to replace Kent Potter, Larry Burrows was really my motivation or his photos were the foundation of my interest and respect for war photography. All of a sudden, all these guys are dead. Henri Huet was one of the great survivors, AP guy, French Vietnamese guy. All of a sudden, I did not have second thoughts, but it really scared me. I was like, wow. It increased my resolve to do it. It was not like I was not going to do it, but it really made it... It was not just a pedestrian thing at that point. It was really now a serious matter. Pedestrian is not the right word. It was something that I had not thought about that much. Yes, you can get killed. I knew that conceptually, but when I really saw it happen, then that was a different deal. I ended up in Vietnam and probably got there the end of March, 1971, stayed for a little over two years.&#13;
&#13;
SM (00:36:40):&#13;
Yeah, you were right in the combat zone. I have seen your pictures. I have the book, I think it is Shooter. [inaudible].&#13;
&#13;
DK (00:36:48):&#13;
Shooter was the first one. Yeah, Shooter, and then there was a photo op for those cartoons of McNally are in there.&#13;
&#13;
SM (00:36:56):&#13;
Right. You took some unbelievable shots. I am asking, do you remember the exact moment? You probably do. You took a lot of pictures, but the single soldier on the hill, which was an unbelievable shot. You took another shot of, it was kind of a jungle, and you could see through the jungle, the guy walking through there.&#13;
&#13;
DK (00:37:17):&#13;
That was a different place. Actually, those pictures, they are a good combination because one of them just shows the lush area in which we were operating sometimes, or just a blown away hillside. The guy walking over the hillside was the photograph singled out from my portfolio, showing the loneliness, desolation of war. That was a good picture. I remember the day I shot it because it was so dangerous up there. That is the contradictory part of it, is you do not really see that many good combat action pictures because everybody's down. It is really aftermath or either the prequel or the sequel. It is never the main act usually.&#13;
&#13;
SM (00:38:18):&#13;
You were right out there with them, and they accepted you. In that particular war, photographers could go right with the guys. I know Joe Galloway got on a helicopter for the Ia Drang valley when he was a reporter. You ate the same food, you had the same risks. Did you ever feel that you had, like Joe did, that you had to pick up a gun to save your life? Ever have that experience?&#13;
&#13;
DK (00:38:44):&#13;
Yeah, I did. I did. It was really just ... As a kid in Oregon, I grew up shooting, hunting, everything from pheasants to quail, occasionally deer, which I never liked doing that much, but I was a good shot. In fact, I had an expert ... When I was in the army, I was an expert rifleman because I knew how to shoot. It was no big deal to me, just a different kind of a gun or weapon, I should say. Get your ass kicked the saying gun. Anyway, I have never been pacifist in that regard at all. I liked the hunt. I used to, I do not now. Nothing against it. One night I was at a place that was going to be overrun by a Vietcong attack, and somebody shoved a gun into my hand, and I was shooting back because it was nighttime. During the day, I would not have done it because I could have been taking pictures. But at night, if we were overrun, I was going to die. Self-preservation takes the priority over any other item really.&#13;
&#13;
SM (00:40:06):&#13;
What were some of your other favorite shots in Vietnam?&#13;
&#13;
DK (00:40:10):&#13;
That was unusual. Before, apparently, there were some photographers who would carry guns with them. I never did that. I thought that was a mistake.&#13;
&#13;
SM (00:40:19):&#13;
Were there other favorite shots that you took in Vietnam that stick out?&#13;
&#13;
DK (00:40:24):&#13;
Another one ... The only reason I know what photos are in the Pulitzer portfolios ... I was in Vietnam when they announced that award, and I had not even known I had been nominated for it. You can imagine the shock. There was definitely no anxiety because if I had not won, I never would have known I had been entered. They entered the editors at UPI, Larry DeSantis and Bob Schnitzlein were the two guys that did it. When I heard about it, then I was being asked all these questions about the pictures. I had no idea. I did not know. It was only about three years ago, I went up to Columbia where they had the Pulitzer archives and everything, and they had the box there with my entry in it. I went into the box, and I looked at it. Half the pictures. I did not even realize were in the portfolio. I mean you could just as easily say the photo of Ali won the Pulitzer prize, but the one they picked out, the picture of the guy going over the hillside was the one. That got published widely because of that. The citation said the pictures show the loneliness, the desperation of war. There were all these other pictures in there. One of them was a combat action picture of these two soldiers evacuating, carrying a wounded comrade off the battlefield. Another picture I always liked was near Khe Sanh, although Khe Sanh was [inaudible] as we knew it, but it was still a dicey area up there. The soldier bent over a machine gun with a cross dangling from his neck, and that was a good visual. It was symbolic too. The guy, the lone soldier, it was another lone soldier really. Much has been written about combat is 99 percent boredom and 1 percent sheer terror. That is not the quote, and that is it. You sit around, and you're anxious and tired and nervous about what might happen, and sometimes it does. To me, many times the anticipation of what might happen was worse than what really did. Not always, but sometimes. The cover picture of Shooter was during a very serious firefight and Dirck Halstead took that picture. He's another guy you should talk to by the way.&#13;
&#13;
SM (00:43:44):&#13;
Yeah, I saw that. Do you think he would respond to talk to me?&#13;
&#13;
DK (00:43:47):&#13;
Yeah, yeah, yeah, yeah. Hehas been teaching down at UT. He would be a great guy for you to talk to because he was there when the Marines landed in [inaudible]. Eddie Adams was there too. So Dirck can give you ... He was there when the war ended. Perfect guy. He is very articulate about it too. A good storyteller and has a really interesting point of view about it. He is an old-fashioned photographer like me, former wire guy. He and I worked together at UPI. He is the godfather of my eldest son and really was my mentor. I will give you his contact info. I am sure he will be happy to talk to you. I would do it ... Dirck's probably 10 years older than me, but he has got a ... You have guy who was there when the Marines landed and was there when they lifted off from the embassy.&#13;
&#13;
SM (00:44:46):&#13;
In 1975, yeah.&#13;
&#13;
DK (00:44:53):&#13;
All that and everything in between. Dirck shot that picture of me, and that was one of those occasions where we almost did not get out there alive. Galloway, Joe's an old friend and his Ia Drang experiences, I cannot imagine anything more terrifying than that. Everybody had their own war. It is like if you talk to a hundred people, you get a hundred different stories and points of view. If you walked down the street in a village, and you took a right turn instead of a left turn, you went into a different story than if you had gone the other way. It is like everybody's story was personal. When people write about the big picture ... There are some writers who have done good works that were not there because they ... It is like being a political cartoonist. You do not have to be there to put it into perspective necessarily, but the people who were there, like Bernard Fall, still to this day, one of the best books on Vietnam, Hell is a Very Small Place, and guys like ... It goes on and on, Halverson and other people.&#13;
&#13;
SM (00:46:16):&#13;
Neil Sheehan.&#13;
&#13;
DK (00:46:19):&#13;
Sheehan is another former UPI guy. The book he wrote, A Bright Shining Lie, that is one of the good [inaudible].&#13;
&#13;
SM (00:46:31):&#13;
Stanley Karnow's Vietnam, too, was another great one.&#13;
&#13;
DK (00:46:34):&#13;
What is that?&#13;
&#13;
SM (00:46:35):&#13;
Stanley Karnow's Vietnam.&#13;
&#13;
DK (00:46:42):&#13;
There are just tons of good ones. To me, the best ones are by the people who were there, of course because it is like being a good photographer somewhere, where you can translate what you see, and a good writer can do it with words. Rarely do the two come together. I see writing as ... It is so difficult, but I wrote Shooter. Everything I have ever done, I have written myself. It's the good news and the bad news probably.&#13;
&#13;
SM (00:47:16):&#13;
What was-&#13;
&#13;
DK (00:47:18):&#13;
Observations are really ... The marriage of those two is really great. Or you will take a good photo like Phillip Jones Griffith, who did Vietnam Inc I think it was, but writing ruined a really good bunch of pictures to me because it was so biased. It detracted from the photos. Sometimes you just should let the pictures tell the story and stand out of the way.&#13;
&#13;
SM (00:47:52):&#13;
Good point.&#13;
&#13;
DK (00:47:52):&#13;
By interjecting opinions, Philip, who was a really good photographer, did that. You should look at that book and see what I mean.&#13;
&#13;
SM (00:48:05):&#13;
One question I have here is, and last one really on Vietnam, was what was Vietnam like when you were there? Did you see the divisions that were taking place in America between black and white, the issue of the drug culture, soldiers questioning their leaders and their strategy, believing that the war was a mistake while they were fighting it? What did you see and hear on the bases and in combat? Was what was happening in America happening there? Were the troops also aware of the student protests and even the Vietnam veterans against the war became a very big topic.&#13;
&#13;
DK (00:48:44):&#13;
Yeah, but when you boiled it down, those kind of ... Number one, I got there ... This is kind of a funny story, but Eddie Adams, who was a prime competitor of mine because he was AP, I was UPI, before I left for Vietnam, he told me that I was too late, all the good pictures had been taken. One of my highest possessions is that after I won the Pulitzer Prize, that Eddie sent me a cable that said, "I guess I was wrong. Congratulations."&#13;
&#13;
SM (00:49:35):&#13;
Well, that is an anecdote.&#13;
&#13;
DK (00:49:35):&#13;
For him to do that was a very begrudging act too. I will say it. I did not see it so much. I was on fire base for now, but again, they were drawing down Americans there at that point. It was not the (19)69, (19)70, that was really (19)67, (19)68, (19)69, were probably the three biggest years, and then they started pulling them back in. The Americans were becoming more in an advisory role, not so much frontline combat, a little bit. I mainly covered the Vietnamese side, so I do not recall really ... You would see guys wearing peace symbols and all that to some degree. The black soldiers in my estimation got along fine with their white...&#13;
&#13;
SM (00:50:45):&#13;
What is really amazing, you have this on your website, and it is the quote from James Earl Jones, and said that, "David Hume Kennerly is like Forrest Gump, except he was really there." You seem to be everywhere. You start out in those early years, taking pictures of musical entertainers like the Rolling Stones and The Supremes and Miles Davis, unbelievable stuff. Those are icons of the Boomer Generation.&#13;
&#13;
DK (00:51:20):&#13;
I know, but you know what, I never ... this is kind of bizarre actually. I once had a ... By the way, I think James was just being funny. It was a funny quote that ... I appreciate it obviously, but I think I would be more of a [inaudible] thing surely. This little remote voice, the guy in the background, that it is always critical events that I have a camera with me. It could have gone a lot of different ways for me because I worked nights at the Oregon Journal. I guess if I were ... The Rolling Stones' first trip to America, The Supremes, they got all the big acts at the Portland Coliseum. Igor Stravinsky, Miles Davis. Some of the pictures I did in (19)66 were just these ... Not that they were the greatest shots, but they were good pictures, but nothing better. I could very well have taken that Rolling Stone magazine route, that if I really had an interest in rock and roll and music and that whole lifestyle and everything, I could have gone down a different road just like the left or the right in Vietnam. Just depends on the fate would have it. I was so concentrated on me, more important things, it was not sports photography. I was pretty good at that too. It was not rock and roll or certainly not entertainers or movie stars. Did not interest me. The conversations I had with politicians were always much more interesting than movie stars. When I look through my photos and my experiences with photographing like a film celebrity of some kind, or a Robert Kennedy or a Bill Clinton or whomever, that the best stories I have almost always had something to do with substantive matters, not with the illusory Ones.0 when I photographed celebrities, it turns out to be an empty box of memories usually, outside of a few good pictures of them, because I just do not recall anything that interesting about them. That is not to be critical, but itis why I never did the showbiz route or the rock and roll route. It would have been more fun than getting shot at in Vietnam or slogging through a rice paddy or being dehydrated in India-Pakistan war, almost getting killed. Anything. Would have been more fun than that, but that is what I wanted to do.&#13;
&#13;
SM (00:54:15):&#13;
A couple things, you covered the POWs when the last POWs were coming home from the war. I think that was (19)73. You went to Hanoi I believe.&#13;
&#13;
DK (00:54:28):&#13;
That right, and that was the last...&#13;
&#13;
SM (00:54:29):&#13;
That is a major, major happening, and then that picture that you took in Cambodia, the little girl. We knew what was happening with the Khmer Rouge. I think it is really ... When you state underneath your picture you do not know if she even survived the onslaught of the Khmer Rouge. That is an unbelievable picture.&#13;
&#13;
DK (00:54:54):&#13;
That one also won a World Press contest. That won portrait division of World Press in (19)76. It was taken in (19)75, right before Phnom Penh fell to the Khmer Rouge, with the dog tag and all that. I have no idea what happened, but I will tell you that picture in the haunting image category, that probably ... I think about that picture probably more than anything else I have done.&#13;
&#13;
SM (00:55:29):&#13;
It is her eyes. It is her face.&#13;
&#13;
DK (00:55:35):&#13;
It is really about the wars. It is not about the soldiers, the politicians, but really when these things happen, it is the kids and the innocents who suffer the most and have no idea what's going on or why all this is happening. It really is a brutal existence. I think that is why that picture has some resonance.&#13;
&#13;
SM (00:56:02):&#13;
Did you fly to Hanoi? How did you get the Hanoi to cover and take pictures of the POWs?&#13;
&#13;
DK (00:56:09):&#13;
Well, they had let in actually ... That was two weeks after John McCain and that early group of POWs had been released. There was a prisoner of war facility called the Plantation. It was not the Hanoi Hilton, which had been downtown, an old French jail. That last group were some B-52 crew that had been shot down like six months earlier. They basically had been well treated compared to McCain and those other guys because the war was kind of grinding to a halt. They let a few select people in, and I flew in on a chartered Air WOW plane from Dien Bien into Hanoi. It was Walter Cronkite and his crew and a couple of other photographers, and they took us over and let us take pictures of these guys behind bars. Then they later bused them out to the military airport in Hanoi and released them. I got that, and yeah, it is a shocking situation to see these fellow Americans in their rice pajamas behind bars. I felt kind of self-conscious about taking pictures of them, but that was my job.&#13;
&#13;
SM (00:57:45):&#13;
David, let me switch my tape here. I got to turn it over here. Hold on a second. Okay, let me see here. Hold on a second. All right. When I look at that quote from James Earl Jones, I kind of wrote down... Okay, I saw the movie Forrest Gump, and I saw Forest Gump in Vietnam and saw him with Richard Nixon, so I put down some of these, what I consider some of the major things that you did and the events you were at to take pictures. I know you have already talked about Bobby Kennedy, but the first one I wrote down here was when you took those pictures of Bobby at the Ambassador Hotel and all the atmosphere, the happiness. I saw it on TV. You were taking those pictures, but you did not go back into that area where he was shot, I guess, or did you?&#13;
&#13;
DK (00:58:47):&#13;
Well, no. What happened was ... It is funny. It was sort of like the Ali-Frazier fight. The reason there are not any other pictures of him doing that V sign, he just raised his hand up and put it down. It was so fast, which I did not even realize until many years later when I saw the film. There was another photographer there from UPI, and we flipped a coin to see who would be up on the podium, and then follow him because he was going to another event. It was an overflow ballroom [inaudible] there. I lost the flip, so my friend Ron Bennett went back with him. That is normally how you cover stuff, somebody's on the riser, somebody's closer in, or I would have been back there with him, and I have no idea what would have happened if I would have gotten the pictures. I have no idea. The one thing I knew was I always had a flash. Again, going back to that be prepared news shooter thing. Anyway, he went back. Then when I heard what had happened, just all of a sudden everything changed, and someone said a shooting had happened and all the rumors. I went out in the back, and the ambulance was there, and I got a picture of Ethel in the back of the ambulance because the instinct is just go right toward the action, whatever it is. Try to get it. It really was a horrible night. It was actually someone that I had ... I had been upstairs with him. I have a picture of me and Bobby Kennedy that was taken less than an hour before he was shot. Upstairs, I was invited up because I knew Bill Etheridge was there. That goes back two years. He was there with him. They had that incredibly haunting photo they took in there of the ... That was a TV light and just that guy, the waiter bending over him.&#13;
&#13;
SM (01:01:04):&#13;
Yes-yes.&#13;
&#13;
DK (01:01:07):&#13;
I think it was so personal, really, that somebody I would met and talked to had now been shot. That was the [inaudible].&#13;
&#13;
SM (01:01:15):&#13;
Did you hear the bullets?&#13;
&#13;
DK (01:01:17):&#13;
No. No.&#13;
&#13;
SM (01:01:18):&#13;
Okay.&#13;
&#13;
DK (01:01:18):&#13;
I did not. Big crowd there, a lot of people there.&#13;
&#13;
SM (01:01:24):&#13;
Yeah. The second one that I brought up was, you mentioned it, was the coverage of the New York Mets and everybody, from last to first. Being an Atlanta Braves fan and them knocking off my Atlanta Braves in the, I think it was the best of five series at Shea Stadium. Covering that event, here it is in the 19(19)60s with all the problems, and here you have got this team who was atrocious, and then all of a sudden, the next year they become world champs. What a story.&#13;
&#13;
DK (01:01:59):&#13;
The amazing Mets.&#13;
&#13;
SM (01:02:02):&#13;
Did you get to know all the players?&#13;
&#13;
DK (01:02:04):&#13;
I covered them all year. As part of a UPI photographer, sports was always one of the main things you had to shoot. Yeah, I had the first base dugout position during the World Series and-&#13;
&#13;
SM (01:02:19):&#13;
Oh my gosh.&#13;
&#13;
DK (01:02:20):&#13;
I was only 23 years old. I was sitting there next to Sports Illustrated guys. It was not like now, where you have 10 jillion photographers. Then it was like AP, UPI, New York Times, the Daily News, Sports Illustrated at that point. There were not that many. There Was third base dugout, first base dugout, these positions right next, so there were designated spots, but those were the best. You could not have a better place to see the ballgame, but all I am worried about is the pictures of it. To me, it's like, okay, it is the World Series. That ramps up the intensity of the moment, but I have always responded well to that. The pressure never got in the way of a good picture.&#13;
&#13;
SM (01:03:19):&#13;
When I saw that you had taken pictures, I was just doing flashbacks of (19)69 because the Cubs were doing so well, and then they overtook the Cubs, and then they beat the Braves, and they beat the Orioles in the World, Series. When you have like Gil Hodges, and then you had Seaver, Koosman, Ryan, Mays, Charles, Kranepool, Jones, Agee, Swoboda, Weis, Grote, and JC Martin, Gentry. I will never forget Wayne Garrett. He was on the team, and he hit a home run off Pat Jarvis in the Braves Series.&#13;
&#13;
DK (01:03:53):&#13;
I have a baseball signed by all those guys you just mentioned.&#13;
&#13;
SM (01:03:57):&#13;
Wow.&#13;
&#13;
DK (01:03:58):&#13;
At the time, including Gil Hodges and Tom Seaver, Nolan Ryan, Yogi Berra was their coach. They had Donn Clendenon.&#13;
&#13;
SM (01:04:11):&#13;
Oh, first base, yes.&#13;
&#13;
DK (01:04:15):&#13;
Right. I had a lot of really good pictures, and one of the best was after the whole thing was over with. I have a picture of Tom Seaver, and I think it was Gary Gentry. They came out after everybody left, and the field had been torn up. There were just these pieces of sod everywhere. People were just crazy. He's still got his uniform on, his shirt out, and he's like standing on the pitcher's mound, looking down. I was the only person that was out there. That picture stands out in my mind, the aftermath of it all, in a real unusual situation, which has been emblematic of my kind of photography. I have always been attracted to sort of the Pulitzer thing, loneliness, desolation. My book, Photo du Jour, you see a lot of that in there, picture a day in the year 2000. That is all part of it.&#13;
&#13;
SM (01:05:20):&#13;
Yeah. Then you covered the resignation of Spiro Agnew, and then of course, the selection of Gerald Ford to be the VP. Your experience of taking that picture with Time Magazine, and you began your close relationship with President Ford. Could you talk about covering Agnew's and then of course that whole period of Nixon leaving?&#13;
&#13;
DK (01:05:45):&#13;
When I came back from Vietnam, Watergate was the big story. I came back in, not sure exactly when, but I think it was like June, July, somewhere. I made a detour. I left Vietnam, although I kept going back. I lived for a while in Hong Kong, a while in Bangkok and then Paris and then back to the States and really, right into the full-frontal hurricane that was Watergate. Agnew was part of that story, although he was not really related to Watergate per se, but it was all part of the trouble that was brewing. Time Magazine assigned me to go follow him around, which was not easy because he hated the press for one thing. Those nattering nabobs of negativism.&#13;
&#13;
SM (01:06:51):&#13;
Yes.&#13;
&#13;
DK (01:06:51):&#13;
You know who wrote that?&#13;
&#13;
SM (01:06:53):&#13;
Pat Buchanan?&#13;
&#13;
DK (01:06:53):&#13;
Yep.&#13;
&#13;
SM (01:06:54):&#13;
Yeah, I figured. Yep.&#13;
&#13;
DK (01:06:57):&#13;
Actually, Agnew, it was impressive he could even say that. That is not [inaudible]. Anyway, I cannot say it. Then he resigned, and my classic photo of him was really the day after he resigned, in the back of the limo. It was up in Maryland. It was actually a funeral, might have been for his mother or something. That picture ran in Time. I cannot remember how much after that, not too long after, Nixon designated Ford. As I recall, it was like a Friday afternoon. I went up to take his picture up at the House. He was minority leader of the House and very friendly. Let me come in, said you're wasting your time. I took this picture with window light. That night, Nixon announced him- And then that night Nixon announced Tim, and then my picture was the cover of the magazine, the new number two, at which point Time assigned me full-time to cover Ford, which really the glory days of magazine journalism because nowadays Time Magazine does not even cover overseas presidential trips. The budgeting has gotten so bad. There are a lot of pictures not being taken as we speak every minute, every hour, because of budgetary problems in the business. Newsweek is going under us. US News is really more about lists of big colleges or hospitals. Time still remains number one, but there's no way... And somebody commented on this recently, that looking back through all my photographs, everything from Vietnam to the Middle East to Jonestown to whatever it is, that there is no way that a publication would send people off to cover stories like that anymore. As an individual [inaudible], there is no way. They cannot afford it and they do not even think about it, and honestly, I think everybody is settling for a lot less now in terms of photographic quality. And it's being replaced by somebody with a flip camera or a camera phone, snap, and that is good enough. And that is really part of the deterioration of... It does not mean there are less good photographers out there, it is just they are not traveling into the center of big stories the way they used to.&#13;
&#13;
SM (01:09:56):&#13;
You became so close to President Ford and his family because he picked you as his personal photographer. And I love the terms that you gave them before you took that position, is that he would report directly to him, which was I think very important in that relationship. When you look at the time that he became president, the boomer generation, it is maybe the most historic time in their lives because of Watergate and the pressure that President Ford had to be under after Nixon left. And when you look at all of these things, not only the resignation, but then he pardoned him and he had to go before Congress. He separated the United States from Vietnam on April 30th of (19)75. And then of course he lost to Jimmy Carter, and then there was the whole Ford Carter debate. I remember living in San Francisco at the time when he had that blunder about Eastern Europe, and then a lot of people made fun of him because he golfed and he would hit a golf ball into the yard. There is a lot of things during that timeframe, but what was it like being every day around this president with these such historic events happening right around you?&#13;
&#13;
DK (01:11:16):&#13;
Well, going back to my initial conversation, I lecture all the time about... My latest, one of the lectures I gave, I did it over at the Aspen Institute, and this year was the presidential [inaudible] from Lincolnville [inaudible]. But I was only the third civilian chief White House photographer, and the first was Yoichi Okamoto with Lyndon Johnson who had great access that was really the standard by all of us who followed him. Well, maybe not all, but most of us had looked to Ollie or rather Yoichi as the gold standard in presidential photography. He was the godfather of White House photography for me. And then he was followed by Ollie Atkins, who had frankly no access and a really difficult period. It was like, "Okay Ollie, that is enough. A couple pictures and then you are out." And I knew this because I covered the Nixon White House at 27 years old, and as someone who would just come back from Vietnam and [inaudible] there, et cetera, et cetera. The White House photographer job did not mean that much to me to get it, just to sit around and have somebody tell me when I can go in and out of the Oval Office. The night that Ford became president sitting over in his house with Alexandria, just the two of us after he had a few family friends come by and he had asked me, invited me over and asked me to stay after everybody left. And we had this conversation in his living room, and he said, "Well, you were going to be White House photographer. How do you see that job?" And knowing what frustrations Ollie had, I said very directly to him that I would do it on two conditions. And that one is that I worked directly for him, meaning not for the press secretary or the chief of staff, that I report directly to him, and that I have total access to everything going on, whether it's national security, any kind of... Anything. I said, otherwise I was not interested just because why would I want to do that? I love working for Time Magazine, traveling around the world and taking pictures of interesting things. But he was looking at me while I said that and puffing on his pipe, and he said, "You do not want Air Force One on the weekends?' So that was it and the deal was done, really. And that was the atmosphere in which I worked for two and a half years, and I had access to everything, whether it was top secret meetings about the Soviet Union or whatever, and including... Which was a full circle for me, was being in the room when he pulled the plug on American involvement in Vietnam. And that was in the Roosevelt Room under a portrait of Teddy Roosevelt. It's one of the most important things that I took there, and you can imagine how highly classified that was because of the security of getting out the people that wanted to get out. And it was a very decisive moment, and just having been over there, I was there only a month earlier. In March I went with General Fred Weyand, who was looking to see if there's any way they could stem the tide of the advancing North Vietnamese. And so, I had been in Cambodia and Vietnam on a presidential mission really, and that was a hard one. I had a lot of friends over there, and after the fact I sponsored more than 20 Vietnamese, getting them out of camps after they had escaped from Vietnam and all of that. So, I had always been emotionally attached to Vietnam, but having said that, I have not been... I do not think, anyway, living in the Vietnam past, and I know a lot of people who have. It was both soldiers certainly, and a lot of news people who were there, photographer who were there, and just cannot seem to shake it loose. I mean, I literally moved on. When I was out of Vietnam, that was that. Not that I did not think about it. I did think about it, but to this day, I do not look at it as the greatest story I ever covered. It was certainly one of the most important. But I have been very fortunate that I have not lived in the Vietnam past. I know a lot of people who still do, and I feel bad for them.&#13;
&#13;
SM (01:16:55):&#13;
Yeah. You were there, again, those three things he took over at the time of the resignation, the pardon, having to go before Congress, his commentaries there, and of course the separation from Vietnam, those were all just major happenings. Do you think history has been fair to President Ford in terms of when they talk about the boomer presidents, we talk about Eisenhower in the (19)50s, and we talk about John Kennedy and then we talk about LBJ and Nixon? And then some people will say, well, then we had the lightweight Gerald Ford, then we go to Carter who was a disaster, and then we get to the powerful Ronald Reagan and then Bill Clinton in the 90s and George... So just your thoughts on whether history has treated him fairly?&#13;
&#13;
DK (01:17:45):&#13;
I think so. I think it is treating him more fairly every day that goes by. And I think where the turnaround came was ironically with he had Kennedy giving him that profile [inaudible] for the pardoning of Richard Nixon, and Kennedy basically admitting that he was wrong in his criticism of Ford at the time, that it really did to help killed the nation, that it put Watergate behind us, but people were so mad that it cost Ford the election. I mean, he really was sacrificed on that altar of bad feelings against Nixon. And people's thought there was a deal or whatever. I mean, nobody... And everybody wanted to get rid of him, and what we ended up with was Jimmy Carter. And Carter almost lost. I mean, the more Carter was out there talking, the less people liked him, and if that election a week later, Ford probably would have beat him. And the Poland thing, you can look at anything that threw off that momentum, which Poland did. And if Ford has just said, "The spirit of the Polish people are not dominated by the Soviet Union," slam dunk, home run as opposed to "They're not dominated by the Soviet Union." That was a mistake and one that he begrudgingly admitted later, believe me. It was getting bloody, man. Most people were trying to get him to go out and clarify that. Trust me, I was one of them. But anyway-&#13;
&#13;
SM (01:19:31):&#13;
You were also the person who took two historic pictures of five presidents at two different times. The first picture was Nixon, Carter, Bush, Reagan, and Ford, and the second was Bush one and two, Clinton, Obama and Carter. That is historic in my opinion.&#13;
&#13;
DK (01:19:48):&#13;
No, actually that was the last one, which was early January of last year, (20)09. It was the fifth time that five presidents been together, but only the second time where they posed for a picture because the Reagan library was the first time, and then there was the Nixon funeral, and then there was the 9/11 memorial at the National Cathedral, and then there was Reagan's funeral. Might have been, actually... No, that is right. It would have been Reagan's funeral, and then president-elect Obama with the other four and that was that. It is kind of interesting there is only been two baby boomer presidents, Clinton and Bush, and now Obama is the first president of my lifetime that has been younger than me.&#13;
&#13;
SM (01:20:58):&#13;
And actually, he is actually the last two years of what is defined as boomers, (19)46 to (19)60. Was not he born in (19)62?&#13;
&#13;
DK (01:21:07):&#13;
I cannot remember.&#13;
&#13;
SM (01:21:08):&#13;
So he was two years old.&#13;
&#13;
DK (01:21:11):&#13;
Yeah, I definitely would not put him in that category, I suppose.&#13;
&#13;
SM (01:21:18):&#13;
It must have been quite an honor for you to be picked as the photographer for these occasions.&#13;
&#13;
DK (01:21:24):&#13;
Well, no, I was not picked. There were a lot of other photographers there. I just happened to get... By design, I got an angle where I took a chance at the Reagan library where I got off to the side and there was a little... I should admit to some premeditation there, because one of the Advanced people before called me up from Bush.... No, actually somebody doing the Reagan event and wanted me to come out, because I lived in LA here at that time, to give them some advice on what would be a good picture. And so, I had a hand in setting that up. And because I knew what they were going to do, either were going to walk out together and then stand in this one spot, and photographer were like locusts. They all gather around one place usually. And so I assumed that the head on pictures is what everybody's going to go for, but I knew the best shot would be off to the side, that Mount Rushmore type configuration. And it would not have been as good a picture if Reagan then looked over to where I was, and that is why that picture was so good. And if you see the other pictures from head on, they looked like cardboard cutouts. It's all flat lighting and I never would have taken that picture. And then the last time, because it was the Bush White House and I was not working for any news organization, but I had to get in there. So, I called Dick Cheney up, whom I am still on friendly terms with, and I told him that, I said, "Do you still have any influence over there at the White House? I got to get in and take that picture." I said, " The press office will not return my calls. I am getting no help from them." And about two minutes later, the press secretary called me up and said, "Oh yeah, sure, we would love to have you come in for that."&#13;
&#13;
SM (01:23:41):&#13;
Wow.&#13;
&#13;
DK (01:23:43):&#13;
But there were other photographers there, but it was not a big group, but there were others. They had like three waves of photographers. But I knew when I came in the door, that was the shot right then and there, bang-bang. It was very quick, but I had a good angle there.&#13;
&#13;
SM (01:23:59):&#13;
You knew that... I think you had over 50 front covers on magazines, and 35 I think in that time period length of some of the (19)60s and (19)70s stuff. What are the front covers that stand out for you? What year and what was the picture?&#13;
&#13;
DK (01:24:19):&#13;
Well, I think obviously the Ford cover was my first Time magazine cover. And then it was the... I am trying to think. Well, the other huge one was the December 4th (19)78 cover of Time Magazine, Jonestown.&#13;
&#13;
SM (01:24:47):&#13;
Oh yes.&#13;
&#13;
DK (01:24:48):&#13;
That was huge. And then there was Ansel Adams on the cover of Time, the only cover... September (19)79, Ansel was called the master eye, and it was him on the cover of Time. To this date, the only photographer that is ever been on the cover of Time. In October '86, Reagan and Gorbachev at Reykjavik, and it was no deal, and we transmitted that picture on a Sunday night. Early technology victory over the opposition. And I nailed the picture of Reagan kind of looking disappointed and Gorbachev, and the headline was "No Deal". Those are four covers that have all been significant, and the President Ford cover was another portrait. And the President Ford cover and Jonestown are two of the biggest selling covers in Times history, I think to this day actually, and really important events. I mean, there have been others. I have had other covers, but...&#13;
&#13;
SM (01:26:06):&#13;
What was the most important event that you covered? You said Vietnam was not the one. What was the most important event?&#13;
&#13;
DK (01:26:12):&#13;
It is hard to say that really, I know I said it, but I would say Sadat going to Israel was right up there. Jonestown was right up there. Reagan Gorbachev Geneva Summit was right up there. In terms of events that have profoundly impacted the world, obviously Vietnam, Reagan, Gorbachev, Jonestown would not be in the major historical importance, but in terms of drama and horror, Jonestown... I mean Vietnam affected so many people, 50,000 plus Americans being killed there during the war, hard to overlook that one. And it scared a generation of people in one way or another, at least impacted them. And I missed out [inaudible].&#13;
&#13;
SM (01:27:16):&#13;
I lived in the Bay Area when Jonestown happened.&#13;
&#13;
DK (01:27:19):&#13;
Oh yeah, well that was-&#13;
&#13;
SM (01:27:21):&#13;
Because so much was happening at that time, not only Harvey Milk being murdered in Moscone, but Jonestown. So you flew there, took the... I have that magazine. You flew there and took all those pictures. So, when you first got to that site, it must have been... You had been to Vietnam and seen death.&#13;
&#13;
DK (01:27:46):&#13;
Well, but we did not know, and that was not even the point really. I was doing another story. I was down... The story of Shooter is a good story. [inaudible] recollect because it happened so soon [inaudible]. I think it was one of the last stories, and that is a good story. That tells you what happened. But until when we first circled over Jonestown in that plane, we just heard rumors that, oh, there were a lot of kids there, that we thought maybe they were still holding out against the Guyanese army, and we just did not know. And when we circled over there in the plane, I saw those people. I thought, well, look at all these people down there. And so, they must, it is not as bad as we thought. And as we got closer, realized that all the people were dead. And that was shocking. I mean, I cannot even begin to tell you what that was like. That is probably the most difficult thing I have ever had to deal with psychologically is to see that. And I think that was... Because at least in a war, you got some sense of why people are doing it. And in this case, there was no reality spread there. There was nothing that a sane person could understand why that would have happened. And to this day, I am perplexed as anybody, why they did that?&#13;
&#13;
SM (01:29:29):&#13;
And you were right down on the ground there eventually?&#13;
&#13;
DK (01:29:33):&#13;
Yeah, then we got on the ground. I was one of those few people ever to be there, fortunately for everybody else who was not.&#13;
&#13;
SM (01:29:40):&#13;
Did you have to wear masks? Because the stench must have been really intense.&#13;
&#13;
DK (01:29:43):&#13;
It was bad. Yeah. It was like two, three days later.&#13;
&#13;
SM (01:29:46):&#13;
Wow.&#13;
&#13;
DK (01:29:47):&#13;
Not good.&#13;
&#13;
SM (01:29:49):&#13;
Why did we lose the Vietnam War, in your opinion?&#13;
&#13;
DK (01:29:54):&#13;
Well, I do not know. The historians are still fighting about that war. I think we, well ultimately, if you take it all the way back to Eisenhower era that we backed the wrong horse. I think that is what happened. I am really curious what would have happened if you looked at Ho Chi Minh as a nationalist and not a communist, if you looked at him in a different way, could there have been a decision that would have sided with Ho Chi Minh? I do not know. I mean, the resolve was there in the north, and in the south, there was so much corruption. I mean, you read all the stories.&#13;
&#13;
SM (01:30:48):&#13;
Yes.&#13;
&#13;
DK (01:30:49):&#13;
I am probably the last person you should ask that question of just because I have no idea. You look at the place today, it is still a communist country, but they are big time into capitalism. So, I am just wonder what was lost other than obviously all those lives. But if I were a family who lost somebody in Vietnam, I would be pretty pissed off, quite frankly.&#13;
&#13;
SM (01:31:21):&#13;
Did you ever have a chance to talk to President Ford about his position on the Warren Commission? About the single bullet theory? And of course, he and all-&#13;
&#13;
DK (01:31:33):&#13;
He was emphatic that he agreed with the rest of the commission, that there were no... That it was not a conspiracy.&#13;
&#13;
SM (01:31:39):&#13;
When you saw the wall-&#13;
&#13;
DK (01:31:42):&#13;
To this day, by the way, I have seen nothing that would prove differently. And I know it is one of ongoing fascinations that some people have, the obsession with that whole thing. It is almost like you can... It kind of goes to the category of the United States was a co-conspirator in the 9/11 Twin Towers attack.&#13;
&#13;
SM (01:32:17):&#13;
Yeah, there is some that think that Bobby Kennedy and Martin Luther King, they were all connected in some way, conspiracy.&#13;
&#13;
DK (01:32:29):&#13;
It is just I cannot... It is so hard to... It is like Jones telling to me. I do not understand that kind of thinking. So, I do not know.&#13;
&#13;
SM (01:32:35):&#13;
When you saw the wall, the Vietnam Memorial for the first time, what was your reaction and thinking in 1982 when all the veterans came back and since? You're the person who won the Pulitzer Prize for pictures on the war in Vietnam and experienced combat firsthand. And then of course, the decision that President Ford, to depart in 1975 after 58,290 died and 3 million Vietnamese died. What was your thought when you first saw that wall?&#13;
&#13;
DK (01:33:07):&#13;
I cried. It was the single most powerful thing I have ever seen in my life as a monument. To see those names, many of whom I knew. They were guys I went to high school with were or had met. And I thought it was... I was overcome with emotional when I saw it. And I went down there on my own to see it. I did not know what to expect. And I know it was really criticized by a lot of veterans groups and people, but I think it's emerged as probably the single most powerful vision of what that war was, because it boils down to all those people were killed. And guess what? That does not even... The names of the people who were severely injured are not on there, so you could add another 100,000-&#13;
&#13;
SM (01:34:14):&#13;
Oh yes.&#13;
&#13;
DK (01:34:15):&#13;
... Names, not to mention all of the Vietnamese.&#13;
&#13;
SM (01:34:20):&#13;
Have you ever read Lewis Puller's book, Fortunate Son?&#13;
&#13;
DK (01:34:27):&#13;
I have not. And I have got it. And I have got so much. I mean, read all the time. I read so much. That is one, believe it or not, that was on my list. That is a good one.&#13;
&#13;
SM (01:34:48):&#13;
Well, I knew him. And that is another story. This is your interview, not mine. But I only knew him through making an effort to contact him. He was the inspiration to write my book.&#13;
&#13;
DK (01:34:59):&#13;
Oh wow.&#13;
&#13;
SM (01:34:59):&#13;
He supported me to do it when I talked to him before he killed himself.&#13;
&#13;
DK (01:35:03):&#13;
But Galway knows him or knew him.&#13;
&#13;
SM (01:35:03):&#13;
Oh yeah, and Joe's great. Of course, Joe's now in Texas, I think so.&#13;
&#13;
DK (01:35:10):&#13;
Yeah. Yeah. I have not talked-&#13;
&#13;
SM (01:35:13):&#13;
And when I interviewed him for my book was many years back. His wife had just passed away, and then he ended up marrying one of the daughters of guys who died at the [inaudible] Valley. So that is an unbelievable story. In your opinion, when did the (19)60s begin and when did it end, and what do you think was the watershed moment?&#13;
&#13;
DK (01:35:35):&#13;
That is a good question. They definitely ended in the (19)70s. And I would say they probably ended after... Definitely after Nixon resigned, because he represented the... I mean, he was elected in (19)68, took office in (19)69. The (19)60s as we remember them did not even really start till (19)65.&#13;
&#13;
SM (01:36:10):&#13;
You are right.&#13;
&#13;
DK (01:36:11):&#13;
And everybody talks about the [inaudible], because then all the images that you see flashed up are Rolling Stones, Beetles, hippies, et cetera. And I think you could safely say the (19)60s ended with the end fall of Saigon. That would be probably the most dramatic moment I could think of.&#13;
&#13;
SM (01:36:36):&#13;
Is there a watershed moment?&#13;
&#13;
DK (01:36:44):&#13;
That moment would be the fall Saigon at the end of the Vietnam War. Yeah. I mean, I think that is the end of the (19)60s right there.&#13;
&#13;
SM (01:36:51):&#13;
Where were you when John Kennedy died? Do you remember the exact moment when you heard?&#13;
&#13;
DK (01:36:55):&#13;
Yeah, I was in social studies class in Roseburg High School, and when they came in to the class, I remember what was more interesting to me was what I found out many years later that there were people celebrating his death here in this country. That was shocking to me.&#13;
&#13;
SM (01:37:26):&#13;
Oh, yes.&#13;
&#13;
DK (01:37:26):&#13;
Unbelievable. Because all we can think about at the time, all the kids, they were all fine. And I mean, he was the president. He was like this character that because of modern communication, we would actually gotten to know this guy through TV. And he was a young person who... And my parents were Republican, but everybody was so upset. I mean, the part of Oregon I come from, it is a very conservative part of the state, and I remember in [inaudible] billboards, so that was... However, nobody was celebrating. We were all the kids. We were in shock.&#13;
&#13;
SM (01:38:18):&#13;
When you were not San Francisco State, SI [inaudible], we back in the East saw that on tele... We knew what was going on there. And of course, a lot of the protests were in Berkeley.&#13;
&#13;
DK (01:38:31):&#13;
But Berkeley I did not really do, but the SF State I did. I was actually based in Los Angeles. They flew me up there to cover that.&#13;
&#13;
SM (01:38:38):&#13;
That was pretty intense. An, were not you threatened at that? Or were you beat up or?&#13;
&#13;
DK (01:38:43):&#13;
Oh yeah, the cops hit me, the students threw rocks at me, and it was kind of an equal opportunity bashing.&#13;
&#13;
SM (01:38:52):&#13;
Geez. What was your thought when all this was happening about higher ed, our young people, and America?&#13;
&#13;
DK (01:39:05):&#13;
Nothing surprised me at that point. To me, it was a good story. It was dangerous though, but there were a lot of good pictures out of that. Hey, you know what? It's just what I have done. That is just another story along the way. And one of the things I was going to mention to you was I had gone to pitch a book of my photos to, I think it was Abraham, and all the editors could talk about was, did I have pictures of the social changes and fashion? And I said, no. They said, why? I said, "Guys, I do not give a flying fuck about any of that stuff. I do not care about [inaudible]. I do not care about fashion. I do not really care about sports that much in terms of photography. What I cared about is what you were looking at. These are my pictures, and I cannot go back into the vault and pull out a bunch of stuff that you think I should be doing as opposed to what I did." I was really offended by them, to be honest with you.&#13;
&#13;
SM (01:40:23):&#13;
Well, you know what is interesting-&#13;
&#13;
DK (01:40:24):&#13;
What do you see here? I said, "This is the story of one person's journey through the events of his generation". I said, "I cannot go back and do it over again. And if I did go back and do it over again, I do not think I would do it any differently." I mean, I would have taken some better pictures and not missed as many as I did, but the direction would have been the same.&#13;
&#13;
SM (01:40:50):&#13;
The irony of your pictures of the Ali Frazier fight before you went off to Vietnam is interesting because, I am just reflecting, he was kicked out of boxing because of his stand on the Vietnam War and stripped of his title for a while. And then he came back and we all remember what he had said, that he's not going to go off and kill yellow boys when black boys in America are not being taken care of.&#13;
&#13;
DK (01:41:17):&#13;
Yeah, that fight, I mean, that was one of the great fights of all time.&#13;
&#13;
SM (01:41:21):&#13;
How important do you think-&#13;
&#13;
DK (01:41:25):&#13;
[inaudible] Frazier, you will never, ever duplicate something like that. Well, the whole boxing industry is screwed anyway anymore. But those were, again, that was sort of representative of... That was still the (19)60s, even though it was 1971. That was an event with its roots going back into... See, basically, because we divide everything into... We like neat little items. 50th anniversary of this, 20th anniversary of that, the (19)60s, the (19)70s, the (19)80s. It does not mean jack shit. (19)60s, the (19)70s, the (19)80s, it does not mean jack shit. I mean, when I did my book, [inaudible] in 2000... Hang on, I was showing this to somebody the other day and I said something here, if I can find it. Hold on. Every month I wrote something about... Where is it? Well, I cannot find it. the end of the last day of 2000, I did a picture of... Actually, one of the pictures, you should get that book. I think you would find it pretty interesting, I was at the convention in Philadelphia, among other things.&#13;
&#13;
SM (01:43:03):&#13;
The name of the book?&#13;
&#13;
DK (01:43:05):&#13;
Photo du Jour.&#13;
&#13;
SM (01:43:07):&#13;
Okay, I will find that. We have a really good bookstore.&#13;
&#13;
DK (01:43:16):&#13;
Hold on a sec, I just want to see if I can find this one thing. Well, maybe I do not have it here. Dave Barry Howard Fryman wrote a piece.&#13;
&#13;
SM (01:43:35):&#13;
You can email me.&#13;
&#13;
DK (01:43:39):&#13;
The main thing right now, I guess, the point was that the last picture that I did, And this was a project I did with a Mamiya 7 camera, which is like a light on steroids. It is a medium format or a range finder camera. the last photo was of a volcano in Hawaii. Normally day-to-day, I did not even know where I would be one day to the next, but in this case, by that point, at the end of the year, the family and I were going to be in Hawaii on a vacation and the volcano was still active. That was the last day of December 31st, 2000, the last day of going into 2001. The symbolism of that volcano was, it did not make any difference that it was the last day of the year or the first day of the year, or the last day of the millennium. The fact of the matter, everything, it just goes over into the next day. It does not mean anything. It is like these are just all, they are days. They are false markers. I think that was point.&#13;
&#13;
SM (01:45:12):&#13;
How important do you feel students were in ending the war through their protests? You saw it at San Francisco State, but they were all over the country, particularly between (19)67-&#13;
&#13;
DK (01:45:21):&#13;
Hang on one second. Here is what I said. The first day of the new millennium was basically another day. The Earth continued to spin on its axis. There was no cataclysmic thunder clap wiping out our way of life as we knew it. That would wait until September 11th, 2001. That was the point. Oops. Can you hold on one second?&#13;
&#13;
SM (01:45:56):&#13;
Yep.&#13;
&#13;
DK (01:45:57):&#13;
Hold on.&#13;
&#13;
SM (01:45:58):&#13;
Yep.&#13;
&#13;
DK (01:46:08):&#13;
The point is, when you are talking, that was a good question. When did the (19)60s end? If you just sent out all of the, if you took all that stuff out, it really, it was a state of mind really more than anything. I think that is a really good question. I have talked to people about that. Well, what does it mean the (19)60s? It's almost like the (19)70s, somebody, they do not talk about the (19)70s per se. So much shit happened during the (19)70s. More than in the (19)60s almost.&#13;
&#13;
SM (01:46:40):&#13;
What is interesting is a lot of people have said the (19)60s were from that (19)65 till about (19)73 because you cannot separate (19)71, (19)72, (19)73 and (19)70. You cannot.&#13;
&#13;
DK (01:46:52):&#13;
Right.&#13;
&#13;
SM (01:46:52):&#13;
A lot of people look at disco as a change when things start changing.&#13;
&#13;
DK (01:46:58):&#13;
Yeah-yeah, yeah.&#13;
&#13;
SM (01:46:59):&#13;
When you look at the generation that you grew up in, the boomer generation, this would be based, the generation 74 million total. What would be the people that you knew, can you give any strengths or weaknesses to this generation if you were to comment on them?&#13;
&#13;
DK (01:47:20):&#13;
Ask me that one more time, I am sorry.&#13;
&#13;
SM (01:47:22):&#13;
When you look at the boomer generation itself of 74 million, not all were activists and probably only about 10 percent were, and the rest were not. But when you look at this generation, which is all inclusive, it is male, female, black, brown, yellow, gay, straight, you name it. It is all of them. Were there any strengths or weaknesses that you could list?&#13;
&#13;
DK (01:47:54):&#13;
Well, God, there is so many. In many ways, Clinton kind of epitomized all that. I mean, he was a person who, and in a way, this is not a fair thing to say, but because we all were brought up differently too, I mean, he had a hard way to go brought up. Here's the guy that overcame a background. I do not really like Clinton, by the way. I understand his strengths and his weaknesses. In many ways he represents many of the strengths and weaknesses of the generation. A lot of promiscuous people who were, if it feels good, do it. I understand that. I think those of us, products of the World War II generation or the greatest generation as to Tom Brokaw said, makes you feel a little bit strange. They went through all that. They collectively, and we were brought up in the (19)50s where prosperity was the cornerstone of the country and on the sacrifice of our parents. My parents and those people that age really have a different way of looking at stuff. Those who went through the depression. We do not know about any of that until now, but I do not think it's the same thing. It is for certain people, but not in this overshadowing way. I am rambling here because I do not have a good answer for you. It is everything from television, the advent of TV really accompanied the rise of the baby boomers. Jeff, it was very funny. In fact, you got to get the photo out if you do not have it. If you want to use Jeff's cartoons in it, I will give you the permission to do so because what it did, and a lot of what you are writing about is the baby generation. I told you what he said, the self-centered generation comes of age, but it is all, the first frame is the (19)50s and it is the golden age of television. There is a little kid sitting on a floor and the TV with the rabbit ears is up on a wood chest of drawers. Then it's the (19)60s, the next panel, the Golden Age, the rock and roll. You have got the same, the kid is not growing up now, but he is holding a guitar, watching a bigger TV set. In the (19)70s, golden age of drugs and the kid who is still a baby has got a cigarette in his mouth watching a TV in a cabinet. Then the (19)80s, the golden age of money. The kid's got a big cigar, this huge TV, the nineties, the golden age of healthcare. The kid's got to hook up to a blood pressure machines, still watching the TV. Then the two thousand, the golden age of arthritis. The kids pushing the button on the TV with a cane. Then the 2010, the golden age of death. That was his representation of the baby boom generation. I think there is something to that because we were not only growing up in a different world, we're actually watching ourselves do it on TV. Everything that happens is on TV anymore. The car chase, the plane crash, people on the hill, live C Span. Never before has a group of people been able to track their own progress in a mirror really like now. That was not the way it was before. The evolution of how you got your news from Life magazine to NBC, when they talk about life being killed by speed, that is probably true. It had its time. That is all. I was one of the last drivers hired by them, and it was a great tragedy for us but like so many other things I have moved on from there.&#13;
&#13;
SM (01:52:52):&#13;
You say you moved on. That that leads me into, I only got three more questions then we're done. This question is regarding the issue of healing. We took students to Washington DC in 1995 to meet Senator Edmond Musky. The students came up with a question because they were not alive in the (19)60s and (19)70s, their parents were obviously, but they had seen a video of the year 1968. They put together a question dealing with all the divisions that were happening in America at that time. The question was this, due to all the divisions that were taking place in the boomer generation or in the (19)60s generation, divisions between black and white, male and female, gay and straight, those who supported the war, those who were against the war, those who supported the troops, those who did not. Do you feel the boomer generation, the (19)60s generation, is going to go to its grave like the Civil War generation, not healing? Not healing because of the tremendous division's, animosity and sometimes outright hatred one had for the opposing point of view, or someone with a different perspective or whatever? Senator Musky, and they were thinking of the 1968 convention and all the turmoil there, the assassinations in 68, and they were thinking of Watts in 64. They were thinking of all the things about the (19)60s. What's your answer? Then I will tell you what Senator Musky said.&#13;
&#13;
DK (01:54:27):&#13;
Well, of course we got a little, yeah, that is a different thing. I do not know. The healing. It seems a lot of that bad will is really carrying over to the here and the now. It almost does not seem to be getting better. I do not know about healing. I do not see how you-&#13;
&#13;
SM (01:54:51):&#13;
Hold on one second. David, can you hold on one second?&#13;
&#13;
DK (01:54:54):&#13;
Yeah.&#13;
&#13;
SM (01:54:54):&#13;
My tape just ended. Okay. Alrighty. Go right ahead.&#13;
&#13;
DK (01:55:01):&#13;
When you talk about a generation healing, I do not personally feel damaged, so I do not know how other people, it is such an individual situation that I could not tell you, but the world, it does. Things seem more divided now. I mean, that is a fact. Everybody talks about it. You have got Fox News on one hand is supposed to represent the conservative point of view and MSNBC on the other side, and people really polarize on certain subjects. That goes back to what I said earlier. I am not a Democrat or Republican, I am a photographer.&#13;
&#13;
SM (01:55:48):&#13;
Right.&#13;
&#13;
DK (01:55:51):&#13;
I have seen both sides.&#13;
&#13;
(End of Interview)&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48069">
              <text>3 microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50726">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11518">
                <text>Interview with David Hume Kennerly</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47611">
                <text>Kennerly, David Hume, 1947- ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47612">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47613">
                <text>Photographers;  Photojournalists;  Kennerly, David Hume, 1947--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47614">
                <text>David Hume Kennerly is a Pulitzer Prize winnig photographer and photojournalist. His portfolio includes photographs taken of the Vietnam War, Cambodia, East Pakistani refugees near Calcutta, and the Ali-Frazier fight in Madison Square Garden on March 8, 1971. Kennerly photographed every American president since Richard Nixon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47615">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47616">
                <text>2010-07-10</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47617">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47618">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47619">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47620">
                <text>McKiernan.Oral.10.2016.6a; McKiernan.Oral.10.2016.6b; McKiernan.Oral.10.2016.6c</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47621">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47622">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47623">
                <text>237:33</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="837" public="1" featured="0">
    <fileContainer>
      <file fileId="6170">
        <src>https://omeka.binghamton.edu/omeka/files/original/2cdb17c591b796711d28b8d6503cfc04.jpg</src>
        <authentication>b6b98d87f46918965c563260659fcaec</authentication>
      </file>
      <file fileId="13235">
        <src>https://omeka.binghamton.edu/omeka/files/original/59e828ee3c9d346379ff18ab1acec55a.mp3</src>
        <authentication>d33468cea160fae75511e49a6856261b</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11534">
              <text>2006-11-04</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11535">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11536">
              <text>Diane Carlson Evans</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11537">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11538">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Diane Carlson Evans served as a nurse during the Vietnam War in the United States Army. Before joining the Army as a nurse, Evans graduated from nursing school in Minnesota. She was the major contributor to the creation of the Vietnam Women's Memorial.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:4200835,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,5099745],&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;25&amp;quot;:[null,0,0]}"&gt;Diane Carlson Evans served as a nurse during the Vietnam War in the United States Army. Before joining the Army as a nurse, Evans graduated from nursing school in Minnesota. She was the major contributor to the creation of the Vietnam Women's Memorial.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11539">
              <text>Binghamton University Libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11540">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11541">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11542">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11543">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16718">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Peace Corps; Conscientious objector; Civil rights movement; Women's Rights Movement; War protest; Watergate; The Guardian; Suffragettes; Activism; Troops; Congress; Women in military service; American Memorial; Lewis Puller; Lyndon B. Johnson.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Baby boom generation; Peace Corps; Conscientious objector; Civil rights movement; Women's Rights Movement; War protest; Watergate; The Guardian; Suffragettes; Activism; Troops; Congress; Women in military service; American Memorial; Lewis Puller; Lyndon B. Johnson.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="16719">
              <text>242:51</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20049">
              <text>United States—Armed Forces—Nurses;  Vietnam War, 1961-1975;  Evans, Diane Carlson--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="43129">
              <text>McKiernan Interviews&#13;
Interview with: Diane Carlson Evans&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: 11 April 2006&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
SM (00:00:06):&#13;
Testing, one, two, three, testing. Okay, here we go. Okay, hold on a second. I cannot read this. Oh, you bastard. Diane? Hi, how you doing? I am pretty good. It is pretty early for you. All right, very good. Now let me put on the speakerphone here. Hold on one second. I got it.&#13;
DE (00:01:23):&#13;
This is my cell phone and I have just realized it is not fully charged, so at some point it will die. So let me give you another phone number you can call me on.&#13;
SM (00:01:38):&#13;
Okay.&#13;
DE (00:01:39):&#13;
That is 406-457.&#13;
SM (00:01:41):&#13;
457.&#13;
DE (00:01:41):&#13;
1977.&#13;
SM (00:01:42):&#13;
1977.&#13;
DE (00:01:45):&#13;
I will get beeping on my cell phone to warn me that it is going to die so I will let you know and I will hang up and you can call me back.&#13;
SM (00:01:49):&#13;
Okay, all right. Well, before we start, I want to say I will be down in Washington next week.&#13;
DE (00:01:57):&#13;
Oh, you are?&#13;
SM (00:01:58):&#13;
Yeah. I will be there again. I will be there now, I think, since 1994 I have been there every year for Memorial Day and Veterans Day.&#13;
DE (00:02:06):&#13;
I have missed you most of the time, I guess. And you know what, I am not going to be there this year for the second time in 25 years.&#13;
SM (00:02:13):&#13;
Oh really?&#13;
DE (00:02:14):&#13;
I have been out there for 24 years every Veteran's Day and then we always have a board meeting in conjunction with Veterans Day. So, I am going to miss both this year. But my family is kidnapping me. I am turning 60 years old on November 10th.&#13;
SM (00:02:32):&#13;
Oh, wow. Well, 60 years young.&#13;
DE (00:02:32):&#13;
60 years young and I have celebrated my birthday every year out there without my family.&#13;
SM (00:02:39):&#13;
Oh my gosh.&#13;
DE (00:02:40):&#13;
So, we all decided it was time for me to do something fun with the family on my birthday, so we are going up to northern Montana and we will all be together.&#13;
SM (00:02:49):&#13;
That is great.&#13;
DE (00:02:50):&#13;
Yeah, but I will be back there on the 14th because I am going to be on a panel that WE television, with Creative Streets Productions that did the Vietnam Nurses documentary, is going to have a screening and some of the women in radio and television and others are going to be there. And then following the screening I am going to be on a panel.&#13;
SM (00:03:12):&#13;
Excellent.&#13;
DE (00:03:13):&#13;
They are going to send the documentary off to film festivals. They are hoping to get some awards, which they just might. It was well done. Did you see it?&#13;
SM (00:03:25):&#13;
Actually, I got home that night and I could not find it on my TV set.&#13;
DE (00:03:29):&#13;
Yeah, it is on W-E TV. And I could not get it on my cable either. You have to have high end cable, I guess, to get it.&#13;
SM (00:03:43):&#13;
Well, will we be able to get that in...&#13;
DE (00:03:43):&#13;
Before we hang up, we are getting a shipment and it is supposed to come Monday or Tuesday to the foundation, and then we are selling them.&#13;
SM (00:03:52):&#13;
Okay.&#13;
DE (00:03:53):&#13;
And we have already had a lot of requests. They will be available next week, just go on online to vwmfcc@aol.com and just tell Cindy you want a copy. She will tell you how much money and all of that, where to send the check.&#13;
SM (00:04:12):&#13;
Super.&#13;
DE (00:04:13):&#13;
We still do not do Visa, we still do not do credit cards for our product. But anyway, yeah, you can get a copy next week.&#13;
SM (00:04:23):&#13;
Good, I will do it.&#13;
DE (00:04:24):&#13;
Yeah, it is very well done, Steve. I would highly recommend it. I was very pleasantly surprised. But finally somebody did a documentary that really got it.&#13;
SM (00:04:35):&#13;
Super. Well, I got a few questions here for you. Are you ready for your first one?&#13;
DE (00:04:43):&#13;
Sure, let us go.&#13;
SM (00:04:44):&#13;
Okay. When you think of the (19)60s and the early (19)70s, what is the first thing that comes to your mind?&#13;
DE (00:04:53):&#13;
Oh, the first thing that comes to my mind is war.&#13;
SM (00:05:00):&#13;
Explain.&#13;
DE (00:05:03):&#13;
In the mid-(19)60s, my one brother got drafted. 1966 he was drafted. Before that, my older brother joined the military in early 60s. I was tuned in, connected to the military because of my brothers and because of my local neighbor boys who were getting drafted and going into the military. And then when my 4-H buddy and some other classmates of my brothers were killed in Vietnam and their caskets came home, and some of them were farm boys and my father was extremely upset. He hated the war. He did not like the war. And so there was a lot of war talk. Not a lot of war talk, but there was discussion about what was going on with our military. My dad was devastated because we were farmers and his two older brothers went off to war. Then when I started college in 1964, I do not know why really, but I was interested in what was happening overseas from a nursing standpoint. So, I guess that is the answer.&#13;
SM (00:06:21):&#13;
Is there one specific event during your youth that stands out above every other event that really had an impact on your life?&#13;
DE (00:06:33):&#13;
That is a good question, Steve. Man, you are narrowing in here, are not you?&#13;
SM (00:06:40):&#13;
Oh, I think we just lost you.&#13;
DE (00:06:45):&#13;
No, I am here.&#13;
SM (00:06:46):&#13;
Oh, okay.&#13;
DE (00:06:48):&#13;
I am thinking.&#13;
SM (00:06:51):&#13;
Okay.&#13;
DE (00:06:51):&#13;
I am thinking because that is a pretty direct question, more than anything that affected my life. And you are talking about an experience or an instance-&#13;
SM (00:07:03):&#13;
It could be something in your life. It could be something that happened in the world, in the United States, just something that really had an impact on you.&#13;
DE (00:07:22):&#13;
I think more than a direct experience or a direct impact, it was more of something seething inside of me to do something worthwhile since I saw the activism and my peers, all men, having to do something worthwhile, like join the military or do something above themselves rather than... how can I say this? Everything that was going on with the assassination of President Kennedy and the Civil Rights Movement. I felt like the little one room country school I was going to and my high school was not feeding me enough information. I was very curious about what was really happening in the country and around the world on a higher level than I seemed to be getting in high school. And so by the time I finished nurses training, by the time I finished college, I was really ready to move on into the world and discover what was really out there and be an active part of it rather than just someone watching it happen. I wanted to be part of what was happening and do something worthwhile with it. I do not know if that makes sense to you?&#13;
SM (00:08:46):&#13;
Yes it does. You are part of the boomer generation, in fact you are in the lead of the boomer generation, I think the Boomer generation are those people born between 1946 and 1964?&#13;
DE (00:08:59):&#13;
Yeah, I am one of the firsters.&#13;
SM (00:09:01):&#13;
Yep. Well, next year is when I hit it. But when you look at the boomer generation as a generation, what are some of the positive qualities this generation had and what are some of the negatives, just characteristics?&#13;
DE (00:09:18):&#13;
I would say that the positive things about my generation that I am proud of is that we did answer the call when it was given to us. Many of us volunteered, think about the baby boom generation among the women, 250,000 women joined the military during a very turbulent time in our country when it was very unpopular to go into the military, especially for women because there was still the stereotype of women in the military that they were something to be questioned, or why would a woman go into the military? But these were women who joined because they wanted to serve their country. So, I was very proud of these women, but I was also proud of my generation not only for wanting to do something and serve, and my friends who were going into the Peace Corps, and they were saying, "I do not believe in war. I am going to oppose this." And I thought that that took a lot of courage and they became conscientious objectors. So I was proud of my generation for serving, but I was also proud of my generation for speaking up and for using their voice to identify what it was they cared about and then moving forward with that rather than just sitting passively back in a classroom and watching the world go by and wondering what to do about it. They actually got out in the street. And the women's movement, the Civil Rights Movement, that was all part of the baby boom generation. And Steve, I will tell you, I really resent the use of the term that we are the me generation. And in fact, J. Carter Brown, and if this is identified I have the article, J. Carter Brown, as you know, was the chairman of the Commission of Fine Arts that rejected carte blanche the whole idea for placing a memorial in Washington DC to honor women. And that hearing, where the site and the design in our proposal to honor women was at Vietnam Veterans Memorial, and he absolutely rejected it. This was the first hearing. And then later when he was interviewed by a newspaper journalist, and I have the article so it is on record, I am not making this up. I can send it to you if you want the exact words. But he said that I was part of the me generation so he would just have to see where this goes. I was so angry about him calling me and my generation the me generation when it was my generation, because he was referring to me, I was a veteran, it was three million of us in the me generation that went to Vietnam and over 58,000 of that generation he was referring to whose names are on the wall. We were not the me generation. We were the generation that thought outside of ourselves and were willing to go to the streets to protest the war. I am one of the Vietnam veterans who... I do not hate the war protestors... I hate the results of what them did in that somehow the protesting of the war ended up on the soldiers. Now protesting the soldiers rather than protesting the war, it needed to be divided and protest the war but do not protest the soldiers. And somehow that got muddled. And when we look back on that, we wonder how that could happen but it did. I was proud of my generation for speaking out and doing something and going to the streets and being seen to protest something they did not believe was right. So I guess when I think, I had a knee-jerk reaction to Tom Brokaw's The Greatest Generation, and it is okay to name a book that, but now all of a sudden it is like the only generation that was great in the history of America, the greatest generation is World War II, which I find just another hurtful thing that was put on the greatest generation, if that is what we were going to call them. We are the children of the greatest generation, so if we were the children of the greatest generation how could we be so bad? I mean, they produced us.&#13;
SM (00:13:46):&#13;
Right.&#13;
DE (00:13:49):&#13;
They produced us and they raised us. And I am proud of our generation.&#13;
SM (00:13:55):&#13;
Well, so am I.&#13;
DE (00:13:57):&#13;
Yeah.&#13;
SM (00:13:59):&#13;
If you were to just list a couple characteristics, qualities that the boomers possessed, what would you say would be the positive ones and what would be maybe some negative ones?&#13;
DE (00:14:10):&#13;
Okay, well, I would say we were bold. I would say we honored our parents, the World War II generation, and we looked up to them for what they did. I mean, I was very much in awe of my aunt who served in World War II, and she was a role model for me. I was proud of my dad for what he did in World War II. He was a farmer and he also worked at an ammunition plant. He had kids so he did not get drafted, but he did his part and he rationed his tires and he rationed sugar and my mom talks about that. I am proud of them for what they did and how they sacrificed for the war. They sacrificed for the war effort, and I knew how they sacrificed because I grew up on the farm that did not have what we needed because of World War II. So I think my generation, we had some role modeling and we used that and we used it in positive ways, and that is we too wanted to serve so we did. We wanted to be our parents and serve our country. But what my generation did was we started asking questions, and we started asking lots of questions. So therefore, some members of my generation became what was coined anti-establishment. And maybe it was not so much anti-establishment but questioning that establishment and not obeying it, but rather maybe wanting to change some of the old laws like civil rights, like the laws for gender, women, that affected women in negative ways. So, it was my generation that not only looked kind of in awe at our parents’ generations, but we also said, "Hey, it is time for change." And so it was my generation that made extraordinary changes.&#13;
SM (00:16:14):&#13;
One of the things you often read in the history books, and you will remember this when you were young, is the generation gap, that there was a big separation between our parents and us because we were challenging the war or getting involved in other things. What are your thoughts on the generation gap? That was a term that is often defined as part of the (19)60s generation.&#13;
DE (00:16:43):&#13;
Yeah, we are coming up with all those phrases that were just... Well, the generation gap is I think what might define the why we did challenge the status quo. And while I did not feel the gap with my parents, because my parents were very anti-war, they did not believe that war Vietnam was right. They were questioning the administration as well. So, I did not feel a gap with my family, but I know so many young men and women did because their parents said, "You serve and you do not question." So, I know some of my peers could not talk to their family so they did not. They literally did not go home and they had big fights, and they fought so horribly that they just avoided each other completely. So there was definitely a gap between parents and their children during this time. And some of those sons went to Canada, as you know, some just disappeared and either became conscientious objectors and were working at hospitals in states and their parents... I mean, there is one couple I know they did not know where their son was for about four years. He had gone off to live in a commune with a distant relative. And the mother, every time I saw her, she could do nothing but cry because she did not know where her son was. But he had gone off to live in a commune. He was not going to live with the status quo. So yeah, the generation gap was a distancing between the World War II generation and the Vietnam generation, because so many young people just could not seem to come to terms with that generation in that we were scorned, some of us, for questioning the government because you do not question the government. The commander in chief makes the decisions and you salute and you move forward. But we asked questions of everything and we defied a lot of the rules. When I am saying that it is collectively, many defied the rules, broke the rules and wanted new rules. The negative part of that, you and I both know, Steve, lots of rules were broken that should not have been and there was violence. There was terrible violence on both parts. There were violent young people who used their philosophical disagreements with what was happening in America and they took to the streets in violent ways, and that is never an excuse and it is never a way to solve problems in my estimation. And the blowing up of buildings on campuses, the harassment of others, the burning of the flag, I do not believe we should burn the flag but I also believe that you should not go to prison for it because if people are burning the flag they are making some kind of a statement that they are allowed to make that. So I think it created a temperament in the country that it was okay to do anything to show your rebelliousness or your displeasure or your disagreement. What was the other phrase we used? Let it all hang out?&#13;
SM (00:20:23):&#13;
Yes, let it all hang out. In fact, that was a record, remember? That was a song.&#13;
DE (00:20:25):&#13;
Right, yep, and then it was like let it all hang out. So consequently, Stephen, the younger generation needed to do this in a visible way so they wore clothes that had never been worn before in that manner. They let their hair grow long and ratty, that maybe had not been done since, I do not know, the 1600s or something. But the defiance was not only with words and behavior, but it was also in the dress of my generation at that time. And that they visibly wanted to show the world that they were different. And now I am using the word [inaudible] because I guess I did not rebel in that way. We used the word hippie, but I always said, "Well, I never looked like a hippie." I was part of the hippie generation but I did not get into the... I guess I felt, Steve, that I did not need to rebel. My way to rebel, I think, was to... I did not take to the streets, but instead I joined the military because what I wanted to do was something valuable. And the only thing that I knew that I could do that was valuable, and remember, I was pretty darn young. I was only almost 21 when I got out of college and 21 when I was in Vietnam. So actually, I was 20 out of college, went to basic training, went to Fort Lee, and then had my 22nd birthday in Vietnam. I was a farm girl who was raised to be a hard worker and dutiful, and the only thing I knew was nursing. And so, I guess I can look back now and say I had the courage to go to Vietnam and be a nurse, but I would never have had the courage to march down a street and throw rocks at buildings or start a fire somewhere. I could not do it in a physically, what is the word, aggressive way. Whereas some of my peers, they were not nurses, they were struggling with how do I show the government, how do I show the country, how do I prove to my parents that I do not like what is going on and I want change and I want a difference? And of course, the negative, Steve, we both know, is sometimes certain individuals, certain human beings, all they need is an excuse to be violent. And some were. It was an excuse to be aggressive. And there is no excuse ever for trying to, I guess, expose your beliefs and show how you care about things, there is no reason really to do it violently. Of course, I am a more peaceful person. But I felt privileged that I was a nurse and that I could do something with that and so I joined the military because I thought about my brothers and I thought it was the right thing to do. And I only joined if they said I could go to Vietnam. And of course the military does make you promises and they break half of them, but they did follow through with their promise. They sent me to Vietnam.&#13;
SM (00:23:33):&#13;
When you look at the years when you were young in Vietnam, and now, have you changed your thoughts on the Boomer generation? Are your thoughts pretty consistent, the same as they were back say in 1975? Are they the same today in 2006?&#13;
DE (00:23:53):&#13;
About our generation?&#13;
SM (00:23:54):&#13;
Yes. Have you changed? Some people as they get older they change their thoughts because it is part of the aging process.&#13;
DE (00:24:08):&#13;
I gotcha. I am going to have you call me back because my cell phone is beeping.&#13;
SM (00:24:09):&#13;
Okay.&#13;
DE (00:24:09):&#13;
Okay, bye-bye.&#13;
SM (00:24:12):&#13;
Bye. Yeah, the question is have you changed at all your opinions on the Boomer generation from the time you were young to today? You are still young, but-&#13;
DE (00:24:23):&#13;
Yeah, right. Well, I do not know if I am going to answer this in a way in which you are looking for, but I will say this. Of course it changed after I graduated from college went into the military and served my year in Vietnam and I came home. And when I came home, I was very disillusioned with America and I was very angry at our government for-&#13;
SM (00:24:50):&#13;
Diane, could you speak up a little bit more? I cannot hear you.&#13;
DE (00:24:54):&#13;
Now it is the phone that I am on. Maybe I will get a different phone. Does this help at all?&#13;
SM (00:25:03):&#13;
Let us see. Yeah, that is a little better.&#13;
DE (00:25:06):&#13;
I am going to get a different phone.&#13;
SM (00:25:07):&#13;
Okay.&#13;
DE (00:25:08):&#13;
Sorry, I did not recharge my telephone-&#13;
SM (00:25:17):&#13;
That is all right.&#13;
DE (00:25:18):&#13;
... last night, because when I got up the morning, I thought, "Oh, shoot, my cell phone is going to run out too." Okay, I am going to try this phone now. Try this, is this better?&#13;
SM (00:25:30):&#13;
Oh, yeah, it is a lot better.&#13;
DE (00:25:31):&#13;
Okay, that is an old phone. So when I came home from Vietnam in 1969, it was a different country since I left. Of course, I was a different person too then when I left. But it did not take me long to see a 1969 the angry country that I lived in. I felt, on one hand, I was glad that my peers and so many people in America were opposing the war and had taken to the streets, but then I also began to feel, and things that I had heard about while I was in Vietnam, what was being taken out on the soldiers. And then I began the doubt and question, and how can people turn on us, on the soldiers? And I had just seen how these young men had suffered and died and I saw the courage that they had and what they had done for this country and then to be scorned when coming home. And being told literally, you have heard the stories, I was told to not wear my uniform home, and I did not have anything but my uniform to wear home. And of course, that caused some very unpleasant things that happened at the airport in Minneapolis. And I thought, "This is Minneapolis. This is Minnesota. Minnesota is nice." I could not believe the reception at the airport in Minneapolis. And so I began to have a lot of anger that the country could on one hand send us after to war like they sent the World War II generation, and were so proud of them and proud of them when they returned, and no one was proud of us. It was to the point where they were opposite of proud. They did not want to look at us, they did not want to deal with us. They turned on us. And when I say they, that is some, that is not the whole country, but many did. And so, I became very confused and frustrated and basically very angry, but I was internalizing it all. But at that time, Steve, I had not found my voice to be able to speak out, and I did not take to the streets in '69 like the veterans before. In fact, what I did was, because I was not dealing well as a nurse in a civilian world, I was out for less than a year and went back into the military and that is when I went to Fort Bend, Houston, and went back to taking care of wounded soldiers. They were coming right from Vietnam. I was in the intensive care unit. So, I went back to doing what I did well and that was nursing, and it probably saved my life because I did not fit in the civilian world and I was very unhappy and I was isolating myself. I just was not dealing well with anything except I could go to work in the military and do my job and take care of the soldiers. So, the rest is history. No, the rest is not history because then after that, I did not find my voice until the dedication in 1981. But getting back to the Boomers, so the way I looked at the Boomers then was that we were a generation that was trapped by a government that was trying to control us, and by some parents that were trying to, and old values that were trying to control us. And my generation was dying. I mean, I saw my generation dying one by one by one, because then after I came home my peers were committing suicide. And then I was learning that they had Agent Orange and they were dying of that. But my peers were dying after Vietnam. And of course I stayed in the military for several years still so I saw them dying in the hospital. But then when I got out of the military, I saw my peers dying. So, when anybody says to me that we were the me generation, which insinuates that we are selfish and self-absorbed and just think about ourselves, I disagree with that, and I find that is one more way to demean our generation. And this is what people in this country did, and the government did, was they denigrated us. They demeaned us. They named us drug-crazed, glassy-eyed baby killers. The movies came out and the Vietnam vets were portrayed as killers and baby killers. Well, what did the country spend them there for? They taught them in base camp, I mean, you go to war and that is what you do, you kill people. And these young boys did not want to do it. They were told they had to do it. The way I look at the Boomers today is that like the greatest generation, World War II generation, I have watched the Baby Boomers, my generation, really work hard to move up into the world and become good citizens despite the fact that they have had to internalize deep, deep pain and anguish over their service and overcome the enormous challenge to get on with life when we have been so slandered, which most people, plus the vets, even understand that. And that does not diminish World War II generation either. They came home with pain and anguish and drama from the war and wounds that never healed. And they had to overcome all of that too. But at least they could say to themselves, "I did something that I could feel proud of. We won the war. Look at what we did." And I do not think anybody's ever proud that they killed someone, so I am not saying that any soldier would say I am so proud I killed somebody. But they could feel proud that they made a difference for their country. Like World War II [inaudible] can say, well, this is what [inaudible] we were allowed to feel proud of-&#13;
SM (00:31:45):&#13;
Still there?&#13;
DE (00:31:46):&#13;
Yeah, I am here.&#13;
SM (00:31:46):&#13;
Okay. How important was the Boomer generation in ending the war? And I am speaking, one of the criticisms of the Boomer generation is often, well, there is 70 million people and only really 15 percent were involved in any sort of activist activity to end the war, be involved in the Civil Rights Movement. And oftentimes the media will portray the generation it was a small number of people that were involved in these kinds of movements. Your thoughts on number one, whether it is oftentimes how a media portrays the generation as smaller numbers of people being involved in these things, and number two, basically the overall impact that the young people had in ending the war in Vietnam.&#13;
DE (00:32:38):&#13;
First of all, Steve, the media is fickle. And now look at what the media does to Vietnam vets. Now, today, we are all heroes. We are all heroes. Anybody who wore the uniform is a hero. And in fact, now we have gotten a directive from the VA, maybe you know this, that the week of Veterans Day now we are all supposed to wear our medals to show that we served our country and our pride, and now we were all supposed to wear our medals. And of course, the media picked up on this, and now all the soldiers serving in Iraq are considered heroes. So, I am not quite sure what a hero is anymore, because when I was in Vietnam I knew who the heroes were and I never considered myself a hero. And most of the people I served with did not, we reserved that word for somebody who was really extraordinary. I mean, if somebody says to me, "Diane, you are my hero," I will say, "Well, I appreciate that. Thank you very much," and I will accept it. But I do not put that word on an entire generation or an entire group of people, because then who are the heroes? But anyway, now I lost my train of thought. Oh, well the media is fickle. And where was the media during Vietnam in that I was very proud of the media early on and during the years where they really tried to bring this home to America. That is another thing. The media during the Vietnam War brought the raw, horrible, heinous, tragic truth back to America on the six o'clock news. And at least the people were able to see on television how heinous war is and what it does to the human body and at what it does to civilians, children especially. And so, I am one of these people that actually believed, and still believes, that if we are going to have a war, let the American people, everybody, every single one of us, see what is happening. Let us see what it is doing to civilians. Let us see what it is doing to our soldiers, because then maybe we will have a gut reaction to it and maybe we will stop it... reaction to it and maybe we will stop it. So they brought the raw truth home. But when the soldiers came home, the media picked up on rag tag soldiers who somehow looked disheveled and the soldiers who became war protestors themselves. And somehow the media, to me, and it is not entirely true maybe, but on a very grand scale, I think the media was also to blame in how soldiers were treated when they came home from the war. Rather than keying in and picking up on the stories about what the soldier had done and how he had served his country, or she, and a report on that... And that happened. It did not happen until 1982, in my estimation. This is all my opinion. But in 1982 when the wall was dedicated, and I went out to the wall for that dedication and all of a sudden, I felt this sense of the country was turning to really look at who we were as soldiers and veterans. And I was followed around by this cameraman because I was wearing my booty camp from Vietnam. And he followed me around and finally I thought, "He is following me." And this has never happened to me before. And I looked at him and I said, "Why are you following me?" And he said, "Well, you were in Vietnam were not you?" And I said, "Yes." And he said, "Well, what did you do in Vietnam?" And I said, "Well, I was a nurse." And he said, "Well, can I interview you?" And I had such a knee-jerk reaction and so much distress like, "What is he going to do with this interview?" And so I said, "No." I said, "Would you please go away? I just want to be alone. Just leave me alone." And it was like I felt like he wanted to exploit me like I had been exploited before. And so, I did not trust the media. But after the dedication of the wall, there were stories that were published in every major newspaper across the country about Vietnam vets, who they really were, where they came from, what they were doing today, how they were feeling. And so it took a long time for the press to come around and start putting us in a more accurate light. And of course, that is all we wanted was the accuracy and we just wanted the truth. We did not want to be turned into a bunch of heroes or turned into something we were not. We just wanted the truth. And of course, then that gets into the next phase of my life, Steve, which is there was something seething inside of me again that I just wanted to do whatever I could to help this truth be told. And the truth was that the women who served in Vietnam were completely invisible and then they were invisible again at the wall after the dedication of the statues of three men. And so, I just felt like, "I need to do something constructive with how I am feeling or it is going to kill me." In about five minutes, I have got to switch my tape here, but a very important question. And that is, when you look at the issue of trust, one of the questions I have been asking all of my interviewees is the question of this quality of trust and whether we have it within the Boomer generation because of all the experiences we had growing up as young people watching Lyndon Johnson say the Gulf of Tonkin Resolution. And of course a lot has been written about that. That was a lie. We go back to President Kennedy and how we got in Vietnam and there was some questions there. We go back to Eisenhower and the U2 incident and how we lied in public. And then of course we all go back to Watergate, which was an unbelievable experience for young people. And many of the Boomers, if not most of the Boomers, just did not trust anybody in positions of power and responsibility. And my question is basically this, as Boomers have grown up and have gotten older and raising their families, are we a generation that just does not trust? And by not trusting people and not trusting leaders based on our experiences, what is this doing to the next generation? Well, I think, Steve, that it is only some members, and of course neither one of us know.&#13;
SM (00:39:56):&#13;
Diane, could you speak up just a little bit?&#13;
DE (00:39:58):&#13;
Yeah.&#13;
SM (00:39:58):&#13;
Okay.&#13;
DE (00:39:59):&#13;
Neither one of us know what the percentage is of our generation, but they are out there, who do trust. And that I am so surprised. And I am so disappointed in many, many members of our generation that would trust this president of the United States to go to Iraq, preemptive war, without the evidence that states that they had... And from the very, very beginning, I was absolutely against preemptive war. And I did not trust. And of course, one of the things that I came home with Vietnam was the sense that I could never become complacent. I was actually afraid of becoming complacent because I was a little afraid after I came back from Vietnam and I was so quiet that I had all this stuff going on inside me but I could not use my voice and I did not know how to be an activist and I did not know what to do with all these thoughts inside of me and all the feeling that our generation had been betrayed and lied to. And so, after the dedication of the wall when I was able then to take something tangible and move it forward, and it took 10 years, and maybe it needed to take 10 years for those years to have to raise the awareness and raise discussion and bring in the support that was necessary and help people become educated and change their minds and all of that. But where are the members in my generation who did not stand up to this government and say, "We learned lessons [inaudible] and are not going to [inaudible] and we have not been attacked by Iraq. We were attacked by Al-Qaeda. Let us put our energy there?" Where were the members of our generation in influential positions in government and Congress and as consultants that did not rise up against like we rose up in the (19)60s and said, "No, we will not support the president on this?" And I have had discussions with fellow Vietnam vets who have just saluted President Bush and said, "Well, I agree with what he is doing. I think we need to go over there." And so now look at the mess that we have. And I think that we could have risen up against the president. And as you know, Steve, I have been all over the country talking to university students and I talk to honors groups and I talk to political science classes and I talk to history classes and I talk to gender, women's studies classes. And when I am through talking, invariably one of the people in the room will say, "I do not know what is wrong with our generation. Your generation revolted to protest it. You went into the streets and you did all this stuff, but we were not doing that and we do not know why. How come we are not... Why are we still doing nothing?" And I just found that really interesting because now why are not they? And where were the [inaudible 00:43:19] country? There were some of us who were protesting in our own way by writing letters to our congressmen and disagreeing with the policies of this war in Iraq. But members of my generation who have been there and who could have made a difference, and some did, some did speak up against it, but it was not powerful enough. And we have lost our reputation around the world because of what this president has been allowed to [inaudible]&#13;
SM (00:43:56):&#13;
Good points. One of the things that we look at our generation when we were young, many of us said that we were the most unique generation in America history. We are going to be the change agents for the betterment of society. We thought we were going to be the panacea and the cure-all to ending war and on basically a lot of the bad things that were happening in the world at that time. When you look at the generation making those kind of comments when they were young, just your thoughts on is the Boomer generation the most unique generation in American history?&#13;
DE (00:44:38):&#13;
I do not think so, Steve. Because [inaudible] like saying that World War II was the greatest generation, what about [inaudible]. What about that-&#13;
SM (00:44:46):&#13;
Diane, I cannot hear you very good. Could you speak up just a little bit more?&#13;
DE (00:44:51):&#13;
Yeah, I will get a little closer into the phone.&#13;
SM (00:44:54):&#13;
Okay.&#13;
DE (00:44:59):&#13;
I personally do not like to categorize and put everything into a box because when we talk about the greatest generation, what about the Civil War generation? What about the Revolutionary War? What about the founding fathers and what about the generations of immigrants that came and leveled all those trees in the land and built log houses and battled every kind of hardship, every kind of horrible hardship possible that you and I cannot even imagine? They were a great generation and they were a unique generation too. So, no, I will not say any generation is the most unique or any generation is the greatest because I think that is unfair to all generations before us who have done enormous things to build this country into what it is. So, we could say we were a unique generation in that we stood up to establishment. And the outcome of that is women do have it better. Civil rights did make a difference. And we were not there yet. And women still are not there yet. We still have a long way to go, but that is the process and that is life. Keep fighting old battles over and over and over again because we are human beings, we fall into old traps. But I guess where I am disappointed in my generation is that we did not do more to prevent this president from entering into a preemptive war without solid factual information. And I am not a pacifist because I believe in defense and I believe our nation- ... that is going to happen because we are human beings. And human beings seem to love war and trample on other people's territory and [inaudible] other people's territory and want what others want. But where was my generation in defying the lies that were being said to us? And I blame the media for a lot of this because here, the fickle media again, some of our media sources which are headed by corporations who have agendas that slant the news to a point where the media is an arm piece for the politics of the administration rather than telling the truth. Where is the truth anymore? And the American people are hard pressed to know what the truth is unless they read The Guardian. And I read about 10 newspapers. Thankfully, I can go online now. But I am certainly not just going to read the Independent Record, which is my paper here in Helena. And I go online and I read papers from all over the world and I read all kinds of newspapers to try to get the news because I know I am not getting it on television. But that takes time and it takes interest. But if people just watch Fox News, very intelligent people when they say that they watch Fox News, they support everything the president does because they are watching Fox News. I just find that abhorrent. And I guess maybe that is because I am of my generation where you do not believe everything. You question, question, question, question. And for me to be... There is this blood thirsty, counterfeit patriotism in the country right now. And it is blood thirsty and it is counterfeit not through patriotism. And patriotism is not supporting the president. Patriotism is supporting the Constitution and believing enough in the Constitution to keep the Constitution intact. And it is believing in America. You were not in the military, Steve, but in the military, we were taught as officers that we are... We take an oath to uphold the Constitution. You do not take an oath to uphold the president of the United States. What if the president is wrong? And so, to me, there has been a lot of phony patriotism in this country with the flag waving. And if you think if you put a yellow bumper sticker on your car that says Support the Troops, that is all you have to do.... So, I have given a lot of talks here and all over about what it really means to support the troops. I said, "Bumper stickers and flying the flag are ceremonial. And it is good to fly the flag. It is our flag, it is America's flag. But if you fly it only because you think America is best in the world and we can do anything we want to protect ourselves to the point of imperialism and moving in on a country and just setting up bases and all under the guise of lies, I differ with that." And so, I have been called unpatriotic because I do not support Bush. But they do not hurt my feelings. I know who I am and I know what I have done. And I have dedicated my career... My entire life, my entire career, has been dedicated to advocating for veterans, for the soldiers. And talk is cheap, but it is what you do that is the truth.&#13;
SM (00:50:43):&#13;
That is beautiful, Diane. That is beautiful. A question here. What will be the lasting legacy of the Boomer generation? When the best history books are written, they are often 50 years after an event end. The Vietnam War ended in (19)75. So really if you look at that, the best history books are still to be written on this year are probably in the year 2025. Just your thoughts on the lasting legacy of the Boomers?&#13;
DE (00:51:13):&#13;
Yeah, well, the lasting... Let us hope, Steve, and I will make this very clear, let us hope that whatever the history books write that they try to write the truth. And that is always the problem. It is like history according to whom, Lee or Grant? But if they write the truth and they really look at our generation, they will see that our generation was exploited and used by a government on false premises, on lies. And look at the historical, the war itself, and what that did to my generation and what it did to the people back home and how it enriched a lot of people and corporations. And what those enriched corporations have been able to do with the money to abuse next generations, which is the corporate greed, the corporate... Halliburton and how corporations and newspaper corporations and how that evolved so that they could one day use their agenda to exploit the American people. But I think the legacy of my generation is also that we defied the system, that we asked questions and we made a difference. And that maybe in every revolution there has to be, not has to be, but it seems like in every revolution for people to be heard, they have to do radical things like women going braless. I never took off my bra [inaudible] to make my statement known, but some women felt they needed to do that. To be heard they felt they needed to be radical. And the suffragettes, they were radical. Think about the early 1900s and what the suffragettes had to do to get heard, they were radical. Of course, my radicalness was to join the military. But each person in my generation found a way to either use the system by defying it by... Because of the deferment, college students could stay in college and not go to Vietnam. And now we can criticize that, but that was the system. That was the way the government set it up. Now, I believe that there should be no deferment. And I believe in the draft. If we are going to have a war, draft every man and woman in America. And then because it is going to touch every man and woman in America, every son or daughter, then they will speak up and say, "Hey, this is not a war I think is worth fighting." And if they do believe it is worth fighting, they will put the uniform on. But a draft is a great equalizer. It makes people think. It is going to affect them. It is not somebody else's kids like the voluntary draft. But having said that, the legacy of my generation will also be that they went to Congress after the war and told Congress what their problems were and that they needed help. And they filed a class action lawsuit against Agent Orange because the VA would not help them. When they were dying from poisonous exposure to their war experience and the government was not there to take care of them, they filed a class action lawsuit. That is one example. They went to Congress and said, "We are committing suicide by the tens of thousands. We are depressed, we are having problems." And because of Vietnam Vets, we now have the Vet Center. The Vet Center, by legislation, was adopted in 1979 and it is now a place where Vietnam vets, World War II vets, any vet, is now able... It was set up for Vietnam vets, but now it is any vet. And veterans coming home from Iraq are already going to the Vet Center. And they are being identified more quickly with post-traumatic stress disorder and they are getting the help that they need soon rather than years and years and years after the war. So Vietnam veterans have made a difference in legislation and civil rights. And because of us, women today have more rights. That is part of our legacy. And I know I am forgetting a whole lot. And we also have a memorial on the Mall in Washington DC, something no other veterans had not done. And it was necessary for the education and for the healing and for helping to expose the truth. And following those memorials, there were all the others. And there is one more thing, and that is we forgot our prisoners of war. All other wars, we have left them behind and the case was closed and the issue was over. Vietnam vets today are still out there demanding that POWs return home. So my generation of Vietnam vets changed how America looks at how we treat our POWs and bringing them home. Of course, this administration under President Bush has gone back to the dark ages with the whole issue of torture and how we treat other prisoners of war. And that is a whole other topic.&#13;
SM (00:56:50):&#13;
Right. I want to ask a question about the term activism. Activism on college campuses today, at least at our university, they look upon the word as a negative term. They say, "This is a term that is from another era, another time, and it is not really defining today's college student so come up with another term." I just did an educational session at a conference on this with a couple students.&#13;
DE (00:57:19):&#13;
What is the term?&#13;
SM (00:57:21):&#13;
Activism.&#13;
DE (00:57:22):&#13;
Oh, okay.&#13;
SM (00:57:23):&#13;
There seems to be feelings that activism is a negative term for whatever reason. Your thoughts on just saying the word activism in today's society and just your thoughts on activism as not only as an action, but as a word?&#13;
DE (00:57:41):&#13;
Well, I think we need to listen to our younger generation and what they are trying to tell us. Because the word feminism is the same. They do not like the word feminism. They do not identify with it. They wonder why we use it. And my son, my oldest son, when he started college, because he grew up with me in a feminist household because my husband is definitely a feminist, and we had discussed it and he knew about it and he was very proud of it. And so he was in class and he was shocked because the teacher brought up a discussion of feminism. And the women in his class, literally, they did not consider themselves feminist. They did not care about the word, what does it mean to be a feminist? They were just oblivious. So, it is not our responsibility. It is up to the young people, the younger generations today, to come up with their own terms, to come up with their own beliefs and to come up with whatever works for them. And if activism and feminism conjure up some old fogy or, "That is in the dark ages," kind of reference like maybe we looked at references from my parents' past... And I hardly knew what the word... Honestly, Steve, I do not think I knew what the word suffragette meant or disenfranchised. Those were not words I was familiar with until I got into college and really started reading about it. So the younger generation today needs to come up with something they can believe in, something is their torch. What is their torch? What is their mantra? I do not really know. And I get the same thing when I talk to students all over the country. It is like they have not come up with some guiding principle or something they are willing to lay down and give up their time and their money for. They were very worried about, and as they should be, their jobs and how they were going to feed themselves and how they were going to pay the bills. But maybe that is the generation that is self-absorbed. And I am not going to call any generation the Me generation because I do not think it is fair. But the generation now, I think because they are seeing the disillusionment with the war in Iraq... But again, it is not touching a lot of them. Because unless they are in a family where they have a sibling serving in Iraq, it is still pretty remote. So, I do not know.&#13;
SM (01:00:13):&#13;
The question here about healing. I want to read something here and I would just like your comment, "Do you feel that the Boomers are a generation that is still having problems with healing? The Vietnam Veterans Memorial and the Women's Memorial did a great job with veterans and in some respects the families of veterans. But do you feel that the healing has really taken place in large numbers beyond the community, and for that matter, within the community?" I am referring to, have these memorials really healed the nation from the Vietnam War? And there is two kind of questions here. Number one, what job has it really done for the veterans and their families? I see it every year when I go down there. I think there has been a lot of healing in the Vietnam veteran population, their families. But what has it done to the nation, to the Boomers, the 70 million who were alive during the Vietnam War and has it really healed the nation?&#13;
DE (01:01:14):&#13;
I am not sure it has, Steve. And I agree with you in that of course-&#13;
SM (01:01:19):&#13;
If you could speak a little louder. A little louder.&#13;
DE (01:01:21):&#13;
Yeah.&#13;
SM (01:01:21):&#13;
Okay.&#13;
DE (01:01:22):&#13;
For the better part of, well, all the part of that I have, like you, watched what has happened in this nation and early on how they treated the veterans. And then their own issues, their issues of guilt, their issues of anger, all of the issues that the whole generation had, not just the veterans. But when the nation saw us come together as veterans, they started to look at us differently and begin to feel that, "We should not have taken this out on the soldiers. We should have separated our views." And then there is the guilt about... And I have had many, many people, a lot of women, coming up to me and saying, "I was a war protestor and I am so sorry. I am not sorry I protested the war, but I am sorry that it hurt you, that it hurt the soldiers." And so that healing and being able to articulate your feelings about that I think is healing. And I think the veterans community, individual veterans who come together now, we are healing each other. We help to heal each other. But I do not think we have felt a lot of healing coming from our nation. It has come from each other. Veterans hug each other, they bond with one another. We understand each other. And we go to the memorials and there is a ton of healing that is done there. And hopefully these memorials and the fact that we have come together has prevented thousands of suicides from happening. Because there were thousands before those memorials were dedicated. And they are still happening. You and I both know that.&#13;
SM (01:03:08):&#13;
Yes, yes.&#13;
DE (01:03:10):&#13;
But when I am around the country and because of my activism here in Helena and... I helped to draft a resolution to present to the City Commission here. And the name of the resolution was Support the Troops and End the Military Occupation in Iraq. I cannot tell you how many people came out of the woodwork and how they lined up at the City Commission. And one woman told me I was sick. She told me I was sick for not supporting the war in Iraq. And yet I had just testified about we need to support our troops and I identified how you support veterans and legislation and mandatory funding and what the needs are for the soldiers and it takes letters to congressmen to provide the financial backing to help these soldiers. It is not just supporting the soldiers, it is going to take money, it takes effort. We have to help the VA here and we are not. Time after time Congress is voting against benefits for veterans. So, I went into all of that, but all she could see was that I wanted to end the war in Iraq. That is all she could see and she called me sick. And then all these men got up, mostly men, but this one woman, they got up and defied everything I said and said, "If we do not fight those terrorists over there, they are going to be here." And I took a lot of flak and I was accused of this, and I was accused of that. And some of these are members of the Baby Boom generation. So, there is still a lot of, I think, anger left over about Vietnam and people wanting to finish that war and not wanting to believe we lost that war so they cannot stand the fact that we might lose another one. And there is this pride thing, "We lost the war in Vietnam. We cannot lose this one." And so of course, I am miles apart in thinking with that. We are in Iraq now. We have to solve these problems, but let us have a plan. Let us have some leadership and let us have the truth.&#13;
SM (01:05:25):&#13;
Yeah. I remember when I interviewed Gaylord Nelson, the late senator from Wisconsin. It was several years back and I am sitting in his office and he had a tendency at times to go off into environmental issues because that was his number one issue in his life. But he said, "Steve, are you asking me if people go around Washington DC and they are showing that they are not healing on their sleeves?" He says, "It is not possible." But he did say that, "The body politic will never be the same." And he was referring to the Vietnam War and in response to the question of healing. And I think on the other person that had an influence on me was Lewis Puller before he killed himself. And if you recall, I took students down to the Vietnam Memorial two days before the Women's Memorial was dedicated and Lewis met seven of our students at one of the benches not far from where the Women's Memorial is. And when I take students to Washington now, I always make sure they sit at that bench. And when Jan Scruggs came over to the wall and they were sitting at that bench, we took some students down in the spring, Asian American students, and two people were visiting from Vietnam, from North Vietnam, who actually work with I think it is Bobby Mueller, I had them sitting at the same that bench. But what they are really getting at is the healing issue. When we sat with Lewis for two hours, Lewis talked about that and how he had healed. And then if you remember, Bill Clinton had come to the wall that one year.&#13;
DE (01:07:15):&#13;
Yes, I sat right behind him.&#13;
SM (01:07:17):&#13;
Yes. And I have this question here as well. This is what I asked from Senator Nelson, actually, Senator McCarthy and Senator McGovern, "Do you think it is possible to heal within a generation where differences and positions were so extreme? And then is it important to even try? Should we care? Is it feasible?" And for example, this was written a little while back, "During my many trips to the wall, I have been to several ceremonies with veterans in the audience. They hate or seem to openly hate Bill Clinton. They hate Jane Fonda. They hate all those individuals who protested against the war and never gave veterans a royal welcome home on the return to the mainland. The wall has helped in a significant way, but the hate remains for many. At least this seems apparent from my perspective." Then this is how Senator Nelson responded, he looked at me and he said, "Steve, you cannot heal 70 million people." Should an effort be made to assist in the healing beyond the wall? Your thoughts? And it is because I have been so impressed with the wall and what you have done by the memorials in Washington being non-political and just caring about the vets, I wish they could take these examples and take it into society as a whole. So just your thoughts on just the healing within a generation, is it even possible?&#13;
DE (01:08:43):&#13;
Well, I do not know. And I struggled with that during the building of the Vietnam Women's Memorial because I soon realized, oh my gosh, Steve, you know this, but after I started the effort, my God, I had no idea there was still so much anger and hatefulness and mean spiritedness. And I learned about what the word misogyny means, build a hatred towards women. And it was killing me, Steve. I was losing weight. I was grinding my teeth at night. I went to a physician and I was anemic. I was a mess because it was becoming toxic. I was taking in all this stuff. And I am a healer. I am a nurse, I am a mother, and my role in life through compassion and touch and wanting people to heal and this is what I wanted this memorial for. And then here I am, this person who is a nurse and just trying to help people heal, and all of a sudden, I am the bad person. A woman called me and told me that I was no better than whale shit. That is just one example. And finally, I had to overcome this and- I had to overcome and just... I had to overcome this and realize and turn my nursing skills around in saying, "There are people I cannot help. I am not God, I am not omnipotent. I cannot help these people. They have to help themselves. All I can do is get this memorial built and the memorial will be the healer." And then I just decided I am not the healer. I am not the healer. I am not God. I am not... The memorial will do the healing and the education will help with the healing and bringing the veterans together. And I totally had to have sort of like this epiphany that if I was going to survive this, I had to detach myself from all of this anger and realize some people will never be helped. I actually had to have some police surveillance around our homes because I had threats. We had threats; people called in the middle of the night.&#13;
SM (01:10:53):&#13;
Oh my, God.&#13;
DE (01:10:54):&#13;
And so my husband was worried about me. It was either going to kill me or I was going to rise above it and just say, "Hey, I cannot [inaudible] these are people I will never be able to help." But I want to talk about something, Steve; this is my view of what President Bush and this administration have done in exploiting Vietnam veterans. They have used us and I will tell you why. Because they know that during the Vietnam War and after, that when America did not support the war, they also did not support the veterans, or some did not and it hurt the veterans. So, this President has made it very clear, and so I argue with and debate with have made it clear that you cannot have it both ways. To support the troops, you have to support the war. So, it is all or nothing. You support the troops, you support the war. And that is where a lot of people in the nation are coming from. And that is because of Vietnam. They are afraid that if they do not support the war, it is going to hurt the troops. This country is so guilty for feeling what they did to Vietnam veterans because they took it out on the troops. So now this President is exploiting that and making us all heroes. All Vietnam vets are heroes. Everybody is a hero. And you cannot have it both ways. The former governor of the state Judy Martz... I disagreed with them, spoke up against what she said, and that was Governor Judy Martz said that you have to support this war because we are supporting this group and you cannot have it both ways. And I said, "You can have it both ways." We have a right and we have a duty, and we have a responsibility to oppose a war we believe is wrong. We have a right and a duty to support our... And by supporting... Those who think our troops would want to vote when they are overseas, we are not hurting their morale. That is my [inaudible]. Do not you say, "Is not it only fair to our troops, our soldiers who are serving overseas to think that the Americans back home are asking questions about the war they are serving in and are asking questions about its mission and its role and asking questions about when they get to come home and asking questions about being redeployed and redeployed and redeployed, and is that right for our soldiers to have to be redeployed three, four, five times? Should not other people in America be sharing this burden that maybe we need to grasp or maybe we need to stop going and find other solutions?" But this is not fair how we are treating our troops. The longer they are there, the more they are realizing this. And I think our soldiers have a right to know that Americans back home are asking questions and are really concerned about their needs and what they are doing and questioning the war as well. So yeah, I think this generation... I think the politics of America right now in this war in Iraq is a lot of the thinking is right out of... Because of what happened during Vietnam.&#13;
SM (01:14:03):&#13;
It is interesting because I work in a university environment and I have paid a heavy price for doing a lot of programs on Vietnam. By heavy price, I will not even go into detail here, but one of them is I just do not want to hear about Vietnam anymore.&#13;
DE (01:14:20):&#13;
Right.&#13;
SM (01:14:20):&#13;
On anything.&#13;
DE (01:14:21):&#13;
Right. It is denial. They want to put their heads in denial and live in a fantasy world. And it is coming out now in major newspapers and articles, and it was New York Times and CNN last night that President Bush is living in his little fantasy world. Well, when American people do not want to face the horrors and face the fruit, it is easier to live in your little world of denial. Let us not think about it. Let us not talk about it. But that, I think, is what is frightening in this country is that as a whole, America has been willing to follow this administration without asking the hard questions and believing what they see on the news because it is easier.&#13;
SM (01:15:10):&#13;
Well, the last part of my interview is just for you to... I am going to list some names of people from that era and just your gut-level reaction, your feelings on them. Just a comment here or there. Are you ready?&#13;
DE (01:15:25):&#13;
I am ready. Uh oh, I am in for it.&#13;
SM (01:15:28):&#13;
All right. Tom Hayden.&#13;
DE (01:15:30):&#13;
Pardon me?&#13;
SM (01:15:31):&#13;
Tom Hayden.&#13;
DE (01:15:34):&#13;
No comment.&#13;
SM (01:15:36):&#13;
Jane Fonda.&#13;
DE (01:15:37):&#13;
Okay. I knew that was coming. Okay. I have a visceral reaction to Jane Fonda for a very explicit reason. She was one of the few women that were heard during the Vietnam War and the press, the media, the country, and the world capitalized on Jane Fonda and what she did. So it was almost like Jane Fonda was the spokesperson, or she was what women were doing. She was like, "Be representative, be symbols of the Vietnam War." And I am angry and resentful about that because she is the woman that is being heard. And yet there were more than 10,000 women in Vietnam doing the hard work and the courageous work and the brave work. And they were in there getting their hands dirty, doing the work, and 250,000 women were serving around the world and supporting the armed forces and doing the hard work. And they were not heard from. The press did not interview them. The press did not photograph them. They were not in the newspapers. They were not in magazines. They were not on the six o'clock news. And so we were working behind the scenes and behind the cameras doing the hard work, but it took the Vietnam Women's Memorial in 1993 to show who the women really were in this country and all those women who were working for women's rights and the women who were working for civil rights and so on and so forth and then we have Jane Fonda. So I have no highest esteem for her because what she did was pitiful. And the way she protested; she could have protested in a different way.&#13;
SM (01:17:27):&#13;
Lyndon Johnson.&#13;
DE (01:17:29):&#13;
Well, I have a visceral reaction to Lyndon Johnson. Steve, I rarely use the word hate. I do not think it is healthy to hate anybody. It hurts the person more than... It is hurtful to you; it is to yourself when you hate. But I have to admit and be candid that I hated that man. I hated him so badly for what had happened under his watch and the thousands of soldiers that I had cared for because remember, I worked in military hospitals in the United States for several years besides Vietnam. I realized that for me, he was the epitome, he was the target, he was the symbol. And when I was at Fort Sam Houston, Texas, and Program Medical Center, working as a nurse in the intensive care unit, the chief nurse came to me, Colonel Cleveland, while I was on duty, and I will share this with you. This will portray for you my distaste for Lyndon Bates Johnson. And the seventh floor of Brook Army Medical Hospital was reserved for LBJ. He had a lot of health problems, and they would bring him in by helicopter. The ward had to be opened; the whole seventh-floor suite. We could not go up there; it was locked. Nobody had ever seen it. We would only heard about the seventh floor; just for LBJ. Colonel Cleveland came to me while I was on duty and said to me, "Captain Carlson, here are the keys. I want you to take the elevator." The elevator was locked. You had to have a key to get in the elevator to go up there, "And open up the seventh floor and prepare it." And I knew what that meant. Before I could even think about any career in the military or disobeying an order or saluting and saying, "Yes, ma'am," I looked at her and said, "Colonel Cleveland, I refuse to take care of that man." She looked at me, and of course, if I ever thought I was going to have a career in the military, it went out the window. But at that point, I spoke my conviction and I said what I thought, and I was not going to care for him. She looked at me and said, "Captain, it is not Mr. Johnson coming in. It is Mamie Eisenhower. She is coming in by chopper. She is having some kind of an allergic reaction to something." And I said, "Yes, ma'am. I will go right up there." So I went up and opened up the seventh-floor suite and I got a chill because this was the room that LBJ had been in many, many times. You could see it was set up for a former president because it was all telephones everywhere and everything was nice and perfect and wonderful and huge. And I got a chill because when I was up there, this was where he had been, and I was extremely uncomfortable. But I went into my professional... I went into nurse mode, my professional mode, I got the respirator set up, and the breathing apparatus that I had used and everything was ready. So when Mamie Eisenhower came in, I was there to admit her. And then I was her private duty nurse for about three weeks. But I am just sharing this with you to let you know how strongly I felt about him, that I had so much disrespect, so much anger, and that I could look at the good things he did too. But for me, sometimes you wrap everything up in one person. For a lot of vets, it is Jane Fonda, they wrap it all up in her and that is where she is the lightning rod; same with LBJ.&#13;
SM (01:21:28):&#13;
Wow. How about John Kennedy and Bobby Kennedy?&#13;
DE (01:21:32):&#13;
JFK? Are you talking about-&#13;
SM (01:21:35):&#13;
Yeah. JFK and Bobby Kennedy.&#13;
DE (01:21:39):&#13;
Oh, my distrust. I was feeling okay. With JFK, there was a lot of confusion because later I learned that he is the one that got us into Vietnam and he could have kept us out. And then also, I later learned about his escapades with him. I mean, he had hundreds of women coming and going. That is a fact. And then I felt the hypocrisy with Bill Clinton. We had JFK, and then the government does this to Bill Clinton. So, there is this hypocrisy that is just so blatant among Americans and politics that... Who cares [inaudible] Bill Clinton that I did not... But I guess when I was younger, it was ask not what you can do for you... I mean, he was inspirational. He had charisma. I looked up to him. I mean, I was in high school. I remember exact... As most of us do, I remember exactly where I was. I was in speech class and I was in the middle of giving a speech.&#13;
SM (01:22:41):&#13;
Oh, wow.&#13;
DE (01:22:41):&#13;
Came over the intercom and that JFK had been killed. And of course, the horror of that. I guess I was not a lot like... I guess I was kind of different. But the girls started crying and they got... But I was crying. I [inaudible 01:23:00] sobbing and I was just, "Oh my, God." But it was also... I do not know. I did not enough about history. I had not read enough about Joe Kennedy and that Kennedy, that Camelot family, was not what they were portrayed [inaudible]. So I was disillusioned. I was disillusioned by them.&#13;
SM (01:23:27):&#13;
How about Dr. Benjamin Spock?&#13;
DE (01:23:32):&#13;
I do not know. I was raised with five siblings and was taught... I do not know. Dr. Benjamin Spark influenced, yes, generations of babies and mothering and babies. But I did not read him. I was sort of out of text with that. I was interested in other things. I did not read Dr. Spock on how to raise my children.&#13;
SM (01:23:57):&#13;
He was involved in the anti-war movement too. He was a protestor. How about the Black Panthers? Huey Newton, H. Rap Brown, Eldridge Cleaver, that group.&#13;
DE (01:24:10):&#13;
Well, for somebody like me, they were pretty scary people. I am not giving you very... I do not know... In-depth answers here.&#13;
SM (01:24:24):&#13;
But still it is just-&#13;
DE (01:24:26):&#13;
What I am thinking about at the time, not now. Is that what you want? How I felt?&#13;
SM (01:24:30):&#13;
Yes.&#13;
DE (01:24:32):&#13;
It was just another one of those extraordinary, out-of-the-ordinary things that were happening at the time in my generation where... I mean, all of a sudden I went from this little girl wearing skirts and little corduroy dresses and tights to school and having to dress up. We were not allowed to wear pants in high school to all of a sudden graduating from high school and now girls are going without bras, and they are wearing miniskirts and white boots.&#13;
(01:25:04):&#13;
I mean, things are so bizarre. And the teenage [inaudible], the hairdos and makeup or no makeup. Everything was so out of whack and so weird and so strange. And so it was like, "Well, this is just normal for my generation to be abnormal." So then it was the Black Panthers. I would see them on television, and it was just very bizarre to me. But I think I just rolled with the punches.&#13;
SM (01:25:33):&#13;
How about... Well, I guess here is another. The Berrigan Brothers, Daniel and Philip Berrigan.&#13;
DE (01:25:40):&#13;
See, maybe I am out of touch. I do not even know who they are.&#13;
SM (01:25:40):&#13;
Okay, how about Abby Hoffman and Jerry Rubin?&#13;
DE (01:25:50):&#13;
Well, I do not know. I do not if I had any real thoughts about them. I cannot remember.&#13;
SM (01:25:55):&#13;
Timothy Leary?&#13;
DE (01:25:57):&#13;
Uh-uh. Who is he?&#13;
SM (01:25:58):&#13;
He was-&#13;
DE (01:25:59):&#13;
It is tough.&#13;
SM (01:26:00):&#13;
He is psychedelic. He was the man...&#13;
DE (01:26:00):&#13;
Yeah. I have to tell you, Steve, anything that was psychedelic or the crazy music, Black Panthers, all of that stuff, I could not relate to it, so I did not. I do not think I thought too much about it. I just kind of knew it was out there.&#13;
SM (01:26:20):&#13;
All right.&#13;
DE (01:26:21):&#13;
Remember, I was this curious [inaudible]. I mean, during this period of time, it is like my husband said, I did not go to movies. I was going to school full-time. I had two full-time... Not full-time. I had two part-time jobs. I was working at a nursing home and I was working at a hospital. When I was not studying or working at the hospital where I was training, I had jobs. And then I would go home to the farm and if the kids needed me and I would help with the farm. I would go home and help with farm work. I would go home and help with harvesting when I could. And so my life was very focused on jobs and college and the farm. I would go home and help my mother fill the freezer with meat and vegetables from the garden. I mean, these were the practical things that farm kids had to do. And it was like, could I be listening to music or going to movies or caring about the Black Panthers or psychedelic shit? I was so focused on the reality of life, my life at the time, just to get through college and to help my family on the farm. And then when I went into the military, I have to tell you, I was working so hard, the long shift, that I was not doing what you might say normal kids my age normally would do. Girls my age... I did not date believe it or not. I was not dating. And so, I think I was pretty isolated in my own little world of work and college and the necessities of life, the surviving life that I did not pay much attention to the music side or the Rolling Stone or a lot of that stuff that my husband, even though he was in medical school... I mean, he went to all these movies, and then later after we were married, he would talk about these movies, but I had never heard of these movies. Hey, you have never heard of that movie? [inaudible] music?&#13;
SM (01:28:26):&#13;
How about... Well, obviously you knew about Robert McNamara, your thoughts on him?&#13;
DE (01:28:28):&#13;
Oh, my thoughts on him are the same as LBJ. I disliked him. I did not trust him at all from the beginning. I did not like him. I did not trust him. I guess I was paying more attention to politics, Steve, [inaudible] to other stuff and the generational stuff. But McNamara was, for me, the epitome of sleazy. He reminds me a little bit of Rumsfeld. Now, the arrogance, the I am right, the... It is just the arrogance, the one-sidedness. And how I knew at the time, or I think I knew, but I knew later how there were... McNamara and LBJ had all kinds of bright people coming to them and telling them, consulting with them the truth about not getting involved in the war in Vietnam and what would happen if they did, and trying to enlighten them about history. But he was so self-righteous and arrogant and like Rumsfeld just self-righteous and arrogant. It is their way and no other way. So that is how I felt.&#13;
SM (01:29:50):&#13;
And two other people I know you really loved, and that is Richard Nixon and Spiro Agnew.&#13;
DE (01:29:56):&#13;
Oh my God. They were, for me... I think that is when I really started to become internally depressed because I think I have... I know I have because it has helped me throughout my life. I seem to have... Maybe it is nursing skills and being able to observe personalities. I distrusted him from the beginning. And of course, Agnew and Nixon, for good reason, were non-trustworthy. But I think when Watergate happened, I really shut down. It was during that time that I quit watching television. When I got married, I told my husband that we would not have TV in our house. I could not bear anything on television. It just conjured up this extreme emotion in me to the point where it was frightening in that our country is... I was frightened for our country and what these men... I used to call them their wargasm. Men in their testosterone and men in their orgasm and the power that they had and what they could do to our nation. And I still have that feeling today. And I sensed it with Bush from the beginning after 9/11. I saw it in Bush in this warmongering, this wargastic kind of testosterone, this sense of power and control. And for some people, it absolutely goes to their head where they become so self-righteous and so arrogant that it is an aphrodisiac, Steve. It literally becomes an aphrodisiac for some men. I think that is what it was, certainly for Nixon and Bush, whereas at least LBJ, the one thing I can say about him is he did not run again. He did not run again. I think he did feel some honest sadness and some remorse, but I never felt that with McNamara. I never felt that he had authentic remorse. I felt it was disingenuous. Watching the fog of war made me sick. He still came off arrogant and disingenuous. These are the frightening men. These are the men that frightened... That have led countries into their downfalls.&#13;
SM (01:32:43):&#13;
Diane, I got only a couple more questions then we will be done. I am just going to switch my tape. All right. I am back. Just a few more names. Muhammad Ali?&#13;
DE (01:58:02):&#13;
I will pass on that one.&#13;
SM (01:58:04):&#13;
Martin Luther King, Jr.?&#13;
DE (01:58:06):&#13;
Oh, well. He is a hero. He is a true hero and an absolute hero. He made a difference in my life in that I actually had someone that I could look up to and believe in and was so proud of. I do have hope for America because there are so many good people in this country. I meet them all the time, like you do when you are out and about. It is just my concern is how come these wonderful, good people who have integrity, why do not they become president? Why do not they become Secretary of Defense? Why do the people who get into power are the ones who are not the leaders and have the vision to make our country what it is based on and its principles and its true values, not their personal values. I do not know what our values anymore are when President Bush talks about values. Yeah. Well, his values are not my values, so whose values, are they?&#13;
(01:59:22):&#13;
But Martin Luther King was brilliant and had those qualities where he could lead people together in song and in speech and with the kind of values and with the kind of leadership that gives people hope. It came from love rather than a need for control and power. They say... What is the saying when love overcomes the need for power... I forget exactly what it is, but he provided for this nation, I think, something that was so necessary and so powerful. And then, whew, he has gone. And then who replaces somebody like him? Who replaces Gandhi?&#13;
SM (02:00:23):&#13;
Right. The other power figure here is Malcolm X. Any thoughts on him or?&#13;
DE (02:00:31):&#13;
Oh, I will pass on that one.&#13;
SM (02:00:32):&#13;
Okay. Some of the other political figures from that era, President Ford. Gerald Ford.&#13;
DE (02:00:39):&#13;
Well, President Ford granted amnesty to those who went to Canada, right?&#13;
SM (02:00:49):&#13;
Yes.&#13;
DE (02:00:50):&#13;
Well, there were a lot of Vietnam veterans who were angry about that. I had mixed feelings, but yet I was not angry at him for doing that. I was glad those men were able to come back to the United States. Many of them did not. Again, I think it was my sense of compassion and forgiveness, and that these were young men who absolutely did not believe that they needed to go to Vietnam. To go to Canada and leave their families, bold acts of courage. Some could say it was cowardice. Maybe it was both. But I am not the judge. The war was wrong. We were lied to. We were sent for the wrong reasons. And I was okay with them being granted amnesty. I admit that. I do not apologize for that. We were a generation that was used and abused and exploited, and there were so many men... That is another thing. What about all the men of my generation who went to prison and the men who were in the, we called it the Long Binh Jail, it was LBJ Jail. You know about that?&#13;
SM (02:02:11):&#13;
Mm-hmm. Mm-hmm.&#13;
DE (02:02:11):&#13;
[inaudible].&#13;
SM (02:02:13):&#13;
Yes.&#13;
DE (02:02:14):&#13;
While I was in Vietnam, I knew of a lot of men who were going to that jail. Again, I felt the unfairness, and the war is just so horrific in what it does to people. So I think coming from a nursing standpoint, coming from a compassionate, forgiving standpoint, I was sad. I have always had this overwhelming sadness for our generation, for those who went to jail, for those who went to Canada, for those who lost their innocence and lost their family ties where they could not speak to their fathers. Their fathers just literally disowned them. This is what our government did to us. And for what? For what reason? Outside of their aphrodisiac needs for war and power and control. The fact that they could have gotten us out of Vietnam, Steve, because remember, I was there in (19)68, and that is when, 'Oh, we are going to wind the war down. We are going to [inaudible] troops home." While I am there, I know more troops are coming, more are coming and more are dying. We lost more... The majority of names on the wall in Washington DC are from (19)68 and (19)69. So, you can see why I feel so strongly the way I do. I have to say one more thing because I know we want to end this, but it is one thing when your country lies to you. It is another thing when they want you to lie for them because when I was in Pleiku at the 71st Evacuation Hospital, we were just kilometers away from the Cambodian border. We were getting all these wounded from Cambodia. This was the time that the administration was telling America we were not in Cambodia, but we were in Cambodia. And I knew it. We were getting all these patients. I was told not to put anything in the records, that patient's records, that he was in Cambodia. I was to lie. I was supposed to lie for the government. I think that is when my political conscience was galvanized, at that.&#13;
SM (02:04:21):&#13;
Wow.&#13;
DE (02:04:21):&#13;
So if you talk about galvanizing moments, when I was told to lie on a patient's record that he was not wounded in Cambodia because the nation was saying we were not there, for me, that was the straw that broke... That did it. I think from that point on, it was like, "You can lie to me, but you cannot force me to lie back." I think that is what really propelled me to build the memorial and want to tell the truth and... Well, I know it is.&#13;
SM (02:04:54):&#13;
Wow. Actually, there is only four more questions here. Very brief. I just list all these politicians, put them in a nutshell: George McGovern, Hubert Humphrey, George Wallace, Barry Goldwater, and certainly Dwight Eisenhower. They were all politicians that were around when the boomers were there, when they were young.&#13;
DE (02:05:19):&#13;
Yeah. But how am I going to answer to all of them? They are also different. Dwight Eisenhower, my God, he is the one that warned us about the military industrial complex. It was prophetic. We are right now in the military industrial complex at its height in what he prophesied in that it would be a train going down a track so powerful, there would be no stopping it. And look what is happening. It is a corporation. So, how can we put them in the same... I cannot... like with George Wallace and George McGovern. McGovern is still out there speaking against the war. In fact, he was supposed to be a speaker here because his daughter lives in Montana, out there in Hamilton. I do not know how to... What would you say about putting them all [inaudible]?&#13;
SM (02:06:08):&#13;
Well, I would not put them all together. I would say just a few comments about each of them. Certainly, McGovern, last night I watched on television on what is going on with politics today and the elections coming up next week. They are still talking about the negative influence that George McGovern and that generation had on the political process. And then they interviewed him. It was just like his name keeps coming up over and over again in terms of the decline of the Democratic Party. We have had him on our campus, too. Certainly, you could have comments on each of them. And you have already done it on Eisenhower. What are your thoughts on George McGovern and the 1972 election?&#13;
DE (02:06:53):&#13;
Well, I feel that there is a faction in this country that is very good. They are experts at denigrating people who tell the truth and who have integrity and who defy them. Their way of denigrating them and diminishing them is to distort who they really are and what they really believe in. I think George McGovern is one of those.&#13;
SM (02:07:30):&#13;
Mm-hmm. Of course, Hubert Humphrey, we all know that he ran with Lyndon Johnson. If he had separated himself from Lyndon Johnson early on, he may have been president. There is a lot of thoughts...&#13;
DE (02:07:41):&#13;
Well, I come from Humphrey country. He was our neighbor. His daughter worked with my mother. I met Humphrey on many, many occasions, just lived across the marsh from our farm. He was in Waverly, Minnesota. I grew up on a farm south of Buffalo. You could look across the big marsh and see the Waverly Tower. That, of course, was where Humphrey had his lake home. But I grew up believing Humphrey was a great man and he was compassionate. The welfare system in Minnesota became what it was because of Humphrey. My parents definitely supported Humphrey. Yes, if he had separated himself... But back then, the vice president had no power. It is like they were just in the background, unlike Cheney today. But think of how the country might have been different if it had been Humphrey or McGovern. I wish that Humphrey could have made a difference, but I do not feel like he was in a position to make a difference with LBJ as the president. So, I feel there was some failed... Some things that would never come to fruition because he was in the shadow of LBJ. But in his own right, he still did some wonderful things.&#13;
SM (02:09:10):&#13;
Even with Barry Goldwater, so much has been written about him recently, that he was the man that really is the leader of the conservative movement. There is actually several books out right now on him. It was ironic that he and Hugh Scott were the two that walked into Nixon's office and told him he had to resign. So, there is pretty powerful... I am going to end with some terms from that era. You do not have to give long responses. It is just a gut-level reaction to them. Woodstock.&#13;
DE (02:09:42):&#13;
Okay. I wish I had been there. I missed out. I missed Woodstock. Because of my upbringing on this farm, I guess I felt too timid to think that I would want to be there at the time. But it was unique. It was extraordinary. I wish I had witnessed it myself, but I could not have gone naked or done any of those things. Politically, I am not conservative, but personally, I would have been a witness to it, watching it happen. Steve, I would have been on the sidelines. I would have been watching it happen.&#13;
SM (02:10:27):&#13;
Right. How about communes?&#13;
DE (02:10:28):&#13;
Communes?&#13;
SM (02:10:30):&#13;
The communal movement?&#13;
DE (02:10:32):&#13;
Yeah. Yeah. We had a distant relative who got involved. Again, I felt that my peers, the people of my generation, were moving outside the normal course of traditional life and leaving the security of their homes and wanted something different. Because I grew up on a farm and communed with the Earth every single day, I could not quite understand why they felt they needed to bring teepees out. My dad laughed about it because we had communes out around us where some kids brought teepees out and they just put their teepees up on private land, farmers' land, and then the farmers kicked them out. But they wanted to commune with the land. And of course, I grew up commuting with the land. But I guess, again, I think I was pretty non-judgmental of... I was very judgmental of the government. But I was pretty non-judgmental of my generation and my peers thinking that, hey, they have different ideas; they have different thoughts about things and they want to try something different. I guess I did not feel judgmental about that because for me personally, my way of breaking away was to go into the military and find out something about life in the military, I guess, and do something positive with it. So, I figured if they want to live off the land and get rid of all their materialism because my generation, really in the beginning, did not want the materialism that their parents accumulated. I mean, they sold their skis; they sold their car; they sold whatever they had. They did not want any materialistic objects. They just wanted to go out and have free love and live off the land and get away from it all, which was an escape. Of course, that was just their [inaudible].&#13;
SM (02:12:36):&#13;
How about the counterculture?&#13;
DE (02:12:36):&#13;
The counterculture I never quite understood because I never felt a part of it. I was not in the drug culture and I was extremely [inaudible 02:12:48] it. I had been invited to some drug parties, Steve, and I did not know because of my naivete, that I was being invited to a drug party. When I got there to this house, I was pretty shocked because I smelled the smells and the doors to the bedrooms were all closed. The person who invited me came out and said, "Hi, Diane." I looked at her and I said, "If you had told me this was a drug party, I would not have come." And I turned around and left. It pretty much scared me.&#13;
SM (02:13:27):&#13;
Right. How about Kent State and Jackson State.&#13;
DE (02:13:33):&#13;
Horrific, sad, tragic, awful that our own National Guard, our own government... That is another thing. Just briefly. I talked about how my generation spoke out, rioted, protested. Some did it violently, which was not as acceptable, really. But look what our police did and our National Guard did to two young people and their violence and the beatings and the sticks and whipping them with guns and then shooting. Again, I had a visceral gut reaction of this awful sadness that I could not... disbelief and horror, and again, anger that our college students could be unsafe and shot like that in really cold blood.&#13;
SM (02:14:32):&#13;
The Chicago Eight?&#13;
DE (02:14:34):&#13;
I will pass on that.&#13;
SM (02:14:36):&#13;
How about the Democratic Convention of (19)68?&#13;
DE (02:14:41):&#13;
I was in Vietnam, Steve. I was pretty busy focusing on saving patients. But I heard about it. Again, I was becoming used to the volatility, that this is normal. This volatility that is going on in the United States, for me, it was now almost the norm. So, what happened at the Democratic National Convention was just crazy. It was just crazy. I have often said that serving in Vietnam was like living in a hallucination. Some of what was going on in America at the time was also like the hallucination. Apocalypse Now is a movie I actually related to. When somebody asked me why, they said, "Well, that movie is so nuts; it is so crazy." And I said, "Yeah, but that is how I felt. That is what I was living at the time." I was living in an hallucination. Things were crazy. Things were out of control. You could not put piece things together because they were so out of control&#13;
SM (02:15:50):&#13;
And Watergate?&#13;
DE (02:15:54):&#13;
Watergate for me was like a watershed. It was like they got caught. They got caught. There is justice. There is justice! When he was impeached, or when the impeachment process took place, I had this sense of relief, almost. It was a sense of relief. They got caught. Thank goodness. There are people in the country that will work hard to expose the evil. I hate to use that word now because [inaudible].&#13;
SM (02:16:31):&#13;
Now, I have three more terms here and then we will end. Two of them are probably very important to you. Tet.&#13;
DE (02:16:44):&#13;
I arrived in Vietnam in late July, the first part of August. I knew about Tet because I was at Fort Lee, Virginia at the time, and I was getting patients in the orthopedic unit. We were filled. There were no extra beds. We were shipping patients and evacing back and forth to Walter Reed. I took care of patients at Fort Lee, Virginia that had been in Tet. That was my first real exposure to what happens to men who have been in war. They have gone through something horrific. I learned a lot on that unit. First time I dropped a bed pan in the middle of the night, it was really frightening for me because I had just dropped a bed pan. It was a little bit noisy, but every single patient was on the floor and some of them were in flashbacks. It was really eye-opening for me. One of the patients told me, "Do not ever do that again. You might find yourself dead," because they just were out of control and crawling around on the floor and looking for their weapons. So for me, Tet was the tragedy of the loss of so many human lives and so many wounded with horrific wounds. But it also showed the determination of the enemy. I do not think I really went to Vietnam wholly naive like so many of the women have said. I think I was really prepared. I prepared myself for the worst. I think Tet helped prepare that inside me because I knew it would come from anywhere and nowhere and at any time. This enemy was determined. These were not [inaudible] were intelligent warriors.&#13;
SM (02:19:01):&#13;
How about the Gulf of Tonkin?&#13;
DE (02:19:04):&#13;
Well, Steve, for me, the Gulf of Tonkin was one of the sick lies the government got by with. So, if they got by with that one, why would not they get by with the weapons of mass destruction? For me, it was so deja vu, that the level of my anger during Shock and Awe was so high that my daughter told me, "Mom, you have to do something about your anger. It is going to kill you. It is just way over the top." And my response was, I said, "What have we learned? The lies from Gulf of Tonkin..."&#13;
SM (02:19:41):&#13;
Go right ahead.&#13;
DE (02:19:53):&#13;
It was the ultimate betrayal. It was the ultimate betrayal, that we did not learn that lesson from Vietnam, that the American people could be duped with a lie to get us into... But the American people could be duped to the lie to get us into a war, and Bush got by with it. So, for me, again it was a visceral gut reaction. Another offset betrayal that the government can abuse, abuse of power and convince people of their lives. And of course, I cannot be convinced, so then I am at odds with a lot of people who are convinced. Then I begin to wonder how can people believe this stuff? Why are they so... I do not know. That is enough, Steve.&#13;
SM (02:20:43):&#13;
Okay. And then, when did the war end? Was there something that happened in the United States? Some people say that when the war came home to middle America, when bodies came home in caskets in Ohio and the Midwest, middle America finally said, "This war has to end." Others say, "Well, it was what happened to Kent State University. When they can shoot their own children on the homeland, that is the beginning of the end." In your opinion, what was the magic moment that ended this war?&#13;
DE (02:21:25):&#13;
Well, for me, because I was a nurse, it never ended. The war did not end until the helicopter landed on top of the embassy and... What did we call it? The Presidential Palace?&#13;
SM (02:21:42):&#13;
Mm-hmm.&#13;
DE (02:21:42):&#13;
Saigon?&#13;
SM (02:21:43):&#13;
Yes.&#13;
DE (02:21:43):&#13;
In 1975, right?&#13;
SM (02:21:46):&#13;
Yes.&#13;
DE (02:21:47):&#13;
And that picture where the people just hanging on to the rudder of the helicopter trying to escape with everybody else, and those last people dying. That was the kind of official moment. My god, we were out of there. That was the moment for me that the war officially ended, but the war never did end. The war has not ended for most Vietnam vets. We are still battling it, fighting it, dying in VA hospitals. But symbolically, I think you are looking for a symbolic ending. For me, there is no symbolic ending. None. Because for me, I watched the soldiers suffering for years following that war, and taking care of them in hospitals. So, there is some symbolic ending.&#13;
SM (02:22:42):&#13;
My very last question is, when did the sixties begin? Not necessarily for you personally, but when do you think was the beginning of the sixties?&#13;
DE (02:22:57):&#13;
I would say '64.&#13;
SM (02:23:05):&#13;
Is that after Kennedy passed away?&#13;
DE (02:23:09):&#13;
Well, Kennedy was killed, and then the Gulf of Tonkin was (19)64, was not it?&#13;
SM (02:23:14):&#13;
Yes, it was.&#13;
DE (02:23:14):&#13;
So, for me, that is when it began.&#13;
SM (02:23:21):&#13;
I guess the last, do you have anything else you would like to say or comment on?&#13;
DE (02:23:26):&#13;
Yes, one more thing, and that is I want to talk about what the sixties meant for me as far as women in the military opening doors for the next generation women.&#13;
SM (02:23:41):&#13;
Diane, could you speak up just a little bit more?&#13;
DE (02:23:43):&#13;
Okay. I do not think I have addressed enough about the military women in the sixties, who signed up during that unpopular war, and going to Vietnam and serving all over the world. And how my generation of military women opened the doors for the next generation of military women. And which prior to me, the military women opened doors for us. But we really threw that door open wide in proving that, in Vietnam, that we survived. And that we did have the courage to be in a war zone and work hard and get through it and rise to the highest level of ability and capability and service. Of course now, we have women in Iraq who are carrying weapons and are using them. Whereas in Vietnam, I say we were not issued weapons in Vietnam, but we should have been. And we should have been trained to use them. We were in a combat zone. The only difference was we could be shot at, which we were, but we could not shoot back. Today, women, without being clearly defined that they are in combat roles, they are certainly in combat. We have almost 80 or more of them who have been killed in Iraq. I do not know what kind of advancement we can say that is, that we have opened the doors so women can be killed in combat, but I think what it says is that men and women today are serving side by side pretty much in equal roles. For many of these women, it is their choice. If they have joined the guards, of course, it is all by choice because nobody is drafted. But women have proven themselves and prove themselves every day, but it is just... I have been asked, and I will say this, that I was asked several years ago when the war broke out in the first Desert Storm in the early nineties, how I would feel about daughters coming home in body bags. I said, " I have sons. What is the difference if my daughter or my son comes home in a body bag? I do not want either one of them to come home in a body bag." And certainly, there is really no difference. It is both horrific, it is both tragic, and it is both, it is unthinkable. But I am proud of women in the military today and what they have achieved and what they do. I am very proud of them, as I was proud of my generation. I am just so sad that we have to have a war at all and that they have to be participating in it. But I am very proud of the military women today.&#13;
SM (02:26:37):&#13;
When you sit there at the ceremony every year at the Vietnam Memorial, on Veterans Day or Memorial Day, and you are sitting on that stage before Jan goes up and starts the program itself, and you have a chance to look. You are looking over all those veterans and families of veterans and just friends of veterans and just interested observers. What are you thinking? I know you are thinking about the introduction of this person that is going to speak, but what is going through your mind when you sit up there and you are glancing over all these people every year?&#13;
DE (02:27:14):&#13;
Well, I often think, Steve, that we are unusual in that there is a sea of love out there, and we come together out of love. There is just this overpowering sense of understanding and love among us. We all have some needs that we come there every year. Some of us maybe like myself, I should be there because I am the chair. But I need both, too, for my own sense of being together with like-minded people whom I love, and I feel a sense of peace with these people. But I also feel this ordinary responsibility that it is so important that we continue to come there to show our honor and memory of those who died during Vietnam. And to show the country that these memories have to be kept alive. I feel a sense of responsibility to be there as a veteran's advocate, but on a personal deeper level, I just feel this sense of, like Jan Scruggs and myself and all those who work so hard with us, to make sure those memorials got there. We did not do it alone. It took thousands, thousands, and thousands of people and dollars and work. We were just the symbols because we were the leaders of the efforts, but we did not do it alone. I just feel this tremendous pride for the people who did make it happen, and relief that it is there because it is so important for a nation to remember those who-who have served and died. And so, I do not know. I never can put it into words, Steve, because it is pretty overwhelming for me.&#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44263">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48070">
              <text>3 microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50727">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11532">
                <text>Interview with Diane Carlson Evans</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47624">
                <text>Evans, Diane Carlson ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47625">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47626">
                <text>United States—Armed Forces—Nurses;  Vietnam War, 1961-1975;  Evans, Diane Carlson--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47627">
                <text>Diane Carlson Evans served as a nurse during the Vietnam War in the United States Army. Before joining the Army as a nurse, Evans graduated from nursing school in Minnesota. She was the major contributor to the creation of the Vietnam Women's Memorial.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47628">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47629">
                <text>2006-11-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47630">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47631">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47632">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47633">
                <text>McKiernan-7B_01.wav ; McKiernan-7B_02.wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47634">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47635">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47636">
                <text>242:51</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="838" public="1" featured="0">
    <fileContainer>
      <file fileId="6263" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/3dc5a8e44b25942ae612f0bb7d09ef0f.jpg</src>
        <authentication>46cad48db578547499c30b4a2271bd27</authentication>
      </file>
      <file fileId="3601" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/73caefc69f61acfde0eff5fa0888b5c2.mp3</src>
        <authentication>9dfb83bd4edb322a0081fed67797dd6c</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11548">
              <text>2011-02-21</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11549">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11550">
              <text>Bernardine Dohrn</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11551">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11552">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Bernardine Rae Dohrn is a former leader of the Weather Underground, a group known for bombings on the United States Capitol. Dohrn has a Bachelor's degree in Political Science and a Juris Doctorate from the University of Chicago. Currently, she is a professor at the University of Illinois at Chicago.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15105,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;Bernardine Rae Dohrn is a former leader of the Weather Underground, a group known for bombings on the United States Capitol. Dohrn has a Bachelor's degree in Political Science and a Juris Doctorate from the University of Chicago. Currently, she is a professor at the University of Illinois at Chicago.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11553">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11554">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11555">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11556">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11557">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17806">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;College; Race Issues; Women's Issues; The War on Poverty; Non-Violence; Chicago; Red Lining; Dr. Martin Luther King Jr.; The Other America; Michael Harrington; Gay Rights; Patriotism; Students for a Democratic Society; Kent State; Chicago Eight.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;College; Race Issues; Women's Issues; The War on Poverty; Non-Violence; Chicago; Red Lining; Dr. Martin Luther King Jr.; The Other America; Michael Harrington; Gay Rights; Patriotism; Students for a Democratic Society; Kent State; Chicago Eight.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19735">
              <text>236:57</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20050">
              <text>Weather Underground Organization;  College teachers;  Dohrn, Bernardine--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44264">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50728">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11546">
                <text>Interview with Bernardine Rae Dohrn</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47637">
                <text>Dohrn, Bernardine ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47638">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47639">
                <text>Weather Underground Organization;  College teachers;  Dohrn, Bernardine--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47640">
                <text>Bernardine Rae Dohrn is a former leader of the Weather Underground, a group known for bombings on the United States Capitol.  Dohrn has a Bachelor's degree in Political Science and a J.D. from the University of Chicago.  Currently, she is a professor at the University of Illinois at Chicago.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47641">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47642">
                <text>2011-02-21</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47643">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47644">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47645">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47646">
                <text>McKiernan.Oral.10.2016.8a; McKiernan.Oral.10.2016.8b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47647">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47648">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47649">
                <text>236:57</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="839" public="1" featured="0">
    <fileContainer>
      <file fileId="5740" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/4dd9b79e07b905eebb184c938db06c62.jpg</src>
        <authentication>87bb7515db9433bb3b1f46d0cd97cb1c</authentication>
      </file>
      <file fileId="3269" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/d64fde35685b4bc7bb1d20f9c70ec91f.mp3</src>
        <authentication>57ca2e5d45e5e68a725e28abb87ad020</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11562">
              <text>2003-05-28</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11563">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11564">
              <text>Paul Critchlow</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11565">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11566">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Paul Critchlow retired from the Bank of America as the head of communications and public affairs.  Previously, he served as the chief political writer for the Philadelphia Inquirer and then as press secretary to Pennsylvania Governor Dick Thornburgh.  Critchlow has a Bachelor's degree from the University of Nebraska, Omaha and a Master's degree from Columbia University.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15243,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,5099745],&amp;quot;6&amp;quot;:{&amp;quot;1&amp;quot;:[{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:0,&amp;quot;5&amp;quot;:[null,2,0]},{&amp;quot;1&amp;quot;:0,&amp;quot;2&amp;quot;:0,&amp;quot;3&amp;quot;:3},{&amp;quot;1&amp;quot;:1,&amp;quot;2&amp;quot;:0,&amp;quot;4&amp;quot;:1}]},&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,4995385],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:11}"&gt;Paul Critchlow is a Vietnam veteran with years of experience in government, finance, and journalism. Critchlow retired from the Bank of America as the head of communications and public affairs. Previously, he served as the chief political writer for the Philadelphia Inquirer and then as press secretary to Pennsylvania Governor Dick Thornburgh. Critchlow has a Bachelor's degree from the University of Nebraska, Omaha and a Master's degree from Columbia University. Paul Critchlow served in Vietnam and he considers this experience the watershed event in his life.&amp;nbsp;&amp;nbsp;&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11567">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11568">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11569">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11570">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11571">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="16640">
              <text>102:40</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16641">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Vietnam War; WWII; Hiroshima; Baby boom generation; Anti-War Movement; Veteran; Dwight D. Eisenhower; John F. Kennedy; Richard Nixon; Tom Hayden; Jane Fonda; Lyndon B. Johnson; Conscientious objector; Benjamin Spock; Environmental movement; George McGovern; Robert McNamara&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:515,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427},&amp;quot;12&amp;quot;:0}"&gt;Vietnam War; WWII; Hiroshima; Baby boom generation; Anti-War Movement; Veteran; Dwight D. Eisenhower; John F. Kennedy; Richard Nixon; Tom Hayden; Jane Fonda; Lyndon B. Johnson; Conscientious objector; Benjamin Spock; Environmental movement; George McGovern; Robert McNamara&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20051">
              <text>Bank of America;  Journalism—Political aspects;  Press secretaries;  Critchlow, Paul--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="37964">
              <text>McKiernan Interviews&#13;
Interview with: Paul Critchlow&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: Benjamin Mehdi So&#13;
Date of interview: 28 May 2003&#13;
--------------------------------------------------------------------------------------------------------------------&#13;
&#13;
(Start of Interview)&#13;
&#13;
0:00  &#13;
SM: When you think of the (19)60s and the early (19)70s, what comes to your mind when you think of that period?&#13;
&#13;
0:10  &#13;
PC: Well for me it was a, it was a very exciting, it was a very exciting period. It was also clearly; I was very aware that it was a tumultuous period. I was raised and born and raised in Omaha, Nebraska. And I remember, I went to high school in the from (19)64 through-through, I am sorry, from 1960 to 1964. So, the Civil Rights Movement was somewhat underway. I was a little isolated from it in you know, Nebraska at that time was a fairly conservative state. It still is, but much more cosmopolitan now than it was then, and I remember certainly reading about all these things and being interested in curious and did not necessarily have a lot of exposure to them. I remember that I actually had no interaction with any-any black people until I was on the high school, track and football teams in uh Omaha Benson High School and competed against them. We had no blacks, had no Hispanics, no Asians at all in my school we were I was basically all white. That was a big school, 2500 kids. And you know, I remember running against them and track Gale Sayers was one of the guys that ran against yeah, he was two years older than me, but I still had two years of overlapping, competing with him and he, he beat me. But then and then when I went to Nebraska University, I got a full-full scholarship to play football there. And of course, there were quite a few African Americans on the football team. And, uh, and yet, there were not still not very many blacks in the school in the university, which was a very-very, it was a big school, there must have been 30,000 kids in the school. And so that was kind of my exposure to them. I absolutely remember, John, uh, John F. Kennedy, getting killed. I was a, uh, I think a sophomore in high school. And then I remember in college Robert F. Kennedy being assassinated in Los Angeles. And I just remember being incredibly bereft by his assassination. I remember being out with a girl who was a go-go dancer in the, from, you know from the one of the downtown Lincoln Nebraska bars. And I remember laying out in the cornfield with her and we decided, you know, we were both upset by his death, and we decided that we would meet the next morning and, you know, drive out to California. And we did not. [laughter] We did not meet, and we did not drive. So, you know, I, I had I had no direct experience with any of it but clearly had some consciousness of it. And I knew as an exciting time I knew the war was starting the Vietnam War was starting to heat up and I had entered the University of Nebraska in 1964. And was a redshirt which meant I had five years of eligibility, so I figured I got five years to avoid the draft and all my friends were thinking the same thing. They were all you know a number of them begin to take steps to-to avoid being drafted. All middle-class kids, nobody wealthy but you know, middle, middle, middle economic strata and the-the, um, a number of them as they got closer to the end of school, join the National Guard or the Air National Guard. Some of them got married. Now they, in every case they were truly in love. They had girlfriends and they got married and nobody you know, as far as I recall, it was not like there was a whole lot of debate on the campus of Lincoln. The only protest I remember is probably in my junior or my third or fourth year, which would have been (19)60. Well, probably in my fourth year, which was (19)67/ (19)68. There were about 50 protesters outside the administration building. And I remember, uh, I remember that irritating me for the first time I think I had a sensation of patriot-patriotism. But at the same time, I was kind of like a lot of kids in the (19)60s, also into the (19)60s, you know, flower child, hippie kind of lifestyle was interesting. You know, an intriguing, of course I never lived it, did not really even do drugs then but I did drink a lot of beer. And so, I remember the, in the, uh, it was just it was sort of a lot of partying, partying, it was going on. And I remember getting, you know, drunk most nights and that I was not, you know, in football training, and even some nights when I was and so I do not know how long you want me to go on, you know.&#13;
&#13;
6:38  &#13;
SM: That-that is good. Okay. When you think of the boomer generation, sociologists will say that the boomer generation are people that were born between 1946 and 1964. Although anybody who knows history knows that some of the leaders of the antiwar movement were born in (19)41, (19)42, (19)43 and (19)44. It is hard to kind of differentiate the two. But do you get a lot? A lot of people today, sociologists oh, George rolls even done it tax the boomer generation as being a very negative generation in American history because of drugs, the sexual lifestyle, and certainly the antiwar movement, the protest, what are your thoughts on the boomers? Do you consider them a group that added to our history in a positive way? Or, or do you feel that some of the things that they did we have really set back our nation and we still have some of these problems today because of what happened in the (19)60s?&#13;
&#13;
7:45  &#13;
PC: Hmm, it is a very, very interesting question. I mean, the, uh, well, the boomer generation was the largest population wave United States, you know, post all the immigration occurred here, but the I do not know, you know, I guess the, the, uh, the, there were- you know, I framed so many things in the context of the war because I went and I can, I am amazed to this day by how when another war is contemplated, the divisions resurface. And I am amazed by how people still write op eds and speak you know about the war from the Vietnam perspective. And when I came to-to-to participate in the forum you conducted you know, the-the fella who was an antiwar-&#13;
&#13;
9:02  &#13;
SM: Larry Davidson.&#13;
&#13;
 9:03  &#13;
PC: -Guy, you know, uh, I found myself just really in my gut, angry at him. And knowing that was not rational I mean, intellectually I knew that was not rational. But clearly those-those the-the direction that I ended up going shaped how I view the world and I am sure in the direction he ended up going shaped how he viewed the world and informed him throughout the rest of his life. You know, I believe that is probably a safe statement to make. But on balance, I think that-that is like a subject for a sociological study, really that question but on balance, I think that the boomer generation has created the enormous wealth that we have, and I think it probably is the diversity of backgrounds and beliefs and opinions. That have caused American society to be so innovative, you know, people have not been afraid to voice their views and come up with-with ideas that might have seemed unpopular and they have been willing to go ahead and, you know, put their money where their mouth is or put there, you know, put their lives on the line and or, you know, just to state how they feel. I think that is probably better than having grown up in a, you know, homogenous culture that would have had everybody thinking more alike, so I mean, I think [phone rings] I think on balance, it is probably stimulated the, the country's economic and social progress. [phone continues to ring]&#13;
&#13;
10:56  &#13;
SM: Did you want to answer? This leads right into a perfect segue into the next question. What are the qualities you most admire in boomers? And what are the qualities you least admire? Again, from your vantage point, yeah, sir.&#13;
&#13;
11:14  &#13;
PC: Hmm I think the boomers came from a very rich environment in terms of the conflicts that they grew up, you know, in their formative years with the fact that they came from the World War II generation you know, they are the offspring of the World War II generation you know, the greatest generation as broke all called it. I was born on August 6, 1946, you know, exactly one year after the dropping of the bomb on Hiroshima. And so, I was always aware of the dropping of the bomb and of course, in the (19)50s we went through the you know, the, uh, the Cold War, we went through the-the bomb shelters. And so, we had that. We grew up with that, in our for-formative years we grew up with, with that sort of overhanging fear and anxiety of nuclear war and worrying about the stability and personal trustworthiness of our leaders and leaders of Russia. You know, and so, you know, the-the and I and, and then to go into the (19)60s when I say worrying about the trustworthiness of our leaders, I think having confidence in the trustworthiness of our leaders through the (19)50s and then hitting the (19)60s. And having that confidence undermined by questions about the prosecution of the war, whether it was political, you know, questions about the establishment. I mean, we were children of-of a very establishment center, you know, way of life. And all of those feelings and attitudes became challenged in the (19)60s, you know, by the, by the civil rights movement, and I am talking now from the perspective of a shelter, white boy, no, without a lot of exposure to a black population. There was one in Omaha there was a and they lived in one part of Omaha. And there was not really a whole lot of integration, you know, so I mean, I was just not exposed to it. And then to have all of that have that sort of, you know, that sort of set of attitudes, that everything is the way that I am used to it having all that being challenged and undermined in the (19)60s and probably the (19)70s. I think required boomers to become more adaptable and forced us to maybe be more thoughtful about our own ideological beliefs. And so, we were about you know, I-I think it was the one I that was what I talked about when I talked about the context of where we came from, and-and what we went through. Gave us gave us an ability to-to be more adaptable to, to different ways of thinking and different ways of looking at things and- [doorbell rings]&#13;
&#13;
15:14  &#13;
SM: Right in the middle of that questionnaire regarding the quality you most admire or at least admire and antics.&#13;
&#13;
15:21  &#13;
PC: Yeah, I, I think the boomers demonstrated both admirable and not so admirable qualities. I think the boomers unfortunately also became known as rather self-centered and sort of became the, you know, the- because there was such a period of economic prosperity. They got a reputation for being a little materialistic, you know, the me generation like but I also think that they they-they have stablish you know, a tremendously much more informed kind of body politic or electorate, if you will. That has, uh, I mean, I, to me, what is amazing is you really had during Vietnam, kind of roughly half the population favored the war and half the population did not favor the war. And the debate and the divisions were very sharp, and you were kind of either forward or again. And if you think about how the body politic has evolved in the United States, you know, the parties are almost constantly shifting back and forth in terms of control and elections. So, so there is there are there are rooms there is room for a sort of the more left leaning ideology and the more right leaning and ideology and it is, it just never ceases to amaze me that the It is- stays consistently so, you know, for decades, you know, for down through the decades since the (19)60s and (19)70s. And I think that, you know, that has to have come from the from the divisions and the different-different experiences that people had. You know, as you said, everybody was touched by Vietnam one way or another. Right, everybody, you know, I mean, just was-&#13;
&#13;
17:28  &#13;
SM: Some of the books will say that 15 percent of the population was actually involved in some sort of an activist movement, but that the other 85 percent effective their subconscious in some way. So, the whole 70 plus million boomers were in some way affected.&#13;
&#13;
17:43  &#13;
PC: By oh, definitely.&#13;
&#13;
17:44  &#13;
SM: By-by Vietnam. I like your thoughts on the impact that boomers have had on their kids. Because I think this is interesting, because I just my perception is once your thoughts as I looked at some of the young people from generation X, which was the generation the foul in the (19)90s, and now generation Y, which I believe is your son's, my nephews group too, um, our they as activist minded as the people from the (19)60s that it was almost like when they look at the (19)60s or the seven, early (19)70s, they do look upset with boomers because they are nostalgic for they wish they have lived during that time. Because, of course, this is before 9/11 is really yeah. 9/11. And certainly, has changed everything. But your thoughts on whether boomers have passed on their activism to their kids in following generations.&#13;
&#13;
0:18:42&#13;
PC: I mean, boy, that is a tough one. You know, I mean, it is like- I think boomers, I really can only speak from personal experience, but I think boomers have tended to pass on whatever their basic attitudes and ideologies were. I passed on a stronger belief in authority in authoritarianism and establishment way of life. My wife is 10 years younger than me. So, she is a half generation, you know, removed. Born in 1956. She has always been very activist and always very, very challenging of government and authority and she has passed that on to the kids. So, there has been a little struggle for the little bit of a struggle for the soul of our children's souls of our children. And each of them has picked up my daughter is probably more- I am sure there must be some conflicting impulses there, but my daughter is more is more activist and more liberal, more left leaning and she is, she will challenge authority, you know all the time, and yet likes the comforts provided by the more establishment way of life. My son is probably more like me, and more, more respectable, more respectful of authority. And-and yet he is also not afraid to ask questions, but he does it with he does it without the edge that my daughter does. So that is a tough one. It is hard for me to generalize about that. I do not know how to do that. It is good.&#13;
&#13;
20:46&#13;
SM: It is good because you from an individualistic point of view, right. Yeah, generalists? Well, I think that learned from working with college students that you cannot generalize.&#13;
&#13;
20:55  &#13;
PC: No.&#13;
&#13;
20:56  &#13;
SM: You cannot and be around a group one year and then the next year is totally different. And when I was years ago used to say every 10 years, you can see the difference between generation now it is every four years.&#13;
&#13;
21:10  &#13;
PC: I do think there was a generation X which is, you know, I mean, I had him fairly late. So, I mean, I also have a 28-year-old son by a first marriage. But I was not around we set we divorced. And that generation was known as the slacker generation. And they were more into me they were more into just getting by. But now I see you know, now I see him come, you know, he has come out of that. And he is-he is a, I think we are more I think boomers, most boomers tend to be more tolerant of experimentation by their kids. Because they did not, you know, I mean, there is nothing, there is very little that I did not do. I mean, I, you know, you know, was very interested in sexuality. You know, I think everybody is, but you were more free to experiment with it. I was more likely to experiment with drugs not the way the generation X I think got into it more, I believe. Well, that is not true. I think there is quite a bit of drug use in the (19)60s. But anyway, I cannot remember the basic question now. [laughter]&#13;
&#13;
22:42  &#13;
SM: Sure, man, let me show this to you talk about-about the antiwar movement. Could you comment on your thoughts on those individuals who are involved in the antiwar movement and secondly, how what kind of impact did they have on ending the war. I interviewed him. I have had some unbelievable mixed responses to this question. To see your thoughts on the antiwar movement.&#13;
&#13;
23:14  &#13;
PC: Well, first of all, you know, as a veteran, and relating more to the way I was treated well, relating the two things that I can specify one when I was there. First of all, I mean, I think, you know, I volunteered for the draft. You know, I did not enlist I literally called my draft board and said, I am ready to be drafted even though I had another year of college eligibility. And what happened was, I just got I broke my leg and football, and you know, began drinking even worse and just sort of decided, you do not want to play football anymore and you are screwing off in school. You know, and I knew that Vietnam was going to be the defining experience of my generation. And I made a conscious decision, if that is what it is, I would rather go be there and see it, than to oppose it or avoid it. And it was not out of any great sense of patriotism at all. Steve, it was much more out of a sense of adventure, and curiosity. You know, what, what, what is this thing? I mean, how can this be, you know, I mean, you saw a lot of images on TV and read about it, but it was sort of like, you know, I want to go see, I want to be there, I want to be at this, I want to be at the center of action. Now, there are two ways to do that. You know, one was to be in the antiwar movement. One was to be in the war. And so, I am very careful to explain that I am, I am not a great patriot. And then I went there thinking, oh my God, I have to defend my country. I mean, I was aware that there was opposition to the war that there were questions about how the politicians were conducting it. And part of it was just to escape, you know, an unfortunate, you know, sort of a downward spiral that I was in I just I just wanted to get away from Nebraska and get out and get away from football and get away from the, you know, the-the defeatism that I felt, you know, from breaking my leg, you know, I was just sort of like depressed, you know? So, I uh-&#13;
&#13;
25:31  &#13;
SM: Did you fear losing your life. Did you when you want to be in the center of action?&#13;
&#13;
25:34  &#13;
PC: I was, I was aware, but I did not care. I mean, it was like, I mean, I truly just thought, you know, I wanted the experience, but it was more of an experience seeking was not thrill seeking, it was just, I want to see what this is all about. If it is, I absolutely knew, as you say, I knew at that time that it was going to define my generation I just knew it and I and I decided I do not want to be on it. I want to be there and experience what it really is more than I want to be on the other side opposing it. Okay, so. So, I went over, and the first specific thing is that I remember hearing and reading, you know, and I knew because I went over in (19)69 hearing and reading that, I mean, the (19)69 is when troops started to get withdrawn. You will recall that was sort of the turning, turning point of the of the war. And so, I knew that the politicians were starting to react to the antiwar protests. So, when I went over, morale was not-not very good. And I attributed that to the antiwar protesters and in particular to the kids on college campuses. So immediately, the, the, you know, the first time that I saw an American, you know, get killed. My anger toward the enemy became very great. And I did in fact, equate the enemy with communists and, uh, and then I wanted to, you know, and then I felt great anger toward the antiwar protesters. Then I came back, you know, badly wounded, almost died and was treated, you know, very badly and with great disrespect by the moment I came back, I mean, it was just unbelievable. I mean, my-my friends would not return my phone calls, they would all virtually I would say 95 percent of my friends had avoided the war one way or the other. Old girlfriends would not even come to the phone when I called. I remember going to a party. And these were not particularly antiwar people, but I sort of lumped them all together. I remember going to a party I was on crutches. And it was in a big room and the whole room just gradually moved away from me. And all of a sudden, I was standing there alone in a corner on crutches and just thinking, oh, my God, I just these people hate me. I feel terrible. They did not want to talk to me, you know, I mean, and-and so what did I do? Then I healed and I went back to undergraduate school and finished up my undergraduate degree, and then I went to, uh- but I had a deep, you know, antipathy for the protesters. And then I went to Columbia Graduate School of Journalism. And on the very first night that I went to campus for the first organizational meeting, there was a huge, so now we are talking 1970, (19)70, uh, 1970 like 19- Fall of (19)70 there was a Huge antiwar protest right in the quadrangle, and I had to walk through it to get to my first sort of class meeting, the incoming class. And I just remember thinking, you know, I want to kill these motherfuckers. And yet I was also terrified that they would find out I was a Vietnam veteran. Right. I was the first Vietnam veteran to go to the Graduate School of Journalism. And so, I sort of put my jacket over my head and just sort of snuck through the group. You know, there was thousands of and, and I and I literally thought to myself, you bastard, you fucking spoiled you know, college kids do not understand that you are causing people to die, causing Americans to die by not supporting them. Those are my feelings. Okay. So, and then I hid the fact that I was a Vietnam veteran for six months. Nobody in my class knew it. Until finally after about six months, I got to know people well enough, let them know that I was a veteran. And I listened to all the antiwar, crap and rhetoric. And just I was just full of anger, you know, most of the time. And yet, because I had four years of undergraduate school before I went into the army, you know, I did not go over as a 17-year-old or 18-year-old draftee, I mean, I went over to draftee, but I was already 20. You know, 23. So, and, and I had an intellectual understanding, which was strengthened over, you know, over time that the antiwar protests were, in fact, helping to bring about an end to the war. And so, I knew overall that was good. But as you say, the defining factor for me in terms of how I felt about the antiwar movement was that they disrespected- [audio get cut off]&#13;
&#13;
31:21  &#13;
SM: Did you were a military garb?&#13;
&#13;
31:22  &#13;
PC: No, I never know I never want military garb.&#13;
&#13;
31:26  &#13;
SM: Did Professors treat you when they found out you were a vet. I have heard mixed stories about professors.&#13;
&#13;
31:32  &#13;
PC: Well, there were some, there were some absolute super left-wing professors there and I think I just avoided you know, like I say I was it was only it was a nine-month program, the Graduate School of Journalism. And for six months I mean, I just avoided talking to them about it. But I hated it. I still performed you know, all right. I got threw in blah, blah, blah. And I became more because I became interested in journalism in really as a result of my experience in Vietnam, then I began to read a lot more. And I became acutely aware that the antiwar movement in the end, probably was intellectually understood that it was a positive force. And but you have to separate the emotional and the intellectual. Right. And I have always done that. And, uh, sorry I cannot remember what the basic question was.&#13;
&#13;
32:40  &#13;
SM: No, but you covered up beautifully. One of the things that is interesting, you probably remember this as a young person to that. I can remember this on college campuses. You would go to a rally; you would be in a class. The Boomers would always say, a lot of students would say we are the most unique generally in American history, we are going to change the world. There is nothing like us. And there will be nothing like this. No generation that will follow us and we are going to make the world a better place. We are going to solve all the problems of the world or an end racism, sexism, you know, all kinds of things, peace in the world. Was that boasting? You thought? You heard that when you were a young person? Oh yeah, I heard it all the time when I was a student, no-no. And, and now, boomers are all in their mid (19)50s. Mm hmm. And so just kind of reflecting again, maybe-&#13;
&#13;
33:41 &#13;
PC: Yeah, I think I well, okay. I mean, I think there was a real sense of idealism. You know, especially on the college campuses. And again, you know, we have to remember we are talking about from our experience, you know, we were in college. There were a lot of boomers who were not- did not go to college, but I cannot speak for them. I do not really know. But their worlds were like, but the, there was the idealism of the (19)60s, as I said, the flower power you know, the tune in, the drop out, tune out, tune in or whatever it is, you know that the thing was, yeah, Timothy Leary, and all that there was a, a sense that there could be, there was a sense that that peace was a, an ideal to be achieved, and that there was a sense of individual empowerment to be able to achieve peace or at least reduce or eliminate war if individuals simply decided not to participate. And so, there was that there was a sense of power and that you could do important things and yeah, I mean, I think it was, you know, I met I think there was that sense. And I, I think boomers today have moved into all, you know, boomers today are in all these positions of leadership, partly by virtue of their age, but I do not think there is any lack of, you know, confidence that social ills and, you know, other major, very tough problems cannot be tackled. I mean, I think that is, I think that is sort of intrinsic in the boomer generation. By the way, I forgot to mention that. Another thing that caused me to decide to go to Vietnam was that my father was a pilot during World War II, in the Army Air Corps, and he trained on B-29 bombers. And, but unfortunately, he was [phone rings] unfortunately- I mean, I say unfortunately says what you think. I mean, he, just as he finished his training, the war ended. And so, he did not ever go overseas. And that always bothered him. And they regret it that he never had a chance to go. And so, I think that was in the back of my mind, you know, you have a chance to go have this experience. So, you should do that, you know. And I wanted it to make him proud of me. Did I miss your last question? &#13;
&#13;
36:38  &#13;
SM: No, you understand the culture, some of these? Talk about the importance of the Vietnam Memorial in Washington DC, and the whole concept of healing. I think, to me, what was described, and others did, and the creation of that wall is set an example for everyone in terms of healing. But I would like your thoughts on as the wall itself from your personal feelings, the effect that it has on veterans today. And also, the effect that it has on those people who were the antiwar movement. And I have probably read stories too about members of the antiwar movement and Larry Davidson, who said, you are right, was down in Washington with his son and his son, his son is only the same age as your son. He said dad what did you do in the war? And you know, Larry never really talked much about it, because he is a Messer. And so, he had to explain what he did, because there is so the basic question is, what-what impact has the Vietnam Memorial had on Vietnam veterans, the people who probably worried about the antiwar movement and the nation as a whole and how and in terms of healing? &#13;
&#13;
38:00&#13;
PC: Yeah, well, I believe the Vietnam Veterans Memorial is has had an enormously positive and very powerful effect on the Vietnam veterans themselves. I remember when it was first being debated discussed 20 years ago, 20 years ago. Yeah. I did not really, I still had not fully, quote come out about being a Vietnam veteran. Because I felt sort of, I mean, I was proud of that of my individual service. But it was not something that I talked about a lot. I guess that stems from, you know, the reaction when I came back, you know, and from my friends and from, you know, going to Colombia and you know, I mean, it just was, it was it was a nascent feeling for me to have any sense of pride in it because, you know, the war was so widely condemned as a bad thing. You know, and-and the- and, you know, the other part of it is, I think you come to terms with what you actually did, you know, in the war yourself, and I was in a lot of combat, and I did, you know, participate in some killing and, and, and I think that, you know, there were some really terrible, you know, incidents and situations and most of us, you know, who were in combat. You know, you carry that with you, so you feel you feel a little guilty about what you did, too. And so, the-the, the drive to create the wall I-I sort of hung back from it. I sort of watched it, but I did not get emotionally involved in it ever until years after it was built. In fact, it was years before I went saw it.&#13;
&#13;
40:17&#13;
SM: Yeah, I know several vets who have not gone yet.&#13;
&#13;
40:20  &#13;
PC: Yeah, and-and then I remember when I first did go to see it. God it was like it was only maybe it was probably about must have been about 12 years ago or something like that. It was about eight years old. And I remember just walking down into that wedge, you know that and just thinking, oh my god, this is just overwhelming. I mean, it was just so powerful and-and it was just it was in fact very, very healing and I went back to my hotel room. I was down there on business, and I immediately called, you know, Clearview Florida and got directory assistance for my best friend in the army who was killed their Roland dePaolo. And, and I had gone to his home, I knew his family and, but I had never ever contacted them ever, ever since. You know, coming back myself, and I called her and I talked to his mother and I said, I just want to know, I just went to the wall, and I found Roland’s name and I just, you know, I just, you know, I was thinking that was the first time you would ever yeah, wow, first time I had ever contacted her even though I knew them and I knew where they lived and I had been to their home because he and I used on leave from Fort Benning used to go there to his home. But that was how conflicted I was, you know, not wanting to deal with things that went on. Just not wanting to deal with any of it you know, other than sort of distantly and emotionally and. And so then of course, I began to go, you know, every time I went to Washington, and so it has become it became enormously healing but I did not know anybody in the in the move- I mean, I did not know anybody in the movement. I got interested in vet veterans. I was active in Veterans Affairs, but it was mostly because of politics because I was big former military. So, I did it as because I had entree, and I could get the veterans to line up behind Thornburg. But I was not really emotionally. And by the end, by the way, it was all World War Two, you know, and Korean vets, you know, it was it was the American Legion types Basically. The Vietnam veterans, or the Vietnam Veterans of America had just formed up and I sort of, they were sort of like, there were some real crazies who started that thing up and I saw I sort of kept my distance from them.&#13;
&#13;
42:59  &#13;
SM: Bobby Muller one Bobby.&#13;
&#13;
43:01  &#13;
PC: Bobby Muller, who I knew now I have known I have talked to and, and, and a guy named Dave Christian, remember him in Philadelphia, he was kind of an operator. But anyway, so-so the war so the wall became a tremendous-tremendous healing mechanism for me personally. And then I was able to deal with it and you know, I love going there and of course subsequently, I got involved with the people on the corporate advisory board. And actually, I actually got involved through the women's Vietnam Memorial that was how I got involved because I somebody asked me to meet with Diane and I helped help raise money in Maryland. So, and then the more I got into it, you know, the more I got, you know, then I met Scruggs and Right. And I just got more and more drawn into it, you know, and it was just an enormously healing device for me and through the Vietnam Veterans Memorial Foundation, then of course, I got invited back to, to go with a delegation to Vietnam, a heck of an experience on the 25th anniversary of the fall of Saigon. And that was just an extraordinary opportunity to go back. And in the article that I wrote in American heritage, you will see that I, my wife, Patty, said to me several years earlier, you know, I think you should go to Vietnam, and I will go with you. And she said, so my gift to you is, you know, we will go to Vietnam together and I said, oh, that was nice, but I did not really want to go, you know, I just always found reasons not to go. Then when I got this invitation. All of a sudden, there was no reason not to go and I went.&#13;
&#13;
45:00  &#13;
SM: How many people went all together?&#13;
&#13;
45:01  &#13;
PC: There were about I think about 20 business, businessmen in the delegation, you know, which was led by Jan Scruggs and James Kinsey. And, you know, people I knew, just absolutely astonishing experience and I found the battlefield where I was wounded. And that was, I found the exact spot. I mean, I did a lot of tremendous amounts of research again, which is all documented in that article, but-&#13;
&#13;
45:29  &#13;
SM: Still look the same.&#13;
&#13;
45:31  &#13;
PC: No, it was built up. No, it was jungle, and it was farmed. It was being farmed when I got there. So, I actually it was easier for me to spot than I thought because I knew that topography. I knew the map. And through research I found, I knew it was Hill 102 and I found the hill and I found the spot and it was really just that to me that was it was the probably the, the most emotional and greatest moment of my life was to find that spot on the battlefield to find the battlefield. And then finally, when I say spot generally, you know, the, the place where I was almost killed.&#13;
&#13;
46:12  &#13;
SM: If had not been for visiting that wall, you never would have been there. &#13;
&#13;
46:15  &#13;
PC: I would never have, would have never gone there. And I just would not, well, I might have gone on my own, but probably not. You know, so.&#13;
&#13;
46:27  &#13;
SM: I have a question here on trust. We all know the history about Lyndon Johnson, and, uh-&#13;
&#13;
46:38  &#13;
PC: Is that really going to affect your tape. &#13;
&#13;
46:40  &#13;
SM: It might I am not sure. [they pause to fix the audio] Do you think of Lyndon Johnson you think of Richard Nixon think of Watergate you think of Vietnam. You had mentioned earlier in the interview about during the (19)50s. We looked at our leaders as young people, there was a sense of trust. But then we get into the (19)60s and there is a lack of tremendous lack of trust because of what was being told to us about the Vietnam War. And McNamara and the body count on the other things and certainly Richard Nixon and Watergate kind of a lack of trust in leaders was something that many people in fact a lot of the boomer generation looks on that period that is why I think they oftentimes continue to distrust leaders. Your thoughts on the- what that is really done to America? Because you know, you live you work in the corporate world, and you have seen it in recent years about people, young people, we are always looking at young people and how they look at leaders, whether it be in the corporate world, whether they be in Washington, DC or whoever they are, university presidents, and whatever. What-what did that have? What effect did that have on the movie regeneration returned to their psyche as they raise their own children and then we head into days here because you talked about the boomers are a fluid group, yet they grew up around leaders that they did not trust especially in their formative years.&#13;
&#13;
48:20  &#13;
PC: I would guess that it-it has generally had a negative effect on-on American society certainly on the formations of the sustainability of different administration's okay. Watch your tape or something. I you know, I think that the-the boomers are somewhat more ready and always have been too ready to believe bad things that are said about their leaders as a result of having been having grown up in the (19)60s. And so, you know, in in the days of Eisenhower and JFK, you know, there was enormous confidence. Now, it is a little naive not to not I mean, Richard Nixon, Lyndon Johnson and Richard Nixon had a lot to do with that theory, by their behaviors, so, but that is what I am talking about, you know, so Nixon was probably driven to do the things he did, you know, by-by, by fear of, by, obviously by a paranoid fear of not being trusted. So, you know, it there is probably there is probably too much skepticism on the part of boomers, about their leaders, the leadership of their country and the leadership of their states and cities. They are too ready to believe bad things they are in and that in and of itself creates a market for the media and for political, for other political people to make negative statements about people in office, or people running for office. It is a very, I mean, politics has become very negative and very poisonous. And I think that has, you know, that must have some of its roots in the, in the willingness of the body of the major part of the body politic. to, you know, to believe all the negative stuff or to want to hear it, you know, I mean, it is like, a lot of the negative stuff is real. Irrelevant to governing.&#13;
&#13;
51:02  &#13;
SM: When you look at the media today and how they looked at some of the corporate leaders that have gone down? Yeah. And, you know, what is the media's role in all this too? And certainly, basically, what you are saying then is that some of the individuals that are our age, who are in the antiwar movement or against the leaders, there are, are not easy targets, but are individuals that believe, immediately when they hear the stories about the corporate leaders, right, I think about the willing to generalize the generalization again, which we can never get into analyzing all corporate leaders, because the bad actions of a few.&#13;
&#13;
51:47  &#13;
PC: Exactly that is what I think you said it better. And it could I mean, it is just there is just this tremendous sort of susceptibility to believing that if a few people are bad at actors that the whole corporate scene or the whole governmental scene is full of bad actors, that it is that it is intrinsically corrupt. And that is just that is not usually I believe that most, the 99 percent of all the people in government public service, you know, are more in leadership are good and decent people. But there is a willingness to generalize, the opposite, you know, fan by the media, which, I mean, the media would not be fanning out if there were not an appetite for it. So, I am not blaming the media. I am blaming the appetite. You know-&#13;
&#13;
52:44  &#13;
SM: I have names here that I have some names here that I want to read off and just some quick responses and your thoughts on these individuals, just your personal opinions. And these are people of the era, right. Tom Hayden.&#13;
&#13;
53:05  &#13;
PC: Tom Hayden, you know I have a very negative had a very negative view of him which stayed negative which is still negative because I know I know his activities as a state senator in California.&#13;
&#13;
53:23  &#13;
SM: Jane Fonda. &#13;
&#13;
53:26  &#13;
PC: I do not use the word hate lightly, but I hate her. I mean, the picture of her sitting in an anti-aircraft. Battery was a-a, an North Vietnamese Army helmet on her head in Hanoi is just infuriating beyond belief. I think she committed the ultimate act of treason. She had no standing to do it. You know, she no standing to do it so. So, I sort of suspend my belief in free speech when it comes to Jane Fonda. And I link her with Tom Hayden. So, they were married. You know-&#13;
&#13;
54:10  &#13;
SM: There was a slogan in Washington DC this past week. And then I saw him It says, I will forgive Jane Fonda when the Jews forgive him. I would say that was amazing. And it was a big sign. And it was, it was right as people were walking in to get tickets. Yeah.&#13;
&#13;
54:25  &#13;
PC: I do not know if I would go that far because- but I-I-I just despise what she did I despise, by the way, now you are getting my real innermost feelings because I despise celebrities. All celebrities who make, uh, anti-war statements who have no standing whatsoever to do that except by virtue of their celebrity. If you give me a you know, if you give me a-a university professor who has studied history, and he opposes the war in Iraq, I will bet, that I respect but if you give me some of these actors who stood up, most of whom never went to college, you know, Susan Sarandon, they can all kiss my ass are concerned, I would not even go to a movie to see him. But other than that, I do not feel strongly.&#13;
&#13;
55:26  &#13;
SM: It is okay. Just-just quick thoughts on Lyndon Johnson.&#13;
&#13;
55:31  &#13;
PC: Lyndon Johnson, I think was I have you know, I have mixed reaction mixed feelings about him. I mean, he, I think was he inherited a war situation I think he was a victim of his own pride and, but it was also somewhat tied in his in his pride in America, that he did not know how to extricate America from that war with honor. But I also give him enormous credit for advancing the civil rights agenda of the country. And I think that history is looking more kindly on him. And I think he demonstrated enormous courage not running for another term.&#13;
&#13;
56:18  &#13;
SM: It is interesting. There is some, everybody seems to dwell on the foreign policy of Vietnam. The Lyndon Johnson brand new book just came out on Lyndon Johnson and NATO. Johnson in Europe and others are starting to look more about other things that he did in the world besides the Vietnam era, which is when. Bobby Kennedy.&#13;
&#13;
56:37  &#13;
PC: Bobby Kennedy, in many ways, though, he had an antiwar bent. He was so articulate, you know, that I admired him. And in fact, when he came in Nebraska University to speak, he had a huge reception, even though it is a very conservative place, he had an ability to inspire and uplift people.&#13;
&#13;
57:00  &#13;
SM: Certainly did, boy did I was I was a student in New York at that time campaigning.&#13;
&#13;
57:06  &#13;
PC: And also, he was, you know, the keeper of the Kennedy flame. And you know, and I, like everybody else. I idolized JFK because he was young and vibrant. And he showed he demonstrated courage on some bad pay in the Bay of Pigs in the Cuban missile crisis and all that sort of thing. So-&#13;
&#13;
57:26  &#13;
SM: Huey Newton, Bobby Seale, the Black Panther Party.&#13;
&#13;
57:29  &#13;
PC: I have very negative feelings about them because you know, they were trying to undermine the rightful process of government.&#13;
&#13;
57:45  &#13;
SM: Benjamin Spock.&#13;
&#13;
57:46  &#13;
PC: And they resorted to violence to do it. Right. I have by the way; I have completed and total respect for conscientious objectors who stood up for their beliefs? In other words, if they went to Canada, then I do not have respect for them if they declared themselves and went through the process, you know, the government process for dealing with that. Or went to jail or whatever. I have a lot of respect for them. You know, I do not, I do not, I have no disrespect to them at all.&#13;
&#13;
58:27  &#13;
SM: It is interesting. One of my best friends served two years. He was a conscientious objector. And he had two years up in newfound land and he did not like it down, but he paid the price for it. Yeah, I need your choice in two years now. Dr. Benjamin Spock.&#13;
&#13;
58:44  &#13;
PC: You know, I heard he was antiwar. I do not have strong feelings about him. One way or the other I mean, I would probably give him a break on the grounds that he was, he was, he was interested in children in life and things like that. So-&#13;
&#13;
59:00  &#13;
SM: The Berrigan brothers, Daniel and Philip.&#13;
&#13;
59:02  &#13;
PC: Um. I did not like them. They were radical left wing cuckoo birds.&#13;
&#13;
59:16  &#13;
SM: Andy Hoffman and Jerry Rubin.&#13;
&#13;
59:18  &#13;
PC: Radical left wing cuckoo birds. And my-my feeling about a lot of these people who-who position themselves as leaders of this movement was great flamboyance was that they were, you know, in it for themselves. They were promoting themselves rather than their cause. And by the way, I do not know if that is fair or not, but that is just my feeling.&#13;
&#13;
59:39  &#13;
SM: But one of the things about Abbie Hoffman, he committed suicide I remember this taking was in (19)87 or (19)89 forgot what year it was zip in Bucks County and apart is an amazing story. He lives in Bucks County in an apartment. He had $2,000 to his name and he made a lot of money in his life. He gave all his money to causes He wrote a note when he committed suicide and he said, basically, no one is listening to me anymore. And to see he had left even involved in the environmental movement, and even on the Phil Donahue show when he came hiding it. He just wanted to show the world that he cared about a lot of issues besides the war. Yeah. And, and well, it was interesting and-&#13;
&#13;
1:00:22  &#13;
PC: So, he paid a price then too. &#13;
&#13;
1:00:23  &#13;
SM: Yeah, he got upset with Jerry Rubin because he moved to California and became a businessman. Timothy Leary.&#13;
&#13;
1:00:32  &#13;
PC: Oh, he was just a quack.&#13;
&#13;
1:00:35  &#13;
SM: How about Ralph Nader?&#13;
&#13;
1:00:36  &#13;
PC: Snake oil salesman, Ralph Nader. I actually have a little more respect for him because he buttressed all of his statements with research, these know even if I disagree with the reason. And I think he was probably a necessary force at the time to-to, you know, he came into being for a reason.&#13;
&#13;
1:01:08  &#13;
SM: And pretty consistent throughout as well.&#13;
&#13;
1:01:09  &#13;
PC: He really has he stayed true to his own ideology, and he has not been afraid.&#13;
&#13;
1:01:14  &#13;
SM: Daniel Ellsberg.&#13;
&#13;
1:01:20  &#13;
PC: I think he did a courageous thing in terms of getting the truth out, you know, the Pentagon papers and all that took a lot of courage to do that.&#13;
&#13;
1:01:32  &#13;
SM: George McGovern.&#13;
&#13;
1:01:34  &#13;
PC: I thought McGovern was one of the biggest phonies, and I met him. I covered him as a reporter. He is one of the biggest goddamn ponies I ever met. He would go around and talk about you know, neighborhoods looking like bombed out areas and you know, and I just got so sick of it because he said that about everything that he saw and, and I think he was a pilot or something.&#13;
&#13;
1:01:57  &#13;
SM: Yeah, 28 missions over-&#13;
&#13;
1:01:58  &#13;
PC: Yeah. So, I-I mean, I am happy for him, but I felt like he was exploiting his-his own war experience.&#13;
&#13;
1:02:11  &#13;
SM: And again, Hubert Humphrey.&#13;
&#13;
1:02:13  &#13;
PC: Yeah, you know, I mean, I have, you know, he is pretty nice. The happy warrior. I did not, you know, he just he was. I do not know; it was just interesting. I had no strong feelings about it.&#13;
&#13;
1:02:25  &#13;
SM: Yeah, a couple more names. And then part two final questions. Certainly, President John Kennedy.&#13;
&#13;
1:02:34  &#13;
PC: Well, yeah, I mean, I have like, like everybody else, I had a highly favorable impression of him and, and was felt deeply crushed, you know, when he was killed, and did not understand at the time as I do now that he is the one who got us really into the war. So now there are all sorts of stories being written about, you know, would he have been smart enough to get us out? You know, the wood before we went so far. And who knows, nobody really knows.&#13;
&#13;
1:03:13  &#13;
SM: It is interesting. It was mentioned that because when, the hour before they got into the car, when Eisenhower was leaving and President Kennedy was coming in, they were talking about Vietnam. And that is something that President Kennedy wanted to keep, because Eisenhower was involved and still being linked to Vietnam because of the support of the French interest. And so, and if you remember my office, so Harry Truman, by when Ho Chi Minh sent that letter to him, after the war, about trying to create a friendship there, so the links between all of our presidents from Truman and Eisenhower, Kennedy, Johnson, Nixon, and then for sure Ford, truly linked to Vietnam.&#13;
&#13;
1:03:57  &#13;
PC: That is true.&#13;
&#13;
1:03:59  &#13;
SM: Martin Luther King Jr.&#13;
&#13;
1:04:02  &#13;
PC: I had a very favorable impression of him. And still do. I mean, I think he was a very inspiring leader.&#13;
&#13;
1:04:13  &#13;
SM: What are your thoughts on he was one of the few civil rights leaders that was against the war.&#13;
&#13;
1:04:18  &#13;
PC: And he was off, I felt like he had the moral authority to do it. You know, I mean, he was so eloquent. And I do not remember that. I am just giving you my feelings now. I cannot remember. Right. You know, I do not remember anything that he said about it. But, you know, I think his opposition to some extent was based on the fact that it was young and poor people who were being drafted, and that, that was a valid concern. I as I said, I have a lot of resentment still of my friends in high school and college who avoided the draft through manipulations.&#13;
&#13;
1:05:10  &#13;
SM: Have you ever, have you ever met any of those kids that shied away from you that day when you came home around the crunches if you are going back to Nebraska Yeah, you know ever talk to them about what they did to you.&#13;
&#13;
1:05:24  &#13;
PC: No-no, I have never talked to them just-just not spoken of-&#13;
&#13;
1:05:27  &#13;
SM: But they talk to you now.&#13;
&#13;
1:05:29  &#13;
PC: I mean, you know, casual I do not I do not hang out with them. But-&#13;
&#13;
1:05:33  &#13;
SM: Robert McNamara.&#13;
&#13;
1:05:38  &#13;
PC: Well, I did not have much I had very little impression of him at the time. Now I have generally unfavorable impression of him just I mean, that is with the benefit of historical hindsight. You know, where he is concluding that his- where he finally I guess conceded, that is the buildup that he championed was flawed. The logic that he employed was flawed. And no one really understood the depth of willingness of Ho Chi Minh and the Vietnamese people to resist forever. They were willing to sacrifice every single male and many young females, you know, to, you know, I mean, they, their desire to be free, is historic.&#13;
&#13;
1:06:36  &#13;
SM: Let us get right into your thoughts right now in terms of why did we lose the war? In brief synopsis your thoughts on why we really truly lost this war.&#13;
&#13;
1:06:52  &#13;
PC: I am not 100 percent okay, let us say we probably, I believe that we could have subjugated that country if we had brought the full force of American society to bear on the effort, I think it would have been unbelievably costly in terms of American lives. And even more costly to use the metaphor you damn, damn, damn near would have had to pave the country over. But it could have been done, you know. So, I say that the end of winning the war would have been awful probably would have ended up being too costly. However, having said that, we have hugely crippled our ability because of political considerations. We hugely handicapped our ability to wage the war effectively, in my opinion, and I base this on my own real experience, because I was a fourth observer attached to an infantry company, and on many on numerous occasions, when we came under attack, I could not respond with artillery until there had been a series of clearances that had gone all the way to a village or provincial, D at South Vietnamese chief. And as a result, I think we suffered more casualties and, you know, we were just always crippled [inaudible] I often felt like we were fighting with one hand tied behind her back. And so, I do not know if that answered your question. But-&#13;
&#13;
1:08:38  &#13;
SM: One of the points that, uh-&#13;
&#13;
1:08:40  &#13;
PC: But the real reason I think we lost is because of the Vietnamese people themselves. Ho Chi Minh himself said in interviews we have always throughout our history, with various quote, colonial powers, you know, trying to occupy our country, and they had the Japanese they had the Chinese they had the French they had the Americans; you know, we have all these powers have always underestimated our willingness to sacrifice. And they would just keep sending people into the killing machine forever. I mean, they were they had limitless patience. So, I think we lost because you know, the will of the Vietnamese people to not be occupied was simply too strong.&#13;
&#13;
1:09:37  &#13;
SM: Getting back to the names here, but I have read quotes that when middle America finally money gets to war, Ohio, Nebraska, Kansas, that was when the war was over really was ending. Because of the you can debate with whatever you want to on whether the antiwar movement was the reason why the war ended. When middle America when sons and daughters start coming home with body bags, and you agree with that, the middle America-&#13;
&#13;
1:10:12  &#13;
PC: I think, politically, that was probably the final straw. I think the-the campuses and the East coast and the West coast. You know, went against the war fairly quickly, early on. But yeah, I think Middle America, I define it more broadly, because I think the culture of Middle America, so to speak, is also to be found in upstate New York, you know, Pennsylvania in places like that. And so, I think that they, uh, yeah, I think, I think that turned it for Nixon. I think when Nixon said, oh, my God, I am losing, losing, you know, I am losing. I am sure they were doing polling back then. And I am sure when-when the polling started showing that, you know, more conservative Republican voters were turning against them because of the casualties. And the feeling there was no end to it. I mean, it was it was viewed as a quagmire.&#13;
&#13;
1:11:21  &#13;
SM: Reading that we used to couple thoughts on Richard Nixon.&#13;
&#13;
1:11:27  &#13;
PC: Well, I think clearly one of the great tragic figures in our history, um, had a great, you know, intellectual capacity. But was, in fact, power, mad and paranoid and was so scared by his earlier defeats that you know, he just could not have, he just went overboard, you know, he crossed the line in terms of trying to win reelection. And, uh, I actually-actually this is sort of an aside, but I actually flew with Henry Kissinger on-on the corporate jet Maryland's corporate jet I took him out to he was giving a speech. It was just me and him in a corporate jet. And I told him that he met with the, uh, the Vietnamese foreign minister, I cannot remember the name right now, three days before I was wounded in secretly in Paris. It will be Acme no doubt he is a general I know it will-it will come back to me. I have got it in my one of my books somewhere. And I said to him, I said to Kessinger, I said, Dr. Kissinger, I said, if I wish you just started earlier, because if you had maybe I would not have been wounded. And he just kind of looked at me at all. All he said, “I am sorry, I did not start earlier”. I mean, it was a very, I mean, to think of me, you know, this little kid from Omaha, Nebraska, talking to the great Henry Kissinger, you know, on a corporate jet about these connections, I mean, him. I mean, it was just fucking amazing.&#13;
&#13;
1:13:34  &#13;
SM: Some people on the left want to put him on trial for some of the things he did in Vietnam. Some of the way-out people some of-&#13;
&#13;
1:13:41  &#13;
PC: It is pretty tricky, but I think that he I think he was so smart. I believe he recognized before others in the administration that this was a no-win situation.&#13;
&#13;
1:13:55  &#13;
SM: That is what upsets you more than anything else, when you read McNamara's books. That is, he leaves in (19)67 but really knew they could win the war prior to and the revelation. Exactly right. One of the things I like about the Vietnam Memorial and especially even with Mr. Scruggs in one little polar was there around, they believe in bringing people there to the wall may have been a little controversial but try to heal do not even go to the extent of healing. That was when Bill Clinton came. And of course, he was, you know, he was cheered, but, you know, I have often wondered, what extreme would-would the Vietnam Veterans Memorial Fund go in terms of a healing? Would they ever as McNamara ever been invited and would not [inaudible] calm? And would by him coming would that really do something in terms of the ultimate healing where he admits his mistakes and says he is wrong and I do not know how the veterans respond, but you know that to me, that is the ultimate healing. And of course, we mentioned the ultimate healing to with Jane Fonda. Yeah, it was a book written on her right now that she should have been court martialed. And back to the lawyers and lawyers have written that she-she could have easily gone to jail.&#13;
&#13;
1:15:12  &#13;
PC: And what she did was treasonous. Right.&#13;
&#13;
1:15:14  &#13;
SM: And the question is, would she ever come to the wall and that would create a stir, but it was certainly would-would be the ultimate healing the courage to say I was wrong because everything she said-&#13;
&#13;
1:15:25  &#13;
PC: I mean, I think everything has to come at a time. You know, I believe what you were saying I believe, and I believe that you bring your most extreme opponents into your own 10-year-old home at some point, and you try to break bread with them, and you try to find common ground. I really do believe that. But I think there has to be- healing comes in stages. And I cannot conceive that most Vietnam veterans have healed enough, right to have Jane Fonda into their home. I mean, but I think at some point in time that that could- it should happen though she may not live long enough for that to be the case-&#13;
&#13;
1:16:27  &#13;
SM: She is like 68 or-&#13;
&#13;
1:16:29  &#13;
PC: Yeah, I do not know how she is, but I mean, she may not, you know, be alive long enough for that to happen, but-but I think or as you said, over time, Jan is actually a very smart guy and he, he evolves. But Jan is also pretty good about touching base with a lot of people before he does something. If he thinks it is the right thing to do, he will do it. But, uh.&#13;
&#13;
1:16:54  &#13;
SM: It-it is interesting, that is an interesting point when I knew Louis was the end of his life, and he wants to be right after remembering, he wanted to be right up on that stage next to Bill Clinton. And we took the students down there in the clip was coming, I was not there that time, but he said, I am going to be up there. I am going to sit right next to him. I am going to get my wheelchair up there. To show him and it was a statement. No, and, uh, and I think an absent Mr. Scrubs is in agreement with that statement or a given layer. So, a couple other names here. Gerald Ford.&#13;
&#13;
1:17:26  &#13;
PC: Nice, you know, nice guy just kind of hapless. But, you know, I think did a very courageous thing and pardoning Nixon, which I think was a healing an act of healing, preventative healing almost because it prevented a long drawn-out criminal trial that would have really ravaged the nation, you know.&#13;
&#13;
1:17:52  &#13;
SM: Muhammad Ali.&#13;
&#13;
1:17:56  &#13;
PC: You know, uh, God I mean great athletes, inspiring athlete in many ways. I think he was pretty open about I mean; he was a conscientious objector and good he stated it. Hmm.&#13;
&#13;
1:18:11  &#13;
SM: He lost his title.&#13;
&#13;
1:18:12  &#13;
PC: Yeah. So, he stood up. I mean, he stood up and was counted. So, I have respect for him.&#13;
&#13;
1:18:17  &#13;
SM: Spiro Agnew.&#13;
&#13;
1:18:19  &#13;
PC: Sleazeball. Totally sleazeball. Absolute scummy low level award healing level politician should never been in that office.&#13;
&#13;
1:18:30  &#13;
SM: I agree. And I got I got I got a couple books on him. I do not know how he ever got. I do not know. I just do not understand. Gloria Steinem.&#13;
&#13;
1:18:39  &#13;
PC: I have a lot of respect for Gloria Steinem. I know her. I met her several times. She has always stood up and been counted.&#13;
&#13;
1:18:49  &#13;
SM: Barry Goldwater.&#13;
&#13;
1:18:53  &#13;
PC: I- you know, Barry Goldwater. I mean, he is too far right for me. You know, but he has, you know, he has-he has always he always spoke his mind and-and, uh, he just was too far right for the country.&#13;
&#13;
1:19:13  &#13;
SM: Bringing them all out for this here. John Mitchell.&#13;
&#13;
1:19:18  &#13;
PC: Oh, I think he was just a hack-hack, hack political lawyer.&#13;
&#13;
1:19:23  &#13;
SM: I want to ask you about his wife by the way. She was a trip about.&#13;
&#13;
1:19:29  &#13;
PC: The whole thing was just such a trip.&#13;
&#13;
1:19:30  &#13;
SM: Noam Chomsky.&#13;
&#13;
1:19:32  &#13;
PC: I do not know who that is now.&#13;
&#13;
1:19:34  &#13;
SM: He is the professor up at, uh, MIT. He is the antiwar.&#13;
&#13;
1:19:39  &#13;
PC: I know the name, but I do not have I have no knowledge of it very little knowledge of him.&#13;
&#13;
1:19:43  &#13;
SM: John Dean.&#13;
&#13;
1:19:46  &#13;
PC: You know, ambitious young guy there but for the grace of God go I somebody who got you know, swept up in the power thing and, and did some bad things, but in the end had the courage to stand up and be counted.&#13;
&#13;
1:19:58  &#13;
SM: He is from Binghamton, New York.&#13;
&#13;
1:19:59  &#13;
PC: Really?&#13;
&#13;
1:20:00  &#13;
SM: Yeah, and I can never forget. I was a student at SUNY Binghamton, and they had these articles and how we met that beautiful mole. His wife-&#13;
&#13;
1:20:09  &#13;
PC: Oh, she was beautiful.&#13;
&#13;
1:20:10  &#13;
SM: Oh yes. And she was sitting behind him and. Uh, some of the musicians of the year of Jimi Hendrix Janis Joplin, Bob Dylan.&#13;
&#13;
1:20:18  &#13;
PC: Loved them all. Love them all. Still got all their music.&#13;
&#13;
1:20:24  &#13;
SM: And their stand against the war, uh.&#13;
&#13;
1:20:26  &#13;
PC: Did not care, did not matter. I mean, I thought their music was romantic and it was not music of our times. You know? I mean, I love the doors. I love the Beatles.&#13;
&#13;
1:20:38  &#13;
SM: We have a-&#13;
&#13;
1:20:38  &#13;
PC: I love the Rolling Stones. I love Jimi Hendrix and Janis Joplin. I just I loved her music, but I did not, just did not take them, seriously what I resented the actors today, were you know. I mean, that was the (19)60s. I mean, it was-it was like, so I guess I have a little bit of a double standard.&#13;
&#13;
1:21:00  &#13;
SM: But when I was when I was in that accident when my arm was my senior year, 1970 and I was in the operating room on April 30, the night Nixon gave his Cambodia speech. And I was in the hospital for at least 10 days, and I had tickets to the Grateful Dead concert that it was at SUNY Binghamton. And if you go on the website for the Grateful Dead, they considered one of the top three concerts they ever did in their history, because the music was on edge because it was it was it was right after Kent State and it was like, tension was like something else. We will see. Sam Urban. I am getting near the end of my names here.&#13;
&#13;
1:21:41  &#13;
PC: You know, he was a- you know, courageous politician.&#13;
&#13;
1:21:47  &#13;
SM: And, uh, some terms SDS.&#13;
&#13;
1:21:50  &#13;
PC: Uh, radical left wing rabble rousers?&#13;
&#13;
1:21:57  &#13;
SM: The term counterculture.&#13;
&#13;
1:22:02  &#13;
PC: Uhm, an accurate term, just an alternative view of life? I guess, you know, one of the things that bothered me about all the counterculture was that it was, you know, it was mostly people by people who had some means of support. They were living somehow there was money coming from somewhere, probably their parents. So, I probably somewhat had this thing for them because I figured they were just-they were just having a good old time with, you know, drugs, sex and rock and roll on their parents’ dime. I do not know if that is fair or not, but that is my that was my view at the time.&#13;
&#13;
1:22:46  &#13;
SM:  We a minister on the corner of the university, Pastor Steve capsule, Myers see now he is now he is the pastor of the church. But his claim to fame is he was at Woodstock for two days and he will not let anybody know that at church because it is an inside thing. He was there the first two days when he was 17.&#13;
&#13;
1:23:05  &#13;
PC: And the last day of Woodstock is the day I was wounded. So, I always am mindful of that.&#13;
&#13;
1:23:12  &#13;
SM: Did you know about Woodstock was going on? &#13;
&#13;
1:23:12  &#13;
PC: No, I did not know about it till after I came back.&#13;
&#13;
1:23:18  &#13;
SM: What about John Lennon?&#13;
&#13;
1:23:22  &#13;
PC: I love the Beatles. I loved them all.&#13;
&#13;
1:23:25  &#13;
SM: He was one of the biggest antiwar rights to the very end.&#13;
&#13;
1:23:29  &#13;
PC: Yeah, but, you know, there we go again. I mean, I have a double standard because yeah, he was-he was but his music was so beautiful. I mean, it just, I just, I guess, like, so you are sort of catching me in double standard land here. But that is what it is. I am just giving you feelings.&#13;
&#13;
1:23:47  &#13;
SM: William Westmoreland.&#13;
&#13;
1:23:52  &#13;
PC: I thought he was known a great command presence who was either fooling himself I mean; he I think he engaged in wishful thinking- in his prosecution or at least his presentation of the war. He was a source of a lot of statements that turned out not to be valid.&#13;
&#13;
1:24:26  &#13;
SM: Yeah. And that is the that links back to the Johnson, Nixon.&#13;
&#13;
1:24:30  &#13;
PC: Yeah.&#13;
&#13;
1:24:31  &#13;
SM: Truth. Where is the truth right? Two individuals in Vietnam one of them was the one we are talking about bringing the Westchester General Cao Ky and President Thieu. Just your thoughts on them as leaders in president to some of the leaders during the Vietnam War.&#13;
&#13;
1:24:48  &#13;
PC: Well, you know, I, I do not have that much knowledge on them and so I was a little you know, I mean, I think Thieu was basically a puppet in a corrupt man. I do not really know much about.&#13;
&#13;
1:24:59  &#13;
SM: Did not like each other Ramsay Clark.&#13;
&#13;
1:25:03  &#13;
PC: I do not have I have no reaction to him.&#13;
&#13;
1:25:06  &#13;
SM: And last couple or Maxwell Taylor and Henry Kevin Lunch.&#13;
&#13;
1:25:10  &#13;
PC: I do not have any real thoughts about-&#13;
&#13;
1:25:13  &#13;
SM: Chicago 8, Chicago 8 trial.&#13;
&#13;
1:25:17  &#13;
PC: Yeah. You know, they are just radicals as far as I was concerned, any-any of the antiwar types that advocated violence, or encouraged or used it, I resented.&#13;
&#13;
1:25:33  &#13;
SM: That is what split SDS beginning it was an antiwar group. But as soon as the weathermen started doing the violence-&#13;
&#13;
1:25:40  &#13;
PC: Well, we have you know, we are two blocks, literally two blocks away is where the, you know, the weathermen. People are two blocks away from me, let me straighten your goddamn out here, Dustin Hoffman's apartments right next door and they just blew the whole goddamn from the building off. Killed a couple of them. Couple of young people were killed.&#13;
&#13;
1:26:02  &#13;
SM: When the best history books are written, and oftentimes the best history books are written 50 years after an event. What do you think will be the ultimate, uh, what do you think historians will say about the Vietnam War and about the young people who are against that, or the people who served in that war? Because right now we think 1975 that was when the war ended. So, I think we have great books now. But I know the greatest books on World War II are coming out right now.&#13;
&#13;
1:26:34  &#13;
PC: Yeah, no, I think that- &#13;
&#13;
1:26:35  &#13;
SM: And so, we are still about 20 years away from probably the best books on Vietnam. What is your-&#13;
&#13;
1:26:39  &#13;
PC: Thoughts on?&#13;
&#13;
1:26:42  &#13;
SM: What do you think they will say, about the boomer’s impact on society?&#13;
&#13;
1:26:49  &#13;
PC: Well, I think so. I think they will say that. You know, maybe this is self-centered. Because I am a boomer was in the war? I think they will say that it was that it had one of the greatest impacts on the course of American history that it left the greatest imprint on an entire population of people. Of any event, you know, uh, since World War II and that was because it went on so long, you know, and it was it was just such a grinding experience for so many different Americans. And I think so many people were touched by it in many different ways. And I think it will be seen as a viewed as a, just a sort of a boiling cauldron of conflict and decentralization. Here we are, what 30 years, you know, 30 years later. And as I said, you still see people-people have not changed their views of the poor. I mean, it is-it is quite amazing. You are probably getting more appreciation for the for the soldiers who fought in it. And that will probably soften over time, and they will come to be viewed as agents of misguided government policy. But I think it will be the end up being viewed as misguided government policy.&#13;
&#13;
1:28:46  &#13;
SM: It is interesting, because it is amazing that all the years since the war ended, every conflict, every involvement, foreign policy. Vietnam always comes up and then of course, during the Bush administration, Bush number one talked about that, uh, the Gulf War or Vietnam, the Vietnam syndrome. And then President Reagan, when he came into the presidency, he wanted to end the Vietnam syndrome to pride in America. And it is interesting, but still, everything comes back. That is why I believe the building of this building in Washington, Vietnam Memorial that they are trying to do on top of the wall has to be built. Because eventually over time, the boomers will all pass away and the people will walk down there and they will people remember the experience, but by having the building there, the documents, the lessons of Vietnam cannot be lost. And that is why it is important why we do with the university is saying despite the fact that the oh c'mon is the past it is not past.&#13;
&#13;
1:29:51  &#13;
PC: No, I agree with that and look at it. I mean, I think it inform the debate about the first Persian Gulf War, I think it informed the debate about the Iraqi war. And, uh, you know, certainly it was the way that I viewed what was going to happen. And the difference in the way the wars were, the wars were carried out. You know, the military technology and the precision. I mean, I am good friends with Bob Kerry. Senator, former senator from Nebraska, the president of The New school, The New School, and he and I are social friends. And I was talking to him about it. He-he said, I mean, he was, he expressed all the advances in the military weaponry. And the fact that the moment any Iraqi soldier would, would fire a mortar round within-within moments, the location of that soldier could not be precisely plotted, what kind of weapon was fired? And within seconds after he fired that round, they could hit him using, you know, spies in the sky and I mean, you know, I mean my God, I mean it was just it is just amazing. We had what I thought was pretty I mean; I called an artillery and airstrikes a lot. And I was always sort of impressed at how precise they could be. But this was this is like, oh my god, it was underground gun. I do not think any and I do not think any at this point in time. So, there is a resurgence of pride in the ability of America to-to create this kind of military capability and it is, but it is a reflection, not just power and strength. It is a reflection of the ability in America to create [phone rings], you know, something that effective, you know? So, I do not think it is, uh.&#13;
&#13;
1:32:09  &#13;
SM: Last question and that is any final thoughts you have on the overall legacy of Vietnam and America? And getting back to the issue of healing because we you talk quite a bit on the healing within the veteran community. Where are we in America with respect to healing on the Vietnam War? So really, we are talking about the overall legacy of the boomers and the- where we stand as a nation in terms of healing over that war.&#13;
&#13;
1:32:38  &#13;
PC: I think it is a very, actually it is a very good question I-I found, I am going to give you a really candid answer, and I am sure that I am not alone as a Vietnam veteran, but I found myself after the First Gulf War and a little bit after this war, resenting the American, you know, the sort of the praise and the respect that America was giving to the soldiers who fought in those two wars. The first one because it was so brief. And the second one because it was so easy, you know, relatively easy. And-and the resentment comes from I mean, it is, it is, a it is, it is parallel. The dual feeling of resentment comes from the fact that American Vietnam veterans were so poorly treated upon their return in a war that was in again, we are all sort of self-centered, I guess, but the war that was fought under really- much more rugged conditions. The dual feeling was the feeling of pleasure and happiness, you know that the contradictory feelings were happiness that these veterans are being treated as heroes. And-and so I think that there is more healing to do I am guessing my feelings are not alone, you know, and I and I am not alone in my feeling-feeling that way. And most Vietnam veterans probably would not say that, but I think it is a real feeling and uh, but I am happy that the military has become a source of pride in America again. And not a source of scorn, even the most ardent antiwar activists could not, did not and have not attacked the capability of the military to carry out a mission. And so that is a source of great pride and should be a source of morale, you know, it within the armed forces. And, uh, and I think that is, I think that is good for America. So, the healing process has yet has-has further to go and I think the successful prosecution of these two wars is actually in the end. A net plus but it does underscore it does, it does remind some of us once again, about the tremendous, you know uh, disrespect that that we were shown on our return.&#13;
&#13;
1:36:17  &#13;
SM: Really good points, one- You are right on here because you talk about at least I have been around universities now all my life. There is only for about six years and no question that everybody this time regardless of the fact that you do not criticize the troops.&#13;
&#13;
1:36:36  &#13;
PC: That may be a lesson in Vietnam too. I think it is.&#13;
&#13;
1:36:38  &#13;
SM: I think it is and even Larry Davidson. Yeah. And it was-it was all George Bush.&#13;
&#13;
1:36:44  &#13;
PC: Mm hmm. Right.&#13;
&#13;
1:36:44  &#13;
SM: It is all the policymakers. And so, I think I am hoping that is to me, that is one of the lessons learned that cannot be lost. So never give the warrior you are serving and what is interesting made ball is the fact that I am amazed that our Vietnam veterans, for warriors can sit down with the warriors who fought on the other side. And the respect is there because they were called by their leaders to fight. There is no sense and hatred. Ongoing hatred should be a learning for the general public, forget.&#13;
&#13;
1:37:25  &#13;
PC: It is very interesting that you say that because I met in in Hanoi. I met the commander of the second NBA division, which was the division that had my company in one other surrounded in the Khoisan Valley in 1969. And he was there, and he was the commander of the whole division. And we talked, I mean, through interpreters, and we embraced, and I think we both were teary. And, you know, and I walked away, and I said to Patty, I said, he is just a man, you know, he is just a man just like me. I mean, it was, uh, [clears throat] and I-I have I have no anger or hatred left for the Vietnamese partly because they were so welcoming, you know when we came back. But I do still have resentment for Americans who are not respectful of the troops. And what that meant, by the way to those troops. I am not just talking about disrespect, I am talking about people whose lives were ruined, or damaged. You know, because they came back. Fortunately for me, I was a- you know, I was a college guy, you know, so I had the intellectual wherewithal to understand what was happening and rise above it in the course of my life. A lot of these kids who went straight from high school into this and then came back and were dissed and humiliated and-and you know, criticized and-and shunned, uh, you know, that had to hurt a lot of people, you know, and it was just-just so patently unfair.&#13;
&#13;
1:39:09  &#13;
SM: And I was at the Vietnam Memorial two years ago. I sat next to a gold star mother. She was not wearing her white outfit. She was there. And that was the day that John McDermott was sitting there prior to the ceremony. Mm hmm. And she said, my son's on the wall, right behind, farther back where John's singing. Can you take a picture? I have a picture of him. I took a couple of them. I did mail it to them. But she told me a story. They were from Penn State that she grew up. Right her son grew up and he was buried and came home. And she said she started crying and she said when my son was home for his funeral was near the Penn State campus and the students were kind of spitting on the cars as we are going into the cemetery again and that is the memory I have about my, my dead son was treated on his return to be buried. And to me that was an unbelievable anecdote, a memory that the books some of the books that I read that it is not that the veteran portrayed as bad as some people say, a bunch of garbage because I read, I have heard so many stories, even. Even the people in 436 in Westchester, John Morris, who the man who came up and shook your hand at Westchester, he was invited, uh, he was brought to the American Legion event. And they did not want him around. He was a Vietnam vet. When he first came back, he was young and so somebody invited him to an American Legion event. And then he also went to the Veterans of Foreign Wars and he was really not welcome there because he was a Vietnam vet. It was for Korean War veterans, World War II veterans, and he never felt he could not believe that feeling is stayed with him his whole life. Now he is a big person in the community now friends with everybody there and it has accepted now for Vietnam vets, but at that particular time, it was pretty quick and abrupt.&#13;
&#13;
1:41:14  &#13;
PC: It was- I will never forget it. I mean, I think that is why when I see antiwar, you know, my wife, you know, participates in antiwar protests and things and it, it is a- it is a sore point between and I-I have said to her, I just do not want to talk about with you mean, we are just going to, you do your thing, and I will do mine. But, you know, I just, I just cannot go there. So it is, and that is a result of the way I was treated and the way I know that a lot of my girls were treated and if I was treated that way, I mean, I you know-you know, I mean I was when I think about the kids who came back who were black, and how they must have been you know how they were treated, right. It is just amazing-amazing. &#13;
&#13;
1:42:09  &#13;
SM: Well Phil, there is a high school in Philadelphia in the largest number of African Americans killed in the war.&#13;
&#13;
1:42:14  &#13;
PC: Oh, really?&#13;
&#13;
1:42:16  &#13;
SM: Edison, Thomas Edison High School. Actually, I interviewed first interviewed the, uh, Hispanic principal. They are hired since you know, brother died in Vietnam. It is really interesting. The real bad section of town we are going over the nighttime. I guess that is it. &#13;
&#13;
1:42:37&#13;
PC: All right. That is good. Thank you.  &#13;
&#13;
1:42:39&#13;
SM: Well, it is great. &#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44265">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48071">
              <text>2 Microcassettes</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50729">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11560">
                <text>Interview with Paul Critchlow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47650">
                <text>Critchlow, Paul ; McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47651">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47652">
                <text>Bank of America;  Journalism—Political aspects;  Press secretaries;  Critchlow, Paul--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47653">
                <text>Paul Critchlow is a Vietnam veteran with years of experience in government, finance, and journalism. Critchlow retired from the Bank of America as the head of communications and public affairs. Previously, he served as the chief political writer for the Philadelphia Inquirer and then as press secretary to Pennsylvania Governor Dick Thornburgh. Critchlow has a Bachelor's degree from the University of Nebraska, Omaha and a Master's degree from Columbia University. Paul Critchlow served in Vietnam and he considers this experience the watershed event in his life.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47654">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47655">
                <text>2003-05-28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47656">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47657">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47658">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47659">
                <text>McKiernan.Oral.10.2016.9a; McKiernan.Oral.10.2016.9b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47660">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47661">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47662">
                <text>102:40</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="840" public="1" featured="0">
    <fileContainer>
      <file fileId="5738" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/3e552a490b720ba705c15a53280b95a8.jpg</src>
        <authentication>8c6abded810844a07a8626191148c1bf</authentication>
      </file>
      <file fileId="3268" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/af782958240fefecea9e978be9369600.mp3</src>
        <authentication>4bfdc68517a109c5d509bc853a49dff0</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11576">
              <text>1997-07-23</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11577">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11578">
              <text>F. Forrester Church</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11579">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11580">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Rev. Dr. Frank Forrester Church IV (1948 - 2009) was a minister, theologian, and author. He eventually became a prominent advocate of Universalism. He wrote 25 books, most of which were about religion in his life. Church was a graduate of Stanford University and Harvard Divinity School. He earned a Ph.D. in Early Church History from Harvard University.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:13057,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;15&amp;quot;:&amp;quot;\&amp;quot;Calibri\&amp;quot;,sans-serif&amp;quot;,&amp;quot;16&amp;quot;:11}"&gt;Rev. Dr. Frank Forrester Church IV (1948 - 2009) was a minister, theologian, and author. He eventually became a prominent advocate of Universalism. He wrote 25 books, most of which were about religion in his life. Church was a graduate of Stanford University and Harvard Divinity School. He earned a Ph.D. in Early Church History from Harvard University.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11581">
              <text>Binghamton University Libraries </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11582">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11583">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11584">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11585">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16636">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Baby boom generation; Body politics; Music; Laissez Faire parenting; Voting; Dr. Martin Luther King Jr.; Black Power Movement; Watergate; Activism; Elitist; Generation gap.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Baby boom generation; Body politics; Music; Laissez Faire parenting; Voting; Dr. Martin Luther King Jr.; Black Power Movement; Watergate; Activism; Elitist; Generation gap.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="16637">
              <text>57:13</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20052">
              <text>Clergy;  Theologians;  Unitarian Universalists;  Church, F. Forrester--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="38622">
              <text>McKiernan Interviews&#13;
Interview with: Frank Forrester Church&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: Benjamin Mehdi So&#13;
Date of interview: 23 July 1997&#13;
--------------------------------------------------------------------------------------------------------------------&#13;
&#13;
(Start of Interview)&#13;
&#13;
00:11&#13;
SM: First question I would like to ask you, for churches. There has been a lot of criticism recently, even the last couple of years about the boomer generation, looking at the problems in America today, whether it be the breakup of the American family, the increase in drugs, the lack of trust in elected leaders, lack of respect for authority. Basically, zooming in on the boomer generation, that generation that grew up between (19)46 and (19)64. And that is the reason why we are having problems in America placing all blame back on that particular group. What are your thoughts on the criticism that oftentimes comes from the media, and even not political leaders placing blame on-on a generation that the (19)60s and early (19)70s in particular?&#13;
&#13;
01:01&#13;
FC: Well by definition, because of its numbers, the boomer generation, as you call it, is a dominant or I&#13;
imperialistic generation. I call this the python in the snake. Each decade as this disproportionate number of people go through life, they according to their age, and interests, disproportionately affect the lives of all the other Americans. So, in the 1950s, when the taking the snake was a child, everything was-was suburbs, churches and education, it was a passive time, the child was demanding an enormous amount of his parents’ attention. And this led to a sort of domestic period within our, within our history, in the 1960s, to pick as an adolescent. And as all adolescents do, it rebelled. And so, with a greatly disproportionate number of adolescents, at times of crisis, the crises were made more spectacular, whether it be the response to the Vietnam War, the civil rights movement. Again, the peak was right on schedule. Expressive, rebellious, and by virtue of its numbers, very effective in the (19)80s, and (19)90s, to take those to the snake further. And we have the me decade, the decade of the (19)20s when people are all of a sudden, looking to their own interests and needs and sort of dropping out from groups and finding their own way. And in the (19)80s, the greed decade, where the pig is now moving on, into its (19)30s. And through its (19)30s. And thinking of rather selfishly having an enormous impact, I think this enormous number of 30-year-olds who happen to be disproportionately in the marketplace out there wheeling and dealing and cutting, jabbing. There is no question that the bat process to a degree was driven by this unusual, predominant number of young, hungry, green and somewhat callow executives. In many cases, what you have now, in the (19)90s, which could not become a decade, it is hard to know, is that the pig has in many cases settled down has children of its own, there was almost a reprise to the (19)50s. But with the memory of the (19)60s intact, the (19)60s and tact, there is a return to religion, there is a return to family values as a stronger set of concern for community values, individual. expressiveness is less treasured than group togetherness. And so, every level and through every decade, there is no question, but this generation has had a remarkable impact, sometimes for good, sometimes pretty ill mostly for both. And I see this process continuing as the pig goes on to the end of the snake and becomes enormously imperialistically demanding of rights of support of benefits. And at that point, perhaps we More than any other in the course of this generation’s life, the body politic will be taxed by the hunger and demands of the boomer generation, we have at this point for a decade or so have the opportunity of seeing the mature take, perhaps at its best and doing for others more than doing for itself. And almost every other point, with the possible exception of the (19)60s, where others, at least idealistically with a goal to be served. The tape has been a narcissistic one, it seems for a time that we are going to have the benefit of this large generations. That time will again pass as the needs of the older boomers are, weigh in. And I use the term pig with-with amusement, but nonetheless, not without a certain amount of rhetorical or metaphorical effect. Because there is no question that this generation by virtue of its size, its appetites, and its power has been the major feeder at the American trough, from the very beginning.&#13;
&#13;
06:28&#13;
SM: Excellent, I just want to double check me anyways. That is acceptable or has-&#13;
&#13;
06:36&#13;
FC: To be spun, spun out.&#13;
&#13;
6:38&#13;
SM: Okay, this leads right into the next question. And that is, it is just a very vague, vague, but also very general question, what has been the overall impact of the boomers on America through 1997? Knowing that boomers are just turning 50. Because the group that was born though, front of this generation is now turning 50. This year, they certainly got many more years ahead of them. But they are still in now in midlife. If you look at 197-1987, as we are heading into 1998, what has been the overall impact of boomers on America? &#13;
&#13;
07:10&#13;
FC: Well, as I said, and each-each decade of our life, our impact has been due to the particular needs of our age. We today are concerned about health, longevity, fitness. And that movement is being tremendously driven by people who are getting old and refusing to accept the fact; there is an economic driver in every generation. And as- put another way, there is this economic driver that the boomer generation pushes through each decade. And there has been a disproportionate amount of power success. And influenced by this generation, to the extent that others, both previous and following have been and rightfully so, somewhat jealous of the impact that this remarkably large number of people has had. Let me give you an example. In the 1960s, when the boomers were adolescents, oldies in music, were from the 1950s. No one in my generation listened to anything of our parents’ music. We had no interest in our parents’ music, we have noticed movies in the (19)30s, the (19)40s, up to (19)55. (19)55 on those things were interesting because they were the precursors to the Rock and Roll, we were here in the 19(19)70s oldies became (19)50s and (19)60s, in the 1980s they became (19)50s (19)60s and (19)70s in the 1990s, there (19)50s (19)60s (19)70s (19)80s and early (19)90s. So, what you have here is a generation of people, which has imposed its own taste, its own memories, its own experience upon the entire country. There still are no oldies from the (19)40s or the (19)50s the (19)30s in the (19)40s. But so long as this generation is alive, the oldies will begin when they started to listen to music. Now that is a fascinating cultural example of the imperialistic overweening power of my particular age group. We have determined not so much the tastes of everyone in the country. But we have imposed our tastes upon the country.&#13;
&#13;
10:09&#13;
SM: What are your thoughts on the impact that boomers are having on their kids and getting it back that in the (19)60s and early (19)70s, the boomers were involved with or course trying to end the draft, they were fighting to get the vote. The old slogan at that time was, you are old enough to send me to war that I should be old enough to vote. So, they got the right to vote, get the boomers really have not used. voting records among boomers has been very poor. And it is even poor amongst their children, which is today's current college generation, the generation I am dealing with, could you kind of reflect on the impact that boomers have had on their kids with respect to the aspect of activism, which so many took part in their youth. But we do not seem to be seeing that amongst today's youth. And we are seeing some of the characteristics that have been passed down from parent to child.&#13;
&#13;
11:04&#13;
FC: Well, if one were to take the, the selfishness, low teeth, and play it out, I would say and this is far too general to be applicable to an entire generation, because you have so many different people here to try to make generalizations. It is great mistake, that I would say that having blamed all of their own problems on their parents, and therefore becoming so aware of how vulnerable parents are to the criticism of their children. Our generation decided to liberate its children, and excuse itself from responsibility. So that we have not both ways, we blamed our parents, but we will not accept blame for our own children's lives choices in future. So, you have, in some ways, a more passive group of parents who have been to a degree and again, one has to be very careful with generalizations to a degree exculpated themselves from responsibility by providing the freedom that they felt that they were not given as children, and then washing their hands of the consequences of that kind of laissez faire parents.&#13;
&#13;
12:42&#13;
SM: Going back to a mindset as a boomer, what, and looking at the generation, then and now, you changed your opinions of boomers over the years. You were a boomer; I think you are in your late (19)40s. And what have been your you have been pretty consistent on your thoughts about boomers from over the last 30 years or- &#13;
&#13;
13:13&#13;
FC: When you are, when you are part of a phenomenon, you very rarely examine it objectively or critically, you take it for granted. I have never thought of myself as a boomer. I occasionally recognize the advantages that have come with being a part of the pig to the snake. But I have I do not I do not think of myself in those terms.&#13;
&#13;
13:32&#13;
SM: Using some adjectives, what are the qualities, the positive qualities that you see? And some of the negative qualities you-&#13;
&#13;
13:38&#13;
FC: See, most of them are the same qualities that exist in all people at all times. I do not think that the group is any different than any other group. Quality is different qualitatively, which means, again, that the impact that has at any given age in any given decade is going to be to a large degree determined by the interests, passions, concerns of 10-year-olds, 18-year-olds, 28-year-olds, 38-year-olds, 50-year-olds. So, we are not talking about a group different in kind, only different in size. So, one might more correctly ask, what would any group of 18-year-olds tend to have in common with one another? And if you have an awful lot of them around, how is that going to change society? That is certainly what happened in the-&#13;
&#13;
14:48&#13;
SM: Statistics differently different size. I have read that there were 65 million boomers and then another book that I have read material say that we are (19)10s [inaudible]. That is a big gap there but-&#13;
&#13;
14:59&#13;
FC: It is still in the taking this thing, there is no question about that. It has been a larger generation than its parents and a larger generation than, than the ones have following it by-by a considerable amount.&#13;
&#13;
15:15&#13;
SM: Two of the major issues facing boomers’ life in fact, I read a book recently defining the difference between the activism of today and the activism of say 30 years ago. And the activism of 30 years ago really concentrated in two major areas, and that was fighting this war in Vietnam and civil rights movement. And then many of the other-other women's movement, the environmental movement, were offshoots of learning from the Civil Rights Movement. Could you comment on? How important the students were in ending the war in Vietnam? Your thoughts on why the war ended, the major reason for the war ending? And how important are the young people that are worried anymore?&#13;
&#13;
15:58&#13;
FC: Well, I think, I think the war ended primarily because of the unrest in the streets. I think that my father Frank Church, held the same view, I felt that until there was the ongoing threat of societal chaos. The American people were not concerned about a little war, halfway across the globe. Indeed, its casualties began to bounce. More and more families were intimately involved. But had it not been for the student protest movement, the war would have continued, my guess is much longer than did certainly Lyndon Johnson would not have been replaced as president in 1968. &#13;
&#13;
16:53&#13;
SM: Smith, from ABC News, I interviewed him last summer. And I was there for five hours getting a one hour one hour interview. Yeah, I will be back. But it was good interview, and it gave me the time. I really appreciate it. But you are caught on to the reason why the war ended. Because middle America saw body bangs. And that is politicians realize what middle America was against the war in the war had to stop your thoughts on that.&#13;
&#13;
17:24&#13;
FC: I am sure that the body bags as they began to pile had an effect and impact is no question about that. But I also think that the ripping of the societal fabric was tremendously destabilizing for the leadership of this country. And let them find it to recognize that so long as they were to continue sponsoring this war, they were going to be sponsoring chaos.&#13;
&#13;
17:53&#13;
SM: Back to your commentary, when what your father said about the unrest in the streets, from growing up with the distinguished senator, and hearing the talk, probably coming he was coming home and sharing it with the family some of the discussions in congress and the feeling that he had. How close were we? You know, some people will say, well, you can never compare the (19)60s, early (19)70s to the Civil War. Nations coming apart, but some will say leader this close to come into power. How close were you?&#13;
&#13;
18:27&#13;
FC: I do not think we were nearly as close as the students. I believe we were I mean, I and my friends all thought there was about to be a revolution. We were a bunch of idealistic pipe dreamers in part, I suppose, because we were a bunch of hedonistic pipe smokers, but there is no comparison between the 1860s and the 1960s. On the other hand, because of the disproportionate number of adolescents acting out appropriately and age appropriately, there was heightened sense of drama, urgency and crisis that helped us finally move along the civil rights movement and extricate ourselves-&#13;
&#13;
19:17&#13;
SM: From the threat in the civil rights. And again, I have interviewed quite a few people so far, and some of us have different opinions. How important are boomers in the Civil Rights Movement, knowing that Freedom Summer really took place in (19)64? And that was that (19)64 was and-and I think boomers were 18 years old, the oldest group was 18. So, a lot of things like civil rights that already happened. So, some people try to downplay boomers’ impact.&#13;
&#13;
19:44&#13;
FC: I think they had next to no impact in the early years of that movement, but there certainly was a strong contribution of Black Power adolescents in the mid to late (19)60s and early (19)70s. In helping to define and continue to define the Civil Rights Movement in a sharper and more confrontive manner that has been defined under the leadership of Martin Luther King Jr.&#13;
&#13;
20:16&#13;
SM: What are your thoughts on Dr. King respect to the fact that he was one of the few people that saw the linkages between the war in Vietnam and civil rights and how we treat people at home and how we treat people abroad and of course, the division of the Black Power Movement and many people that were posted after King really criticized him for making those statements I believe in 1967.&#13;
&#13;
20:34&#13;
FC: Dr. Martin Luther King was a large roundabout soul he was not in any way parochial. He was one of the few prophets we have known throughout the past 50 years.&#13;
&#13;
 20:48&#13;
SM: A lot of things that are regarding looking back, it is this issue of trust. Trust is an issue that seems to be a problem in America today, for obvious reasons, but historians and analysts will say it goes directly back to that era of the (19)60s when Lyndon Johnson and McNamara were in charge of the war in Vietnam and for the line the American public and actually seeing the news media. For the first time were critically critical of the government. Of course, Watergate is very obvious. So elected officials being dishonest. How, what are your thoughts on this issue in America today? The issue of trust and the lack of it, and how can we really be as successful nation around this?&#13;
&#13;
21:43&#13;
FC: [audio cuts] The lapse of trust has directly to do with my opinion, not just Vietnam, but Watergate, and the empowerment of the investigative press. There had always been an old boy compact between the politicians and the press, which protected the politicians and to a degree protected the innocence of the American people. We lose something when we when we become so avidly interested in the peccadilloes of our leaders that we lose sight of their potential greatness. Here is, here is an interesting progression for you. In in the 1900s of this country, this century President Wilson was so completely incapacitated, that his wife was president, in effect for months at the end of his term, and no one knew. In the 1940s and (19)30s. When President Roosevelt was president, he was physically incapacitated, but no one knew because no one pointed out and no one known that he was physically incapacitated, he may never have been elected president [inaudible] was elected three times. In the 1960s. John Kennedy, a great national hero and-and in many ways, fine president was morally incapacitated by a strong sex drive and pension for womanizing, which was never shared with the people of the United States. Today, the smallest thing that anyone does and many things that a person does not do are fodder for gossip columns, the subject of commentaries, it is no wonder that a relatively ordinary man, although enormously talented, such as Bill Clinton, is the constant subject of innuendo, of character assassination. This would never have happened before. So, we have moved from a situation which was in many ways much more dangerous to the republic, actually having a president who could not think with no one knowing or having a president who could not move carefully without anyone knowing was the president who was acting wantonly without anybody knowing. And now, everything sucks. There is no question but that has an impact upon our trust level. It is not just because rumored quote unquote generation has so many people who were turned off by government in the 1960s that we are all a bunch of untrusting people. As a matter of fact, this iteration has as predictable moved from being radical to being conservative as it is become more money. So, you do not have a group of people who are, by definition permanently radical out there changing the trust quotient. You have a changing, set not of mores, but standards, which may in fact become impossibly hard. And if we are going to go back to a time when we took pleasure in and respected our leaders, we may have to be a little bit less prudish and a little bit more forgiving the human foibles that every human being including our greatest leaders that we manifest.&#13;
&#13;
25:48&#13;
SM: This it gets right into the whole issue of cynicism. Now, I again, I read quite a few people so far. And one, when that question was asked, if you were to define one of the major weaknesses of the boomer generation, again, relating back to history is that that is the most cynical group I have ever seen in my life. Cynicism has is, of course was linked to trust. You know, I do not know how you feel about that. But well-&#13;
&#13;
26:14&#13;
FC: I do not I do not sense that my generation is any more cynical than the one that was followed, or the one that was following that. I think cynicism is growing pace. I call this cynical chic. And it is combined with something I call sophisticated resignation. And he knows so much about the problems that face us, that we resign ourselves to the fact we cannot do anything about if anything, my own generation is more willing to attempt solutions and change. Because we were raised at a time when our impact was so great, that we have not forgotten that. So, I would say, yes, there is to be a label placed upon this generation. While cynicism is growing across the board in this country, I would not call this the cynical generation. I would, I would call it the imperialistic or confident generation. And therefore, when we have opportunities to work together and do something, we tend to rally and do that.&#13;
&#13;
27:26&#13;
SM: You were to look at you made some commentary about the size; we know this is the biggest generation American history. And the fact is that a lot of the books that I have read sociology, books, history books will say that when you look at this generation, they will use this term 15 percent are really involved in any kind of activism. And the rest of them decide what their daily lives wherever. And so, and thus, what they are trying to say. And these are some of the critics of the generation again, we will come back and say the problems. It was really just a bunch of elitist snobs and elitist schools that are involved in this many have gone on to politics or whatever. And they credit downgrade anything that was positive about that period.&#13;
&#13;
28:03&#13;
FC: 85 percent of any generation is self-absorbed and unconnected and not involved. However, 15 percent of a very large generation is going to make a disproportionate impact over 50 percent. However, 15 percent of a smaller generation. That is, it. This is why I mean generalities. Of course, 85 percent were involved, or interest never, never will be; that does not change that much from one generation to the next. If you have a lot more people though that 15 percent ways given with a much larger and more powerful voice.&#13;
&#13;
28:43&#13;
SM: Do you feel that many people within the boomer generation and then this gets directly back to our conversation from the interview started with Senator Muskie that a great portion of this generation are have a problem with healing from the visions when they were young. I am specifically gearing toward the Vietnam War. Those were for the war those were against the wall. &#13;
&#13;
29:06&#13;
FC: I think they will be served. The people who have had the hardest time with healing or those were the soldiers the Vietnam veterans. I do not sense that being a problem outside of that group, in any kind of-&#13;
&#13;
29:27&#13;
SM: I have been to the wall several times in the last couple of years Vietnam memorial and tried to get an ambience and a feel for what they really truly are healing which was the goal of the wall in Washington still sent just from overhearing conversations and talking with veterans that they come on with-with this going along. Because there is-&#13;
&#13;
29:46&#13;
FC: We will never be completely healed, and there is so much scar tissue there. Among the victims of the Vietnam War, perhaps the-the-the most neglected and therefore damaged group, at least among American citizens, with the veterans themselves.&#13;
&#13;
30:17&#13;
SM: Again, I am just trying to get a feel for the people under so those who were against the war, I had a chance to interview Senator Gaylord Nelson, last summer and he said that I do not see anybody any boomers walking around with, I have not healed on their sleeve. But he said there was no question the body politic has never been the same thing. It was dramatically changed, right?&#13;
&#13;
30:40&#13;
FC: It was dramatically changed. But I do not think those people who protested the war came away feeling at least most of them anything other than to a certain degree, morally superior and idealistically smart. With age and [audio cuts]. With age and the tempering of experience, we have mellowed in our pretensions, and attained, I should hope, greater humility. Again, I am speaking here of the 15 percent of people who were active, and I must, my friends were among one. And I have I have certainly noticed a mellowing that I take simply as a growing cynicism, I see it as a sign of maturation.&#13;
&#13;
31:51&#13;
SM: Thoughts, and I want to emphasize this point, because a lot of what I am trying to do here is to interview people to metaphors, their feelings, so we better understand the times better and respect different points of view. Do you think there should be efforts made to bring together again, either through university symposium or through the media, better understanding of the divisions of those times, so that we can share why we felt that way? Because those were intense times with intense feelings, and is one Vietnam veteran said to me, I do not know, I am not upset with a protester if there was a sincerity in the protest, of sincerity. And that just running off to Canada, and I am just saying that I have talked to people with the wall and there was many guilty people because they did not serve and they have not gotten older and they brought their kids to the wall. There is that feeling, oh, my God, they did not have any of the young, but they have not now, maybe I could have served should there be efforts made to bring those who served those who did not serve together try to understand education wise. So, feelings of right time so that so that will not only help history but will also be an educational tool for future generation for future generations.&#13;
&#13;
33:15&#13;
FC: For people who desire this and to take part of that I think that is that can only be for the good, I would put it low on my own set of priorities for tackling the present and future problems. I-I, however, was not traumatized. As many people were people who have been traumatized need to get together with other people to go work on their, on their problems, so that they can become more functional and happier and more fulfilled and less embittered humans.&#13;
&#13;
33:56&#13;
SM: Define the generation gap as designed back in the (19)60s, and the generation gap of the (19)90s. &#13;
&#13;
34:07&#13;
FC: I think that because of the size of the adolescent generation in the (19)60s, there was a greater sense of solidarity and power, which made it easier in a corporate manner to reject the preceding generation. Today, I see it more individualistic and idiosyncratic. Remember that the parents, today's children, are also continued to be the dominant group, even though they were the dominant group when they were the children of their own parents. That has to have an impact on the relative sense of empowerment and entitlement that the two generations feel Again, I speak of this as the imperialistic generation because it was, it was far more powerful as children than were its parents, at least in a, in a relative sense to other groups of children. It is now far more powerful as parents than its children in a relative sense.&#13;
&#13;
35:23&#13;
SM: Can you feel that is a very important term, because in higher education terms, we are trying to work with students’ day in and day feeling self-esteem and empowerment. Now-&#13;
&#13;
35:32&#13;
FC: That is why I call it the pig in the state, right? It is, it is a pig in more ways than what-&#13;
&#13;
35:35&#13;
SM: I sense today's young people do not feel that many getting a scenario in 18 years of working with college students. And you probably see that I do not know, seeing this from the church. But the fact is that when young people today look at that period of the (19)60s and the (19)70s, to come away with two fields, either they come away with I am sick of hearing, you guys live in the psychology of right time, I am tired of it or I wish I could have lived in that time. Because I do not see the issues today like their work.&#13;
&#13;
36:04&#13;
FC: The point to remember is that in either case, they are still defining their own experience, according to that of their parents. We in the (19)60s did not define our experience, according to that of our parents when they were young. We could not have been less interested in our parents when they were young. Our own children are fascinated by us when we were young. And that is because we continue to have the power. And the- we set the scene we set the stage, I could not have told you a single song that my violin parents had sung, I could not have identified it, I could not have cared less. While kids sing along with me as I am playing the Beatles on the radio. That is a huge difference. And it is not just a difference because of a change in communication styles and times and things. It is a difference because this big imperialistic generation, as has set the cultural political scene where the entire country by virtue of its disproportionate size.&#13;
&#13;
37:14&#13;
SM: Let me just double check here. You referred earlier to the fact about size that we are, the boomer generation is their size, has tremendous impact on anything that needs to spread generation itself. When I was a young person on college campus, one of the terms kept coming up over and over again is and I do not know, the pace. on college campus, we are the most unique generation American history. In other words, there was, he might say almost an arrogance that it really did not have anything to do with size. It was just it was a feeling within it was within the mind that we were going to change the world for the better.&#13;
&#13;
37:49&#13;
FC: I see. Again, I will disagree, I think it has enormously to do with size. There is, there is a disproportionate demographic, cultural power that comes with numbers. Take a look today at the focus of the major magazines, they have to do with health, and people in their (19)40s (19)50s and (19)60s, being young when you are 50. But we were in our 30s people in their 50s did not exist in the cultural media. Everybody was in their 20s and 30s. I think that this sense of entitlement has predominantly to do with the size of the generation. Also, the fact that the generation was pampered in the 1950s. It was pampered in part because of its size again. The- this my generation helped to shape the character of the (19)50s as much as it did in the (19)60s. And the character of the (19)50s was a very child friendly environment. Relatively speaking, where this generation by virtue, its number and its demands, was treated. Specially that to a degree has something to do with the sense of entitlement that followed in the (19)60s. But the generation was not just blown from the Prowler Zeus is some kind of special group of people who arrived at a critical point in history and made a difference by virtue of being different from everyone else. It has to do with size.&#13;
&#13;
39:49&#13;
SM: If you to pick the one event in your life when you were young that had the greatest impact on you. When you were either in your teens or early during college. What was that incident what event the greatest impact on your life?&#13;
&#13;
40:04&#13;
FC: Probably the assassinations of Robert Kennedy and Martin Luther King Jr.&#13;
&#13;
40:14&#13;
SM: Where were you at that time?&#13;
&#13;
40:15&#13;
FC: I was at Stanford.&#13;
&#13;
40:18&#13;
SM: I asked this because people that you described where they were, how did you find out about where were you at the moment?&#13;
&#13;
40:30&#13;
FC: In both cases I was in my dorm room or house room and was called by in one case friends and in another no and in the Robert Kennedy case I campaigned for Kennedy for the Democratic primary, and I was actually watching the returns and the other in the other case, I was called the telephone for the television by friends.&#13;
&#13;
41:04&#13;
SM: Did this event have any impact in terms of the direction you want your life saving here as a minister? &#13;
&#13;
41:10&#13;
FC: Because I already I mean, it confirmed me in my own path, which was not that kind of vocational path. It was, it was a path to make the world a better place, less violent place. A more companionable and neighborly place. This sharpened my passion and-and confirmed my commitment, rather than doing the opposite, which would be to lead to despair or citizens.&#13;
&#13;
41:57&#13;
SM: Which on, again, have an impact on society, do you feel that you personally have had an impact on society? What is the greatest impact?&#13;
&#13;
42:05&#13;
FC: I have had a small impact on society, but I believe you save the world, one neighbor at a time. And the institutions are far more powerful than individuals in making a difference in society. To what extent I have had any impact it has been through the-the collective work of this 1500-member congregation. Which is far greater than anything I could possibly do on my own.&#13;
&#13;
42:36&#13;
SM: Some names of individuals from (19)60s and early (19)70s and just your thoughts on that. 30 of them okay, go ahead. How many minutes we got here?&#13;
&#13;
42:48&#13;
FC: I have got a I have got to be. I have got about a half an hour.&#13;
&#13;
42:52&#13;
SM: Okay. Okay, you are okay, because I have another interview for clients. The other side of town. Great, good. Good. Just your thoughts on these individuals Jane Fonda.&#13;
&#13;
43:05&#13;
FC: Frivolous.&#13;
&#13;
43:06&#13;
SM: Tom Hayden.&#13;
&#13;
43:19&#13;
FC: He was, um earnest.&#13;
&#13;
43:24&#13;
SM: Eddie Hopper and Jerry Rubin. &#13;
&#13;
43:27&#13;
FC: Lightful and tragic.&#13;
&#13;
43:30&#13;
SM: It is takeoff to Eddie Hoffman, he-he is outside of Philadelphia, and he let them know that no one is listening to me anymore. And [inaudible crosstalk]. When-when I read that, I was wondering how many boomers feel that way. Then they get abominations that no one's listened to them anymore.&#13;
&#13;
43:57&#13;
FC: Very few. That, that is a function of celebrity and the and the withdrawal pains when one is no longer one of the 50 most talked about people that has nothing to do with the generation. That is true of any individual who has his 15 minutes in the sun. And then the sun is covered by clouds, and no one can see it feels as if he is invisible, whereas most people would never expect to be visible in the first place.&#13;
&#13;
44:33&#13;
SM: The Black Power advocates, Eldridge Cleaver and Bobby Seal, Huey Newton, [inaudible]&#13;
&#13;
44:39&#13;
FC: Strident and powerful.&#13;
&#13;
44:43&#13;
SM: Political leaders and there were some really good probably political leaders at that time, but they have a lot of things wrong for them too. And that is I am going to start with John Kennedy and Lyndon Johnson.&#13;
&#13;
44:59&#13;
FC: Kennedy was charismatic and inspiring. Johnson was powerful and tragic. Richard Nixon talented and sinister. &#13;
&#13;
45:30&#13;
SM: Gerald Ford.&#13;
&#13;
45:31&#13;
FC: Kind and pathetic.&#13;
&#13;
45:40&#13;
SM: George McGovern.&#13;
&#13;
45:42&#13;
FC: Humbly moral and everlastingly decent.&#13;
&#13;
45:44&#13;
SM: He was on our campuses this past- Yeah. Eugene McCarthy.&#13;
&#13;
45:51&#13;
FC: Narcissistic and supercilious.&#13;
&#13;
46:03&#13;
SM: Bobby Kennedy.&#13;
&#13;
46:05&#13;
FC: Great and [inaudible]&#13;
&#13;
46:14&#13;
SM: Jordan Wallace.&#13;
&#13;
46:19&#13;
FC: A-a creature of his time. &#13;
&#13;
46:32&#13;
SM: Luther King Jr. &#13;
&#13;
46:34&#13;
FC: Inspirational and worldly brilliant in the highest sense of the term.&#13;
&#13;
46:45&#13;
SM: Malcolm X. &#13;
&#13;
46:51&#13;
FC: Dedicated and powerfully impressive. &#13;
&#13;
47:02&#13;
SM: Hubert Humphrey.&#13;
&#13;
47:05&#13;
FC: Joyous and irrepressible [inaudible]. &#13;
&#13;
47:16&#13;
SM: Ralph Nader.&#13;
&#13;
47:23&#13;
FC: Earnest and grim.&#13;
&#13;
47:26&#13;
SM: [Inaudible] Larry.&#13;
&#13;
47:28&#13;
FC: Irresponsible and delightful.&#13;
&#13;
47:32&#13;
SM: Doctor Benjamin Spock.&#13;
&#13;
47:40&#13;
FC: Complicated uneasy. I knew him pretty well too.&#13;
&#13;
47:47&#13;
SM: Barry Goldwater.&#13;
&#13;
47:51&#13;
FC: Solid and dual integrity.&#13;
&#13;
48:01&#13;
SM: Gloria Steinem, Abigail Adams and Shirley Chisholm, people that were leaders of the women's movement.&#13;
&#13;
48:11&#13;
FC: Gloria Steinem, basically indefatigable, courageous, idiosyncratic. &#13;
&#13;
48:24&#13;
SM: Mohammad Ali.&#13;
&#13;
48:25&#13;
FC: Endearing and amusing.&#13;
&#13;
48:33&#13;
SM: Richard Daly. &#13;
&#13;
48:38&#13;
FC: Born in the wrong century.&#13;
&#13;
48:44&#13;
SM: Robert McNamara.&#13;
&#13;
48:48&#13;
FC: Brilliant and heartless. &#13;
&#13;
48:52&#13;
SM: Spiro Agnew.&#13;
&#13;
48:55&#13;
FC: Second rate. &#13;
&#13;
49:02&#13;
SM: Daniel Ellsberg.&#13;
&#13;
49:07&#13;
FC: Accidentally important.&#13;
&#13;
49:11&#13;
SM: Woodward and Bernstein.&#13;
&#13;
49:16&#13;
FC: Dedicated and self-absorbed. &#13;
&#13;
49:21&#13;
SM: Music of the (19)60s.&#13;
&#13;
49:26&#13;
FC: Ruthlessly delightful.&#13;
&#13;
49:29&#13;
SM: I know there is so many but if you were to pick your favorites, the musicians that you personally love and secondly, music that may have had the greatest impact on the generation and future generations. Who would those musicians be?&#13;
&#13;
49:43&#13;
FC: Head and shoulders above all others I would say Bob Dylan both in terms of personal impact and impact upon generation. He is in a class of his own. culturally I would say that the Beatles the Rolling Stones were also in a class of their own, but if there is one if there is one thing here to stand out in the music, the (19)60s it is Bob Dylan.&#13;
&#13;
50:12&#13;
SM: He was sick recently. He is okay-okay. Something, yeah. People around Richard Nixon, John Dean, John Michell [inaudible]&#13;
&#13;
50:28&#13;
FC: Pure blind bureaucrats.&#13;
&#13;
50:31&#13;
SM: Sam Ervin. &#13;
&#13;
50:33&#13;
FC: I mean that is Dean Mitchell was just an egregious narcissist.&#13;
&#13;
50:43&#13;
SM: Men and [inaudible] man in that [inaudible]&#13;
&#13;
50:45&#13;
FC: Era in the, in the third line bureaucrat.&#13;
&#13;
 50:50&#13;
SM: Sam Ervin came in that [inaudible]&#13;
&#13;
50:58&#13;
FC: Just a real country original.&#13;
&#13;
51:05&#13;
SM: Senator Fulbright.&#13;
&#13;
51:06&#13;
FC: Quite complicated and courageous. &#13;
&#13;
51:14&#13;
SM: Senator Muskie.&#13;
&#13;
51:17&#13;
FC: Steady as the day with law.&#13;
&#13;
51:21&#13;
SM: Gaylord Nelson.&#13;
&#13;
51:25&#13;
FC: A man who cares but also enjoys life.&#13;
&#13;
51:36&#13;
SM: Dwight Eisenhower.&#13;
&#13;
51:42&#13;
FC: A lot better than he seemed at his job.&#13;
&#13;
51:49&#13;
SM: Senator Church.&#13;
&#13;
51:54&#13;
FC: I would say [inaudible] patriotic, passionate, &#13;
&#13;
52:17&#13;
SM: Most of the questions because we doubled over on one but I want to end by repeating myself. Please apologize for my doing so, but I am trying to get a grasp on the healing and regeneration as a minister, a person that worked with your parishioners you deal with this day in and day out as you started in the opening of your book lifelines, that letter that was left under the door about dealing with adversity. I want to, if you do not mind, I would like to read this. And-and again, I am repeating myself, but I must get clarity on this before some say that the Civil War generation went to their grave, still bitter toward the other side. And then again, it is going to should efforts be made to prevent this from happening again, because Senator Muskie really alleviated to this in our conversation. And he felt personally that this generation is even though it may not have been the same thing as a civil war, as you brought up. Still, it is his perception that many people in this generation are going to go to their graves, still bitter. And you know, as a minister, obviously, you know what bitterness can do to someone. And so, I am trying to do is try to understand this better. Because during my numerous trips to the wall, I have witnessed several ceremonies with veterans in the audience, some still openly hate the president. They hate Jane Fonda. They hate still the people that were protesting against the war. As the I interviewed a gentleman last night, who was the head of the Vietnam Veterans of Pennsylvania, and he says, I still I use the term hate, I will never forgive those who were against the war, who protested the war. I mean, they are a bunch of other words, they are just feeling guilt now because they did not serve. &#13;
&#13;
54:04&#13;
FC: I know, I do not see how we can possibly legislate either forgiveness or reconciliation. Obviously, time will heal to a degree and people getting together as a positive thing. But if you were to talk about this generation as a whole, I would say that the-the healing between parents and child that is to save the child who that was to say adolescent in the (19)60s and now as a parent him or herself and his parents are getting older, or dying, is by far the more existentially pervasive gap because of the sense of entitlement of many people in this generation. And the obvious disappointments that have followed normal life development. The amount of blame afforded to parents given that there are so many children doing the blaming, I would see as the number one healing issue. Beneath that and well beneath it but-but-but probably more dramatic would be the healing that one might hope could commence or continue to commence between those who serve this country and Vietnam and those who oppose the war. I think the passion play is played out mostly in the minds hearts and souls of the Vietnam veterans, not in the minds hearts and souls of the war protesters.&#13;
&#13;
55:52&#13;
SM: Again, when the best history books are written, and the best history books are always written 25 years after an event because the best World War two books are being written right now. Like Steven Ambrose’s D-Day. We were only 25 years removed 30 bucks. And then that 50-year period goes forth what will be the lasting legacy in the boomer generation, how will history treat this, how will historians when they sit down and write it the Doug Brinkley is of the world when he is writing.&#13;
&#13;
56:24&#13;
FC: As creative, narcissistic, demanding and influential within every decade of their lifespan according to the needs and desires their age may not be clearly put you know what I am talking about having heard me for the rest of the year. &#13;
&#13;
57:04&#13;
SM:  Any final thoughts? Thank you very much.&#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44266">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48072">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50730">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11574">
                <text>Interview with Rev. Dr. Frank Forrester Church</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47663">
                <text>Church, F. Forrester ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47664">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47665">
                <text>Clergy;  Theologians;  Unitarian Universalists;  Church, F. Forrester--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47666">
                <text>Rev. Dr. Frank Forrester Church IV (1948 - 2009) was a minister, theologian and author. He eventually ended up becoming a voice known to speak for Universalism. He wrote 25 books and most of them involved religion within his life. Church was a graduate of Stanford University and Harvard Divinity School. He earned a Ph.D. in early church history from Harvard University.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47667">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47668">
                <text>1997-07-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47669">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47670">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47671">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47672">
                <text>McKiernan.Oral.10.2016.10</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47673">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47674">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47675">
                <text>57:13</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="841" public="1" featured="0">
    <fileContainer>
      <file fileId="5739" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/ed9b9f39b8458eec0f12ff50d5b7fd07.jpg</src>
        <authentication>af3555387f2ee7602fd77eb78b1e9bd4</authentication>
      </file>
      <file fileId="3267" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/22258b27b9ddea79791638bc75048364.mp3</src>
        <authentication>0bd5b5fcb4e2263c4fe87e8602e90697</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11590">
              <text>2010-07-22</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11591">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11592">
              <text>Peter Coyote</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11593">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11594">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Peter Coyote is an author, actor, director, screenwriter, and activist. Coyote is also a narrator for his own films and for a plethora of other events including the 2002 Winter Olympics and various Historic films. He graduated from Grinnell College with a Bachelor's degree in English Literature and attended California State University for a Master's degree in Creative Writing.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:7043,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:[null,2,5099745],&amp;quot;10&amp;quot;:2,&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;}"&gt;Peter Coyote is an author, actor, director, screenwriter, and activist. Coyote is also a narrator for his own films and for a plethora of other events including the 2002 Winter Olympics and various Historic films. He graduated from Grinnell College with a Bachelor's degree in English Literature and attended California State University for a Master's degree in Creative Writing.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11595">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11596">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11597">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11598">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11599">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="16638">
              <text>84:26</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16639">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;The New American Poetry 1945-60; Folk music; Beats generation; Bohemian; Jazz music; Rock music; Guerilla theater; Baby boom generation; Counterculture; Richard Nixon; Civil Rights; Diggers.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;The New American Poetry 1945-60; Folk music; Beat generation; Bohemian; Jazz music; Rock music; Guerilla theater; Baby boom generation; Counterculture; Richard Nixon; Civil Rights; Diggers.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20053">
              <text>Authors;  Motion picture producers and directors;  Screenwriters;  Political activists--United States;  Coyote, Peter--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="38623">
              <text>McKiernan Interviews&#13;
Interview with: Peter Coyote&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: Benjamin Mehdi So&#13;
Date of interview: 22 July 2010&#13;
--------------------------------------------------------------------------------------------------------------------&#13;
&#13;
(Start of Interview)&#13;
&#13;
00:04&#13;
SM: First question I want to ask is, you were still, you are recognized as one of the most well-known counterculture leaders in the late (19)60s and (19)70s. And I have several questions linked to that. Why did the counterculture and the activist boomers linked to the multiple movements of the time not succeed in changing society for the better? One of the things that even I recognized when I was a college student is that many of the boomers thought they were going to change the world for the better they were going to end war, bring peace, end racism, sexism, homophobia, all the isms that were just going to make the world a better place to live and save the environment and actually truly make a difference in the world to. I do not think they did that. What is your thoughts on the counterculture?&#13;
&#13;
01:03&#13;
PC: Well, first of all, let-&#13;
&#13;
01:10&#13;
SM: Please speak up to-&#13;
&#13;
01:13&#13;
PC: Let us dismiss the idea that I was anyone's leader. I was part of an anarchic gang that did not recognize leaders, tried to be authentic, and we tried to follow our own counsel. So, I can speak as that I cannot really speak as elite. But the counterculture aspirations they talk about, were simply part of a long line of American reform. I mean, there has been reforming as long as there has been America. And while it is true, that the counterculture failed, and all of its political goals, it succeeded in every single one of its cultural goals. And by that, I mean, we did not end war, we did not end racism, we did not end imperialism, and capitalism, that, fair enough. I can also say that there is no place in America, you cannot go today and buy organic food, find a women’s movement finding in for metal movement, find alternative medical movements, find alternative spiritual practices, yoga, Siddhanta, [inaudible] Buddhism, you name it. So those were all direct outgrowth of the six that we succeeded in that so far beyond our wildest dreams. That was changes have become ubiquitous and invisible. And it is my belief, actually the culture, Trumps politics, that in the long run the way people live every day, Trump their ideas about political system? So, I do not, I do not chalk this all up as a failure by any means. Now, your question was, why did we fail? Well, failed for a number of reasons. One is that the idea of a counterculture in itself is a failure. It condemns you to mark formation. And we as being members of counterculture, we missed the opportunity to organize and gage relationship with a lot of people who did not want their kids around long hair and drugs and free sex, and all sorts of wholesale experiment. They just wanted a fair deal out of the economy out of this. And we missed those people. So today, if I were going to create a radical magazine, you know, I would never have I would never have a marijuana leaf or anything countercultural on it at all, I would make it look this like time in life. So that is one reason we fail. The other reason we fail is that we brought all of the problems of growing up in the (19)50s with us, just because we thought that we were against a lot of the mistakes that are fake that our parents made did not mean that we are absolved from the consequences. In other words, if you think that your parents were sexually repressive, and you decide that the cure to that problem is sexual license and absolute freedom. Well, you have created a whole bunch of problems. Have not really ever really solved any just shifted from the left and the right. And thirdly, because we were concentrating on great revolutionary goals, we were not concentrating so much on kind of interpersonal dialogue and requirements that are needed to live together. So, we did not have very developed vocabularies of interpersonal relationship. You know, if I wake up in the morning, and I like to wash my face in a clean sink, and you do not care if it is a greasy pit where you wash your hands after you have just dismantled an engine, there is no revolutionary philosophy I can, I can write, as a cause for authority as to why you should clean the sink. So things like that. And then finally, the emergence of children created pressure, all of our ideas that were not fully thought out, or were not, you know, humanly sound and the communal system per se, fell apart. But that is not to say that we traded in our values for our beliefs. We are still connected as family. My daughter and her children share friends that she grew up with, are now mothers, very self-consciously a part of that world and its history. So we look this like everybody else today with that thing. That means we can all work, but do not the culture and myriad places do not buy, what we do with our lives is immediately translated by other people. So that is the long answer. But I think it is a pretty complete answer. &#13;
&#13;
06:50&#13;
SM: Yeah, I have asked a lot of people that I have interviewed, particularly in the last half of people I have interviewed to define the term counterculture, a lot of people have come up with different terms. But what-what most of them have said, it is more than just being different from the mainstream. My basically, what my question is, is counterculture culture, more than being different from the mainstream, having long hair, wearing bell bottoms and colorful clothes, taking drugs, living in communes, having sex with multiple partners, of course, the pill played a part of that, where religion went to new spirituality, and where one does not have to go to church and a feeling of more meditation than before. Are those all the definitions and what the counterculture was? Or is it much more?&#13;
&#13;
07:39&#13;
PC: Well, they are not definitions, their descriptions. I think the short thing to answer was, for those of us who felt that the system of the United States and capitalism was crumbling over internal contradiction, we were going to try to create a parallel structure and parallel institutions that would offer people refuge, I guess the thing fell apart. So do that we had to do a lot of experiments. We did not know how to live. We did not know what rules were worth following and what were not. I mean, a law is in agreement with a stop sign up on the street corner. But if people do not honor it, it is not a law. So, we began looking at everything that created a system that we did not like the system based on profit and private property, enhanced by racism, turning the planet and some fodder for profit. We did not like it. So we began to try to invent one from whole cloth and you make a lot of mistakes when you reinvent the wheel.&#13;
&#13;
08:51&#13;
SM: Around that time in the (19)70s, when you were out there in California with the San Francisco Mime Troupe, which I saw, and I thought they were great. I lived in the Bay Area from (19)76 to (19)83. So I know about Golden Gate Park and I missed San Francisco so bad. I may end up moving back up there one day, but one of the things about that particular time while I was in graduate school, there were several books that came out and I-I want to know what books may have influenced you. The two books that I am referring to that were very popular in college campuses around (19)69 to (19)73 was Charles Reich's Greening of America. And the making of a counterculture by Theodore Roszac. And I want to know if you have ever read either one of those two?&#13;
&#13;
09:36&#13;
PC: No, I never read either one of those two books that the books that I read that really kind of turned me around. One was called life against death by Norman O. Brown. One was the entire Don Juan series by Carlos Castaneda. The other was called the Three Pillars of Zen by Philip Kapleau. And what was Alan Watts Famous?&#13;
&#13;
10:08&#13;
SM: Well, he did a book called Zen. Yeah, I have that.&#13;
&#13;
10:13&#13;
PC: Those were the books that most influenced me.&#13;
&#13;
10:17&#13;
SM: Did you read any of the beat writings to from the mid (19)50s on?&#13;
&#13;
10:20&#13;
PC: Lots of it. when I was in college, my bible was a book called New American poetry 1945 to 1960, edited by Donald Allen, published by Grove Press, and me and my friends just ate that book up. And one of the reasons I came to San Francisco was to study poetry with Robert Duncan, University of San Francisco's creative writing department. &#13;
&#13;
10:52&#13;
SM: What is what role did the beats play in shaping the or being the precursors of the of the (19)60s? I say this because there is a question that I will be asking you later, you do not have to answer it now is, when did the (19)60s begin? And I have only had two people that told me that they felt the (19)60s began with the beats, your thoughts on how important the beat writers were. And of course, Ginsburg goes through the entire era from the-the whole period, he goes right up to the very end, where some of the other ones have passed on, very early. But what role did they play in shaping the attitudes of not only maybe many members of the counterculture, but many members in the new left, and the activist students of the (19)60s and (19)70s?&#13;
&#13;
11:42&#13;
PC: Well, you know, when the when the Beats were coming up, I was a young man, I was 12, 13 years old. And it was I was starting to get interested to then folk music. And folk music was one of the vehicles that kind of took you off the bourbon sidewalk and into the kind of trackless wilderness of Bohemia. You started hearing music that sounded more authentic voices, stories, histories that were more authentic. And when you got out there, like Greenwich Village and Washington Square Park, and the place where music was being made. You also met older, Bohemians, and Beatnik. And you got turned on to literature. So, these guys were the first kind of formative adult, other than jazz musicians I would ever meet, who were kind of guides and intellectual mentors. So they were very, very important. And, I mean, preeminent among them, for me is Gary Snyder. Yes, who was not only remained one of my closest friends to this day, but also kind of informal Zen teacher and a mentor and a whole number of ways. Same for Michael McClure. Same Lou Welt was my roommate, Gregory Corso was a later roommate. Wow. Ellen Ginsburg was a friend. So these guys were, you know, sort of the first. First representatives of wisdom that I ran into.&#13;
&#13;
13:25&#13;
SM: Do-do you, a word that is very important. Oftentimes, when you talk about people and what they do, and the perceptions that other people have of them, the perception that I have always felt is they were truly genuine. It was not a putt on. It was, it was a real engine just to make publicity. That was who they were it would you agree with that?&#13;
&#13;
13:45&#13;
PC: Oh, without a doubt. I mean, anybody who would guess that this was all a canard for publicity, is really reflecting their own shabbiness of character. These people were making trenching and deep and the observed critiques of the culture, which was beginning to be corporatized and standardized. And there was there was a lot to criticize.&#13;
&#13;
14:14&#13;
SM: One of the things I always ask of each guest is, how did you become who you are? I read your whole background. I know your whole biography. I have read the book. And-&#13;
&#13;
14:25&#13;
PC: You read on book you read the story of how I became Peter Coyote. &#13;
&#13;
14:29&#13;
SM: But I mean in in your own voice. [chuckles] The basic question I am asking is, what were the greatest influences in your life in your life’s path that if you were to look at from the day you were born till today, are there two or three or four major happenings that really shaped you with respect to who you are?&#13;
&#13;
14:55&#13;
PC: Well, yeah, one of which was being raised by a black woman, from the time I was two until I was about 13. And she and her friend’s kind of took over our house, my mother had a nervous breakdown, she was unable to care for me. My father was away working. And this very brilliant young woman just kind of took over the household in a very beneficent way, gave me safety and structure and by traveling with her friend, and I got a whole look at a nonwhite world. Saved me from being a white man, I mean I am Caucasian, but I am not a white [inaudible] men. And so that was a huge introduction to kind of, you know, the life of people who were invisible to disenfranchise, I witnessed, you know, 100s of little insults and things that I would never have seen if she had not been like, my mother, and I was not so observant of watching the way people treated her. So that was a huge and formative influence. We are still close day. I am writing a book about her. I talk to her all the time.&#13;
&#13;
16:18&#13;
SM: Oh, when that is coming out?&#13;
&#13;
16:22&#13;
PC: I do not know. I am still writing. Okay. So there was that the second one was meeting the world of jazz musician, through a bass player named Buddy Jones, who was Charlie Parker's roommate for three years in Kansas City. And buddy with became a close friend of my dad, and he brought all of these great musicians to our house to play up in the country, out calm and do Sims and Irby green and Bob Dorough and just lots of them. And buddy became and I met these people and saw them when I was about eight or nine years old. And they were the first adults I have ever seen who loved what they did. I knew right then that that is what I want. I did not have the talent to become a jazz musician, which is what I would do if I had any ability to do that. There is nothing else I would rather do. But running around with Buddy, and he took me to hear Billy holidays last concert in (19)92. He introduced me to Miles Davis when I was in, wow. traveled around took me to it. I spent all of my birthdays at the half note, a club in New York on Spring Street. From the Time I was about 12 to 18 when I left home. And, you know, I heard everybody heard Charlie Mingus John Coltrane, Thelonious Monk, not only that, heard him with a guy who knew how to listen. That was a huge introduction into the life of an artist. And then, there were a lot of political people in my family. A lot of communists and socialists and left wingers. My dad used to play chess with Leo Huberman and Paul Sweezy, the editors of the Monthly Review. My mother's cousin, Irving Adler was the first man fired in the New York City public school system for being a communist. My mother was the secretary of the Englewood Urban League. And so I grew up in this rich broth of political debate and dialogue. My dad was a capitalist. And so some combination of sort of growing up under the tutelage of black people and hearing learning white political theory. I would say were the two formative and also something about the community of outsiders, which is what jazz musicians were in those days. That kind of formed my whole worldview.&#13;
&#13;
19:12&#13;
SM: That is interesting. I am a big jazz fan. My brother in law just passed away and he was a jazz performer in the Bay Area for quite a few years before he moved back East. They played with a group called they actually performed at Henry's at the top in San Francisco, which was they were Casey and Angel and Craig was the drummer and the whole mess of the jazz guys came out to San Francisco in (19)73, (19)74. And then they many of them are still out there, Ray Lockley, King Koi whole group of them. &#13;
&#13;
19:43&#13;
PC: Well, I used to be a drummer, I studied drums with Cozy Cole- Was a great jazz drummer in the (19)40s (19)50s, Big Band drummer.&#13;
&#13;
19:53&#13;
SM: You know, they always you know, what they always say yeah, Peter about jazz musicians, is they-they grew beyond rock they had the experience of rock, a lot of them did. And then they went on to the next phase, which was jazz, which was improvisation and really the ability to be creative and to be your own person. And I am, it is-&#13;
&#13;
20:13&#13;
PC: Oh, I mean, these guys were there before there was rock. Mm hmm. You know, I mean, they began, you know, these guys were out there in the (19)30s and (19)40s. They these were just world class artists. And, you know, data they are not they do not owe their genesis to rock and roll, right? I am so tired of the self-importance of rock and roll like a cute.&#13;
&#13;
20:38&#13;
SM: Yeah, one of the things in San Francisco Mime Troupe is historic. And you were one of the not only directed it, but one of the leaders of the group. One of the questions I want to ask is about the whole issue of guerrilla theater, how important I do not know a whole lot about it. But when I was in college guerrilla theater was very important on college campuses, because out of nowhere, she would see these people come into the student union. And they would talk and do these little skits about the Vietnam War or civil rights, or, you know, what was happening in the world. And they come you never knew they were coming, and then they just leave. And I did not know how much how important the San Francisco Mime Troupe may have been in being the inspiration for these things on college campuses of Do you know?&#13;
&#13;
21:26&#13;
PC: I think they were; I think the word guerrilla theater was coined in the San Francisco mime Troupe. And, you know, we, what can I say we were revolutionary Theatre Company. And we were trying to invent modes of performance and places to perform that were appropriate to what we were talking about.&#13;
&#13;
21:48&#13;
SM: What-what was the actual goal was it to inspire people to think, beyond their everyday lives to make changes, or, you know-&#13;
&#13;
22:00&#13;
PC: I have changed my thinking about that. But when we were younger, I think that we were following as re-found edict that the artist is the antenna of the race. That leads to a kind of arrogance. In other words, we thought we knew what was going on, it was our job to tell everybody else. But if you look at that for even five minutes, that that does not hold up. The truth is that everybody knew what was going on. They sense that it comes up on the planet itself. And the artists are the ones who can articulate. But if the audience has done not know what was going on, they would not find what you did funny or amusing or entertaining. They would not understand it. So, what they appreciate why they clap, and holler is because you are articulating something they feel but they cannot put words. So, you know, but I think our job was to try to explain issues clearly. Break them down into kind of bytes of understanding so that they would be they can be analyzed clearly. And hopefully that that would lead people to action.&#13;
 &#13;
23:16&#13;
SM: Do you think that the-the so-called status quo in San Francisco there is- remember reading there your book or some of the information I saw on the web that the artist liberation from that was very important around the time San Francisco Minecraft was trying to perform, or being prevented from performing at various locations that it was a threat to the status quo? And that was why there was such resistance.&#13;
&#13;
23:43&#13;
PC: Oh, I suppose so. I mean, everything. I mean, I had to laugh. Years later, when I read about how paranoid Richard Nixon was about the counterculture. You know, we could not have overthrown a-a frosty free. Our intention was that, and I guess paranoid people take that, seriously. Yeah, we were, we were fighting the status quo. And they resisted with what they had available. The police-&#13;
&#13;
24:18&#13;
SM: What I really liked about the mime troop and the gorilla theater in the Bay Area that she talked about and were part of is the fact that people could see it, and he did not have to have money. And in living in the Bay Area and going to theater there. I know how expensive it is and to be able to have artists who understand the people and that a lot of people do not have the money to go see these very expensive plays or, or entertainment acts. It was really way ahead of its time.&#13;
&#13;
24:50&#13;
PC: Yeah, well, I mean, that was part and parcel of going to where the people were right. And it was also something essentially honest because if-if people do not like you, they are not going to pay.&#13;
&#13;
25:05&#13;
SM: Right. Quick question now Grinnell College is a very prestigious school. I am a- my whole career has been in higher ed. And I am curious as to how you picked it.&#13;
&#13;
25:16&#13;
PC: I did not pick it. I, I sort of was told by my guidance counselor that I was going to go there. I had already been in jail for trying to bring a lot of marijuana across the border. And you know, I thought I was going to go to Harvard or reed or one of these photos. And she said, no-no-no, I think I think you will go to Grinnell, and it turned out to have been an inspired choice for me. I did really well.&#13;
&#13;
25:47&#13;
SM: You were President of Student Government. Yeah. And then what is really impressive is the experience you had in Washington where that organizing those massive protests that was, I think you had and just mailing out all the literature about it and think you had about 25,000 people there. Could you talk a little bit about this first mass demonstration and President Kennedy's response, and you are meeting the President? And I believe it was some forget the guy's name, McGeorge Bundy.&#13;
&#13;
26:20&#13;
PC: Yeah, it was getting a little ahead. So, during the Cuban Missile Crisis, we thought the, we thought the world was going to end. And a bunch of us thought that banning college and class was counterproductive. And so, we organized a group of 12 people to go to Washington to do a three-day hunger strike and protest the resumption of nuclear testing and support Kennedy's geese rate. And we were pretty skillful about that. And so we got there, and Kennedy was in Phoenix. But he saw us on the sidewalk, supporting his peace race, and he gave instructions that we were to be invited in. And it was the first time in the history of the White House that any picketers had ever been invited in White Mountain, and that made national headlines. So because of that, we mimeograph those headlines, we duplicated those headlines. And we sent them around to every college in the United States. And it was after that, that the first student demonstration in Washington took place in February, I think of (19)63. So, they were different events. And I cannot, I cannot fully say that we created that. But I can say that we were certainly a part of it. And it was certainly a big kick off to the student movement.&#13;
&#13;
28:17&#13;
SM: What was it like being on a college campus between 1960 and (19)64? This was kind of before all the-the anti-war movement was started in the (19)66, (19)67 was a kind of dead at Grinnell except for these activities you were involved in?&#13;
&#13;
28:35&#13;
PC: Well, no there was a lot of stuff going on. And but you know, you have to distinguish sort of between before November 1963, and after November because once Kennedy was killed, suddenly there was a whole new whole new climate feeling. Things got really serious. But there was lots of political ferment. I cannot say it was dull. No, we were doing lots of political stuff. And there were student convention, you know, political conventions. Matter of fact, in sort of protest of the war at Bucknell college students’ convention. Kennedy was president Then and I actually got the convention to not nominate him. Going to nominate Hubert Humphrey, good at politic, and the dean of the college, put his foot down and intervene. Not going to be the only college in the United States that insult the sitting president. So that was sort of a political lesson right there about how much power it has.&#13;
&#13;
 29:59&#13;
SM: Do you remember exactly where you were? When you heard John Kennedy was assassinated? Could you explain?&#13;
&#13;
30:11&#13;
PC: Yeah I do. I was going to lunch in one and the women's dorm at Grinnell at the name of the dorm but and a woman came running out to come here, listen. And I went in and started listening to the radio with her. And we heard about it.&#13;
&#13;
30:33&#13;
SM: Were you like a lot of the people just watch TV that whole weekend? Yeah. You see how it is all shot? Yep. So many people did. Thanks. I want to, I asked a couple of people. Can you remember the two announcers that were present? One was NBC and one was CBS and they both passed on. Do you remember who?&#13;
&#13;
30:53&#13;
PC: I mean, I have I have all that on tape. I do not. I do not remember who they were. But I remember their tan suit for you know, yep, I was serious at all. Look, and they were smoking. Interesting.&#13;
&#13;
31:09&#13;
SM: What I am getting back to you lived in a commune for a while in the Bay Area, you had a specific community were involved in what were the pluses of living in the commune? And what were the negatives? And I guess that is the question.&#13;
&#13;
31:24&#13;
PC: Well, the pluses of living in a commune were-were and remain that. It was cheaper, that you had many more people to divide up the rent. So you needed to make less money. And it was also fun. That was like being in a big, like in a dorm with all your friends.&#13;
&#13;
31:51&#13;
SM: What was a typical day like, I would like to do that. Were you responsible each week of preparing certain number of meals, what duties you had been able to stay there?&#13;
&#13;
32:01&#13;
PC: Well, nothing really, people kind of did what they wanted. It was not too later that that things have to get a little more organized when children came along. But at that time, we just needed a place to crash and sleep.&#13;
&#13;
32:21&#13;
SM: You went on the road with a show called the minstrel show civil rights and cracker.&#13;
&#13;
32:26&#13;
PC: Civil Rights in a cracker-cracker barrel.&#13;
&#13;
32:30&#13;
SM: What was the message of the play? Why did people react negatively? And why was it banned is several colleges.&#13;
&#13;
32:39&#13;
PC: Well, we were arrested, it was closed, because it was basically it was basically a look at race relations from a black revolutionary perspective. And it was also very funny and very battle logical and race was a very charged issue, and they could we made it easy for them to, you know, get distracted by talking about the-the dirty jokes and the foul language. But the real reason people were upset was because of the kind of political point of view basically came right out of Malcolm X's book.&#13;
&#13;
33:25&#13;
SM: I mean, the autobiography of Malcolm X. Yeah. Look, college, you know, did the students book you and then they were told that you had you could not arrive, or you could not show up or what?&#13;
&#13;
33:37&#13;
PC: Well, it depends where you are talking about in many places that happened. That happened in Canada where we were arrested. Some students turned to us in for laughing in the-the bathroom, they assumed we were on drugs. And we were not, and the police came, and they say, they searched our luggage, and they found some old marijuana seed, in the sock in the base of somebody's shoe, one of our technical guys. And they arrested him and the school canceled the show, and we held a big rally. And we pointed out that we have been hired by the students up this pool. And in the middle of that rally, they came in and pull the plug on the microphone and arrested two of the faculty members who were sitting on stage supporting us, I guess, because they had beards. We overlooked the six-foot six-inch, one eyed black guy and a six foot long stocking cap sitting next to them. We had to run away and get out of there and because we needed to make money to get on to the next gig and we were arrested and there was a long story. its told pretty clearly in my book. Yeah, and-&#13;
&#13;
34:57&#13;
SM: Yeah, well what is, what is amazing thing is that being an administrator has worked on college campuses for over 30 years. Even in recent years there has been people where universities have done that, not to your groups like u but for speakers. And a whole battle over freedom of speech and the rights of students to bring a speaker still goes on and on. So what does the word digger mean?&#13;
&#13;
35:27&#13;
PC: Well, the diggers were a seventeenth century group started by English pamphlets here called Gerard when family w y m f t l n e y. And they were a protest for when the it 18, I think it was Oliver Cromwell. Yeah, no, that was Cromwell was seventeenth century.&#13;
&#13;
35:56&#13;
SM: Please speak up.&#13;
&#13;
35:57&#13;
PC: I am trying to remember when Oliver Cromwell, what century he was. I said seventeenth century but yeah, he was just he was seventeenth century. Anyway. So what happened was the king of England took over the common where people graze their sheep. And King wanted to raise his own sheep or his woolen mill, his new woolen mill. So, they took the people's land and the people fought back on this guy [inaudible]. And they were the first people to take a position against private property. And they were called the diggers, because every morning they were seen bearing burying their dead. So we named ourselves after them. And the diggers were our kind of anarchist alternative to, you know, young communists and socialists, we-we did not want to be, you know, artists performing plays about heroic bus drivers and elevator operators. We wanted to live in a culture where we could be authentic. And we did not want to be subjugated from you know, centralized ideology. So, we created this movement. And when we did everything without money, we did everything anonymously, figuring that if you were not getting either rich or famous from it, you probably meant it.&#13;
&#13;
37:40&#13;
SM: Yeah, it was. It was free medical care; I think in the summer (19)67. Because the Summer of Love, very historic event in Golden Gate Park and actually in the whole San Francisco area was, was big. And I know you had the free medical care and free housing free food for the runaways.&#13;
&#13;
37:59&#13;
PC: Yeah, we fed about 600 people a day in the in the park. Wow. And we had lots of people at our free medical-medical clinic. It was pretty interesting time.&#13;
&#13;
 38:13&#13;
SM: Now the, in your own words, the Summer of Love, Scott McKenzie, that song that came out? Are you going to you know that one out? Are you going to San Francisco. I mean, a lot of people did not go out to San Francisco when they heard that song. Or it was an inspiration. But can you define what, whose idea was the summer of love? And then the second this in the 68th? the summer solstice, it was kind of a follow up the second year. Well, whose ideas were they in? What were they?&#13;
&#13;
38:43&#13;
PC: The first idea like the be in, and you know, the Summer of Love, these were kind of ideas of what were called the hip merchant, but the hate independent propriety. And they were always trying to put this lovey-lovey spin on things. You know, that everybody, okay, and meanwhile, cops were coming in and kicking the shit out of the kids, in their doorways, and we were just not buying. So it was sort of their idea. And then the diggers came in. And we-we put up a bunch of we did the summer solstice. And our purpose was to, you know, create events that had a bigger frame, where the sun itself was the frame. He became quite famous for putting on events where kind of, you know, there was no violence. Nobody got hurt. When in fact, I think be in was turned out to be a great and surprising thing. And I think they were probably righter than we were that there was but the learned by seeing how many of us there were. But there was a lot of tension between the diggers and the-the Haight Ashbury merchants, because we felt that they were, they just wanted to, you know, change the facade on the office storefront, they had 88 inches of powder. And that was what they wanted to maintain, and they fell, you know, hash pipe. We did not think that was particularly relevant.&#13;
&#13;
40:35&#13;
SM: Yeah, one of the things about that particular period is this, he talked about the Summer of Love the summer solstice, and all the things that the kind of the diggers did, there was no violence. It was all about more love and peace. But then-&#13;
&#13;
40:54&#13;
PC: No-no it was not about love, it was just about if you create a frame where people are equal. For instance, this is what we warned them about our outcome, we told them what was going to happen at Alcamo. It cannot, it cannot come into a free community, and put up a stage and say, these guys are more important than those guys does not work. So, when they first came to us, the Grateful Dead wanted Peterburgs. And I to design a show for the Rolling Stones. And we said, you know, sorry, the Rolling Stones are not the occasion for a show, we will put up six stages in Golden Gate Park, and they can have one of them. And we will create an event that will celebrate, you know, something more important than local, celebrity. So what we did was we created these planetary events like the solstice or the equinox, which are not manmade, they are events under which everyone is equal. And within that frame, you can do whatever you want, and you are just expressing yourself authentically. It is not creating a hierarchical status, where the guys on stage are the most important than the guys who get closest to the state are most important. And you are basically replicating the status hierarchies of the society.&#13;
&#13;
 42:19&#13;
SM: That is very well put, because if you go on to the web, you see the Grateful Dead performing at one of your free events, well, on the streets, and it was very organized, and people were just walking by. And-&#13;
&#13;
42:31&#13;
PC: it was before the record companies came in and started spreading around all this money they were just the guys in the neighborhood. So yes, of course they played.&#13;
&#13;
42:42&#13;
SM: One of the things we need to talk about the real bit beyond what we are talking about here about the antiwar movement is that the antiwar movement at that particular time was pretty peaceful until we got into the latter part of the (19)60s, early (19)70s When SDS went toward the weathermen. And then why other people had problems with the Black Panther Party thinking they were violent as well, and the Young Bloods and the Latina communities, especially in Philadelphia, and in Newark, your thoughts on just that whole concept of, you know, Malcolm X, we have had a lot of, in my interviews, a lot of people had different feelings toward him, because of his words, by any means necessary, and so you can interpret any way you want. But some people think it is more well, by any means necessary means violence. I am not so sure if he meant that because I saw him in a debate with Buckley over in England, and I do not think he meant that. But your thoughts on when the movement went violent?&#13;
&#13;
43:42&#13;
PC: Well, wait a minute. The movement? I mean, antiwar. Yeah, that that statement has so much push it. I do not know where America has been a violent country since its inception.&#13;
&#13;
44:00&#13;
SM: Hold on a second. Let me change. Go Right ahead, I am back.&#13;
&#13;
44:12&#13;
PC: It was founded in genocide. Let us just start with the eradication of 2 million indigenous people. Bounty still being paid in 1920 on that spoke about the 500 million buffalo that were wiped out. Let us talk about slavery as entry after Britain as made it illegal. Let us talk about let us talk about exploitation and enslavement all over the Third World. So then, when a cup a bunch of college kids who are morally outraged that we invade a third world country, and conscript them to go kill people who are not harming them are ignored long enough that they begin to fight back, you call that violence. We live in a climate of violence. And nobody talked about, you know, the 5000 lynchings that were going on of black people. But when Malcolm X stands up and says, by any means necessary, suddenly the niggers are getting violent. I mean, it is just insulting. It is insulting. White people can hang niggers from a tree. But let a black man pick up a gun. And the whole white world goes crazy. A black president is speaking. And you have got white guys walking around outside his speech, carrying guns, fully loaded weapon. And nobody is doing anything. Can you imagine what would have happened if it was a white president, and black guys were out there carrying their guns. So, if the movement got violent, it is because they got tired of having to shift kicked out of them being ignored, having murders created in their name and not being listened to. But they existed in and were trained by a climate of violence. So, to pretend if there is anybody in America, whose wealth is not based on violence, even if that violence is invisible, backed up by cop with truncheons, backed up with soldiers in the Third World, backed up with soldiers all over the world siphoning wealth off for America to pretend that we are not participating in the violence is an act of self-delusion and hypocrisy.&#13;
&#13;
46:43&#13;
SM: Very good response. Thank you. When you look at the period of the boomers have been alive, and of course, the period boomers are defined as people born between 1946 and 1964. And I preface this by saying that many of the people I have interviewed 1/3 were born before 1946. Yeah, and many other people from (19)40 to (19)46. Have a, have an attitude that we are really boomers ourselves. And Richie Havens told me that, but in your own words, could you describe the years the boomers have been alive, based on what it means to be? Excuse me? Just these years, what they mean to you as a person? The years that the boomers have been alive from (19)46 to 2010. The first period is between 1946 in 1960, what did it mean, to be alive in that time?&#13;
&#13;
47:50&#13;
PC: I mean, it is my entire life, but my life me. I do not know, it is everything. It is not a very good question.&#13;
&#13;
47:59&#13;
SM: Well, the question I am trying to get at as I am breaking down periods of what, what, what it was like to be alive during these periods of time?&#13;
&#13;
48:08&#13;
PC: You know, 1940 to (19)46, I was a little boy 1946, to about 1953. I was pre-adolescent. Starting at my adolescence, I started to become political started to listen to different music. But I mean, I just do not know how to. I just do not know how to grab that question. Yeah, it is just life, life is always just life, but it is always the same, but it always has the same elements that are recycled. [inaudible] percent 10 perfect free. Falling in love the first time, you know, having children getting married, growing old, dying. Political mischief. I mean, I just do not know how to answer your question.&#13;
&#13;
48:58&#13;
SM: Yeah, I think that was what he was getting at. And the question is the difference between the (19)50s, the (19)60s, the (19)70s, and the (19)80s. As a generation what they-&#13;
&#13;
49:06&#13;
PC: I do not pay up? Yeah. Really? looking at it from the outside.&#13;
&#13;
49:15&#13;
SM: How do you respond to the critics that say that a lot of American problems today go right back to the (19)60s and (19)70s. And- &#13;
&#13;
49:23&#13;
PC: They are too stupid to respond. Why and, you know, those people thought Bill Clinton was eight. Like trying to have a debate with a moron. What America's problems do not have anything to do with free market capitalism. They do not have anything to do with the post Roosevelt. Betrayal of labor. They do not have anything to do with the communist witch hunt. They do not have anything to do with the Treaty of Detroit and the disenfranchisement of working people is- are too stupid to pay up. &#13;
&#13;
50:02&#13;
SM: I know that (19)94 when Newt Gingrich, when the Republicans came to power, he made some pretty strong statements against the (19)60s generation. And I know that George-George Will has oftentimes in his writings really likes to take jabs at the end whenever you can. And there is he could not read any of his books. And now I have an essay in there about it. George Will-&#13;
&#13;
50:26&#13;
PC: Oh, he is another one is another niche for the CIA. These guys are unprincipled opportunists. They are people who are in the lifeboat beating at the people in the water with the oars. Why listen to them?&#13;
&#13;
50:42&#13;
SM: Now, it is the other point of view. So I just get responses.&#13;
&#13;
50:46&#13;
PC: Other point of view, there are 500 points of view. They pretend they are the other point of view, what they are is a center, right pro corporate capitalist point of view. I understand it to my bone marrow, I do not need to listen to them.&#13;
&#13;
51:02&#13;
SM: when did the (19)60s begin in your-your viewpoint?&#13;
&#13;
51:08&#13;
PC: I would say around (19) 56. Maybe. I would say like the middle of the decade.&#13;
&#13;
51:17&#13;
SM: And when do you when did it end?&#13;
&#13;
51:22&#13;
PC: Well, for me, it ended about (19)77. Maybe.&#13;
&#13;
51:32&#13;
SM: Is there what was the watershed moment?&#13;
&#13;
51:36&#13;
PC: Well, for me, it was losing the lamb that my come in was on my father died. The land was easy for debt. The you know, we could not we could not keep it up. And so suddenly, for the first time in a long time I was I was living alone is the nuclear family.&#13;
&#13;
52:02&#13;
SM: I mentioned that the boomer generation is defined by educators and because I am from higher education, and they always have to look at generations. Whether it be the boomer generation, Generation X, the millennials. Tom Brokaw called the World War II generation, the greatest generation, but and this is kind of a general question. But the way I want to ask it is based on the people that you knew worked with, in many different capacities, the boomer generation, what are your thoughts on this generation in terms of maybe some qualities you think were some of their strengths and maybe some of their weaknesses?&#13;
&#13;
52:51&#13;
PC: I do not pay any attention to this term, right? I think it is meaningless, But I would say that the strength of this group were that they grew up in a kind of economic security well of wealth after World War II, and it afforded them a kind of platform, and security in which to be experimental and buy things out. They grew up at a time where the adolescent culture was just emerging and becoming its own independent event. That gave them a kind of autonomy and freedom. Culture had not been reduced to quite a homogenized math as it is today. Rebellion has not been quite so effectively coopted. I would say the weaknesses were that, like, sort of all young people you think you are smarter than you are. You think that you know everything, and you think they are going to live forever? And you do not take care of your bodies. Those are their weakness.&#13;
&#13;
54:32&#13;
SM: The term generation gap was very common in the (19)60s and (19)70s, between parents and their children. Did you have a generation gap with your parents?&#13;
&#13;
54:44&#13;
PC: Oh, yeah, I really did. You know, in most cultures in the world, there is no such thing as adolescence. That kids when they become at puberty, they are taken out of the house of their parents. The girls are raised by the aunt.  And the boys are raised by their uncle. And they do that because they have got real critical life skills they need to trim, and they cannot run the risk of, you know, Oedipal tension, stopping the kids from learning this stuff. So a young boy becomes the lowest status guy in the men's group, he gets this tools. And all of his imitative group energy, as an adolescent is focused on the adult, figures out who he wants to be like, who we want to imitate the who he does not. But in the kind of post war boom. Adolescents had their own spending money, they had their freedom, they had no responsibility, they were sort of kept out of the job market. So, they did not compete with returning soldiers and adults and unions. And they developed their own kind of culture. And it turned out to be a huge motive force and a capitalist economy. They had lots of disposable income. So huge that it, it determined the shape of the entire culture. So, it is sort of run today by people between 14 and 30 least run in terms of peaking their disposable income and their money and trying to get them to buy your product. The early new phenomenon.&#13;
&#13;
56:31&#13;
SM: I interviewed a Vietnam veteran a couple of weeks ago, a well-known Vietnam veteran. And when I asked him this question about the generation gap between him and his parents, he immediately said, people talk too much about the differences between fam between moms and dads and their kids. But he felt very strongly that the generation gap within the boomer generation was between those who went to war, and served in Vietnam and those who protested, but mostly those who avoided the draft. So he was saying that the generation gap was really within the generation itself, your thoughts on that?&#13;
&#13;
57:12&#13;
PC: Well, he is entitled to his opinion. And you know, if you felt it was immoral, if you felt that America had invaded another country, without provocation or cause, and you felt that it was a moral to go to their country, and so people, you would not call that just because somebody is in the armed forces. And just because they are following order, does not really make it service. And it does not exempt them from moral judgement. I was shot in the United States, I was beaten in the United States. So, I was also taking care of soldiers and we were passing out, only draft guards, the people on the free store and leave their uniforms and disappear out of the street. So I have a lot of respect for the military. And I got a lot of respect for people who served. But, you know, from my point of view, it was and remains an immoral war, we killed 3 million people trying to, we defoliated, the Plain of Jars in Cambodia. And we sent home young men with ghosts, and post-traumatic stress syndrome, and wounds that have lasted them the rest of their life. And they did it for them, you know, the Cold War ambitions of a bunch of old men. So let us not put more of a spin on it. then there is&#13;
&#13;
58:55&#13;
SM: What do you feel established religion waned in the eyes of many boomers in the (19)60s and early (19)70s. And why was spirituality so important? To these same people, but in different ways.&#13;
&#13;
59:06&#13;
PC: That established religion has become a handmaiden of the state. And it had separated itself from through spirituality. People had a hunger that they were seeking to satisfy.&#13;
&#13;
59:23&#13;
SM: You in things I have read Zen Buddhism is very important to you.&#13;
&#13;
59:29&#13;
PC: Yes, I have been I am an ordained Buddhist, and training now to be a teacher. I have been a Zen Buddhist for 38 years and I take this thing seriously. And, you know, less of religion than it is a way of living your life and practicing your life practicing kindness, compassion. I have never reached the bottom and unlike Judaism or policy ism or Islam, or always good to their own members and not so good everyone else who does not does not leave anybody out that like that.&#13;
&#13;
1:00:13&#13;
SM: You feel in these 38 years, like it is really made you a more gives you peace of mind, meditation, I have a couple nephews are really in the meditation, they said that they cannot meditate they be well, they would be sick. So, they-they make sure they have an hour of meditation each day and they try to think about nothing except just to meditate the Zen, this has really changed your life in so many ways.&#13;
&#13;
1:00:43&#13;
PC: First of all, that is not the way that we understand. You know, I probably be killing people, if I was not Buddhist. What being a Buddhist is, is basically studying the self? And, as great teacher Logan said, study the self, by forgetting I just I cannot think of another way to express fully what being human is by taking some time every day, and sitting still and checking in the- what is happening in my body and my mind. We are not trying to stop. We are just trying to detach from them enough, even, but not be jerked around by the mind is a gland using thought. When you meditate enough, it will go down on its own, but try to stop your thought of fanatic. So most people are afraid to build a very radical practice. But when you do that, it puts you in touch with what is really going on with your life. And your life is not so separate from the rest of creation.&#13;
&#13;
1:02:15&#13;
SM: There is two examples that I think that most of the boomer generation saw, particularly in the late (19)60s and early (19)70s. One was on college campuses, and the other was just in the news, the Beatles and how they be changed so much. And when they went to, I guess, forget the person that they went to over in India, then the Allen Ginsberg traveling through a lot of college campuses, and she came to three campuses in my area, Ohio State, and he just chanted the entire two hours he was in the room and one heck of an experience it was a spiritual happening is what it was.&#13;
&#13;
1:02:57&#13;
PC: Yeah. Well, he was he was introducing people to spirituality.&#13;
&#13;
1:03:05&#13;
SM: One, one question supporting them asked everyone is-&#13;
&#13;
1:03:09&#13;
PC: I am starting to get tired.&#13;
&#13;
1:03:12&#13;
SM: Okay, yeah. What? I have about 20 more minutes, is that okay?&#13;
&#13;
1:03:17&#13;
PC: Let me just look at my calendar. Well, let us see how quickly we can get I have an appointment at one o'clock. Let us see how fast we can get through this.&#13;
&#13;
1:03:29&#13;
SM: Okay, you are- one of the questions. The advanced everyone, that group of our students took a trip to Washington, DC in the mid (19)90s. We went to see Senator Edmund Muskie. And the students came up with this question after seeing films on the (19)60s and particularly in 1968. They said the question they wanted to ask the senator was based on all the protests that were happening in Chicago in (19)68. And the question went like this, due to all the divisions that were happening in America at that time between those who supported the war and those who were against the war, those who supported the troops and those who did not, between black and white, male and female, gay and straight, and then they also brought up the-the riots that were happening in the cities. Do you feel that the boomer generation is going to go to its grave, like the Civil War generation did not truly healing due to the tremendous divisions that took place at the time that they were young? And a lot of these issues and they thought he was going to answer based on the crisis in Chicago in 1968, but he did not answer that-that way. But I want to get your response to this whole issue of healing. If you think this is an issue?&#13;
&#13;
1:04:55&#13;
PC: Well, there has been a fracture in American life No, there have been those people who want unfettered access and liberty to do whatever they want to have been those who think that the government should be a mediating influence for Berna [inaudible]. And that fracture has been in America since the founding fathers. It exists today between, you know, are conservatives and liberals are big boulders, and so they represent points of view, but they are never going to go away. So, I am not sure that America has any more fractures than it ever was. I mean, they started a civil war, to protect slavery. How fractured was that? So, you know, I think that we call unresolved arguments fractured. But that was assuming that it was hold. It was never hold. America was created by millions of indentured servants came over here, and owed their employers, seven years of their labor. You know, there is a, there is a guy named doubt, wrote a book called The Twisted Dream, which marked the history of America. And it is eye opening to read. Because, you know, if you were paid somebody stick it over here, you had his labor, seven years, to build your barns and your mills and your greeneries and your dams, and amass you all this wealth. And when it came to vote, who are you going to vote for? So, I do not think that anything that involves human beings is ever old. I think human beings are always fractured and independent, even when they ascribe to some great overarching political philosophy, just looked at religion, look at the way religion fragmented in the face of the Enlightenment, and suddenly had, you know, Calvinism and Methodism and press theory and they are just all reflections of different points of view on any given issue. And that is what human beings do. That is what the world is. So, I do not know, it is worse now than it ever was. I do not know. &#13;
&#13;
1:07:31&#13;
SM: Senator muskie did not even respond about the (19)60s in 1968. His responses that we have not healed since the Civil War due to race, the issue of race and then he said, he actually died six months later, he was not well, and we were lucky to have the meeting. And he said he had just gotten out of the hospital, and he had seen the Ken Burns series, how we lost 430,000 people almost lost the entire generation of men. Back then, particularly in the south, so he says the issue of race, and he did not even talk about (19)68.&#13;
&#13;
1:08:06&#13;
PC: Yeah, well, I think race is the big one. I agree with him on that. You know, I think a lot of what you are seeing today is the kind of panic of previously privileged white men realize that they are being submerged under a kind of new lotto tide and they are freaked out about it, because I am sure they imagine all these people of color plotting some hideous revenge on them for their persistency.&#13;
&#13;
1:08:36&#13;
SM: What does the Vietnam Memorial mean to you because it has played – it has certainly played a role in healing men in the Vietnam vets and their families and lost loved ones. But when Jan Scruggs wrote the book to heal a nation not only was his goal when not only was the walls’ goal to heal the veterans but to play a part, even a small part and healing the nation from this terrible war. Your thoughts? Have you been to the wall?&#13;
&#13;
1:09:05&#13;
PC: Yeah, so indescribably sad. It is so beautiful. You know, I am one of those people that thinks that the way you support the group is not the sentiment of a stupid war. And my heart goes out to each and every one of those people who serve both the survivors, those that fell, you know, nobody survives a war. The way they went in, they come back scarred, they come back having seen extremes of human behavior, they come back having done things that nobody should ever have to do. And for those of us who can see it, beforehand, we are out there on the streets shouting and screaming and people think it is about politics. But it is about the soldiers I mean, you look at Afghanistan and Iraq today, what is it? One half of 1 percent of the people are making these blood sacrifices, so the rest of us can shop. It is fucking hideous. It is obscene. See, you know, and people think you want to get the troops out of there, you are against the group. I want these kids to come home with their arms and legs and their brains and their, you know, passion and their generosity and their hopefulness. They do not even know why they are there. Yeah. So, you know, healed we did not make the wars. But people that resist the wars. Yeah, we are one side of a fracture, I suppose. But do not blame me.&#13;
&#13;
1:10:52&#13;
SM: In your in your view. and I am getting a lot of different opinions on this. Why did we lose the Vietnam War and, and wha- and George Bush, the first said in 1989, the Vietnam syndrome is over? Which is this war still with us as a nation, in mind and spirit?&#13;
&#13;
1:11:14&#13;
PC: Well, I think, you know, I think the Korean War, morphed into the Vietnamese War which morphed into the Iraq War, which morphed into the Afghanistan war, they were all in the service of an empire They were all in the service of bracketing or protecting wealth to bring home for the mother country. So, I do not know that Vietnam is still an issue except among those who fought in it. But the underlying issue of empire and policies which you know, bombed the wealth of other people, they are still, they are still operating. And I think the reason we lost the I think the reason we lost the, or, because we had someplace else to go, most people had nowhere else. So they would never quit. And that is why we are not going to beat the Afghans. They have no place else to go, where they live. And they will fight and they will die there forever. And eventually, the body count will get high enough that Americans will say.&#13;
&#13;
1:12:25&#13;
SM: that we. Yeah, this is a two-part question. It can be sure. What can we learn from the (19)60s in the (19)70s? And secondly, what is the responsibility of the artist? And what role should they all artists play in times of crisis? And I, I prefaced the second question, part of the question, based on the fact that in recent years, entertainers had been attacked, as you know, your entertainer should keep your mouth shut and just entertain. And as if entertainers do not are not a part of the American citizenry. That guess the first part, what do we learn from the (19)60s and (19)70s?&#13;
&#13;
1:13:07&#13;
PC: Well, let me just let me talk about it is the height of hypocrisy. You know, there are huge industries which are dedicated to everything that entertainers do. They are a magazine devoted to who their fucking where they shop, how they decorate their home, everything, except should they open their mouth about a political opinion? They are herded back onto the ranch. Now, why do you think the simplest answer to that would be is because their real function is as marketing brands. And when they venture an opinion, they divide the consumer base. You know, if they say Democrat, you are going to lose the Republic. If you say Republicans, you are going to lose the Democrats. And so everybody is using and harnessing the charisma of celebrities to sell ship. But God forbid that the celebrity should harness their own courage to talk about something that so, you know, that, that the two edged sword if I have the charisma to sell, or to be exploited by other people, I should certainly have the ability to exploit it and use it myself. So, there is that and what was the other part.&#13;
&#13;
1:14:42&#13;
SM: Of just what-what did we learn overall from the (19)60s in the (19)70s? Nothing. Okay. You made replicating.&#13;
&#13;
1:14:51&#13;
PC: The same mistakes in 2010 that we that we made in the (19)70s.&#13;
&#13;
1:15:00&#13;
SM: You made reference that you have a problem with the term the boomer generation, and I am telling you I have a problem.&#13;
&#13;
1:15:05&#13;
PC: With it-it just does not describe anything to me.&#13;
&#13;
1:15:11&#13;
SM: Well, I am finding from the majority of the people I have interviewed that they do not like, they do not like generations being labeled.&#13;
&#13;
1:15:18&#13;
PC: That well, we did not make it up. It is going to with some media term, right? We did not call ourselves hippies either.&#13;
&#13;
1:15:26&#13;
SM: One of the qualities of the counterculture is that money is not important, or at least I. And in a lot of the in the question is, and again, another criticism of the boomer generation, not so much the counterculture, but the boomer generation is that, well, some of the wealthiest people are now our boomers who had were idealists, and now have gone on to make a lot of money. So, they are no different than any other generation. How, how credible is the fact that that is one of the qualities of the counterculture is that money was not important.&#13;
&#13;
1:16:04&#13;
PC: Well, it is hard to live in America without-without money. So, but it just stuff, it was not important. It just was not going to be our organizing.&#13;
&#13;
1:16:24&#13;
SM: I-I-I know you are tired. And are there? I have other questions here. But I will ask you. Are there any questions? I did not ask you that I thought I was going to that you thought it was going to. The last question I have is what do you think the lasting legacy will be the-the best history books are often written 50 years after an event 50 years after World War II, the best books came out. But I think good books are coming out every year on any every topic, but it is the thought that what do you think? The historians the sociologists, the writers will say once the last Boomer has passed away, what do you what do you think they will say about this generation that that was that grew up after World War II?&#13;
&#13;
1:17:24&#13;
PC: Something stupid. Something stupid, you can count on it. I mean, I do not know what they will say, I do not care what they say I am, I collect my letters, along with Barry Snyder, along with Michael McClure, along with a bunch of people, I give them to the University of California, hopefully to give original sources a future historian, you know, so that my generation and my time is not defined by other people. Not an original observation to say that history is written by the winners. So, we have tried to create a body of literature and stuff that would at least describe the world the way we saw it the way it felt. That is all I do.&#13;
&#13;
1:18:27&#13;
SM: You have any final thoughts you want to say on anything? On the boomer generation?&#13;
&#13;
1:18:32&#13;
PC: Yeah, I do not know. I mean, you have asked really good questions. I do not mean to be cranky with I am sorry.&#13;
&#13;
1:18:38&#13;
SM: Well, no, Peter, that was exactly because you have a passion. I can hear it in your voice.&#13;
&#13;
1:18:47&#13;
PC: And I guess what I feel is that one of the reasons I became a Buddhist is because the endless debate and discussion does not seem to lead any does not seem to lead to wisdom does not seem to lead to anything but opinions. Borrow. And I would rather day make a sandwich for a hungry person. And debate hunger. I would rather take in an orphan and wash them and debate federal policy about orphan just where I have come to in my life.&#13;
&#13;
1:19:32&#13;
SM: And you notice I have not asked one question about your years in Hollywood and all your movies. So I appreciate that. Because you a&#13;
re much more your every year of what is the word, I want to use your if you lose quite a life, that ss all I have to say. Well, thanks and-and I will keep I will keep you updated on where I am at. interviewing 200 people. I will be transcribing all the interviews. Wow. I am doing it myself between September and April and then you will get a copy of the I guess I will send it to your assistant. You will have a chance to read it and make sure it is okay get the approval to printed I am going to need two pictures of you for the top of it.&#13;
&#13;
1:20:24&#13;
PC: Let me give you, my email.&#13;
&#13;
1:20:25&#13;
SM: Okay hold on one second let me write this down. Okay.&#13;
&#13;
1:20:31&#13;
PC: It is Peter at W D like David&#13;
&#13;
1:20:38&#13;
SM: [inaudible] You said Peter at WD light.&#13;
&#13;
1:20:46&#13;
PC: W, D be like David. Okay. Yep, P like Peter R like Richard. Oh, D like david.com It stands for Wild Dogs Production. Okay. So that is my email. If you send me an email I can email you back a photo or something.&#13;
&#13;
1:21:08&#13;
SM: Very good. Well, thank you very much Peter.&#13;
&#13;
1:21:12&#13;
PC: Thank you very much.&#13;
&#13;
1:21:13&#13;
SM: You have a great day. Thanks a lot. Night. &#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44267">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48073">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50731">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11588">
                <text>Interview with Peter Coyote</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38643">
                <text>Peter Coyote is an author, actor, director, screenwriter, and activist. Coyote is also a narrator for not only his own films, but for a plethora of other events including the 2002 Winter Olympics and various Historic films. He graduated from Grinnell College with a Bachelor of Arts in English Literature and attended California State University for a Master's Degree in Creative Writing.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47676">
                <text> Coyote, Peter ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47677">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47678">
                <text>Authors;  Motion picture producers and directors;  Screenwriters;  Political activists--United States;  Coyote, Peter--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47679">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47680">
                <text>2010-07-22</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47681">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47682">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47683">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47684">
                <text>McKiernan.Oral.10.2016.11</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47685">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47686">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47687">
                <text>84:26</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="842" public="1" featured="0">
    <fileContainer>
      <file fileId="6192" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/90356e6ae8f586727376c878129bf626.jpg</src>
        <authentication>f8bdcf5336537ff3a1a07e3a39962950</authentication>
      </file>
      <file fileId="3266" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/bc72c418a7971e7fe9789d0c0a5e85a8.mp3</src>
        <authentication>0c648814fe737a76adf1256d789c7592</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>Template: Simple Audio Player (Amplitude.js)</name>
      <description>This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11604">
              <text>2010-06-29</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11605">
              <text>Steven McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11606">
              <text>James M. Fallows</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11607">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11608">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;James Mackenzie Fallows is a writer, editor, columnist, and journalist. His writing pieces have appeared in The New York Times Magazine, New Yorker, Slate, and many others. He has been a professor visiting several universities in the U.S and China. In addition, he wrote ten books and received the 1983 National Book Award. He studied at Harvard University for his Bachelor's degree in 1970 and Queen's College, Oxford for economic development.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15105,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;James Mackenzie Fallows is a writer, editor, columnist, and journalist. His writing pieces have appeared in The New York Times Magazine, New Yorker, Slate, and many others. He has been a professor visiting several universities in the U.S and China. In addition, he wrote ten books and received the 1983 National Book Award. He studied at Harvard University for his Bachelor's degree in 1970 and Queen's College, Oxford for economic development.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11609">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11610">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11611">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11612">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11613">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17811">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Family structure; 1960's; Baby boom generation; Racial Issues; Civil War; Watergate; Gulf and Tonkin Resolution; The War in Afganistan; Iraq War; Martin Luther King Jr.; Student protest&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:2,&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Family structure; 1960s; Baby boom generation; Racial Issues; Civil War; Watergate; Gulf of Tonkin Resolution; The War in Afganistan; Iraq War; Martin Luther King Jr.; Student protest&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19736">
              <text>46:08</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20054">
              <text>Authors;  Editors;  Journalists;  College teachers;  Fallows, James M.--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44268">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50732">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11602">
                <text>Interview with James Mackenzie Fallows</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47688">
                <text>Fallows, James M. ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47689">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47690">
                <text>Authors;  Editors;  Journalists;  College teachers;  Fallows, James M.--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47691">
                <text>James Mackenzie Fallows is a writer, editor, columnist, and journalist.  His writing pieces have appeared in The New York Times Magazine, New Yorker, and Slate, among others. He has been a professor visiting several universities in the U.S and China. In addition, he wrote ten books and received the 1983 National Book Award. He studied at Harvard University for his B.A., 1970 and  Queen's College, Oxford for economic development.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47692">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47693">
                <text>2010-06-29</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47694">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47695">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47696">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47697">
                <text>McKiernan.Oral.10.2016.12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47698">
                <text>2017-03-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47699">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47700">
                <text>46:08</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="843" public="1" featured="0">
    <fileContainer>
      <file fileId="6208" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/570210515a5dbbff1849665079a019c2.jpg</src>
        <authentication>ba3ae7be0d22a3c18f064646b5313221</authentication>
      </file>
      <file fileId="3265" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/f2d643a7eaeb9ace249ed52777f49cf4.mp3</src>
        <authentication>ca2fac9da842b2308b8d7349d3bedde9</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11618">
              <text>2009-11-06</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11619">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11620">
              <text>David Harris</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11621">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11622">
              <text>&lt;span&gt;David Victor Harris is a journalist, author, and activist. He was a leading opponent of the draft during the Vietnam War, which began during his college days at Stanford University. As a young college student, he became involved in the Civil Rights Movement where he joined students from all over the country in the Student Non-violent Coordinating Committee's (SNCC) 1964 voter registration campaign in Mississippi. In 1966, he became president of the Stanford University student body, and as a leading critic of the draft, he formed a group called the Resistance. Harris was &lt;/span&gt;&lt;span&gt;the first person arrested for refusing to register for the draft in &lt;/span&gt;&lt;span&gt;1968. In his later years, Harris has received journalistic praise for his non-fiction books on his experiences in the sixties and seventies along with other books connected to personalities or issues in those times.&lt;br /&gt;&lt;br /&gt;Harris died from lung cancer at his home in Mill Valley on February 6, 2023, at the age of 76.&lt;br /&gt;&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11623">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11624">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11625">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11626">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11627">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="16720">
              <text>86:58</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="16721">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Role models; Dr. Martin Luther King Jr.; Assassination of John F. Kennedy; Cold War; Nuclear warfare; Saigon; Army reserve; Mason-Dixon line; Civil War; Slavery; Women's Rights Movement.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Role models; Dr. Martin Luther King Jr.; Assassination of John F. Kennedy; Cold War; Nuclear warfare; Saigon; Army reserve; Mason-Dixon line; Civil War; Slavery; Women's Rights Movement.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20055">
              <text>Journalists;  Authors;  Political activists--United States;  Harris, David, 1946--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44269">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50733">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="51287">
              <text>McKiernan Interviews&#13;
Interview with: David Victor Harris &#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: 6 November 2009&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
SM (00:00:04):&#13;
Good. Are you ready to go?&#13;
&#13;
DH (00:00:07):&#13;
I am ready.&#13;
&#13;
SM (00:00:10):&#13;
Okay. When you think of the (19)60s and the early (19)70s, what is the first thing that comes to your mind?&#13;
&#13;
DH (00:00:18):&#13;
Well, it is too much territory to really have a specific thing that comes to my mind, but being out there on the edge, as far as the feeling, I guess.&#13;
&#13;
SM (00:00:37):&#13;
Is there a specific event when you were young, because you are the front edge of the boomer generation, as they define it, from 1946 to (19)64?&#13;
&#13;
DH (00:00:47):&#13;
Pretty close to the first.&#13;
&#13;
SM (00:00:50):&#13;
Yeah. And actually, I think some people are eligible for social security this year.&#13;
&#13;
DH (00:00:56):&#13;
I was born in February of (19)46. So right there at the start of the curve.&#13;
&#13;
SM (00:01:03):&#13;
What was it in your particular life, at what point in your life did you know that you had to speak up about something, whether it be in high school? Because a lot of people never had the courage to speak up, and they always followed authority, but was there one specific incident, the first time that you knew you had to speak up about an issue?&#13;
&#13;
DH (00:01:26):&#13;
Oh, I suppose when I attended a public meeting during the fall of my freshman year at Standford, where they were recruiting volunteers to go down to Mississippi and help the-the Mississippi Project, fall of (19)63. At that point, I heard a call. I did not go to Mississippi right at that moment, but within a year I was in Mississippi.&#13;
&#13;
SM (00:01:55):&#13;
Yeah. Talk a little bit about that experience in the South, and being around those other young people who had the same caring attitude that you had. Did you feel that they were a rare breed within the boomer generation?&#13;
&#13;
DH (00:02:12):&#13;
Well, certainly. I mean, at the time, Mississippi was an extraordinarily influential moment for the entire generation, and certainly for me. I think you are absolutely right when you describe it as a caring response. There really was not an ideology at that point. People were there because they thought Black people had the right to vote without being lynched. I mean, it was as simple as that. It was really a value based proposition, far more than it was a politics based proposition. And I felt like, when I went to Mississippi, that I was participating in the great adventure of our time, and I did not want to miss it.&#13;
&#13;
SM (00:03:07):&#13;
When you were young also, who would you consider to be your, this might be an overused term, role models or people that inspired you? But most importantly, someone who may have been older, who believed in you?&#13;
&#13;
DH (00:03:22):&#13;
It is a different category. As a political figure, given when I started out in the Mississippi Project, the man was Bob [inaudible]. And to this day, I still have enormous respect for that. And he was slightly older than me, but I had no contact with him. I would follow fish to the circles that he read from afar. I thought he was enormously captivating, and a lot of what I first learned about organizing, just came from listening to him. And so, I would list him as a big influence. The older people who had faith in me, from my experience, were teachers. I had three teachers that I would put in that category. One, who I [inaudible] from in high school, one from my freshman year at Stanford, and one from my sophomore year on. Those were the big persons that supplied me not only with the intellect stuff, but...&#13;
&#13;
SM (00:04:57):&#13;
You want to list those names, just for the record?&#13;
&#13;
DH (00:04:59):&#13;
Sure. Well, in high school was a man named Alan Amond, who taught the honors humanities program and world history at Fresno High School, which was a three-year-high school. And I took his world history course my first year at high school, and I was in his honors humanity class [inaudible] and it was one of these five... English and history. It was a big deal at Fresno. And Amond was a guy who had been, during the great Red Scare, had inspectors from school board sitting in classrooms, monitoring what he said [inaudible], and that is what he was, Quaker. But in any case, he rooted all things in me. And then my freshman year at Stanford, a man named Richard Grafton, was instructor in our [inaudible] history of Western civilization, freshman fourth. And he was also the faculty president of [inaudible] and he has been a lifelong friend. And yeah, really hope he makes the transition to president.&#13;
&#13;
SM (00:06:30):&#13;
And the third?&#13;
&#13;
DH (00:06:32):&#13;
Pardon?&#13;
&#13;
SM (00:06:33):&#13;
Was there a third?&#13;
&#13;
DH (00:06:33):&#13;
A guy named Charles Breckmyer.&#13;
&#13;
SM (00:06:35):&#13;
Okay.&#13;
&#13;
DH (00:06:35):&#13;
He was in the poly-sci department at Stanford, and ran the special honors program in social processes.&#13;
&#13;
SM (00:06:39):&#13;
Very good.&#13;
&#13;
DH (00:06:39):&#13;
I studied with him the last years at Stanford.&#13;
&#13;
SM (00:06:51):&#13;
You have seen this over the years, particularly in the 90s, Newt Gingrich would oftentimes, especially when the Republicans came into power in (19)94, Newt had a lot of comments about the (19)60s generation and the boomers. And George Willis, whenever he gets a chance, he gets a shot at writing about him as well, and really cutting him in many different ways, in a negative way. What are your thoughts on critics of the boomer generation, who say that all the problems that are currently happening in our society today, with the breakdown of the American family, the differences between people of color, the confrontational victim type mentality, be blaming this generation for all of the excesses, the drugs? And just your thoughts on this criticism.&#13;
&#13;
DH (00:07:45):&#13;
Well I mean, I think they are way off the mark. I think quite the contrary. As far as I am concerned, saved the country from itself, at a time when it desperately needs. America has become a far better fight by virtue of our country. The problem here, was not our country. My question to a lot of these guys is what are you so goddamn upset about? What exactly is it that make you describe us as a syndrome? And I think the fact of the matter is, is that we exposed the way of doing business in the United States that contradicted everything the United States is supposed to stand for. And that they do not think that citizens ought to have the power to do that, and we did it. And come on, we are the ones that put the end to desegregation. And we stopped a war in which more than two million people were killed for no good reason. And none of these critics of us, have come up with a good reason for having done all that stuff. Not yet. Not after all these years, they have not come up with something. We stood up in the face of power when somebody had to do that, because we were engaging in wholesale madness, and that was immoral. For my generation, you have to remember, the formative intellectual experience was the Holocaust and the aftermath of the West judgment of Nazi Germany, and the Nuremberg prescient. And the intellectual issue when I was a freshman in Stanford, was framed by Hannah Arendt.&#13;
&#13;
SM (00:09:34):&#13;
Oh, yes.&#13;
&#13;
DH (00:09:34):&#13;
A philosopher who wrote a book called Eichmann in Jerusalem, which was supposedly an account of the trial of Adolf Eichmann after, and hiding in Argentina, and whisked away by the Israelis [inaudible] And the basic question that grabbed all of us in all that, was not, "What do you do about the Germans?" That they were clearly evil and had to be addressed to set. The issue was, "What do you do if you are a German?" And I think my generation spent a lifetime trying to answer that question. And I think that a number of us answered the bell when somebody in the country had to do so. And so obviously, I think the critics [inaudible] which continued to do so. And I would remind you, that these were largely guys who got through this entire period of history without having to pay any price. Say what you will about my position, I did not hide behind anything. I ended up in... Spent most of 20 months in prison in a maximum security institution. Four months in isolation cell. I paid my price, and I know my veteran friends paid their price. And where was Newt Gingrich's price in all this? How did he escape that, and how can he stand back now and call on us to endorse more innocent killing? Come on. By all the basic rules of the (19)60s, he passed, or failed to pass the debt. He did not stand up for what he supposedly was for. Fine, you like the war? Go fight it. They all had that option, and none of them took it. And so for me, a lot of that is just bullshit.&#13;
&#13;
SM (00:11:55):&#13;
David, you raised a great point, because you paid a price. And if you remember, Dr. King would always say, when he was alive, that, "There is a price one has to pay for your beliefs." And he paid it by going to jail and everything. And a lot of people that had his side, he would say that, "Well, you may go to jail for this. You may have to stand up for what you believe in, and then pay a price." Do you feel that the boomer generation understood that there is a price one has to pay for standing up, and maybe this is why so few did in their adulthood? Your thoughts on some of your peers who may have, when they were young, stood up, but have not stood up since? And then the majority that may have never stood up.&#13;
&#13;
DH (00:12:47):&#13;
Well, I think what to say about the generation, is that we were all, at the very least, witnesses to people paying prices. It is impossible to go through that historical experience without having encountered that information. There was just too much was being played out in too many places. And I am not in a business to make judgment about people's responses during the (19)60s, but I set out to be in a position so that when I got to 63 years old, I can look back on it and feel good about what I did, and I do. And I did something, and that shaped me for the rest of my life, and I am good with that. I am glad. But I do think the lesson we ought to have learned in all this, is that democracy goes no further than the citizenry will take it. And you believe in something, you have to act on it. [inaudible] is what you do. So either Andy up, or you are not a player, as far as I am concerned. I think that failure, on the part of America, to maintain that kind of intensity about their democracy, is one of the reasons we have got the load of band that we have got.&#13;
&#13;
SM (00:14:28):&#13;
Is there one specific event that you think may have had the greatest impact on this boomer generation?&#13;
&#13;
DH (00:14:34):&#13;
I think the most seminal and formative, was the assassination of John Kennedy. That turned the world on... For me, that is the day that [inaudible]&#13;
&#13;
SM (00:15:01):&#13;
Do you feel that... When did the (19)60s begin, and when did it end?&#13;
&#13;
DH (00:15:06):&#13;
Well, it ended, as far as I am concerned, there are two possible end dates. One is 1973 [inaudible] and one is 1975, when [inaudible] was evacuated, and Saigon fell for inmates. In the beginning, I think... I would begin the (19)60s maybe with the emulation of Buddhist Monk in Saigon, somewhere in [inaudible] kind of the Jeremiah, or teller of things to come. Unbelievable event coming from a place nobody imagined much about, would tell us all what was coming.&#13;
&#13;
SM (00:16:16):&#13;
What was it about the 1950s? Because a lot of times, when we look at the boomer generation, we concentrate on the (19)60s and the (19)70s, and when they were in high school and college, and early adulthood and their twenties. What about those (19)50s? What role did that did? What was happening in the world at that time, shaped their lives? Because when you look at the... And I am only about a year younger than you are, and when I look at the (19)50s, I know we went through the fear of a nuclear attack all the time, and we heard all about the Cold War and the nuclear bomb destroying us all in one shot. But as children, we grew up watching Howdy Doody, Hop Along Cassidy, all the Westerns. We learned that Native Americans were always the bad guy. Mickey Mouse Club. It seemed like there was a lot of happiness going on in America, and whether it was hiding the bad things, we all knew what was going on in the South, what was going on with African Americans. And the civil rights movement was happening at that time. But what about the (19)50s, and its shaping of the psyche of this group of young people, that as they went into the (19)60s, everything changed?&#13;
&#13;
DH (00:17:34):&#13;
Well, I was born two aspects of the (19)50s. And one is, I do not know that I would describe it as a lot of happiness going all around. There was a lot of formulaic living going on. I mean, remember, this is... America in 1956, the country with no options. So if you were a young man growing up in Fresno, California, who I was, who had a choice in John Wayne or John Wayne or John Wayne. It was a remarkably singular culture. And so part of the [inaudible] exploded out of my generation, was just the desire for options, that we had to go out and make ourselves. There was not just one way to live, and that there were lots of ways to live. Some people had lived thousands of different ways. And to continue to participate in a culture which assumed that there was only one way to live, was an enormous mistake. And I think that was the breakout. And there was that inner hook for a long time. People wanted something more. And I think the second thing, was the degree to which our generation believed in the (19)50s. My experience was, most people I was in the movement with, were people who got A's in high school. These were not people who did not buy in. These were people who bought in enormously. We believed that America would never go halfway around the world, to kill people to no good reason. No. I mean, that was an article of faith. I grew up watching people [inaudible] on television. My father was off in the army reserve the entire time I was a child, and my brother was a captain in the second air force, so I bought in. When I was in the fourth grade, I wanted to go to West Point. When I was in the eighth grade, I wanted to be an FBI agent. And I think my experience proved the entire generation. And it was the process of discovering that the bill of goods you had been sold, was a bill of good. We had been told, and believed, and placed our faith in an America that did not exist. I mean, for me, then I crossed the Mason Dixon line on my way to Mississippi, and saw my first black entrance and white entrance, and all that rigmarole certification. It was just, I mean, instantly clear to me that I had been fucking lied to. And I was somebody in my generation who had more contact with black people than almost all my peers, because my father had coached a little league baseball team on the black side of Fresno. Black Fresno, just anywhere West of that. And my father coached a team over there, and I went over for the baseball. And one of three whites. So I at least had a working relationship with black peers, though limited, but far more extensive than by other people [inaudible]-&#13;
&#13;
SM (00:21:16):&#13;
Do you feel... Yes. Again, I am only a year younger than you, and I can remember when my dad won a trip to Florida. We went three straight years in (19)57, (19)58, (19)59, in April. Took two weeks off in school. And I remember, I lived up in the Ithaca Cortland area, and we all had nice homes, nice streets and everything. Then as we drove farther and farther South, we drove on these two-lane highways, that the roads that were... I saw all the poverty. I saw a different America, and it was kind of shocking to me. It was shocking. And so I am talking about, we were given a bill of goods. Do you think that many of these boomers had this false sense of security? And then when they got into the (19)60s, the reality of what America truly is, really hit them in the face, and that is why they wanted to make it better?&#13;
&#13;
DH (00:22:11):&#13;
I think everybody that went through the (19)60s, had eye-opening experiences. I mean, of all different sorts, but they all amounted to seeing an angle on life, and on America, that we had never imagined growing up.&#13;
&#13;
SM (00:22:33):&#13;
What if you were to list some of the strengths and weaknesses of the generation, some characteristics and qualities that you admire and maybe do not admire, what would they be?&#13;
&#13;
DH (00:22:43):&#13;
Oh, well I think that we possessed courage and openness.&#13;
&#13;
SM (00:22:55):&#13;
And David, could you speak up just a little bit too? Thanks.&#13;
&#13;
DH (00:23:06):&#13;
I think on the list, on the plus list, I would put courage and openness, altruism, imagination, sincerity, curiosity. Negative list, I would put... Well, one of the things I would put, would be narcissism as an episodic piece. I think [inaudible] people got enamored.&#13;
&#13;
SM (00:24:21):&#13;
Yeah. A lot of the boomers felt that they were the most unique generation in American history. I am sure you have heard this before. Some of my peers who were boomers, still feel they are. Your thoughts on just an attitude that many of the young people back in the (19)60s and (19)70s had, that they were the most unique, because they were going to change the world and make it better. No other generation ever did. And then some attitudes as they have grown older.&#13;
&#13;
DH (00:24:48):&#13;
Well, I do not recall at the time, being caught up in making historical judgments about the generation. To me, that was part of overlay.&#13;
&#13;
SM (00:25:07):&#13;
How important were the boomers in all the movements? We are going to get in a little bit more about the anti-war movement, and of course the civil rights movement was really happening as boomers were becoming in their late teens and twenties. But how important were the boomers in all of these movements, as it really came to fruition in the late (19)60s, early (19)70s, and have been ongoing today? And I say not... We are talking about the women's movement, the environmental movement and the Native American, Chicano, gay and lesbian movements. Just your thoughts on the issue of movements, and how important this generation was in their creation.&#13;
&#13;
DH (00:25:48):&#13;
Well, I think it is one of our signatures.&#13;
&#13;
SM (00:25:56):&#13;
Want to go into any detail?&#13;
&#13;
DH (00:25:57):&#13;
Well, we were all tested by the notion of organizing. And organizing was one of the things people did in 1960, out of those that organized. But to me, the word boomer, is one of the things that defined the 1960s. For the entire time, I was part of [inaudible] state of political opposition, that at the beginning, had entered the civil rights. And full wide crane of uprising. So yeah, I think that... I suppose, if I try to look to how that inherited, the thirties were, of course, a big movement time as well. And that was our current generation.&#13;
&#13;
SM (00:27:20):&#13;
There was obviously a very big generation gap going on at the time between boomers and their parents, the World War II generation. Your thoughts on the impact that the boomer generation has had on their kids, and their grandkids. And we are now dealing with two generations beyond the boomers. We had the generation Xers, that seemed to really have a problem with boomers, in many ways. I worked on university campuses, and we actually had programs where we brought them together. And then the millennials, which are currently today's students, seem to be very close to their parents, and there does not seem to be any generation gap at all. Just your thoughts on the generation gap at that time, and the impact that boomers have had on the lives of their kids and grandkids, if any.&#13;
&#13;
DH (00:28:09):&#13;
Well, certainly I pulled things on my parents, as I was going to. And there was a generation gap on some level. It was a transition between worlds. So I felt bad. I did not feel it in much of a personal sense, although my father begged me not to do what I was going to do about that. [inaudible] taking on the government was easy, the hard part was telling your parents.&#13;
&#13;
SM (00:29:02):&#13;
How about the influence that, what have boomers done with their kids? I am basically leaning toward the issue of activism, and whether they are...&#13;
&#13;
DH (00:29:12):&#13;
Well, I have kids. One, who is currently 40, and one is currently 26 [inaudible] And while both of them have good politics that they care about [inaudible] neither of them became political organizers. Son is 40, my daughter is 26.&#13;
&#13;
SM (00:29:36):&#13;
David, could you speak up just a little bit too, so I can catch? Okay.&#13;
&#13;
DH (00:29:54):&#13;
Anyway, both my kids got good politics, but they did not become organizers and had no interest in it. And in fact, my daughter kind chose not to, kind of feeling it out for a while.&#13;
&#13;
SM (00:30:14):&#13;
What do you think would be the lasting legacy of the boomers? They are now starting to reach senior citizen status, and so they got a lot of years left to have an impact on America. But what do you think history books will say about that era and that time, and that generation?&#13;
&#13;
DH (00:30:33):&#13;
Well, I can only say what I think they ought to say, which is, I think they ought to give us credit for significant things. Not all of the same. First, is the end of segregation. For our generation, it was an enormous accomplishment that [inaudible]-&#13;
&#13;
SM (00:31:06):&#13;
David, you are being cut off.&#13;
&#13;
DH (00:31:08):&#13;
And has meant, I think more, to the shape of modern America than almost anything else. Second, I think that we opened up the university in ways that it was not before. Are now far and more open and original and imaginative way they approach learning, than they ever were at our time. And I think that was largely because of criticism that those... That era brought challenges to it. Third thing, I think that we gave America options. Certainly, if you look around us today, there are 400 television channels. They were all upstairs on my TV. Where we had basically three television options, they were now enormous. And we introduced the notion of spirituality, the notion of insight, of enlightenment, of a different kind of cultural approach that was responsible for making the lives of everyday Americans far more rich, fulfilling than they ever would have been otherwise. Fourth thing we did is, at a moment of the greatest challenge, the ethos of our democracy and one of the greatest abuses of power ever conducted by an American government, namely the Vietnam War, and something that stands out in our history as an obvious war crime, again, that, we stood up and stopped. Three enormous assumptions. And in so doing, changed the relationship between government and citizenry forever. Hey, that is a lot. That is a hell of a lot. And most of that was done before we were 30 years old. So there is something special about that, our particular relationship. But it was a generational thing, and that was not our choice. That was the society, defined by the fact that the only people who were ever asked, who were ever forced to pay a price for that war that demolished out generation, were all under 26. They were not going into anybody else's neighborhood, grabbing people and cocooning them into the military. I think that is a defining experience for the entire time.&#13;
&#13;
SM (00:34:29):&#13;
That is interesting, David. I like your thoughts on this. When people of my age and your age talk about the Vietnam War in a college environment, with the current administrators or current students, it is as if... All we are trying to do, is we are nostalgic and we can never forget the times have changed, and let us move on, kind of an attitude. And what is interesting is, a lot of the people that run today's universities, are boomers who may have not been activists in their time, but they know what happened in those times and may fear the rise of activism again, on university campuses. I have experienced this at all the universities I have worked at. Move on. That was part of history, but it was not now. But just your thoughts on that kind of an attitude that seems to be prevalent in America today, that when they criticize-&#13;
&#13;
DH (00:35:27):&#13;
The [inaudible] is that... The implicit assumption there, is that somehow caring about the lives lived by your fellow human being, involving yourself, trying to minimize suffering, somehow a commodity that limited a certain period of history. Come on. These are what the culture called eternal truth, when we were practicing them. And I think... I am sure nobody is trying to make the (19)60s happen all over again. Good God, no. I had enough of the (19)60s when I was in the (19)60s. The real point is, how to take those values that motivated us then, that motivated people for hundreds of thousands of years of history, and how to take those and act them out in ways that address the dilemmas facing us as a people, and a civilization. God. What we need to have happen now, is addressing a far different kind of phenomenon. We are about to lose the planet. Civilization is about to flop, and somebody has to be able to step out and start making a sacrifice. It will be required for this to survive in anything we recognize today, as meaningful. All of it is talked over the horizon, but there are serious scientists who are saying things like, by the end of this century, the Earth's population will have been reduced from 9 billion to 1 billion, as a function of climate. Well, I do not know whether that is accurate or not. Maybe he only got it half right, but that is still... I mean, try and visualize half the people in your neighborhood are not alive anymore. That is catastrophic.&#13;
&#13;
SM (00:37:32):&#13;
Wow.&#13;
&#13;
DH (00:37:33):&#13;
And we are staring down the barrel of that, and paying no attention to it at all. The enemy here, is denial.&#13;
&#13;
SM (00:37:42):&#13;
Yeah. It is interesting, because when you bring that up, and when people talk about Al Gore now, they talk about all the money he is making. I read about it. Oh, he is flying an airplane. He is not living his principles. They find any way they possibly can, to destroy an individual who may be trying to put his name out there to try to save the universe, or for a cause. They always try to find the Achilles tendon and the person who is making a plea, or being different than others in their thinking.&#13;
&#13;
DH (00:38:14):&#13;
And I think it is also a function of a larger thing. Whatever political, whatever [inaudible] And that happened left, right, and sideways.&#13;
&#13;
SM (00:38:37):&#13;
Right. This next question I want to ask, really deals with the issue of healing within the nation. Jan Scruggs, who was the founder of the Vietnam Memorial, wrote a book on, to heal a nation. That was the title of his book, When the Wall was Built. I am going to read this question to make sure I get it all correct, so that you hear it. Do you feel boomers are still having a problem from healing from the divisions that tore the nation apart in their youth? Division between black and white, divisions between those who support authority and those who do not, division between those who supported the tropes and those who did not. You hear that all the time today. Of course, what roles the wall played in... And I know it has played a lot with veterans, but I am not sure if it was done much for the rest of the nation. And do you feel that the boomer generation will go to their grave, like many in the civil war generation, not truly healing from these divisions? Am I wrong in thinking this? Or has 40 years made the statement, time heals all wounds, the truth?&#13;
&#13;
DH (00:39:46):&#13;
No, I think there is all kinds of outstanding accounts in this war that we have managed to sweep under the rug, by labeling it as a mistake. Mistake is a genius way to talk about it, because it can be a mistake, because it violated [inaudible] precedent, or it can be a mistake [inaudible] when we had the chance. It covers everything, and allows us to kind of fluff it off without ever taking moral responsibility for what happened, and about ever going through the exercise of trying talk to each other about what exactly did happen. And so I think there is lots of stuff out there. We let ourselves off, and not digest the experience. So there has never been a format for us to talk about it, except these kind shots fired off from the right wing every now and then, about the syndrome. There is no serious discussion about the war and what communications of it were. And so that means all the divisions are still out there.&#13;
&#13;
SM (00:41:21):&#13;
I can remember, during Reagan's presidency, his whole effort was to bring America back to what it used to be. And then when George Bush Sr. became president, he was the one that proclaimed that the Vietnam syndrome is over.&#13;
&#13;
DH (00:41:34):&#13;
Well I mean, Reagan was certainly frustrated. [inaudible] So there was one war we saved the country from. I think that, certainly George Bush Sr. [inaudible] I mean, what really happened there, was not about any syndrome being recovered from. Really here, it was the kind of balance of power in the society, in which the forces of the military were being held at bay by the experience of Vietnam War. And I think, certainly that those forces got empowered by George Bush Sr. And he did not make the mistake of trying to extend them in place [inaudible] But his son, I think is absolute triumph of that kind of [inaudible] And I think that filter is going to become increasingly correct, by virtue of the forces. It is how it should be.&#13;
&#13;
SM (00:43:17):&#13;
Dave, let me change the side of my tape here. Hold on one second.&#13;
&#13;
DH (00:43:20):&#13;
Sure.&#13;
&#13;
SM (00:43:31):&#13;
All right, we are back. It is kind of a follow-up to that question on the healing. I took a group of students, about five, maybe six years ago, to Washington DC, before Senator Musky died. And he had just gotten out of the hospital, and these 14 students were some of the best student leaders on our campus. And we had a whole series of questions that we had picked to ask him. And many of them wanted to ask this question about the healing from the 1968 convention, because they had seen it on black and white tape and everything. And they wanted to know if we had healed as a nation from that. And we were waiting. And he had just gotten out of the hospital and he had been watching Ken Burns series on the Civil War. And when we asked the question, he kind of almost gave us a minute of total silence, and it was obviously a very emotional question for him. And then he finally answered, "We have not healed since the Civil War." And then he went on for about a 15-minute lecture on the Civil War and how the divisions in America at that time, were still part of the American scene. He was very upset for the loss of life, that over 400,000 people had died in that war, and was almost an entire generation of children that would never be born because of brother fighting against brother. Just your thoughts on that, as a person who was young in the early (19)60s, who went South and saw some of these terrible things of injustice in America in the 1960s. But if you go to Gettysburg, you still see a lot of things left at the tombstones. I go there four or five times a year, out of curiosity, just to see what is left. And on the confederate sides, there is still a love for the Confederacy. So just your thoughts on that.&#13;
&#13;
DH (00:45:26):&#13;
Well, obviously that Civil War did not get resolved, because I was a 19-year old in order to try and clear that up again. That bondage has not ceased exist. And I resist strongly, the description of the Civil War, simply as brother fighting against brothers. Certainly that happened [inaudible] but not some random act where brothers felt they had to fight each other. This was because one set of people insisted on the right to buy and sell other people, as though they were cattle. That is why there was a Civil War. That is why 400,000 people died. And I consider it tantamount... I have been to South Carolina, where they fly that fucking stars and bars. As far as I am concerned, it is like walking in and seeing a swastika flag.&#13;
&#13;
SM (00:46:34):&#13;
Yeah, you are right.&#13;
&#13;
DH (00:46:37):&#13;
This is slavery we are talking about here. There is no great romantic Southern life. And I certainly feel that most retrograde parts of America are in the old Confederacy. And I am sure they do admire it, and I think that is much to the detriment of the country and the species of humanity. And I have a lot of friends South, who I certainly would not put in a lump with them, but that is what it was about. And let us not glorify this thing here. They have enough perspective to know now, just how obscene the jury segregation was, how much... We talked about terrorists. I mean, terrorists are people who walk into somebody's house, drag them out in the street and lynch them, because they are black. That is terrorism. And all those states South of the Mason-Dixon line, and a whole bunch of other ones who are not South, they try and nourish that and glamorize that. And they can go down to all the racetracks they want, with their stars and bars, but it does not make it any different than what it was.&#13;
&#13;
SM (00:48:07):&#13;
Yeah. That is what is always intrigued me about when I go to Gettysburg, because I see so many cars from the South, and I know they love America and everything. But I drive on both sides, and the majority of the statues and monuments are on the Northern side. But it is the Southern side where things are left, and I am amazed there is still something going on here. And I think we know, even with President Obama in the White House, that we still got a long way to go in this country.&#13;
&#13;
DH (00:48:42):&#13;
Well, it is not the jury segregation anymore. We have come a long way. But absolutely, I think that there are a lot of people still in the country, who cannot accept the notion that people who are not white, are just as valuable and just as important as people who are not.&#13;
&#13;
SM (00:49:03):&#13;
One of the qualities... Another other big issue, beyond healing, is the issue of trust. There were so many leaders that lied to us when we were young, and of course, the leaders have lied probably throughout our history. But we all remember Eisenhower lying about the U2 incident on national television. We know about the Gulf and Tonkin with LBJ. We know about Watergate and all the lies and the enemies lists and everything that Nixon did. I have even read in recent years, about Kennedy and Vietnam, even though Sorenson's recent book basically states that he had nothing to do with the coup there. He encouraged the coup, but he did not want them to die. But still, there has been so many lies that come through, just about all the presidents. Just your thoughts on the shaping of the boomers as a not very trustful generation, and whether they have passed this quality of lack of trust onto their kids and their grandchildren. And I preface this question with one other item. I can remember being in... I went to Binghamton University, (19)66 to (19)70. And I can remember in my intro class in psychology, the professor saying to us in a lecture on trust, that if you cannot trust, you will not be a success in life. You have got to be able to trust somebody. Trust is a very important quality in a human being. Just your thoughts on whether maybe a quality within the boomer generation, is that they do not trust.&#13;
&#13;
DH (00:50:37):&#13;
Well, I would not make that generalization. I think it is not that people lost their capacity to trust, it just became quite clear that, that trust was not an automatic. Issue is not whether we are willing to trust government, and somehow become a character flaw that cannot get around the issue of the process. No. I think what has happened, is what the process of trust is doing to trust. You do not get trust, simply because you have got a majority of people who would show up on November, the first Tuesday in November, in your congressional district. Simply because you do that, does not give some kind of automatic way over what the country is supposed to be. And they cannot simply hand over power. There is some things that you do not trust anybody, other than yourself, but that you have to trust yourself. So I would define it a little differently than that. I do not feel like I am not a successful person, but I think once burned... How many times do you have to go through that process, before you assume that it has a given, and not the other. So how many times do you have to be lied to before you start worrying that people are doing? I mean, I think it is a totally rational position, not the incapacity to trust. Trust each other [inaudible] some of my closest friends from those days.&#13;
&#13;
SM (00:52:39):&#13;
As a history political science major, which I was years ago, I can remember that trust being a quality that... Not trusting your government is actually a good quality, because it keeps them on their toes. So that kind of feeling. I got a question here, because you are a great writer, by the way.&#13;
&#13;
DH (00:52:58):&#13;
Thank you.&#13;
&#13;
SM (00:52:58):&#13;
You are a great writer. I first came upon your writing when I bought the book Goliath, way back when it first came out. And then of one of your recent books, Our War. And of course Dreams, the one on Allard Lowenstein. Yeah, great books. And I wanted to ask a question on these three books. How do the three books, combined in your own unique way, define the boomer generation in their times, when you were young? Everyone has quality. And to me, when I have read them... And I have to reread your, Dreams Die Hard, because I read it years ago. But when I lived... Actually, I lived out in California, and I lived in Berlingame from (19)76 to (19)83. And I remember I bought the book, I think it was (19)82 when it came out. So I brought it there, and I read it there. And of course, I had Goliath already. But those books are really classics. They-they should be required reading, to me, in the classroom, some of them. Just your thoughts on how all three of them kind of define your generation.&#13;
&#13;
DH (00:54:12):&#13;
Well, I think that they certainly... first, thanks for all the kind words. I feel that they are all great books, and I think they should be required reading. And each of them was, for me, an attempt at different times, and in different ways, to come terms with what that experience was. And so Goliath was obviously contemporaneous. That was me writing from the middle of it all. Basically, I wrote the book in the last three months before I went to prison. And Dreams Die Hard was a book that I could not-not write, when I got a phone call saying that Dennis Sweeny had shot Allard K. It was like, oh, God.&#13;
&#13;
SM (00:55:20):&#13;
Yeah.&#13;
&#13;
DH (00:55:21):&#13;
There was a kind of triangle, a life triangle there, between me and [inaudible] I write for a living, and there is no way I could pass that one off. And I felt the kind of obligation to do so, that it should come to this so many years later, needed an explanation. Only explanation was to go back to where it all started. And Our War was a kind of conscious effort, at age 50, to look backwards at the war that had defined my life, and try to talk about it as clearly as I could. And I think all of them framed part of the kind of overlap play, part of that experience of the generation. Absolutely.&#13;
&#13;
SM (00:56:19):&#13;
Do you feel... I would like your thoughts on today's university. You made a comment on it, and I want you to respond to something that I feel very strongly about. And that is, that universities today, whether they be state universities or Ivy League schools or community colleges, or technical schools, I do not care where it is, are afraid of activism. They propose and love volunteerism, they love... And most students are in volunteer activities. But I have always felt that activism is the step beyond volunteerism. Activism is 24/7, whereas volunteerism may be a requirement, or doing something once a week or once every two weeks. And I say this, because we had an activist series at our campus, and Tom Hayden came, and we had the Bergen Brothers and we had a really good series. And people above us, said that this is not what our university's about, and encouraged us to stop the activist lecture series. From that point on, I figured there is something going on here. And I started thinking that maybe today's universities are run by boomers, or young people that are younger than boomers, that are afraid of a revival of what could happen again on university campuses, which is protests against the Afghan War, or any kind of an issue. They are afraid of them, of bringing back memories of disruption of classes and the university shutting down, students asking more questions than they should be asking. As Tom said when he was on our campus, understanding the difference between empowerment and power, and the students were shocked, but the administrator’s kind of said, oh, he should not have said that. And so just your thoughts on the universities today, and whether they fear activism.&#13;
&#13;
DH (00:58:17):&#13;
Well, I think volunteerism, first, is an admirable activity. I probably would not want to come down against it, but I think that activism, I associate with more, rather than exercising altruism. It was obviously a good thing to do. It was really an attempt to exercise power, which is a very different kind of thing. And anybody who is in power, is going to have problems with the people who think that, that power ought to be shared out. Nobody likes to give it up. And I think certainly that most... I assume, amongst college administrators, there is this boogeyman, which is the 1960s. [inaudible] authority of college administrators, which shall never before. And the modern university has become increasingly incorporated. And so I think everything gets determined on the basis, largely, of how it is going to affect fundraising. And retired political organizers are not doing great a source of funding for-&#13;
&#13;
SM (00:59:35):&#13;
Yeah, you are darn right.&#13;
&#13;
DH (00:59:45):&#13;
And so I think it is a character of the modern university. And on one hand, it has become a far better and more responsive institution, in that it has opened its intellectual horizon in ways... Were not the case when I was... I mean, nowadays [inaudible] can basically write their own majors, on any subject they can make a case on. God, you would kill for that in my era. That was one of the things I spent hours with administrators, screaming back and forth about it, disagreeing back and forth, when I was student body resident at Stanford. And hey, when I got elected, part of my platform was equal rights for men and women students.&#13;
&#13;
SM (01:00:35):&#13;
Go into that a little bit. Tell me a little bit about your student experience at Stanford.&#13;
&#13;
DH (01:00:38):&#13;
Well, I was there as far as Stanford pushed to open itself to the middle class, to take a leap from finishing school for California [inaudible] to Harvard and West. And to do that, they made an opening for the middle class [inaudible] For example, at my high school in Fresno, California, public high school in Fresno, they took seven members of my graduating class. That is unheard of. You never heard of people going to Stanford the year before that. All of a sudden, they started opening up. I was part of it, had the scholarship on there. And I felt that the university at the time, was a real high bound kind of institution. My election as student body president of Stanford, was remarkable on many fronts. First of all, I did not want to run for president, and someone approached me to run for president, saying I had all these things about education [inaudible] why do not I run for student body president? [inaudible] they gave me a guarantee that I would not get more than 500 votes. And we went out and talked about student regulations, about the University of Scholars. And there were [inaudible] administrators and faculty [inaudible] And cooperation for Vietnam, to get the legalization of marijuana in there. But we had a whole list of things, and right at the top, was the rights for students. Woman stayed out all night, and men stayed out all night. [inaudible] And so I ran for student body president, I talked about some stuff, and if I had won the election in Berkeley, nobody would have noticed. But a place like Stanford, from conservative, for someone... They called me radical, was what I was called, in work shirt and Levis, vest mock, barrel in my ear. If I could feel like Stanford National News. And I spent the next year having discussions with faculty administrators who were bizarre, to say the least. I can remember in the discussion with a group of faculty administrators, [inaudible] five faculty, five students all met. And we started arguing about women having the same rights as men. Essentially, the English department... And basically said, "Hey, if we do this, do not start having sex." And I said, I am sorry to tell you this, but that horse is already out of the barn. It happened. But can you imagine that discussion today?&#13;
&#13;
SM (01:05:10):&#13;
Geez. Oh my gosh.&#13;
&#13;
DH (01:05:13):&#13;
We have learned something. But by and large, the issue of empowerment and who are the legitimate members of the community, and how should their interest represented the decision making, has basically progressed not one width. Lots more options available, but students still do not make great choices.&#13;
&#13;
SM (01:05:45):&#13;
David, what were the books that students were reading when you were a college student, and maybe in the early part of the movement too? Were there books written by authors that really influenced you and some of your peers?&#13;
&#13;
DH (01:06:01):&#13;
Yeah, it is funny. I mentioned Hannah Arendt, Eichmann in Jerusalem. Well, for entertainment, we all read Fonica.&#13;
&#13;
SM (01:06:14):&#13;
Right.&#13;
&#13;
DH (01:06:14):&#13;
And Richard Brodigan, he had a lot of [inaudible] civilization. Yeah [inaudible]-&#13;
&#13;
SM (01:06:14):&#13;
Yeah.&#13;
&#13;
DH (01:06:14):&#13;
A big one for me, and a lot of people I knew, was also Gandhi, an autobiography.&#13;
&#13;
SM (01:07:20):&#13;
Do you remember the books, the Greening of America, by Charles Reich, and The Making of a Counterculture, by Theodore Roszak?&#13;
&#13;
DH (01:07:26):&#13;
I remember Theodore Roszak's book, and that was [inaudible] around the time. Greening of America was never a book that...&#13;
&#13;
SM (01:07:42):&#13;
Right.&#13;
&#13;
DH (01:07:42):&#13;
If I recall, right at the end of the 1960s.&#13;
&#13;
SM (01:07:49):&#13;
Yep.&#13;
&#13;
DH (01:07:50):&#13;
Oh, Paul Goodman [inaudible]&#13;
&#13;
SM (01:07:53):&#13;
Oh yeah, that is a big one. Yep. Who were the favorite musicians, and how would you define how music defined the boomer generation, or vice versa? Because when we are talking about the music of this period, we are not only talking about rock and folk, we are talking about the Motown sound. They are all kind of combined here. But when you think of the (19)60s and you think of the boomer generation, who are the musicians that you most admired, and you think had the greatest impact on the generation?&#13;
&#13;
DH (01:08:29):&#13;
Well, there is one, hands down. [inaudible] Dylan was a poet at the time. Not like that.&#13;
&#13;
SM (01:08:37):&#13;
Who was that now?&#13;
&#13;
DH (01:08:41):&#13;
Bob Dylan.&#13;
&#13;
SM (01:08:41):&#13;
Oh, yeah.&#13;
&#13;
DH (01:08:42):&#13;
And he was poet at the time. And so what he came close to... Influence that Dylan had on everything. All of us have grown up in [inaudible] The first concert I ever went to see was when Ray Charles came to Fresno. And part of the identification people had with black people, was the music and all the big [inaudible]&#13;
&#13;
SM (01:09:41):&#13;
Yeah. I tell you. Was there a rock group that was your favorite?&#13;
&#13;
DH (01:09:45):&#13;
Well, there was... I love the Beatles. How could I not? They were phenomenal. And I was on more intimate terms with the San Francisco band. And so when I was a freshman at Stanford, [inaudible] right off campus, and [inaudible] and one of his regular acts was this Jerry Garcia.&#13;
&#13;
SM (01:10:28):&#13;
Oh, yeah.&#13;
&#13;
DH (01:10:29):&#13;
Then became Warlock [inaudible] and then became the Grateful Death.&#13;
&#13;
SM (01:10:43):&#13;
Yeah.&#13;
&#13;
DH (01:10:43):&#13;
And when I ran for student body president, we had a rock concert, a local stamp stand, and to get the amplifiers speakers that we needed to do the concert [inaudible]&#13;
&#13;
SM (01:11:00):&#13;
Oh my gosh. Great slicks. Yep.&#13;
&#13;
DH (01:11:05):&#13;
That was all done. That was 1966, for that stupid, going to San Francisco with a flower in your hair song.&#13;
&#13;
SM (01:11:16):&#13;
That is Lee Hazelwood.&#13;
&#13;
DH (01:11:19):&#13;
Haight-Ashbury got discovered.&#13;
&#13;
SM (01:11:20):&#13;
Right.&#13;
&#13;
DH (01:11:21):&#13;
And that little episode got [inaudible] But before that [inaudible] when I got into it, in my first kind of... At the same time I was listening Bo Diddley, I was also listening to Joan Baez.&#13;
&#13;
SM (01:11:50):&#13;
Yeah, of course, you were married to her. Yep.&#13;
&#13;
DH (01:11:52):&#13;
Yeah.&#13;
&#13;
SM (01:11:54):&#13;
Yeah, I got a lot of her albums.&#13;
&#13;
DH (01:11:58):&#13;
Yeah. So all the music passed through me, but Bob Dylan was the man. I mean, he is the only guy who I was waiting.&#13;
&#13;
SM (01:12:12):&#13;
What was really interesting, is that three weeks ago, my brother went to physical therapy over in Bucks County, and I just accompanied him. And I am sitting out in the hallway, and there is this old couple, older couple, they were in their (19)80s, that came in. And the gentleman walked right in, and I got to talking to the lady, and I was wearing a Kent State shirt. And she started talking about Kent State in 1970. And then she said, "Oh, by the way, my son was married to Grace Slick." I did a triple flip. Her son was married to Grace Slick for I think 11 years. And he was the sound person for that particular group. And now, I guess he is the sound person for a hotel in Atlantic City and the Wacovia Center here in Philadelphia. But he was the first husband of Grace Slick. What a small world. She said, "Oh, Grace was so nice. We had her over to dinner." So it is a very small world at times. You have obviously been to the Vietnam Memorial in Washington, when you saw it for the first time, what feelings were going through your mind?&#13;
&#13;
DH (01:13:27):&#13;
Say that again.&#13;
&#13;
SM (01:13:28):&#13;
The Vietnam Memorial in Washington, what impact really, has that had on healing the nation, in your thoughts? And secondly, what was the impact when you first saw it for the first time, that it had on you?&#13;
&#13;
DH (01:13:43):&#13;
Well, I do not think it healed anything, but the first step towards healing is recognition of what the experience was. And I think it is a remarkable memorial for that. Recognizing had a kind of fundamental [inaudible] I consider it beautiful, and extraordinarily impressive.&#13;
&#13;
SM (01:14:19):&#13;
What does Kent State and Jackson State mean to you?&#13;
&#13;
DH (01:14:24):&#13;
Well, probably less than they do to most people, because I was in the isolation cell block when Kent State happens. So word of it... And things like the Cambodia demonstrations and [inaudible] they were remote.&#13;
&#13;
SM (01:14:54):&#13;
How about Watergate? And then when I say these terms, the influence you think they had on the boomer generation, you personally, but mostly the boomer generation.&#13;
&#13;
DH (01:15:07):&#13;
Well, Watergate was enormous. And the experience of it, whether it impacted or not, is another question. But the experience of it, was that we had finally won one. [inaudible] And I was up, dealing with... Of course, tried for war crimes. And Henry Kissinger was one of the worst people ever.&#13;
&#13;
SM (01:15:38):&#13;
How about Woodstock?&#13;
&#13;
DH (01:15:42):&#13;
Another one of those really remote things to which I have become associated, basically because when my wife, in her song on Woodstock, dedicated to me off in prison. And that made... That cut made the movie. So to me, Woodstock was so far off, not a particular interest.&#13;
&#13;
SM (01:16:07):&#13;
How about the year 1968?&#13;
&#13;
DH (01:16:09):&#13;
The year (19)68? Well, I was here when things started to come apart. And that is when they really... Of course, dominated by the [inaudible] Particularly, Martin Luther King.&#13;
&#13;
SM (01:16:31):&#13;
When you think of these two terms, what do you think of the hippies and the yippies?&#13;
&#13;
DH (01:16:39):&#13;
Well, hippies, I think of Haight-Ashbury, and the first time I walked down Haight-Ashbury in late [inaudible] So that is what I think of hippies. Yippies, I think [inaudible]&#13;
&#13;
SM (01:17:00):&#13;
Right. Students for Democratic society and the weatherman.&#13;
&#13;
DH (01:17:08):&#13;
Well, I always have big feelings about SDS, on the one hand. And SDS is kind of an umbrella organization that was different at every campus [inaudible] But a lot of the SDS national organizers who operated in California at the time, had a real problem. [inaudible] So I have an unmixed feeling about the weathermen.&#13;
&#13;
SM (01:17:52):&#13;
Could you speak up again, David? Because I cannot hear you very good.&#13;
&#13;
DH (01:17:54):&#13;
The weatherman, I do not have mixed feelings about the weatherman. My feelings about them are very clear. I think the guys' full of shit. That they distorted the movement, and they represent... The worst part of that is, I resent them being somehow a symbol of any sort of the movement. It had nothing to do with it.&#13;
&#13;
SM (01:18:26):&#13;
Yeah. Yeah, I know President Obama is getting criticized because of Bill Ayers and the links to him. The Vietnam veterans against the war?&#13;
&#13;
DH (01:18:37):&#13;
Well, I organized with the PVA After I get out of prison, to put together several projects. One of our partners. I had a lot of close friends.&#13;
&#13;
SM (01:18:55):&#13;
The Richard Nixon's enemies list.&#13;
&#13;
DH (01:19:02):&#13;
Pitiful.&#13;
&#13;
SM (01:19:05):&#13;
I have had some actual... A couple interviewees who said, "I am honored to have been on it."&#13;
&#13;
DH (01:19:09):&#13;
Fine.&#13;
&#13;
SM (01:19:15):&#13;
The last part of the interview is just responding to some of the personalities of the period.&#13;
&#13;
DH (01:19:21):&#13;
Okay.&#13;
&#13;
SM (01:19:21):&#13;
And some of the terms. Your thoughts on Abbie Hoffman and Jerry Rubin.&#13;
&#13;
DH (01:19:28):&#13;
Abbie Hoffman was one of the funniest guys I ever met, and I thought he was the real deal. Jerry Rubin, con-artist, phony.&#13;
&#13;
SM (01:19:39):&#13;
Timothy Leary.&#13;
&#13;
DH (01:19:41):&#13;
Another con-artist [inaudible]&#13;
&#13;
SM (01:19:57):&#13;
How about Eugene McCarthy and George McGovern?&#13;
&#13;
DH (01:20:04):&#13;
Well, I think they are both terribly flawed, but in the right place.&#13;
&#13;
SM (01:20:12):&#13;
John Kennedy and Bobby Kennedy.&#13;
&#13;
DH (01:20:17):&#13;
Well, John Kennedy was my childhood, so associated with him. And Bobby Kennedy, I associated with 1968.&#13;
&#13;
SM (01:20:30):&#13;
How about Richard Nixon and Spiro Agnew?&#13;
&#13;
DH (01:20:38):&#13;
Despicable pairing.&#13;
&#13;
SM (01:20:42):&#13;
How about the Black Panthers? Bobby Seale, Huey Newton, Eldridge Cleaver, Kathleen Kay Leever, Angela Davis, that group.&#13;
&#13;
DH (01:20:51):&#13;
Well, I have the advantage, having covered them as a journalist, when I started working [inaudible 01:21:03] and I think that they were also phonys. And not that they could back up some of what they did [inaudible] Yeah, so I am not a fan of the black panthers.&#13;
&#13;
SM (01:21:30):&#13;
How about Lyndon Johnson and Hubert Humphrey?&#13;
&#13;
DH (01:21:35):&#13;
Well, I think of Lyndon Johnson as a big mistake, with a capital M. Hubert Humphrey [inaudible]&#13;
&#13;
SM (01:21:48):&#13;
Robert McNamara.&#13;
&#13;
DH (01:21:50):&#13;
Tragic guy, on the one hand. [inaudible] But having said that, my other feeling [inaudible]&#13;
&#13;
SM (01:22:08):&#13;
I did not quite get that last sentence.&#13;
&#13;
DH (01:22:23):&#13;
A lot of kids went off to dive, because he did not speak up at the time.&#13;
&#13;
SM (01:22:27):&#13;
Yep. George Wallace and Ronald Reagan.&#13;
&#13;
DH (01:22:34):&#13;
Well, George Wallace [inaudible] Ronald Reagan, second coming of [inaudible]&#13;
&#13;
SM (01:22:51):&#13;
How about Dr. Benjamin Spock and Daniel Ellsberg?&#13;
&#13;
DH (01:22:56):&#13;
Well, I knew both of the guys, and I think both of them were right on, and both of them were played incredibly [inaudible] in turning the country around. Take my hat off to them.&#13;
&#13;
SM (01:23:14):&#13;
Daniel and Phillip Berrigan.&#13;
&#13;
DH (01:23:15):&#13;
[inaudible]&#13;
&#13;
SM (01:23:16):&#13;
What about Barry Goldwater?&#13;
&#13;
DH (01:23:27):&#13;
Looking back on him from this point, he seemed like such a benign conservative, that I wish [inaudible]&#13;
&#13;
SM (01:23:35):&#13;
What about Dwight Eisenhower?&#13;
&#13;
DH (01:23:35):&#13;
Everybody's daddy.&#13;
&#13;
SM (01:23:42):&#13;
And then the other two presidents, Jimmy Carter and Gerald Ford.&#13;
&#13;
DH (01:23:48):&#13;
Well, the last one was a loser from the get-go, and first one became more of a loser [inaudible] become a big winner as an expert.&#13;
&#13;
SM (01:24:05):&#13;
How about the women leaders? Gloria Steinem, Bella Abk, Betty Friedan, leaders of the Women's Movement.&#13;
&#13;
DH (01:24:18):&#13;
[inaudible] Yeah, of course.&#13;
&#13;
SM (01:24:22):&#13;
Yeah. Couple other terms from that period, because they were important to youth. Tet.&#13;
&#13;
DH (01:24:30):&#13;
Well, great moment. Revelation.&#13;
&#13;
SM (01:24:46):&#13;
How about people like Walter Cronkite and the news media at the time? How important were they to the boomers?&#13;
&#13;
DH (01:24:55):&#13;
Well, Walter Cronkite, of course, had all the information. [inaudible] As for the rest of them, they learned as they went along. By the time it came, printing [inaudible]&#13;
&#13;
SM (01:25:30):&#13;
How important were the college students in ending the Vietnam War, and what do you think was the number one reason? I know the helicopters went off in 1975, and for all intents and purposes, in 1973, we were out of there. But what was the ultimate reason why the Vietnam War ended?&#13;
&#13;
DH (01:25:56):&#13;
Because it became impossible to continue. That is why it did not. The combination of public sentiment and military collapse. Remember, [inaudible] one out of four were killed. [inaudible]&#13;
&#13;
SM (01:26:26):&#13;
Right.&#13;
&#13;
DH (01:26:26):&#13;
[inaudible]&#13;
&#13;
SM (01:26:50):&#13;
If you were before an audience of college students today, and I am sure you probably still go out and speak.&#13;
&#13;
(End of Interview)&#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11616">
                <text>Interview with David Victor Harris</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47701">
                <text>Harris, David, 1946- ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47702">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47703">
                <text>Journalists;  Authors;  Political activists--United States;  Harris, David, 1946--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47704">
                <text>David Victor Harris is a journalist, author, and activist. He was an anti-war activist and the first person arrested for refusing to register for the draft in the late 1960's. He was the student government president at Stanford University.</text>
              </elementText>
              <elementText elementTextId="47714">
                <text>David Victor Harris is a journalist, author, and activist. He was a leading opponent of the draft during the Vietnam War, which began during his college days at Stanford University. As a young college student, he became involved in the Civil Rights Movement where he joined students from all over the country in the Student Non-violent Coordinating Committee's (SNCC) 1964 voter registration campaign in Mississippi. In 1966, he became president of the Stanford University student body, and as a leading critic of the draft, he formed a group called the Resistance. Harris was the first person arrested for refusing to register for the draft in 1968. In his later years, Harris has received journalistic praise for his non-fiction books on his experiences in the sixties and seventies along with other books connected to personalities or issues in those times.&#13;
&#13;
Harris died from lung cancer at his home in Mill Valley on February 6, 2023, at the age of 76.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47705">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47706">
                <text>2009-11-06</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47707">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47708">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47709">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47710">
                <text>McKiernan.Oral.10.2016.13</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47711">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47712">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47713">
                <text>86:58</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="844" public="1" featured="0">
    <fileContainer>
      <file fileId="5706" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/2346829a59430b280601739ac04ca54f.jpg</src>
        <authentication>a7de9fa6b396d16fc0908ed434bfd1dc</authentication>
      </file>
      <file fileId="3264" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/7f34de1b4e77bd47fe8729e357998745.mp3</src>
        <authentication>be54ec1b9aa3acd930edad7338922dc3</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11632">
              <text>2003-12-10</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11633">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11634">
              <text>Sheldon Hackney</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11635">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11636">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Francis Sheldon Hackney (1933 - 2013) was a scholar, author and a professor of U.S. History at the University of Pennsylvania. He earned his PhD. in American History at Yale University. After earning his Ph.D., Hackney served in the Navy for five years.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15105,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;Francis Sheldon Hackney (1933 - 2013) was a scholar, author, and professor. He earned his PhD. in American History at Yale University. After earning his Ph.D., Hackney served in the Navy for five years. He was the former President of Tulane University and the University of Pennsylvania&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11637">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11638">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11639">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11640">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11641">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17812">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Civil Rights Movement; Montgomery Bus Boycott; University o Michigan; Anti-War Movement; Gay and Lesbian Rights Movement; Cambodian incursion; Kent State; Ronald Reagan; Women's Rights Movement; Conservatives&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:2,&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Civil Rights Movement; Montgomery Bus Boycott; University of Michigan; Anti-War Movement; Gay and Lesbian Rights Movement; Cambodian incursion; Kent State; Ronald Reagan; Women's Rights Movement; Conservatives&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19737">
              <text>83:46</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20056">
              <text>Authors;  College teachers;  History--United States;  University of Pennsylvania; Sailors;  Hackney, Sheldon, 1933-2013--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44270">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50734">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="51285">
              <text>McKiernan Interviews&#13;
Interview with: Francis Sheldon Hackney &#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: REV&#13;
Date of interview: 10 December 2003&#13;
---------------------------------------------------------------------------------------------------------------------&#13;
(Start of Interview)&#13;
&#13;
SM (00:00:05):&#13;
Into my first question, and this is working, I know it is. When you think of the (19)60s and the (19)70s, what is the first thing that comes to your mind?&#13;
&#13;
SH (00:00:17):&#13;
The civil rights movement actually, because that is where my primary interests lay at that time and now, but I lived through the period, so I have a very complicated idea about it. And I have been teaching a course on the 1960s for the last 25 years, so I know it both as a participant and as a professional observer.&#13;
&#13;
SM (00:00:45):&#13;
What was that very first experience as a participant when you went from an observer to a participant in that movement? Do you remember the very first time?&#13;
&#13;
SH (00:00:55):&#13;
Well, I was a participant first, I think, because I was born and grew up in Birmingham, Alabama. For reasons that I have never been able to figure out I emerged as a southern white liberal who thought that segregation was just wrong. And that happened to me when I was in the eighth grade, actually, when I suddenly began thinking about race prompted by nothing. I was a Methodist then, and I think my religious training had something to do with it, but I cannot be sure. So I was conscious of the racial situation in the south. All the way through college I was the liberal of my group in a way, all the way through college, and then married a woman who came from a family that was quite active in various ways. The Durrs from Montgomery, Virginia Foster Durr was-&#13;
&#13;
SM (00:02:15):&#13;
Oh yeah, there is a brand-new book now, The Letters. I just bought that this weekend.&#13;
&#13;
SH (00:02:17):&#13;
Oh, good for you, yes.&#13;
&#13;
SM (00:02:18):&#13;
I did buy it, yes.&#13;
&#13;
SH (00:02:20):&#13;
Oh, super. Well, she is my mother-in-law, actually.&#13;
&#13;
SM (00:02:24):&#13;
Oh, wow.&#13;
&#13;
SH (00:02:24):&#13;
Freedom Writer.&#13;
&#13;
SM (00:02:25):&#13;
Oh yes.&#13;
&#13;
SH (00:02:26):&#13;
I got married. I mean, I met my wife when I was still in college and before the Montgomery bus boycott started. So I was aware of the Montgomery bus boycott all the way through it, though I was also in the Navy then. She and I got married and I went through the Navy and came out of the Navy in 1961 and went to graduate school. The civil rights movement was already raging, and I was sympathetic to it, of course. Now, I went to Yale, the graduate school, so that did not set me apart from people at Yale where the standard opinion would have been sympathetic to the civil rights movement. But in that sense, I was already engaged in the (19)60s, not that I did anything terribly heroic, but I was a participant before anything else. I do remember the first anti-war meeting that I went to in the spring of 1965 when Johnson was escalating the war in Vietnam and the University of Michigan had a sit-in protest. And that caught on, the notion of a big sit-in to protest the war or to teach about the war actually it was. Well, there was one at Yale several weeks later, two or three weeks later, and I went to that. I remember there was even someone there from the University of Michigan to bring greetings from the academic community of the University of Michigan. And then it was along, it went all night at Yale and there were pro-war people there as well. And in fact, I did not become actively anti-war until good bit later actually. I was slow.&#13;
&#13;
SM (00:04:39):&#13;
When you look at the movements, obviously the civil rights movement is the one that you were involved in, had the greatest impact on your life. What are your thoughts when historians or commentators talk about all the movements, that it was the civil rights movement, that was the model for the anti-war movement, the women's movement, your thoughts on those other movements and linkage with the civil rights movement?&#13;
&#13;
SH (00:05:02):&#13;
Well, the civil rights movement did provide the paradigm for the others, both in the tactics that were used and also to an extent on the goals, if you will. I mean, the women's movement quite consciously copied some of the rhetoric and tactics of the civil rights movement, but as did the other social justice movements as well, [inaudible]. Not so much the Disabilities Movement, but others, the gay and lesbian rights movement, which really starts late in the (19)60s, but also comes in the wake of, into the atmosphere that had been prepared by the civil rights movement and the war movement as well.&#13;
&#13;
SM (00:05:56):&#13;
When you look at, and I am looking at the boomer generation, and sometimes it is hard to define, a lot of people put parameters, they put anybody going between (19)46 and (19)64, and some say between (19)42 and (19)60. But when you look at the civil rights movement, how important were the boomers in that movement? Knowing that people like Dr. King, they were a little older and some of the civil rights leaders were a little older, but how important were they in civil rights itself, in the movement, whether it be college students, or?&#13;
&#13;
SH (00:06:29):&#13;
It was, the civil rights movement changes several times. It began, if you think of it beginning as I do in the Montgomery bus boycott as a mass movement, the Brown decision was in (19)54. So December (19)55 Rosa Parks stands up for justice by sitting down, as they say. And the Montgomery bus boycott was basically a middle class movement. I mean, it was the whole black community of Montgomery that was mobilized for that. Same might be said for the Little Rock school integration crisis that came out of a lawsuit. It was a very orderly NAACP process that located the kids, sort of trained them about how to.... Brought the suit, got the federal court to order their admission into Central High and then followed those kids all the way through. Things changed then. That is as to say that the boomers did not have anything to do with this. The civil rights movement was coming anyway, right? But things changed with the sit-in movement in early 1960, because those young men and women at North Carolina A&amp;T were from the boomer generation, and they had come along at a period when the black community was much more assertive about itself, where the experiences of World War II had had their effect. And African Americans in general were improving their position in American life, and as we know, improvement breeds ambition to improve. There is this escalating expectation, and I think the city movement begins that, and then when younger blacks and whites come to the fore and begin as the arrowhead of the movement, if you will, but they are out on the front lines. So the boomers take over in the (19)60s.&#13;
&#13;
SM (00:08:52):&#13;
Leading into a question, in recent years, if you go back to even (19)94 when Newt Gingrich came to power, and of course he is out now, and also George Will always likes to do his digs whenever he gets a chance. Some of the commentators talk about the boomer generation and the reasons for the breakdown of American society, but some of the values that these young people had, their involvement with drugs, obviously the sexual revolution, the counter culture mentality, lack of respect for authority, your thoughts on the attacks on this generation?&#13;
&#13;
SH (00:09:29):&#13;
Well, it is interesting, because we are still living in a politics that has been fashioned as a reaction to the 1960s basically. And if you look at those aspects of the (19)60s that were making for change in American life, the social justice movements, all of them, the counterculture in particular, those were profoundly upsetting to a lot of Americans. And it is easy to dismiss, especially the counterculture, but the young people in general was simply pursuing sex, drugs and rock and roll in the (19)60s. But I think that is simplistic and does not get at the essence. My own attitude toward the (19)60s is that it contained both a very hopeful, bright upper side, if you will. The social justice movements in particular, the bringing African Americans into the mainstream of American life, providing justice a bit for the disabled and for minority groups and protecting the rights of women as never before. All of that changed America fundamentally. And we will never revert to the way things were in the (19)60s when there was only one imagined America, and that was a white Anglo person. We were most much more pluralistic now in our thinking and in our actuality. The counterculture is somewhat different. I think it is more mixed. The counterculture has its roots in the 1950s in the Beat generation and the challenge to middle class American suburban values, if you will. Because those values were stultifying. Well, I think in a way they were. The counterculture is the first movement I know of that consciously identifies their enemy as not a class or a group, but as the values of society itself. The counterculture is saying, "These middle-class values are stultifying limiting, and we have got to, if we are going to be free, we need to overthrow and live by, overthrow those middle-class values and live by a different set of values." I mean, I am making it sound prettier than it was, but I think that is what they were saying. And they imagined liberty for them than being able to choose what values to live by, which is really quite radical.&#13;
&#13;
SM (00:12:30):&#13;
During that timeframe, when you look at the boomer generation, if you had to look at those years, anywhere between 60 and 70 million people were born and can be categorized from the beginning of the boomers in (19)46 to (19)64. These same individuals that attacked that generation always to say that the only 15 percent really were really activist-&#13;
&#13;
SH (00:12:51):&#13;
That is actually true.&#13;
&#13;
SM (00:12:52):&#13;
...involved in things. And by using that, even those numbers are pretty high. Only 15 percent was involved. Your thoughts when they used that? That only 15 percent of that group was ever involved or cared about anything.&#13;
&#13;
SH (00:13:06):&#13;
That is true, absolutely true. There is this study of Harvard graduates in 1969 or (19)70 in which the pollster asked Harvard students to identify themselves along the political spectrum, 75 percent said that they were much more conservative than the typical Harvard student. Think about that a minute. Which means that the mood was set by the small minority that were active and that were out in front doing things that were different. They got the media coverage, they moved the culture, basically. Those 85 percent who did not demonstrate, did not even sign a petition, were still sympathetic to the 15 percent that were more active, but were more passive about their sympathy. At times of crisis, for instance, I am thinking here of the spring of 1970 when the Cambodian incursion occurred and campuses everywhere exploded. That gives you some notion of the campus mood. But even though very small percent of people had been active in the annual movement statistically on college campuses, when that happened and those small numbers organized a mass meeting, the whole campus showed up. It was not that the 15 percent was forcing the others, it was that it is just the passive and more aggressive.&#13;
&#13;
SM (00:14:51):&#13;
When you look at, especially when you look at student development and how when you look at students, sometimes they develop at different stages. Their leadership may not come out when they are in college, but it may be in their late 20s. Has there anything ever really been done in that 85 percent with a respect to how that era affected their subconscious?&#13;
&#13;
SH (00:15:15):&#13;
Good question.&#13;
&#13;
SM (00:15:15):&#13;
So that they have gone on in their lives and they may not have been involved during that period, but certainly in their later lives those experiences played a part and they came forth? We always believe that students.&#13;
&#13;
SH (00:15:27):&#13;
I were not aware of a study, but that is really a good question. My guess is I think, I can assume that the implication of your question, my guess is that the people who live through the (19)60s on a college campus probably were easily engaged by social issues later in their lives, or had their values set a little bit differently.&#13;
&#13;
SM (00:16:00):&#13;
If you were to look at that generation again, and we are concentrating in on this boomer group, their greatest strengths, some of their greatest characteristics, and their weakest characteristics?&#13;
&#13;
SH (00:16:13):&#13;
Well, the greatest characteristics is they had a social conscience if you take the generation as a whole. That whether this is not genetic certainly, but it is just that when that group happened to hit college age, it meant that universities were growing rapidly, very rapidly. It was a heady period on college campuses in general. And so they were there and more easily mobilized as college students always are. And they responded because the (19)50s, this was a reaction against the quintastic (19)50s, and the (19)50s of course were a reaction against World War II and the Depression. People wanted to live more subtle lives that had a bit more material wellbeing to them. And the (19)60s were a reaction against that in the direction of being more socially involved and creating a society in which everyone could lead a more fulfilling life. Social conscience, I would say, is the leading characteristic on the upside. More creativity. Start an accident, that music-&#13;
&#13;
SM (00:17:48):&#13;
Oh yes.&#13;
&#13;
SH (00:17:49):&#13;
I mean, of the (19)60s, it is quite remarkable that it is still played, and college students today is still familiar with that music. That is 40 years ago.&#13;
&#13;
SM (00:17:57):&#13;
Simon and Garfunkel performed last night at the inspector, filling next door, and two of our administrators went and they said it was packed with boomers. They were all in their 40s. It was like, and then when they did that Bridge Over Troubled Water, Coming Home To America and Where have you gone, Joe DiMaggio. In fact, Tom [inaudible], director [inaudible] said he almost had tears in his eyes. Because it was bringing back memories of a trip he took, Coming Back To America, that song there. And he was involved in a very serious issue with his family at that time, and he was at Alfred University, and I thought it was interesting. It all came back. That song brought everything back and tears came like it did 30 years ago.&#13;
&#13;
SH (00:18:48):&#13;
Yeah.&#13;
&#13;
SM (00:18:49):&#13;
Unbelievable.&#13;
&#13;
SH (00:18:51):&#13;
Oh, it really is. Well, it is interesting that in my seminar I gets a good sense of how today's students think of the (19)60s and how they view it. And there was a time in the (19)80s when students were rather nostalgic for the (19)60s, because that was a time when it must have been great to be a college student. Things that is where the focus of the world was. Television were watching what was happening on college campuses. Also, it is a new experimentation going on, real sense of excitement. They thought, "Why could not things be like that now in the early (19)80s?" Well, today's students see the (19)60s as not very attractive, because sex, drugs and rock and roll get you into trouble. And if you are interested in a career, you can get off track awfully easily with all these distractions and with movements and marches. Those students of the (19)60s looked pretty bedraggled. They did not bathe all that much or did not cut their hair, so it is quite a reversal then. And it is not that they are unsympathetic, because the values, especially the women, it is interesting, women students now, if you ask whether they are feminists, they will say, "Absolutely not, I am not a feminist." Then you talk a bit more and you will find that they intend to have a career. They know about the women's movement of the (19)60s and (19)70s. They appreciate what that women's movement did for them, but they do not want to be known as feminist. They appreciate, they want the rights that were earned. They want equal pay for equal work. They want careers to be open to them, but they do not want to be identified as radicals. It is really quite remarkable.&#13;
&#13;
SM (00:21:00):&#13;
Could you comment on the social consciousness was the main positive? What was, in your eyes, the main negative?&#13;
&#13;
SH (00:21:06):&#13;
I think self-indulgence, without a doubt, just self-indulgence. In two senses. One, if you come to see middle class values as imprisoning and stultifying and you want to open up life to all of its possibilities, it is very easy to tell yourself that LSD is going to do it. And it is very easy to tell yourself, "If I lie around and take drugs and drink booze and do everything else that feels good, that I am really part of the revolutionary movement." When actually what you are doing is indulging yourself just and not doing anybody any good, much less yourself. The other self-indulgence that is there is really responsible for causing those social justice movements to fragment at the end of the (19)60s and disappear. And that is, the sense that this is a revolutionary moment and we are the revolutionary vanguard and we are going to bring off the revolution, and therefore violence is okay, and uncivil behavior is okay. Treating other people badly is okay because they are not likely to be in the revolutionary vanguard. That is kind of political self-indulgence, pseudo revolutionary self-deception.&#13;
&#13;
SM (00:22:40):&#13;
One of the slogans from that period, I can remember the Peter Max poster that was very popular when I was a grad student in Ohio State, and I had it on my door and people always talked about it. We had even talks about it in my room, "You do your thing, I will do mine. If by chance we should come together, it will be beautiful."&#13;
&#13;
SH (00:23:02):&#13;
Right-right, yes.&#13;
&#13;
SM (00:23:06):&#13;
And when I see Peter Max now with all the millions that he has made and all of his paintings, Peter Max has become quite of an entrepreneur off of this. But he would be interesting in terms of his comments.&#13;
&#13;
SH (00:23:20):&#13;
Well, the other, sort of the irony, the same vein, the irony of the music of the (19)60s, which is closely identified with protest movements. There is Bob Dylan with consciously political lyrics to his songs, but the music in general is part of this (19)60s feeling of, do your own thing, live for the moment, spontaneity, do not recognize any constraints. Of course, the music groups that were making that music and identifying with the forces of change were practicing 18 hours a day, were rigorously disciplined, were engaged in a catalyst economic activity, and were making tons of money by all of their effort and work. So, I do not know whether that is [inaudible], but it is quite interesting.&#13;
&#13;
SM (00:24:21):&#13;
And we will look at the Grateful Dead and the impact that they have had ongoing. In 1970, I get back because this is your interview, but I just want to make a comment. In 1970, I was a senior SUNY Binghamton, and the night of April 30th I broke my arm and almost had an amputated, that was in a serious accident, and I was graduating on May 17th. And so that was the night of the Cambodia speech that President Nixon gave at nine o'clock, and I was in the operating room for five hours. Then I was in the hospital for nine straight days and I made out fine and went to my graduation and everything. And Bruce Deering was our president and the great philosopher, but I missed a concert that was at SUNY Binghamton, which was the Grateful Dead in the brand-new gymnasium on May 2nd, 1970.&#13;
&#13;
SH (00:25:08):&#13;
Right in the middle of all this?&#13;
&#13;
SM (00:25:11):&#13;
Right in the middle. It was after the invasion, after the bombing of Cambodia. And it was two days before Kent State on May 4th, and I was not there. And you cannot buy that tape, except through the Grateful Dead website. And a student brought this to my attention and the Grateful Dead considered this one of their top five concerts of all time-&#13;
&#13;
SH (00:25:35):&#13;
Wow.&#13;
&#13;
SM (00:25:35):&#13;
...because of the intensity of the audience in the new gym. And I graduated in that gym only 15 days later. Well, you bring up the invasion there and everything that happened and the violence, because that was happening in Binghamton too. Could you talk your thoughts on how important the anti-war movement, particularly the college students, the anti-war movement was not ending the war in Vietnam.&#13;
&#13;
SH (00:26:03):&#13;
Controversy was subject. I have asked my students the same thing and I get various answers, each of which has good rationale behind it. I think that it did have an effect, especially after the Tet Offensive when the credibility gap was so evident and the mainstream public opinion began to turn against the war. It was another year before majority of Americans were telling posters that they were anti-war. But it was, the anti-war sentiment went up into the 40-percentile range right after Tet in the spring of (19)68, (19)68 was the turning point. The phenomenon that I find extremely interesting is that as the public was... And I do not think, it is not just Tet in the credibility yet, I do not think the public would have reacted that way if there had not been already a constant anti-war movement that was reminding people that the war might be a bad thing, might be wrong. It was not just that it was on television. It was that there was an opposition group there constantly saying, "We should not be there," for a range of reasons. When it then becomes clear that our leaders had been lying to us, then the public reacts very strongly. Now, the interesting thing is that as the public began to agree with the anti-war protestors, the antagonism toward those protestors also went up. That is the public did not tell themselves, "You are right. I am going to agree with you." They said, "I am anti-war and I do not like those anti-war protestors either." And that divides the country in a very interesting way. Seems true about the urban riots that were going on in that period as well. Urban riots, oddly enough made the public feel that something had to be done, that there were injustices in the urban centers of the country that could not be tolerated and that the population would not tolerate in that circumstance. And we could not go on having major riots in urban centers every summer. At the same time this is the origin of the law and order movement basically. I mean, one of Nixon's big campaign slogans in the 1968 is Law and Order. Because the public both was prepared for social policies, public policies that would address the complaints of the rioters. They were also wanting to repress the rioters at the same time. It was the same sort of dichotomous reaction, simultaneously dichotomous reaction. "I am going to do something to respond to your complaints, but I am going to put you in jail as well."&#13;
&#13;
SM (00:29:34):&#13;
When the best history books, I got a lot of, I am going around here, but when the best history books are written on the boomer generation, and oftentimes the best history is you as a historian know that oftentimes the best history books are 50 years after an event. Some of the best books on World War II are coming out now. And so hence, 25 years from now when books are being written on the boomer generation in the (19)60s, what do you think they are going to say? How are the historians going to define the boomers and that generation in that period?&#13;
&#13;
SH (00:30:07):&#13;
If you take the boomer generation to begin to make its effect in the (19)60s when they got to college, then I think there are two things that will be said. One is that in 1960s it was a watershed in American history. It really did change America fundamentally, shifted the values. The Immigration Act of 1965 was a response to the new consciousness of the 1960s. Immigration Act did away with the National Quota system and allowed a much more diverse immigration into the country. That is when Latin Americans and Asian Americans began to arrive in much greater numbers. Now, we are a much more diverse society than we were in the 1950s, and we are a society that has pluralism as one of our guiding tenets now, in a way that was not true in the (19)50s or before, fundamentally changed. The Civil rights movement fundamentally changed both the public policy and American attitudes towards discrimination. In all sorts of ways the (19)60s really do mark a new beginning. And since there was a conservative reaction against all those changes, we are still living with the politics that was created by the conservative reaction. I mean, the new conservative movement, both the neocons but also the religious right and the current conservative hegemony in the United States begins as a reaction against the (19)60s, so we are still living with the (19)60s in a way. Because the new conservatism has its agenda undoing the (19)60s, if that makes sense, so we are still living with it.&#13;
&#13;
SM (00:32:18):&#13;
What are your thoughts as to why? Because the conservative or the people to the right know that if they really go toe to toe with liberals that they will lose? That they always have to go back to find the Achilles heel within the, and that is really a symptom of the whole body? So, they are going to try to destroy it in any way they can?&#13;
&#13;
SH (00:32:42):&#13;
And they do it kind of surreptitiously in a way. Because if you simply look at, this is what give you a data, if you will. If you look at the policy positions of Ronald Reagan on social issues all the way through the (19)80s when he was president, there was a majority of Americans who was against all of them basically. Yet he prevailed basically. And the same thing is true now. I will make a partisan remark because it makes the point, and I am not sure I believe all this. But the Medicare Act that was just passed amid great fanfare yesterday probably is the first step in dismantling Medicare. But it is sold as a great step forward, makes it much more complicated, makes it somewhat privatized. But this is what the conservative movement has learned over the last 30 years is that if you go frontally against policy positions that are liberal, you lose, because most Americans agree with those liberal policy positions. So, you find ways to chip away that are not noticed basically, or can be camouflaged in some way. Now, that sounds partisan, but actually you find some conservatives who say that. David Brooks, for instance, a conservative I have a lot of respect for, says that the building up of these think tanks, conservative think tanks from the (19)70s, (19)80s and (19)90s has given the conservatives not only a lot of intellectual depth to what they are doing, but some very intelligent ways of dismantling or attacking the liberal positions.&#13;
&#13;
SM (00:34:58):&#13;
I interviewed Dr. Lee Edwards down at the Heritage Foundation, and he teaches a course on the (19)60s as well, and at the Catholic University. And in there he wants to make sure that the conservative movement against the Vietnam War is also known.&#13;
&#13;
SH (00:35:13):&#13;
It is interesting.&#13;
&#13;
SM (00:35:14):&#13;
Because there has been a couple books, or at least one really top book, I think at Rutgers University Press that has really gone into detail about how the conservative students of the (19)60s were against the war, and they have been excluded a lot in a lot of the history books, so Pete brought that up and talked about it. And I do not know if there is any thoughts you have because of whether that group has been excluded?&#13;
&#13;
SH (00:35:39):&#13;
Well, not really excluded, but his feeling that they had been excluded is an example of a conservative reaction. But it is interesting, this is a good example of how a position that claims support across the ideological spectrum and across the class spectrum is seen by conservatives who have the other position who are against it. Is illegitimate, I am not saying this well. But the anti-war movement, there was a very strong Catholic anti-war movement. The Berrigan brothers-&#13;
&#13;
SM (00:36:21):&#13;
Oh yeah.&#13;
&#13;
SH (00:36:21):&#13;
...for goodness sake, were out there way out in front of everybody, just as the Catholic Worker Movement has been there. So, the anti-war movement was much more complex than the pro-Viet Cong stereotype that is pasted on it by the current day conservatives, if you will. There are other examples of the same sort of thing. The women's movement really irritates a lot of conservatives. But if you ask, I mean, you take a poll of American women and they support all of the fundamental elements of women's rights, even if they do not want to be identified as a feminist.&#13;
&#13;
SM (00:37:19):&#13;
You were given the qualities, the strengths and weaknesses of the boomers, how would you feel about a generation of students? And I can remember being college campuses and my peers saying this, "That we are the most unique generation in American history. We are going to be the change agent for the betterment of society. We are going to end racism, sexism, homophobia, bring peace to the world. Money is going to be secondary to serving others." This was an attitude that a lot of the young people had at that time. Your thoughts on that kind of an attitude that they had then, and whether in their personal lives they really have fulfilled this as they have gotten older? Because in a Fortune 500 magazine article about in the last two years, again, it was a way of attacking the boomer generation is that some of the wealthiest people are boomers and it goes on and on. And in reality they fell in just like their parents, trying to make money and get ahead in the world and serving others became very secondary. Is that true?&#13;
&#13;
SH (00:38:30):&#13;
Yes.&#13;
&#13;
SM (00:38:30):&#13;
Okay.&#13;
&#13;
SH (00:38:33):&#13;
In a word, all right? Hubris might be used. But I think this goes back to the 15 percent, 85 percent split. Those sympathetic 85 percent folks were always headed toward a normal life and a career. They just had these ideals that they also wanted to honor along the way. So, it is no surprise that they reverted to middle class ways and values. One thing that I wanted to say earlier was that the boomers are so powerful, not only by creating the (19)60s, but they are a huge market. So, you track them through their lifecycle, and you will find American tastes changing in response to the demand, if you will, of the boomers wherever they are in the lifecycle. It is such a huge market that manufacturers and advertisers focus on them. When they get to be middle-aged, in their 40s and 50s and luxury goods go up, they are selling these huge gas governed vehicles, because that is what the boomers want. They move to suburbia, so you have got all sorts of things catering to suburbanites. Everywhere now they are on the verge of retirement. And Medicare is going to be a huge fight, because the boomers are going to catch on and will insist on.&#13;
&#13;
SM (00:40:19):&#13;
Do you feel that they will change old age-&#13;
&#13;
SH (00:40:21):&#13;
Yes, they would.&#13;
&#13;
SM (00:40:24):&#13;
That development? It is interesting whether the boomers are going to retire in a way that their parents may have retired. By the retirement meaning they are going off and taking trips and moving to Florida and that kind of stuff. Will they really never retire? They may retire from their job, but they will always be giving back to society in private. I am sure we do not know that, the answer to that yet, but-&#13;
&#13;
SH (00:40:48):&#13;
We are taking from society.&#13;
&#13;
SM (00:40:48):&#13;
We are taking from, I am kind of wondering.&#13;
&#13;
SH (00:40:53):&#13;
Opportunity. Well, no, that is a really good question, because retirement may change.&#13;
&#13;
SM (00:41:00):&#13;
One of the issues of this whole thing was the Vietnam Veterans Memorial has become a very important symbol for healing within the Vietnam veteran population and certainly within the families of Vietnam vets. And Jan Scruggs wrote the book To Heal a Nation, which is this entity being a non-political entity, just paying tribute to those who served and caring about those who served. Your thoughts on whether this nation has healed since the (19)60s? I know you have brought up the divisions between conservatives and liberals in the political arena, but the overall healing process from the tremendous divisions of that war did in this society. I preface this by saying that some of the people that I have interviewed thought that we were near a second civil war at certain times with the riots, especially in the late (19)60s and early (19)70s, and then started to wane in -73. But just your thoughts on that?&#13;
&#13;
SH (00:41:57):&#13;
Well, there is still wounds there that have not healed. If you think about, what did Newt Gingrich say about the Clintons in 1992 when they were running for office? He called them the counter cultural McGovernics, which is to say they are right out of, they are tainted with communism and right out of the (19)60s with no values at all. And they probably voted for McGovern, as indeed they did. So, if it was useful in (19)92 to invoke, to taint the Clintons with that aura of being countercultural-&#13;
&#13;
SM (00:42:42):&#13;
Try this here. Okay, just called slow.&#13;
&#13;
SH (00:42:49):&#13;
Then I think the (19)60s are still alive. The other place to look is in the lessons of the Vietnam War are still very much on our minds and in our military policy, so we worry about that all the time. But we just violated one of the biggest lessons of the Vietnam War is to have an exit strategy.&#13;
&#13;
SM (00:43:13):&#13;
Healing, that wall was, I think in (19)82 when it was supposed to heal the generation. I do not know if you have ever thought about this, probably had, as a person who teaches the (19)60s, when people go down to that wall, especially those who are against the war, the feelings that must go through their mind.&#13;
&#13;
SH (00:43:32):&#13;
Well, I give you my own experience. I was in Washington for a higher education meeting sometime in the three or four years after it was up. Had never seen it, had sort of seen pictures, but they do not give you a good notion of it. And I am a jogger, or was then, so I went out for my morning run and ran down, going to the mall, and actually stumbled across it. I did not know where it was, and just suddenly I was there in front of it. And I was moved to tears. I just thought it was so effective, and all those names of people who gave their lives. For the nation, actually, in my opinion that was the wrong war. We had no national interest in being there. There was no way to win it. We should not have been there. But those folks who went were doing their patriotic duty. And I think I would have done the same thing in that age. And for me, as an old sort of anti-war person, it was, I think, doubly effective, because I saw the tragedy and sadness of it all. And I respected all those names that were there. I also loved the way it is done. And the fact that the two arms of the wall point to the Lincoln Memorial and the Washington Monument is as if to say, "This is the nation." The meaning of the nation is captured in the symbols that are involved in this association between the Vietnam Memorial Wall and the Lincoln Memorial and the Washington Monument.&#13;
&#13;
SM (00:45:34):&#13;
Beautiful observation, because when you talk about your observation and how when you were running and you came to the wall, I interviewed Tom Hayden who was under campus a couple weeks back, and it was hard to get an interview with, he was on the way to the airport. But the most prophetic comment he made during that entire 35-minute interview was the fact that he looked at, it is the way he looked at the wall. He looked at on it as like that is the casket. That the wall coming together with the grass on top, the grass over the casket, and the wall comes together like this, and that is the body within the casket. And of course, all the people who served. So he looked upon it like a cemetery.&#13;
&#13;
SH (00:46:25):&#13;
Yeah, I do not think that is right.&#13;
&#13;
SM (00:46:31):&#13;
That is the way Tom looked at it. But I thought that was a prophetic statement from him, because he had been, and of course he did not regret anything he ever did-&#13;
&#13;
SH (00:46:39):&#13;
Yeah, that is true.&#13;
&#13;
SM (00:46:40):&#13;
...in the anti-war movement.&#13;
&#13;
SH (00:46:42):&#13;
Well, let me, one other observation about the wall. His reaction gets the juices going a bit, but if you walk along the wall, you are walking into it, but you also walk out of it, and both are correct. And the other thing is, if you stand in front of the wall, there are two ways to focus your eyes. You could look at the names which are etched in the wall, but then if you shift your focus a little bit to the wall, you are looking into the wall as a mirror. First you see the names, and then you realize that you are also looking at yourself, looking at the names which connects the individual onlooker to the names and what they mean.&#13;
&#13;
SM (00:47:36):&#13;
Your thoughts on boomer generation or kids, and whether-&#13;
&#13;
SH (00:47:41):&#13;
The children of the-&#13;
&#13;
SM (00:47:42):&#13;
The children of boomers, which obviously is Generation X, and actually a few of the kids who had kids later in life with a current group. Just your thoughts on the concept of empowerment, because one of the concepts that I do not see, and I am just, this is my prejudice, it is just me, is I do not see a sense of empowerment among students. Not only it either desire to have power or even if they were able to have power, how to use it. And just the whole concept of whether parents have actually sat down with their kids and talked to them about this era and that your voice counts, that you are empowered.&#13;
&#13;
SH (00:48:23):&#13;
I think you are right. The parents have not done that. It is interesting, and in my seminar,  I hear so often from students who go back and talk to their parents. These are fairly recent students, because the parents of the students I have gotten now in for the last five years have lived through the (19)60s on a college campus generally. My students go back and talk to their parents and they come back and report that they, first, it was fulfilling. It was wonderful to talk to your parents about something that you can share and that the parents have the experience and the kids have, it is kind of the knowledge, the book knowledge, so it brings them together. But the students report that they learn things about their parents that they had never heard before, never knew before. I think the parents have not talked to their students very much about what they did and where were you during the war, dad, sort of thing. And I think that you are right, maybe they should have. And the other observation about current day students, I think you are right as well. Their goals seem to be much more private, personal. They do have a vague sense of wanting to be of service to society. That they do want to give, but it is generally, they do not want to change the world so much as to do a little good in it while they are pursuing their own careers.&#13;
&#13;
SM (00:50:25):&#13;
The issue of trust is something that really did have an effect on students of the (19)60s, and even all young people in the (19)60s. As a college student and for other people I have talked to, look at what happened with Lyndon Johnson, the Gulf of Tonkin. I know what has been written about it. McNamara, the numbers game during the Vietnam War. You can even go back to Eisenhower and the U2 incident, and standing before the American public and lying. You can talk to how much was President Kennedy involved in the killing of Diem? And then of course, Richard Nixon, the Enemies List.&#13;
&#13;
SH (00:51:13):&#13;
I am no crook.&#13;
&#13;
SM (00:51:16):&#13;
I am no crook. The whole issue of trust in leaders that has been written about were, boomers did not trust any leader, whether they were in the White House or the head of a church. But how, did they pass this on to their kids, and do today's young people trust? Is this one of the weaknesses of our society, a lack of trust in anyone who is in a position of leader? And you would know more than anyone being a university president, not because you are a university president, but because you are a leader. Just a leader.&#13;
&#13;
SH (00:51:50):&#13;
This is the point of attack for a lot of conservatives. Now, the worst thing about the (19)60s, the argument is that the (19)60s taught America to distrust authority. Not that authority is always right, but you do have orderly procedures in society for making decisions and you have to have leaders, people who have a bit more authority than others, who get things done for the community. That was certainly true. I mean, their analysis, the (19)60s is absolutely right, the (19)60s was anti-authority. It was the anti-leadership virus, as some have called it. That does not seem to have lasted. I think you are absolutely right in that you can see a kind of atomization of society since the (19)60s. It started in the (19)60s, and you could actually trace it in public opinion polls to today that people are less engaged in their communities in various ways. This is the Bowling Alone argument issue.&#13;
&#13;
SM (00:53:05):&#13;
Oh, yeah, following-&#13;
&#13;
SH (00:53:07):&#13;
Putnam's book and what has come out of it. And I think he had something right, whether he made the argument in the most convincing way, and I think he was on to something. There is this disaggregation of society, gated communities, suburbs. We are increasingly segregated by class, as well as by ethnicity and race. And there is less that brings us together as whole communities to solve problems. I think that is a problem for us. And it is in the wake of the (19)60s that that has developed.&#13;
&#13;
SM (00:53:53):&#13;
You would not agree though with the conservatives that the boomers are responsible for this, and so they continue to use that. When in reality, some of the people today who are leadership roles, you cannot trust because of the things they do.&#13;
&#13;
SH (00:54:09):&#13;
I wish, I mean, part of me says, "I wish the public was a bit more suspicious of the leaders." But there is no evidence that Clinton, they certainly distrusted. But there was a huge campaign to get the public to do that. Reagan did not suffer from it. The first President Bush did not suffer from it. Carter did not suffer from it. He made other-&#13;
&#13;
SM (00:54:33):&#13;
How about President Bush? Students that you see every day here at Penn, do they trust this president?&#13;
&#13;
SH (00:54:42):&#13;
I think it would be better to say they do not distrust him. They do not see any reason not to think what he is saying is, I mean, they are not outraged by him, which I think in the (19)60s, if President Bush, if the students in the (19)60s were on the campus today, they would be marching and ridiculing and pointing out the problems.&#13;
&#13;
SM (00:55:10):&#13;
I think you mentioned this earlier in the interview, but if you could say it again, when did the (19)60s begin? What was the magic moment, very magic, you think the (19)60s began?&#13;
&#13;
SH (00:55:21):&#13;
Well, I will have two answers. In general, they began for me with the Brown decision in 1954, because the civil rights movement set the paradigm for the whole (19)60s. And they end with Nixon's resignation, because even though we still were involved in Vietnam for another year, it was a minimum involvement and the fate was already filled, basically. So, it is Nixon's resignation that ends an era. And the (19)70s are spent trying to put the country back together, not only from the (19)60s, but from Watergate, which also destroyed trust in authority. That is one answer. I think that is the right answer. But the way people generally think about the (19)60s is the sex, drugs, and rock and roll and radicalism and unkempt students, I think begins with the sit-in movement in 1960. And because that is also the time when the Students for Democratic Society is being formed, 1961. Tom Hayden you mentioned was the leader of that, and they were aware of the sit-in movement and the civil rights movement in the south, so they are modeling themselves a bit after the civil rights movement. But that is the first sort of organized general attack on American society as a whole.&#13;
&#13;
SM (00:56:55):&#13;
You had mentioned some of the simplistic approaches people use to describe things. One that comes on more and more is the fact that the (19)60s began with the assassination of John Kennedy. And 1963, because really the first three years were like the (19)50s when Kennedy was the first president. And I interviewed Marilyn Young down in New York City, and she said the (19)60s began with the Beat generation.&#13;
&#13;
SH (00:57:21):&#13;
Well-&#13;
&#13;
SM (00:57:22):&#13;
And she talked about that, because of they were different.&#13;
&#13;
SH (00:57:29):&#13;
I think there is an argument.&#13;
&#13;
SM (00:57:29):&#13;
And she said it is the (19)50s. It is those bad groups.&#13;
&#13;
SH (00:57:30):&#13;
If you take that view that it starts with the Brown decision, you get the Beats because that is when they are getting going as well. In fact, that is the year, when was On the Road published? That is about then. (19)56.&#13;
&#13;
SM (00:57:45):&#13;
(19)57, I think (19)56, (19)57.&#13;
&#13;
SH (00:57:47):&#13;
Yeah, you are right.&#13;
&#13;
SM (00:57:49):&#13;
I basically am going to the next part of my interview, which is basically just listing... How are we doing time wise?&#13;
&#13;
SH (00:57:55):&#13;
[inaudible] now.&#13;
&#13;
SM (00:57:58):&#13;
I am just going to list some names for, I am going to do the second slide here, because this is pretty well done. Thing that I did not ask you-&#13;
&#13;
SH (00:58:13):&#13;
No, this has been a working conversation.&#13;
&#13;
SM (00:58:15):&#13;
Yeah-&#13;
&#13;
SH (00:58:16):&#13;
You are into this.&#13;
&#13;
SM (00:58:17):&#13;
Well, I am really into it, but I want to give back to society and I want to do a really good book. And I am doing a 100 interviews. Someone said, "Why a 100?" I am doing a 100.&#13;
&#13;
SH (00:58:27):&#13;
Yeah, thanks for [inaudible].&#13;
&#13;
SM (00:58:30):&#13;
If you could just respond to these names with a few comments, and I will start right with Tom Hayden and Jane Fonda.&#13;
&#13;
SH (00:58:36):&#13;
Oh, well, gee, I have some respect for, Tom Hayden is the founding member of the Students for Democratic Society, which had a democratic focus to it. The Port Huron Statement laid out a critique of America in the 1950s basically that needed to be made. They belonged to a wing of the 1960s that I did not belong to, the going to... I was against the war, but I was never pro-Viet Cong. And so I think pitching the anti-war rhetoric in terms of being pro-North Vietnam or pro-Viet Cong or pro-communist, I thought was wrong both technically and substantively.&#13;
&#13;
SM (00:59:42):&#13;
When Lewis Fuller, before he passed away, he was one of the ones responsible for getting Bill Clinton to the wall, when we came, and I think James Crux for that too. Bringing some people, doing the best they could to heal. And he was pretty open to a lot of ideas. I did not know if it would have been interesting if he had stayed alive, if McNamara might have been invited, or even a Jane Fonda or a Tom Hayden would be. And I have gotten to know so many Vietnam vets now, and I have gotten to talk to them, that the two people that they would never want at the wall are McNamara and Fonda, it is just the hatred against them. In fact, I will get back to the interview, but I have been to the Vietnam Memorial for the last 10 years Memorial Day and Veterans Day. And three times, in retrospect the book has been placed at the wall with bullets through it.&#13;
&#13;
SH (01:00:39):&#13;
You talk about which book?&#13;
&#13;
SM (01:00:41):&#13;
In Retrospect, the McNamara. And I have pictures of it one year, it is three times over 10 years, but it is probably the same person doing it. But they take the book and they put bullets through it, and then they leave it at the wall, so it is pretty strong.&#13;
&#13;
SH (01:00:54):&#13;
Yeah, I understand that.&#13;
&#13;
SM (01:00:56):&#13;
The black power individuals, Huey Newton, Bobby Seale, Angela Davis, those [inaudible]-&#13;
&#13;
SH (01:01:02):&#13;
Oh, the Black Panther people?&#13;
&#13;
SM (01:01:03):&#13;
Yep.&#13;
&#13;
SH (01:01:05):&#13;
I will answer about black power. I think black power destroyed the civil rights movement basically. And was, for America was the wrong answer at the wrong time. The Black Panthers, I would not go so far as to adopt the conservative critique, which is that the Panthers were hustled. But I guess they were accepted by the black community as their champions, some black communities as the champions of the black community. And they were doing some good things in the communities. I thought they developed into a revolutionary class-oriented movement, they did not include me.&#13;
&#13;
SM (01:01:57):&#13;
How about the Yippies, Abbie Hoffman and Jerry Rubin and the whole Yippie group?&#13;
&#13;
SH (01:02:01):&#13;
Entertaining. And they were effective in making Americans think about the issues that were before the country at that time.&#13;
&#13;
SM (01:02:12):&#13;
Any thoughts, when you talk about beyond the Yippies, when you look at Abbie Hoffman's life and when he died in Bucks County with a note, when he committed suicide, "No one is listening to me anymore."&#13;
&#13;
SH (01:02:24):&#13;
Yeah, sad.&#13;
&#13;
SM (01:02:24):&#13;
Is that-&#13;
&#13;
SH (01:02:26):&#13;
Well, it indicates that he was hooked on celebrity, but that celebrity is a failing of American society. We are radically equalitarian, except we love celebrities. And if you get used to it, if you get hooked on celebrity, then you are like coming down, I guess. I have never been high.&#13;
&#13;
SM (01:02:50):&#13;
How about Daniel and Philip Berger? I have interviewed Daniel for this project, Philip and Daniel Berger.&#13;
&#13;
SH (01:02:55):&#13;
You just have to admire their devotion to their principles. And those are not my tactics, but those are men of conscience, and they live by their conscience.&#13;
&#13;
SM (01:03:10):&#13;
How about Dr. Benjamin Spock?&#13;
&#13;
SH (01:03:12):&#13;
Oh, the man who created the (19)60s?&#13;
&#13;
SM (01:03:16):&#13;
With his baby book.&#13;
&#13;
SH (01:03:20):&#13;
I guess that was raised out of stock, though.&#13;
&#13;
SM (01:03:23):&#13;
I have his first edition of that book. I found it in a used bookstore and I could not believe it was first edition-&#13;
&#13;
SH (01:03:30):&#13;
Oh, I have not really thought about him. I do not think that is fair to accuse him of raising the Boomers wrong. And I see him as a sympathetic figure. I mean, he joined the anti-war movement and used his celebrity for a good purpose.&#13;
&#13;
SM (01:03:48):&#13;
How about Daniel Ellsberg?&#13;
&#13;
SH (01:03:51):&#13;
Oh, I think Ellsberg did the country a huge service when he wrote the Pentagon Papers to light, so I have got respect for him as well. I think he is one of the good ones.&#13;
&#13;
SM (01:04:09):&#13;
But the politicians of the year, I will start with certainly Martin Luther King and Malcolm X.&#13;
&#13;
SH (01:04:14):&#13;
Well, it depends on which Malcolm X you are talking about. The later Malcolm X I admire, that is the Malcolm X who solve the problems of the world with human problems rather than racial problems. This is after he went to Mecca and became less of a race conscious critic of America and more of a human rights leader in a way. And his story is compelling, his life story. And indeed, the book, the autobiography of Malcolm X, is one of the great documents of American letters. Martin Luther King I have, even despite the personal flaws I have understanding admiration for the great man, one of the great figures of the 20th century.&#13;
&#13;
SM (01:05:10):&#13;
What do you think of his stand on the Vietnam War?&#13;
&#13;
SH (01:05:12):&#13;
Principled. That is people, especially people within the civil rights movement with the thought of King as being that bold enough and not radical to accommodating, because he was doing business with the White House, for goodness's sake, which was a no-no for real radicals. But his stance on the war, even Stokely Carmichael admired. And I thought it was, as everything he did in public was a principled stance and took a lot of guts because it caused him a lot of status, a lot of position in American life.&#13;
&#13;
SM (01:05:52):&#13;
Your thoughts of that really? Of the blank leadership that included Dr. King, James Farmer, Roy Wilkins, Whitney Young, and of course, John Lewis?&#13;
&#13;
SH (01:06:00):&#13;
John Lewis statute, a special affection for, I think he is a man of just unyielding integrity, who is stuck by his principles all the way through, even though it got him tossed out of SNCC. And we will see, the metaphor here is that Stokely Carmichael ousted John Lewis in a coup, in 1966 it was. And Carmichael became the chairman of SNCC. Two years later, one year later Carmichael left. Two years later SNCC did not exist anymore. John Lewis is now a member of Congress. There you are.&#13;
&#13;
SM (01:06:45):&#13;
Stokely went off to Africa, I think, died of cancer.&#13;
&#13;
SH (01:06:47):&#13;
Exactly.&#13;
&#13;
SM (01:06:48):&#13;
Changed his name and everything else. The politicians, Lyndon Johnson.&#13;
&#13;
SH (01:06:54):&#13;
Tragic figure, both a great man on the upside and on the downside, man of gargantuan appetites.&#13;
&#13;
SM (01:07:02):&#13;
Hubert Humphrey.&#13;
&#13;
SH (01:07:04):&#13;
Sad figure, because he was the man of great principal. And as vice president he had to compromise that principle. And I think it crushed him.&#13;
&#13;
SM (01:07:16):&#13;
Barry Goldwater.&#13;
&#13;
SH (01:07:18):&#13;
I am not among those who think that he is a person of integrity and therefore one should have affection for him. I just think he was a retrovirus.&#13;
&#13;
SM (01:07:35):&#13;
Richard Nixon.&#13;
&#13;
SH (01:07:36):&#13;
An evil man.&#13;
&#13;
SM (01:07:37):&#13;
[inaudible].&#13;
&#13;
SH (01:07:43):&#13;
A crook.&#13;
&#13;
SM (01:07:46):&#13;
And Jerry Ford.&#13;
&#13;
SH (01:07:48):&#13;
Oh, a decent man who tried to bring America together and did the right thing. I thought his partnering of Nixon was the right thing to do, and that probably caused him any chance of going further in public life.&#13;
&#13;
SM (01:08:01):&#13;
And Ronald Reagan.&#13;
&#13;
SH (01:08:03):&#13;
Oh, I have trouble with Ronald Reagan, because I recognized that he was a strong and effective president, yet I think his policies were bad for America.&#13;
&#13;
SM (01:08:15):&#13;
How about his role as the governor of California?&#13;
&#13;
SH (01:08:18):&#13;
I do not know enough about that. He fired Clark Kerr who just died. And I thought, I think Kerr is one of the great figures of higher education in America, so I know I have a bit of trouble. They said, I had two opinions about Reagan.&#13;
&#13;
SM (01:08:33):&#13;
John F. Kennedy.&#13;
&#13;
SH (01:08:38):&#13;
I am not captured by the Camelot myth entirely, though I think he came to be committed to civil rights. He was not originally, and it was not until 1963, probably that. But he became committed to doing something about the status of blacks, even though he had been saying the right thing all along. He was fundamentally interested in foreign policy. That is where he spent his time, and he did extremely well there. But if you test for leadership is recognizing the most pressing problems of your organization at your time, and then mobilizing support to identifying also a solution, something to be done about it, and then mobilizing support for that solution. He fails on the domestic side until quite late in a way that Lyndon Johnson, of course, succeeded on the domestic side and then was the masters on the international side.&#13;
&#13;
SM (01:09:34):&#13;
Bobby Kennedy.&#13;
&#13;
SH (01:09:35):&#13;
I was a Kennedy supporter in 1968, rather than a McCarthy supporter, because I thought Bobby Kennedy had grown, had become passionately committed to civil rights and social justice, and had the toughness to win the nomination and the election.&#13;
&#13;
SM (01:10:04):&#13;
People from the, actually, I want to say Robert McNamara too, because you have got to mention that name in the (19)60s.&#13;
&#13;
SH (01:10:09):&#13;
I see. McNamara, see is a tragic figure also, who was, and his tragic flaw was his commitment to rational analysis of policy. And it led him into thinking that the war could be fought by the numbers and that we were winning. I do not know what to think about the fact that he understood that we were losing and could not win, and resigned and said nothing about it until 30 years later.&#13;
&#13;
SM (01:10:41):&#13;
Betty Friedan and Gloria Steinem and some of the women leaders, the early-&#13;
&#13;
SH (01:10:45):&#13;
Oh.&#13;
&#13;
SM (01:10:46):&#13;
The women's movement.&#13;
&#13;
SH (01:10:48):&#13;
Heroic or heriotic, or whatever the term is for their time. I think they mobilized and created a movement that made changes in American life that needed to be made.&#13;
&#13;
SM (01:11:01):&#13;
Muhammad Ali.&#13;
&#13;
SH (01:11:08):&#13;
Oh. Actually, you have got to admire Muhammad Ali. He had principles, and he became a Muslim and he lived by those principles that he adopted. It cost him dearly in money and in fame as well. And he was not only a great boxer, he was a great entertainer, but he was a great boxer. Just a great boxer.&#13;
&#13;
SM (01:11:33):&#13;
Speaking, he was out for at least two years, not three.&#13;
&#13;
SH (01:11:40):&#13;
At the peak of his career. And those careers are not very long anyway.&#13;
&#13;
SM (01:11:41):&#13;
George McGovern.&#13;
&#13;
SH (01:11:44):&#13;
Oh, I would like to think well of him. He was not a good candidate in (19)72, though I certainly voted for him. But gee, I think he was on the right side, but did not have the wherewithal to bring leadership to the Democratic Party.&#13;
&#13;
SM (01:12:10):&#13;
Eugene McCarthy.&#13;
&#13;
SH (01:12:13):&#13;
The opposite figure. But it is pretty much the same. I thought you have to admire him for stepping forward in this fall of 1967 and agreeing to challenge the sitting Democratic, the president of his own party. That took guts and commitment, but he was always a bit mystical and witty. It was not clear that he really wanted to be president. Even some of his close supporters, his campaign workers say that he kind of quit in the summer of (19)68 before the convention, quit running, because he wanted to bring a message to the people, which he did, but he did not really want to win presidency badly enough to do what needed to be done.&#13;
&#13;
SM (01:13:05):&#13;
You did not mention the music of the (19)60s. When you think of Janice Chaplin, Jimmy Hendricks, the Beatles, the Rolling Stones, Simon and Garfunkel, Baez, The Folk Singers, Phil Ochs, goes on and on. Arlo Guthrie, what do you-&#13;
&#13;
SH (01:13:20):&#13;
Amazing.&#13;
&#13;
SM (01:13:20):&#13;
When you think of, I mean the list goes on and on and on and on and on.&#13;
&#13;
SH (01:13:25):&#13;
Just so much talent.&#13;
&#13;
SM (01:13:26):&#13;
How important was that to an era? We hear about the big band being the music of the World War II generation.&#13;
&#13;
SH (01:13:32):&#13;
Yeah, I think it was huge. Even though a lot of the lyrics coming out of the folk music, the lyrics are not necessarily specifically political, but there is something community building and even subversive in all that music, even though the Beatles were rather consciously non-revolutionary. I mean, we do not want to make a revolution. So whereas the Stones of course were their opposite numbers. If you look at the lyrics that they were singing, they were going in different directions. But if you look at their music and its effect on the audience, they were both making for a generation that differentiated itself from those that went before, so it made your boomer generation that music.&#13;
&#13;
SM (01:14:32):&#13;
I have to mention one of the Beatles, John Lennon, because he was killed in 1980 and he was like one of the tops on Richard Nixon's enemies list. Just your thoughts on John Lennon separate from all the other Beatles. Just him as a person?&#13;
&#13;
SH (01:14:47):&#13;
He is interesting. And he grew more than the other Beatles, I think, during his fame, and that is very hard to do when you are caught up in ... Their career as a group was relatively short. But he was a first-rate musician with an inquiring mind that led him in quite different directions from the other Beatles. And you got to admire that. And maybe Nixon was right. He was the most dangerous one because he was thinking.&#13;
&#13;
SM (01:15:19):&#13;
He wanted him out of the country so bad.&#13;
&#13;
SH (01:15:21):&#13;
Yeah.&#13;
&#13;
SM (01:15:22):&#13;
I remember the Dick Cavett show when he was on there with Yoko Ono, is just a classic hour interview. And that is what Nixon was trying to get rid of. I am going to end the interview with a couple just terms from that era, just your thoughts on them? SDS.&#13;
&#13;
SH (01:15:38):&#13;
Students for a Democratic Society, the Radical Wing of the movement outside the civil rights movement. A very small cadre of activists who made more change than their numbers would have predicted so you have got to think that they were brave. I did not agree with everything they did.&#13;
&#13;
SM (01:16:03):&#13;
How about the Weatherman?&#13;
&#13;
SH (01:16:06):&#13;
I think they were terrible. They were a part of that self-deluding, pseudo revolutionary group that did the American left a huge disservice by thinking that violence could work in America.&#13;
&#13;
SM (01:16:24):&#13;
The communes.&#13;
&#13;
SH (01:16:26):&#13;
Some of those were brave experiments in an alternative way of living. America has been the host country for a huge number of utopias, utopian communities. Intentional communities they came to be called in the 19th century and in the 20th century. None of them lasted very long, but the [inaudible] being an example of one that lasted longer. If you think of the Mormons as one of those utopias, you could say they lasted longer. But those experimental intentional communities are quite useful for democracy, because they try out ideas.&#13;
&#13;
SM (01:17:07):&#13;
Counterculture.&#13;
&#13;
SH (01:17:10):&#13;
Upside and downside. It is a good thing to challenge accepted values and to try to stretch the limits of individual freedom, which they did. It is a bad thing to think you can do that by self-indulgence of all kinds.&#13;
&#13;
SM (01:17:35):&#13;
Let me get down there, Chicago Eight.&#13;
&#13;
SH (01:17:38):&#13;
Oh they were, I am glad they were. Well, that is a more complicated thing, because they did go to Chicago with the intention of creating a ruckus, though they became the victims of a police riot more than the other way around. So, I was, again, the history is correct to see them as more heroic than what would be the opposite turn, the villain of the peace.&#13;
&#13;
SM (01:18:18):&#13;
Yeah, that 1968 year was quite a year with the assassination of Bobby Kennedy, Martin Luther King and the Republican and the Democratic conventions.&#13;
&#13;
SH (01:18:29):&#13;
Yeah. And the Tet Offensive.&#13;
&#13;
SM (01:18:29):&#13;
Yes.&#13;
&#13;
SH (01:18:29):&#13;
And all that.&#13;
&#13;
SM (01:18:30):&#13;
If you were to pick a year that you think was the most, what was, I would not say most violent, but they had the greatest impact on America during the... Would (19)68 be that year?&#13;
&#13;
SH (01:18:39):&#13;
(19)68 would be it beyond a question, yeah.&#13;
&#13;
SM (01:18:43):&#13;
Kent State.&#13;
&#13;
SH (01:18:44):&#13;
Tragedy that maybe caused America to stop and think a bit more carefully about what the war was doing to the society. So, those deaths may not have been in vain.&#13;
&#13;
SM (01:19:00):&#13;
Chris Jackson State. You always have to include that in there too.&#13;
&#13;
SH (01:19:03):&#13;
Same stuff.&#13;
&#13;
SM (01:19:04):&#13;
Because they died a couple weeks later. And last but not least are just some of the figures that were linked to the war itself. The leaders of Vietnam, which was General Q and General Cao Kỳ. They are part of the (19)60s, the Vietnam leadership. Just your thoughts on them?&#13;
&#13;
SH (01:19:20):&#13;
Oh. Well, they were corrupt and autocratic and that is why there was no way we could win the war, because we did not... The South Vietnamese society could not have been democratized in the same way.&#13;
&#13;
SM (01:19:40):&#13;
And I cannot end the interview without talking about the space program. You talk about the (19)60s and-&#13;
&#13;
SH (01:19:44):&#13;
The upside of-&#13;
&#13;
SM (01:19:45):&#13;
The upside of the (19)60s. Could you talk about space program and a few more of the upsides?&#13;
&#13;
SH (01:19:53):&#13;
Well, it is ironic. There is so many other things happening in the (19)60s that are unambiguously wonderful. I like the landing on the moon, the space program in general. Art was, the music we have already talked about. But classical music also was, contemporary music was terrific in the (19)60s. Art was also going through a revolution. Some great figures emerged in the (19)60s. The economy was doing extremely well. So, this was a time of huge prosperity. In fact, it is probably true that the (19)60s could not have happened, except in a period of great prosperity. Have always thought that the college students who did get involved in movements and protests of various kinds could do so because they assumed that their future was going to be secure. That America was great and the economy was going to grow and they were going to be educated and they could always do very well. So they could take time out.&#13;
&#13;
SM (01:21:10):&#13;
And they will not read about it being put in jail, being on their record and affecting them getting a job, whereas today-&#13;
&#13;
SH (01:21:17):&#13;
Yeah, that you-&#13;
&#13;
SM (01:21:18):&#13;
No way am I going to do that.&#13;
&#13;
SH (01:21:20):&#13;
Yeah, exactly right, wow.&#13;
&#13;
SM (01:21:23):&#13;
I think that is about it. There was one other term here, I think. Yeah, I guess the other thing is Watergate. Yeah, just Watergate itself?&#13;
&#13;
SH (01:21:34):&#13;
Watergate did not really surprise me because that was suspicious of Nixon all along. It depressed me though, because in one way it depressed me, because the thought that someone who was elected President of the United States and gathered people around him was capable of such subversion of basic values. On the other hand, the system worked, did not it? I mean, we found him out and Republicans and Democrats together drove him from office. That is pretty good.&#13;
&#13;
SM (01:22:14):&#13;
In closing, is there anything that I did not mention or ask that you thought I was going to ask today before the interview started?&#13;
&#13;
SH (01:22:20):&#13;
No, I think if you would send me a transcript of this, I will just give it to my (19)60 [inaudible].&#13;
&#13;
SM (01:22:27):&#13;
Great. This was very good. I guess-&#13;
&#13;
SH (01:22:31):&#13;
I enjoyed it, I must say.&#13;
&#13;
SM (01:22:32):&#13;
Yeah, thank you very much and if you could, as I could do with closing everything, you would just state your name, and the day, and your title, and-&#13;
&#13;
SH (01:22:42):&#13;
Oh.&#13;
&#13;
SM (01:22:43):&#13;
Because-&#13;
&#13;
SH (01:22:43):&#13;
I am Sheldon Hackney, I am a professor of history at the University of Pennsylvania. And this is December the 10th.&#13;
&#13;
SM (01:22:53):&#13;
December 10th, 2003. And the interviewer has been Steve McKiernan. Thank you. Dr. Hackney, could you comment on Earth Day in 1970?&#13;
&#13;
SH (01:23:05):&#13;
The first Earth Day is another one of those things that started in the (19)60s that is evidence of a new consciousness that is dawning there and a new emphasis on saving the world for future generations. I think it is totally admirable.&#13;
&#13;
SM (01:23:24):&#13;
Do you think that that is still happening today, or is it falling on the back burner?&#13;
&#13;
SH (01:23:26):&#13;
Environmental movement is still there, but it is much more sedate. And I am afraid it is not in the front of our consciousness. I mean, all of our environmental regulations are being stripped of their power at the moment and nobody is saying much.&#13;
&#13;
SM (01:23:41):&#13;
Thank you.&#13;
&#13;
(End of Interview)&#13;
&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11630">
                <text>Interview with Dr. Francis Sheldon Hackney</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47715">
                <text>Hackney, Sheldon, 1933-2013 ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47716">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47717">
                <text>Authors;  College teachers;  History--United States;  University of Pennsylvania; Sailors;  Hackney, Sheldon, 1933-2013--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47718">
                <text>Francis Sheldon Hackney (1933 - 2013) was a scholar, author and a professor of U.S. History at the University of Pennsylvania. He earned his PhD. in American History at Yale University. Hackney served in the Navy for five years, after earning his PhD.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47719">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47720">
                <text>2003-12-10</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47721">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47722">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47723">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47724">
                <text>McKiernan.Oral.10.2016.14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47725">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47726">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47727">
                <text>83:46</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="845" public="1" featured="0">
    <fileContainer>
      <file fileId="6213" order="1">
        <src>https://omeka.binghamton.edu/omeka/files/original/8616eef36db566904fc46f8971bd2ad1.jpg</src>
        <authentication>f1d0a292fb2e6c073ce64d5338610411</authentication>
      </file>
      <file fileId="3263" order="2">
        <src>https://omeka.binghamton.edu/omeka/files/original/e6c579bc725bd9467d59b577e42b0058.mp3</src>
        <authentication>ac349d42128c3a9a41c8a57755dd1f70</authentication>
      </file>
    </fileContainer>
    <collection collectionId="18">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10941">
                  <text>Audio interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10942">
                  <text>McKiernan Interviews</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10943">
                  <text>Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h3&gt;The McKiernan 22&lt;/h3&gt;&#13;
&lt;div&gt;Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:&lt;/div&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/854"&gt;Julian Bond&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1866"&gt;Bobby Muller&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1175"&gt;Craig McNamara&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/910"&gt;Dr. Arthur Levine&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/837"&gt;Diane Carlson Evans&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/942"&gt;Dr. Ellen Schrecker&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/876"&gt;Dr. Lee Edwards&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/841"&gt;Peter Coyote&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1233"&gt;Dr. Roosevelt Johnson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/899"&gt;Rennie Davis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1222"&gt;Kim Phuc&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/917"&gt;George McGovern&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/833"&gt;Frank Schaeffer&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/840"&gt;Rev. Dr. Frank Forrester Church &lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1240"&gt;Dr. Marilyn Young&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/842"&gt;James Fallows&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/835"&gt;Joseph Lee Galloway&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/911"&gt;John Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/839"&gt;Paul Critchlow&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/888"&gt;Steve Gunderson&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/1159"&gt;Charles Kaiser&lt;/a&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2407"&gt;Joseph Lewis&lt;/a&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10944">
                  <text>Stephen McKiernan</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="10945">
                  <text>Binghamton University Libraries</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="10947">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="50614">
                  <text>In copyright.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="30">
      <name>Template: Simple Audio Player with Transcription</name>
      <description>This template displays an audio player by Amplitude.js with a scrollable transcription which is loaded from the "Transcription" metadata field.&#13;
&#13;
This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. </description>
      <elementContainer>
        <element elementId="56">
          <name>Date of Interview</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11646">
              <text>2010-08-04</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="2">
          <name>Interviewer</name>
          <description>The person(s) performing the interview</description>
          <elementTextContainer>
            <elementText elementTextId="11647">
              <text>Stephen McKiernan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="3">
          <name>Interviewee</name>
          <description>The person(s) being interviewed</description>
          <elementTextContainer>
            <elementText elementTextId="11648">
              <text>John B. Anderson, 1922-2017</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Language</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11649">
              <text>English</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="35">
          <name>Biographical Text</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11650">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Dr. John Anderson (1922 - 2017) was a United States Congressman and presidential candidate from Illinois. As a member of the Republican Party, he represented Illinois's 16th congressional district from 1961 through 1981.  Anderson had a Law degree from the University of Illinois.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:15105,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;11&amp;quot;:4,&amp;quot;12&amp;quot;:0,&amp;quot;14&amp;quot;:[null,2,0],&amp;quot;15&amp;quot;:&amp;quot;Arial&amp;quot;,&amp;quot;16&amp;quot;:10}"&gt;John Anderson (1922 - 2017) was a United States Congressman and presidential candidate from Illinois. As a member of the Republican Party, he represented Illinois's 16th congressional district from 1961 through 1981. Anderson had a Law degree from the University of Illinois.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="64">
          <name>Digital Publisher</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11651">
              <text>Binghamton University Libraries</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Digital Format</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11652">
              <text>audio/mp4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="11653">
              <text>MicroCassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Material Type</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="11654">
              <text>Sound</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Interview Format</name>
          <description>Video or Audio</description>
          <elementTextContainer>
            <elementText elementTextId="11655">
              <text>Audio</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Keywords</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="17813">
              <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;Vietnam; Gulf of Tonkin Resolution; Baby boom generation; Harry S. Truman; Foreign Service; Assassination of John F. Kennedy, Assassination of Robert F. Kennedy, Assassination of Dr. Martin Luther King Jr.; Woodstock; Nineteen sixties; Generation Gap; Watergate; Kent State; Jackson State; Vietnam Memorial; Affirmative Action; Chicago 1968; American Foreign Policy.&amp;quot;}" data-sheets-userformat="{&amp;quot;2&amp;quot;:3,&amp;quot;3&amp;quot;:{&amp;quot;1&amp;quot;:0},&amp;quot;4&amp;quot;:{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:14281427}}"&gt;Vietnam; Gulf of Tonkin Resolution; Baby boom generation; Harry S. Truman; Foreign Service; Assassination of John F. Kennedy, Assassination of Robert F. Kennedy, Assassination of Dr. Martin Luther King Jr.; Woodstock; Nineteen sixties; Generation Gap; Watergate; Kent State; Jackson State; Vietnam Memorial; Affirmative Action; Chicago 1968; American Foreign Policy.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="11">
          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="19738">
              <text>108:03</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="59">
          <name>Subject LCSH</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="20057">
              <text>Legislators—United States;  Presidential candidates—United States;  Anderson, John B. (John Bayard), 1922-2017--Interviews</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="5">
          <name>Transcription</name>
          <description>Any written text transcribed from a sound, or alternative text from a visual medium</description>
          <elementTextContainer>
            <elementText elementTextId="31545">
              <text>McKiernan Interviews&#13;
Interview with: John Anderson&#13;
Interviewed by: Stephen McKiernan&#13;
Transcriber: Kimberly F Mourao&#13;
Date of interview: 3 August 2010&#13;
--------------------------------------------------------------------------------------------------------------------&#13;
 &#13;
(Start of Interview)&#13;
&#13;
00:03&#13;
SM: Anderson, John Anderson, August 3, 19- not 19. Quick question, so here we go. And I am going to read them to make sure I get these correct. When you sat in that cold weather on January 20, 1961, in front of the Capitol as a new congressman listening to a new president, what was going through your mind when you heard these words: “Ask not what your country can do for you, but what you can do for your country,” from President-elect Kennedy, did you know that he would be an inspiration to a whole new generation of Americans born after World War II? And of course, he ended up being assassinated, but what was it like being there being brand new yourself, and then he was brand new?&#13;
&#13;
00:56&#13;
JA: Well, I was going to say, obviously, my feelings involved, my own sense of pride, and accomplishment, and having won the race, and I had been elected to my first of what would become ten terms in the US House. So, I had my own thoughts and what I wanted to do, but it, I have a very distinct memory of being thrilled by what the new president had to say. Even though I was obviously of the opposite party. He struck for me the kind of note that I wanted to hear from, from a new president promising a change. And I have to roll back the tides a little bit. And try to think if there was anything other than the fact that it was fifty years ago.&#13;
&#13;
02:19&#13;
SM: Yes. &#13;
&#13;
02:21&#13;
JA: And I still, still recall quite vividly the sense of pride that I felt that being a part of the scene, being, being there on the porch, then they, in those days, it was on the east front of the Capitol. Last inaugural, of course, that I attended was Barrack, Barack Obama's and they have long been held on the west front. Not long, but for quite quite a number of inaugurations now, as I recall it. But looking as you do up for the Supreme Court, being a lawyer and having respect for that institution, it was totally a memorable experience. And as I say, it filled me with a sense of genuine excitement and hope that I could be part of the new wave of progress. He was, he was assuring us that he would try to achieve. &#13;
&#13;
03:37&#13;
SM: When he gave that speech, when you were listening, did that line, did those two lines of that one line really stand out? Or did, or did you read it?&#13;
&#13;
03:48&#13;
JA: Yes, I think it did. Even, even at the time, it resonated very clearly, with the thought that, well, here was a new era that was opening up and a new and young and dynamic president with a real gift, as we all know, to speak and write with eloquence. And feel like he struck, struck a real note of optimism. That was memorable. &#13;
&#13;
04:21&#13;
SM: The other lines that come out of there, there are many, but “we will pay any price or bear any burden to guarantee Liberty around the world,” of course a lot of people linked into Vietnam. &#13;
&#13;
04:33&#13;
JA: I think. I do not, I do not, of course, that could not foretell the fact that he would turn out to be the first president that would really very appreciably enlarge our presence in Southeast Asia by sending a force of more than battalion strength as I recall it, to South Vietnam, and it was a war that I, like many others finally turned against belatedly when I made a speech during my primary campaign, I think it was a nationally devised, televised debate that was sponsored by the League of Women Voters, which not all but I think, four or five of the people who were contesting as I was for the Republican nomination in 1980. I said that one great-. She asked me: “What mistake have you made years that you serve in Congress and in my 10th term,” of course, and I said, “Well, the worst mistake was to vote for the Gulf of Tonkin Resolution in 1964,” which was, of course, after Kennedy's death, and Lyndon Johnson had assumed the mantle and had decided, you know, that he had to get the public to be supportive of the effort. And some people indeed suggest that the whole thing that happened there in the Gulf of Tonkin was purposely staged as an incident that would arouse public passion and attract public interest. In any of that I said that the worst mistake I made was to go along. Well, it was virtually a unanimous vote, to go along with the crowd and vote, for what turned out to be a misbegotten campaign to assert our presence in Southeast Asia and ended the ignominious incident of Ellsworth Bunker, the American ambassador, the last American ambassador had to be airlifted off the roof. He was in there in Saigon, along with members of his staff, successful North Vietnamese were storming the gates, and about to take the city. So, I have a very distinct memory of that.&#13;
&#13;
07:41&#13;
SM: How would you describe the boomer generation? A lot of people do not like terms, like, I found this out through the process of doing this book, is they do not like terms for generations. Higher education always uses terms because that is how they define groups. Sociologists often defined the same way; boomer generation is those born between (19)46 and 1964. And then, but a lot of the people more in between (19)40 and (19)46 really feel closely associated with that group, because many of them were the leaders and the activists of the era. And so, and of course, those students has experienced in the first wave of the boomers compared to the second wave was totally different the second ten years, because they were so much younger. But my question is, when you look at the time that boomers have been alive, which is has been from 1946, right now to 2010, the oldest Boomer is now sixty-four, and the youngest is now forty-eight. Going on forty-nine is amazing how time flies. And so, I have asked each of the individuals in my last one third of my interviews to define the, the years and what those years meant to each individual, in terms of what was America like.&#13;
&#13;
09:04&#13;
JA: The years between 1946 and 1954?&#13;
&#13;
09:06&#13;
SM: Yeah, no, yeah. No, (19)64 is the boomers. &#13;
&#13;
09:12&#13;
JA: I am sorry, (19)46 to (19)64.&#13;
&#13;
09:15&#13;
SM: Is what they call the boomer generation. So, I am asking to you, when you look at these periods, what does it mean? What are these periods mean to you? 1946 to 1960.&#13;
&#13;
09:29&#13;
JA: Well, Harry Truman started that period, I guess. Not, he did not start it, but he was a president during that period, I was newly emerged. After the war, I went back and finished my law school education. I was discharged in November, as I recall it of 1945 and then went back for the spring semester in 1946. And got my LLB or JD whatever it was they called it in those days. Somebody told me the other day I have always said I had a Juris Doctor degree and they said, “No, it was really a Bachelor of Laws.” Anyway, it was a law degree, I suppose it is not terribly important, what you call it. So, the period began with my emerging from law school. And being picked up by a law firm, and going to work in Rockford, Illinois, in my hometown, and Boulos. And then by 1948, I had decided that the private practice of law was maybe not really what I wanted to do, I would like to teach. And to do that, I would need a graduate degree. So, I looked around and finally was able to secure a fellowship to attend Harvard Law School and went out to Cambridge and spent (19)48 to (19)49 acquiring my degree, and the only really good offer that I received to teach when I graduated was, I remember out of the University of Montana. And I think the law school was located in Missoula. And it just was not a part of the country that I was attracted to. Particularly. So, I declined that offer. And then I decided to go into private practice, I would try the law again, as a private practitioner, and I had made a living and it was fairly interesting. But in any event, it was kind of the springboard, really for a political career. In my case, I became very friendly with the people in the courthouse. And they included two people that were very dominant. In the Republican Party, the county treasurer and the county assessor. The Norland L. Anderson guys. So, remember their names. And they took me around to the various political functions of the republican party held in that area, and I became friendly with the people in the party. So, when the current man who had been State's Attorney, Matt Weston, decided not to run for reelection, he was involved in some scandal, here and there. But in any event, I decided to throw my hat in the ring. And there were five candidates in the race and really the leading candidate was the first assistant State's Attorney, Jack Buynon, his name was. And when and he had been quite a local hero, he had a winning football team of the State University, University of Illinois, which I had also graduated. But I campaigned hard and shoe leather campaign of going door to door and handing out my literature. And I had a small group of friends that obviously assisted and in a fairly close race, I emerged the winner. And that was really then my springboard again into politics. I served for four years as a state's attorney, and I think I achieved a fairly commendable record of convictions and enforcing the law. And so, when I guess I left something out here, something out here because that was, my term was (19)60. (19)60 to (19)80 and I was state's attorney from (19)56 to (19)60. I left out, I left out the fact that I had a stint in the in the Foreign Service. I took the competitive exams for the Foreign Service, and was offered a foreign service officer post, which was in West Berlin, I did go to West Berlin as a Foreign Service officer, and served for about two and a half years, which is the tour of duty got married. During that time to my wife whose still my wife. Our first child was born in Berlin. Eleanor who now resides abroad, married a man from Holland that she met in New York and has lived for many years, twenty, more than twenty years in the Netherlands, had her over a year ago, this past summer, with her four children who were grown up. But it was after that. That time in Europe that I came back and got into politics. I kind of left that. Oh, I should have mentioned that. And-&#13;
&#13;
16:44&#13;
SM: How would you describe the America? When you look at that period (19)46 to-&#13;
&#13;
16:48&#13;
JA: I kind of got off your question? &#13;
&#13;
16:51&#13;
SM: It is just in a few words; how would you describe the America of (19)46 and 1960? Because that is important. But tell me about you.&#13;
&#13;
16:59&#13;
JA: The period between (19)46-&#13;
&#13;
17:01&#13;
SM: And 19-, in the period that President Kennedy was elected and how was? What was America like in your thoughts?&#13;
&#13;
17:14&#13;
JA: Well, Eisenhower was elected president (19)52. And I remember the celebrated campaign where Harry Truman defeated Thomas E. Dewey. That was (19)48, (19)48 to (19)52. Harry Truman who had succeeded when the presidency when Roosevelt died. Well, it was a, (19)46 to (19)60, (19)52.&#13;
&#13;
18:27&#13;
SM: I have not broken down here I have, what was the like to be, live in American (19)46 to (19)60, and then (19)61 to (19)70, (19)71 to (19)80, (19)81 to (19)90, (19)91 to 2000, 2001 to 2010, and these are like periods that boomers have been alive. What would, how would you describe the America in a few words what it was like then?&#13;
&#13;
18:51&#13;
JA: Well, it was a time of sort of recovering from the events that preceded that period, namely World War II, returning veterans finding their way again in society, in my case, coming out of the army and going right back to school to finish the one semester that I had to complete, to get my degree and take the bar examination. I am kind of groping around trying to think of how I would describe the period, I was pretty busy building my own life, I think those of us who came out of the army and been away from civilian life or interested in getting back into the flow of normal life. It was during that period that I was really trying to find myself, in a sense, because after a brief period, in the law office, as I have just described for you, I decided to try something else. Try teaching rather than, than the practice of law, as a way of using my legal education as a foundation for a career. Then politics took over with my election. That's that was in (19)56. And you wanted me to spell-&#13;
&#13;
21:20&#13;
SM: Well you were fine because you were, you describe the year for you right up until the time you were elected to Congress.&#13;
&#13;
21:26&#13;
JA: During that time I was trying to reintegrate with my normal pattern of American life that we had left behind when we went off to the army, and had experiences that would live with us forever, but would be totally different alien from the culture that we were accustomed to, and trying to find our way into another veteran style of living, where we can both enjoy life and at the same time, managed to make a living and create a career that would sustain us. And-&#13;
&#13;
22:16&#13;
SM: That was typical what was happening in America that time and-&#13;
&#13;
22:20&#13;
JA: Maybe, maybe it was the kind of wandering that I was doing between the law and Foreign Service and politics, process of trying to reintegrate in society and American life that caused me to make some rather abrupt [inaudible] and sharp changes in what I was doing, from being at a law office one evening, one day and then being out, back in the classroom again, and then leaving that to go back into private practice with a partner, whom I had met during my law school days, and then leaving that for a career, which began with the election of State's Attorney, and then to Congress in 1968.&#13;
&#13;
23:21&#13;
SM: Most of these-&#13;
&#13;
23:25&#13;
JA: Well, it was kind of a, we were trying to find ourselves, find our way.&#13;
&#13;
23:31&#13;
SM: Most of these other periods are going to be in part of these other questions that I asked because the periods from the time you were in Congress, what does the assassination of John Kennedy, Robert Kennedy, and Martin Luther King say about the America of the 1960s?&#13;
&#13;
23:48&#13;
JA: Well, I remember vividly, where I was at the moment that the word arrived of the assassination. We were just assembling to conduct a committee hearing of the government operations committee chaired by an African American congressman from Chicago, Bill Dawson, his name was, and the news filtered over the transom somehow that the President had been shot and the committee, adjourned for the day. And I can remember that I wept I literally, he was a president of another party, but he was the young, youthful, vibrant hope that many of us had for the future. So, it was a searing, searing moment, etched into my memory in a way that I can, I can still remember how wretched I felt that this awful thing, it was a blot on the country's [inaudible] the President had been killed, been assassinated, even though it had happened to several others before him, but to me it was, it was a shocking, shocking-&#13;
&#13;
25:23&#13;
SM: Was there a fear? Did you, you and your peers, have a fear that it was the unknown? He, you knew he had been killed, and that President Johnson had been protected, so that he would succeed, but the not knowing of why this happened, and it could it be something bigger than just- &#13;
&#13;
25:44&#13;
JA: No, I do not think, I do not think I succumb to any deep conspiracy theory other than feeling the same sense of disbelief and wonderment that anyone could commit such a vile act. But I did not really, there were those who subscribe to a more conspiratorial view of the event. I just thought it was one of those tragic events in history that you cannot explain why it happened or how it happened. But you have to accept and somehow pick yourself up and move on as we did. When Johnson came in, and to his credit, it was he launched the civil rights revolution, which to me was the most important part of my congressional career being a part of the Congress that enacted the Civil Rights Act or- &#13;
&#13;
26:51&#13;
SM: Fair housing. Yeah, and-&#13;
&#13;
26:53&#13;
JA: Fair Housing Rights Act of (19)65. And I was the deciding vote in the rules committee that brought out the Open Housing Act.&#13;
&#13;
27:01&#13;
SM: Yeah, I read that your book. And that was historic.&#13;
&#13;
27:05&#13;
JA: I am prouder of that vote than any other action that I took, during the twenty years that I was in Congress, because as I think I probably indicated there, you do not very often in the body of 435 members feel that your vote has been of singular importance and it could not have happened without it. And that bill had to get my vote, the only Republican voting for it, and the rules committee needed to come out so that the floor could then vote on it. And that was the thing that really attracted national attention to me, just one at 435 in that large body, and from then on, the press began to cover me a little bit more intensively. And it probably was responsible for the fact that later I would take the bold step of saying I will leave the Congress, retire after ten terms and run first as a Republican and failing that, then as an independent.&#13;
&#13;
28:20&#13;
SM: How about the 1968, which was a terrible year, you wrote about it in your book, but the assassinations of two leaders? What they two months exactly between.&#13;
&#13;
28:33&#13;
JA: Martin Luther King.&#13;
&#13;
28:35&#13;
SM: In April, April 5.&#13;
&#13;
28:38&#13;
JA: Yes, yes. Well, yeah. And as someone who had come to really realize that civil rights had to be the dominant issue of that period, that we had to overcome the legacy of indifference and intolerance, that had locked us in from 1896 and the Supreme Court decision that decided it was perfectly alright to segregate people on a railroad train, and require them, blacks to ride in one car. That separate but equal doctrine which came about that bad decision in 1896 and lasted until the civil rights revolution of the (19)60s. well over a half century later. So, you are right, those two assassinations I think gripped me with a feeling that I wanted to be remembered, if I was to be remembered at all, as having played some part and some role and had a hand in bringing about a reversal of that whole doctrine and pattern of separate but equal and integrating American society basis where you did not draw the color line.&#13;
&#13;
30:36&#13;
SM: One of the things here that I have is you served in Congress from (19)61 to (19)80. During these twenty years, the boomer generation went to high school, college, began their careers, many became involved in multiple movements which was really big in the late (19)60s, early (19)70s. Many protests and many went on with their careers, in short, the question I am getting at here is what legislation Congress has passed that had a direct-&#13;
&#13;
31:03&#13;
JA: I did not get the rest of that sentence.&#13;
&#13;
31:07&#13;
SM: Well, no, in short what legislation in Congress was passed, that had a direct bearing on the boomer generation. And I say this that things that I remember, it was the draft, voting age at eighteen, the Civil Rights Act and voting rights act that you talked about the Open Housing Act-&#13;
&#13;
31:26&#13;
JA: Well for me the overriding issue was the civil rights issue, but those other things were important, of course, the eighteen-year-old vote-&#13;
&#13;
31:36&#13;
SM: Right, and Roe v. Wade, in (19)73. And the Bakke decision, which was a decision that when I lived in California, that made [inaudible] news so big. And so those are some of the things that happened in the (19)60s and (19)70s. That-&#13;
&#13;
31:53&#13;
JA: Well, that was a big issue in and in my life as well, because one of the things that I remember most vividly in one debate that I had, a national debate that I had with Ronald Reagan before League lost sponsorship or was afraid, they would lose sponsorship unless they acceded to the demand of Jimmy Carter, who would not get into a debate with Ronald Reagan and me. He said he would only debate Reagan, he would not, he would not debate with an independent candidate, namely my, myself. And, but in the one debate that I did have with Ronald Reagan, the thing that made headlines, of course, was that I flatly came out in strong favor of a woman's right to choose and indicated my belief that the decisions of the court prior thereto that denied that right were totally wrong. So, the women's movement, particularly to achieve the right that we are describing, the right to choose whether or not to have a child. That was one of the really significant features of that era.&#13;
&#13;
33:38&#13;
SM: When you think of the politicians between (19)60 and (19)80. In the Senate and Congress, some of them stood out because of courageous acts. The two senators are against the Vietnam War at the beginning were Wayne Morse of Oregon, and I believe, Senator from Alaska, Ruska? The two of them. But they were, they were way ahead of their time in terms of being against the Vietnam War. And they were criticized heavily for it. I got to know Senator Nelson quite well. And because we brought them to our campus, the founder of Earth Day several times, and we organize the Leadership on the Road program. So, we saw eleven, United States senators. And he talked about the courage of those two, they were kind of ostracized, because they were the only ones for a long time. And then, then you had finally Gaylord Nelson and Fulbright and others going against it. But it is kind of a two-part question. What are yours? What were your thoughts then when those very few politicians were the way ahead of the others in terms of being against this war? And then in 1980, the price that was paid by many of the United States senators by losing their senatorial positions because of their anti-war stand when Ronald Reagan-&#13;
&#13;
34:54&#13;
JA: Because of what? You have to speak up a little bit, my hearing is not good. &#13;
&#13;
34:59&#13;
SM: In 1980, several senators lost their positions because of their anti-war stand and when President Reagan was elected, and of course, we are talking Gaylord Nelson, Birch Bayh, George McGovern, I think McCarthy was just going to retire, right. But they said he was not going to be able to win. Fulbright was on his way out. So, the major people were kind of out because of their stand against the Vietnam War, because America was changing toward Ronald Reagan. So, your thoughts on the politics in 1980 at that time, and also the courageous stands that these early senators took?&#13;
&#13;
35:41&#13;
JA: Well, my thoughts today, obviously, are to salute the memory of all of those men that you have mentioned, for the courage and the foresight and the prescience that they had, that we were in an era where the United States should not be fighting that kind of war. To leap ahead, the one thing that troubles me about the present administration, which I voted for, and totally support, is that I have not agreed with a war in Afghanistan-&#13;
&#13;
36:29&#13;
SM: Neither have I.&#13;
&#13;
36:31&#13;
JA: And I feel that it is unfortunate that the President made the commitment that he did, to continue, I think that we should be trying to turn that over to an international body like United Nations, I do not think the United States should be fighting that war. Well, I guess I pretty well, given you a clue as to what my thoughts are I, I, in very recent times, I have invited people like McGovern, to come to the campus of the law school, or I have taught for twenty years to come speak to the students, in part because of the admiration I had for them on the stand courageous stands that they took with respect to the war in Vietnam. And I do not want to get away from your topic. I mean, I guess maybe it is because of my feeling that Vietnam should have engrained itself so thoroughly into our minds and our thought processes about the danger of becoming involved in the kind of struggle involved there, that I have carried that over to why I feel strongly as I do, that, our, our idea of trying to build a nation, despite recent statements where I think Obama himself has backed away from the idea of nation building, that that his predecessor, George Bush, Herbert Walker, George W. Bush had, he was really drumming a way out, that we were going to build a new nation and, and Iraq in the process of punishing al Qaeda. There was also nation building. And I do not think that is our task. To just totally believe that we ought to have the kind of global democracy represented by a body like the United Nations that will be in charge of building democracy around the world that ought to be an international cooperative effort. It should not be the job of one single nation, albeit my own country and the most powerful country in the world, to take on its shoulders, the idea of building democracy. I think that ought to be an international project. Well-&#13;
&#13;
39:48&#13;
SM: It is almost you know, it's almost as I just wish Eleanor Roosevelt saw it even though she passed away in (19)62. But I wish she, she could have lived another ten, fifteen years because her Universal Declaration of Human Rights and what she first saw as the, is the role the United Nations. I still am a believer in the United Nations. But I think they do an awful lot of dialogue. And they do not do a whole lot of action beyond it. And the last great moment, I think was when Stevenson’s “wait till Hell freezes over.” That was a memory I will never forget because that is when the United Nations was working. I think, even though there were confrontations, the confrontation are in the United Nations. And it is, and that is, I think, what Eleanor Roosevelt dreamed of. I, your book is unbelievable. I, I read it in the past three weeks. And, and I had this book for a long time. You were, you were so right on with about the boomer generation and about the young people I think a lot because you had kids of the age. I love the explanation there when you took your daughter to see a concert, I think it was Arlo Guthrie concert, or you finally went with your daughter, the one that lives in Europe. And it was a great description, because the description you have the experience with your daughter was exactly the (19)60s. It was exactly. And so, I am going to start out by question number one. Here is a quote that you said, and I am going to put these quotes in the book. “What impressed me, however, was that the young man who denounced my views, at Elmer-,” this is at Elmhurst college, this is about generation gap. “What impressed me, however, was that the young man who denounced my views did so without even knowing what they were. If I needed any proof of the generation gap. I found it that day at Elmhurst College,” when that person was shouting you down. See, that is what we always teach young people do not speak unless you have some knowledge. And this is a tremendous quote to me. Could you explain what it was like going on college campuses back then? And whether Elmhurst was fairly typical, or was that just a unique?&#13;
&#13;
42:02&#13;
JA: No, I think it was a fairly, a rather unusual incident really. I forget the exact date.&#13;
&#13;
42:13&#13;
SM: It was, I think it was, not even sure. But it was in the (19)60s. It was right around the time that the Vietnam War was, probably mid (19)60s, (19)65, (19)66, somewhere around there.&#13;
&#13;
42:29&#13;
JA: I remember, just got another little bit hazy about dates around that period. But-&#13;
&#13;
42:39&#13;
SM: What was it like going to college campuses though, because you went to a lot of them. Speaking in the (19)60s, what kind of, what kind of, what did you think of that generation you had kids that were that age. &#13;
&#13;
42:52&#13;
JA: You are talking about the mid (19)60s? &#13;
&#13;
42:54&#13;
SM: Mid (19)60s or all the (19)60s, basically, mid to late (19)60s, early (19)70s? What did you think of those young people that listen to you? Were they listeners?&#13;
&#13;
43:08&#13;
JA: Well, when was the, when was the great event up in New York? When they, all the young people got together?&#13;
&#13;
43:23&#13;
SM: Woodstock? 1969.&#13;
&#13;
43:26&#13;
JA: Yeah, that was toward the end of the decade. I know my own daughter; my own daughter went to Woodstock.&#13;
&#13;
43:35&#13;
SM: She did? She admits it.&#13;
&#13;
43:39&#13;
JA: Well, I find it hard to really tell you now. How to assess that period.&#13;
&#13;
44:03&#13;
SM: You say it here the generation gap, your definition you stated-&#13;
&#13;
44:07&#13;
JA: I guess there was a gap between generations. Yes, yes. I found it. I found it a difficult, even though I like to believe that I was a person of progressive views who was capable of changing as the times changed, not in just an accommodative sense but in the sense that I was putting my ear to the ground and could understand and empathize with the feelings of young people who were trying to express themselves and how they felt. But I guess I was just one of many somewhat puzzled parents, when it comes to trying to explain Woodstock.&#13;
&#13;
45:00&#13;
SM: Let me refresh, you were writing here that, that you had reasons for the generation gap, and you broke them down. And they were very well thought out. And I have just mentioned them if you want to, let me make sure though this is still going here. You mentioned that one of the things is the change was American religion at that time, change was big. You said that hypocrisy, there was hypocrisy of the older generation. Alienation of the young due to the fact that there, there was so much-&#13;
&#13;
45:35&#13;
JA: Yeah, I guess. Yeah. As you read those words, and, and refresh my recollection, I suppose I did. I did feel that young people were rebelling and throwing off the teachings of their elders, and yet they had not put in place of that. Anything to really fill the vacuum that they had created, other than to engage in their kind of fantasy that Woodstock represented. It was it was a puzzling time then. And I guess it still puzzles me, I really do not have a good answer.&#13;
&#13;
46:26&#13;
SM: Well, in the in the book, you describe pretty well, the, the generation gap, the heroes were different, there was a decline in adult authority, decline in church authority, there was a decline in a lot of different things. And it certainly were challenging. How important do you feel, you have already mentioned the civil rights movement. But how important was the civil rights movement, the anti-war movement and the women's movement, in shaping this generation and in shaping America, the America not only of then, but now, those are three major movements.&#13;
&#13;
47:03&#13;
JA: I think, enormously, enormously important. All of those things that you mentioned, were really, enormously important, in causing us to the kind of country we are today.&#13;
&#13;
47:30&#13;
SM: Another quote, again, I am going to read these quotes, just see if you can respond to them. This is a quote on the bitterness of many of the people of that era toward the Vietnam War. “The bitterness and intransigence that we see in so many of our young people today reflects, I believe, the fact that unlike the civil rights movement, the Vietnam peace movement showed no early successors.” And then you also thought that the reason why the young people went toward violence, which is the Weathermen, and maybe the Black Panthers and other groups is that “The lessons seem to be no,” I cannot even read my reading here. “The lesson seemed to be no matter how hard they tried, nothing slowed down the war, so they turned to mobs.” So, they turned to mobs-&#13;
&#13;
48:33&#13;
JA: Well, there was a feeling of deepening frustration that events simply plotted on. And one tragedy succeeded another because of their inability to affect the kind of change in policies that would have ended that seemingly endless conflict in Vietnam. And you are right. There were some singular victories in the civil rights struggle, like the passage of the Civil Rights Act of (19)64. And the Voting Rights Act and the Open Housing Act. There was nothing similar to deal with the problems that were engendered by the fact that our politicians and our political leaders with a few exceptions, were we were simply kind of caught in the tide and swept along endlessly in this involvement. Not to get off the track completely. That is why feelings like that are why I feel the way I do about the situation today in in Afghanistan, and our involvement in this war against terror, that lives are being lost. In the papers just a day or two ago, another long, well you were not here, you do not read the Post, the voter drafts of all the young men who have been killed in Vietnam, not in Vietnam, but in-&#13;
&#13;
50:33&#13;
SM: Afghanistan.&#13;
&#13;
50:35&#13;
JA: And it, it does start memories of the frustration that young people must have felt back in that earlier period that you are addressing.&#13;
&#13;
50:49&#13;
SM: President Bush. The first President Bush said that the Vietnam syndrome was over, I, I say no, it is not over. I have always felt that way. There seems to be a sensitivity that whenever you bring up the word Vietnam, or the term quagmire, you get out “Oh, do not go back to that again. I mean, you are all you are doing is bringing up past” or “you are nostalgic for the past. It has no relevance to today.” That is frustration on the part of maybe some boomers who have lived through the period and have, they say they moved on, why do not you? But your thoughts on when you bring up Vietnam quagmire, it is, it creates a stir. You sense that still today? Do you do believe the Vietnam syndrome is over?&#13;
&#13;
51:49&#13;
JA: Hard question to answer definitively. I-&#13;
&#13;
52:03&#13;
SM: We will finish in thirty minutes. You do not ponder anymore on that particular one. But he just said, what did the following events mean to you individually? What does Watergate mean to you? &#13;
&#13;
52:38&#13;
JA: Well, it led to the resignation of a president which was a traumatic effect. And yet I think Watergate in a sense had had a purgative and a cleansing effect. That was beneficial, highly, highly beneficial, as far as politics were concerned. And they showed that, it showed the recuperative power of American democracy. I mean, even though we suffered the ignominy and the disgrace really of seeing an elected the highest elected official, forced to resign for all of the reasons that they have gone into by many others and do not need to be repeated. It shows the, the recuperative strength of American democracy that this could survive all of that, and to bring about some of the changes that were clearly necessary.&#13;
&#13;
54:17&#13;
SM: What did you think of Nixon's enemies list?&#13;
&#13;
54:21&#13;
JA: Did I think what?&#13;
&#13;
54:21&#13;
SM: What did you think of Nixon's enemies list?&#13;
&#13;
54:25&#13;
JA: Well, it was shocking, was a shocking thing. Really. I was horror-struck.&#13;
&#13;
54:34&#13;
SM: Were you on it? &#13;
&#13;
54:36&#13;
JA: Well, I do not know whether I was on his list or not. I, I may well have been for the reason that I will always remember a long letter that I wrote to John Ehrlichman, who of course, I will ultimately paid the price of going to jail and being penalized for the role that he played, urging, urging that he counsel the president to come before the American people, this was before the complete denouement occurred about Watergate, and speak honestly and, frankly, and tell everything that he knew. Well, now, in retrospect, Nixon knew that he would be putting his neck in a noose, the fact that I wrote Ehrlichman and told him that that is what he should advise the president to do to come before a joint session of the Congress and honestly, honestly, lay out the facts and his role and the role of his administration, in what had happened. And I never even got an answer to my letter from Ehrlichman, who later went to jail himself, but I have the feeling that maybe Nixon knew the letter had been sent, and Ehrlichman may well have told him about it. And if so, he would have put a check by my name on that, on that list, and he kept of people to watch out for. &#13;
&#13;
56:32&#13;
SM: I noticed that Daniel Schorr who just passed away, that he was, he was number four on the list. If he was invited to your, there is a story that he was invited to a White House function, and at the same time, he was number four on the enemies list, so there must be some communication around. What did you think of when Nixon said “peace with honor” in 1973? We, as we were leaving Vietnam, the Paris Peace Talks, “peace with honor,” that upset a lot of Vietnam vets. But your thoughts on when Nixon said, “peace with honor?” We had just, we had just killed almost 3 million Vietnamese. Do you think that was a little-&#13;
&#13;
57:16&#13;
JA: Not only that but fought an illegal war in Cambodia.&#13;
&#13;
57:18&#13;
SM: Yeah.&#13;
&#13;
57:20&#13;
JA: Where no war had ever been declared. Well-&#13;
&#13;
57:28&#13;
SM: I am going to turn the-, here we go.&#13;
&#13;
57:33&#13;
JA: It was just another cynical effort by Nixon to put a favorable gloss on what had been this continuing tragedy of sending troops and money and incurring a loss of life in Vietnam that we did. It was his, it was the arrogance of power. It was really and others have used that term. It was an expression of the arrogance of power.&#13;
&#13;
58:09&#13;
SM: What did you think of the Pentagon Papers? Just Daniel Ellsberg doing what he did?&#13;
&#13;
58:15&#13;
JA: Well, I hailed the ultimate resolution of that dispute. And the Supreme Court decision that went with it. Again, I did not, I will always remember whether I put this in the book or not-&#13;
&#13;
58:47&#13;
SM: Oh Jesus, it is ok, it is a cell phone, it is my cell phone, it will turn off. &#13;
&#13;
58:53&#13;
JA: When Nixon tried to make his comeback in 1968. Well, he did. And-&#13;
&#13;
59:06&#13;
SM: Can you hold on one second? We are talking about Pentagon Papers, I think you maybe, you might have finished your-.&#13;
&#13;
59:10&#13;
JA: Well, it was just another glaring example, and then of evidence of the kind of intolerance that Nixon displayed toward those who disagreed with him, and his capacity to seek vengeance, and to get even, and all of the things that led to what we just finished discussing before ultimate disgrace. Watergate was of a piece with that kind of mentality that he brought to the presidency.&#13;
&#13;
59:58&#13;
SM: What did Kent State and Jackson State mean to you? Obviously, you were, you were halfway through your time in the Congress. And obviously it was on the fourth of May 1970. Right after Nixon gave his nine o'clock speech on the invasion of Cambodia the night before on the 30th. Just your thoughts on that tragedy, and-&#13;
&#13;
1:00:22&#13;
JA: Well, it was a shocking, it was a shocking thing, to say the least. And I felt a great deal of personal pain. At the thought, you know, that I had, in a sense, been a part of the scene that that brought about the incident that you just described. It was a, it was a very painful reminder of the fact that we had caused those students in the first place to feel the way they did and the incident that developed, I felt some sense of personal, personal responsibility.&#13;
&#13;
1:01:28&#13;
SM: This leads me right into the Wall, which is the Vietnam Memorial. Were you there at the opening in 1982? When they opened the memorial with all the-&#13;
&#13;
1:01:37&#13;
JA: No, I was not actually, I was not actually there. I visited the Wall, of course, and I, I do think sometimes since I have been down there. But thinking back to when, when, I went the first time, it was just a very painful reminder of what an awful waste of resources and human life can result from wrong decisions being taken, and what our role in the world should be. And-&#13;
&#13;
1:02:25&#13;
SM: Do you think the Wall has done a good job with, for healing the nation on the Vietnam War or is that going too far? Jan Scruggs wrote a book called “To Heal a Nation”-&#13;
&#13;
1:02:35&#13;
JA: I think it was belated recognition of it was an effort really to try to, to ease the national conscience over the debt that we owe to those that had to give their lives for what was really a misbegotten enterprise, one that they were forced to make the ultimate sacrifice. And we who were left behind bear some responsibility for what happened.&#13;
&#13;
1:03:15&#13;
SM: What is amazing, when you think about of course Mỹ Lai and there were other very bad experiences over in Vietnam, but upon their return, you know, the government had to actually put Vietnam veterans in the affirmative action policy because they were being discriminated against, they could not get jobs. And so, I do not know-&#13;
&#13;
1:03:38&#13;
JA: It was a dark, it was a very dark chapter in our national history. Your question, about and the fact you know, that it even came up in that celebrated episode in the campaign against John Kerry-&#13;
&#13;
1:03:56&#13;
SM: That is right, in 2004.&#13;
&#13;
1:03:59&#13;
JA: To punish him for the fact that he had spoken out against the war.&#13;
&#13;
1:04:09&#13;
SM: And then, of course, there is the Vietnam Veterans against the War that became a very strong anti-war group in the early (19)70s. And there was also very strong anti-war movement during the war within the military, that we do not talk about, you know, the alternative newspapers that were at a lot of the bases. What did the Iran hostage crisis in (19)79 mean to you?&#13;
&#13;
1:04:38&#13;
JA: That my phone? Well, let me think.&#13;
&#13;
1:04:48&#13;
SM: Really cost Jimmy Carter his presidency.&#13;
&#13;
1:04:51&#13;
JA: Well, yeah. Ordered desert raid to, you know, rescue the hostages. Well, it was it was just a very early signal, we did not really recognize as such at the time of how vulnerable we were, as far as energy supplies were concerned. And it was the beginning of the end of any hopes that he had of being reelected since-&#13;
&#13;
1:05:40&#13;
SM: Then the Berlin Wall coming down because that was a major happening when we consider the Cold War.&#13;
&#13;
1:05:49&#13;
JA: Well, I have been, I went to the Berlin Wall, while it was still there on a trip to Europe, particularly having served in the State Department in Berlin, for that period that I mentioned between 1953. A grim reminder of how political division can lead to a kind of obscenity that that wall did to literally divide the city, shut people from one sector off from another sector.&#13;
&#13;
1:06:35&#13;
SM: And then Chicago, 1968, you write in depth about-&#13;
&#13;
1:06:39&#13;
JA: Chicago in 1968?&#13;
&#13;
1:06:41&#13;
SM: Yes, the convention, the Democratic Convention, and the fighting between the police and-&#13;
&#13;
1:06:50&#13;
JA: Oh, yes, yes.&#13;
&#13;
1:06:58&#13;
SM: I got three quotes here that I want you to respond to. These are quotes from you. And these are, to me they say a lot about America. “The real tragedy of Chicago was not the violence done to bodies in the streets. But the violence done to the hopes and minds of the young people. I speak as an American who, who cherishes the value of participation in American politics.”&#13;
&#13;
1:07:27&#13;
JA: I cannot say it any better today than I did then I guess.&#13;
&#13;
1:07:31&#13;
SM: Yeah. And then you say in quote, number two, “the lesson of Chicago seems to be: Do not get involved for the system will beat you in the end.”&#13;
&#13;
1:07:42&#13;
JA: Or the system will beat you in the end? Is that the way I put it? Well, I think I think if I had some words to take back, I might be, I might modify that. To some extent. It was a little too pessimistic about the permanence that that event had on affecting people's attitudes about participating in democracy and in government, I probably was a bit of an overstatement.&#13;
&#13;
1:08:18&#13;
SM: And the third one was “five years ago, in 1965, the response to, to the failures of the American institution was to get in and change it, change it. In 1970, many today are selling out, dropping out. It is not cool to be in that kind of thing.” So, you, were your thoughts on that? You went into the whole description of selling out, throwing out, and dropping out, which really worry you.&#13;
&#13;
1:08:51&#13;
JA: Yeah, well maybe I was a little too pessimistic. At the time. I think, frankly, I was in the sense that the election of Obama now in.&#13;
&#13;
1:09:17&#13;
SM: 2008. The reason I, early on after reading this book, decided that he was the one that I would like to support and did support in his campaign shows that we, history does have a way of reversing itself and of changing. And some of the deep pessimism that I expressed at that time, I think have been replaced by, were replaced by a renewed hope and belief that government could be truly responsive to the needs of the people. My one, I do not want to be tiresome on the subject, my one fear is that we have not done enough to build. Not democracy in Afghanistan, which I do not think is going to be a successful effort, to build an international institution, which we started to do. And we signed the charter, establishing United Nations, we have not gone far enough and had presidents or sufficiently dedicated to putting the United Nations in a better position to express the will of the world community. And leave it to individual nations to try to build democracy, as we say we are going to try to do in Afghanistan. That ought to be a global effort led by a global institution, not just one nation.&#13;
&#13;
1:11:29&#13;
SM: You state something, I will get that. But there is a quote we use here. John Gardner is one of my favorite people. And you actually quote him in your book on page sixty-seven, who at that time, he was chairman of the Urban Coalition. And, and you, you wrote down what he wrote, and I think it is very important here. He had observed that “an important segment of young people has accepted the view that man is naturally good, humane, decent, just and honorable. But that corrupt and wicked institutions have transformed trends transformed the Noble Savage, into a civilized monster, destroy the corrupt institutions, they say, and man's native goodness will flower. There is not anything in history or anthropology to confirm the thesis, though, it survives through the generations.” Any thoughts on that?&#13;
&#13;
1:12:31&#13;
JA: Again, I think I would modify what I said then, with the further, that with the further thought that where we have really singularly failed, is to strive with might and main to create an international institution that would be democratic, and would enable us to explicate American foreign policy in a way where it became an international responsibility to bring democracy in nations of the world that are troubled and being beset by civil strife and all that we, we still have too much “go it alone” attitude, with respect to world affairs, have not really yet yielded to the strong impulse, that our principle effort has got to go into building world institutions that will be capable of governing ungovernable areas of the world like Afghanistan, where the Taliban are free to roam and commit their degradations and commit their crimes. We finally signed reluctantly, the World Court treaty, you know, but we have done we have done nothing really, to make that body given the credibility and the enforcement power that would enable a truly World Court to take the place of making the judgments that we want to make unilaterally about how nations should conduct themselves. It ought to be that sense of international responsibility that gets more support from our leaders. Even Obama has not come up to the mark, as far as I am concerned. Yet, he has time. He is only halfway through one term. I hope maybe he will see the virtue of doing that.&#13;
&#13;
1:15:12&#13;
SM: He has got the timeline to get out of Afghanistan, but now he was getting the pressures from the military and others. McChrystal-&#13;
&#13;
1:15:21&#13;
JA: So many people have to resist those pressures.&#13;
&#13;
1:15:24&#13;
SM: McChrystal was one of the main persons that, Petraeus may be the next person who knows, because they believe we cannot leave. I am going to just finish this little segment by saying that, even though you have changed since 1978, you state in your book, and I think it is very important, that you fear the new culture in 1970, due to its effect on participants in social and political life, you felt apathy is more of a threat than revolution, which I think is important point. Because if you know, well who knows, there is always this philosophy, I think Benjamin Barber are very good at this, the former guy, the Walt Whitman Center for Leadership at Rutgers is that the stronger the citizenship, the stronger the nation, when we constantly look to have a strong leader. That is, oftentimes we have weak citizens, it should be the other extreme, we do want a strong leader, but we want strong citizens. And I think this is what you are saying here. And the other final quote on this is something a beautiful quote that you put in here, “I believe our youth would rise to the challenge, for it seems to me that they understand intuitively perhaps better than some of their elders, that they will be, they will find their meaning only through constructive involvement in the problems, needs, hopes and joys of other people.” And I think that is exactly what you just been telling me. And it is very well said in that time going, you took your daughter to an Arlo Guthrie conference or concert, I remember, you mentioned that in this book, I think she was 16 years old. And even though you had a hard time with some of the long hair, and you had a quote in there saying, you know, “barbers have to make a living too.” Yeah, when you put that in there, that is beautiful, because it shows you have a sense of humor. But this quote’s important too. This is a quote from a song that you took from Arlo Guthrie, “it is only by having no self-sat-, status, satisfying grati-,” excuse me, “it’s only by having no self-gratifying goal that you can ever really fulfill yourself.” And that's Arlo Guthrie. So, the message in the music sometimes is very important. Couple questions I have here. When did the (19)60s begin, in your opinion? And when did it end?&#13;
&#13;
1:18:00&#13;
JA: When did the (19)60s begin? &#13;
&#13;
1:18:02&#13;
SM: Yes. And when did it end?&#13;
&#13;
1:18:05&#13;
JA: Well, they really began I think with the election of john F. Kennedy that we have already talked about. It seems to me that that, that it ended the Eisenhower era. And definitely, even though his life was tragically cut short, launched us on, on a new phase, period of American culture, political culture. And when did they end? Was that-&#13;
&#13;
1:18:40&#13;
SM: Yeah, what do you think the (19)60s end?&#13;
&#13;
1:18:59&#13;
JA: Well, probably, probably with the election of Nixon.&#13;
&#13;
1:19:09&#13;
SM: (19)68.&#13;
&#13;
1:19:12&#13;
JA: That, that, I think, brought about kind of a different approach. Yeah, I guess I would, I would tie it off with, with the election of Nixon.&#13;
&#13;
1:19:33&#13;
SM: Is there a watershed moment during this time that stands out above every other?&#13;
&#13;
1:19:38&#13;
JA: Well, for me, it was the civil rights revolution. Yeah, it was the mid (19)60s when we finally, sixty-four and sixty-five. And Open Housing (19)68, that, that to me was the great defining moment of that decade.&#13;
&#13;
1:19:58&#13;
SM: Did you ever have a chance to meet and talk to the Big Four, which is Dr. King, Roy Wilkins, James Farmer- Did you have an opportunity to talk to the Big Four, Dr. King, James Farmer-&#13;
&#13;
1:20:13&#13;
JA: No, no I never actually had a personal meeting with him much as I admired him.&#13;
&#13;
1:20:20&#13;
SM: Any other civil rights leaders that you talked with in any?&#13;
&#13;
1:20:24&#13;
JA: Well, our great civil rights leader of my personal circle of friends was the former lead counsel to the civil rights movement, Joseph Rauh.&#13;
&#13;
1:20:42&#13;
SM: Oh, yeah.&#13;
&#13;
1:20:45&#13;
JA: He was, he was, he became a dear friend of mine. And I revered, there is a Joe Rauh Memorial Lecture Series. Every year someone coming from the DC law school. And I missed the last lecture. Sorry to say, Eric Holder, the new Attorney General delivered the lecture. But Joe Rauh should be remembered in any book that is written about civil rights, and the true meaning of the important events of the decade of the (19)60s.&#13;
&#13;
1:21:30&#13;
SM: I am going to put down my batteries might seem to be low here. So let me just turn my, put my batteries in here. Bear with me. I can see you doing okay. It was a gentleman who never got a whole lot of praise. But he is always behind the scenes and he was African American. He worked with in Congress. And he was not a congressman. But he was certainly in-&#13;
&#13;
1:22:04&#13;
JA: I cannot think of him either, of course, Joe Rauh was not an African American. To me he was one of motive forces behind the accomplishments in that field that took place in the decade of the (19)60s.&#13;
&#13;
1:22:23&#13;
SM: You said one of the problems of the (19)60s was what you call massification. What do you mean by that?&#13;
&#13;
1:22:30&#13;
JA: Massification?&#13;
&#13;
1:22:32&#13;
SM: Massification.&#13;
&#13;
1:22:33&#13;
JA: I am not sure I remember what I had in mind.&#13;
&#13;
1:22:35&#13;
SM: That is a whole, you have a whole chapter I do not know what to tell you.&#13;
&#13;
1:22:39&#13;
JA: No, that is faded into the ether, I am not sure why.&#13;
&#13;
1:22:47&#13;
SM: I know that. That is when you talked about Riesman’s book lonely, the lonely crowd-. Riesman’s book, The Lonely Crowd, David Riesman. And it was part of that feeling that America just was not talking to itself, they were walking by each other. And that was that was part of the massification that there was so much technology and so many new things that because of all these new things, there was no communication. You are just, you are walking by someone on the street. And that is what David Riesman said in his book, The Lonely Crowd, because-&#13;
&#13;
1:23:22&#13;
JA: Well probably I just, it goes back to my real preoccupation with the fact that it was not until, toward the end of that decade that we finally completed the trilogy of congressional enactments that we refer to as the civil rights revolution, that we were walking down the street and we did not see people as we should have seen them, suffering from, from prejudice and bias and indignity of that separate but equal doctrine.&#13;
&#13;
1:24:09&#13;
JA: Yeah, you talked a little bit about Woodstock and the moratorium also, the moratorium was in (19)69 and Woodstock was (19)69. So, these are two happenings and you felt that Woodstock was not so much to express to decent as to draw human and personal meaning from each other, of being around someone that you-&#13;
&#13;
1:24:32&#13;
JA: Yeah, yeah, recall the old saying people like company. They like to know that there are others that share their thoughts and dreams. I think there was that feeling on the part of many young people that they wanted the comfort and the assurance that came from knowing that there were others like them that were grappling with the same kind of uncertainty and indecision and problems that they had. They wanted the, the proof, of the comfort that comes from association with other like-minded persons.&#13;
&#13;
1:25:18&#13;
SM: You also said that was similar to what happened the moratorium in (19)69. Where something like four hundred. There is a lot of people there, 400,000 or whatever, at the moratorium and you said it was more commercial than political. It was a coming together out of a deep sense of, I cannot read my writing here. But deep sense of feeling about issues and that was (19)69. And my last quote that I have here, that I am going to incorporate within the rest of the straight questions is your discussion of Vietnam. And because I know this, Vietnam really upset you immensely. And bear with me because I want this in the record too that you wrote this. “We are guilty, not of intentional evil, but of blindness, and specifically of an inability to perceive the difference between a situation such as World War Two, in which American security itself required a foreign military effort, and a situation such as Vietnam, in which a threat to our security was indirect at first, and in which our power should have been employed in an entirely different manner, if at all. &#13;
&#13;
1:26:39&#13;
JA: Yeah, well, it goes back to what I have been drawing away at that we should have internationalize that problem, it should not have become a concern. If there were problems in Vietnam, they were the concerns of the world community. They were not simply American concerns that we would deal with unilaterally. There ought to be, the world ought to take responsibility, the world community and we should be a leader in the effort to transcend the idea that every problem around the world is an American problem and is somehow run a militate against our best interests unless we promptly solve a particular nations problems. It goes back to my intensified feeling today. And I had it back as long ago as when those words were written that we have got to become much more globally conscious. And if we do, then we will see that purely national interests have to be submerged in an effort to find international solutions, problems that are not simply our problems, but the problems of humanity and the rest of the world.&#13;
&#13;
1:28:09&#13;
SM: Let me-&#13;
&#13;
1:28:09&#13;
JA: -walking today.&#13;
&#13;
1:28:12&#13;
SM: It is not very nice out there. One person running. And that is about it. In the end, why did we lose the Vietnam War In your opinion?&#13;
&#13;
1:28:27&#13;
JA: We lost the Vietnam War. Because we failed to understand that the government that we chose to support, namely, the government of South Vietnam, what it was not representative of the aspirations of the Vietnamese people themselves. It was a construct that favored a few who held positions of power and influence, but it did not look to the national needs of that area, known as Vietnam. And we should have seen that it was not, it was not an appropriate venue for us to try to transport American democracy to a part of the world that clearly preferred the leadership that was provided by another system altogether. And even though they were communists, today, we were living peacefully with Vietnam. I have clothing in my closet that when I turn over the label it is made in Vietnam, we are importing and exporting, carrying on trade and commerce with Vietnam. And we just totally misconceived, what the appropriate role for American policy, foreign policy, should be. We took upon our shoulders, something that did not belong there. And if the world community through a world body, like the United Nations did not want to take over and administer the affairs of those people, that it was not up to us to interfere in the internal decisions that were made by the Vietnamese.&#13;
&#13;
1:30:48&#13;
SM: When you, you have kids that are boomers. And when you I have asked this question to everyone, but you cannot generalize an entire generation of seventy-four million people's, which the boomers and actually only between 5 and 10 percent. were involved in any kind of activism within the generation, which is still a couple million, but that means 85 to 90 percent were just went on with their lives, although they were affected psychologically, obviously. What, what are some of the positive qualities or negative qualities you look at the generation? That includes everybody, when we are talking, we are not only talking white, we are talking African American, we are talking Latina, we are talking what generation? Are you talking about? &#13;
&#13;
1:31:34&#13;
JA: What generation are you talking about? &#13;
&#13;
1:31:37&#13;
SM: Boomer generation. Yeah, just some of the positive qualities and some of the negative qualities that you see.&#13;
&#13;
1:31:47&#13;
JA: Oh, I do not know whether I am wise enough to give you a good answer to your question. I suppose the positive qualities of that generation, are that they picked up their lives, those of us like myself, who had fought in a war and gone on and picked up the pieces of their lives and put them back together. I do not know. I do not I do not have a good answer.&#13;
&#13;
1:32:30&#13;
SM: How about your kids, your kid’s generation? What do you think about their generation?&#13;
&#13;
1:32:37&#13;
JA: Of which generation? &#13;
&#13;
1:32:38&#13;
SM: The boomers, the kids that were born after World War II.&#13;
&#13;
1:32:41&#13;
JA: that were born after World War II?&#13;
&#13;
1:32:44&#13;
SM: Yeah, what are their strengths and weaknesses? As a group? You saw them in so many different ways? And then you raised boomers.&#13;
&#13;
1:33:18&#13;
JA: It is almost an impossible question to answer. I really defer to others. I personally do not know.&#13;
&#13;
1:33:27&#13;
SM: How do you, 1984 when Newt Gingrich came into power, and actually George Will oftentimes does this in some of his writings, and we see it when Glen, Glenn Beck often times on his TV show and Mike Huckabee on his TV show, they'll blame a lot of the problems we have in our society today on the generation and the era of the (19)60s and (19)70s by saying that the breakdown of the American family, the lack of moral values, the drug culture, the, the divorce rate, the not going to church, you know, the family, stable family unit we saw in the (19)50s, the welfare state, all special interest groups. They only think about themselves and not about others. What do you think of when people make those general attack?&#13;
&#13;
1:34:29&#13;
JA: I have a very minimum high regard for people like Glenn Beck, who set themselves up as philosophers who have the capacity and the wisdom to assess any generation. There is anybody that causes me to turn the dial immediately its somebody like that comes on. Their pontifications where they blame one group or another group for the problems of society do not impress me as being very analytical. Their post proper, post hoc, propter hoc kind of reasoning, after the fact, they are trying to tell us. This is what, why things happened as they did. And I do not think their analysis is very credible.&#13;
&#13;
1:35:49&#13;
SM: Have we healed as a nation? I am going to get to some, we took a group of students to see-. The question I am asking is regarding the issue of healing, healing. We took a group of students to Washington DC in 1995, to meet Senator Muskie. And the students came up with this question because none of them were alive in 1968. But they had seen the divisions that were happening in America in the (19)60s. And since he was the nominee, they wanted to, the vice-presidential nominee, they wanted to see his thoughts on this question. And the question was due to the divisions in America, in the (19)60s, do you, which was the divisions between black and white, between male and female, between gay and straight, between those who supported the war and those who were against the war, between those who supported the troops and were against the troops. They have seen the bombings, the fires within the cities and the assassinations. Do you think that the boomer generation that was born after World War II was going to go to their grave similar to the Civil War generation not healing? No,&#13;
&#13;
1:36:58&#13;
JA: No, I do not think so. I think that is, that is kind of overdrawing that picture, to, to make that kind of blanket condemnation. I do not give it as much basis, much justification. I do not think the people that say things like that are not terribly credible.&#13;
&#13;
1:37:25&#13;
SM: The Senator Muskie responded in this way. He said, he did not even respond to 1968. He responded by saying we have not healed since the Civil War, over the issue of race. And that is how he responded to it. And then he went on to talk about people that had died, he had seen the Ken Burns series and all the people that died. So, the students were a little surprised by his commentary, but then he made a lot of sense because he was talking about that ongoing issue of, of race. Trust, you bring up the issue of trust in your book, too. But trust seems to be a quality that or lack of trust, that many of the boomers had toward leaders in any capacity, whether it be a Congressman, lack of trust, whether it be a congressman, a senator or president, president of a university, a head of a corporation, even ministers and rabbis or anybody in position of responsibility they did not trust because they have seen so many of the leaders lie to them? And of course, we are talking Watergate, we are talking golf with Tom McNamara.&#13;
&#13;
1:38:32&#13;
JA: That begs the question, what events like Watergate do play on the national conscience, and can be influential, and affect the thinking and self-assessment that people make of their own lives and the lives of the people that they associate with? I am not suggesting that we live in some kind of a vacuum, all of these forces have some interplay, with how we emerge as, as a people as a nation. I am just very hopeful. I am optimistic about the future, even though I get a little bit discouraged. As I already indicated things like the continuing war in Vietnam and our failure to construct international institutions and build respect for the rule of law. So that we do not have to take on tasks that are beyond our capacity as a nation to really assume. I am still an optimist.&#13;
&#13;
1:40:10&#13;
SM: How have you changed since writing this book? This book was written in 1970. Yep, it came out in 1970. And it is a really important book of the times it really.&#13;
&#13;
1:40:30&#13;
JA: I do not know whether I have become, I become older, have I become wiser? I am not sure. Well, it is hard for me to give you an intelligent assessment of how I have changed, I hope I have become more tolerant of other people and opposing views. And even when I very much disagree, as I frequently do with things that happen. I, I have kind of an optimism that we are going to get over this, and eventually we will find the right path. We will find the right way. So, I still put myself in that category.&#13;
&#13;
1:41:23&#13;
SM: When you were very young. We are not we are not talking about your college years. And we are talking about when you were growing up in elementary school, in high school. Who was the greatest influence in your life?&#13;
&#13;
1:41:38&#13;
JA: A great influence in my life?&#13;
&#13;
1:41:40&#13;
SM: Yeah, who helped shape the person you became?&#13;
&#13;
1:41:44&#13;
JA: Oh, my father, I think I admired my father intensely. He was a Swedish immigrant boy who came in (19)15. Lived a very useful life as a, as a merchant, raised a family. Was a good Christian. I guess I can hope for nothing more than that my children would one day look up to me the way I look up to my father. He was he was a great overriding influence in my life.&#13;
&#13;
1:42:28&#13;
SM: What are the qualities of leadership that you most admire in a person?&#13;
&#13;
1:42:32&#13;
JA: The qualities of leadership?&#13;
&#13;
1:42:34&#13;
SM: That you think are important to be a leader.&#13;
&#13;
1:42:36&#13;
JA: Well, you have to be able to break from the pack, you have to be able sometimes to disregard conventional thinking. And to know I was put on earth in this time, in this era, given the present circumstances, and it is for me, not simply to accept it, as wrote, the opinions of other people, but to examine them carefully and choose for myself. Whether this is the course that we should now follow. So, it is that independence of thought and action, I think I treasure the most.&#13;
&#13;
1:43:20&#13;
SM: One more question here, and then we will be done. Some of the personalities that kind of stand out from the (19)60s, the personalities that stand out from the (19)60s, we often tell young people that if you stand up and speak up, there is a price one pays for that. You do not get assassinated, mostly like you do in other countries or be put in jail. But what were your thoughts on?&#13;
&#13;
1:43:55&#13;
JA: I think that’s my phone. My wife got it. We have one down here somewhere.&#13;
&#13;
1:44:05&#13;
SM: What did you think of people who believe they stood up for something, but they had a lot of people that did not like them, and I am just going to list them. And then you can just give your thoughts. The Tom Haines’ of the world, the Jane Fonda’s, the Rennie Davis’, the Abbie Hoffman’s, the Jerry Rubin’s, the Angela Davis’, the Benjamin Spock’s. You know, the-&#13;
&#13;
1:44:34&#13;
JA: That is a rather mixed breed. I mean, going to the last name first, Dr. Spock. I thought was a rather opinionated person that probably was a little bit, demonstrated our quality of a little too much self-assurance. He has the right answers and the right remedy and the right prescription. The world is constantly changing. And people have become rigid in their thinking. And think that, well, this is the way we do it. This is the way we have always done it. This is the way we should always do it in the future. I kind of drawback, a little wary of people who dispense that kind of advice. I think people have to realize that different voices are needed in different periods of history. And the same message that may ring true today may not be appropriate in the message, depending on changed circumstances tomorrow. That is not to say that there are certain eternal verities, I believe in the Ten Commandments after all. And as a Christian, I accept the Gospels as the translation of your kind of religious faith and doctrine that I should continue to have, no matter what happens. But that aside, I think the capacity of the greatness of this country has resided in its capacity for change, to realize that what may have been an appropriate thing to do, and an appropriate approach in this era is not necessarily the key to open the door to tomorrow. Where different circumstances may require an entirely different approach. I hope that does not sound wishy washy, I do not think it is, it is just the changing times, and changing circumstances can and should lead to changed attitudes. That is progress. Without that you are stuck on a treadmill, and just kind of going around and around and around. And nothing ever does change. I do not believe in that limited view of our capacity, either individually or as a nation to deal with our problem. We ought to be constantly willing to turn over new ideas, examine new approaches. And if there is one problem the Republican party has today, I think it is extreme conservatism is, they claim to have views that might have been appropriate some prior period, but certainly are not an adequate prescription for tomorrow.&#13;
&#13;
(End of Interview)&#13;
</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Accessibility</name>
          <description>Copy/Paste below: &#13;
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
          <elementTextContainer>
            <elementText elementTextId="44271">
              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="48074">
              <text>1 Microcassette</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="65">
          <name>Rights Statement</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="50735">
              <text> Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11644">
                <text>Interview with John Anderson</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47728">
                <text>Anderson, John B. (John Bayard), 1922-2017 ;  McKiernan, Stephen</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47729">
                <text>audio/wav</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47730">
                <text>Legislators—United States;  Presidential candidates—United States;  Anderson, John B. (John Bayard), 1922-2017--Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47731">
                <text>Dr. John Anderson (1922 - 2017 ) was a United States Congressman and presidential candidate from Illinois. As a member of the Republican Party, he represented Illinois's 16th congressional district from 1961 through 1981.  Anderson had a law degree from the University of Illinois.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="47732">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47733">
                <text>2010-08-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47734">
                <text>In Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47735">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47736">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="47737">
                <text>McKiernan.Oral.10.2016.15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="108">
            <name>Date Modified</name>
            <description>Date on which the resource was changed.</description>
            <elementTextContainer>
              <elementText elementTextId="47738">
                <text>2017-03-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="117">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="47739">
                <text>McKiernan Interviews</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="125">
            <name>Extent</name>
            <description>The size or duration of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="47740">
                <text>108:03</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
